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#i've had this concept in my head for a while now
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and I begin to bloom like a lotus flower once again the Agust D trilogy
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emile-hides · 1 year
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Can I interest you all in my extremely self serving Mario and Luigi game concept featuring Gooigi and Metal Mario as alternate reality Mario Bros?
I’ve been calling it Mario and Luigi: Elementals and it sounds dumb and that’s because it is dumb
The basic premise is E. Gadd didn’t actually make Gooigi, rather Gooigi is from a Universe where everyone is made of one pure element, and Gooigi ended up in our reality on accident.
Kind of
He splatted through a portal and was pretty much all but dead or “broken” as his universe would put it, but E. Gadd of our world manged to “fix” him, bringing him back. The problem is he lost all his memories, and also can’t speak.
That was a year ago today.
The Mario Brothers are visiting Professor Elvin Gadd in his research laboratory to see his latest invention, and also learn that Stuffwell has become Gooigi’s right hand man, and can even understand his blurbly speech. 
E. Gadd’s been fascinated with the portal Gooigi origonally came through for some time now, and has finally made a device that will (hopefully) open it once again. Mayhaps he can get more goo, make more Gooigis! How exciting!
If only the blasted thing worked
His device doesn’t turn on, or work at all, so he sends Mario and Luigi around the lab to fix multiple things; jumping, using the Spin/High jump moves, Mario drinks and spits water, the usual stuff all gets tutorialed at once this way until he’s finally ready to try again.
This time a massive portal opens, sucking in everything in the lab, mostly Luigi who was right next to it. Mario grabs Luigi, E. Gadd grabs Mario, Gooigi grabs E. Gadd, and Stuffwell complains about his unfinished Arm Modificationings
Mario’s grip slips, and Luigi goes flying into the portal, which then closes.
Luigi wakes up in a forest where everything is made of Rock. The Trees, the Ground, the over sized Mushroom kingdom looking mushrooms, all pure rock. Like sculptures. He looks around, calls for Mario a few times, cowars a bit, and then starts to wander, eventually coming across another research lab like E. Gadd’s
Inside is Professor Ectoplasm Gadd, a gooy translucent, almost ghostly like version of Professor E. Gadd, along with Rock Toads; Toads made purely or unpolished, rough rocks.
Ecto Gadd looks up from his machine that is very much like E. Gadd’s portal machine, and immediately starts making a ruckus about Luigi’s Return. He sends the Rock Toads off to “Go get his brother!” and starts marveling at Luigi’s new unique make-up, asking what he’s made of now, and apologizing for the accident.
Luigi Italianese babbles that he has no idea what Ecto Gadd is talking about and starts explaining the portal, when the door breaks down.
“Goodness! I know you haven’t seen eachother for a year now but you didn’t have to break my door!”
Metal Mario puts the door down to the side gently and approaches Luigi, looks him all over, takes a few steps back, and then punches a random machine, destroying it.
It takes a few moments for the shock to were off and for Luigi to notice Metal Mario is really broken up over his missing brother. Luigi does his best to comfort him, a little There There back pat turned into a spine crushing hug from Metal Mario.
Ecto Gadd realizes this is the Wrong Luigi and explains the portal machine, and how he’d been working on it ever sense Goo Luigi went missing. Luigi recognizes “Goo Luigi” as probably being Gooigi, which Metal Mario responds to by grabbing Luigi by his overall straps, picking him off the ground, and shaking him in a “You know where me brother is???? Where??? Take me to him!!!” kind of way.
Ecto Gadd says he can get the portal open again, but he needs more power for his machine to work and stabilize the portal, so he sends Luigi and Metal Mario off to the Plasma Kingdom together.
This is where gameplay starts and also my story concept kind of ends, so this is just all my thoughts mashed together now
You play as two sets of Bros through most the game (this first mission has them mixed up, but eventually swaps them back correctly); Mario and Luigi, and Gooigi and Metal Mario.
Mario plays the same as usual Mario games, High Attack and Speed, Low Defense and Health, if you don’t watch him he’ll become a Glass Canon
Luigi also plays the same, High Defense and Health, Low Attack and Speed, a random extra bit of Stache, might fall behind Mario if you’re not careful
Metal Mario plays sort of like an Extreme Luigi, with wild high defense and stupid slow, but he also hits like a truck with a crazy attack stat. He’ll go after everything else, but he will also likely kill it all in one hit. Also his and Gooigi’s Stache stat is called Sheen and might cause enemies to miss, rather than they randomly get lucky hits. They’re shiny.
Gooigi in turn is like an Extreme Mario, Wicked speed and abysmal defense, but with no attack to back it up. Instead, almost all of Gooigi’s basic attacks inflict status; Poison, Sleep, and Stuck (a Gooigi exclusive status in which the enemy is stuck in goo and can’t move), making him more of a set up for Metal Mario than his own attacker.
You switch between the two groups on set story beats as they traverse eachother’s worlds; Our usual Bros in the new Element lands, and the Element Bros in the usual Mushroom Kingdom worlds. Think like Bowser’s Inside Story meets the Peach sections of the Paper Mario games.
Mario and Luigi can do their usual jumps, the spin and high jumps, they cannot be separated, and eventually get the elemental Fire and Thunder attacks from Super Star Saga, and the Bros Ball from Partner’s in Time. These are also their Bros Attacks. No more shell or fire flower or weird surprise tube I hate those things.
Metal Mario and Gooigi get the hammer abilities, Metal Mario can smash Gooigi over the head to make him small and fit into small spaces and Metal Mario can drill into the ground to get beans. The two can be separated, usually when Metal Mario explores the ocean floor, as Gooigi dissolves in water and Metal Mario sinks.
I can’t decide what Metal Mario and Gooigi’s bros attacks will be. The main thing with them is they’ve been separated for a full year, and Gooigi’s memories are still missing, so they’re not as in-sync as the normal Bros are. Maybe they can have Bros Items from Partner’s in Time?
They’re a lot like the babies from Partner’s in Time I think, more immature and juvenile in my head. Metal Mario constantly forgets his own strength and breaks things on accident, and Gooigi is eager to help anyone who’ll give him a task. They’re both childishly curious about the world around them.
The twist would be someone sent Gooigi through that portal on purpose to get rid of him. I’m thinking a version of King Boo from this Elemental Dimension, but I haven’t thought on it too hard just yet. Maybe Ecto Gadd did it. That’d be fun.
Rose Gold Peach is there and she’s called Rose Gold Peach not Pink Gold Peach I hate that name she is Rose Gold and she’s a lot like Metal Mario in that she forgets her own strength a lot and ends up hurting regular Mario in funny slapstick ways just by interacting with him a lot.
The previously mentioned Plasma Kingdom is the Element Lands version of the Koopa Kingdom. I’ve been trying to decide if I want Bowser to be just pure Fire or not. Magma Bowser maybe? Where some of his upper layer has cooled so he looks like Bowser’s Fury Bowser in color scheme? The Goombas are wooden because I think that’s funny.
I also think the Elemental Bowser and Mario have a much more extreme rivalry compared to our usual duo. Where Mario and Bowser can square off every here and there and then also play tennis, the Elemental Mario and Bowser will fight to the death if squared off together. This Bowser also doesn’t have the Romantic Feelings for Peach to soften him, he wants her just as dead as he wants Mario.
His only soft spot then would be Bowser Jr., who I don’t know if he should be included because it feels like too many main story characters, but he’d be made of paint, and be gooy and fragile like Gooigi, this why Bowser, a Magma/Rock being, is so protective of his soft son.
Finally, I want Wario and Waluigi to be a sort of Rival Encounter to Metal Mario and Gooigi, Like Mid bosses that show up every other big event a little stronger than previously, sense they’re extreme versions Mario and Luigi, much like this version of Gooigi and Metal Mario are.
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booperbeanv3 · 2 years
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Hey! This is my final piece for the HatoKare zine. The zine had a tumblr, but some stuff ended up going awry and all... Shit happens. They have Twitter though! The contributors tried their hardest to make things work, and since it’s a free PDF you can see higher quality versions of everyone’s stuff without much hassle.
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ereborne · 2 months
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Song of the Day: February 26
“Diamonds in the Mud” by Gerry Cinnamon
#song of the day#another song off that same excellent concept playlist by losersimonriley#there's so many more Scottish bands added to my circulation now it's wonderful#this is a song specifically about Glasgow being his hometown so he uses more of his accent for it which I love#I've been pestering my brothers with accent and slang fun facts for a while now#more or less since the first time somebody had Soap use a particular Scottish saying in their CoD fic and made me go over all !!!!#'innsidh na geòidh as t'fhoghar e' translates to 'the geese will tell it in autumn' and reading that nearly made me explode#because when I was a small child and I asked my uncle too many 'why' questions he told me not to worry about it#that the geese would tell me next fall#amazing to me to find out decades later through Call of Duty fanfiction that that's an actual phrase#preserved for who knows how many generations between the first Scottish folks who must've brought it to Appalachia#and then eventually my Uncle Tommy who decided to use it to turn the aggravation tables around on a child#I'm thinking about that again now not just because it still blows my mind a little bit#(really truly had so firmly accepted it as just my Uncle Tommy trolling me with nonsense. it's such a thing he'd do)#but also because of a specific bit from the end of the song 'it's thirteen degrees and there's folk in the street in the scud'#that's just under 60F (a blissfully warm sunny day in Glasgow it seems) and 'in the scud' means 'naked'#which is also a thing I've almost heard from my family!#my aunts up the mountain and therefore also my father at times would say 'in the scuff' (my aunts with a little tilt to the vowel sound)#there was a sort of connotation of it being a silly or immature or maybe drunken sort of naked. an unimpressive naked at least#like 'Tommy fell into the muddy end of the pond trying to catch that damnfool heron' (this is a true story btw. take that Uncle Tommy)#'when he got back his wife made him take off all his clothin in the yard and hose down first. had to walk into his house in th scuff'#and then all the old ladies cackle about Tommy walkin through his door 'both heads hangin low' and my dad winces a little bit#it's important I share all these memories with my siblings now. most of the family's dead and gone and the boys don't remember#very fun for me to tell the stories now and see Nick do the exact same wince at the slightly mean-spirited dick commentary#just a little family legacy in action. thank you Gerry Cinnamon#(in the spirit of song-of-the-day though I will share my favorite line without the contextual boost of silly ereborne family stories:#'I know a guy who's a lightweight one or two jars and he's buckled#he's the guy that loses keys has to break into his ain house and gets huckled'#ungodly fun to sing and I do know several of this guy. not related to them though. my whole family drinks like fish)
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sometimes-stufful · 8 months
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Hey guys. It's been um *checks watch* like 5 or 6 years since I've used this blog. How's everybody doing? Sorry for the unannounced hiatus all that time ago.
I don't know if this blog will become active again. However there is a good chance that it might! I'm starting to create a plot for the blog's characters (because I still love them dearly), so hopefully I can create that and get this show up and running again. I've also been updating everyone's refs. So even if I don't come back to posting here officially, I think I'm going to at least upload those. I also have some new characters in the works that I may post refs for if I don't go thru with returning/making this blog more plot-centric.
I really do want to return to sometimes-stufful. However I'm an adult now (I'm literally about to turn 25 in 10 days, holy shit), and the past few years have been rough as hell on my mental health. I've lost a lot, and am just starting to heal from everything that's gone down. And I work full time, and have a datemate now, so finding the chance to draw is difficult. But this blog helped me on my art journey before. And I'd love to use it as an excuse to draw more, which is the main thing that pulling me back into the pokemon ask community. Another thing that's been pulling me back is the strong af urge to create content for my characters. Because I still love them so very much. I think about them so often that I want to put them in Situations and share it all with you. Although first I wanna get better at drawing humans lol (its relevant I swear). But I could get back into the swing of drawing some 'mons if I really set myself out to.
Let's see how it all goes. I'll keep you all updated. For those of you who have stuck around waiting so long, thank you. I hope to join you in this community again soon.
In the meantime, here's where you can find me and my artwork:
Main blog Toyhouse Artfight
#daily pokemon#mun shoosh#Yeah I'm not dead I just Came Back Wrong#but I'm ok#things are getting better so hopefully that means I can return here#I moved like a year and a half back to the suburbs with my fam and am now trying to find a place to move to with my datemate#when I move with my datemate I'll have more free time I think#or at least I'll be a lot less stressed so I'll feel good enough to draw#which has been the main thing holding me back for a long time besides time restraints#although time is less of an issue. I was able to participate in artfight for instance with little issue#besides my own desire to draw (which can be affected by my mood and my job and hone life stress me out A LOT)#before I was able to be left alone for hours while visiting my dad's place so I had time and freedom to do as I pleased#but my dad isn't here anymore and I don't have a space to escape to like that anymore either#when I move I will tho. my datemate and I are both the sorts to want a long period of Me Time where we're left alone to enjoy some peace#but I think rn I could squeeze in some time to draw again#lets see how it goes#I really want to solidify the plot I've been rotating in my head tho#rn I only have some concepts ideas#and an idea for the newest sometimes-stufful post I'd make introducing the beginning of said plot#like I can see that post super clearly in my mind. but Im nit gonna make it til I have more stuff planned#so stay tuned. hopefully I'll be able to give you guys something#although I have a longterm fanfic/book series that Im working on (warrior cats related lol)#so finding the motive to manage multiple stories at once is difficult#but the way I'd tell this story is more visual vs the one I've been working on which is all written#so maybe I can motivate myself to do bith cause they're different#idk yet. lets see
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[image description: the front and back covers of an album. the imagery is a thicky, dithery diagonal stripe of relatively light gray against a very muted green background. the top right and bottom left corners are the most left out of the stripe, and in the two is the text, in bold black & all caps, “demonstratives”, and, handwritten in a dark navy, “& other parts of speech,” respective to each corner. the second image has a background that is again the dithery gray against green, this time in an unclear spiral pattern that covers up more of the green. taking up much of the space is more of the black text, listing: “1- prequel to penpals (inst), 2- platonic solids, 3- big light, little light, 4- fits better than a glove, 5- sweet dreams (inst), 6- friends with myself, 7- misfortune in gardening, 8- leave a message.” at the very bottom, handwritten in a much lighter gray, is “made, in all kinds of ways, by the Fog,” with “by the Fog” separate from the rest of the words, aligned to the right corner rather than the left. end i.d.]
presenting! demonstratives: and other parts of speech, a demo ep by the fog, definitely coming to a hypothetical future near you.
featuring eight main tracks, comprising six originals, one of which is an instrumental, and two covers- big light, little light by wendell levi ratliff, and sweet dreams by yes -one of which is another instrumental. also featuring two bonus tracks, another couple of covers- next nest by satsuki ga tenkomori, and prelude in classic style by gordon young -another one of which is, by nature, an instrumental.
some trivia about this ep: the final tracklist was actually completed before 11/15/22. therefore, the cover of “big light, little light” came about in relation to the demo, rather than the version of the track that released for real on an ep on 11/27/22. also, though it is listed on the back of the album cover as “leave a message,” the final track is actually named “(the connection’s bad) leave a message.”
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girlscience · 1 year
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PLEASE tell me about your Fae Prince I am very interested
YES. Okay so backstory, he is a mage and was always super adept at magic, and he can shapeshift into a huge golden dragon. His dragon form is like an eastern dragon and doesn't have wings, but can still fly, and has gold scales and has a mane of black hair traveling down its back. He used to spend approximately 90% of his time in his dragon form. However, the kingdom he lives in and another got in a war and a mage from the other kingdom cursed him so that he lost his magic and couldn't shapeshift anymore. The prince was very involved in the war and so the other kingdom was hoping that without his magic he wouldn't be as much of an asset which would mean some of the leaders in the war would be rerouted to try and fix the curse, but that didn't happen. Even without his magic or dragon form, he was still a good military leader/strategist and skilled fighter. He deemed that his lack of magic wasn't important enough to distract from the war, so they put the curse sort of on the back burner and ended the war and now that they are in peace times again they are trying to fix it. There is something called Wild Magic (it's sort of the fantasy version of the Force) that has impressed upon the King and Queen's minds that they need to have this contest type thing to find the person that will break the prince's curse and that the person who can break it is supposed to marry the prince. The prince is super pissed that he can't just break it himself and is not a fan of the whole thing. In the end the human who breaks it doesn't actually break it alone, they just help him make it through the magic forest because no one could survive there alone and then after making it through he does the last steps to break it himself.
So outside of the fact he can turn into a dragon (which is super cool) something I also really like is that I have essentially made him into the fae version of a him/him lesbian. What I mean is that I think that the fae have pronouns specific to the nobility titles, so even though I am using he/him in english, in the fae language they wouldn't signify gender, they would signify his title. So he is a woman, but he is also the prince so his pronouns mean prince, not woman, and then when he is crowned king his pronouns will change and then will be the pronouns that mean king.
Unfortunately, I don't have a name for him yet. But I do know in his human form he has black hair that falls to about his waist, tan skin, and dark black eyes that change to gold cat/lizard/dragon eyes once he gets his magic back.... I think that covers most things about him. I have been rotating him in my head for a few days now and he is significantly more interesting and fleshed out than he was at the beginning lol.
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queer-ecopunk · 6 months
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So, I'm trans. And several years ago, I was at my great grandfather's funeral. 17, newly on T, barely out to anyone other than my close friends and family. And I'm standing there at the refreshment's table, surrounded by strangers and members of my family's church, when George walks up to me.
This man is ancient, bent like a finger and frail. Tufts of white hair surround his wrinkled face. Like always, he's wearing thick glasses, massive hearing aids, and his veteran's hat. George was my first introduction to the concept of war, when he told me as a child why he was missing two fingers on his hand. He's been a fixture at church since I can remember. I've only ever seen him at there or in uniform at parades, the rest of his time spent in a nursing home somewhere. He picks up a deviled egg and says, in his quiet voice,
"You know, before your grandfather died, he told me that now he had 3 grandsons."
I'm frozen in place. I don't know what to say to that, if I should say anything at all. This is not a conversation I expected to have, especially not with this man. But he continues.
"I didn't know what he meant! So he explained it to me."
And I can imagine it. My great grandfather, uninformed and opinionated but supportive, explaining to his friend the news he barely understood himself over after-service coffee and cookies. His eldest grandchild was now a boy.
"And, you know, I didn't know what to think."
Here, George looks me up and down. This 90-something year old war veteran, who knew me mostly as the little girl playing in the church kitchen with his wife, processing what my great grandfather had really meant. It feels like a long pause, even thought it probably passed in a second.
"But you look good. So, eh!"
And then he smiled, shrugged, and walked away without another word. If I was fine, if I was happier, then that's all that mattered.
George passed away this week, at the age of 99. This memory has been bouncing around in my head for a while, but I wasn't sure if or how I should share it. It was a conversation that meant very little, but also meant the world. It was scary, and funny, and the moment when I realized that sometimes the people you least expect will accept you. Sometimes, even if they don't fully understand, even if they barely know you, someone will choose to support you. And that will always matter.
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crazy-pages · 5 months
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I'm going to throw my two cents in to the conversation about why James Somerton didn't get caught earlier. Part of the answer is of course that he did get caught, he just bullied and lied to get away with it for a while, but I know a lot of people still express confusion. And of course he went out of his way to make sure his audience didn't know about other queer history sources other than himself. But still. How could he have so many viewers of his videos and none of them had seen X source material?
Well. To be blunt, most of his videos were pretty basic. He tended to copy the highlights of what he was plagiarizing, not the really advanced stuff. And insofar as he copied the advanced stuff, he had a tendency to chop it up and serve it out of context alongside other plagiarized work. The material he was presenting was revolutionary to an audience unfamiliar with queer history, but like. I'm guessing 'Disney villains are queer coded' is not exactly a new concept to the kind of people who read multiple books about queer coding in film.
Now I'm not a film studies person, I'm a physicist. But you know what I do when I get a video in my YouTube recommendations about some fairly basic physics concept?
I skip it. No shade to the creator, but like. I hit that topic a decade ago and I've added literally thousands of hours of studying and research to my brain since. I'm just going to give it a pass, all right?
These kinds of videos self-select for an audience which isn't going to be familiar with the source material. The people who know it are unlikely to keep listening after the first minute or so.
And you've got to remember how much of this content the experts have consumed! With very few exceptions for weird little things that stuck in my head after all these years, I would probably not notice a physics explanation plagiarized from one of my textbooks! Not because I wasn't intimately acquainted with the textbook, but because I was intimately acquainted with many such textbooks. Spend enough time learning this stuff and it all blurs together a little bit. Does this explanation sound familiar because you've heard it before, or because you've just read books which cover this specific topic seven different times? And does that wording or that example ring a bell because it's plagiarized, or because it's common to the field?
Catching this kind of plagiarism requires having the kind of people who are already familiar with these sources, and therefore uninterested in video summaries on the topic, to watch the video. And among those people who do, it requires them to match Somerton's words to one specific source on the topic out of many, that they probably read quite some time ago. And then you have the filter of how many of those subject matter experts have the source on hand to check, to turn a vague "...hmm" into something solid.
If you know enough about queer history to say that some of his plagiarism was obvious, now that you've watched the video, then you should remember that there is a reason you probably weren't one of the people watching his videos! And because YouTube promotes videos through algorithmic engagement, none of this stuff has to pass the sniff test for any other expert in the field before it gets released. No experts have to like it for it to get published or for it to get good reviews or for it to get a recommendation in, I don't know, the New York Times.
The only people who have to like the videos for them to get traction are people who are just trying to learn introductory queer history and film theory. The exact people who aren't going to notice this. And for those of you who to whom it is obvious, ask yourself. When was the last time you watched a basic level queer history introduction on YouTube?
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artsekey · 5 months
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Disney's Wish
Look, Disney's Wish has been universally panned across the internet, and for good reason.
It’s just…kind of okay.
 When we sit down to watch a Disney film—you know, from the company that dominated the animation industry from 1989 to (arguably) the mid 2010’s and defined the medium of animation for decades—we expect something magnificent. Now, I could sit here and tell you everything that I thought was wrong with Wish, but if you’re reading this review, then I imagine that you’ve already heard the most popular gripes from other users across the web. So, let me focus in:
The biggest problem with Wish—in fact, the only problem with Wish—is Magnifico.
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Whoa, that’s crazy! There’re so many things about Wish that could’ve been better! The original concept was stronger! The music was bad--
I hear you, I do. But stay with me here, okay? Take my hand. I studied under artists from the Disney renaissance. I teach an adapted model of Disney’s story pipeline at a University level. I spent a ridiculous amount of time getting degrees in this, and I am about to dissect this character and the narrative to a stupid degree.
First, we need to understand that a good story doesn’t start and end with what we see on the screen. Characters aren’t just fictional people; when used well, characters are tools the author uses (or in this case, the director) to convey their message to the audience. Each character’s struggle should in some way engage with the story’s message, and consequently, the story’s theme. Similarly, when we look at our protagonist and our antagonist, we should see their characters and their journeys reflected in one-another.
So, what went wrong between Asha & Magnifico in terms of narrative structure?
Act I
In Wish, we’re introduced to our hero not long into the runtime—Asha. She’s ambitious, caring, and community-oriented; in fact, Asha is truly introduced to the audience through her love of Rosas (in “Welcome to Rosas”).  She’s surrounded by a colorful cast of friends who act as servants in the palace, furthering her connection with the idea of community but also telling us that she’s not of status, and then she makes her way to meet Magnifico for her chance to become his next apprentice.
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Quick aside: I'm not going to harp on Asha as a character in the context of Disney's overall canon. Almost every review I've seen covers her as a new addition to Disney's ever-growing repertoire of "Cute Quirky Heroines", and I think to be fair to Asha as an actor in the narrative, it serves her best to be weighed within the context of the story she's part of.
As Asha heads upstairs for her interview, we're introduced to the man of the hour: Magnifico. He lives in a tower high above the population of Rosas, immediately showing us how he differs from Asha; he’s disconnected from his community. He lives above them. He has status. While the broader context of the narrative wants us to believe that this also represents a sense of superiority, I would argue that isn’t what Magnifico’s introduction conveys; he's isolated.
Despite this distance, he does connect with Asha in “At All Costs”. For a moment, their goals and values align. In fact, they align so well that Magnifico sees Asha as someone who cares as much about Rosas as he does, and almost offers her the position.
… Until she asks him to grant Saba’s wish.
This is framed by the narrative as a misstep. The resonance between their ideals snaps immediately, and Magnifico says something along the line of “Wow. Most people wait at least a year before asking for something.”
This disappointment isn't played as coming from a place of power or superiority. He was excited by the idea of working with someone who had the same values as he did, who viewed Rosas in the same way he does, and then learns that Asha’s motivations at least partially stem from a place of personal gain.
Well, wait, is that really Asha's goal?
While it's not wholistically her goal, it's very explicitly stated & implied that getting Saba's wish granted is at least a part of it. The audience learns (through Asha's conversation with her friends before the interview) that every apprentice Magnifico has ever had gets not only their wish granted, but the wishes of their family, too!  Asha doesn’t deny that this is a perk that she’s interested in, and I don't think this is a bad thing.
So, Is Asha’s commitment to Saba selfless, or selfish? I’m sure the director wanted it to seem selfless, wherein she believes her family member has waited long enough and deserves his wish granted, but we can’t ignore the broader context of Asha essentially trying to… skip the line.
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Then, we get our first point of tension. Magnifico reveals his “true colors” in snapping at Asha, telling her that he “decides what people deserve”. This is supposed to be the great motivator, it’s meant to incite anger in the audience—after all, no one gets to decide what you deserve, right? But unfortunately for the integrity of the film and the audience's suspension of disbelief, at least part of Magnifico’s argument is a little too sound to ignore:
Some wishes are too vague and dangerous to grant. Now, there’s visual irony here; he says this after looking at a 100 old man playing the lute. The idea that something so innocuous could be dangerous is absurd, and the audience is meant to agree.
... But we’ve also seen plenty of other wishes that might be chaotic—flying on a rocket to space, anyone? The use of the word vague is important, too—this implies wording matters, and that a wish can be misinterpreted or evolve into something that is dangerous even if the original intent was innocuous. His reasoning for people forgetting their wish (protecting them from the sadness of being unable to attain their dreams) is much weaker, but still justifiable (in the way an antagonist’s flawed views can be justified). The film even introduces a facet of Magnifico’s backstory that implies he has personal experience with the grief of losing a dream (in the destruction of his home), but that thread is never touched on again.
              What is the audience supposed to take from this encounter? If we’re looking at the director’s intent, I’d argue that we’ve been introduced to a well-meaning young girl and a king who’s locked away everyone’s greatest aspiration because he believes he deserves to have the power to decide who gets to be happy.
              But what are we shown? Our heroine, backed by her friends, strives to be Magnifico’s apprentice because she loves the city but also would really like to see her family's wishes granted. When this request is denied and she loses the opportunity to be his apprentice, she deems Magnifico’s judgement unfair & thus begins her journey to free the dreams of Rosas’ people.
              In fairness, Magnifico doesn’t exhibit sound judgement or kindness through this act of the film. He’s shown to be fickle, and once his composure cracks, he can be vindictive and sharp. He's not a good guy, but I'd argue he's not outright evil. He's just got the makings of a good villain, and those spikes of volatility do give us a foundation to work off of as he spirals, but as we’ll discuss in a bit, the foreshadowing established here isn’t used to the ends it implies.
              While I was watching this film, I was sure Magnifico was going to be a redeemable villain. He can’t connect with people because he's sure they value what he provides more than they value him (as seen in “At All Costs” and the aftermath), and Asha’s asking for more was going to be framed as a mistake. His flaw was keeping his people too safe and never giving them the chance to sink or swim, and he's too far removed from his citizens to see that he is appreciated. Asha does identify this, and the culmination of her journey is giving people the right to choose their path, but the way Magnifico becomes the “true” villain and his motivations for doing so are strangely divorced from what we’re shown in Act I.  
Act II:
His song, “This is the Thanks I Get!?” furthers the idea that Magnifico’s ire—and tipping point—is the fact that he thinks the people he’s built a kingdom for still want more. Over the course of this 3:14 song, we suddenly learn that Magnifico sends other people to help his community and doesn’t personally get involved (we never see this outside of this song), and that he’s incredibly vain/narcissistic (he's definitely a narcissist). I think feeling under-appreciated is actually a very strong motivation for Magnifico as a character-turning-villain, and it works very well. It’s justified based on what we’ve seen on screen so far: he feels under-appreciated (even though he’s decidedly not—the town adores him), he snaps and acts irrationally under stress (as seen with his outburst with Asha), and he’s frustrated that people seem to want more from him (again, as seen with his conversation with Asha in Act I).
              But then… he opens the book.
Ah, the book. As an object on screen, we know that it's filled with ancient and evil magic, well-known to be cursed by every relevant character in the film, and kept well-secured under lock and key. But what does it stand for in the context of the narrative's structure? A quick path to power? We're never told that it has any redeeming qualities; Magnifico himself doesn't seem to know what he's looking for when he opens it. It feels... convenient.
I think it's also worth noting that he only turns to the book when he's alone; once again, the idea of connection and community rears it's ugly head! Earlier in the film, Amaya-- his wife-- is present and turns him away from taking that path. In her absence, he makes the wrong choice.
This decision could make sense; it contains powerful magic, and if it were framed in such a way that the people of Rosas were losing faith in Magnifico’s magic, as if what he can do might not be enough anymore after what they felt from Star, going for the book that we know contains spells that go above and beyond what he can already do would be logical. Along the lines of, “If they’re not happy with what I do for them, fine. I, ever the “martyr”, will do the unthinkable for you, because you want more.”
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            It would keeps with the idea that Magnifico believes he's still trying to help people, but his motivation has taken his self-imposed pity party and turned it into resentment and spite.
 But, that’s not the case. Instead he talks about reversing that “light”, which has had no real negative or tangible consequences on Rosas. Everyone had a warm feeling for a few seconds. Again, it’s meant to paint him as a vain control freak, but… he hasn’t lost any power. The citizens of Rosas even assume the great showing of magic was Magnifico.
Act III
              Then, we get to the consequences of opening the book (and perhaps my biggest qualm with this film). The book is established as being cursed. Magnifico knows it, Asha knows it, and Amaya—who is introduced as loyal-- knows it. The characters understand his behavior is a direct result of the book, and search for a way to save him. This is only the focus of the film for a few seconds, but if you think about it, the fact that his own wife cannot find a way to free him of the curse he’s been put under is unbelievably tragic. Worse still, upon discovering there is no way to reverse the curse, Magnifico—the king who built the city & “protected it” in his own flawed way for what seems to be centuries—is thrown out by his wife. You know, the wife who's stood loyal at his side for years?
              It’s played for laughs, but there’s something unsettling about a character who’s clearly and explicitly under the influence of a malevolent entity being left… unsaved. If you follow the idea of Magnifico being disconnected from community being a driving force behind his arc, the end of the film sees him in a worse situation he was in at the start: truly, fully alone.
              They bring in so many opportunities for Magnifico to be sympathetic and act as a foil for Asha; he’s jaded, she’s not. He’s overly cautious (even paranoid), she’s a risk-taker. He turns to power/magic at his lowest point, Asha turns to her friends at her lowest point. Because this dichotomy isn’t present, and Magnifico—who should be redeemable—isn’t, the film is so much weaker than it could’ve been. The lack of a strong core dynamic between the protagonist and antagonist echoes through every facet of the film from the music to the characterization to the pacing, and I believe if Magnifico had been more consistent, the film would’ve greatly improved across the board.
I mean, come on! Imagine if at the end of the film, Asha—who, if you remember, did resonate with Magnifico’s values at the start of the film—recognizes that he's twisted his original ideals and urges him to see the value in the people he’s helped, in their ingenuity, in their gratitude, & that what he was able to do before was enough. Going further, asking what his wish is or was—likely something he’s never been asked— and showing empathy! We’d come full circle to the start of the film where Asha asks him to grant her wish.
Pushing that further, if Magnifico’s wish is to see Rosas flourish or to be a good/beloved king, he'd have the the opportunity to see the value in failing and how pursuing the dream is its own complex and valuable journey, and how not even he is perfect.
 The curse and the book (which, for the purposes of this adjustment, would need to be established as representing the idea of stepping on others to further your own goals/the fast way to success), then serve as the final antagonist, that same curse taking root in the people of Rosas who’ve had their dreams destroyed, and Asha works with the community to quell it. Asha’s learned her lesson, so has Magnifico, and the true source of evil in the film—the book—is handled independently. Magnifico steps back from his role as King, Amaya still ends up as Queen, and Asha takes her place as the new wish-granter.
This route could even give us the true “Disney villain” everyone’s craving; giving the book sentience and having it lure Magnifico in during “This is the Thanks I Get!?” leaves it as its own chaotic evil entity.
All in all, Magnifico's introduction paved a road to redemption that the rest of the film aggressively refused to deliver on, instead doubling down on weaker motivations that seem to appear out of thin air. Once the audience thinks, hey, that bad guy might have a point, the protagonist has to do a little more heavy lifting to convince us they're wrong.
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Look at the big-bad-greats from Disney's library. There isn't a point in the Lion King where we pause and think, "Wait a second, maybe Scar should be the guy who rules the Pridelands." Ursula from the Little Mermaid, though motivated by her banishment from King Triton's Seas, never seems to be the right gal for the throne. Maybe Maleficent doesn't get invited to the princess's birthday party, but we don't watch her curse a baby and think, Yeah, go curse that baby, that's a reasonable response to getting left out.
What do they all have in common? Their motivation is simple, their goal is clear, and they don't care who they hurt in pursuit of what they want.
Magnifico simply doesn't fall into that category. He's motivated by the idea of losing power, which is never a clear or impactful threat. His goal at the start seems to be to protect Rosas, then it turns into protecting his own power, and then-- once he's corrupted-- he wants to capture Star. The problem is, there's no objective to put this power toward. Power for power's sake is useless. Scar craves power because he feels robbed of status. Ursula believes the throne is rightfully hers. Maleficent wanted to make a statement. Magnifico... well, I'm not really sure.
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needle-noggins · 11 months
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(CW for SA, suicidal ideation) Here we go. My favorite and simultaneously least favorite panel of Vash and Knives.
I've seen a few interpretations of this scene and before we dive into the one that really struck me, let's start with the more... chill one. We're finally introduced to the third gun of Trigun, Vash's angel arm. And the way we're introduced to it involves Knives forcing him to pull the trigger. Of course, since no one knows anything about Knives, the people of Noman's Land blame Vash for Fifth Moon, and Vash likewise blames himself (this is kinda a spoiler but if you've been paying attention, it's just par for the course). However, he's not the one who pulled the trigger, Knives is. It brings up an interesting moral question of blame - do we blame the gun (and Vash, who is being used/objectified as a weapon here), or the person who wanted it to happen? Guns don't kill people, genocidal twins do!
Now for the awful interpretation, the one that makes me cry and wish Vash was real so I could hug him and pay for his therapy. And really highlights how awful Knives is and how far he'd go for his brother in his own, fucked-up way. I touched on this in a previous post about Legato and the Murder Cafe, and the whole time I was thinking about Fifth Moon but didn't want to say anything for the sake of spoilers.
So. Pay attention to the way Vash and Knives are standing. Knives, when he first grabbed Vash's head, was standing in front of him. He moves behind him to better control him and yeah, he's still controlling him via hand on head, and now he's got his other hand gripping Vash's chest, where feathers/wings are manifesting. Knives is assaulting him. If you wanna get crazy with it and say that the angel arm is kinda phallic, you could say... yeah. This is rape. I heard that specific interpretation once and while I accepted it I also don't know if that would be generally accepted or if I'd be called out for it, so I'm trying to tread lightly here.
It also doesn't escape me that of course the angel arm has feminine features like the plants - the plants that, again, humans are exploiting for their ability to create. There's a lot of feminist commentary to be made here but many people have said it better than me. Specifically I'm thinking of this one post I saw about gender fuckery and Tristamp Vash. Anyway.
Also, the atomic bomb/black hole/sun/whatever that is in the middle... It's just so powerful. It's terrifying. The eldritch body horror here is a punch to the gut. What the fuck, Trigun? I thought this was a funky space western!!!
Oh, and here's more commentary on the following few panels:
Vashussy shot, Knives is still right behind him. Yeah, I wasn't kidding about how bad this pose is for them. Knives, you sick fuck.
Vash shoots himself in the leg (a key difference from '98 trigun, lol), because of course he does, but it doesn't free him from the arm.
The arm's getting darker/the light inside is getting lighter! Stampede did an awesome job with their interpretation of the angel arm and I don't think I would have understood it without that. Also, on my first read I didn't notice that Vash is literally levitating, which is cool, but also terrifying because ?? he's not in control of that either??
Finally. A super painful, minimalist, double-page spread. Nightow loves 'em. Vash thinks he's dying (maybe?) and he wishes he had never existed. It's not suicidal ideation per se, but he wishes he didn't exist at all because he's already caused enough suffering. This is a low for him, because he believes so strongly in the concept of the Blank Ticket. (Come on, soupy brain bitch boy, get it together!) He's a monster, it's just how he was born, and he's not in control. Very specifically too, he says "we", and then changes it to "I"... he doesn't blame Knives at all, and that's very him. I want to shake him! Stop playing the martyr, Vash!
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yuri-is-online · 10 months
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Out With the Old (Heartsabyul, Savanaclaw, and Octavinelle x Yuu)
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"Look I would get rid of this thing if I could afford a new sweatshirt." You drag the offensive article of clothing over your head completely missing the spark of curiosity and mischief in your companion's eye. "I've got a lot of bad memories associated with this."
"If it's that uncomfortable we can go look for a replacement instead of-"
"Oh no not like that, it's super comfy. I just don't like it because it technically belongs to my ex."
notes: they/them used for Yuu, some questionable behavior from Floyd and Jade because who else? This is meant to be crack. Second part can be found here (x)
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Riddle- "THAT'S LITERALLY ILLEGAL???"
He is too focused on hyperventilating because it sounds like you just admitted to a crime in front of him to even think about offering you one of his sweaters. Trey and Cater have to break it down for him unpaid therapist style that no, you are not wearing stolen property (probably), borrowing clothes is just something people in relationships often do. He then further needs it explained that no, you are not still in a relationship and since you want to get rid of the shirt it sounds like things ended poorly. His friends want to try and suggest he should give you an article of his clothing to replace the offending one but he's so focused on getting you something that matches dress code that they decide to quit while they're ahead. Literally.
Trey- "You know you can always ask us if you need help, right?"
Vil's right about Trey's tendency to fuss and spoil people being a bit of a flaw; he's in tune enough with his emotions to know that he should not, for his own sake, give you one of his old sweatshirts without being honest about why he wants you to wear it. But he can't exactly deny his instincts when it comes to the people he cares about. You're cold and uncomfortable, what sort of guy would he be if he just left you all alone? Just please don't brush this off with a comment about how much of a big brother or mother hen he is; it is already going to be pure torture trying to look at you in his things in a Queen of Hearts honoring way. He doesn't need an added complex on top of it.
Cater- "Oh honey no."
Cater doesn't like keeping stuff his exes gave him either, but luckily for him he's never been in a position where that's literally only the stuff he had on him. Speaking of things, he buys a bunch of clothes off magicam he barley has time to take the tags off of before the trend goes stale. You guys should totally ditch what you were planning to do today and have a little fashion show in his room. It'll be cute and he can get a bunch of cammable shots! Just ignore the pop music club hoodie he refuses to take back because it looks "so much cuter on you." <3
Ace- "That's extremely lame prefect."
He isn't blind; you're cute and poor. Anyone would jump at the chance to let you steal a hoodie, besides Ace isn't insecure enough to be super jealous of someone you clearly hate. He knows you well enough to tell when you are silently wishing death on someone, it's all in the vocal tone. But damn if this new bit of information doesn't make things tricky. He already makes a big fuss about not needing to focus on dating right now, and with that iconic sweatshirt of yours technically belonging to an ex it's not like he can just slide you one of his without making it super obvious what he's doing. Looks like you're just going to have to take some extra teasing for a bit prefect, it's his preferred method of cope.
Deuce- "You've been here for how long and the Headmage hasn't given you any clothes?!?!"
Deuce is a good egg whose primary concern is almost always your well being. He tends to act before his common sense and emotions can catch up with his thought process, and that's exactly what happens here. The concept of you dating someone is just so... foreign to him. Not because he thinks your undesirable! It's just that you guys are always hanging out, you not being around makes him feel a bit funny inside, and not in a good way. He doesn't mention that to his mom when he texts her asking if she has any of his old clothes laying around, but she definitely knows what's on his mind. Why else would she have sent his old delinquent jacket?
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Leona- "Well that explains why it smells like shit."
Let the record show that Leona is in fact, lying to you. Your clothes don't smell like anything other than you and maybe some of the musk floating around Ramshackle Dorm, but that doesn't stop you from pulling the fabric and taking a good sniff. To Leona, all this really suggests is that you've been over the person long enough that you don't care about keeping their scent around anymore. Sure, a tiny thought does worm it's ugly way into his inferiority complex that "oh they liked someone else" but his equally large ego immediately slams the emphasis on "liked" and starts thinking about how to get his scent on you. He doesn't really own too many jackets like the one you're wearing, but he does have some nice silk scarfs he could wrap you up in. Much classier than whatever trash you had previously been going out with.
Ruggie- "You wanna toss it my way then?"
Clothes are clothes are clothes, you don't see Ruggie acting like his uniform is still Leona's just because that's who originally bought it. If you are really bothered by the memories of your ex, he's willing to listen and make fun of them, assuming that will make you feel better, but this won't make him jealous. That emotion is reserved for when you share food with other people. He is dead serious about taking the sweatshirt if you don't want it, as far as he's concerned that shirt belongs to you, and he wouldn't mind having an excuse to blend your wardrobes a little bit. It would make you even closer to being a real member of his pack.
Jack- "You can just take mine."
Jack's strong sense of justice and firm moral code are definitely his only motivations for offering you one of his sweatshirts. Forcing a student to wear clothes they find uncomfortable and associate with negative memories just because they didn't have the foresight to pack something they did like for a school they didn't know they would be attending is beyond unfair. That's what he tells himself anyway, and it's not like he isn't upset on your behalf, but it's plain as day to anyone that he wants to prove that you can rely on him; he's not like that other person, he doesn't mind being alone together with you.
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Azul- "If your finances really are in such dire straights you know I could-"
Revealing personal information in Azul's presence is asking to be offered a deal. Sure that little complaint might have been insignificant to you, but for Azul? He's having a full blown Sherlock style breakdown going on in his head trying to decide what his angle is. 1) The prefect has dated in the past and doesn't look on that experience favorably. Does this prevent them from dating again? Needs further analysis. 2) Giving articles of clothing is an acceptable form of human courtship, even if used. Or is it especially if used? 3) Can he convince you to burn this if he gets you a replacement or is that too petty? 4) More importantly does this mean you have a type? And how does he press for that information without appearing desperate?
Jade- "Oh? Well that sounds extremely annoying."
Jade Leech is first and foremost a messy bitch who lives for other people's misery. Sure, he is reasonably certain he's in love with you at this point, but that doesn't matter. You have a story that's filled with second hand embarrassment and a bone to pick besides he is nothing if not an enthusiastic audience. The thought of you wearing clothes that he owns wasn't something he would have thought of himself, merfolk don't typically wear them so dating customs that involve them are a bit foreign to him. He would much rather just bite you. Or give you some jewelry. both he wants to do both
Floyd- "PUT THAT THING BACK WHERE IT CAME FROM OR SO HELP ME"
The instant you say that sweatshirt is from an ex he is taking off whatever shirt he is currently wearing and trying to tug off yours. Yes, even if it is his basketball jersey, and yes even if he just got back from practice. Isn't the scent supposed to be the point? He knows you miss him when he's gone, and he can get you something nicer out of his closet later. Just remember to tell everyone, even and especially if they don't ask, who gave it to you. Floyd's... nice? Enough? To not immediately burn your sweatshirt but it's up for debate if that's because he's actually being nice or if he just wants a trophy.
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lovincherries · 5 months
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Corio's Pawn
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a/n: first of all, I want to say hi! I know it's been a really long time since i've written anything and i wanted to say thank you for your patience. 2023 has easily been the hardest year of my life, and i am so grateful for all your messages and support. it has truly meant the world to me. hopefully you enjoy this as much as i enjoyed writing it. i love you guys! (p.s it's almost been a year since i have written anything, of course snow brought me out of my slump)
NOT PROOF READ! I AM LAZY
word count: 3,735
warnings: taking of virginity, dub con, breeding kink, just smut! corio being corio (bad), reader is curvy (idk actually, i think i only mention it once, but you could really skim those parts. it isn't central to the storyline tbh)
You had loved Corio long before he knew you existed. To you, he was everything you wanted, everything that you desired, everything that you longed for. To him, you were a shy girl, kind, sweet, but shy and rather unnoticeable, or you were unnoticeable. You don't know what did it, neither did he really. He didn't know if it was the harshness of district 12, or the uncertainty (and paranoia) that Lucy gray caused him that made him long for you when he arrived home, or if it were the fact that he really looked at you for the first time. You had the softness that he desired, and the look in your eyes that you would give up everything for him if he said the word. He desired that kind of relationship, one where he held the power and none of the vulnerability. With you, he had nothing to lose. There was no game you were playing, your eyes and quiet smiles held everything he needed to know.
Before he left for District 12, and before the 10th games, Corio considered love a waste of time and resources. After, he considered it a betting game that both sides were bound to lose. While he considered love a waste of time, his desires and needs were still prevalent and crowding his head with thoughts where plans and ideas should be. That's when you fell into his lap, his little rose. It didn't take him long to realize the hold that he had over you, and it took him even less time to put his charm to use.
He knew what you were, a good girl who came from good parents that raised her right. And while the whole world had long since passed the concept of purity, he knew it was something that your parents had taught to you. His little white rose. Except, he didn't want to keep you that way. He didn't have to ask if you were pure, it was something he could almost smell. Your innocence seeped out of your pores like a perfume he couldn't get enough of. Before, he never noticed you, now you were all he desired. He wanted to know all your curves and edges, wanted to fulfill your desires, he wanted to take you. Most of all, he desired to see your cheeks red, your eyes dark with desire, and his cum filling you up.
You and Corio had been seeing each other for a few months, and while you tried to pretend like it wasn't the most exciting thing to ever happen to you, it was. He was all you could think about, all you could talk about with your parents, and he was the only person you wanted to see. You were oblivious to his charm, blinded by everything that he promised to you. You were funnier and more interesting than he originally gave you credit for, he could actually relax around you and laugh, but he would never turn off the person he presented to be. He couldn't wait for much longer though, his composure was slipping, and all he could think about was being wrapped into your legs and diving into you. Your kisses were sweet and genuine, you kissed him with love, but he wanted something darker. He needed it. It was something you didn't intend to give to him though, not that you really knew what you were giving or not.
Your parents had long taught you that certain things were for married couples, after all, if you weren't pure you weren't going to be any good to them to marry off. Even to them you were a pawn, a piece that only furthered their own further interests and success. That being the reason why you were probably oblivious to the games Corio was playing with you. And you didn't know it, but tonight was the night Corio was going to win a game that you didn't know you were playing.
You were getting ready for bed, your light blue light gown skimmed mid-thigh as you sat down at your vanity brushing through your long hair. You examined your features as you did, humming a song that had been stuck in your head all day. You heard a soft knock at your window, turning your head to look for what made the sound, but you found nothing. You quickly brushed it off and went back to the task at hand, your mind getting lost in thought about a certain someone with blonde hair and blue eyes. It was almost like he never really left your mind at all, he was constantly grazing your thoughts. He seemed to appear everywhere that you went, in the color red, in roses, in the fallen snow on the ground. It wasn't till you heard another knock at your window, this one much harder than the last, that you actually went over to check what was making the noise.
When you looked you found your lover waiting for you, his nose and cheeks tinted pink from the cold wind that bite at his face outside. An instant smile flew to your face when you saw him, a white rose clutched in his hand, waiting for you. You quickly opened your window to let him in, he had never done this before. You quickly tried to fight the nervousness in your stomach while you lifted the window as you almost sang his name with excitement. The cold air bit at your nipples, making them hard in an instant as it flew in from the outside. You quickly shut the window after he made it inside, a smile so big on your face that your cheeks hurt from the strain. You were so excited to see him, that you didn't notice the darkness that clouded his eyes, or his gaze that kept falling down to your almost see through dress.
"Corio!" You sang again, your arms hugging around his broad shoulders, you stepped on your tip toes to be able to reach that high. You laughed gleefully, his arms wrapping around your waist. He lifted you up so your legs wrapped around his hips as you giggled in excitement, your night gown riding up to the point it almost exposed your white panties. Corio quickly put you down after the initial excitement, softly kissing your lips after your feet touched the floor.
"My rose!" He laughed purposefully, looking down at you. Your innocence and excitement gleaming up at him through your eyes, and all he could think about was taking it from you. Unbeknownst to you. Corio's height gave him an advantage to look down at your swollen breasts in your night gown. It caused his dick to strain in his pants, he wanted to audibly groan from the pain, but he knew that tonight he was going to get what he wanted.
"What are you doing here?" You asked, your smile radiating through your words. He picked up the rose that had slightly gotten crushed in your big hug.
"I was thinking of you when I saw this, and I just had to come bring it to you," he said as he brought the rose to your hand. It was beautiful, even with some of the petals fallen onto the floor. Your heart melted at the thought of him thinking of you, if only you knew the ways he thought of you.
"Thank you, Corio, it's beautiful!" You gleamed as you took the rose, "I don't have anything to put it in here though," you quickly frowned. You knew that your parents would hear you if you began clattering about through your house looking for a vase. He brought his hand to smooth the lines of your worry, lifting your chin to look up at him.
"It's okay," he soothed. Even while he was comforting you, power radiated off of him, "I can always bring you more." You quickly set the rose on your vanity where you had sat moments before. You were so comfortable with him; it didn't even register in your mind what you were wearing and how inappropriate it might be.
Corio walked over to your bed and sat down, not bothering to ask for permission. He admired you from a distance, your curves prominent in the night gown. Your nipples poking through your dress, begging for his attention, begging for his lips. He would get down on his knees and beg now (something he would never admit to), if it meant that he could suck on them. You turned around fully to face him, looking at him with so much love and admiration.
"Come here, love," He stated, not giving you an option to say no. You did as he demanded, your hips swinging in an unknowingly alluring manner. He grabbed your hands when you were stood in front of him, pulling you onto his lap. You gasped at the action, attempting to pull away from the shock of the sudden closeness but his grip stayed firm. Your legs encased his hips, his hard dick pushing into your folds. You weren't necessarily used to this type of intimacy with Corio, but he had been getting you prepared for what was to come. Heated kisses whenever you two were alone, his fingers would always brush your most sensitive parts without getting too close. He knew how to make you long for things, without you even necessarily realizing what you were longing for. You didn't even really process what was poking into you know, all you knew was that it shot tingles up your spin.
"Corio!" You gasped again when he slightly pushed his hips into yours, an uncontrollable movement on his part, but he longed for a touch that he hadn't felt in so long. His head fell into the nape of your neck, landing soft kisses from your exposed collarbone to your jaw. You giggled at the ticklish feeling of his lips, but it also sent a familiar warmth through you.
"So beautiful," he murmured, still planting kisses on your neck. You brought your hands to his face and made him face you as you planted fast kisses all over his cheeks in face in a girlish manner, giggling softly. Corio smiled at the action, letting it warm his cold heart for only a minute. The guilt of what he was going to do tinged his thoughts for a second before he thought about what he wanted, what he needed. He knew he didn't love you, but you were something he wanted, something he possessed. He liked his possessions.
You both stared at each other for a minute, your hands still cupping his cheeks and his hands held your hips firmly. The light feeling from before replaced itself with something heavier, something you couldn't quite place, and you weren't sure if you wanted to. You saw Corio's eyes fall down to your lips, your hands fell from his face and landed on his chest as the tension weighed down on yours. Corio gripped your hips tighter, squeezing him impossibly closer to you as he leaned in to kiss you. The kiss started off sweet, his lips brushing against yours softly. This you were used to, you quickly fell into the groove of his lips. Finding your home in the way he touched you. There was something different this time though, something new. Corio quickly made the kiss faster, harder, and you tried your hardest to keep up. He licked your bottom lip, asking for permission. You parted your lips, trying your best to match his fast aggressive pace. His tongue edging yours. Your hands now gripped his face out of instinct and his right hand trailed to grab your breast. You gasped into the kiss; he had never done that before. He squeezed as he pushed his hips into yours, eliciting a moan from your lips as his dick pressed into your clit. You had never felt this way before.
Corio pressed himself harder into you, he could feel the wetness from your cotton underwear staining his red pressed trousers, but he couldn't find it in himself to care. All he wanted to find himself was deep into you, pounding into you, he wanted to feel you quiver around him. His lips were still attached to yours, the rhythm long gone, it was all teeth and tongue. He was surprised at your ability to keep up with him, but he noticed your hesitancy. He moved back from you, separating the kiss harshly. You gasped at the lack of contact, subconsciously pushing your hips into his. Longing for that pleasure that he was giving to you.
"Y/N," Corio said sternly, causing you to look at him. He could see the desire in your eyes, and he knew he had you right where he wanted you. "I need you." He said, with as much desperation he could allow himself. Corio wasn't above begging you for what he wanted, although he would never admit it.
"You have me," you said softly, attempting to smile at him. You leaned back into the kiss, attempting to regain the passion, but he stopped you.
"No, I need you," he emphasized the need, pushing his hips into yours. Your face held the confusion that you were thinking. That was another thing he liked about you, if you wouldn't say it, your face would. It made it extremely easy for him to understand you.
"I-I don't get what you mean," you stuttered, your lips making a slight o shape when he pushed into you again. He moved his hands down to your vagina, eliciting another gasp from your lips.
"I need you here," he said as he moved your dress to your hips and pushed your panties to the side. His fingers grazed your soaking folds, both of you looking down to find a dark wet spot on the crotch of his trousers. "It feels like you need me to, my rose," he said softly, as his fingers dived in between your folds. He quickly found your clit, pressing into it as he watched your sweet face change in pleasure.
"I don't understand still," your voice cried out in pleasure and confusion. He could almost hear the tears in your voice, it should have made him stop, should have made him quit, but it only made him want to take it further.
He used his spare hand to grab yours, he slowly pulled it over his hard chest. You felt the bumps and ridges of his ab muscles and then felt the hardness of his dick. He forced you to squeeze him with your hands, still circling your clit in a harsh manner.
"Y/N, I need you," he emphasized by pushing into your clit, causing you to throw your head back, "here." He said using your hand to squeeze his dick. You didn't respond, you couldn't from the shock waves his fingers were sending through your body.
Corio moved his pointer finger from your clit to your entrance, your wetness coating him even more. He didn't know a girl could get so wet, but God was he grateful for that. All he could think about was you encasing him, your heat squeezing him till he forgot all about District 12 and that Lucy Gray. He could imagine a life with you, a real life, one with happiness and love, but that thought quickly disappeared from his mind.
He could see a life with you though, maybe not a real one but a life. One where you were constantly swollen with his babies. The thought of that caused him to groan as he pushed his pointer finger into you. As he felt you squeeze his finger, all he could think about was how good you were going to feel.
"Please, Y/N," Corio begged, you had never heard such a neediness in his voice before, not that you were aware enough to pick up on it. All you could think about was his finger in you and his thumb grazing your clit.
"O-okay," you agreed. Not even exactly sure what you were agreeing to, but you had a feeling it wasn't necessarily good.
Corio let out a sigh of relief at your agreeance, as much as it shamed him to admit, he would've gotten on his knees for that affirmation. He quickly threw his shirt of his head and gripped your waist. He pulled you in for another kiss, pulling you down onto him once more. Your exposed folds felt even more of him. He quickly tossed you around, laying you on your back as he stood in front of you.
He sat you up, lifting you light blue dress over your head. Your swollen breasts now bare for his viewing, but not an ounce of insecurity ran through your head. You trusted him with everything you had in you. You truly believed he would never hurt you.
"God," he groaned as he looked at you. He couldn't waste another second not being inside of you, he quickly unbuttoned his pants and pulled them down his legs. You admired his muscular form, which only sent more waves of warmth down you. You gasped as he pulled his dick out from his pants, it looked terrifyingly huge for a moment. He laughed at your expression but swelled up with pride as you looked at him with amazement. He quickly pulled your white cotton underwear off of your legs, looking down at your glimmering heat. He needed to be inside of you.
He crawled on top of you, kissing his way from your torso to your breast. He licked at your nipple before fully enveloping it with his mouth and sucking on it. This caused you to let out a loud moan, the tingle that you felt from this sent shockwaves everywhere. He released it, but not before biting it harshly.
He then moved up more, bringing your legs around his waist and his dick in between your folds. You let out a sigh of relief from the contact and he kissed your lips. This time, much softer, gentler than before. He began to grind himself into you, properly getting himself coated in your wetness.
He guided the tip of his dick to your entrance, slowly poking himself in. He maintained control of himself in this moment, even when you moaned from the pleasurable contact. He just put the tip in and you already felt so full. Corio had to separate himself from the kiss and his head found its home in the nape of your neck. He was breathing heavily as he maintained control, slowly pushing into you. Even though, all he wanted to do was wreck you.
He pushed in slowly, inch by inch. Stopping every few seconds to make sure you were okay, and not hurting. Before long, you were gasping at the fullness of him bottoming out into you. You two stayed like this for a long time before he lost control and started moving again.
"God damnit Y/N," he groaned, the sweat of losing control falling onto your skin. His words flew past you as the fullness was all that crowded your mind. "So fucking tight," he cursed as he drew himself out and back into you. He pivoted ever so slightly and was now making you see stars.
"Corio, corio, corio," you moaned as he now began to pound into you. Any sense of self control he had, was long gone as he heard you calling out his name with such need.
"So big," you moaned, drool coming out of your mouth as your grasped your breast with your hands. His hips stuttering inside of you as he watched you fondle yourself.
"Fuck, Y/N, fuck," he repeated, slamming into you harder. It should have hurt you, should have made you cry from the pressure, but it didn't. It drove you nearly as mad as he was. His words were lost on you, anything he said was tuned out by the feeling of being so full of him.
Your pussy let out squelching noises from how wet you were and hard he was pounding into you. Corio began to kiss to your ear and let out breathy whispers that you were too out of it to notice.
"Fucking hell, tightest pussy I've ever had," he murmured more to himself. Corio thought in his head he should have taken this from you long ago, you were handling yourself so well. He practically cursed himself out thinking of all the months he missed out on this feeling. You moans were fuel to his fire, your sweet soft voice paired with the debaucherous noises of your body colliding made him impossibly harder than he already was.
"Gonna fill you up," he moaned again, driving himself deeper into you. He was barely leaving you now, all he wanted was to be completely encased in you. "Wanna see you swell with my babies, want everyone to know that Coriolanus Snow was here," he talked in circles. One of his hands moving to press into your clit, this sent you into over drive. Your pussy began to squeeze him impossibly harder and your head was thrown back in the pleasure he was sending through you, you didn't know it but this was your very first orgasm.
Corio was trying his hardest to maintain his composure, to hold onto the feeling of driving himself inside of you like a mad man, but he quickly lost control when hearing your voice. "I love you, I love you, U love you," You repeated, pulling him closer to you with your legs. You squeezed him so tightly, he thought that even if he wanted to, he wouldn't be able to leave your tight hole.
This only drove him further into you, and this is where he released his cum. His hips stuttered into yours for a solid minute, filling you up with everything he had been saving for you for the last few months. He came so much it began to spill out of you with him still inside of you. He looked down and saw how swollen your vagina was around him, the white semen leaking out around his dick, and for just a moment he wanted to say I love you too.
a/n: shit man. that took me two and a half hours.
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4ngel-inc · 1 month
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࿔*:・ 𝐁𝐔𝐍𝐆𝐎 𝐒𝐓𝐑𝐀𝐘 𝐃𝐎𝐆𝐒 — 𝐁𝐑𝐄𝐀𝐊 𝐔𝐏 𝐀𝐍𝐃 𝐌𝐀𝐊𝐄 𝐔𝐏 ࿐
tags — fem reader, a little angsty but mostly fluff !! ᰔ
𝐃𝐀𝐙𝐀𝐈 never wanted to let you go, he'd always believed you'd be together forever, but when he finally opened up and told you about his past—about his time in the mafia and everything that entailed—he thought he noticed a flicker of fear in your eyes, and it scared him. he simply couldn't handle the thought of being judged or abandoned later down the line for his past mistakes. it was selfish, really, the way the tears rolled down your cheeks solely from such an impulsive decision on his part. he regretted it immediately, but it was simply too late—he'd already broken your heart. for months, he contemplated how to get you back—flowers and apologies simply wouldn't be enough, he knew that. did he even deserve your love, after the heartache he'd put you through? he finally convinced you to grab coffee at your favorite cafe, and decided on a very simple approach, the one you deserved—spilling his heart out to you entirely. "i just want to be loved, i've never admitted it to anyone, and i've never loved anyone. i'm- uh, not sure what to do with my feelings." he looks sad, and it's the most serious you've ever seen him. after listening to him pour his heart out for a while, and overcoming a little hesitation, you decide to give him another chance. "we can try again, but please, let me see the real you this time, osamu," he waits for you to finish, "it wasn't fear in my eyes, it was love. i just can't bear the thought of you hurting, or of you being so lonely, but i'm here now, k?" you both smile, and share a sweet kiss.
𝐂𝐇𝐔𝐔𝐘𝐀 isn't the type to thrive off of instability—he likes safety, security in a relationship. he never wanted the type of relationship that was on and off again, it was childish in his eyes, and not something he found appealing. and so the first time you two had decided to take a break, he told himself it was the last time—he was done with the relationship, and brushed it off as a passing fling, since you two were only together less than a year. however, he begins to understand why he trusted you in the first place as time goes on and your absence starts to sink in—you made him feel different than the rest, made him feel like a different person. there was something in the way you touched him that made him feel worthy, like love wasn't a rarity or a foreign concept, but simply a part of his everyday life. and now, that feeling is gone. chuuya is quite stubborn, so it takes him a while to realize how much he truly misses you, but when it finally sinks in one night, as he aerates an expensive red wine in his glass he's sure you'd scold him for drinking so late at night, he decides enough is enough. it doesn't take long for him to show up at your door, and he's quite frank when he arrives—as soon as you open the door, he sighs, "no relationship is perfect, i'm sorry i gave up on ours, it was a stupid fight. can we try again, doll? i miss you, a lot actually." needless to say, you give in.
𝐀𝐊𝐔𝐓𝐀𝐆𝐀𝐖𝐀 wasn't expecting you two to break up at all, but you just couldn't handle the pain of watching him come home bruised and bloodied every night. even more than that, you couldn't understand why he wanted to continue working for the mafia anyways, especially when they were clearly just using him—you butted heads about it a lot, and eventually you decided to leave, akutagawa coming home to an empty apartment one day. you'd warned him you were leaving a few days before, but that didn't lessen the hurt he felt the first time he had to sleep alone. even now, weeks later, as he showers and climbs into bed, he doesn't feel the same as he did before he met you. is he changing? he feels softer, more vulnerable, he feels like crying—he hates to admit it. however, you are the one who decides to come back to him, realizing you'd made a mistake. you knock on his front door one night as he's getting ready for bed, and though he answers with an inquisitive look in his eyes, he lets you in. "what are you doing here?" he asks. you sigh, "don't sound so happy to see me." he isn't sure how open he should be with his feelings, you'll likely just hurt him again. "should i be happy? you won't stay, anyways." you approach him hesitantly, "i was wrong about us, about you—the mafia is the life you know, and loving someone means accepting all of them. if you'll give me another chance, ryūnosuke," you pause before continuing again, "i'd like to show you how much i love you this time, i don't want to be scared anymore." it isn't difficult for him to give in, and you stay the night, and all of the nights after.
𝐅𝐔𝐊𝐔𝐙𝐀𝐖𝐀 never pictured himself in a serious relationship, so when he does find himself settling into one, it makes him a bit nervous. he isn't used to anything, or anyone, uprooting his life or shaking things up—other than work. so, he's a bit more critical of relationships than he might be otherwise. after your first petty argument, one that only happened months into your relationship, he convinces himself that maybe, the two of you just aren't quite a good fit. he lets you down easy, "dear, i'm worried maybe we've rushed into this a bit. i'd like to take a step back, for the time being." needless to say, it hurts, a lot. but you decide to respect his wishes and give him his space, and you find you're starting to enjoy being single again. moving on from fukuzawa isn't easy—he's the man of your dreams—but after convincing yourself you simply aren't the one he wants anymore, you begin to heal, and see the sun shine through the clouds a bit. however, fukuzawa only grows lonelier as the days go on. it's the silence of his home when he returns late at night, the way he craves the sweets you'd make him, the way he reads his books without you by his side, and the way he takes his walks without your hand there to hold, that make him realize life with you was always better than life alone. fukuzawa is a stern man, but not when it comes to this—he calls you and calmly asks to talk, and after humbly asking for another chance, it's easy to give him one. he's ready to love you with no inhibitions this time—you deserve the best of him, after all, and he'll gladly give it to you.
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etheries1015 · 2 months
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Heheha!!! Could I request about being Lilia Vanrouge's personal "stress ball"? (Aka relieve of stress via sex)
And he just LOVES degrading you and doing stuff to make you cry and beg?
Imagine if he like, makes you go on his cock while he's lying down, and he just orders you to pleasure him because he's too lazy too (what a lie) and he will randomly snap his hips at random times up just to see your reaction. Then it would go to full-blown fucking after a while, but y'know, you get it
Fingering you while you're blindfolded and you have to guess which finger he's using. Get it wrong, and you don't get to cum! But he lies, and makes you beg to cum. Fucks you into tomorrow, ehe!
Etc, etc...
Then imagine that after the war, he realises that he actually likes you! Confession? Fluff? And more smut? Lol my brain is now empty, pls expand.
AHHHHHHHHHH I READ THIS A COUPLE TIMES OVER BECAUSE IT'S SO GOOD??? moister than an oyster over here eheheheheh I wrote something pretty similar about this concept of Lilia taking home a human sex toy, it is very short and not in-depth but you can take a read of it -> HERE hehehe
This might be a little dark, so warning you... 18+ below with some dark themes, a bit of non-con sprinkled in there. Rough fucking, Lilia a little mean :[ but he turns out pretty soft hearted after it all <3 mildly rushed, hopefully you still enjoy <3
But I LOVE to imagine the fact that it starts out as just a fling- a way for him to let out his anger and frustrations through pleasurable means. To see you cry out as he continues to thrust into you- the chains on your hands making your wrists become sore. You kind of liked this, though, being tied up and used as the Generals release. Something about it was enticing to you, despite the toll it sometimes takes upon your body.
He lets you free of course, but he loves the way you tighten around him and how much more warm you feel when you're chained up. There's times when he comes back utterly exhausted from the days endeavors, sitting down with his head tilted back and his hands covering his eyes, legs spreading. His gaze flickers down to your needy body, before he unzips his pants pulling out his cock. Soft at first, before he tells you to entertain him enough to get him hard.
If you weren't able to properly arouse him- you'd be punished for it either later or in that moment. Depends how "tired" he is.
"You understand I've had a long day, don't you, my little bat? You can't even get me hard all by yourself. I guess I have to do all of the work, don't I?" He grabs a fist full of your hair, pushing your head into the pillow before roughly grabbing you by the hips and pulling your ass to meet his pelvis. He grinds into you before tearing your pants, your feeble whines falling upon deaf ears as he pumps his cock a time or two before entering your hole painfully slow. Now you're whining for a different reason- Lilia chuckling at such neediness. All at once he suddenly snaps his hips against your ass, leaving marks upon the back of your neck almost drawing blood. Your punishment, he says.
Over time, you felt as if Lilia was getting "bored" of you. He was coming home later than usual and didn't call upon your services as often. But this was far from the truth. He started to find himself...interested in you. Once he walked in on you indulging in your hobby, simply existing. You were so beautiful in that moment in his eyes- the way you were focusing on your task, now allowing the outside world to interfere with your happiness in that moment. Being so used to seeing hatred and bloodshed, Lilia almost forgot what it was like to be happy. He began to realize that you were indeed more than just a toy to be used at his disposal, and with this slight change of heart, he began to treat you differently.
Coming closer to the end of the war, instead of keeping you up all night to have his way with you, it would be spent asking you questions and talking about what life would be like after the war. Your hopes and dreams, your hobbies, your future plans. He began to bring you heartier food and random trinkets he felt would suite your interests, even bringing you a peony at some point, not without a deep blush and quickly disappearing into thin air almost as if to avoid your reaction. He was becoming gentler, and you weren't sure how to feel about it. Was it a trap? Was he getting your hopes up to take you by surprise? After all, you spent so long thinking you had not much worth besides being used for his sick and twisted pleasure.
Once the war was officially declared as over, you were his first visit. The first on his mind in which he wanted to share this moment, running swiftly to the cottage in which you took shelter in. You were standing in front of the garden with a smile on your face as he came back to you.
During that period in which he began to treat you differently, you had also become much more light hearted and comfortable around the fae. Perhaps a mistake you often wondered about, yet you continued on with reckless abandon nonetheless. "Lilia! It's finally over! I'm so proud-" You were cut off as he ran to you and immediately smashed his lips against yours. He had never kissed you so gently yet so passionately at the same time- his hands snaking around your body and pulling you close, almost like...a hug. Your heart dropped for a moment- thinking perhaps this was the time in which he decided to ravage you. When the war was over and worries were off his mind- he could have his way with you once again. How twisted.
"...Shall I go get my chains?" He was startled at this, pulling away and looking you in the eyes with a hint of sadness and guilt. He shook his head, pressing his forehead against yours with his hands trembling as he cupped your cheeks, peering into your eyes.
"No more chains," He muttered, "I thought I made it clear that you are not worth your body to me anymore. I apologize if I did not make that clear, my little bat." The nickname he had chosen for you sounded much softer, much more kind, and in the most loving tone, unlike the degradation you were subjected to. You bit your bottom lip as if to hide a giddy smile, Lilia taking notice of this and pressing a kiss against your forehead. The war was over, and Lilia had finally confessed his feelings for you.
The first time you two have sex, he asked permission.
"Can we...I..." He was stuttering over his words. Lilia was so used to taking what he wanted from you that it felt almost weird and awkward to ask for permission- but he promised to do it right.
"I would like to make love with you."
This time, he was gentle. Taking his time with you. He gently lay your back against the bed and propped your legs over his shoulders, bending over to pepper kisses around your face and love marks on your chest. He asked you if you were alright, and was certain to prep you before entering. Your fingers interlocked with each other, his thrusts were short and intimate yet reached the deepest parts of you. This time, it was for your pleasure- not just his own for the taking. With every thrust and every whispered "I love you's" came with praise you were unfamiliar with. This wasn't the same general who simply used you to fill to the brim and bark orders at, this was someone who wanted you to feel the love with every stroke of his hips and dulcet words that left his once fiery mouth.
it's truly a wonder how much people can change.
( @mellowwillowy I think you'd enjoy this one, pookie)
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hi, I understand if you’re too busy with life and writing other stuff (or if you just don’t want to write this), but I would like to request a fic or hc that I have had in my mind for a long time. I have honestly just been waiting to find the right person to ask for this, I love your stuff so much, but back to the request. Can you write a daughter of Neptune meeting Percy for the first time (I would like to imagine she’s younger than him and he immediately becomes an overprotective brother), and ether is dating Jason or starts dating Leo. Sorry for making this so long just to ask a question. Thank you.
⋆ ˚。⋆౨ৎ˚ Greek or Roman, You’re Still Family
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content: platonic! percy jackson x daughter of neptune! reader (jason grace x reader but not the main focus) fic warning: not canon at all, like not even close, author's note: this was such a cute concept and you were so polite in your ask that i decided to make it a whole ass fic. look where kindness gets you, folks. also, i had more plans for this but it was getting to be too large so i might do some small spin off hcs but i've got to work through the stuff i have now before that. when i open my requests again, if that's something you want, just hit me up fr.
y/n had gotten used to being alone. nearly everyone else at camp jupiter had siblings or at least people who felt like siblings. and it's not like the girl didn't try to build these connections. she was always met with frightened looks or blatant disrespect. at least, for a while, she had jason grace. the sweet son of jupiter who connected with the lovely daughter of neptune quickly. they both had that longing desire for more, like they had that sibling love to give to someone but no one to give it to. they found solace in each other and eventually love. but then jason disappeared. just up and left, not a word or even a note left in his absence. she begged reyna to let her keep looking but the daugther of war turned her down instantly, claims of the safety of the camp and other bullshit that y/n didn't believe in.
then, y/n started having strange dreams. well, stranger than normal. dreams of a boy who looked like her and felt like the sea - felt like home. dreams of a boy that seemed to be sleeping and too far out of y/n's reach, until one night he was within reach. the girl stretched in her dream, her fingertips just brushing his hand, causing the boy to shoot up instantly and look over at her. she went to open her mouth but was waking up in her room before she could get anything out, ripping off her sheets and setting her feet against the cold tiles in attempt to calm her racing heart.
and then, it got even weirder, as y/n saw the same boy walking around new rome the next day. she halted her steps, looking at the boy clad in neon orange before taking rapid steps towards him, grasping his arm. he turn to her, going to tug his arm free but freezing as he saw her face.
"it's you."
they both spoke at the same time, staring at the other, feeling like they were looking in a mirror. then, appearing above the boys head, a spinning blue and green trident. she knew that image well, it was the same one that appeared above her head all those years ago.
but neither of them needed a sign from their father that they were family. they knew. and percy, in desperate need for some comfort within his muddy and meddled with mind, pulled her into his arms instantly. the girl squeezed him back just as desperately, knowing her love for a sibling wasn't displaced, just lying in wait.
within the short time percy was at camp jupiter, he became overbearingly protective of the girl. during an extremely candid night in their bunks, the girl revealing her loneliness in the roman camp and the ostracization she felt as one of the few children of the big three. she also talked about jason, just happening to leave out the fact that he was her boyfriend. she didn't need percy getting stressed out about that, seeing as he was already seething at the thought of his little sister struggling alone. so she altered the truth, painting jason as simply a ‘good friend.’ in all honesty, it killed her to lie about him to her brother, but she figured it was for the best.
once percy came back from his quest and helped save the camp, they caught news that a greek airship was approaching camp jupiter, apparently in peace and with important cargo, whatever that meant. y/n basically clung to percy's side while they waited for the greeks to come down, chewing on her lip in worry.
"i'm sure they'll be cool. hopefully people i know," percy told her, patting the top of her head in hopes of comforting her.
"maybe it's the girl, the blonde smart one," y/n replied, offering him a hopeful smile. percy didn't respond, though a smile stretched over his lips at the thought.
then the greeks finally came down. a boy with crazy curly hair, a girl with fun eyes and a feather in her braid. then another girl, this one blonde, leading y/n to look up at percy, expectantly and with baited breath. which led to her completely missing the last 'greek.'
percy and the blonde girl saw each other and y/n could tell this was percy's girlfriend. it had to be, from the way his body jolted to go to her to the way she did the same. they met somewhere in the middle, months and months lost but you wouldn't know it from the way they looked at each other. they held each other tighter than y/n thought possible, a smile gracing her lips at her brother's happiness. she felt a pang in her gut though, some part of her hoping to see jason like that one day, to run to him and hold him tight and never let him go again. she hoped the fates were kind enough to grant her that wish, kind enough to give back her son of jupiter-
"y/n?" a voice, an all too familiar voice, choked out. y/n's head instantly snapped towards the sound of his voice, her chest beginning to heave and she hadn't even seen him yet. she shoved past the other roman demigods, her eyes frantically scanning the crowds, desperate to get through them. she pushed her way to the greek demigods, nearly falling as she broke through but a gust of wind pushed her back up to her feet. she looked up through her wild hair and saw her boy, her son of jupiter, her jason grace.
"oh, jason," she whimpered before sprinting the small distance between them, jason colliding into her as well, his arms secure around her waist as he lifted her off the ground and held her close to his chest.
"you're- you're here?" the girl cried into his shoulder, jason holding her as tight as he could.
"i'm here. i'm right here, sweet girl. i've got you back," jason whispered back, his eyes squeezed shut in fear he'd open them and find himself back in his bed on the argo ii, all of it just a dream. but he felt her hands clawing at his back and his arms, clinging to him like a starfish, and he knew this was real.
"i- i was so worried, jase. you were just gone and...and i was so sure you...i," the girl attempted to talk but her throat was dry with the heaving breaths she was taking in and her mind was going blank the only thought in there being jason, jason, jason.
"i know. i'm sorry. i'm so sorry," jason cut in, saving her from taking anymore, pulling back to look into her eyes that he loved so much. that he'd grown to miss, seeing the sea green color in his dreams, hidden behind dark lashes and convoluted with the sight of admiration. at time, he didn’t know who’s eyes they were. now, now he could tell you everything about the girl before him from her favorite color to how they met. and he’d never been more grateful for knowledge.
"it doesn't matter. you're home, that's what matters," y/n added, reaching a hand up and setting it against his cheek. jason instantly leaned into her touch, blow a breath out before letting instinct take over. he leaned down as she leaned up, a dance they'd perfected years ago, jason needing nothing more than muscle memory to find her lips settled against his. he'd missed this too, the velvet softness and the way he could just barely taste salt on her lips. surely a trait all children of poseidon had but jason had no intentions of finding out, kissing his ocean girl being more than enough for a lifetime.
"just your friend, huh?" percy's voice called from somewhere behind y/n, who smirked against jason's lips, raising her free hand and flipping her brother off.
percy's laugh was loud as the two roman's pulled apart, sharing soft looks and warm smiles. jason took her hand into his, feeling the girl curl into his side with a content sigh and he knew he'd be alright from this point on. i mean, he got back his girl, what more does a man need in his life?
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