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#i've done most of the research i needed for it at least

velvet-vox · 10 hours

Text

The guideline to all of the most interesting posts on Doll.

Howdy! I've decided to create this catalogue of Doll's centered content to allow all of the character's fans to reliably find interesting discussions regarding her depth, psychology, role in the story, insights, free time, head canons etc....

As well as various shout-outs to my favourite content creators on this side of the community! (Note for said content creators: if I've inconvenienced you, or made you feel uncomfortable by citing your names on this map, just make me aware in the comments and I won't bother you ever again, as well as erase your names and material from this post)

A quick introduction (skip this part if you are here just for the list)

The reason why I wanted to make this, aside from having a reliable way to look up all of my work, is for the same reason why I started to write articles on Tumblr; you see, I've actually been part of the Murder Drones fandom ever since episode 6 dropped, and Doll quickly rised above the others and became my favourite character of the show.

So naturally, I started to search for some analyses done on my fave, I searched and searched and searched...... and just couldn't find any, aside from one quick @scottmemelordstrashpile (general and usually justified Murder Drones critic, not really focused on a singular aspect of the show) defense comment on a post that God only knows what it was about and where it went.

I kept looking at the specific tag over and over for more than a year, and eventually, I got fed up and wanted to leave the community, especially after reading this YouTube comment:

... Yikes. Luckily for me, I've eventually found out about @melissa-titanium , which finally satisfied my need for someone who shares my passion for the russian worker. She had a pretty good view on her character, which came in handy for me, since, despite me loving Doll intensely, I could never quite put my finger on exactly why and was afraid that it was just her cool presentation and that she was actually a shallow character.

Yet I still wanted more, and asked for more. And then, someone instilled an idea in me: to be the one who provides for more. So, I started planning how I wanted this to go, and came up with a couple of ideas....

Then Episode 7 dropped, and..... yeah. It's definitely the most mind bending episode of Murder Drones to date.

After her death, it felt like Doll really exploded in the tag discourse, not as much as the rest of the episode, but Doll was finally treated as someone (past) important.

At least to me; if I joined the fandom at the height of episode 3, I can only imagine that she was more of the talk of the town than my first impressions were.

But now, with all the useless stuff out of the way, here's what I've managed to gather across my research. Feel free to suggest more interesting things and I'll add them to the list.

All that is mine:

The early days

Asks for Doll's defense

Doll is Wakfu's NOX?!?

Masochism

The fun stuff

Failure girl guide

Nori x Yeva against Uzi x Doll

The Murder Drones RPG

Doll's resurrection: pros and cons

The doorman and the russian

Khan and Doll's scene appreciation

The serious analyses

The russian worker drones tragedy

The show's flaws represented through Doll

Different views on her death

Ship parallels

V and Doll; trauma, mental disorder, and low empathy

My masterpiece

The most important piece of Murder Drones content ever made.

And now, with all of my stuff out of the way, it's time to talk about

The big two.

@melissa-titanium and @dreamii-krybaby are the two biggest blogs to go to if you want interesting takes on Doll and her supporting cast; in particular, Mel and Dreamii are almost singlehandedly responsible for the popularization of the Noll ship and the character of Yeva respectively, as well as partially clearing up some of the misconceptions present in the community regarding certain aspects of the show.

Mel is someone who follows his passions whenever they take him, that currently includes Mob Psycho, Dungeon Menshi, and Dragons if you are interested. He has a very charming writing style and is always happy when people send or tag him into any Doll related post.

Dreamii is someone with a very balanced view of the show and its elements, she is not afraid to criticise the aspects that she likes, and she has a love/hate relationship with Doll, unlike the one that she has with her parents.

Stuff from @melissa-titanium (mainly a N x Doll blog)

Introducing Noll

Happy smile

Insides spilling out

They also have a dedicated Discord server, but I don't think I'm allowed to share the link, so just go to their page and you'll find it there.

Stuff from @dreamii-krybaby (mainly a russian roulette blog)

Family theme

The point of her death

Doll's father

Others

Here, in no specific order, I've put the names of other content creators and some of their work.

Stuff from @rad10active-ketchup (artist with a particular taste for Rebecca)

Too sudden

Stuff from @eveledoze (great artist)

Platonic Doolzi

Stuff from @nyaifyz (they describe themselves better than I ever could)

Doll's pain

Stuff from @yakkuo13 (another artist and Doll fan)

Trying to cope

Stuff from @hjansetv (artist)

Short hair Doll

Stuff from @txttabloid

Uzi's foil

Stuff from @sparklesnake23

A cry in the void

Shout-out to Tirkras, who's not among us anymore :'(

I hope it's just a mistake and they come back.

Look up @scottmemelordstrashpile for various MD related things.

@cmicy has been posting Doll's drawings everyday in anticipation of episode 8.

@biscu1ts made this beautiful gallery .

The @crimson-solver is a new Doll RP blog that answers questions through the russian cannibal's mouth.

@thecoolersolver and her alt @russian-with-a-button is also a big Doll enjoyer, they like to get into arguments with @cyn-bot , a Cyn RP blog. Since I'm talking about them, I might as well credit @lizard12323 , @desgn8n-n , @rebecca-babe , @kittydragondraws , @serial-designation-v , @serial-desigation-vee , @serial-designation-en , @scaredk1tty , @electronix-arts , @blahash , @uzibrainrot and @the-iron-general .

🇬🇧 If you are Italian, check out @zarit-not-here , so that we can start to build our side of the community together.

🇮🇹 Se siete Italiani, cercate per @zarit-not-here , così che possiamo iniziare a costruire il nostro lato della comunità insieme.

@solarspinel has made... This thing which I don't know what to tell you about.

Here's a cool post by @lesslie-sass .

Appreciation (this post was originally made by @zehecatl , but I couldn't find the original so I used the Dreamii reblog, sorry anon).

@md-confessions is a user centric blog where people leave their confessions regarding various aspects of the show.

User @miuleen made this little piece of angst over here, which just so happens to go in conjunction pretty well with this analysis over here by @sisterpaw125 .

@robotthing is a troll.

I hate the argument that Murder Drones is kind of sexist , but I won't deny the fact that it's an interesting read.

And finally, last but not least:

A brief moment of appreciation for @dragons-hoard-of-fandoms . They don't create anything really, but their sheer dedication to reblog every single piece of Murder Drones Tumblr everywhere at any given time had to finally be congratulated.

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the-modern-typewriter · 2 months

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Can i get an immortal villain×mortal hero please please please🥺

I'll give you my croissants 🥐🥐🥐

"How would you like to die?" the villain asked. Their eyes were closed where they sat upon a park bench, head tipped back to the cool breeze and the clear blue sky.

The hero stopped, a little uncertain, but not exactly startled.

"I've tried every kind of death," the villain said. "I can make a recommendation if you prefer."

"I'm not going to die."

The villain's lips twisted - a smile, of sorts. "All mortals die. It is the linchpin of their condition."

"I won't die because of you."

The villain's smile broadened. "Drowning, perhaps. Or maybe suffocation. I don't want to disturb the ducks."

"Why those in particular?"

The villain finally deigned to open their eyes at the question, considering the hero where they stood. The hero couldn't quite read the villain's expression, but their voice remained casual. "Everyone always thinks they can survive those ones. If they just thrash, just fight, hard enough. Then they go very still and very quiet when they realise they can't. You have time to realise what's going to happen to you, see."

"Nice to see you at least put thought into your craft."

"What can I say, I'm a sweetheart. You only get one death."

"But you don't."

"You've done some research. Not enough," the villain added, tipping their head, "seeing as you're still standing there talking to me. But some. Kudos. I guess we'll see if you're brave or stupid."

"I'm not trying to kill you."

"Contain me. Incapacitate me." The villain waved a dismissive hand. "You might save your generation, perhaps, if you get lucky. Are you feeling lucky?"

"I'm not trying to do that either."

"Oh?" The villain sat up a little, finally tuning in properly to the conversation. "Are you not a hero? You dress like one."

"I'm hoping to find a more peaceful, effective solution."

The villain slumped, bored, again. "Mm. This should be good."

"Because I have done my research," the hero said, taking another step closer. "You're immortal. You only kill people when they attack you or are in the way of you wanting something."

"As I said, I'm a sweetheart and a saint."

The hero's jaw tightened. The villain had slaughtered thousands across the decades after all. They were many things, and had lived many lives, but in none of them had they ever been a sweetheart or a saint.

"And what you want most," the hero ploughed on, "other than your comfortable life, is not to be bored. There's no end, after all. So you need distraction. Diversion. Something to make time a little less of of a prison."

The villain was silent for a long moment, watching the hero. "I take it back," they said, finally. "I'm going to drive a knife through your ribs. Nice and slow. You know it's much harder to die from a stab wound than people think? Often it's the blood loss that gets ya."

"And then what?"

The villain shrugged. "Feed the ducks. Go back to my book. Make Christmas lights out of your bones. The possibilities are endless!"

"Sounds lonely."

"You think you're the first to try this, don't you?"

"I think you haven't met me before."

"Maybe I will entertain myself with you," the villain said. "Maybe I'll destroy your life and the live of everyone you talk to from now on. That could be fun. It's been a while since I've been so personal a devil."

Despite themselves, the hero swallowed. Despite their resolve, they considered walking away. Just for a moment.

The villain pushed to their feet, tossing their paperback carelessly aside.

The hero squared their shoulders. They felt their suddenly-fragile feeling heart begin to race. They let the villain stop in front of them, they tried not to let out a desperate shudder as the villain's fingers wrapped around their throat.

"Pick an option," the villain said, caressing their pulse. "Lose air. Lose blood. Or lose everything, but get a few more years before you go. If you ask really nicely, I might even make it quick. "

The hero shifted. They passed through the villain's fingers as if it were nothing, as if the villain were nothing. A ghost. Untouchable.

When the villain turned, the hero sat on the bench the villain had vacated. They made a show of picking up the villain's book, willing their once-more solid fingers not to tremble.

The villain raised an eyebrow. "Phasing. Cute."

"I don't age when I'm in ghost mode. Any injuries I have heal. If someone kills me, I stay dead, presumably. I'm mortal, as you say, but..."

"Hard to kill."

"Hardest you'll find. Or does the challenge scare you?"

"Determined little martyr, aren't you?"

"Not like you have anything to lose experimenting. You have all the time in the world."

"You realise I don't have to honour any deal now that you've revealed your hand? I could just hunt you and continue hurting other people, especially now I know how much it bothers me."

"I'll disappear."

"I have all the time in the world. I'd find you eventually."

"I guess then I'd just vanish again, if you don't want to play ball."

"You really are just the cutest, aren't you?"

"Is that a yes?"

"Maybe." The villain held out a hand for their book. "I haven't decided. Buy me lunch. See if you can keep my interest for more than five minutes."

"Lunch."

"There's a new cafe I haven't tried. Apparently they make their own croissants."

"You want to go to lunch with me?"

"No, I want to go to lunch. All this talk of bloodshed is giving me the munchies! But I'm assuming you're currently planning to haunt me, so you may as well pay. Unless you want me to just...kill anyone who tries to charge me."

"No! No."

"That's what I thought. Great minds."

The hero pushed to their feet, as the villain had, tentatively offering them their book back. They weren't entirely sure if that encounter had gone well or not.

The villain smiled, full of teeth, eyes gleaming.

"For your sake, little hero, do try not to be boring."

And, so, they went for lunch.

#heroes and villains #villains and heroes #immortal villain #writing #villains #fiction #immortality #writing snippet #story snippet #writeblr

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nkjemisin · 28 days

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Hey there. I'm writing a story set in New York City and am not American. I have few characters, but most of them are arab or white. I can't help but feel a bit wrong about it, given that America is much more diverse than that, and NYC being an emblem of that. Do you think I should force myself to include more representation or should I just tell my story, and leave that more diverse cast to some other story I could write? I know this is a neverending debate and there are many opinions about it, but I've always agreed with everything you've said in matters of representation in fiction, and so I'd be curious to know your personal answer on it.

I'm a little confused by how you're using "representation," here. It sounds like you think representation = "randomly sticking BIPOC everywhere." I think when most people use that word, it means something more like "create an accurate or at least plausible depiction of a group or place." In actual New York, there are plenty of Middle Easterners and white people who live in relatively homogeneous small communities where they might only see someone of a different ethnicity on the subway. If your story is set in one of those communities -- and you do stick some random BIPOC in that subway scene, because that's plausible -- then it sounds like your characters might be an example of good representation.

(Note: if you're not writing something set in the real world, but it features human beings, it needs to represent humanity as a whole, unless there's a good in-world reason not to. But if it's our world? You can get specific.)

Here's the catch, tho: plausibility is relative. If you've absorbed some biases and haven't done enough research, then you might end up writing something that feels plausible to you, but which isn't actually representative or plausible to anyone else. The way to avoid this is to do the research and check (to the best of your ability) your biases. For example, you aren't American, I assume you've at least visited NYC? If not, you should. You can visit some of the communities I mentioned! You can eat in restaurants, visit mosques, have conversations with actual real people who are living the life you're writing about! If you don't have the time, money, or spoons to do that, there are other ways to do good research -- films and YT/Tiktok videos made by people from the communities in question, for example. But you'd need to watch a lot of them to get a good representative sample.

I recommend this book to all the writing students I've taught at Clarion, and other writer workshops: Writing the Other, by Nisi Shawl and Cynthia Ward. There's a particular part of it that seems relevant here, which is a kind of hierarchy of "appropriate" appropriation, I think first mentioned by Diantha Day Sprouse but included in Writing the Other. Basically it says that if you want to write about a culture that isn't your own, you can learn about that culture in one of several ways: a) You can be an Invader, and just go take whatever intellectual and artistic tidbits from that culture that you want, regardless of how damaging this might be to members of that group. Example: non-Indigenous people who write about actual secret practices, or who encourage the desecration of sacred places. b) You can be a Tourist, in which you're still mooching from that culture, but at least you're figuratively paying someone for it and accepting tidbits that the culture has chosen to sell. Example: getting a sensitivity reader. Or c) you can be an Invited Guest, who brings in as much as they take out, and who has formed relationships that are beneficial to all involved. Example: being part of an exchange program, both as a student and later as a host, and maintaining those friendships outside of the program.

The goal is to be an IG, but that isn't always possible. Tourist is still better than being an Invader. (...I feel like I'm leaving out a category. It's been a while since I read the book; any more recent readers want to check me here?) But the closer you can get to actually participating in that culture, the more your work will be informed by reality instead of biases or misinformation, and the more likely your work will read as plausible not just to you, but to your widest possible audience -- people familiar with the culture and people who aren't.

(I'm a little concerned about your phrasing of "force myself to include more representation," note. Why would that need to be a forced thing? A writer's goal should be to write something that feels lived-in and authentic to [if it's a real place] most people's experience -- not to meet some arbitrary standard, but because that's how you master immersion and characterization. If good immersion and characterization feel forced to you right now, that suggests you need more practice. I recommend writing short stories!)

#answered asks #long #sorry I took a while to reply #some asks require more nuanced replies #and I put this one in drafts because it was so long #then forgot it was there #and yeah I'm aware this might be a disingenuous ask #but I am choosing to treat it as good faith

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butch-reidentified · 3 months

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I've spoken before about psychopathy, particularly my own, and the importance of recent research and demolishing the stigma and absolutely absurd past conceptions and measures of psychopathy, which were exclusively based on studies of male prisoners convicted of violent crime.

Just to reiterate - psychopathy is not being deranged and uncontrollably violent. Villanelle from Killing Eve is actually an excellent and well-researched example of high-EQ female psychopathy, and the first fictional portrayal I can genuinely see myself in. Psychopaths with high EQ are entirely capable of cognitive empathy, and many (like myself) are actually very gifted in it, and can even make excellent counselors/therapists as a result of this combined with a lack of strong internal biases and the fact that we won't be emotionally impacted/drained by patients. This presentation of psychopathy is becoming more and more recognized and studied, and is distinctly more common in women. We retain the core defining traits, obviously - boldness, deviancy, disinhibition, very high fear threshold, a tendency toward meanness (self-control is a thing, though), reduced capacity for remorse and regret*, and of course lack of affective (emotional) empathy - but are much more able to moderate ourselves and prioritize social functioning, and tend to view the sadistic behavior of low-EQ psychopathic males as wasteful. My wife calls it "prosocial psychopathy."

Anyway, I just kind of wanted to touch on this again since it's been a while and there's a fair few new followers out here. I encourage you to read the above links and check the tag - it's a pretty interesting topic, to me at least.

Edit 4/25/2024: *Regarding the reduced capacity for remorse/regret: I firmly believe this sounds worse than it is. For people like me, at least, it's not that I'm going around doing terrible things and incapable of feeling bad about any of them. The truth is that remorse & regret most frequently occur as a result of intensely emotion-driven behaviors, which as a concept is largely foreign to me - I don't tend toward remorse/regret because the way I interact with the world, analyze situations, and choose to behave in response, is inherently from the very beginning done with the acceptance of potential consequences actively held in my mind. I'm not prone to regret/remorse because I know myself extremely well and make choices as consistent with my understanding of self as possible, having already prepared myself for the possibility that things could go wrong. It's more about being prepared for what might happen and able to cope when things do go wrong, rather than being a piece of shit and not feeling anything about it.

This doesn't make me better or worse than others; it's a neutral fact that male supremacy has made seem otherwise by constantly claiming that "logic" or whatever is superior to emotions. Fuck that. Loads of the best people I've ever known have been very emotion-driven (what non-shit people identify as a firm of being passionate) and some of the shittest people I've known would waste their dying breath insisting they're 100% logical creatures, as if that's even a real thing. To me it feels very simple: if I'm making the best (most internally consistent, most reflective of my personality and values, etc) decisions I possibly can with whatever information I have at the time, then I've done my best, acted with integrity, and don't need to regret my choices. This is very challenging to write/talk about bc of the stigma & connotations involved, but again, this is a completely neutral fact to me in the same way I describe being a woman as a completely neutral fact despite the stigma & connotations involved there. Does any of this make sense?

#mine #psychopathy #emotionality

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david-talks-sw · 2 months

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I got a good feeling about "The Acolyte"

Not even kidding. Like, I've spoken before about why I'm wary of it.

George Lucas' Star Wars is something that intentionally has black and white morality, rather than shades of gray. Those movies are meant for kids and projecting a "gray" morality onto them then proclaiming it was George's vision all along is doing so in bad faith.

The narrative of the Prequels doesn't frame the Prequel Jedi in as negative a light as Leslye Headland, Dave Filoni, etc etc do.

See here for more details, but bottom line: yeah, a show that has a darksider as the underdog is bound to demonize the Jedi (who are the actual underdogs in the Prequels), and obviously that rubs me the wrong way.

BUT.

The trailer looks fucking cool. It really really does.

youtube

And more importantly? I've done some research... and Leslye Headland is ticking a lot of good boxes, in my book.

1. The Acolyte won't be a 10-hour movie.

I've criticized Disney Plus shows before, explaining that a big source for most of their issues is that these series are being structured as "long movies" rather than, y'know, actual shows.

But in this interview with Collider, Headland addresses that: it'll be a series. Not a long movie that you need to watch across four weeks.

Thank God. You have no idea how much that comforts me. Finally a showrunner who's, y'know, actually running a show.

And this goes hand in hand with what she told IGN, here, about how she's going about building suspense.

Yes! Exactly! That's how it's supposed to be!

Like, compare this to Baylan Skoll's storyline in Ahsoka.

In no possible way was that emotionally-fulfilling. For 8 episodes we had no idea what he was after, and the season ended where we still don't know. What does he want? What is he after? Your guess is as good as mine, it's something Mortis-related.

So yeah. Maybe getting the Emmy-nominated trained screenwriter on board to run this was a good idea.

2. Maybe the Jedi will not be as demonized as I originally thought.

Don't get me wrong. 80% of what she says about the Jedi makes me cringe. It's the typical fan's interpretation and y'all know I disagree with that interpretation.

It's painful to see her refer to the Jedi as an institution (not how the Prequels' narrative frames them) and to see her frame "Balance" in the "oh there's so many of them and just two Sith, that means the Force is out of balance" meaning... but at least she acknowledges the Jedi are a benevolent institution.

They're not an "elitist force hiding in their ivory tower" as others have described the Jedi.

Moreover, there'll be a variety of Jedi POVs, many personalities.

Yord Fandar, is described as a strictly by-the-book Jedi Knight and guardian from the Jedi Temple, is an overachiever and a rule follower.

The question now becomes: will the narrative frame him as "your typical Jedi" or is it just this one guy? I'm hoping it's the latter.

I also like how her reasoning goes re: Jedi drawing their lightsabers.

Which explains the hand-to-hand combat seen in the trailer.

This teenager is coming at Carrie-Ann Moss with a dagger, of course the Jedi won't draw her saber.

3. She's a fan of Star Wars... but a screenwriter first.

You can tell in the interviews she's a fan. She's using words like "BBY" and "EU" casually. In the above-linked interviews she's bringing up the Nightsisters, Timothy Zahn, The Clone Wars, she mentions she has a tattoo of Ralph McQuarrie's concept art of Leia, the High Republic books, etc.

She's done her homework. She's a fan.

But the vibe I'm getting from these interviews is that she's weaving in these various lore-elements in a more organic way, rather than in the "fan-servicey" way Dave Filoni has been doing in his shows.

The references and Easter Eggs will be there, but the narrative won't bend over itself just so you can get it. Crafting a good story comes first, and Andor is a beautiful illustration of why this is true.

Which is why I was never bothered about one of the writers never having watched Star Wars before getting the job. You need those fresh eyes when you're tackling something of this scale.

That makes sense to me. Maybe it's because of my own screenwriting experience, but yeah. That out-of-the box perspective is precious.

And like, obviously, that writer watched the films eventually, but for some reason everyone who bitched about Headland omitted that detail and opted for a more bad faith interpretation.

Hm. Wonder why.

Maybe it's the same reason that months ago this clipped audio circulated socials without context, in which she debates whether Star Wars only came from George Lucas and only Lucas is the key.

The FULL context of that interview reveals that she's actually:

debating the "autheur director" myth and positing that it was achieved by a collective of excellent filmmakers and craftspeople that George was skilled and smart enough to recruit...

the studios now think it's a simple as hiring one guy and throwing money at him, because they have no idea what the fuck they're talking about. See Napoleon (2023) for example.

Yes, she also does a jab to the Prequels, which speaks to the generation of fans she's a part of... but overall she's giving Lucas props whilst also stating an ideological difference, that's it!

George is a proponent of the "autheur" theory, Leslye isn't.

However, guess what, in like half the talks George gave post-selling Star Wars? He's giving shoutouts to everyone who helped make the first film, even remembering their names.

So I'm not even sure he'd vehemently disagree with Leslye, in fact they'd prolly have a conversation about it and immediately bitch about how stupid studio executives are :D

But that's not as incendiary, is it? Again, the more I do the research, the more it feels like the reason most of these influencers are hating on her is purely sexist.

I mean, on IGN she's even acknowledging that she does plan on taking stock of fan reactions for Season 2.

It's not a guarantee that she'll incorporate the feedback, but at least that's more consideration than, say, JJ Abrams or Rian Johnson gave the fandom.

She's even bringing the moral ambiguity that the Gray Jedi-loving edge-lords love so much.

"No, she's a woke feminist! Anything she does is evil! Eww, girls!"

🙄

Needless to say... I'm gonna give it a shot.

I think it's gonna be a good show, I think it's gonna be a solid story.

I'm crossing my fingers that they won't as biased against the Jedi as it seems they'll be. Even if they are... if it's still an enjoyable experience, I'll gloss over it.

As @gffa states in this post:

Worst case? It's not a story from George. I can dismiss it from my headcanon without a moment's hesitation :D

#the acolyte #jedi order #star wars #leslye headland #george lucas #Youtube #discussion

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ambermotta · 6 months

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Cleansing Basics – Crash Course

What is cleansing? When should I do it? How do I do it?

These are some of the questions I'll be tackling today. I hope this post will be useful to those who are not quite familiar with how to cleanse and why it's important for any witch or pagan practice!

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Long post based on my experience and research. Meant to be informative. I don't claim to know the absolute truth.

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What is cleansing?

Cleansing is clearing away energy from someone, something or somewhere.

When should I cleanse?

Whenever you need to clear away energy.

Personal opinion: you should cleanse yourself and your house at least weekly.

It is generally recommended that you periodically cleanse magical items and cleanse before and after any type of magical/ spiritual work. Cleansing before contacting deities (even if it's just prayer) is also considered "standard protocol" in some cultures, like in Hellenic paganism and Shintoism.

From my personal experience I do feel I can connect better with spiritual beings when I cleanse beforehand, but I believe my emotional state has a bigger influence on the matter. Cleansing generally calms me down too so –

Why should I cleanse?

The number one reason you'll see cleansing everywhere is because it is a way to help get rid of excess negative energy.

I'm not going to say you can clear away all of it because as living humans, we are constantly emanating energy and a lot of times it is "negative" energy. Which is okay, it's part of being alive. Plus, there are other factors that come into play.

However, cleansing often can help you stay in touch with spirituality and ease your mind since you'll be getting rid of excess (and oftentimes unwated) energy.

Cleansing also comes into play when you want to clear away any other kind of energy, for example, when you get a new magical tool (such as a tarot deck) or finish a magical working. You don't necessarily want the energy that was on that object or that spell sticking to you all day, you know?

How to prepare for cleansing?

First of all, gather your stuff. Gather everything you need and try to avoid interruptions.

I personally recommend you always do a physical cleaning up of whatever you are going to cleanse. Tidy up your house, take a shower, and clean your magical items (if possible).

Dirt and clutter feel bad, and it can distract the mind. Starting your cleansing in the physical plane can definitely make it more powerful in the astral too.

How do I cleanse?

Most cultures/religions/spiritual practices have their own way of doing things (ex: hellenic pagans have khernips), so first of all, do your research! And respect the fact that some things are out of your reach.

There are A LOT of techniques you can use to cleanse that are not particularly tied to a single culture and that can be done in many different ways. I'll quickly go through some of them, but it is by no means an extensive list.

Cleansing with the 4 elements:

Earth: I've mainly seen this in two ways, which are sending energy to the earth (something like grounding) and burrying objects.

Fire: commonly used together with air in smoke cleansing. There's also energy work that pulls energy and sends it towards the fire for cleansing (either a candle, a bonfire, or a visualization flame)

Water: mostly used for cleansing yourself or objects. It can be through herb baths and showers, rain/sea/river water, salt water, or sacred waters. For cleansing spaces, there are things such as water spray bottles and floor washes (though I've only seen this one being used in hoodoo). Careful with objects, some may not be resistant to water.

Air: generally the most common for cleansing spaces or people. Usually achieved by lighting up incense or herbs with cleansing properties and using the smoke to cleanse.

Sidenote: burning a herbs ≠ from smudging. Smudging is a native american practice that is closed to their people. Don't smudge, don't call some herb-burning smudging. It's not the same thing. Stick with what's appropriate for your culture.

Sun and moon: using sunlight or moonlight to cleanse (and often charge) yourself or objects. Always make sure what you are cleansing can actually be left in the sun and handle weather.

Crystals: Some crystals have cleansing properties, usually back ones (onyx, obsidian, black tourmaline), smoky quartz, and selenite, to name a few. Keep in mind that they usually need to be cleansed periodically, too.

Sound: Praying, chanting, singing, music, and using bells or drums are some ways you can use sound to cleanse.

Visualization: There are many techniques used for cleansing this way. While it can be effective, it is definitely not for everyone as a lot of people will find that using tools is easier and more consistent. Visualization requires some practice and a lot of focus.

What to do after cleansing?

That depends on your objective.

If you are cleansing a space, such as your home, and you want to keep it "clean" for longer, you can cast a protection spell.

If you are cleansing yourself or an object, you may want to do a Charging of some sort. When you cleanse, you are getting something out, which opens up space for the new, so you can use this as an opportunity to "fill in" with another type of energy.

Conclusion

Cleansing is very versatile and unique to each practice. There are a lot of things you can do that are fairly neutral, but in general, cleansing always has the same purpose and is done in a similar fashion.

Knowing what your tradition (if you have one) usually does to cleanse objects, people, and places can be very enriching, so do your research!

Thank you for reading!

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jedipoodoo · 23 days

Note

I can't imagine how raw and irritated echos skin gets, especially from his armor rubbing against it. now I can imagine is his s/o applying lotion all over his upper body, and once rubbed in, giving him a massage cause lord knows the poor baby's been through enough.

finding good echo gifs is so hard 😭 I feel like I've already used all the good gifs in my other one-shots. If anyone has some Echo gifs they'd be happy to let me use for story visuals, please let me know!

Patch Your Broken Wings (ARC Trooper Echo x Reader)

Notes/Warnings: Got a little off topic here sowwy :3. People are jerks to clones, descriptions of scents, Echo has a hard time making decisions for himself and feeling good about himself.

This one-shot does not contain spoilers for season three. Please do not discuss spoilers in the comments.

"Here, smell this one!" You took a bottle off the shelf and shoved it in Echo's face. He stumbled back a step or two before he caught his balance. He took a deep inhale of the scent and closed his eyes, imagining himself in the middle of the meadow printed on the side of the bottle. The scent, however, didn't quite match up to the picture.

"Well, what do you think?" You asked. You were so giddy you were bouncing up and down on the tips of your toes as you waited expectantly for his answer.

He shrugged, "It's nice."

"Nice?" You frowned, "Is that all you have to say about it?"

The truth was, Echo really didn't care for that one at all, but with how excited you were about it and the other five bottles you'd thrown in your basket, he didn't want to disappoint you. Plus, there were at least three other customers staring at him, speaking in what barely counted as whispers. He knew he looked weird, on top of being a clone. Most people didn't like him being out in public, not that it bothered you. You were fearless.

"Yeah, smells like flowers." He mumbled.

You frowned, "Okay then..." You put the bottle back on the shelf, and Echo immediately knew he messed up.

"We can still get it if you like it! I don't mind!" He insisted.

"Do you like it, though?" You asked.

Echo blinked. "What do you mean?"

You sighed deeply, "Echo, I wanted to get these lotions for you."

"For me?" Echo pointed to himself with his good hand, "Why?"

"For your skin!" You reached out and took his hand, squeezing it gently, "It's so dry and rough, especially by your cybernetics."

"Oh," He said softly, "I've never really thought about it before."

You smiled at him and leaned in to kiss his cheek, "I was doing some reading on the holonet, and it said that prosthetics can start to chafe after a while, but lotion so help with that."

Echo couldn't believe it. You'd done research to help him? On your own? He almost started crying.

"Come on," You pulled him after you, "You need to find one that you like. I'll help you put it on."

Echo felt a bit like he was floating as you pulled him along to the next aisle of lotions. Was that all that this store sold? Well, there had been some candles at the front of the store, and they were selling scented antibacterial packets by the register.

"We are not leaving until we find a lotion that you like," You warned him, "Now, what smells do you like?"

Echo fidgeted a bit under your scrutiny. "Well, I like caff, and flimsi. It smells nice when it's warm."

"Well, we could find a caff-based scent, but flimsi will be a bit harder to find," You hummed, "Keep going."

"Uh, I like the smell of the antiseptics that they use to keep the medwing clean, that's always nice."

You shook your head, and grabbed two sample bottles of lotion off the shelf. "Do you prefer flowers or fruit?"

Echo panicked, "Uh...both?"

Just as you reached out for him, an older woman shoved her way in between you both to get to the display wall.

"Pardon me-" Echo coughed.

"Excuse you!" You snapped. The lady turned to you, and though Echo couldn't see her face he knew she must be scowling.

"Watch where you bring that thing," She snapped back at you. She didn't even grab any of the lotions as she pushed past Echo towards the registers. Even more people were staring now.

"Maybe we should go-" Echo tried, but you grabbed his arm and kept him standing right where he was.

"You have just as much right to be here as anyone else," You whispered to him. Echo just gulped, and nodded.

You pulled his arm towards you and dabbed a bit of the first lotion onto his wrist. As you rubbed it in, it felt kind of nice, feeling you work away the tension building up in his muscles.

"What do you think?"

The first one was tinged purple, and smelled like joganfruit with hints of lavender. It was much too strong and Echo shook his head with a grimace. You applied the second scent, and Echo gave a hearty sniff. It was light and floral, with hints of meiloorun in the background.

"That one's nice," He said somewhat wistfully.

"You like it?" You seemed shocked at this revelation.

"What's the flower in that one?" He asked. You took a moment to read the label.

"It's made from ti'il blossoms, from the planet Alderaan," You read, "It's made with meiloorun and hints of prosecco."

"Prosecco? Isn't that an alcohol?" Echo asked.

"Yeah, but it smells nice," You shrugged, "You want that one?"

"Yeah," Echo said, reeling a bit from these events. Maybe the prosecco in the lotion was giving him the same effects as drinking it.

Buying the lotion and going back to your apartment were a bit of a whirlwind for him. He liked being at your place, it was a safe haven from the rest of the galaxy, where no one would oogle him or whisper about his condition as if he couldn't hear them.

"Hey," You called him from his trance, lotion in one hand, "You okay?"

He nodded, quickly, "I just...I don't usually get stuff like this."

"It doesn't hurt, if that's what you're worried about," You teased. Echo chuckled half-heartedly.

"Echo?" You said softly, "Babe, what's wrong?"

Echo tried to wave it off, but the lump in his throat betrayed him.

"No one has ever cared about me, not like you have." He stammered.

"Echo, that's not true," You pulled him to sit on the couch and cradled his face in your hands, "Your brothers would do anything for you, and you know it."

"They're my brothers, they don't count."

"They're your brothers--of course they do," You rested your forehead against his, breathing deeply in order to allow his breaths to align with yours.

"Thanks for what you did back there, at the shop," He murmured.

It was your turn to get flushed, "I barely did anything-"

"Not just with the lady," He clarified, "For the lotion, for looking stuff up, for this," He waved his scomp arm between the two of you, "It means everything to me."

He caught a glimpse of your smile, "You mean everything to me, Echo. I hope you understand that."

Echo chuckled again, "I think I'm starting to."

#lizart writes #tbb echo x reader #clone wars echo x reader #arc trooper echo x reader #the bad batch x reader #the clone wars x reader #apparently I can only write if I complain about writing beforehand.

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tennessoui · 4 months

Note

Kit! I'm obsessed with your writing!

For the prompt list: 25!

(prompt list)

i don't think i've ever done this prompt/this combination!

25. librarian/avid reader au (sort of)

(2.6k)

As a Jedi who rarely goes undercover, Obi-Wan is used to the occasional stare. Citizens of the Republic are all too often fascinated by the Jedi, and Obi-Wan knows he looks like a holo-perfect one. His choice of wardrobe rarely deviates from Jedi standard, and he’s been told he radiates the sort of complete inner peace that people associate with Jedi. It’s all very flattering and it mostly means that it is impossible for him not to be made as a Jedi the moment he steps out of the Temple.

So he’s rather used to the occasional stare from civilians. It’s almost to be expected.

He is much less used to that sort of attention within the Temple.

Especially within the Archives, where general practice and observation of decorum demands that all who are present must keep their noses out of everyone else’s business. Jedi do not come to the Archives to chat. They come to research, to learn, to study.

They certainly do not come to the Archives to gawp at other more respectable Jedi.

Obi-Wan tries to convey this in the glare he sends across the cavernous reading room to the padawan currently watching him from between the stacks of datapads.

It must work because the padawan’s eyes widen and then he ducks out of sight, disappearing in a flash of lilac robes, the color of fabric denoting an Archival padawan.

Huh.

He’s never drawn the ire of the Archival Jedi before, and he doesn’t quite understand what he could have done now. After all, he is waist-deep in a research project for Grandmaster Yoda—he is in the Archives almost every day of the week and makes a point to abide all of the Archive’s customs and rules.

When Obi-Wan leaves a few hours later, daily notes carefully tucked away in a bag and two datapads on loan, he checks with the droid that scans the serials on the ‘pads, but the droid has no record of Obi-Wan Kenobi possessing an overdue ‘pad or flimsi-book.

It’s strange.

But then, padawans are strange creatures. Probably why Obi-Wan doesn’t think he’ll ever have one himself.

—-------------

Three days later, he returns to the Archives, one datapad in his bag for return.

It’d looked promising on the shelf, a database containing different accounts of the oral history of Jedha, but upon further perusal, it had been useless to his needs. What Obi-Wan was researching—what he needed to find were descriptions of the earliest Jedi on Jedha. The growth of two factions inside that temple, told from an outsider’s point of view.

What he needed to find was a description of the beginning of the Sith, and that was proving difficult.

He deposits the datapad at the droid’s counter, tapping his fingers along the surface for a moment in thought before he turns to stride deeper into the Archives. He supposes—there are planets outside of Jedha with histories heavy in Sith ideology. He does not have to start with Jedha, even if that’s where the Sith Order began.

He can pull a list of the most notorious Sith lords; he can note down their homeworlds, perhaps request Council permission to travel to those planets. To understand the past, one must understand the present too—or the nearer decades of history at the very least.

It’s a place to start, anyway.

Two hours later, he has neatly copied down the names, titles, and homeworlds of six different Sith lords.

And then he runs into a problem. His search of the Sith Lord Plagueius results in a short missive from the database:

>> User: OWKenobi, ACCESS has been denied. Your activity has been flagged as SUSPICIOUS.

Obi-Wan’s eyebrows furrow, and he looks around himself, half wondering if anyone else is experiencing the same sort of problem.

But the group of Initiates closeby seem to be carrying along fine, giggling quietly to themselves as they pick at the keyboards in front of them.

Obi-Wan frowns and turns back to his own keyboard, deleting the name of the Sith lord and typing in another’s. Darth Feindan, a ruthless Sith who had lived close to five hundred years ago, known as the ghost of the Outer Rim and known for—

>> User: OWKenobi, ACCESS has been denied. Your activity has been flagged as SUSPICIOUS.

Alright. Fine. Darth Derritus. He had risen to power a thousand years before, because of—

>> User: OWKenobi, ACCESS has been denied. Your activity has been flagged as SUSPICIOUS.

“What?” Obi-Wan murmurs to himself, putting down his stylus finally to stare at the locked screen.

When he drags the cursor across the screen, a new message pops up.

User: OWKenobi, your account has been LOCKED. Please see SYSTEM ADMIN for SUPPORT.

He blows out a shocked, annoyed breath, standing from his desk. Alright. Obviously there’s been some sort of mistake, and Obi-Wan can sort of understand what’s happened. The Sith are not much of a threat to the Jedi Order in this day and age, but they’re still considered rather…taboo.

Obviously, his purely academic interest was flagged as suspicious because of the nature of some Jedi attitudes towards the remnants of the Sith.

All he’ll have to do is talk with the Archival staff and get his access back. Perhaps Jocasta Nu is present today. He will tell her of the error, that he has been assigned a research project by the Grandmaster Yoda, and she will straighten things out.

Yes, she’ll handle it completely.

Only it’s not Master Nu behind the Archival desk when Obi-Wan approaches the front entrance.

It’s the same lilac-clad padawan that Obi-Wan had caught glaring at him all those days ago.

And to make matters worse, the boy is glaring at him again, watching him approach with his arms crossed over his chest.

Obi-Wan fights the urge to glare back. He is an accomplished Jedi Knight, and this is a youngling.

Well, not a youngling. He is obviously a senior padawan, braid long enough to reach past his shoulder and rest over his heart. Obi-Wan would put him at perhaps eighteen, perhaps twenty. There’s something still rather boyish about his features, despite the overall pleasantness of his dark eyes, soft lips, apparent cheekbones.

Though that just may be the childish scowl he’s wearing as Obi-Wan approaches. As soon as he gets to the counter, however, the boy drops his eyes to the book in front of him as if it’s suddenly the most interesting thing in the world. “Hello,” Obi-Wan says, because he is an accomplished Jedi Knight who is capable of keeping annoyance out of his tone. “I seem to have run into a problem with my research.”

“Oh?” The senior padawan says, sounding somehow both insouciant and insolent. Obi-Wan bites on his tongue so he cannot say any of the first five things that pop into his mind. “Yes,” he says instead. “The problem being that a system administrator seems to have locked me out of my account.”

The system administrator in question turns another page in his book. “What were you researching?”

“Information that I as a Jedi Knight have the right to access,” Obi-Wan snaps, irritation seeping into his tone despite his best abilities. “Now can you please give me back my account permissions, padawan—” he breaks off and cranes his head to look at the nameplate on the desk. “—Skywalker so that I can get back to work?”

Padawan Skywalker shuts his book with much more force than is required as he turns his face up to glare at Obi-Wan. “You’re researching the Dark Side.”

“I’m certainly trying my best to,” Obi-Wan replies drily. “It would go a lot faster if you would unlock my account.”

“Why are you researching the Dark side?”

“Because I’m deliberating the benefits of Falling and would like to understand their position on universal healthcare for Dark side users before committing, padawan. Now, could—” “You’re not funny,” Padawan Skywalker says furiously, lips suddenly pinched white, taking his book and his bag and turning away.

Obi-Wan watches him go with his mouth open.

Well, he supposes that means he must put a pin in researching the Dark side for the moment.

Good thing he has just stumbled upon another subject worth investigating.

—--------------------

He feels rather sheepish the next day when he returns to the Archives with a cup of take-away caf in one hand and folded piece of flimsi in the other.

Thank the Force Padawan Skywalker is behind the front desk once more.

Damn the Force that Padawan Skywalker is behind the front desk once more.

He’s leaning with his head on the palm of his hand, pushing his stylus around on a blank sheet of paper with the Force as his other fingers drum restlessly over the protective covers of the datapads near him.

“Does your master allow you to use the Force in such a needless way, padawan?” Obi-Wan is saying automatically before he can bite his own tongue off which really would have been preferable. Anakin Skywalker lets the stylus drop and glares up at him as if he thinks so as well. “What are you doing back here?” He says, an accusation.

Obi-Wan, because he may be more of a youngling than he gives himself credit for, says, “This is a public place.”

And Anakin Skywalker, who is every inch a nineteen year old child, sneers and replies, “Maybe for people with account access,” which really just makes Obi-Wan want to close his eyes and take several deep breaths and then pinch at the bridge of his nose.

But he cannot do that, because he’s holding a piece of flimsi paper in one hand and a cup of apology caf in the other one.

So instead he places the caf on the counter and pushes it closer to Anakin. “I didn’t recognize you,” he says before Anakin can decide to throw it at him or push it away or point out the sign at the entrance to the Archives that says, in very bold letters, NO FOOD OR DRINK PLEASE.

Thankfully, Obi-Wan’s words throw him off guard. “What?”

“Yesterday,” Obi-Wan says patiently. “I didn’t recognize you nor your name. I’m sorry, Anakin.”

Anakin blinks. For the first time in ten years, Obi-Wan is treated with the sight of the boy’s face without a glare or sneer or unpleasant expression. He’s all wide-eyed disbelief, slightly parted lips, dark eyelashes, darker brows, creased in confusion.

Obi-Wan suddenly and very intently misses the sneer. At least then the boy was too annoying to be considered attractive.

He’s much too young to be considered attractive now, Obi-Wan reminds himself rather pointedly.

And he’s still annoying.

“It’s been ten years,” Anakin points out. His presence in the Force has turned rather…shy, akin to a blush as he reaches out and takes the caf from the counter, curling both hands around the cup. “And we never met.” “No,” Obi-Wan agrees. “But we should have. We would have shared the same master, if the Force were kinder.”

And they really should have—Obi-Wan had been Knighted at the age of twenty-three. Two years later, his old master went on a mission with his old master to Naboo. When they’d ended up on Tatooine instead, Qui-Gon Jinn had found a stray he’d wanted to adopt, a little boy from the desert. And when he’d been murdered only a few days later, Yan Dooku had stepped in and taken the boy as his padawan.

Up until he left the Order four years ago.

“Yeah, well,” Anakin mutters, shoulders falling down and in slightly. “It is what it is.”

The rumors are impossible to escape, and Obi-Wan admits that they’re…intriguing. That Dooku didn’t just leave the Order four years ago, but that he Fell. That he succumbed to the Dark Side after years of fighting against it. That studying the Dark had become a fevered pastime of his in the last few months before he Fell. Before he left.

Before he left his padawan behind.

“Lilac suits you,” Obi-Wan blurts out, wholly without meaning to. The boy had just looked so despondent for a moment, so pinned and small.

He has not had an easy lot of it, one master dead at the hands of a Sith after only a few days in his company and the other giving him up after several years to become one.

No wonder he’d been so suspicious of Obi-Wan’s research. The poor boy probably sees the potential for Sith in everyone’s shadows. Obi-Wan knows he would, if it were his master who Fell.

“Um,” Anakin says, and his cheeks flame red. Obi-Wan’s own darken in response. “Thank you.” He darts his eyes from Obi-Wan’s face and then back, as if he doesn’t want to look away for long. “Master Nu took me on after my master—left. She says I could become an Archival Knight within a few years.”

“I’m glad to hear it, Anakin,” Obi-Wan says, and he finds that he means it. Despite the boy’s terrible customer service. “And speaking of the Archives, padawan, I thought you might like to see this.”

He unfolds the piece of flimsi with a flourish and places it down on the counter between them. Anakin glances down at it and then back up, as if checking to make sure Obi-Wan would like him to read it.

Obi-Wan gives him an encouraging nod. Padawan Skywalker seems like the sort of padawan to thrive under encouragement.

“Please reinstate Jedi Knight Obi-Wan Kenobi’s Archival account access, as I as Grandmaster of the Jedi Order have given him leave to research a topic of great importance to me: the nature and nurture of Dark side use on Jedha, coordinates….” Anakin trails off, and then looks up at Obi-Wan again, eyebrows furrowed. “Yoda doesn’t talk like this, everyone knows that. Put more effort in your counterfeiting, you should have, Knight Kenobi.”

“Grandmaster Yoda did not write that,” Obi-Wan corrects. “I did. However, he did sign it,” he gestures to the edge of the flimsi.

But Anakin does not look impressed. He also does not look like a boy who is about to give Obi-Wan access to his accounts. “How do I know you didn’t just forge his signature?” “Because that’s the imprint of his hand,” Obi-Wan says incredulously. “And I do not have claws.”

“It looks like a pigeon’s foot,” Anakin studies the flimsi for another second before pushing it away. “I’m sorry, I can’t accept this. It’s obviously a fake.”

Obi-Wan had watched Yoda dip his claws into the ink for the signature himself. His irritation comes rushing back in a tidal wave of rage. “What.” Padawan Skywalker shrugs and sips his caf. “Sorry, Knight Kenobi. Thank you for the caf though.”

There’s a fucking smirk at the corner of his mouth. His eyes are fucking twinkling.

Obi-Wan has never wanted to strangle someone more. “You don’t deserve that caf,” he tells him lowly, grabbing up the flimsi and crinkling it in his fist.

“Oh?” Padawan Skywalker says. “Was it a bribe? I thought it was an apology for being a dick yesterday.”

It was both actually.

“Padawan Skywalker,” Obi-Wan says, closing his eyes and exhaling through his nose, reaching for calm. “I need access to those texts on the Dark side for important research.” “Knight Kenobi,” Anakin says in the same tone. “I cannot give you access to those texts while your account is under investigation for suspicious activity. However there are other titles you may find useful that you can access while you wait for the Archival staff to conclude their investigation, and I would be happy to point you towards them, should you like.” Obi-Wan’s teeth ache from clenching his jaw so tightly. “Fine,” he snaps. “What do you have?” “Methods for Mindful Meditation by Master Muinollie comes to mind,” Anakin blinks up at him with a beatific smile. “It’s currently on loan to the crechèmaster, but I can put you on the waitlist. Think of it like an exercise in patience.”

Obi-Wan lets out an audible growl and turns away before he can do something stupid like throttle his grandmaster’s old padawan.

It's almost as tempting as the boy looks when he smiles.

#asks #prompt fill #archivist anakin au #obikin #padawan anakin: i think we're in love with each other #his friend: i think he wants to kill you actually #padawan anakin (adrenaline junkie): god i would love for him to try. im gonna keep annoying him until he pushes me up against a wall #what anakin knows and obi-wan doesnt is that his account will get access back automatically in like three days #anakin just wants obi-wan to come back and say hi again #so he doesn't have to know that yet.#but also he originally blocked him because he ws being suspicious #and padawan anakin stands by that thanks very much

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lucy90712 · 7 months

Note

Can you write domestic fluff with joao felix?

WC: 2.6k Over the last year Joao and I have moved a lot with him going on loan to Chelsea then coming back to Atletico and now moving to Barcelona it's been a lot. When we moved to London we only rented a place as at the time we weren't sure how long we would be there which was a good choice as it only turned out to be 6 months but now moving to Barcelona we want to actually have a place of our own. There's a few reasons for this one being that Joao wants to stay here as even though he's currently only on loan he wants to stay beyond that and two we are awaiting the arrival of our baby who will be here before we know it. I was ok with renting somewhere if we had to but Joao wanted us to have a place to call home where we can decorate a nursery for our baby to grow up in.

As soon as the move was confirmed we were looking at loads of houses all of which were lovely but we both fell in love with one place. It needed some updating and definitely some decorating to make it our style but we just loved the place so much that we decided that we would make it our project and do it together. I thought it would be fun to redo the place together as it will be our last big thing we do together before the baby arrives and Joao loved the idea so that's what we've been doing.

As soon as we got the keys to the place we moved all of our things and went straight to the diy store to get loads of supplies. Walking around for the first time and looking at all the paint was a bit overwhelming but with some help from the store workers we found out what we would need and we picked it all out. While we were there we looked at all the colours we could have for the nursery but we decided to hold off on that until the rest of the house was done. By the time we had everything we had so much stuff which took ages to bring into the house especially as Joao would only let me bring in the light things like paint brushes.

~~~~~~~~~~

Our decorating journey was put on hold after we got all the supplies as other things took over like Joao's debut for Barca and actually getting furniture for the place so we can live here properly. Now however we are officially starting our project and we have to get it done by the time the baby is due so we have a little under 4 months. Having such a strict deadline is kind of scary but I think it will motivate us to get it all done.

Joao set an alarm last night which woke us up bright and early but it was fine as we both got up and got changed straight away so we could start right away. I was way more excited than I really should've been but it just felt so exciting to be making this house our own by ourselves without any outside help. I've always wanted to get into diy and nows my chance although taking on such a big project as my first isn't the most sensible but it's ok as it's our house so it can look however we want it to. Luckily I have done some research so I know exactly what we need to do it's just about whether we can actually do it but we'll figure that out as time goes on.

Our first job was to wash all the walls down so they can then be painted. As there's a lot of walls to be done Joao and I needed to work together. He didn't want me going up a ladder just in case so I did the lower half of all the walls while he did the top half and the ceilings. We were having so much fun talking to each other while we had music on in the background which we were dancing to or at least I was. At some point Joao went mysteriously quiet for a bit too long but before I could look to see if he was ok I felt water being dropped on my head and down my back. Once the water stopped I looked up and Joao was laughing so hard at me that I couldn't help but laugh too as I can't lie it was a good prank. I couldn't let him get away with it though so I used the water I had and poured it on his feet to make his socks socking wet which he hates so it was good revenge.

I won't lie we messed around as much as we worked but this is exactly why we are doing this together it's all about the memories and if that means it takes us longer then so be it. It also took us longer as I needed to take a break every so often because it was really tiring washing the walls. Joao joined me on my breaks which he said was to make sure I was ok but I think it's because he needed a break too he just wouldn't admit it. By the end of the day we had done every wall we were planning to paint throughout the entire house which really felt like an achievement.

~~~~~~~~~~

Day two. Well more like week two something came up last weekend so we never got round to actually painting anything but this weekend any free time we have is already reserved for paining, no distractions. I've been looking forward to painting all week as currently our house is all a dim white which sure looks ok but I want some more colour. To decide what room to paint first Joao and I picked a room out of a hat and we got living room which is the room I've been looking forward to the most. My idea for this room was to re do the white paint on most walls and then we found this lovely sage green paint to go on the wall with the fireplace as an accent wall. I've been waiting ever since we got the paint to see what it would look like in real life so hopefully we can execute it well.

Joao prepared the paint while I put tape around the edges so we didn't get pain everywhere. When Joao came back he asked me to come over to him so I waddled over expecting him to show me something. I did not expect him to have a paintbrush in hand and bend down to paint something on my bump but that's exactly what he did. Luckily we had the forethought to get pregnancy safe paint which turned out to be a good idea as I'm now covered in it.

"What have you drawn?" I asked

"A happy face" Joao replied

"I would ask why but there's no point" I laughed

"I did it because I thought it would be cute if every time we paint a new room I paint something on your bump and we take a picture to remember our decoration journey" he said

"Aww that's actually really cute" I said

"I know sometimes I have good ideas" he said

"You keep believing that honey" I teased while walking away with some paint

He laughed at me before following me to help me get started on painting the accent wall with whatever paint isn't on my belly. Joao put on some music and the both of us danced and sang along to as we painted. Now I know for a fact that you should paint everything evenly and in a proper pattern but I find it much more fun to paint little smiley faces and hearts before covering them up. Joao noticed me doing it and started doing the same and then we started communicating with each other on our wall. All you could hear was our laughter over the music that had been turned down which is exactly how I want this house to be all the time. When we have our little family I want the place to be filled with laughter and happiness as often as possible as my childhood wasn't so I want to have that for my own family.

For the rest of the day we painted every wall in the living room and then we also managed to paint the hallway. By the time we decided to stop for the day we were both covered in paint and all of my muscles were hurting especially my back. I had a bath which Joao prepared for me before I just got straight into bed as I just needed some rest. Joao joined me with some food for the both of us which we ate sat in bed before he got me to lay on my side so he could massage my back for me. I was hoping the days where this was needed would be further down the road but clearly that was too optimistic as for the last few days Joao has been having to do this for me so I can sleep.

"We did good today I'm proud of us" I said

"I'm proud of you, you are 6 months pregnant and spending all day painting a house that's pretty impressive" he said

"Thank you also I appreciate you massaging my back it makes it feel so much better like I can actually move" I said

"It's my pleasure babe remember when we found out and I promised you that I'd spend all day everyday looking after you this is part of that and it's not going to change anytime soon" he said

~~~~~~~~~~

It's been a few months but we are finally at the point where we only have one room left to decorate the room I've been most excited about decorating, the nursery. The entire time we have been decorating the rest of the house Joao and I have been buying things for the nursery which we have been waiting to put up but we have held off until now. I was really hoping that we would get round to it quicker as I wanted to help but I'm now 8 months pregnant and really struggling to do too much each day so I won't be too much help. The one thing I have been able to do is to pick out the colour for the room with Joao's help of course.

We decided not to find out what we were having as we don't mind if we have a boy or a girl we are just so excited to have a baby. Not knowing means it's a bit harder to decorate the nursery but I didn't spend hours on Pinterest when I couldn't sleep for nothing, this room is going to be perfect for our little one I'm sure of it. Since finding out I was pregnant I have been determined not to be one of those people that just paints their baby's room white or grey and I'm not going to be as Joao and I decided on a really nice yellow colour for the nursery as well as some wallpaper that has some other colours in it too.

When I woke up this morning the bed was empty which freaked me out for a minute until I heard music coming from the room next door which is going to be the nursery. After a few attempts I hauled myself out of bed and waddled my way into the room where I saw a shirtless Joao up a ladder refreshing the white paint on the ceiling as we decided to keep that and just put little glow in the dark stars up when the baby gets a bit older. I must say it was a wonderful sight my handsome fiancé shirtless a with bits of paint over him as his arms flexed while dragging the paintbrush back and forth.

"Wow what a wonderful sight for 8am" I laughed

"Good morning love how did you sleep?" Joao asked as he got down from the ladder

"About as well as someone who's 8 months pregnant can how are things going in here?" I asked

"Pretty good I've almost finished the ceiling then I thought we could do the walls before I put up the wallpaper but if you're too tired I'm happy to set up the chair so you can just sit and watch" he offered

"I want to help but I don't know how long I'll be able to help for" I said

"And that's ok just tell me when you're tired and I'll take over" he said giving me a kiss before heading back up the ladder

While he was getting on with finishing what he had started I took my place on the floor so I could do the lower half of the walls. This has become routine as I can't stand for too long as it hurts my feet and back so I sit down with a roller and do as much as I can reach. Actually painting is the boring part of this room so we worked pretty quickly or Joao did as I did as much of all the walls as I could but then I needed a break so I watched on as he finished everything. After that came the exciting part the part I've been looking forward to since finding out I was pregnant and moving into this house.

All day we've been working around the tons of boxes that are in piled in the middle of the room. The boxes are filled with all of the furniture we've been buying for the baby and I'm so excited to put it all together. Joao and I have never been very good at putting furniture together for a long as I remember we've always got something wrong and had to start all over again. Today is the day we challenge that because first we are putting together the crib. My job is to read the instructions and hold things for Joao as he puts in the screws and hammers things together. We were doing so well but when we finished something didn't look right and I realised we'd put something in backwards so yet again we'd failed and had to start again.

After finishing the crib we got started on the changing table which we actually did first try and after that we were on a roll. Everything went together so easily and before I knew it all the furniture was put together and was in a place we were happy with it. Then came the really exciting part getting to put up all the little decorations we had which were all animal themed so there was loads of stuffed animal all over the place and decals for the walls. All of the decorations really brought the room to life and helped me see us stood in here in just a few short weeks holding our little baby.

"I can't believe there will be an actual baby in here in a few weeks" Joao commented as he came over putting his hands on my bump

"I know I can't believe it either this baby will be here soon and will be enjoying this room we've worked hard decorating for years to come it will get filled with pictures and toys it'll be amazing" I said

"Yes it will and I can't wait for that day" Joao said giving me a kiss as our baby kicked his hands

#joao felix x reader #joao felix imagines #joao felix imagine #joao felix #football imagine

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cryptidfuckery · 1 year

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Alex's Guide to Being the Best Ever Client at a Hair Salon

Hi my name is Alex and I've been a hairdresser for about 6 years now. Obviously over that time I've come to learn what things clients do that make me very happy to see, so here's some tips on how to be the best ever client and make your hairdresser love you to pieces!

Also please note that this is coming from a relatively independent hair stylist. My salon does not have a receptionist or assistants, just the stylists. All tips should work across most salons though.

BOOKING AND CONSULTATIONS

When calling or otherwise directly messaging a salon or stylist to book an appointment, KNOW WHEN YOU WANT TO COME IN. If you need to check your schedule, do it before or have it open before you make the call. This will speed up the booking process exponentially!

DON'T BOOK A SMALLER COLOR RPOCESS JUST TO GET IN. If you're booking online, do not choose a color process with less time just to fit in to the stylist's schedule if you actually want a longer process. By this i mean not booking a partial highlight when you actually want a full. We will not be able to accommodate you, and will either have to leave you with the shorter process or reschedule you on another day when we would actually have the time to deliver what you want.

UNDERSTAND THEIR CANCELLATION POLICY. I know they can be annoying, but let me put it this way. When you are booking with a stylist, you're not booking a service, you're booking our TIME so we can provide the service you want. If you cancel last minute or no-show, you are costing us money that we could have made back by booking other clients. Especially on big ticket services that take hours. Cancellation policies allow us to y'know... still make rent.

YOU DON'T NEED TO KNOW EXACTLY WHAT YOU WANT... BUT... Part of a stylist's job is to ask the right questions to figure out exactly what you want out of your color, style, or texture. If you don't know exactly what you want, BE READY TO ANSWER QUESTIONS AND MAKE DECISIONS. We are trying to get on the same page as you so you will leave happy.

If you are coming in for a color that is more work than just an all over color or root touch up (aka single process), please do a tiny bit of research into what you'd like. You don't need to know EVERYTHING, but for reference showing a search for "BRUNETTE WITH HIGHLIGHTS" isn't going to narrow it down as much as a search for "DARK BRUNETTE WITH NATURAL WARM HIGHLIGHTS" would. A good stylist should be able to ask the right questions to get down to what you want, but this will make it much easier and quicker.

On that note, DEAR FUCKING LORD WE LOVE PICTURES, SHOW US PICTURES. BRING US YOUR PINTREST BOARD. SHOW US THAT TIKTOK YOU SAW. It's one sure fire way for us to physically see what you're talking about, and a good starting point to then ask qualifying questions with a reference! It doesn't mean we can 100% make it happen, but it helps us get on the same page you're on and see what you're looking to achieve.

Last but not least, research your stylists! Check what they specialize in, see if you can find any of their work posted online. Finding a stylist can sometimes be like finding a therapist, you have to find the one that's right for you (both in personality and technique). Don't feel bad about switching stylists; if your old one kicks a fuss they weren't the right one for you anyway. You deserve to be taken care of by a person you're comfortable with, and who delivers the service you want to your standards.

The hair industry is. Fucking huge. There's so many of us. You can literally call and book a consultation for a cut or color without getting it done that day. You can do that at 5 different salons before deciding. If they get weird about it just say you had a bad experience with an old stylist that you'd rather not get into. There is always options for another stylist.

BEST BEHAVIOR IN THE CHAIR

#1 thing i wish i could tell my clients without being rude: phone goes away for the haircut. Color is more lax, we don't always need your head in a specific position to apply it. Hair cutting completely relies on the position of the head, especially for the perimeter length of your hair. If you are looking down at your phone the whole time, the haircut will not come out as good. We also will be asking you to move to other positions, so we need at least some of your attention. It's also so we as hair stylists aren't having to contort our body into weirder shapes to cut your hair.

To piggyback off that, it's also because of the cape. Best client thing to do is once that cape is on you, make sure it's draped fully over the arms of the chair you're in. We'll take care of the back. The cape is there to protect you from getting hair or color on yourself, but it can't work unless you are completely covered by the cape. Including arms. (I'm looking at the fucking phone again >:( )

When you are in the sink, your nose should be pointing toward the ceiling while you are being washed. This allows us to not drench your face or neck when we are washing your hairline around your face. If your nose isn't pointing toward the ceiling, ask if you are able to readjust.

Best ever tip for in the sink: if the stylist is lifting your head up to rinse the nape of your neck, do not lift your whole neck. Crane your head forward while keeping the base of your neck secure to the sink. This will help you avoid getting water down your back. Your stylist might cup their hand at your nape, just lean back into it like you were a rag doll. We don't want to get you wet, but you gotta trust us with your head at the sink.

If you wanna get an A+ as a client, watch how they fix the chair at the sink for you to get in. The clients that put their own feet up or adjust themself to the right position (after an appointment or two with them) are my loves. my life. yes babe make yourself comfortable, you're doin my job for me.

If you are looking for extra styling past a blowdry (IE: curling iron or flat iron), let us know at the beginning of the service. This can take more time or is an extra charge, so letting us know in advance can allow us to communicate that to you or make sure we have the time to provide the service you want.

And probably my best tip/hack for all my introverted or neurodivergent people nervous about having to keep up small talk. Before or after the consultation, when they inevitably ask how you are or how your day has been, repeat after me: "I've had a really long day/week and I'm looking forward to closing my eyes, relaxing, and being pampered." This will signify that YOU DON'T WANT TO TALK other than what needs to be communicated. If they press, just say work or school has been really hard and stressing you out, so you booked this to relax and have some personal quiet time. Heavy on the relax people. Then just fuckin vibe bro.

If we ever give you our number to text, ask if we cant coffee. Ouughhghgh give us a coffe we love a fucking coffefee. Or ask your stylist what their favorite treat is. Just lil things like that. It's like an extra tip for us!

FINISHING AND PAYING

So your service is done! Make sure you check it out yourself and ask for any adjustments. Remember, you're the one leaving with your hair on your head, and will have to live with it until you return to the salon. If you need something fixed or adjusted, ask! A good stylist will prompt you.

Ask how tips are accepted. You can do it during the service or at checkout, but asking is always appreciated! Not all salons allow you to tip on card, but cash will never be turned away. Venmo is also extremely common.

I work in the USA where a 20% tip is the norm. If you can't afford that, don't worry. If you can't tip at all, don't worry. We don't know you financial situation, and we are in no place to judge that. You still deserve to get the service you want. More often than not if you talk to us about it, we will absolutely be sympathetic. If your stylist kicks a fuss about a tip they get (or don't get), drop them and find someone else.

That being said... yes we like it when you tip more than 20%. Of course we do, it's more money directly to us for doing our job. But I'll be honest with you, I will go out of my way for a kind client i get along with that tips 5% the same way I'll go out of my way for a difficult client who tips 100%.

If you like us, rebook! By having an appointment already in the system you're guaranteeing a time for you to get back in. And if you can't make it, you can cancel it or reschedule. It will help your stylist's rebooking data, which can help them within the salon depending how the business is set up. Sometimes stylists have to reach a certain percentage threshold of rebooking to move up a level of prices or get a higher percentage of commission.

Last but not least, if you're chatting with your stylist after the service, be aware of two things. 1) do they have their next client waiting for them? 2) are you their last client? If either of these are true, try not to linger. We hate having to do the "Well, I've gotta get to my next client/start cleaning up to go home." This can change as you form a deeper relationship with your stylist over the years (sometimes even a friendship!), but please remember that we are at our job.

As of right now that's all I can think of. If I come up with anything else I'll reblog and add on. And please feel free to shoot me an ask if you have a question I didn't answer here, or want to know more about something I mentioned.

But finally I will leave you with this.

Yes, the hair stylist is the expert in hair. Yes, we can give you advice about your style. But here's the thing. When you walk out of the salon door, we aren't the one's dealing with your hair day to day. Even if you don't think you know a lot about hair, YOU ARE THE EXPERT ON THE HAIR ON YOUR HEAD. YOU are the expert on what you do and don't want to look like. We're the tool to get it done. Remember that!

#mmmm been a while since i made a long ass fucking post like this #hope yall like #please ask clarifying questions if you need it!#also yes this is long as fuck #i am nearly incapable of doing anything else when it comes to shit like this #also i barely proofread it so like. idk. good luck

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avastrasposts · 10 months

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The Pilot and his Girl - ch. 26**

So much happening in this chapter so it's a long one! And a happy chapter! Again, this is a series of scenes I've had in my head since the beginning, the events that take place as they finally make it to New York and I had a lot of fun planning them and finally writing them.

Series Master List

Warnings have their own post, please heed them if needed

Word count: 14k (you'll either hate that or love it 😅)

Morrow, the raider, turns out to be a decent guide. Either that, or the thinly veiled threats Pope hisses at him as he tugs on the man’s rope keeps him perpetually terrified enough to not try anything. He leads you all on back roads that avoid towns and main routes, and the closer you get to New York, the more confident he gets as he takes you into buildings, skirting around hordes of infected. It’s clear that this is territory he’s crossed many times as a smuggler, just as Frankie and Pope had around Arlington.

It takes almost three days of walking to reach Hoboken, the broken New York skyline slowly getting closer. You only realize you’ve reached the city when you see a shattered sign that reads Hoboken Beer & Soda Outlet, hanging off a bombed out building.

“You’ve done good, Morrow,” Pope says to the young man, as you all catch a glimpse of the Hudson River between demolished buildings.

“Thanks,” he replies, less nervous now than when he first started out. He’s still restrained but as he continued to lead you safely through the devastated urban landscape of New Jersey, the guys became less hard on him, sharing rations and making sure he was at least as comfortable as the rest of you at night. You thought it showed some humanity on the guys part but Frankie shook his head when you brought it up, out of earshot of Morrow.

“We treat him well so that he feels less inclined to fuck us. If we treat him fair he’ll think we’ll let him go without harm once we don’t need him anymore and that makes him want to make sure we’re happy with how he aids us.”

“But you’re not gonna let him go?” you ask, glancing over at Morrow where he and Pope are discussing the best way forward towards Sinatra Park.

Frankie shrugs, “We’ll let him go, but we’ll probably hand him over to FEDRA once we get to the intake area.”

Morrow had told you about the FEDRA intake area located at Sinatra Park in Hoboken. It was a small temp QZ where people were scanned, assessed and then allowed to take a boat across to the main Manhattan QZ if they passed. According to Morrow, most people were admitted as long as they were healthy. The QZ needed people to rebuild the city, the hope was to bring back some sort of normalcy inside the walls. He’d said there was even talk of a vaccine research facility, FEDRA attempting to locate and bring in any surviving vaccine researchers from across the country. It sounded hopeful but like most people, you were jaded at this point. You’d settle for a safe QZ devoid of fascist tendencies, decent food and an apartment where Frankie could make good on his promises about where he wanted to spend his time.

“C’mere, guys,” Pope waves Benny, Frankie and you over to where he’s been talking to Morrow. He points to a building about a block away, it’s been bombed and is tilting precariously to the right. “The plan was to go through that building, that’s the way they’ve been coming, the boat they use to sneak across the Hudson is moored on the other side. But, look at that,” he points to the first floor corner, bright orange and red tendrils visible through a broken window. “Morrow says those are new.”

“Fuck,” you hear Benny hiss behind you, and you mirror his sentiments. The bright red and orange hues means fresh cordyceps growth. Someone in the building has been infected, died and now the fungal growth is creeping out from their body, seeking out new ways to spread itself. Step on it and any infected within several miles will feel it and come running, the large underground mycelium network working to alert every part of a potential threat or victim.

“So we’re not going through there,” Frankie says and Pope nods.

“No, clearly not. The only other option is the building next door,” he indicates a large red brick building on the other side of a partially destroyed street. The building looks unharmed and the large glass door to the ground floor coffee shop stands open. “But that building hasn’t been cleared by anyone in a long time according to Morrow, it’s even possible whoever is responsible for the new cordyceps growth came from it.”

“So potentially a nice little horde of infected?” Benny sighs, pulling off his cap to run his hand through his hair and shoving it down again, backwards as usual.

“Probably not a horde, we would’ve seen more growth coming out of the building and I see none, but yeah,” Pope shrugs and looks back at the three of you, “definitely potentially infected inside.”

You take a deep breath and look over at Frankie, he’s looking at his boots, adjusting the leg holster on his thigh and he feels your eyes on him, looking up to meet them. You don’t even have to say anything, he takes a step closer, his hand finding yours, giving it a light squeeze of reassurance.

“Are there any options of going around, Morrow?” he asks the young man standing next to Pope.

“I don’t know how far we’d have to back track, the main path to Sinatra Park used to be a few miles back and further north but FEDRA blew up those buildings about a year ago because it got swamped by a horde.”

“So we either face this potentially infected building, or we backtrack and definitely have to deal with more infected,” Frankie looks over at Pope and Benny. “We’re pushing our luck the longer we stay out here, traveling through this kind of area I mean, we’ve already been out here three days.”

“Yeah, I agree,” Benny says, “we go slow, be careful, and go through this building, dealing with anything we find. It’s better than going into unknown territory.”

“Ok,” Pope nods, “we go through here then, everybody ready up.”

“What about me?” Morrow asks, his voice worried, “I don’t wanna go through there with my hands tied.”

Pope looks over at the three of you and you nod without thinking, letting him into the building with his hands tied would be cruel, and where is he going to run to now? Benny and Frankie seem to agree and Pope cuts the cable tie that’s around Morrow’s wrists.

“Do I get a weapon?” he asks and Pope scoffs.

“Don’t push your luck.”

Pope takes the lead, Morrow behind him with Benny taking up the rear as you all as silently as possible enter the building through the open doors. Inside the entrance you get a better look at the busted coffee shop, looted of anything useful years ago it seems. Tables and chairs are scattered across the interior, broken mugs on the floor, but thankfully no sign of fungal growth. Pope glances back and signals for you all to move towards the back door of the coffee shop, you can see it hanging half open next to the Please dispose of your trash here sign on the back wall.

You hold your breath, gun in hand and pointed towards the floor, as Pope puts his shoulder to the door and carefully pushes it open. The hinges protest slightly, a low squeak making you all freeze and listen intently. When nothing stirs, Pope slides off his backpack and slips through the opening. One by one you do the same and follow him through. Behind the door is a hallway, lined with cardboard boxes filled with supplies for the coffee shop and knocked over trash bags that makes the place reek of years old fermented coffee grinds and rat droppings. You pull the top of your sweater over your mouth and nose, wrinkling your face at the stench.

Pope spots a sturdy looking door at the end of the hallway, it looks like it leads to the outside and you pray for it to be that easy. But of course it’s not, as you get closer you see Pope mouth a silent Fuck, there’s no door handle on the door and it’s locked tight, he gives it an experimental shove. Turning back he motions down a hallway that runs along the outside wall, at the end of it is what looks like an internal fire escape staircase. Pope makes a couple of hand signals, and you all nod, up the stairs, try to find a way out and down to ground level again.

Pope and Morrow silently climb the stairs, Frankie and you following close behind. At the top is another door, leading into a hallway with doors on one side and three windows lining the opposite wall. Holding up the door, Morrow lets you all through it before he silently lets it slip shut, only the faintest click as the lock catches. But it’s enough to elicit a noise that you know too well.

The second you hear it, everyone freezes in their tracks, the tell tale sound of a clicker somewhere nearby, the screeching like inhumane fingernails over a chalkboard. You bite back a whimper, briefly closing your eyes as Frankie’s hand shoots out and grabs yours.

Everybody knows the drill, spreading out and silently finding cover out of sight. The clickers’ echo location, their screeching, works in the same way as a bats. Even if they can’t see you, when they screech towards you, the sound will bounce off your body and tell the clicker exactly where you are. Staying hidden and silent is the only way to escape them. They can be killed by a gunshot to the head, but that noise will attract any other infected in the building. The best, but very dangerous, way to kill them, is to sneak up behind them and stab them in the head, hoping they don’t suddenly turn and hear you. Killing them straight on is almost impossible, the infection giving them inhuman strength.

The space upstairs seems to be made up of a number of small apartments, the doors to them all open, four in total down the length of the hallway. There’s no shelter in the hallway and you all shuffle into the nearest apartment. Pope signals window back to Benny and Frankie and they nod.

“How?” you mouth to them. How will you all sneak out into the hallway, open a window and climb out without alerting the clicker? It seems impossible. Pope opens his mouth to whisper a reply when you hear feet dragging across the hallway and the tell tale sound of the clicker’s screech.

You move immediately, as quietly as possible you all sneak further into the small apartment, Frankie pulls you down behind the kitchen counter in one corner, Pope and Morrow duck behind the couch on the other side of the apartment door.

You turn around and glance towards the door and your stomach drops as you see Benny. His back is pressed against the wall and you realize what he’s about to try. His hunting knife is in his hand and he’s poised, ready to strike as the clicker staggers into the opening of the door, stopping and screeching loudly into the room. The grotesque creature, fungal growth erupting from down the middle of its head, obscuring almost all human features, lurches into the room. Benny makes his moves, the knife makes a sickening crunch as it connects with the clicker but it jerks out of the way and his hand slips, the knife sinking into the neck instead of the temple. Instantly the clicker wrenches itself away from Benny who struggles to get the knife out of its neck. You see Pope rush forward, the clicker screeching, the sound being answered by another screech somewhere in the building. Benny’s knife is still lodged in the clickers neck, Benny’s got one hand on the handle, another around the clickers neck, desperately trying to keep the snapping jaws away from himself. Pope skids around the clicker, his own knife drawn, avoiding the creature's flailing arms, and sinks it down to the handle into the soft tissue of the temple. The clicker screeches again, going limp under Benny’s grip and Pope wrenches his knife out and jabs it in again, twisting it deep in the fungal growth that’s taken over inside the skull.

Another screech goes up just outside the apartment door and you yell a warning to Pope, he’s just by the door, struggling to wrench his knife out again. The second clicker slams into him and Benny scrambles to shove the body of the first one out of the way, reaching out to stop the infected from sinking into Pope’s neck. Frankie rushes forward, pushing past you as Morrow bolts from behind the couch, heading for the front door, ducking around Pope as Pope gets his arm up under the creature's neck.

Benny grabs onto what’s left of the clickers jacket and it staggers back, slamming into Morrow who tumbles with a yelp as the clicker rips itself from Benny’s grip and snarls. It’s a tangle of limbs, the clickers wide open mouth, tendrils waving from its maw, Pope kicks frantically on the floor as Morrow’s arm hits him over the head. Morrow fights to get back on his feet, the clicker scrabbling to latch onto any living thing. It takes only seconds, but you feel like you’re watching in slow motion when Frankie reaches the clicker, gun in hand, and fires directly into its temple.

Both Pope and Benny stumble back, shoving the clicker away, on top of the first one. Morrow sinks down against the door, breathing heavy as Benny drags Pope to his feet.

“Fuck, fuck, fuck, you ok, Santi?” Benny yells, searching any of his friend’s visible skin. Frankie rushes forward too, pulling back Pope’s collar to check. Pope breathes heavily, running hands over his throat, his chest, wrists and finally ankles and legs.

“I’m good,” he exhales before drawing a long breath in, “You?” he asks Benny who nods.

“Yeah, they never got close enough.”

“Guys…” you say, and they turn to you. You’ve crossed the small apartment and you’re looking down at Morrow. He’s silently staring at the back of his hand, blood and teeth marks clearly visible, his hand is shaking as he lets a sob escape, turning to look at the four of you.

“Fuck,” Pope exhales, the four of you are frozen in front Morrow, his fate sealed. He looks up at you all with fear in his eyes.

“Please, kill me,” he sobs, “please.”

Frankie reluctantly raises his gun, aiming at the young man's head, but you quickly put your hand on his arm, “Wait;” you say, “Is there anyone in New York you want us to give a message to, someone who should know?”

Morrow gasps for air, sobs threatening to take over as he shakes his head, “Just tell the captain I’m sorry I fucked up.”

“Your FEDRA captain?” you ask.

“No, The Captain, he’s my boss, and my friend I guess, he’ll find you once you’re inside, just tell him I’m sorry.”

“Ok, we’ll tell him, don’t worry, Morrow.” Frankie glances over at you for confirmation that he can carry on, and you look at Morrow who nods, closing his eyes. The gunshot is painfully loud in the small room and it makes you wince, the young man slumps over against the wall, his eyes still closed.

The irony of it is that it doesn’t take you long to get to Sinatra Park once Benny’s forced open a window and you’ve all scrambled down the side of the building. A few short, easy blocks, and then you’re standing again in front of FEDRA soldiers with guns trained on the four of you. Morrow was so close to making it.

You’re quickly scanned, all of you negative, and let into the small temporary QZ area. So quick and easy, you almost feel guilty. Morrow had led you safely through the urban hellscape that was New Jersey, and then, at the last moment, he’d fallen.

“He was trying to run,” Frankie says, to make you feel less guilty but even if that was right, who were you to blame him? The clicker went for Pope and you’d been frozen, Frankie had saved him while you remained frozen to the floor.

“We all have our strengths and weaknesses, cariño,” his thumb running over your cheek as he cups your face, “your job is not to take down clickers. Your job is to be mine, let me be yours, keep me sane, grounded, give me purpose.” He’s leaned his forehead against yours as you blink back guilty tears.

“But what if it’d been you, and I was frozen while you were attacked by a clicker?”

Frankie shakes his head, “I don’t think you’d be frozen if you were on your own with me or Ben och Pope, you’d be as ferocious as you were with Myers or when we first came to Arlington,” he’d said, his thumb still gently caressing the apple of your cheek. “You find your courage when you need it, I’ve seen it.”

“I want us to find his friend, The Captain, and tell him, we owe it to Morrow.”

“Yeah, we will, I’ll ask around when we get to Manhattan,” Frankie pulls you into his chest, arms wrapping around you, and you close your eyes, trying to not see the clickers and Morrow’s last moments in your mind again.

You’re all kept at Sinatra Park for a few days while they gather enough passengers for the ferry ride over to Manhattan. While you’re there you’re supplied with ration cards for food and supplies, a simple paper ID card and an address for your new accommodations. Once in the QZ you have three days to get settled, then you need to report to FEDRA’s work detail to be assigned jobs.

The ferry to Manhattan is surreal, it’s really just an old sailing boat, and you sit on deck, watching the broken skyline glide closer. It’s a beautiful day, late August, warm sun on your back and glittering water. If it wasn’t for the jagged, crumbling ruins of skyscrapers you’d think you were on a romantic weekend break with Frankie, taking a sightseeing tour on the Hudson. The illusion shatters the second you step ashore though, your papers are checked and then you’re scanned again by FEDRA before you’re let through the final checkpoint.

Once on the other side the four of you made your way to an address on the Upper West Side. You can’t help but giggle as you see the building, you’re in a fucking brownstone on the Upper West Side. The area is less bombed than other parts of Manhattan, so most people live here now, but still. You and Frankie are now living in a studio apartment within spitting distance of Central Park, worth more before the outbreak than you and Frankie earned combined in probably about ten years. If it wasn’t for the whole ‘end of the world’ thing, you’d be ecstatic.

You’ve been given accommodation in the same building as Pope and Benny, they’re just a floor below you two. Frankie and you had registered as husband and wife with FEDRA in Arlington, even if you’d never had a wedding or a ceremony. There had been some religious men of different faiths in Arlington who’d married people for a few ration cards, but it seemed so pointless to you both. Frankie was yours, and you were his, a glum ceremony in the apocalypse wouldn’t make any difference. So when FEDRA asked how you were related, he said you were his wife and then you were. The ring was still on your finger, the three diamonds a permanent reminder of the little threesome you’d almost become.

Walking into your new apartment feels like a massive relief. You love Benny and Pope and you’re happy they’ll be just downstairs, but to finally be able to close the door behind you, and have your own place with Frankie again, it makes your breath a deep contented sigh.

Frankie drops both your backpacks on the floor and wraps his arms around you from behind, his head coming to rest on your shoulder.

“Wanna check what the water pressure’s like?” he mumbles, his hands already slipping up to cup your breasts through your t-shirt.

“Oh god, a shower…” you moan, “I’d forgotten about showers.”

Frankie chuckles into your ear, “I’ve been dreaming about showers for a month.”

“You’ve been dreaming about us in a shower for a month,” you correct him and you can feel his chest vibrate as he laughs.

“True,” he says, grabbing the old Ikea bag filled with towels, sheets and hygiene supplies you’d been given when you’d been assigned the apartment, “so make my dreams come true, hermosa.”

“Cheesy, very cheesy,” you laugh at his wink but accept his hand as he pulls you through the small studio apartment. It’s just a room, not a very big one even, with an alcove for a double bed at one end, kitchen at the other. Apart from the front door, there are only two doors, one leading to a tiny storage room, the other on to the bathroom. It doesn’t have a bathtub, just a small shower in the corner with a glass wall shielding the rest of the room from the spray.

“If we try anything sex related in this shower we’ll either soak the room or injure ourselves,” you say, giving the small space a critical look. “Bedroom?”

“You mean the bed in the middle of the living room? Sure. But I’ll let you shower before I make good on that hour between your legs,” Frankie grins, “Make you think about how I’m gonna let you test the sound proofing in this building.” He pulls you in by grabbing your ass, his mouth finding yours as he pushes you up against the counter with a playful growl. You giggle into his mouth as he grinds into you.

“Never known a forty year old to be so horny, Frankie, you’re hornier than the guys I dated when I was a teenager.” You laugh as he growls into your mouth, his rapidly growing cock firm against your hip.

“Wish I’d known you when I was a teenager,” he mumbles, his lips moving down your jaw when he suddenly pulls back, “No, wait, the sex would’ve been terrible, I didn’t know what the fuck I was doing back then.”

“Inexperienced little Francisco Morales? I would’ve loved that too,” you chuckle, pushing him off you. “I’m gonna shower, make the bed and I’ll let you show me your new moves.”

“You already know all my moves,” he nips at your bottom lip with a smirk before leaving.

The pressure in the shower is low but at least the water is hot and clean, steaming up the small bathroom. Frankie comes in after a little while and sits on the toilet, peeling off his layers as you dry off and step out.

“C’mere,” he murmurs, eyes on your damp curves and you have to slap his hand away with a smile.

“You’re all grimy, Frankie, shower first, then hands.” You wink at him and quickly jump backwards out the door as he tries to catch your ass.

The bed must’ve been the one originally in the apartment because it is nice….you groan as you sink into the large plush mattress. Or it might just be that you’ve spent most nights on a camping mat, because it’s like a cloud under you. By the time Frankie comes out of the shower, his damp curls like a halo around his head, you’re almost asleep.

“Nice bed?” he asks, grinning down at your sleepy face as he crawls on top, caging you in as he drops onto his forearms.

“Very nice bed,” you reply, smiling as he sinks down further to take your bottom lips between his teeth, making you open your mouth for his tongue. His warm body is like a weighted blanket over you as he slowly works to replace your sleepiness with arousal, when you let a first soft moan slip out he pulls back and looks down at you.

“Still tired?” he smiles as his warm hand grabs the back of your thigh and slides your knee up, opening you up to the heavy weight of his erection.

“Yeah, but you can keep going, if you’re good enough I won’t fall asleep.”

You shriek with laughter as your comment makes him slip down and blow a wet raspberry into your belly button, squirming under his fingers.

“So cheeky, as if you could fall asleep with what I have planned, hermosa,” he purrs, slipping down further to nose at the top of your slit. You feel his fingers caress the smooth skin on your thighs and spread you open as he makes room for his shoulders, the sight of his broad back between your legs never ceases to turn you on. You reach down to thread your fingers through his curls, making Frankie hum into your core.

“Time me, cariño, I said an hour,” he says, unfurling his tongue and letting the tip run the length of your fold. It’s such a slow, teasing movement that makes you clench around nothing, gasping as you sink further into the bed, trying to stop the giggle from getting the better of you.

“I don’t even have watc-oh shit, Frankie….”

You wouldn’t be able to say if it’s an hour or not, you lose track of time as soon as he starts teasing your clit, it has been a long time since there was time or safety enough for this. And you’ve missed it, holy fuck you’d missed it. His hot mouth pressed against your core, the thick tongue sliding into your entrance as his perfect nose circles your clit. He groans into you, his fingers digging into the meat of your thighs as you fist his hair, crying out as he pulls the first orgasm from you. He pulls back, strokes your hips, letting you catch your breath before he moves up over your damp skin, trailing wet kisses over every inch he can reach.

“Your old moves still work, Morales,” you smile at him as he reaches your mouth. Tasting yourself on him always makes your arousal flare up again, something about him mixing with you. He chuckles, letting his hand slide down between your legs.

“I noticed,” he says, his damp nose sliding down over your jaw as he slowly slips in a finger, “and you taste just as good as I remember.”

He lets his fingers open you up before he leaves your mouth, moving down between your legs again. This time his fingers slowly fucks in and out of you while his groans, vibrating over your clit makes you cant your hips against his face, chasing his tongue. He leaves you hanging, just on the edge, with a pained protest, as he removes his fingers.

“Turn over,” he says, his voice rough, helping you onto your belly, “keep your ankles crossed.”

“New move?” you ask with a grin over your shoulder, earning you a nip on your butt, before he runs his tongue over the mark.

“Maybe, I had an idea in the shower,” he gives you a crooked smile and bends down over you, pushing your head down to place a wet kiss on your neck, keeping you flush against the bed.

“Push your hips up, baby, like this,” he grabs your hip, guiding them up against his own. His heavy cock pushes in between your thighs, his hand guiding the head to run through your slick folds. The angle and your closed thighs makes him feel bigger than usual, the stretch making you moan into the sheets as he pushes in, his heavy pants blowing hot air over your neck.

“Fuck, that’s good,” he growls, he’s moving his hips, shallow thrusts into you as he slowly works his cock deeper in. “So fucking tight, hermosa, gorgeous girl, so good to me…fuck…can you take more?”

“Yes, please, Frankie, more,” you turn your head to find his lips, messy and uncoordinated as he groans into your mouth. He’s struggling to hold himself up, each thrust makes him want to fall over you, grind into your wet heat and cover your body with his own. You push back against him, taking him deeper as the angle pushes his hard cock to drag over every nerve ending inside you. The tight fit of him is making you whimper as he snaps his hips faster, grinding into you as he bottoms out. He’s pushing you into the bed, his heavy body trapping you under him as each thrust rubs your clit against the soft cotton sheets. Each groan from him makes your pussy clench harder, your orgasm suddenly hitting you, the sheet bunching in your fists as you cry out.

Frankie stutters and curses, a string of filth in Spanish slipping out as your pussy tightens around him.

“Where, cariño, where, I’m…fuck…close.”

“Inside, it’s ok,” you moan, his erratic thrusts making your climax hum through your body, arching up against him as he cries out. He suddenly drops down on you, his teeth sinking into your shoulder with a growl as heat fills you, he’s shuddering, his face buried against your shoulder, with a low gasp, he exhales.

“Fuck…” he moans, his mouth pressed against your skin and your hear the smile in his voice, “Fuck me that was intense,” he chuckles, panting as he tries to catch his breath.

“I think we ruined the sheets on the first try,” you laugh, flopping onto your back as he pulls out with a hiss, his spend dripping down your thighs. “I know, but it was worth it,” he puts his head on your arm and lets you pull him onto your chest, his head resting on your shoulder. “I’ll sleep on the wet patch.”

“I think you need a haircut,” you smile, pushing back his damp curls from his forehead. His hair has gotten long since you left Arlington, “a haircut or a ponytail.”

“Imagine Pope’s face if I turned up with a ponytail,” he chuckles, closing his eyes as you rake your fingers through hair, his breathing slows down and he hums, moving his head to give you better access, “I always love when you do that.”

“I know, Frankie,” you whisper, pulling the covers up over you both, Frankie’s warm body pressed against you.

It takes a few days for the four of you to settle in and start picking up odd jobs. You try to get a job in the FEDRA kitchen but you’re turned down, apparently any job inside a FEDRA facility is reserved for family members of FEDRA soldiers. And since none of the guys have any intentions of joining FEDRA again, you resign yourself to the same odd jobs as the guys. But there are other plans, and they start taking shape only a week after your arrival in New York.

One of the benefits of the four of you living practically next door is pooling your resources and making them stretch further. So most nights finds Frankie and you in Santi and Benny’s apartment, cooking dinner and hanging out, months on the road together had knitted you together into a family more than ever now. Their two bedroom apartment was bigger than what you and Frankie had and the kitchen had room for a large table where you often found yourself, if it wasn’t your turn to take care of the food.

This evening Benny’s peeling potatoes while the two of you wait for Frankie and Santi to get back from their job. They’d both signed on to dig up a new field for vegetables in a nearby park and it was hard work that left them tired and dirty each night. So when the front door opens and Pope steps in, grimy and sweaty, you throw him a sympathetic look.

“Hey, Santi, you’ve got time for a shower, dinner’s not ready yet,” you wave at him and he grunts a thank you, toeing his boots off.

“Frankie went to shower at your place, he’ll be here soon,” he tells you, pulling off his shirt as he heads towards the bathroom.

You lay the table and warm up some arepas while the potatoes boil on the stove. The door opens again and Frankie arrives, looking tired but smiling at you as you drop the last arepa on a plate and go over to him.

“Hello my sweet man,” you whisper, wrapping your arms around his neck, fingers tangling in the damp, now shorter, curls at his neck.

“Hello, mi vida,” he smiles back, his hands finding their way to your waist before he pulls you in for a kiss. Blame it on being safe, or the amount of sex you’ve had the past week or maybe ‘that time of the month’ hormones, but you can’t help but deepen the kiss, licking into his mouth and relishing the little surprised moan you pull from him as you tug at his locks, keeping him tight against you. You hear Benny sigh, pointedly, behind your back but Frankie’s got the message now and his hand is sliding up your back to grab your neck and hold you firmly against his mouth. The ‘welcome home’ kiss turns into a much more heated affair, dragging on until you finally have to pull back for air, Frankie’s lips chasing yours for a final press before he opens his eyes and smiles at you.

“You guys done now?” Benny huffs, mock indignation in his voice, from the kitchen.

“No,” Frankie says, his hands trying to get you into his arms again as you giggle and turn your back to him, pulling him into the kitchen.

“Sorry, Benny,” you apologize while your husband pulls you down onto his lap on one of the kitchen chairs, making you squeal when his fingers dig into your waist.

“I swear you guys are worse than teenagers,” Benny sighs but you hear the smile in his voice. “And Frankie, it’s technically your turn to do dinner so you owe me one.”

“Yeah, I know, we got delayed on the way back, we worked with a guy today who had some interesting information and we wanted to talk to him.”

“What kind of information?” you ask as Santi walks in, fresh from his shower.

“Remember ‘The Captain’ that Morrow mentioned, his boss?” he says, dropping down on a chair across the table from you. “Turns out, he’s the main boss, the guy who runs the smuggling in the QZ. And according to this guy we worked with today, he’s elusive. When you buy from the smugglers, you buy from one of his guys, never from him, he stays hidden because he’s pretty high on FEDRA’s wanted list.”

Benny puts down a stewpot on the table before he straightens up and looks at Pope, “Why is that interesting? Do we wanna meet this captain guy just to tell him Morrow died? Seems like a lot of hassle if the guy’s a ghost.”

“If we’re gonna start smuggling again we need to figure out how, and if this guy runs smuggling in the QZ, we need to work with him, or take him out. But,” Pope says, holding up his hand to silence Benny who’s opened his mouth again, “the guy we talked with said they haven’t been able to supply as usual the past few weeks. And we know why.”

“You guys took out a bunch of his guys….” you say, nodding as it dawns on you.

“Exactly,” Pope grins, “we’ve already started undermining him, there’s a gap in the market. So we pick up their slack, send a message and we have a better chance of getting in on the smuggling market.” Pope looks pleased with himself as he starts scooping up stew onto his plate.

“Isn’t it pretty likely that The Captain is gonna be pissed off when you start taking his customers?” You look down at Frankie, he’s been quiet the whole time, his hands holding you steady on his lap.

“Yeah, most likely,” he agrees, “but we can handle that, and it means he’ll be more inclined to work with us, if we’re already supplying what he can’t.”

You look at Frankie, chewing your lip, you have more things to say about it but you don’t know how to say it without sounding dismissive. Truth is, you’re worried it’ll be a lot more dangerous than in Arlington; a rival gang, new territory, new connections need to be made and new routes, all while staying under FEDRA’s radar and avoiding any infected. But you can’t tell them not to, smuggling makes them use their skills, the things they’re good at and at the same time bring in things you all need. And you know their smuggling made a difference to the people in Arlington. When FEDRA rationed food and medicine too harshly, what Frankie and Pope brought in could help someone who needed it and at the same time keep you all fed.

They make plans during the dinner and you don’t say much. Frankie notices your silence and he doesn’t like it, his hand keeps reaching out to touch your leg, wrap his fingers around yours, or pull you closer as you all stand from the dinner table. You feel his worried eyes on you as Pope and Benny pour over an old New York map, strategizing. He can see your mind working and he has an inkling about where it’s going.

You bring it up later, when you’re alone and back in your own apartment. Frankie’s crawled into bed, pulled down the covers for you to join him, but you remain standing after you come out of the bathroom.

“I want to be part of the smuggling,” you say and Frankie drops his chin to his chest, this is where he feared you were going.

“I know you don’t want me too, but, firstly, I am not sitting at home waiting for the three of you while you’re away doing something dangerous. Again. I did that in Arlington and it sucked.”

Frankie opens his mouth to protest but you cut him off. “And I know you said you need me safe to be able to focus out there, but we’ve been traveling across the country for months and we, all of us, work well together. And you know I can handle myself.” You kneel down on the bed in front of him, making him look you in the eye, “Let me be your lookout, or let me do the trading while you three stand behind me and look like bad asses.” The last thing makes Frankie give an involuntary smirk and you smile, “Frankie, you know it makes sense, I’m a good asset, I can be useful too.”

“I knew you were going to bring it up again,” he says, sighing while he traces his fingertips across your temple to push a strand of hair behind your ear. “If it was anyone else, I’d say yes straight away. But it’s you.” He stops and locks eyes with you, those warm brown eyes you’ve loved from the very beginning, anxious, “You’re everything to me, and the thought of you getting hurt, or worse, scares the shit out of me.”

“The thought of you getting hurt scares the shit out of me too,” you say, letting him pull you closer, his arms looping around your waist so that you're sitting on his lap, knees on either side of his hips. “But it scares me even more to think about you getting hurt when I’m not there. Frankie, my very worst nightmare is you just disappearing, and I don’t know what happened to you, like what Hannah had to go through with Will, never knowing.”

“That’s my worst nightmare too,” he whispers, his voice low and pained.

“So don’t make me wait at home for you again,” you plead. He tilts his head and leans his forehead against yours, closing his eyes with a sigh.

“Ok,” he breathes, “ok.”

It takes a couple of weeks for things to get set in motion, gather the necessary supplies and information to start thinking about leaving the QZ on a smuggling run. FEDRA has taken the rifles but you’d managed to hide your handguns in your backpacks so you weren’t entirely without weapons at least. The first run is short but successful, Pope seems to have a knack for sniffing out passageways. After studying the map and walking around the north eastern end of the QZ for a few days, he’s found several potential entry points into old service tunnels that should run under the wall, next to the bombed metro tunnels. With you as a lookout, the three of them try two before getting lucky in the third one. It’s relatively undamaged, free from infected and leads straight to the 116th street Metro station in East Harlem. The entrance to the metro is blocked off but it doesn’t take the three guys long to clear a narrow passageway that they can easily hide from the outside.

A few days is also spent clearing two more ways in and out of the QZ. Pope has told you about how he’d learnt the hard way to never just have one route. Early on in Franklin the tunnel he’d used had collapsed while he was outside the QZ. He was trapped with no way back in so he had to crawl through the rubble of the collapsed tunnel, narrowly escaping two runners, who came through from a broken wall. Pope was flippant about the way he told the story, making you laugh, but he also told you he’d never been that close to death before or since, even in the army. It was a sober reminder to always have an escape route and he was adamant about having at least two back ups.

Finding connections takes a bit longer, building trust isn’t easy in the best of times, and these are not the best of times. But not surprisingly, it’s Benny who brings in the first real trade and solid connection for future deals. He meets an older man at one of the odd jobs he takes, clearing one of the streets, a rough and far too heavy job for the older man. Benny, in his usual manner, helps the man get through the day so that he can collect the ration cards he sorely needs. Grateful, the man tells Benny he has a sister who lives up in New Haven who sails down to Orchard Beach and trades in a number of things.

“She and her husband can get you almost anything you need, just place an order with The Captain’s gang and they’ll sort it.”

“What if I wanna trade directly with them? I can go out there on my own if I have to.” Benny asks and the old man hesitates, but Benny’s good natured charm serves him well and a few days later he has a time and a place to meet the old man’s sister.

The sister’s name is Jodie Graham, her brother contacts her via one of the two non-FEDRA radio centers set up, and vouches for Benny and his friends and the four of you set out for your first trade. It takes you only half a day to get to Orchard Beach, despite it being slow going in the bombed and ravaged terrain. The trade goes well, Jodie and her husband Damon seem relieved to see a woman together with the three big men flanking you. Despite their best efforts at looking non-threatening, they fail as they approach. Guns at their sides and heavy boots, they look very much like the ex Special Ops soldiers they are. It’s clear that it’s only her brother’s word that lets the four of you approach the boat they’ve come in on.

You don’t have much to trade with them yet but this first time feels mainly like a show of good faith.

“Any prescription drugs you can trade with us, we’ll be interested,” Jodie says, “that’s something we can’t seem to get from other smugglers. And the other New Yorkers, the ones who work for The Captain, they’re always reluctant to trade it.”

“Why?” you ask, you’ve been doing most of the talking, it felt natural when Jodie seemed to trust you more than the three men behind you.

“A misplaced sort of moral it seemed like,” Jodie scoffed, “as if anyone cares about drug addictions today, seems like one of the nicer ways to go.” She takes the bag of coffee beans you’ve handed her, “They won’t trade them, but I’ve got plenty of people who want them, so if you get your hands on any, we’ll pay very well for them.”

“I’ll see what we can do, we haven’t got any at the moment,” you say, keeping your tone non-committal. You already know you won’t be trading any drugs, it was a line Pope had drawn in the sand early on. One you wouldn’t be prepared to cross with Frankie’s history either. But it spiked your interest about the rival New York gang, maybe it was a common ground you could start with, some sort of honor among thieves, or smugglers in your case.

“Any supplies you need for your ship?” you ask, “We might be able to get you extra gear for it, there’s plenty of boat clubs around Manhattan and most of the supplies in them aren’t of much use to anyone without a boat.”

“Yeah, any sail cloth you can find, and rope,” Jodie says and you make a note in your book to search around the Manhattan coastline before the next trade.

Once you’ve agreed on when to connect again on the radio, the four of you make your way back towards Manhattan. By the time you get back to the apartments it’s late but you’re all in a good mood, the day has been a success.

You do four more trades with Jodie and Damon, filling your backpacks with an assortment of goods each trade, before the first hint of trouble crops up. Jodie’s the one who gives you the heads up.

“I like trading with you guys, you’re punctual, well prepared, and never give me grief, so I’m gonna warn you,” she says while Benny and Pope fill the packs with wares. Frankie and you are standing guard, keeping an eye on the beach. “The other guys, The Captain’s gang, they’ve noticed that someone’s taking customers, and they’re not happy.”

“You still trade with them?” Benny asks and Jodie nods.

“Yeah, of course, I’ll trade with anyone who’s fair, and they’ve been doing this for years now, always been decent. They had a slump but they were out here a couple of weeks ago.”

“Did you tell them about us?” Pope asks, glancing up at Jodie, unable to hide his annoyance and she scowls at him.

“I’m not stupid, I didn’t say anything. But they asked, didn’t they? Asked if I’d been approached by another gang and I said no.”

Pope closes his backpack and looks over at Frankie and you, you’re both still facing away from the ocean, but obviously listening to what Jodie’s saying.

“Did they say how they know there’s someone else?” you ask over your shoulder.

“One of your customers didn’t want what they usually trade, said they had another source.”

“Fucking idiot,” you hear Frankie say under his breath and you have to agree. You’d asked all your customers to be discreet. Your excuse being that you didn’t want FEDRA to find out, but you also wanted to keep things low key until you were established enough to have a good deal to offer The Captain. The last thing you needed was a gang war, fighting over territory.

“Thanks for the heads up, Jodie,” Benny says, hoisting his bag up onto his back.

“Watch your backs, they seem pretty pissed,” she gives the four of you a final wave as you turn back towards the city.

Jodie’s warning makes you extra cautious when you leave the QZ, but you didn’t expect them to find you inside the QZ. Benny makes the door frame rattle as he slams the front door to the apartment as he and Frankie come in. You and Pope jump to your feet from the couch at the sight of the two men.

“What happened?” you gasp, gently taking Frankie’s chin in your hand and tilting it up so that you can get a better lock at the gash over his eyebrow.

“We got fucking jumped,” Frankie growls, wincing as you brush hair from his forehead, it’s got stuck in the dried blood that’s smeared across his face.

“The Captain’s gang,” Benny expands, “must’ve followed us into that warehouse down by the high line we were planning on checking out. Five of them, think I lost a fucking tooth,” he grimaces and grabs his jaw.

Pope’s peeled off to the bathroom and now he returns with the first aid kit, pointing both men to the couch.

“They even said, and I shit you not, ‘regards from The Captain’ before they attacked, like we’re in fucking West Side Story or something,” Benny snorts, wincing when the movement makes blood drip from his split lip.

“Any internal injuries?” you ask Frankie as you help him take his jacket and holster off, he’s grimacing as his shoulder twists.

“No, I don’t think so, they got a couple of good hits in, but that was it. One guy slammed me shoulder first into a wall, but I didn’t dislocate it.”

“Please tell me you took care of these fuckers,” Pope growls while you grab alcohol and gauze to clean Frankie’s cut.

“One got a way, which is good I suppose, sends a warning to the others,” Benny says, “the other four we eliminated.”

“Gun fight?” Pope asks and Benny nods.

“We had to-fuck! Be careful!” he yelps when Pope prods a cut on his forearm. “I want her to do it,” he points to you, “better bedside manner.”

“Just shut up and tell us what happened,” Pope says, rolling his eyes at Benny’s wincing.

“We had to run,” Frankie says, “Only one of them had a gun, which was lucky, but a FEDRA patrol obviously heard the shots and we had to bolt. Didn’t even get a chance to get a good look at the warehouse or what they’d were carrying.”

“How did they know it was you?” you ask, “It’s worrying if they know what we look like, we won’t be safe in the QZ.”

“Someone we traded with must’ve told them, Benny does stick out, easy to recognise.” Pope holds up his hands apologetically when Benny protests, “sorry, but it’s true, you’re a huge blonde dude, not many guys are built like you.”

“We’ve got a trade in three days, outside the QZ,” you remind them, “we’ll have to be extra careful, this is a new trade too, it could be a set up.”

“You wanna cancel?” Frankie grabs your hand as it comes down from his forehead, his eyebrows knitted together in that familiar worried look. Glancing over at Benny and Pope you think it over, if you said you wanna cancel it you know they’d go with it, somehow you’ve become the one who says yes or no on a trade, trusting your gut instinct implicitly.

“No, this connection came from Jodie, I can’t see her setting us up,” you decide eventually, “but maybe we take a different route this time?”

“Sounds like a smart idea,” Pope agrees, “I’ll have a look at the map.”

You turn back to Frankie and clean up his knuckles, they’ve split where he’s hit someone, and place bandaids on the larger cuts. When you’re done he wraps his bandaged arm around your waist and pulls you closer on the couch, enough for him to bury his face into the crook of your neck. You can feel him inhaling deeply as his hand fists the back of your shirt and you dip your nose to his soft curls, sweaty and kinda dusty smelling from the day.

“I’m glad you came back in one piece, Frankie,” you mumble and he nods against your neck, pulling you tighter. He doesn’t have to say anything, you know why he does it, a silent thank you offered to the universe for letting him return home to you one more time.

One of the first things you traded Jodie for, in exchange for a large, brand new sail, were two walkie talkies. Battery powered, they were invaluable if you needed to split up. And today, with the new trade going down, they served their purpose. And in light of the new situation with the rival smugglers, Pope led you all out of a different tunnel, a detour, but worth it to minimize the risk, and bringing you out at 125th Street Station. You were meeting your new contacts at a nearby park down by the river and since your first meeting with Jodie you’d worked out a system where one of you stayed behind and kept watch from afar. Pope knew the city best and he would suggest a spot for a trade where he knew there’d be a good vantage point for someone to keep an eye on things. This morning youcame out early to the meet up point, taking time to make sure the lookout point was clear before the three men left you up there with one of the walkie talkies and a rifle. You weren’t the best shot, but you didn’t really need to be. So far everything trade had been smooth, but if things did go bad, a few shots from a hidden sniper would make anyone run for cover, whether or not you hit them. But the real advantage was that you were able to give the guys a bird’s eye view of the area and a head’s up if something seemed off, your gut instinct serving you well.

This morning all of you were on edge, the attack on Frankie and Benny making you extra nervous. It was difficult to say if it was the knowledge that The Captain’s gang was after you that made you jumpy, or if something was wrong with the trade. You’re splayed flat on your belly at the edge of a broken window in the half bombed out apartment tower, using the scope on the rifle in place of binoculars, those being next on your list of things you were hoping to trade Jodie for. Nothing stirs in the wide open park next to the river and when you scan the streets you can see from your perch, everything is quiet. You watch the three men make their way down a street and into the park, disappearing briefly from view before they reach the agreed upon location. In the distance, on the other side of the park, you see two men walking across and you relay what you see to Frankie, he’s got the other radio today.

The trade goes off without a hitch and you watch as the two men retreat across the park, back towards the small White Plains QZ that’s up north. It’s when you swing the scope back towards Frankie and the others that you see it. Three men crouching behind a car further down the street your guys are walking down. Fumbling for the radio you hit the button.

“Catfish, three men hidden behind a white SUV about a block and half down the street. Over.”

“Copy that, Jefa.”

Jefa… The call sign they’d given you still made you roll your eyes, and was only ever allowed to be used in situations when your real name shouldn’t be used. It had been Pope’s idea, of course, but Benny loved it and Frankie conceded that he couldn’t call you ‘cariño’ over the radio or in front of traders. So Jefa, boss, it was.

You didn’t feel very bosslike as you watched them slowly walk down the street, you could see Frankie telling them about the three men. At the next crossing they turned down a side street and you lost sight of them.

“Jefa, we’re going to flank them, let me know if they move. Over” Frankie’s voice came over on the radio almost as soon as they disappeared from view, you could hear them running along the street.

“Ok, I’ve got eyes on them, they’re still stationary. Over.”

Frankie clicks the button on the radio and follows Pope’s back down the street, Benny close behind. There’s a small neighborhood park, a ballpark only really, at the back of the block and they cut across it, quickly covering two blocks parallel to the main street they were on. It’s only a few minutes before they turn back towards the street again and they slow down, moving silently. They come out just below the black SUV, expecting to see the three men but the street is empty.

Frankie brings up the radio, “Jefa, come in, did they move? We can’t see them. Over.” He clicks the receive button and waits for a response while Pope and Benny quickly scan the street.

“Jefa, come in, do you copy? Over.” Only static comes back over the radio and lead drops into his belly. His eyes meet Pope’s at the same time as the realization hits, decoy. Benny curses under his breath and looks towards the tower, while Frankie tries the radio one more time, already starting to run towards the building.

“Loop the chain around it, it’ll hold her,” the voice comes from far away as you blink your eyes open in the darkness. “The captain’s gonna see her when he gets back.” The voice, a grumpy sounding man’s voice, retreats and you hear a door closing and locking. The back of your head hurts, as does the side of your face and the side of your ribs.

You’d heard them just a couple of seconds before they were on you, in the tower, someone’s shoe scuffed against the floor and you turned, but you weren’t fast enough to get off the floor. As you blink again, trying to shake the darkness around you, you feel the handcuffs around your wrists, and a chain rattles. It takes a few more seconds before you realize you’ve got a hood over your head, the scratchy material making your nose itch. The world is tilted sideways and it takes you a few tries to get upright, the handcuffs are tight behind your back. You wobble, almost tipping backwards, but a wall stops you from falling and you gratefully lean against it, trying to collect your thoughts, stopping the panic from rising in your throat.

Breath, in and out, stay calm, always number one, stay calm. Fuck, easier said than done, Frankie.

Focusing on your breathing, mentally going through your body to check for any serious injuries, you suppress the panic to the pit of your stomach, making you feel nauseous but it’s manageable. For now.

You don’t know how long you’re left sitting on the floor, you really need to pee, so it’s probably a pretty long time. When the door finally opens you’re stiff, hungry, pissed off and not happy about the rough hands that suddenly yank you off the floor. It takes all your willpower to not snap at whoever is shoving you through the door, a hard grip on your shoulder, an equal measure of anger and fear making your legs jellylike.

The air feels raw and it smells like you’re in a basement, being taken down a hallway, up some stairs and into a warmer room. Through the tight weave of the hood you see the light change, this room is brighter than the room downstairs that you were kept in, and it smells like food, making your stomach grumble

“This the lookout?” a man asks from behind you.

“Yeah, she was right where you said they’d put someone, perfect view of the park. Had a rifle and a radio.”

“Nothing if not predictable,” the first man says, as he moves through the room, you hear the springs of a couch or chair squeak as he sits down. “Who are you working for?” he asks.

It takes you a few seconds to respond, something is triggering at the back of your mind, the rough, low cadence, the accent so familiar.

“I don’t work for anyone,” you reply eventually, “I was just asked to be a lookout for a few hours, easy ration cards.” It’s a weak lie, but you’re not about to give them any more information than they obviously already have and your answer seems to have given the man food for thought as he doesn’t reply straight away.

“Let’s show her some good faith,” he says, talking to someone else in the room, “Get some water and some of the leftover rice.” There’s a word of protest from behind you but he cuts them off, “What’s she gonna do? She’s handcuffed and hooded, let’s treat her nice.”

The door opens and closes as someone leaves. The man left in the room gets off the couch and comes over to you, you flinch as you feel his hand grab the hood. He pulls it off and you blink against the sudden bright light.

“Holy shit, it is you…” the man whispers and as you see his blue eyes it hits you, the voice, the cadence, William Miller.

You lose your voice as tears well up in your eyes and Will puts his hand on your cheek, partly checking the cut you most likely have there, but also almost checking to see if you’re real. And you could ask the same of him, if your voice wasn’t cut off by a sob. His smile is watery too and he makes you stumble as he suddenly pulls you into a bear hug, so reminiscent of his brother’s hugs.

“I can’t believe it’s you, you’re here, how the fuck are you here?” he asks incredulously, pulling back from you and you grin, trying to swallow down another sob.

“I’m with Benny,” you choke out, “And Frankie and Pope.”

“Benny’s alive?” Will eyes go wide, he’s holding on to you with both hands on your arms, “he’s here in New York?”

“He was with me this morning. They all were and- “ you’re cut off by the sound of boots in the hallway and Will throws the hood over your head again. “You don’t know me,” he hisses before stepping back and you’re left confused as the door opens again.

“We’ll take her down again, let her eat, and then I’m sure we’ll be able to come to an agreement,” Will says, his voice sounding rough again, giving an order to the other man. Will’s hand takes hold of your arm, turning you around and you’re marched back the way you came, downstairs and into the damp smelling room.

“Take off her cuffs, chain her to the radiator, so that she can eat.” Will leaves you standing in the middle of the room but before he lets go and leaves, he gives your arm a quick squeeze. The other man locks a chain around your ankle and removes your handcuffs, leaving the hood on while he leaves the room.

It’s good that he does because you don’t think you’d be able to contain the grin on your face. Will is alive! William fucking Miller, alive and well in New York! And a smuggler…that thought hits you like a brick, Will is a smuggler, and Benny, Frankie and Pope have been taking out his guys, his friends. And Will caught onto that faster than you did, that’s why he put the hood back on. Whoever the other guys are, they won’t forgive you or the guys for stomping in on their territory and killing their guys. Even if it is Will’s brother. And Will knows that.

“This could get really fucking messy,” you whisper under your breath as you pull off the hood and sink down on the floor again.

Again you’re left on your own for several hours, the sun moves outside the small window high up on the wall, sinking low before it goes dark outside. Your thoughts keep flitting between joy at Will being alive and how happy the others will be when they find out, and worry about your three guys, Frankie especially. You know they’ll be in the process of tearing up the city to find you, putting their considerable talents to use to force information from anyone who might have some.

There’s a bare bulb in the room and at some point someone turns it on, casting yellow light over you. More hours pass and you start to wonder if you’ve been forgotten down here, or if something’s happened to Will. You’re also half expecting Frankie and the guys to burst in, guns blazing, in some wild rescue mission. Falling asleep is impossible, you’re too anxious, so when you finally hear footsteps outside the door, you’re already on your feet. The door opens and Will steps in, closing it softly behind him. A few quick steps and he envelops you in another bear hug, longer this time, and you can finally put your own arms around him too. He’s just as big and imposing as the last time you saw him, almost six years ago, a little bit more tired around the eyes, a few more silver strands in the blonde hair and you give yourself a few seconds to just enjoy the fact that he’s alive and here. He seems to do the same, holding on to you for a long minute before he finally lets go and steps back.

“It’s so good to see you, Will! I kept thinking it was a dream all day, but you’re actually here,” you say, grinning down at him as he crouches to unlock the chain around your ankle.

“Same, I kept thinking I was being delusional,” he chuckles softly and stands up, “When I heard your voice under the hood, I immediately thought of Frankie, that’s how I knew it was you.”

“You were faster than I was, I heard your accent and I couldn’t figure out who it reminded me of,” you smile, poking his chest just to make sure he’s real again. “You look good, Miller!”

He smiles but it drops off his face as something hits him, “You said you’re with Frankie, Pope and Benny?”

“Yeah, we got to New York a few weeks ago.”

“And Hannah?”

His question hits you like a punch to the gut, you can’t stop tears welling up in your eyes, you have to shake your head and drop your eyes, you can’t look at him as the realization sinks in.

“Do you know what happened?” he asks, his voice low and you force yourself to nod, the image of Hannah in Benny’s arms flooding your mind as you feel tears run down your cheeks. Will suddenly pulls you into a hug and you press your face to his chest. He’s holding you almost too tight, and you hear him inhale deeply, a long, ragged intake of breath, before he exhales and lets go of you.

“Tell me later, when you can tell me everything. I need to get you out of here now,” his voice is rough but determined, “I want you back with Frankie before he kicks down my door with a shotgun.”

“Yeah, probably a good idea,” you reply, your voice shaky but you swallow down the tears, hastily wiping your cheeks as Will goes for the door. Making sure the coast is clear he waves you forward and silently you make your way down the hall and up the stairs. It looks as if you’re in an old office of sorts, long hallways, conference rooms on the sides. The place is dark, only the dim light from the outside comes through in places, but Will knows his way. He leads you to what looks like a backdoor.

“I can’t leave, it’ll raise too many questions,” he says when the two of you reach the door. “Where do you live? I’ll come find you guys tomorrow.”

He opens the door and glances outside, stepping out a second later. You hear a door behind you open as you follow Will out, and Will grabs your arm, pulling you out fast.

“What the fuck?!” comes an angry, gruff voice, “What the fuck is going on, captain?”

“Nothing, Conway,” Will says quickly, “Go back to your shift, our guest wasn’t feeling well, I’m taking her out for some air.”

The man looks you up and down and back to Will, he’s got his hand on your arm, still holding the door open and you’re frozen, staring at the man.

“Where are her fucking handcuffs?” He takes a few steps towards the door and Will squeezes your arm, and you take a step back.

“Turn around, Conway, and go back to your shift, that’s an order, I’ve got her.” Will’s voice is solid, clearly in command, but it doesn’t work on the man .

“You’re either about to fuck her or let her go,” he says, another step towards the door, “and if you’re doing the first, I want in,” he leers at you, “If you’re doing the second, then we’ve got a big fucking problem, captain.”

“I’m just letting her get some air, now turn around and walk away, Conway.”

“She’s got air now, so bring her back in then,” he challenges, he’s at the threshold now, only a step away from Will.

“Conway,” Will says, taking half a step back and glancing back at you, “You really should know when to walk away.” The punch comes out of nowhere, Will swings and hits Conway’s jaw with a sharp crack and the man drops, his head making a nasty thud on the floor just inside the door. Will shakes out his fist and bends to grab the man’s limp body. “Get the top of that dumpster,” he says, motioning further down the alley, and you run over, pushing the lid back as Will grabs the man and tosses him over his shoulder. Whatever happened to Will in the past six years, it certainly hadn’t impacted his brute physical strength, he barely makes a noise as he hoists the man into the metal container and you slide the lid shut.

“Ok, wait at the end of the alley, stay out of sight. If I’m not back in five, go home, I’ll find you there.”

You nod and make your way over as Will disappears inside the building again. You wait anxiously in the shadows by the street but it doesn’t take long for Will to come back out. This time he’s got a jacket on, a backpack and your own backpack, gratefully you take it from him and the rifle he hands you.

“Let’s go,” he says, stepping out into the street.

“Are you leaving them?” you ask in a whisper as you follow him, nodding at the backpack and his gear.

“Yeah, I’ll tell you more later but it’s been coming on for a while, I’ve been wanting to punch Conway for months.” Will pulls a disgruntled face as you hurry through the quiet streets. There’s a curfew in effect as usual and you stay in the small alleys, hurrying across any avenues. You’re pretty far from the Upper West Side and it takes you over an hour to make your way back, Will telling you bits and pieces of what’s been going on while you duck in and out of shadows.

“I got reports a few hours ago, the guys took out four more of my guys, they’re trying to find you”, Will says as you skirt around Central Park.

“We were taking out your guys, Will,” you say, “Aren’t you pissed at us? We basically came in and started taking over your business.”

“Not pissed, just annoyed,” Will looks over at you and shrugs, “you did what I’ve done many times over, I have no right to be mad at anyone coming in and trying to take over the smuggling. I did the same thing, only I was successful. And since then, there’s been several attempts at trying to take over from me.” Will gives a low chuckle, “I’ve got to say, no one has come as close as you guys, you put a real dent in my operation, I was getting worried. The fucking irony of it being you and the guys, my own fucking baby brother.”

You can’t help but smile, Will has a point, the guys had used their Delta Force tactics against the one person who really would know how to counter them. That’s how Will had known there’d be someone in the apartment tower.

“And now they’re trying to find you, and I can’t blame them,” Will says as you stop and crouch, waiting for a FEDRA patrol to drive past. “I wouldn’t wanna get between Frankie and you. I’m assuming he’s as crazy about you as always?” Even in the dim light you can see Will’s smile.

“We got married,” you say, holding up your left hand, “not in a ceremony of anything, just registered as husband and wife with FEDRA.”

“Congratulations,” Will grins, “but I have to say, kinda disappointed I wasn’t invited to the wedding.”

“Dumbass,” you smile at him and he chuckles silently, “c’mon, the apartment is just down this street.”

You see dim lights on in the building as you approach. “We’ll check at Benny and Pope’s place first, they might all be there,” you say as you let the two of you into the brownstone. Will only nods and you wonder what kind of emotions are running through his head, only minutes away from seeing his baby brother for the first time in almost six years.

You give a low knock on the front door and by the speed it’s opened, you know they weren’t sleeping. Pope yanks the door open, he must’ve looked through the peephole because he grabs you and hugs you before you even have time to react, he doesn’t even notice Will standing slightly to the side behind you.

“Pope,” you protest weakly, “I’ve brought someone, get Benny.” You feel Pope’s arms fall from you and as you look up you catch the look on his face as he spots Will.

“Dios mío…” he breathes and Will grins as Pope looks as if he’s seen a ghost.

“Who is it?” you hear Benny call from inside and you quickly grab Will and pull him inside the door, forcing Pope to back up so that you can close the door. This is going to get noisy.

“Benny!” Pope shouts, stepping forward and grabbing Will into a hug, “you’re never fucking gonna believe who it is!”

“Who?” Benny calls back from the kitchen, he sounds tired and annoyed as he steps out, Frankie behind him, looking even worse than Benny sounds.

It takes Benny several seconds to register who he’s looking at, the two men staring at each other across the room until Will moves, stepping away from Pope and grabbing Benny.

“Come here, baby bro,” he chokes as Benny throws his arms around him, a strangled growl coming from his throat.

“How?” Benny splutters, his face buried in his brother’s shoulder, “How and how the fuck!?” He pulls away, grabbing Will’s face between his hands, “Where the fuck have you been?!”

“I could ask the same of you,” Will chuckles, his voice thick with emotions as he seems to just take in the sight of Benny’s face. “It’s good to see you again, baby bro, I didn’t think I would.”

“I never gave up on you,” Benny says, grabbing Will into a hug again, “I never fucking gave up on you.”

You put your arms out to Frankie as you see him and he’s on you with a few long steps, pulling you into his arms, his lips finding yours in an instant.

“We’ve been looking for you all over the city,” he mumbles, pulling back a little to run his thumb gently over the cut on your cheek.

“I know, and we have a lot of catching up to do,” you reply as his hands tugs you closer to him, his nose bumping against yours.

“Fish, give me a hug, I got your wife back for you,” Will says, letting go of Benny and enveloping both you and Frankie in a hug, Frankie grabs his shoulder and they bump their foreheads together.

“I owe you everything, brother,” Frankie says, locking eyes with Will, “It’s so fucking good to see you, you’ve got to tell us everything.”

It’s a long story and Will tells it as Pope makes coffee and Frankie cleans your cuts.

“From the beginning?” Will asks, and Benny nods.

“Yeah, from the beginning, outbreak day, what happened to you? I went to your office, it went up in flames.”

“When it all started going crazy, my phone died, I couldn’t get hold of any of you and I was thinking I’d just stay put in the office until it calmed down,” Will sinks down on the couch next to Benny, "But then the coffee shop, the one on the first floor, caught fire and we all got told to leave. It was chaos on the street outside and I tried getting behind the building to stay out of sight. But then I saw Emma, you know the barista you always used to flirt with Ben?” Ben nods and Will continues, “I saw her through the window, she got trapped by the fire, behind the counter so I had to get her out, got the back door open and managed to pull her out. But I think something collapsed, I don’t remember too well. All I know it hurt like a bitch and then I woke up in a triage tent somewhere, I got pretty badly burnt.” Will pulls up the sleeve of his t-shirt and shows the painful looking scarring on his shoulder.

“Fuck, that looks gnarly,” Ben says, leaning forward and running his fingers over his brother’s skin

“It goes down my back too, took fucking forever to heal.” Will lets his shirt drop back down, “They were gonna leave me in the local medical camp but I got lucky, you guys remember Colonel Middleton?” He looks over at Frankie and Pope who both nod.

“Yeah, from that fuck up in Yemen,” Pope says, “worst fucking officer I’ve ever met.”

“Well, he came through for me, he got me on a chopper to D.C, they had a burn unit still up and running there, military only. I was out of it for the most part but they patched me up. By the time I was able to stand up without the skin on my back falling off, it had all gone to shit. QZ:s going up everywhere, all the major cities bombed, including Arlington and D.C.”

He leans forward and puts his elbows on his knees, looking at Pope, Frankie and you, “I tried finding you guys, but I couldn’t get back to Arlington and then Middleton offered to get me to NYC, help rebuild. I…” Will’s head drops down, “I needed a distraction, a purpose, to keep going…” He turns his head and looks back at Benny who’s grabbed his arm, “I’m sorry, Benny, I should’ve looked harder for you, and for Hannah.”

At the mention of Hannah’s name, Benny shrinks, the big man visibly sinking lower in his seat as his eyes go dark, it makes your heart ache and you feel Frankie take your hand, squeezing it tight.

“I know she didn’t make it, Benny,” Will says, “it’s ok, I knew it was a long shot to hope that she was still alive. I just wanna know how she died.”

Benny’s jaw goes tight and you feel tears pressing up hot in your eyes, Pope’s exhaling slowly behind you and the silence seems to stretch indefinitely.

“Things in Arlington got bad,” you hear Frankie say, he’s looking at Benny who can’t seem to take his eyes off his shoes, “There was this guy, head of FEDRA there, who got power hungry. He had men around him who kept him in power thanks to the favors they got from him.Things started rumbling and Hannah got caught up in it, defending a kid.” Frankie stops and shakes his head, he’s struggling and he looks at you for help but Benny speaks up.

“She got taken to FEDRA lock up, Will,” Benny’s eyes are back on his brother, “and they killed her,” a sob racks his chest, a sharp inhale and Will’s arm goes around him, you can see his knuckles white from the grip on Benny’s shoulder.

“But we got them, we killed the ones who did it, Will, and I, we all, put her to rest, she wasn’t alone and I said goodbye for you too, I said goodbye for us both. I made sure she knew.”

Benny’s shoulders shake and you know he sees in his mind the same as you, Hannah’s body, just before Frankie and Pope wrapped her, bent over her face, whispering into her ear, before carrying her to the fire.

Frankie’s arm pulls you into his chest as the sobs overtake you, Santi pulling you both in closer as Will seems to have a battle raging inside him.

“You got them?” he asks quietly.

“Yeah, we got them all,” Pope says, his voice rough.

“Ok.”

Will’s head remains low between his shoulders for several long minutes, Benny inhales deeply and Will looks over at him.

“I know you took care of her, Benny, I’m grateful it was you.” He sighs and drags both hands over his face, rough stubble scraping against his palms, “I need air, I need to process, I’ll be back in a bit.”

“I’m coming’ with you,” Benny says, standing up at the same time as his brother, and Will nods, his jaw still tight.

“I’ll see you guys in the morning, alright?” he nods to the three of you, still on the couch.

After Will and Benny have left, you slump back against Frankie, you feel drained. It’s early morning, and the stress of the day is finally catching up with you. Frankie senses your fatigue and gently pushes you up off the couch.

“C’mon, hermosa, time to sleep,” he says, wrapping his arm around your waist to hold you steady against him.

“Sleep well, Santi,” you say and he nods, he looks drained too.

“Sleep well, hermana, let Frankie spoil you, ok?”

“I always do,” Frankie replies and leads you out the door.

Back in your own apartment you pull your clothes off and collapse on the bed, not even bothering to wash off. Frankie falls into bed next to you, tugging you tight against his chest, his arm as your pillow.

“You scared me,” he whispers, lips pressed against your forehead.

“I’m sorry,” you mumble back, “I knew you were looking for me though,” your nose buried in his sparse chest hair, tickling you as you speak. He’s tugging the covers up over you both and you tangle your legs with his.

“I’d never stop looking, cariño, you know that, right?” He’s got his arms properly wrapped around you now, his nose skimming over your cheek in the darkness, you can feel his lips brush over yours as you turn your face up towards him.

“I know, I’d never stop looking for you either, Frankie,” you whisper, finding his soft mouth and sinking into his kiss. It’s slow, warm and calm, letting you close your eyes and relax against him, his warm breath against your cheek as he pulls away and lets you fall asleep.

Chapter 27

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uncouth-the-fifth · 6 months

Text

pythia, a supernatural rewrite. phantom traveler, p.3

read it on ao3.

words: 14k notes: hello!!! on the wings of an absolute ARMY of betas, here is a fresh new chapter for you!! since the last one was a little short i took the time to really flesh this one out. I'm a shy idiot who is SO bad at responding, but i see your comments and they mean the world to me. i literally have a folder on my computer full of the sweet words this fic has been given, and i think i've re-read the comments in that folder at least a million times over by now. ty so much for reading, and i hope you enjoy!! bloody mary is next! a very special thank you to my beta readers, bear, M, venice, feeb, and daff, who easily made this my best chapter yet. thank you specifically for keeping me coherent and sane lol <3

PITTSBURG, PENNSYLVANIA - Dec. 4th.

You don’t have to be psychic to know precisely what your mother is going to say when she answers the phone. She’ll pick up on the fourth ring with an occupied, scathing drawl and say, Look who finally has cell service.

Alright. So you’re not the best, most communicative daughter in the world. You call when you can, you honestly do, but there’s not exactly loads of emotional bandwidth to spare on the road. Peeling off all the layers of case anxiety and Winchester grief takes a while, dammit!

Maybe you’d feel less guilty if you vented to Sam or Dean, but it’s kind of lousy to bitch about Mom-stuff to, uh. Yeah. The boys. You could use a simple, uncomplicated statement like, talking to my Mom reminds me of how much of a disappointment I must be to her, and Dean would hear matricide instead. Sam’s blank, uncomprehending look wouldn’t be much better. Looks like you’re alone on this one.

When there’s a natural break in the day’s long research-fest the three of you are riding, you slip away, pace beside the Impala for a while, then finally bite the bullet and call her. Cars whisk through the slurry of snow on the road. Your phone charms rattle in the icy breeze. One ring, two rings… She knew you were going to call, she could sense it, but of course she has to torture you… three rings, four.

“I didn’t know cell service was so hard to come by in Pittsburg,” Beth greets you, sounding preoccupied. Damn, do you know her well or what?

“Hey, Mom,” you sigh. The wind is loud, so you pull your phone further down your face and try to come up with an excuse that is even halfway reasonable. “Sorry I haven’t called. It’s been ages since I’ve been around the boys, and I guess I get a little caught up with them sometimes.”

This is objectively true. She used to have a rule about you getting your homework done before they came over, purely because you forgot about everything and anything else the second Sam and Dean entered the house.

“Forget those losers. You’re my baby, I love you most,” Beth gushes, and you understand that this is her way of saying that you’re forgiven. Both of you have fallen victim to the Winchester spell before, so she can’t exactly blame you.

You’re a little embarrassed by her mushiness, but a relieved, bubbly laugh jumps out of you. “Alright, consider them forgotten. Now… I know I don’t deserve it, but I’m gonna ask you a question, and I need you not to freak out or overthink it, kay?”

Beth snorts. “You mean my two jobs as a mother? Go ahead, shoot.”

This is not the kind of question that you just “shoot,” though. It takes you a moment to string together how you’re going to ask this, and of course, you’re nothing but graceful and delicate about it. “...What do you know about demons?”

Your mother doesn’t say anything for a long, yawning second. Still, you can sense her rising swarm of questions and outrage all the way from Pennsylvania, and you try to stop her onslaught before it starts. “Hey! No questions! Just answers. I promise I would tell you if this was outrageously dangerous.”

“Then you’ve already broken your promise,” Beth utters, slipping into her Sage Grandmaster Psychic voice. Just hearing it makes you deflate. She predicts, “...Let me guess. You’ve felt nauseous. Suffocated. Hungry, but everything you eat comes right back up again.”

You toe a chunk of ice on the asphalt with your boot, grumbling, “...Yeah.”

“Then you’re lucky,” she reveals, her words still ringing with the same crystal ball clarity from your childhood. “That means you haven’t come into direct contact with it yet. I’d hope you never would, but… you are your father’s daughter…”

You know your mom. You know that’s just her way of warning you about the kind of danger you’re in, here, but all the comment does is bolster your resolve. Damn right. You are his motherfuckin’ daughter.

“Tell me,” you push.

Beth sighs through her nose. There’s a squeak on the other line, and you can imagine her at home, dropping heavily into the massive, millennia-old armchair she always took her readings in.

“Demons… well, I won’t explain to you what you can already guess. They’re unlike most legends we know of, because everything that’s written about them is utterly true. Most spirits that walk the natural earth are here to feed—vampires, werewolves—or to take care of unfinished business. But demons… they come to earth to steal, kill, and destroy.”

Welp. Your mother is truly a pillar of optimism. You’d been hoping she’d say something along the lines of, don’t worry, sweetheart, they’re just really messed up ghosts. Instead of, y’know. The most evil creatures man encountered in the bible. Bible, capital B. An uncomfortable, existential shiver rolls down your spine. Now this was something you could bitch to Dean and Sam about.

You’d grown up surrounded by the idea of demons. Even before you’d fully understood that monsters were real, sometimes you’d slip into your mother’s reading parlor while she was gone and play a game with the strange, segmented star pattern on the giant worn-smooth carpet. Don’t hop on any of the lines! Only step in the points of the star! Or, jump from sigil to sigil!

The one time you’d gotten carried away and played for too long, your mother had appeared through the beaded curtain with a stiff frown on her face. Don’t play on the devil’s trap. It’s not a toy.

There was the fraying devil’s trap in your mother’s parlor room, which was one of the hundreds of sigils burned into your mind at a young age. You’d shaken hands with demon hunters before. Most of the rituals your family practiced were in Latin; and the list went on and on into oblivion. You’d always known demons existed, but as you pace the parking lot and take in what Beth is telling you, the ramifications start to stack. Demons. Actual, literal demons. The thing that took down flight 2485—the suffocating, unimaginable presence from your vision—was a real-life demon. When you’d stood in the skeletal remains of the plane and reached out with your Gift, you’d been sensing the lingering presence of a fucking creation of Lucifer. What the actual fuck.

In a strange, backward way, you’re kind of relieved. Anyone would be fainting all over the place in the presence of an actual, real-life demon. Especially somebody like you, with all their senses turned up to 100. It makes sense that you were having such intense reactions before.

What the fucking fuck. You’re suddenly grateful to be on the phone with your mom.

You wandered toward the Impala, (checked first that you weren’t wearing the kind of jeans with the little studs that would scrape the paint), then leaned against it. “...Um. Okay. That’s just… awesome… How do they get… up here, then?”

“I’m not sure,” your mother hums, thinking. “Your great-great-aunt Miriam wrote in her records that they find their way top-side on their own. Bugs through cracks, that sort of thing. Apparently, there used to be a whole lot more of em’—in Miriam’s day it was a Proctor’s job to shove them back where they belonged, but… I dunno.” Beth helpfully jokes, “Maybe we got most of them.”

You huff out a laugh, but it’s not the most sincere. “Maybe we did,” you cough. “But, um, do we have any Proctor family secrets that could help me out here? Did great-great-aunt Miriam have a trunk somewhere full of demon-killing grenades or something?”

Beth smirks. “Great-great-aunt Miriam turned the house into a brothel and carved terrifying sigils in all the ceilings. That’s all we got from her.”

Of course. How could you possibly forget? “Oh, huh. I was wondering why we have old chains and whips in the basement. That fills in a lot more for me, thank you.”

Your mom barks out a laugh at your joke, which gets you laughing too. The sound trails off. There’s that funny pause where you both remember what you just said, then start giggling all over again—and man, does it feel good to just have a moment with your mom. The boys both have an unforgiving radar for “bonding,” and the second they realize that you love them and they’re your friends, they creep right back into their shells. Neither of them were very good at absorbing that sort of thing.

Your mom is just as skilled at spoiling the moment.

“But, seriously…” She stresses. “Please be careful. Avoid contact with these things at all costs, especially with your Gift. It’s made to find the truth, and demons are made of lies. Not a good mix. They’ll rip into your mind… take you apart if they have to. This is a lot more hands-on than you should ever be with your Gift, ____.”

“...Right,” you say through your teeth.

This is the part where you start awkwardly shoving in a goodbye without coming across as an asshole. You open your mouth, about to say something stiff and unsure, when you sense a spike of alarm ripple out from where the boys are still researching in your motel room.

Phone call forgotten, you jolt off the Impala and whip towards the door. Not a second later, Dean’s slipping out onto the stoop and sweeping the parking lot with a calm, guarded stare. He doesn’t look at you—just gestures you inside, holding the door open. Even from the parking lot, you can make out the insane amount of notes and papers Sam has coated your motel room with.

“Jerry just called,” Dean utters. “The surviving pilot from 2485? Chuck Lambert? …He just went down in a plane crash.”

You snap your phone shut and follow him inside.

The three of you head to the site of the next crash as fast as you can. But first, you have the pleasure of watching the boys play Winchester Telepathy when you insist on coming along. They’re still worried. You would be too, in their position. (In fact, if the roles were reversed, you’d probably chain Sam to a radiator and call it a day.) But Chuck went down in a twin plane, not a massive, two-hundred-person graveyard, so your Gift should have the legs to handle it.

…And knowing what you’re dealing with has steeled your confidence. You weren’t slashing at the dark anymore, even if what was in the dark was, um. Proof that hell exists. After days of being totally screwed over by this thing, you finally had even the slightest leg up on what was going on. You were going to take that win and run with it.

Chuck’s twin plane was hardly a twin anymore; both the engines had been shredded, the white body of the cockpit twisted like a wrung-out washcloth. The plane had dove so hard into the farmland that the snow around it had melted. You still kind of felt like tossing your lunch, but more out of sympathy than psychic backlash. People had been in that plane. The thought made you taste bile.

Sam and Dean only hover a little bit (a lot) while you open your Gift to the wreckage. You take your glove off with your teeth and touch your right hand to the ashen, snow-soaked remains of the pilot’s chair… and there it was again, the leeching, seeping, violating presence from the vision that’d brought all of you to Pittsburg. A demon.

Your Gift wrings out another scraggly, disconnected vision for you. Chuck was beyond anxious to get back in the saddle after 2485. The co-pilot, Lou, had pep-talked him like any good friend would, reassuring him that the flight would go smoothly. After that, everything—gassing up the engine, takeoff, and the brutal, horrific crash—was blotted with poison ink. Every time you tried to steer towards Chuck with your senses, it was as if the strip of film playing your vision had been burned away. His face had been scratched out of every frame. He had become something else; something terribly familiar.

The research Sam had compiled began to link with what you’re seeing. You could feel, even through the leftover wisp of the demon’s presence on the plane, that it had done this many times before.

You jolted to your feet, scrubbing the palm with the eye tattoo off on your slacks. Dean and Sam reeled back, since they’d both been looming an inch behind you as you worked.

“What’s the verdict, doc?” Dean said, bracing himself.

You turn from the wreckage and bee-line straight for the road, eager to avoid a repeat of last time. The boys follow your lead. They fall into step on either side of you, and for once you feel like the specialist Sam always said you were, complete with stern-faced bodyguards.

“Full-on Pazuzu, just like last time,” you confirm, cursing. You shove your glove back on and stomp through the snow. “I-I get it now. God, it feels so fucking obvious. It’s—it’s playing. It finds these disasters, or it makes them, and then it picks off all the survivors one by one. Chuck Lambert, George Phelps. It possessed them. Like some sort of twisted cosmic-order thing.”

Sam pulls a face. “Final Destination style?”

“Minus the hot girls and the tanning beds, apparently,” Dean pouts.

“It’s trying to finish them off, boys,” you say, swallowing hard. “That’s something we can work with. If it’s only using disasters to do the job, then…”

“...then we need to see if any of the survivors are flying soon,” Sam realizes, finishing your thought.

The second the Impala’s on the road again, Sam is fishing out the passenger manifests from the first flight and chasing down any phone numbers he can find. There is a part of every hunt where your run is forced to become a sprint, and this is that turn-over moment, tensions ramping high. What once was seven people is now five.

As Dean hauls ass back to Pittsburg, you and Sam get to calling. You thank the Mother Goddess above for shitty, awful customer service, because posing as some lousy Delta Airlines representative has Dennis Holloway sitting in seat 21A and Kathleen Willard (seat 25E) swearing off flying for good. Sam uses a similar tactic on Blaine Sanderson (seat 14D). The two of you take the safe bet that the parents of Ava Struder (seat 1C), an unaccompanied minor, aren’t fucking idiots dumping their kid on another flight the second she survives one. That leaves you with Amanda Walker. A flight attendant on 2485… because of course, this job can never be easy.

Sam tries her phone. While it rings, you cross your fingers and hope that she has quit her job and started a new life as a dedicated couch potato. Sam’s forced to leave a message. He snaps his flip phone shut with a curse and throws it into the footwell, where it clatters against his boots.

You curl a cold hand around Sam’s shoulder, soothing, “Gimme the list, baby. I’ll try her emergency contact, at least find out where she is.”

Sam sulkily passes it to you, never once shifting under your hand. You do get a small, grateful look from him over his shoulder, and the urgency and anxiety there makes your gut twist. It would be more than easy to comfort him, to stroke your fingers through his hair, to rub his collar and tell him everything’s going to be fine.

But you’re a shit liar, so you open up your phone and make the next call. Sam’s lingering gaze ducks back down into his lap.

Of course, your luck continues to flourish. Amanda doesn’t answer her phone. But her sister does, and she informs you that Amanda, being a flight attendant, is in fucking Indianapolis for a flight. Indianapolis. As in, a good five-hour drive from Philly—and in the complete opposite direction of where you were going. Dean barely waits until the road is wide enough to turn the Impala around. The u-ey he hits sends you, and all your stuff, careening from the right end of the bench all the way to the left.

The drive is not fast. Staring ahead and silently revving yourself up can only waste so much time, so you pull out the mini sewing kit from under the seat and do your best to patch a rip in Dean’s jeans, struggling to thread the needle even more than usual. You feel a bit like a bad hunter distracting yourself from what’s ahead, but just one of you stuffing the car with anxious brooding is enough. Sam passes back a sudoku booklet for you and then goes straight back to his thousand-yard stare.

He used to be excellent when things came down to the wire like this. After years spent in empty motel rooms, counting pennies and waiting for John and Dean to come home, Sam’s patience was unimaginable. But losing Jess… had tilted his axis. These last few hunts, you’ve noticed how crazed he gets on the last couple steps to the finish line—when none of you are sure if there’ll be anybody to save. It happens. But you’re scared of what another round of it could do to Sam, even with a stranger like Amanda; he cared so much…

Dean isn’t happy, either, but he at least has something to do. He alternates between playing brain-melting Metallica or forgetting to reload the tape, so the drive is a strange mix of music you can feel in your eardrums and silence that’s just as loud. The first piece of levity you get is thirty straight minutes of Dean over-explaining the album to you. And, thank god you ask, because Dean rattling on about the “bass and drums feeding off each other” and the “musical integrity of a locked-in rhythms section” bring Sam out of his trance. He pries his eyes away from the rolling fields of snow, scrunches up his face, and sighs, “Can we at least listen to ‘...And Justice for All?’”

You’re an excellent tactician, so you use this opening to nudge them both toward the most surefire argument starter in the Winchester handbook: What’s the best album of all time? It would’ve been harder to lure flies into honey. Dean argues more with himself than he argues with the two of you, dancing indecisively between Zeppelin II, Dark Side of the Moon, and at least twenty other albums that you are vaguely aware exist. Sam outlines that there is a difference between someone’s favorite album (Californication in Sam’s case) and the best album objectively by sales (Thriller).

All three of you play into the argument more than usual. Guess you’re not the only one desperate to think about something other than the two hundred other people who might die tonight. By the time there’s enough of a break in the conversation for you to throw your hat into the distraction-ring, you’re thirty minutes from the Indianapolis International Airport.

“Both of you are wrong,” you decide. “There’s only one reasonable answer to that question, and it’s Rumours.”

Dean audibly grumbles, and when the Impala jams to a stop in front of a red light, he dramatically points at you in the rear-view mirrors and declares: “You are obligated by hippie, witchy-girl bullshit to love that album, Proctor. And it’s good, but it’s not the best. It’s mostly…” he flashes you a mean, big-brother smile, “girly music.”

You know you’re right, so his comment rolls right over you. Cooly, you remind him, “Nuh-uh. Sam loves Fleetwood Mac, too.”

You’d figured that was a good counter-point, since Sam was hardly girly. The hand he was using to keep his notepad on his knee was all kinds of veiny and calloused, and on top of being taller than Dean, he was a lot more comfortable with his masculinity. He didn’t have mile-long lashes or glazed donut cheekbones, either.

Sam hums in agreement, like you knew he would; the two of you listened to Go Your Own Way and The Chain endlessly before he left for school. Sometimes he’d even dance around the attic at home with you.

Dean side-eyes his brother, then barks out a hearty laugh. “Case in point.”

Sam elects to pretend he didn’t hear that, and instead turns around to talk straight to you: “I mean, the end of Silver Springs alone…”

…Maybe if Dean listened to more “girly music,” he’d have more women melting over him the way you melt when Sam says that. Even though you’ve gotten used to having him in front of you again, there are moments like these where you’re stunned by how similar the two of you still are. Dreams would play in your attic and Sam would already be offering you his hands, gangly and shy and bright red for you and only you…

You listened to Silver Springs a lot after Sam started dating Jessica.

INDIANAPOLIS INTERNATIONAL AIRPORT - Dec. 4th, night.

All three of you must’ve been hyper-planning what to do the second the Impala parked, because you fan out as soon as Dean jams the break.

Sam uncaps the travel-sized hand sanitizer from your purse and empties it out onto the pavement. You’re a little sad to say goodbye to pumpkin cupcake, but then he starts pouring as much holy water as he can into the teeny bottle, and you’re reminded how clever he is. When Dean gives him a weird look, Sam explains, “3.4 ounces or less per liquid item, dude.”

“Shit,” Dean curses. Right. Travel size restrictions. That cuts your only physical weapon against the demon in half—or into a fucking fifth, I guess. But it’s something. “At least he’ll fuckin’ smell good when we send him to hell. Great.”

You give Sam the marshmallow pumpkin latte sanitizer, too. You’re going to look painfully suspicious walking into an airport with nothing but hand sanitizer and an occult journal, but there’s nothing you can do. There’s no time to check bags or trudge through security lines. Hopefully you won’t have to board, but knowing your luck…

You’re about to go peeling out of the parking lot at top speed, when you turn your boot and feel the warm piece of metal pressed against your ankle. Shit. “God, this is stupid,” you curse, and drop onto a knee. You lose the pocket knife in your boot, then dig around for the loose rock salt shells rolling around in your pockets. There’s a visible pout on your face when you abandon your iron knuckles. Anything that’d be caught by security or picked up on a metal detector goes straight into the trunk.

When you pull your butterfly knife out of your bra, Sam is suddenly very interested in the color of the sky.

The boys follow suit. By the time you’re through the doors and among the harried, criss-crossing crowd of travelers, you’ve lost ten pounds in weapons each. Dean grumbles the whole way about feeling naked. Everything in the airport is overstimulating, even at this time of night. The long, endless squares of glass looking out over the runway reflect the too-bright lights in big glossy spots, and the air is flooded with a constant stream of intercom updates and civilian chatter. You duck and weave all the way to the departure schedule, which is just the right font size to make you anxious.

Sam scans the chart. “They’re boarding in thirty minutes.”

Shit. You wrack your mind for something that could coax Amanda off her flight. But the gears in your head are suddenly muddy, and Dean’s faster than you, anyway. His eyes dart around the floor of the airport. “Okay… we still got some cards to play. We need to find a phone.”

Sam and Dean dart off like twin bomb-sniffing dogs. You move to follow them, but something tethers you in place. The buzzing, bustling commotion in the air pitches up, and then your ears are ringing, and your whole body is stinging with the ugly leeching feelings from before. The demon. It’s close.

You blindly walk in the direction your internal Winchester compass gives you, and just when Dean’s about to take a courtesy phone off its hook, your body extracts the phone from his hand on autopilot. For a brief flickering moment, you’re not yourself. Your powers talk through you.

Your Gift foresees, “That won’t work. Your only option is to board the plane.”

The boys exchange an unsettled look. For a second you’re confused why they’re giving you their Freaked Out faces, then you feel the hollow plastic of the phone in your hand, and you realize you’re a whole twenty feet from where you started. Man… you hate the whole psychic-possession thing. Just for fun, your Gift loves to take over and course-correct you when it thinks you’re being stupid. You drop the phone back on its hook with a heavy click. It takes Dean a second to answer, and he’s still giving you that look. After a long pause, he knocks up his chin and not-so-happily mutters, “...Uh, okay.”

Sam, at least, has learned to roll with your weird psychic bullshit. His voice is soft with conviction. “Fine. Plan B, then. We gotta get on that plane.”

You run your palms down your face, then steel yourself. There’s no other way, and no time to second-guess. Even your Gift has decided it’s your best plan. “Okay. Fuck it.”

The usual authority in Dean’s voice hikes up with a note of panic. “Uh, woah. Let’s just hold on a second–”

“Dean,” you wince, and your hands drop heavily at your sides. “We gotta. I’m sorry.”

Sam, per usual, reads Dean’s hesitance as something else. “That plane is leaving with over a hundred passengers on board. And if we’re right, it’s gonna crash. We have to–”

You watch as they have their usual back and forth; Sam, eager to throw himself at this, and Dean gnawing on the inside of his cheek. It’s easy for you to sense the steam of real, nail-biting terror radiating off your best friend. You feel Dean’s fear all the time–and even then it’s hard for you to picture him being afraid of much of anything, much less planes. It’s even harder for Sam to look past his little brother glasses.

“...Flying?” Sam puts it together. His voice is understanding, but super confused. “You’re joking, right?”

“Do I look like I’m joking?” Dean flails. He fists his hands as he talks, swaying back and forth to try and work up the nerve. He glances at you, the only other witness to his weakness, just once. “Why do you think I fuckin’ drive everywhere, Sam?”

Sam is genuinely stunned. Slapped-in-the-face stunned. But he takes it in stride, and, also glancing at you only once, he blurts out: “Alright. Uh, I’ll go.”

The anticipation of boarding the flight is making your skin prickle with anxiety, and you can’t help but inch back toward the ticket counter as they talk. But when Sam says this, without question or complaint, you’re instantly stepping up to his side and demanding, “Then I’m going with you.”

You brace yourself to shut down the argument you know is coming, but this Sam continues to be different from the guy you knew four years ago. This answer is just as easy for him, too. “Okay.”

Not, you’re staying here, or even, I won’t let you risk yourself like this. Just a plain and simple, okay. It bugs you. You don’t even have time to dwell on it, though, because Sam’s blatant courage tugs Dean over his fear.

“Man…” Dean utters, face twisted with nervousness. He gives in with a helpless scrunch of his shoulders, and taking that as permission, Sam twists around to buy your tickets not two seconds later.

You both watch him rush off, neither of you over the moon about this situation. Dean’s so anxious that his hands are clammy, and you can tell because he clutches at the sleeve of your jacket like a little kid. He knocks his forehead down on your shoulder with a groan, and your palm automatically loops around to give his back a soothing rub.

“This is fucking… awesome,” Dean gripes. “No guns. Can’t even bring a damn bottle of holy water. Is there some kind of psychic Xanax you can give me?”

Maybe some of your Gift drains into your voice when you promise, “We won’t have to worry about that. Everything’s going to be okay.”

Dean doesn’t make his Freaked Out face this time. He does, however, bump his forehead against your shoulder again, and sink into your touch with a rough sigh.

FLIGHT 424 - Dec. 4th.

You’d felt bad for Dean the whole time he’d struggled to get on the plane. Now, you kind of felt like choking him with your bare hands.

So many people crammed into one space was enough to flatten your Gift with the weight. Adding Dean to the mix, shoved shoulder-to-shoulder against you with his jitters ramped up to eleven, made you feel like picking your brain out with a fork. Your Gift ping-ponged between Dean and Sam, making you bounce between chattering your teeth with fear and thinking things like, wow, I just love the Dewey decimal system.

Maybe it was a good thing. You’d much rather be in one of their heads than yours.

All day, you’d done a pretty good job not obsessing over the things your mom had said over the phone. It was hard with so much time to marinate in the car, but the massive weight of the existence of demons only slammed on top of you once or twice. Boarding had managed to keep you occupied, but then the colossal body of the plane had shuddered and heaved its weight off the tarmac, leaving all chances for escape behind on the ground.

A part of you was resigned to it; it is a simple fact of your life that evil things are real. So what’s one more, right? But at the same time, you thought about the cross Sam wore under his shirt… you thought about being one of those things, being “made of lies,” like Mom had said. That, too, had been gnawing at you—what had she seen to learn all that? How did she know that a demon would “tear into your mind?” The Vague Psychic Thing is fun, until you’re on the receiving end.

“Can you sense who it’s possessing?” Sam’s smooth, calculating voice interrupted your thoughts.

…Oh, right. You’d gotten so swept up in your own head, no doubt influenced by Dean’s incessant foot-tapping, that you’d totally forgotten to scan the plane. Tilting away from Dean and his panic, you subconsciously shifted toward eerily calm, level-headed Sam. Just catching a wisp of the clean cologne he wears cools you down a little bit. Okay. No more freaking out—it’s game time.

You’d hoped that the white noise of the flight would settle your nerves, but the air tasted painfully sterile, dry, and cottony against the back of your throat. Everything felt like cold metal touching an open nerve. If the demon’s influence wasn’t making your powers touchy, then the woman across the aisle definitely was, oozing with homesickness as she watched Indianapolis shrink far below—or maybe it was the guy two rows back, replaying an argument again and again in his head—or maybe the other two hundred fucking people stuffing the plane with their boredom and their tiredness.

You push your knee into Sam’s. He pushes back.

After a tense beat, you whisper to him over the chatter of passengers, “Too many people. There’s no way I can narrow it down to one person—not unless they’re right in front of me.” Sam’s gaze turns expectantly to Dean, who’s still in full-on dissociation mode. He’d spent the whole boarding process humming tracks from St. Anger, and you knew he was really going through it, purely because he’d stopped and restarted Some Kind of Monster three different times now. Poor guy.

One of the things that made the three of you such a natural team was your ability to rotate leadership. In moments like these, with Dean way too wigged out to take charge, you’d usually step into his shoes without much trouble. But Sam has fielded your fainting spells and panic attacks all week, so he’s already got a pep-talk prepared for the two of you.

“...Okay.” Sam checks his watch. His voice still has that touch of classic Sam softness, probably because he knows how hard this is going to sound: “Stay focused. We got thirty-two minutes and counting to track this thing down, figure out who it’s possessing, and perform a full-on exorcism.” You’re about to make a comment about how blissfully easy he makes things seem, but Dean beats you to it. He snipes, “Yeah, on a crowded plane. That’s gonna be easy.”

You snap one of your bracelets against your wrist a few times, thinking. “Who would it want to possess?”

This gets Dean’s head in the game. Easily, he recites: “It’s usually somebody with some sort’a weakness, y’know, a chink in the armor that the demon can worm through. Somebody with an addiction or emotional distress.”

As he explains this, you unlatch Dean’s claws from their death-grip on your arm and give the top of his hand a little soothing pat. Your gaze remains fixed on the pattern of the seat in front of you. “For a regular demon, maybe. This thing might not even need a chink. It wants maximum damage here—so maybe it’d go for the pilot?”

This is not a soothing thought. Checking his watch again, Sam suggests, “Or Amanda… Surviving a crash like that? I’d be pretty messed up if I was her. We should check both.”

You’re happy to spend the little time you have left wisely, so you’re quick to push out of your seat and get moving. Dean puts on a brave face and follows your lead. There are only two ends of the plane to check—this thing can’t hide forever. Just when you start to do an awkward side-shuffle to nudge Dean out into the aisle with your hip, the whole plane thrashes top to bottom, and there he goes, dropping like a rock back into his seat. His spike of panic is so genuine that you end up dropping with him.

“Come on!” Dean hisses through his teeth. “That can’t be normal!”

You and Sam immediately get to shushing and soothing him, and suddenly you understand how married couples feel when their kid starts crying on a flight. Shifty eyes in other seats pretend they’re not glaring at you. Summoning as much strength as you can to share with him, you drop a hand on Dean’s shoulder and order: “Breathe, dude. You’re okay.”

“I’m not fuckin’ four,” Dean whisper-shouts, sulking flat back into his seat.

“She’s right,” Sam whispers back. Should it be worrying you how much he’s been agreeing with you lately? Stern, he says, “Listen—if you’re panicked, you’re wide open to possession. So you need to calm yourself down. Right now.”

A weird part of you is grateful that Dean is having a rough go of it, because it’s giving you something to focus on. You’re usually pretty good with planes. But for a minute there, when the turbulence had hit, your mind had defaulted to oh shit, this is real, we’re all going to die. A slideshow of the last crash had blitzed through your thoughts. Thoughts that had nothing to do with the anxiety you were picking up from Dean.

You know you despise it when Dean uses his Parent Voice on you, so you try not to use it on him when you urge, “C’mon. I think Amanda’s in the back of the plane. I’ll check up front.”

Dean gives an unconvinced, “I’ll go talk to her,” then makes grabby hands at Sam’s pockets, “pass me one of the hand-sanitizers. Fuckin’ uh, pumpkin latte—don’t gimme that face, _____, not all of us can tell with just a look. What if it’s in her?”

“It’s a bit more than a look—” you begin to clarify, but Sam stops your back and forth with a shake of his head. He pulls out the little orange plastic container of your pumpkin cupcake holy water and passes it to Dean.

“We should try to conserve what we got,” he warns, passing you the only other weapon against the demon (marshmallow pumpkin latte). “Go more subtle—if she’s possessed, she’ll flinch at the name of god.”

Now that you’re running out of both time and options, the second Dean unbuckles his seatbelt and steps out into the aisle on coltish legs, you take the opening and bolt out of your cramped middle seat. Anything you can do to get closer to finding this thing will make you feel loads better.

You start down the aisle. As the chatter of the boys fades into the all-encompassing thrum of the plane behind you, you take slow unhurried steps past each row of seats, soaking up what you can get. A girl listens to music in her headphones. A businessman clicks away at his laptop. Each of them you comb over with your powers, and each pass feels like scooping your hand into a bowl of tacks and waiting to get stabbed.

They’ll rip into your mind… take you apart if they have to, Mom had said. You waited for that moment, steeling your nerves the closer you came to the cockpit. If the demon’s on this side of the plane, and it sensed you, would it immediately press into your mind? Would just being near you snap its presence to you like a magnet? You didn’t like the mental feeling that gave you; the stark secret-seeking white of your Gift clashing with the black choking smoke that’d been chasing you all week. When you spoke to a spirit through your Gift, it felt like you were touching fingertips through a curtain. Would it be like that? Would this demon press its claws through the veil and dig around for something to tear, to grab?

The other flight attendant on board pushes past you with her cart, leaving no barrier between you and the cockpit. Behind you, bobbing in a sea of blurry people, your Gift could distinctly make out Sam (practicing the exorcism) and Dean (talking to Amanda). You’re just a few paces from the front exit of the plane when a man emerges from the bathroom cabin, and—

He twists to meet eyes with you. Expecting you.

You’re flashed a clever, haunting smile, then—a set of glossy void-black eyes.

You wait for it. And in its own way, the presence of the demon does overpower you, bringing the heavy-as-the-sky, parasitic feeling from your visions into the real world. For a long ringing moment, you are blasted with dark leeching power hot enough to singe the entire front of your body—like a nuclear bomb had dropped down just a few steps from you. It is spidery and vicious and knowing and awful—

…but the conquering sensation never comes. Beth had said that it would root into your mind, that just feeling it with your Gift, as you are right now, would tear you to pieces. Yet all that really happens is you staring at it and it staring at you, before it shoulders its way through the cockpit door and disappears inside. The only thing you really experience is the shock of seeing it in somebody, puppeting around a person with dreams and thoughts and memories.

For a few moments, you suck down heaving breaths through your nose and stare at the closed door.

Something about it nagged at you. Besides the obvious—how different it felt compared to what your mother had described—you swear you felt something else, some ringing sense of strangeness that you just couldn’t put your finger on. Maybe it was the fact that you’d just made eye contact with a real creature of hell, an evil spirit, whatever. But you made eye contact with evil spirits all the time. This was… closer to home than that. Underneath the writhing mass of bloody, black ink that made up the demon, your Gift had recognized something unimaginably familiar.

Sensing the demon in person had reminded you of… of a sensory memory, almost. It smelled like… warm static. The old staticy TV in your house, the ancient one that sat square and unattractively on your Mom’s slanting sideboard in the living room. You remembered her crystal ashtray propped up on the top, the fizzy sound the TV made when you’d shut it off…

On the nights when it was just you and Sam home, and the house felt so big and empty that the silence throbbed in your ears, the two of you would set up a fort in front of that TV and watch old horror movies well past your bedtime. The silly effects and the dated acting were easy to tease together. You’d much rather watch movies on the newer screen in your Mom’s room, but for whatever reason, Sam insisted on the clunker in your living room.

Y’wanna know somethin’ cool? He’d asked you once, running a finger through the film of static bubbling on the surface of the glass. A little bit of the static in TVs is actually radiation leftover from the Big Bang. How weird is that? Something so old and powerful, picked up by this random piece of junk.

Sam always crashed first, leaving you alone with the white static the TV defaulted to when the movie ended. You could vividly remember how your shoulders bumped against the hard floor through the thin sleeping bag the two of you had shared—how Sam’s warmth had seeped into your shirt where he was curled up behind you, his soft sleepy breaths tickling your hair.

When you’d pulled his arm around your waist to snuggle, a spark of static had shocked you through his touch. When you’d closed your eyes and tried to go to sleep, you swore that the ancient, cosmic hum of the static in the TV ebbed and flowed at the same exact time as Sam’s breath.

In. Bzzzsh. Out. Bzzzsh. Crackling as he breathed.

It wasn’t the demon you were scared of anymore. The ancient, ever-present sting of static you’d felt deep down inside it… that scared you a million, a billion times more, because—

You felt that static every time you felt Sam.

It’s like trying to describe the smell of your childhood home.

Logically, you know your house must smell like something. But when you’re in one place long enough your brain filters it out as background noise, and it becomes something you can only notice after a long time away.

You’d known Sam since you were in diapers. Back then, the meager threads of your Gift were already taking him in and absorbing him into your memory. Eventually, you felt him so often that all the pain and optimism in his core, all the stuff that made Sam himself, had smoothed out into warm, familiar background noise to your Gift.

Then he’d left for Stanford. Four years passed, and the only exposure your Gift had to him was the flimsy thread stretched two thousand miles down to California. Because it’d been so long since you’d sensed him in person, hugging him outside his apartment had been like stepping into your home after a long time away—for a brief moment, the filter over your psychic perceptions of him had lifted. You’d sensed for the first time what had always been there, buried deep. The Static.

At the time, you’d gotten so swept up in Sam, Dean, and the adventure of finding their Dad, that it was easy to get sidetracked. Things came up. You got used to Sam again, and his Static faded to background noise.

Until you’d felt that demon with your Gift.

A demon. A creation of Lucifer. You’d always remember what Sam felt like—you’d never forget the smell of home—but in one of them?

Your mind whirls with so many questions that it flat-out pops, failing you. Pulled along on a cloud of white noise, you somehow manage to turn away from the cockpit and start back down the aisle. The demon is possessing the pilot. You have forty minutes, less than, to exorcize it and save the two hundred people on this flight. These are all truths floating around in your head, but no matter how much you try to circle back to one, the static of the demon overcomes you again.

Static. You think of Sam, the crackle of his soft raspy voice through the phone. Your heart is pounding in your ears, thudding away in your chest like a piston. The static had burned in the demon, burned like busted speakers and smoking plane wreckage. Little pins all over your skin pressing in. The space you have until you make it to Sam’s seat seems to yawn, your footfalls sluggish and shivery. Why do they feel the same? Why does he feel the same? The static of the demon worms under your fizzing skin, bubbling, boiling—

You stop in front of Sam’s row, and he’s already looking at you when you get close. He asks you a question. You stare at him, the whole world filled with that awful roaring buzzing, the air tight and dessert dry in the back of your throat. Even though he’s right in front of you, you feel like you barely see him—just the vague burning outline of him in your powers.

Sam reaches out to grab your wrist, tugging it away from the long marks you’re viciously scratching into the flesh of your arm. The touch of his hand causes a literal static shock to jolt from his fingers to yours. You yelp in surprise, but it’s—

It’s different. There’s a similarity, definitely, between what you sensed in the demon and what’s always been in Sam… but his Static is hot chocolate warm and fuzzy and so good. Melt-in-your-mouth good. Your surroundings filter back in, and there are his soft, worried eyes looking up at you under his brow, and his big hand soothing over the irritated skin you’ve scratched raw. Sam. The same Sam he’s always been.

…Whatever it is, whatever weird connection you’ve just made, you’re sure there’s a lot more to it than Sam having something in common with a demon. Right?

Sam takes one look at you, your insane reaction, and your mysterious reappearance, then easily puts two and two together: “One of the pilots?”

“Co-pilot,” you tell him, and one of your absent-minded hands drifts up to scratch at your arm again.

And again, Sam fishes his fingers around your wrist and pulls it away. Now that you’ve noticed it, you can’t un-notice it. His touch makes your fingertips and the ends of your ears tingle, and not completely in the boy-crush way. In the psychic way.

He asks, “You gonna be okay? We got twenty-two minutes.”

That jolts you back to life. Twenty-two minutes until this plane is smoking ashes in a Pennsylvania cornfield. Though the last ten minutes have easily overcomplicated all twenty-four years of your life, you won’t have a life period if you don’t see this job through. When Dean returns from investigating a very un-possessed Amanda, he feels the exact same way.

Your resolve hardens, and you manage to give Sam an absent-minded smile. “I’ll be fine.”

There’s no time for arguing. Dean and Sam unanimously agree that the only possible place to exorcize the demon would be in the back, where Amanda is, since you can’t exactly jump the guy in the middle of economy. You don’t exactly like the idea of roping her into this, but Amanda’s the only one who could potentially lure that—thing to the rear of the plane. It is the world’s shittiest ambush. But by the time the three of you decide what to do, you’ve burned ten whole minutes on anxious chatter. A shitty ambush is the only plan you’ve got.

Dean starts down the aisle for the back of the plane. You stare at nothing for a beat, and only remember to get out of your seat when Sam nudges your elbow. He presses his lips together like he wants to ask you the million-dollar question (“Are you sure you’re okay?”), but there is literally no time. In a haze, you shuffle out of your seat after Dean and make a feeble attempt to get your head into gear. Sam does not make it easy. One of his broad hands brushes against the small of your back as you both squeeze out of the row, and you feel like you’ve just gone down one of those static-charged plastic playground slides.

Your Gift is exaggerating it. It has to be, right? Making big connections out of little things, picking at a fresh bruise. For weeks, you’ve been crammed into a little car with Sam, into teeny motel beds with him with no room between you. Why hadn’t you felt it? Why now? Not when you were four, napping in the same bed after playtime—not when you were twelve, and Sam was the first person outside your family that your Gift had connected with. Had it always been there, living inside him? Had you missed it?

You reach the back of the plane. Amanda is there, a pale, blonde flight attendant straight out of a commercial. You are dully aware that you have twelve minutes left before the demon makes its move, always on the forty-minute mark (...and you don’t like the line suddenly drawn between Sam and such an old, biblically evil thing).

The boys talk. A familiar conversation occurs over your head, which might be why it’s easy for you to tune out. Your mind returns again to thoughts of Sam, so intense and loud in your head that it all fizzles out to nothing, and you’re left standing there with the air pressure making your ears ring. Sam. The demon. It’s stupid and intangible and you’d have no fucking clue how to explain it out loud, but your Gift is made to find the truth. Something inside that demon exists in Sam, too. Something.

You try to reassure yourself that maybe, just this once, your Gift is wrong. Maybe this is the demon getting into your mind—learning your deepest fears and bringing them to life.

Sure enough, Dean’s charm and Sam’s earnest face must win Amanda over, because she flits out of the back room like a frightened bird. The boys peer through the curtain to watch her go, the two of them as still and sharp-eared as twin watchdogs. You’re slapped back to life by the sudden tension in the room, and quickly scuttle up behind them. Right. Amanda’s getting the co-pilot. These next ten minutes will determine the rest of your life.

In the same beat, you and Dean ready your holy water, and Sam gets the written exorcism from their dad’s journal out in front of him. There’s no need for the three of you to say a word. An understanding passes between each of you, hammered in from years of hunting as a team. Sam slides up next to you and Dean gives you a firm nod, squashing your last wisps of fear. You’re here to do a damn job.

A man’s voice floats toward the closed curtain to the back room, followed not-so-closely by Amanda’s. You’re glad she’s not the first one into the room—because Dean instantly slams a fist into their face.

The co-pilot—or really, the thing inside him—goes sprawling. You’ve got a strip of duct tape bridled over his mouth before he even fully collides with you, and for the blissful moment you have him pinned, Dean gets another fierce hit in.

While he’s still stunned, you whip the co-pilot to the grated metal floor. Dean clambers on top of him and keeps him there with a firm fist twisted in his rumpled button-up.

Amanda panics, “W-what are you doing? Y-you said you we-were gonna talk to him—!”

“We are gonna talk to him,” Dean grits.

Then, you’re hosing him down with holy water, splashing it brutally in the man’s pain-twisted face. Your gut clenches with empathy. Did the demon leave his body already? You’re terrified for a moment that you got the wrong guy… until you smell the smoke. It’s not just sulfur, but full-on dead body bloat, steaming up from the big black boils that spring up where the holy water hits skin. You get a mouth and noseful vile enough to make you gag. This thing fighting you? This is definitely not a man.

Amanda watches the demon’s skin sizzle, the usual terror and confusion on her face. “O-oh my god, what’s wrong with him?”

You pour all the psychic clarity and calmness into your voice when you whip around and tell her: “It’s going to be okay. Be calm, go outside the curtain, and don’t let anybody in. Can you do that, Amanda?”

You don’t stop to listen to her answer. Sam’s already tearing through the opening to the exorcism at ninety miles an hour, his pronunciation punchy and fatally clear. That had been one of the less exciting parts of the five-hour drive here; when Sam had run through it over and over, re-training himself. One misspoken word could get everyone on this plane killed.

“Exorcizamus te, omnis immundus spiritus…”

The demon thrashes viciously in your grip, twisting and contorting under Dean in ways the human body can’t bend. Bile rises in your throat as you hear a snap, then two, as the demon does everything it can to buck Dean off. By the time you go to stun it with another splash of holy water, it’s more of a dribble. That’s your first mistake.

Two people are not nearly enough to keep this thing down. It gets a hand loose that instantly sends Dean flying, and before you even see where he lands, it cranks your head all the way to the left in one vicious slap.

Your whole face is blasted with red, stinging pain. You go down hard, smashed sideways into the cramped wall.

The pain stuns you out of the headspace you built to distract yourself, and all at once the presence of the demon is thrust upon you. The black, molten psychic power of it crackles through your body, filling your nose and mouth with the same terror hanging in your visions all week. Until you realize— It fucking backhanded you.

Trying to see past the dots swimming in your vision, you mindlessly shove off the wall, snarling with rage. No fucking way.

And then it speaks (to Sam?), and in the fizzing noise of pressure in your ears you hear it promise, “I know what happened to your girlfriend!” The constant stream of Sam’s exorcism stops cold.

When the demon speaks again, its voice, a spectral twist of the co-pilot’s and something older, drooled with pleasure. “She died screaming,” it rasped, “Even now, she's burning.”

A lot happens in the next precious seconds. First, the little circular light flushed flat to the back cabin’s ceiling explodes. Just—bursts, in shock, spraying sparks and glass all over the little room. You’re stunned enough as it is getting hit in the face, so one more thing to fuck up your vision doesn’t help. But you heard what the demon said to Sam. Through the suffocating evil flooding your mind, you feel the sharp spike of hurt and rage and grief in your best friend—and that’s the precise moment when you decide that you’ve had e-fucking-nough.

These last few days have not been winners. And though you live a pretty shitty life with an impressive amount of shitty days, even before you got to Pennsylvania, your streak of bad luck had only just gotten started. This demon has screwed with your Gift on an unimaginable level. Your last few nights have been plagued with nightmares straight from hell, and your days haven’t been much better, riddled with useless visions that get more and more disconnected every time you faint. It made it even more obvious than usual that you’re deadweight for Sam and Dean. They had to handle your boiling water burns and your freakouts, not to mention your mood swings and your unhelpful visions.

The demon hurt Dean, which is enough to get your teeth grinding. And Sam—it had cut him much deeper.

You wanted to tear it apart. You wanted to reach into it the same way it had reached into you, dig in with your nails, and rip something out. Your mom’s words buzz in your head: contact, truth, lies, rip, apart. Rationally, you know you should listen to her warning. If just looking into its eyes has forever changed your view of the man you’ve loved since you were little, then looking deeper could kill you—scramble your mind. You know that. But beside the rage and exhaustion fizzing under your skin is this desperate need to know.

Demons are made of lies. What if it was lying about Sam? What if it had screwed with your Gift in some new way, tweaking the image of him in your mind? It had to be lying. The Static in him, as warm and as good as you swore it was—it came from something evil. Sam. The man you love, the boy you’d fallen in love with, his soft sleepy breaths as he lays on the floor beside your bed, his freckly arms swimming in his too-big sleeves. How could any part of him be evil? He couldn’t be. N-not your Sam. How could he ever have something like that inside him?

You need to be sure. Consequences be damned.

As the demon rears up to keep snarling in Sam’s face, you slap a hand over its forehead—reach in—and start ripping.

She died screaming.

Sam can’t pull a full breath in. The words burn through his body like a syringe of poison, spreading from limb to limb. The demon snarls up at him, its foamy spit hitting Sam’s face and its teeth snapping around Jess’s name—until.

_____’s hand seals over the demon’s face. The demon’s jaw snaps shut. There is a terrible hanging moment where Sam’s brain struggles to connect the touch to what she’s doing; she never, ever psychically connected with the full face of her palm tattoo. Even with her mom Sam knew she put up a barrier, reading Beth with the smooth back of her knuckles instead.

Shit. Another fresh shot of horror lances through him. What the hell is she doing to it?

The effect is instant. Whatever button _____ had just hit, it activates every horror-movie, Exorcist-level instinct in the demon’s body. Surprised yelps echo down the back of the plane as the lights violently flicker. In electrified, strobing flashes, Sam sees it. The co-pilot’s body is diagonal on the floor one moment, and then it’s arching its back three feet in the air, lurching up into ______’s palm like she’d hit it with a defibrillator. The demon floats up and stays up.

…Until Dean brings it smashing back to the floor again, throwing his weight on top of the co-pilot. He barks, “Sam!” Right. Whatever she’s doing to it, it’s the only working distraction they’ve got. Slapped back to focus, Sam stutters out where he left off: “...O-omnis congregatio et secta diabolica—” It’s a blessing that he makes it through the next lines of the exorcism. Sam pours all of his willpower into keeping his eyes on the stained notebook page it’s written on, no matter how many times his gut begs him to check on her. All he can do is have faith. This is what she does—when Dean’s not strong enough and Sam’s too weak, she finds a damn way, come hell or high water. Sam has always had endless faith in that. So when the whole plane gives that terrible shudder that he was expecting, and then tips, and tips, and tips into a full pitch forward, Sam grips that faith with both hands. The demon’s power ripples through the rest of the plane. Everything descends into chaos. Past the curtain, the lights go out in one silent burst, followed by the explosive, concussive screams of the passengers as the oxygen masks drop. Movies are unfortunately good at capturing this precise moment, but nothing could ever replicate the way Sam’s belly swoops as all five hundred tons of the plane heads straight for the ground. Sam and Dean both go flying, crashing sideways into the walls of the back cabin. The turbulence rips the journal from his hands, and of course, with their fucking luck, it goes skidding through the curtain and down the aisle to ricochet under the seats. “Grab it!” Dean screams.

Sam can’t hear him. He staggers into the open doorway of the back cabin, clutching the frame for dear life. A terrifying, unnatural howl whistles through the cabin, even louder than the wails of the passengers. Its wind flutters his hair around his face and sends luggage toppling out of the overhead bins. For a moment, Sam wonders if the plane’s been hit or the demon has done something—but no. It’s her. He flattens himself to the floor—or rather, gravity flattens him—crawling on his belly towards the shadow of the journal under the seats. The passengers sob and shriek. The air is singed with smoky fear, and riding that same fear, Sam surges ahead, lunging for the book where it’s lodged between tossed luggage. He has to twist to get his hands on it, and it’s then that he feels it.

Down the aisle behind him, the wind drags luggage and loose papers into the void-like darkness of the back cabin—where the great, cleansing, sweeping power of her is fighting the demon. Sam believes in what he’s seen; Sam believes in angels.

She’ll buy him enough time. He knows she will.

Sam’s hands don’t shake as he pries the journal open to the right page.

“Ecclesiam tuam securi tibi facias libertate servire, te rogamus,” he shouts, and the words ring as clear and clean as a bell. The plane tries to toss him again, but Sam grits his teeth and persists, “audi nos!”

He waits. Sam sees it more than he hears it. Deep in the blackhole darkness of the plane’s cabin, something red and fiery flashes to life… flickers… and dies.

Maybe he’s imagining it, but he swears he feels the demon fizzle out. The heaviness in the air melts away. The lights, which Sam realizes had been snapping on and off, turn on for good. The hissing of the turbines spins to its normal hum. The plane swooshes back up with a slow coasting motion, then sets itself back on its peaceful forward track.

Gasps and sobs of relief chorus all around Sam, and sprawled in the middle of the aisle, he finds himself doing the same. Overhead, the pilot’s voice crackles reassurances over the intercom. As big wuffs of air cycle in and out of Sam, he waits for the moment for his heart to stop thumping, for the big “we won” moment to wash over him—but it never really does. It sits with him. For a long terrible moment, he is on the bed in his apartment in Palo Alto, Jessica’s blood boiling holes in his neck.

Even now, she’s still burning.

INDIANAPOLIS INTERNATIONAL AIRPORT - Dec. 5th, early morning.

Somehow, amid all the noise of swarming paramedics, feds, airline authorities, and stunned 424 passengers, Sam manages to remain lost in his own head. He clenches his jaw til’ his ears pop. How had it known about Jess?

The terminal is quickly packed. He’s not in airports often enough to know whether they should be packed at one in the morning, but he’s gonna guess not. It is all background noise for him. Passengers whirl past, getting cleared by cops to go home, and Dean subtly nudges the three of them into the leaving crowd. Sam has a vague notion that he’s putting one foot in front of the other, but everything feels distant and hazy. His neck blazes with that terrible tingling feeling, and he digs into it with his nails until Dean stops him.

“Sam,” Dean orders, dipping his head towards the direction of the parking lot. Apparently Sam isn’t cooperating well. “Let’s get the hell outta’ here.” For a brief moment, the awful burning feeling covering him in a fog parts long enough for him to think, and Sam realizes that he doesn’t know where _____ is. Panic lances through his chest so fast that he sobers all at once, and he opens his mouth to panic more—until he sees her, scrunched up behind Dean.

Well, clutching Dean. Left shameless by whatever she saw in that demon’s head, she’s got Dean’s hand and wrist in a deathgrip, trailing him so close that her shoes catch the heels of his boots. She does not look good. Her eyes are big and wide and she looks straight through everyone and everything, still tethered to the other dimension her powers live in. She’s got her elbows pressed into her ribs and her body bunched up so tight that Sam can almost feel her psychic overstimulation from where he’s standing.

“S’okay, sweetheart, ” Dean hushes, the first in a long, quiet string of reassurances.

Sam stares at her. Even if she’s in her own world, she must be able to feel it, ‘cause she physically leans out of his way. That should hurt him—should make him burn with sympathy—but instead, all he can think is, she would know. She would know if the demon was lying. Sam’s connected with her like that—there’s absolutely nothing to hide, even if you wanted to, so there’s no way she couldn’t see if the demon had been telling the truth.

The line of people seeping through security to get out of the airport slows to a stop, making way for the pack of paramedics hauling 424’s copilot away on a stretcher. The black boils from the holy water have left his body entirely.

He’ll ask her once. He has to try. Sam lets the two of them in front of him, Dean, then _____, almost pressing her face into Dean’s back. When they’re stopped in line, Sam lifts a hand to touch her—but stops himself, not wanting her to feel any worse. “_____,” Sam swallows, trying to keep his voice even. “What did you see? H-How did it know about Jessica?”

Before she even has the opportunity to answer, (if she can even hear him), Dean swings around to shoot Sam a pained look. “Dude, look at her. Now is not the fuckin’ time. Let her get a full breath in before you start with the interrogations, okay?”

Sam recoils. The gnashing, rebellious fire he usually saves for Dad pours out here, instead, and before Sam knows it he’s snarling back, “I can’t ask one question about my dead girlfriend?”

It lasts only for an instant, but Sam gets to watch in real time the way that hit lands. He’s aware that it’s deeply fucked up of him to enjoy throwing Jess in Dean’s face, but it is his backward, comforting reminder that she was a real person; not a four-year-long fever dream he invented to escape. No one says her name but him anymore. At least, when he talks about her, someone else is forced to feel something too.

Dean sets his jaw. He makes the mistake of trying to turn towards Sam, which _____ thinks is an attempt to shake her off—and she lets out this awful, hoarse sob sound that stops them both cold.

Sam feels like a rail spike has been driven through his chest. Dean gives him a look, then mercifully drops it.

Immediately, Dean’s wheeling her back in and soothing her. The angle at which she’s clinging to him is awkward for all three of them, so he endures her trembling and hitching little sobs as he peels off her hands and re-arranges them. Dean loops an arm around her back so he can stroke her shuddering shoulders, uttering, “S’okay, kiddo, s’ all over… ain’t nothin’ gonna hurt you…”

And of course, because Sam can never exist in peace, he watches the way ______ drops all her weight onto Dean and feels his chest squeeze. Suddenly, he’s very aware of what four years have changed between her and his brother.

The rush back to the car is silent, but for _____’s little sniffling breathes. After making it out of the blistering lights of the chattering airport and out into the peaceful snowy parking lot, things calm down.

Four separate times Sam thinks about reaching out to comfort her. The Gift always leaves her freezing cold, and early December in Indiana on top of that has her making audible little shivering sounds as they walk. Sam’s boiling under his coat. He unzips it, then zips it up again, unsure if she’d even want it. Dean gets her in the car and puts a warm blanket around her before Sam can get over his indecision.

They just saved two hundred people. In hindsight, that’s a massive win. Maybe if the demon hadn’t said what it’d said, and maybe if it hadn’t reduced her to this, Sam could celebrate. Seeing her so messed up always throws him. Less than an hour ago, she was the powerful psychic that used to have Dad clutching his telepathy-blocking charm under his shirt.

Sam scrubs his hand down his face, staring blankly at the trembling lump of blanket lying across the backseat. Now, she’s… whatever she saw in that demon.

Dean tucks her feet up onto the seat, then nudges the door closed with his hip. Sam stares past him, through him, at her silhouette in the Impala’s dark glass, because that’s somehow easier than looking at Dean.

The smattering of snow growing on the asphalt makes the whole world sound muffled. Sam feels like he’s talking to empty air when he croaks, “It knew about Jessica.”

“Sam,” Dean calls, softer this time. Asking for Sam to look at him. When he manages to heave his head up, Dean’s face is firm and reassuring. “These things—they read minds. They lie, just like Beth said. That’s all it was. Don’t let that thing get into your head, okay?”

Sam forces himself to nod. They both spare the shaking shape in the backseat one more look, then Dean’s rounding the car for the driver’s seat, and Sam’s sliding in next to him without another word.

PITTSBURG, PENNSYLVANIA - Dec. 5th, night.

Green. It had to be the ugliest color a motel room could be, Sam thought as he stared at the empty room. The walls were this sad limey green color that managed to look awful even in the dark, some parts made even limey-er by the huge neon green vacancy sign right outside their window. Their room was parked right next to it, so there was no escaping the sign even with the curtains pulled shut.

You and Dean, who were positioned right under the ugly green light, had somehow managed to fall asleep anyway. The only sound in the whole world was your soft breathing across the room and the crackle of the ancient TV.

Right now, it was playing a rerun of some televangelist in a big shiny white suit. He paced the screen on mute as Sam watched, curled on his side, laying diagonal to face the screen. Nightmares were so common for him now that the hardest part of the battle was getting to sleep in the first place. His strategy was to get so bored and so tired that his body would simply have nothing else to do but crash. Bored was the key word—Sam had tried reading, sudoku, and counting cars as they whisked by, but all of that occupied his mind too much to work. Tonight was another night where his mind was just too full to sleep.

He hoped Dean was right. He prayed that the demon had just been lying, lips pressed to the cross he kept under his shirt. Most days, Sam dropped into bed and sent off a brief prayer before the fight for sleep began. Tonight, though—tonight was one of those nights where he clasped his cross in both hands and poured his heart out. Sam prayed for his brother, his Dad, and for you, like usual, pleading for protection and strength. Sam prayed for Jessica, too.

(But never for her forgiveness—he knew he didn’t deserve that).

When Sam had first started getting comfortable with prayer, he’d always worried that he was being greedy or selfish by asking for so much. Health, food, lunch money, for Dad and Dean to get home okay. Now, it’s a natural comfort to him. To open yourself up to something higher than you, to give up your pride and ask for help—that is a mark of holiness. Goodness. Sam closes out his prayers and feels clean.

Across the room, Sam hears the covers in the opposite bed shift. He squints sleepy eyes at your silhouette, and even sluggish and drained, the shifting colors from the TV and the vacancy sign illuminate you like something not entirely from this world.

You pad over to his bedside. A soft, ice-cold hand shakes his arm. When you get up close and realize Sam’s awake, you scuttle back in surprise. “Uh.”

Sam shoves his face into his pillow. With his mind still on Jess, it’s hard for him to look at you right now. “What is it?”

It’s funny. From the moment you got off flight 424, you’d been glued to Dean’s side. Sam had kept his teeth pressed together through the entire thing, watching from a distance as you reached for Dean, spoke to Dean, took the food Dean gave you. If Sam didn’t know any better, he’d figure you were avoiding him. Now you’ve decided you want something from him?

The second you touch his arm, every wisp of jealousy in Sam dries up. Not at all in the mood to be touched, he squirms out from under your hand and hoarsely repeats, “What?” You speak to him for the first time in hours. You sound rough and broken, and the edge of that awful sob from earlier today threatens to tip into your voice. “Can I…?”

Sam keeps his face planted in the pillow. At first he’s unsure what you’re even asking for—until you drop a hand on the mattress and he feels your weight tilt closer, wanting to… to lay with him. Like when you were little. When you share beds on the road, there’s often space left between you. That’s not what you’re asking for. If that’s what you wanted right now, you’d be in Dean’s bed.

The soft, choked little voice he can’t resist begs, “I just need to feel you.”

The last sliver of guilt and self-loathing that Sam has been holding onto instantly slips out of his grasp, hearing that. For the millionth time since this morning, he’s reminded of how awful he was to you. You’d been brought to the brink with your powers in a way they hadn’t seen in years, and Sam chose that precise moment to freak out. He wished he’d been better to you. Maybe he can’t pray for Jess’s forgiveness, but he can work to earn yours now.

Sam shuffles back on the mattress and opens the covers for you. “C’mere.”

As quiet as a mouse, you duck under his arm and slip under the covers. Sam immediately realizes that he should’ve fucking braced himself or something, because holy shit, you are so close. He accidentally gave you very little room in the already small bed. To keep from tumbling off the mattress and onto the questionable carpet, you reasonably and logically slot right up against him, your back against his chest and your heads on the same pillow. Holy shit, he did not think this through. Sam has very few gentlemanly places to lay his arm. And even if he found one, your icy cold hand picks up his warm one and—right, okay, you take it and wrap it right around your middle. That’s fine too. Cool. Awesome.

Okay. Forgetting every way he could sabotage this for himself for just a moment, Sam realizes that he missed this. God, he missed it so much. You wiggle back into his body and Sam gives you a big, indulgent squeeze around the tummy, earning this watery little sigh that makes his already racing heart zing out into orbit. Friendly snuggling became a lot less friendly when you were pushing seventeen instead of nine, so Sam hasn’t allowed himself to properly, um… cuddle you… in ages.

That isn’t even the best part. That little squeeze makes him realize just how pleasantly cold you are, a wonderful ice cube in blazing hot soup. Sam’s practically cooking under the covers—and that must be perfect for you and your chilly hands, because you make the same pitiful happy noise that Sam does as you get comfortable against each other.

Maybe if this were any other moment, after any other day, that would be something you might laugh about together. Instead, Sam’s prayers are filled with you and your incredible burden. He hesitates to go all in and hold you like he wants to… until your breath makes that tight, hitching sound again, and Sam’s sure you’re holding back tears. Screw it, Sam thinks. He’ll take care of you this time. Sam presses his face into your hair and entwines your hands on your belly, unsure of what to say and yet wanting to say so much. Dean can’t hold you like this—this is something you only want from Sam.

You both go still. Sam feels you hold your breath. His legs are itching to shift under the covers and your hand awkwardly holds his, the two of you afraid to disturb the magic.

Your thumb slowly caresses along the flat side of his hand. His heart leaps into his throat, and he squeezes his eyes shut, willing himself to relax. You need this. Finally, it’s his turn to comfort you.

Sam swallows hard. There’s no way you can’t feel his heart thudding away, inches from popping clean out of his chest. Neither of you are stupid. If Dean were to wake up, you know exactly what this would look like to him—to the cleaning lady, to the strangers out on the street. But right now, in this frozen moment, there’s no one awake in the world but the two of you and the TV. It is so, so wrong. But when you touch him, Sam feels clean.

Bit by bit, you adjust to one another. Your breath syncs up. The whole time, your eyes never move from the TV, but if Sam focusses he swears something washes over him—that same great, sweeping, cleansing power from the plane, as light as moth wings on his skin. He has to bite back his smile. If you did that to anyone else, they’d find you creepy as hell.

After what feels like forever, you plainly croak, “It was lying about her. It was made of lies.”

That hits Sam like a slap to the face. That’s… yeah. That sounds right. He absorbs the impact as best he can, because although his faith was thin, Sam trusted Dean’s word and he trusts yours, too. There’s—so much that he feels about that, but he doesn’t want any more of his grief to overwhelm your Gift. Sam’s not naive. No matter how good of a person you are, no matter how considerate and understanding and empathetic you can be, Sam knows that talking about Jessica brings you some level of pain. It hurts him, too. And he has zero clue where that conversation would even begin, so he stores his shame and his loss and gives a shaky nod.

Instead, Sam asks, “...What did you see? When you looked into its head?”

Right. Cause’ that was such a better question to ask her, Sam.

You go silent. It’s a weighty, knowing silence, one that chokes the whole room. Sam readies himself for whatever you’re about to share with him. Admittedly, he’s curious. When the Gift was something new in your life, Sam used to pile on question after question about what the world felt like to you. ‘What does it feel like when Dean’s happy?’ A car motor turning on. ‘What does my happiness feel like?’ Dimples and a mystery being solved. ‘You’re joking.’ Not even a little. It fascinated Sam—how does a demon feel in comparison to a regular spirit?

“...It was just an evil spirit, Sammy,” you dismiss. “That’s all.”

Sam highly doubts that’s true. If it was just a spirit, then why did it screw with you so deeply? What had you seen in its head that had scared you? You, of all people, who was built for this? He knows there’s something more here, but after this week and all the ways you’ve fought to avoid being a burden, the fact that you’d crawl to Sam for comfort is a sign of surrender. You’ve given up. Clearly, you don’t want to talk about it. Sam isn’t going to push you. God knows he’s done that enough.

When Sam doesn’t push you, you shudder out a wet sigh and pick up his hand. At this point, Sam expects you in this state to do something weird—and sure enough, you do. You pick up Sam’s hand and you just stare at it. Just stare. Your thumb presses into the meat of his palm, almost like you’re looking for something. Feeling him. Sam’s heart gives another pathetic, noticeable throb. Feeling him and being close to him is, after everything, still a source of comfort for you. His cheeks burn.

Just to fill the silence, Sam whispers, “I’ve lost a lot of my calluses.”

Per usual, his little creep says nothing. You’re still feeling him. Your other hand comes up to investigate too, adding even more soft gentle touching to Sam’s already overloaded system. Your thumbs press into the center of his palm (reading it, maybe?), then over each bump, confirming for yourself that Sam’s real.

Maybe he’d be a bit more resilient if you were doing this to him in a crowded diner or a rowdy college party. Instead, Sam can feel the rise and fall of your breath through your thin shirt, and it’s the only sound in the dead world besides the buzzing static on the TV.

Your gaze turns to the TV. The fingers caressing his hand stop cold.

Sam says your name. He can feel your heart thud thud thudding deep in your chest, like rabbit’s feet hitting snow.

Again, absorbed completely in your own task, you don’t answer him. You roll over very suddenly under the covers. Sam hopes for a minute that being face to face with you will give him some answers, but the flash of your face he sees only serves to scare the shit out of him. You give him no time to process before you’re full-body hugging him, shoving a hand between his side and the mattress and fisting one in his shirt to bodily haul him against you. Sam sputters out a sharp noise and awkwardly slopes his hands down your back. The sudden intimacy gives him a whole world of shameful butterflies and freaks him out enough, but…

You looked terrified. The same bone-deep horror you had on your face after you saw the demon in person—when you trudged up to Sam with those haunting Proctor eyes, staring straight through him and right at his future. What had you seen in that demon?

Sam tries to speak, but you talk over him, just as haunted as you’d been on that plane.

“I love you. So much, Sam. You know that?”

It’s not a sweet, reminiscent kind of question. It is a genuine, unironic, please-tell-me-the-truth, You know that?

Sam’s brain stalls. “...Yeah. O-Of course.”

In case that wasn’t worrying enough, your hands needily grasp at his back, refusing to let Sam go as you duck your face into his shoulder. Sam can feel your entire body trembling from head to toe, can feel your hot breath on his neck choking back tears. “You’re a good person,” you tell him, insisting. “The best to me.”

“That’s—”

“I can feel it, okay?” You snap. One of your hands slips up his chest to smooth over Sam’s heart, and you squeeze him against you, promising, “Here. Right here.”

…Okay. Consider him officially freaked out. Sam manages an unconvinced, “...Thank you.”

You’re so wound up that you’re gritting your teeth, digging your nails into his shirt and clawing him as close as possible. This has to be an effect of what you saw. Which is strange, because that… whatever that was, did not feel like psychic possession or a psychic panic attack or any kind of psychic anything. It felt like you, trying to convince Sam that he’s a good person. It strikes a cold, dark chord somewhere deep within him that he doesn’t like. You’re just… you’re just reacting to what the demon showed you. You’re overwhelmed from stretching your Gift so thin. T-that’s. Yeah. Regardless, you’re scared. You need him. That, at least, is something he can work with.

“Shh,” Sam coos. He rubs a warm hand from the base of your scalp all the way down your back, then up, and back again, repeating the soothing motion until his arm goes numb. “You’re tired. Let’s go to sleep.”

You mumble something non-committal under your breath.

Sam hushes you, blindly reaching for comforting things to say. “S’ okay. You’re okay, baby. You can fall asleep on me.”

Maybe the demon showed you visions of Sam getting hurt. Something. That would explain this, maybe. He fixates on it, purely because it’s a problem in front of him that is much easier to think about than how scared he is for you, and worse, how much he loves this. Being your person. It’s a stupid, selfish thought to have in a moment like this, but—Sam wishes he could take care of you like this all the time.

As your frantic breathing smooths out into a clear, easy in-and-out, Sam wonders, wherever Jess is, what she would think if she saw this.

He closes his eyes and tries to steady his own breathing, the TV still crackling away on the dresser.

In. Bzzzsh. Out. Bzzzsh.

- tags: @samssluttybangs @cookiemumster1 @lacilou @cevans-winchester @leigh70 @seraphimluxe @emily-roberts @emme-looou @aloneatpeace @williamstop @ornella0910 @chaoticshepardplaid @dakota-dream @lcvecstiel @goghkiss @spnexploration @stoneyggirl @urm0mmmbbg @mulattomoon @poeticsorcery @deansapplepie @rennydennyy @babydollfoster @badlandsbrunette @hallecarey1 @pplanetcaravan

#uncouthspn #spn #supernatural #sam winchester #dean winchester #sam winchester x reader #pythia #sam winchester imagine #supernatural rewrite

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