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imdoingwhateverisnext · 1 year

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Pissed Off? Let Me Help You With That...

One busy night in a bustling ER, the Doc was having attitude with everyone. I was tired of everyone running away from him like he was a monster. I was tired of him being snippy with everyone. It was busy, we were all stressed, so I thought I should intervene.

"Does anyone have a maxi pad?" I asked the nurses. One of the nurses obliged kindly. I went into his office. My friend (another nurse) begged me not to do whatever it was I was about to do.

"What the Hell are you doing?" She looked at me wide-eyed.

"There is only one way to fix this night". I stuck the pad down in the middle of the seat of his office chair while he was in a patient's room.

"He is already so mad!" My friend vehemently expressed her concern for me and the rest of the ER staff, as if he might just kill us. I knew she was mainly worried about job security. I could empathize, I remembered having those feelings too.

"Yeah, he is already pissed. Exactly. What is he going to do? Be even more angry? I figure I got a 50/50 shot at making him laugh or pissing him off more. We are all working our asses off (including him) and he is grouchy as fuck! It isn't going to get worse," I reassured my friend, "It'll be alright".

About 10 minutes later he entered his office and closed the door. We all waited with bated breath. It could have went either way, but I was willing to accept the risk on this night, because I was getting irritated too.

He came out of the office wearing the maxi pad stuck to the FRONT of the crotch of his pants. He looked at me and pointed at the pad. "Was this you?" He looked at me very seriously.

I started laughing so hard, I couldn't hold it back. Even if he was angry. It was obvious to him that it was me who put the pad in his chair. Even if I hadn't laughed, I think he knew everyone else working that night was scared of him.

Then suddenly, he started laughing too...to everyone else's relief. He shook his finger at me. It was amazing, and it worked out way better than I thought it would. His mood changed and he was so much happier all evening. It changed the entire mood in the department for the rest of the shift. Who would have thought a maxi pad stuck to a seat could change an entire ER's attitude for the night?

I would totally do it again. Thank God Doc didn't take himself as seriously as he presented to the staff. I always respected his skills and liked working with him prior, but after this shift, it seemed he had even more of a mutual respect toward me. Go figure!?

***Disclaimer: I do not recommend this move without at least 10-15 years of experience in the field of said Doc under your belt and really "knowing your shit". I would also recommend being hard working, kind, and respectful 95% of the rest of the time. Even then, it still might end badly, depending on the dynamics of the department, and coworkers. This is one of those "read the room" scenarios in which I am notoriously BAD at in ALL situations except in the ER or in the hospital in general.

#50/50 shot #could go either way #I'm willing to risk it #Ended better than I could have ever expected #read the room

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warrenwaskilledbyadeer · 8 months

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I think truly the best asexual rep out there is Perry the Platypus and that is because nothing about his character and none of his storylines have anything to do with the fact that he's asexual, he's just a secret agent who beats up an evil scientist on a daily basis and loves his family more than anything else and that's always treated as a totally normal and completely fulfilling life for him

I always think about how quickly Dan and Swampy said "NO" when asked if Perry would ever have a girlfriend in AYA, and how immediately Dan said, "Does asexual count?" when asked if Perry is queer, I think it's something they always knew about him (even if they didn't think of it as him being "asexual" before that word was more widely known) and I love that they never made a big deal out of it, he just exists as an asexual guy (well, platypus) and I love that so much

#some perryshmirtz shippers might get really mad at this but that's a risk i'm willing to take #phineas and ferb #perry the platypus #agent p #dan povenmire #swampy marsh #dwampyverse #asexual #ace #asexual spectrum

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jerreeeeeee · 1 month

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do you think after barry died in phandalin his lich form constituted fast enough to see the rest happen. you think he was close to losing himself upon seeing his wife's nightmare all around him and no sign of her. you think he thought tres horny boys would die for good. you think he heard taako say he wouldn't leave without him

#well i'm not leaving without barry. number 1 stupid nothing line that makes me insane #its SO early on like the ONLY thing established abt taako's character is that he's good out here!!#and yet he's willing to risk his own safety for barry AND SAYS SO TOO #bc he trusts barry... he loves barry...#taz balance #mine #barry bluejeans #barry #taako taaco #taako

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descendant-of-truth · 11 months

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Why do people think that Shadow's going to beat up Sonic after the most recent episode. just because he was proven right?? Do we think he wanted to be proven right???

Shadow had ample reasoning to stay back at the cave and keep an eye on Nine. He doesn't trust him, doesn't think he should even be left alone with the shards, and he's certainly stubborn enough in this opinion to stand guard. But he decided to leave him alone anyway.

In a practical sense, it's probably because he knows that the Chaos Council is the more immediate threat, and that they'll buy more time if he works with Sonic instead of against him. But think about it; he never even goes to check on Nine until the SECOND explosion. Why?

I do think it's possible that I'm wrong about this, but my first thought was that this was actually a show of trust from Shadow. He lets himself trust Sonic's judgement just this once, because there's a viable reason for him to go along with it - Nine is the most qualified to handle the shards, and Sonic does need his help on the battlefield.

Shadow expects the worst, sure. But his behavior suggests to me that he's hoping for the best, deep down, and that's important because it means that it wasn't just Sonic's trust that Nine betrayed.

And I mean. just look at how the scene plays out when he gets there:

Shadow sees Sonic trying to plead with Nine, who scoffs at the idea of trusting him before leaving with the Shards. It's only once he's gone that we get this shot of Shadow looking ticked off, and while it's hard to tell, I don't think he's supposed to be looking at Sonic here.

If he was, I think his head and/or eyes would be tilted down more, given where Sonic is in relation to him. But as it is, I'm inclined to think that he's more angry about the shards being taken away than he is at Sonic specifically.

And even if he does have a moment where he gets mad at him, how long can we really expect that to last when it's implied that Sonic was on the verge of tears after this? It's a little hard to tell, but he brings his hands up to his eyes right before the screen fades to black, so even if he's not crying, he's clearly not okay.

I don't think Shadow is mean enough to fight Sonic right now, because as previously established, he loses a lot of steam whenever Sonic starts looking sad, and doesn't gain anything from fighting him like that. If anything, I imagine he'd try to practically drag Sonic out of his slump to deal with practical issues instead of letting him wallow in his feelings for much longer.

There's no telling how effective that would be, but I think it's a more likely first attempt for him than just smacking Sonic around and adding injury to insult. I know we love to see Shadow pick fights and all but give him a little credit

#sonic the hedgehog #sonic prime #sonic prime spoilers #shadow the hedgehog #analysis #meta #This post has the potential to age very poorly once the next episode comes out but I'm willing to take that risk

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angelsdean · 7 months

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I need people to understand how S&P (standards and practices) works in television and how much influence they have over what gets to stay IN an episode of a show and how the big time network execs are the ones holding the purse strings and making final decisions on a show's content, not the writers / showrunners / creatives involved.

So many creators have shared S&P notes over the years of the wild and nonsensical things networks wanted them to omit / change / forbid. Most famously on tumblr, I've seen it so many times, is the notes from Gravity Falls. But here's a post compiling a bunch of particularly bad ones from various networks too. Do you see the things they're asking to be changed / cut ?

Now imagine, anything you want to get into your show and actually air has to get through S&P and the network execs. A lot of creators have had to resort to underhanded methods. A lot of creators have had to relegate things to subtext and innuendo and scenes that are "open to interpretation" instead of explicit in meaning. Things have had to be coded and symbolized. And they're relying on their audience to be good readers, good at media literacy, to notice and get it. This stuff isn't the ramblings of conspiracy theorists, it's the true practices creatives have had to use to be able to tell diverse stories for ages. The Hays Code is pretty well known, it exists because of censorship. It was a way to symbolize certain things and get past censors.

Queercoding, in particular, has been used for ages in both visual media and literature do signal to queer audiences that yes, this character is one of us, but no, we can't be explicit about it because TPTB won't allow it. It's a wink-wink, nudge-nudge to those in the know. It's the deliberate use of certain queer imagery / clothing / mannerisms / phrases / references to other queer media / subtle glances and lingering touches. Things that offer plausible deniability and can be explained away or go unnoticed by straight audiences to get past those network censors. But that queer viewers WILL (hopefully) pick up on.

Because, unfortunately, still to this day, a lot of antiquated network execs don't think queer narratives are profitable. They don't think they'll appeal to general audiences, because that's what matters, whatever appeals to most of the audience demographic so they can keep watching and keep making the network more money. The networks don't care about telling good stories! Most of them are old white cishet business men, not creatives. They don't care about character arcs and what will make fans happy. They don't care about storytelling. What they care about is profit and they're basing their ideas of what's profitable on what they believe is the predominate target demographic, usually white cis heterosexual audiences.

So, imagine a show that started airing in the early 2000s. Imagine a show where the two main characters are based on two characters from a famous Beat Generation novel, where one of the characters is queer! based on a real like bisexual man! The creator is aware of this, most definitely. And sure, it's 2005, there's no way they were thinking of making that explicit about Dean in the text because it just wouldn't fly back then to have a main character be queer. But! it's made subtext. And there are nods to that queerness placed in the text. Things that are open to interpretation. Things that are drenched in metaphor (looking at you 1x06 Skin "I know I'm a freak" "maybe this thing was born human but was different...hated. Until he learned to become someone else.") Things that are blink-and-you-miss-it and left to plausible deniability (things like seemingly spending an hour in the men's bathroom, or always reacting a little vulnerable and awkward when you're clocked instead of laughing it off and making a homophobic joke abt it)

And then, years later there's a ship! It's popular and at first the writers aren't really seriously thinking about it but they'll throw the fans a bone here and there. Then, some writers do get on the destiel train and start actively writing scenes for them that are suggestive. And only a fraction of what they write actually makes it into the text. So many lines left on the cutting room floor: i love past you. i forgive you i love you. i lost cas and it damn near broke me. spread cas's ashes alone. of course i wanted you to stay. if cas were here. -- etc. Everything cut was not cut by the writers! Why would a writer write something to then sabotage their own story and cut it? No, these are things that didn't make it past the network. Somewhere a note was made maybe "too gay" or "don't feed the shippers" or simply "no destiel."

So, "no destiel." That's pretty clearly the message we got from the CW for years. "No destiel. Destiel will alienate our general audience. Two of our main characters being queer? And in a relationship? No way." So what can the pro-destiel creatives involved do, if the network is saying no? What can the writers do if most of their explicit destiel (or queer dean) lines / moments are getting cut? Relegate things to subtext. Make jokes that straight people can wave off but queer people can read into. Make costuming and set design choices that the hardcore fans who are already looking will notice while the general audience and the out-of-touch network execs won't blink and eye at (I'm looking at you Jerry and your lamps and disappearing second nightstands and your gay flamingo bar!)

And then, when the audience asks, "is destiel real? is this proof of destiel?" what can the creatives do but deny? Yes, it hurts, to be told "No no I don't know what you're talking about. There's no destiel in supernatural" a la "there is no war in Ba Sing Se" but! if the network said "no destiel!" and you and your creative team have been working to keep putting destiel in the subtext of the narrative in a way that will get past censors, you can't just go "Yes, actually, all that subtext and symbolism you're picking up, yea it's because destiel is actually in the narrative."

But, there's a BIG difference between actively putting queer themes and subtext into the narrative and then saying it's not there (but it is! and the audience sees it!) versus NOT putting any queer content into the text but SAYING it is there to entice queer fans to continue watching. The latter, is textbook queerbaiting. The former? Is not. The former is the tactics so many creatives have had to use for years, decades, centuries, to get past censorship and signal to those in the know that yea, characters like you are here, they exist in this story.

Were the spn writers perfect? No, absolutely not. And I don't think every instance of queer content was a secret signal. Some stuff, depending on the writer, might've been a period-typical gay joke. These writers are flawed. But it's no secret that there were pro-destiel writers in the writing room throughout the years, and that efforts were made to make it explicitly canon (the market research!)

So no, the writers weren't ever perfect or a homogeneous entity. But they definitely were fighting an uphill battle constantly for 15 yrs against S&P and network execs with antiquated ideas of what's profitable / appealing.

Spn even called out the networks before, on the show, using a silly example of complaints abt the lighting of the show and how dark the early seasons were. Brightening the later seasons wasn't a creative choice, but a network choice. And if the networks can complain abt and change something as trivial as the lighting of a show, they definitely are having a hand in influencing the content of the show, especially queer content.

Even in s15, (seasons fifteen!!!) Misha has said he worried Castiel's confession would not air. In 2020!!! And Jensen recorded that scene on his personal phone! Why? Sure, for the memories. But also, I do not doubt for a second that part of it was for insurance, should the scene mysteriously disappear completely. We've seen the finale script. We've seen the omitted omitted omitted scenes. We all saw how they hacked the confession scene to bits. The weird cuts and close-ups. That's not the writers doing. That's likely not even the editors (willingly). That's orders from on high. All of the fuckery we saw in s15 reeks of network interference. Writers are not trying to sabotage their own stories, believe me.

Anyways, TLDR: Networks have a lot more power than many think and they get final say in what makes it to air. And for years creative teams have had to find ways to get past network censorship if they want "banned" or "unapproved" "unprofitable" "unwanted" content to make it into the show. That means relying on techniques like symbolism, subtext, and queercoding, and then shutting up about it. Denying its there, saying it's all "open to interpretation" all while they continue to put that open to interpretation content into the show. And that's not queerbaiting, as frustrating as it might be for queer audiences to be told that what they're seeing isn't there, it's still not queerbaiting. Queerbaiting is a marketing technique to draw in queer fans by baiting them with the promise of queer content and then having no queer content in said media. But if you are picking up on queer themes / subtext / symbolism / coding that is in front of your face IN the text, that's not queerbaiting. It's there, covertly, for you, because someone higher up didn't want it to be there explicitly or at all.

#long post #LONG-ass post #but it needed to be said!#i'm sorry if you think every creative involved with spn was a braindead asshole but the thing is.#even the most mediocre of writers understands a thing or two abt symbolism and writers working in TV are plagued by S&P #countless writers have talked abt the S&P bullshit and having to tweak and edit down their work to get past censors #it's a reality of writing for television #and the people who understand all this and understand the context of making TV in the early 2000s (to present tbh!) aren't 'delusional'#i'm sorry but it's naive to think that queer stories and queer characters are free to be told even nowadays. it's still a constant battle #times have changed but unfortunately not as much as you'd think #the confession !!!!! the confession still struggled to air and what we got was so obviously hacked down to bits!!!!!!#how can anyone think getting destiel content into the show was ever easy?#how can anyone think the pro-destiel writers weren't constantly having to be careful and underhanded in their writing?#there's a reason queercoding and subtext exist and it's this!!! it's censorship from TPTB #anyways. people much older than me have been talking abt this for ages. younger fans who are used to more open queer rep need to understand #it hasn't always been that easy and even nowadays SO many networks are still not willing to take a risk on queer stories #so creators do what they can #vic.txt

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lloydfrontera · 21 days

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sometimes i do feel for the adaptation team of tged when it comes to the relationship between alicia and lloyd because like. they were fighting a losing battle since the very beginning.

either they respected the source material and got crazy people (me) pointing out that the protagonist has more chemistry and relationship build up with his best friend than he does with his supposed romantic interest.

or they change it in the adaptation to make alloyd have more interactions and build up and get crazy people (me) upset and questioning why they're omitting or changing scenes that make lloyd and javier's relationship deeper in the novel to make them seem less close than they truly are.

there's just no winning for them because this is something that is inextricable from the source material

in the novel lloyd and javier's relationship is the core of the plot. whatever they have going on is the heart of the entire thing. and either you accept that and the fact that there's bound to be people who will see it as something romantic and be disgruntled when lloyd is unceremoniously married off to someone he barely knew and did not want to marry for 90% of the novel. or you change it and completely destroy the core of the plot, ruining what's probably the best part of the story.

it's an impossible choice,,,, if you're someone who can't stand the idea of having a protagonist who's a little fruity with his best friend that is lmao

#i talk a lot <3 #tged #the greatest estate developer #alloyd critical #sorry i just. i hate heteronormativity. it makes everything so much worse for everyone #amatonormativity in general just sours everything it touches and makes everyone actually paying attention to the themes and narrative upset #normally i'm all about slash and queer relationships #but tged is the one story i am absolutely certain would've benefited more from allowing the protagonist to remain single and happy #if lloyd had been allowed to get his wish and live a happy and peaceful life in the place he worked so hard to protect #with the people he loved so much he was willing to risk everything to remain at their side and gave his life to keep alive #but noooo. forced straight narrative instead 🙄

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aithusarosekiller · 3 months

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Reg lives au where he comes out of hiding after the war and lives with Remus

When he gets the DADA position in '93 Reg is worried about the timing of it and Harry and Dumbledore's intentions etc so he goes with him in animagus form as his pet cat to keep an eye on things

And it's just fluffy chaos with a bit lot of Sirius based angst on the side

#remus lupin #regulus black #moonwater #moonseeker #him just chilling in Remus' office like 'I'm bored can I go to the library'#'how are you going to read as a cat?' 'I'll turn back obviously'#'and if your brother tries to kill you?' 'that's a risk I'm willing to take'

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sylvies-kablooie · 3 months

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-follow a blog for the sole purpose of hearing unhinged rambles about a specific subject

-OP will be like "sorry for going off about this thing ahh :("

-i smack them across the face with one of these bad boys

#juni rambles #fandom #writer #artist #shitpost #again not sure what to tag this but i want to place it on a billboard so the masses can read and nod along #this is a very brave act after my other post blew up and got almost 40k notes and my notifications have been hell ever since #but i'm willing to take the risk to once again get the message to whoever needs to hear it

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imminent-danger-came · 10 months

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I was rewatching s2 last night, and ohhh man mk looks over mei so much it's not even funny. times mei has been ignored:

maybe you need to really listen! (during the blindfold ep)

mk just? grabs stuff she's using out of her hands all the time? (video game ep)

maybe you shouldn't skip the tutorials? (video game ep again)

the way he addresses her in dumpling destruction and then immediately pushes her aside for tang

i honestly remember it lowkey kinda bothering me on first watch but now it's REALLY egregious on rewatch. are you scared? I'm so scared. do you WANT to end up like shadowpeach MK

2x03 is so rude because the whole fucking episode they're like "MK you don't listen" and it's so true. He doesn't. Pigsy literally points it out again at the end of 4x14 with the whole sun screen bit:

Pigsy: "Tch, don't bother, I've been telling him that for years but he LITERALLY never listens." Sun Wukong: "Yep! That's how we role."

THEY'RE SO FUCKING RUDE. "That's how we role." We. We????? Wukong and MK???? Like WHATEVER. FINE. (("I told you going against the Jade Emperor was a bad idea, but no. Wukong doesn't listen to ANYONE! He just does whatever he wants" Like shut up. Shut up!))

MK gets so stuck in his own head ("You're all stuck up in your own head! None of this is your fault!" +1 to the MK ignoring Mei counter from 4x08) and I think that really contributes to his s2 scramble to get more powerful.

LIKE:

MK: "Stop? Now? Never! I just have to try harder. It's just like the Monkey King said! *laughs manically* I just need to get stronger!"

(2x06 Game On)

MK: "Why didn't he just stop, right here? He was already so much stronger than anyone ever needed to be!" Macaque: "Wukong didn't think so, he always felt he had to be stronger—more immortal."

(4x11 A Lifetime of Mistakes)

(Bonus thing between eps 2x03 and 2x06, look at 0:42 in this video for MK hearing Mei but not listening to her. Because of course that's what he would do. *head in my hands .png*)

The terrible s2 choices both Wukong and MK make in relation to their friends is just absolutely delicious after 4x11. Like, OH. This has been a lifelong pattern of Wukong's—paranoia is one of his fatal flaws (paired with his terrible communication and self-sacrificial nature), and while he had the power to stop LBD before he still feel's the need to go after the Samadhi Fire to stop her now, and to protect MK.

Hold on look at this parallel that I don't know what to do with:

MK: "Ugh, I can't do it!"

Mei: "It's alright MK—you did it before, you'll do it again!" Sandy: "Yeah! Maybe it's like Monkey King said: the power will come when you need it most!"

(3x04 The Winning Side)

MK: "What! But you said the Samadhi fire was the only thing that could stop her!" Sun Wukong: "I KNOW WHAT I SAID! But I've beaten her before I'll- I'll do it again! Mei was right—I need to stop dragging you into my fights, all of you."

(3x10 The Samadhi Fire)

Wukong and MK's reach for power inspires a lot of fear in me! It does! Because, well, MK's current reach for power is going to lead him to his Monkey Form, and uh:

Like I'm scared. I'm scared!

"All doomed to play a role in tearing this world apart!" ; "This is Azure's utopia, and this barren wasteland is the price he paid to build it." ; "I'd do anything for my friends! But at the cost of the world?" "I'm sorry pal, ain't NOTHIN' worth that price!"

#I've said it once and I'll say it again: 2x06 is one of the MOST retroactively mean episodes #Game motif. The callback that 4x10 does. Whatever the fuck is going on with the MK and SWK parallels in that ep #I hate lmk's exchange theme I hate it. Like FUCK #Anyways #asks #wlw-wukong #lmk #lego monkie kid #lmk MK #lmk SWK #lmk Sun Wukong #lmk analysis #lmk theme: exchange #fuckasdfoqweg #Sandy saying ''Helping my friends is more important than anything in the world!'' in 2x08 vs #''I get it! I'd do anything to help my friends! But at the cost of the world?'' in 4x13 is SICK. SICK IT'S SICK #Sometimes it's like. Hmmm. ''If you aren't doing everything in your power to help your friends you are nothing!''#''I'd watch my sword shatter 1000 times so long as I used it to protect the ones I care about''#I'm telling you Mei would choose MK over the world. I'M TELLING YOU #MK'S ALREADY CHOSEN MEI OVER THE WORLD (thank you 3x10) AND PIGSY/TANG/SANDY OVER THE WORLD (4x02)#MK really went: ''Oh releasing this curse could end the world? Well I'll risk it for my friends!'' and I went ''ohhhh nooooooooo''#WE ARE IN SOME DEEP SHIT IN S5 #And Wukong? Lol of course he's choosing the people he cares about over the world. No surprise there.#He's like ''yeah I'll go fight the jade emperor to finally be strong enough''. If eamk theory proves true he like #Chose MK over the world initially #And he was totalllyyy willing to sacrifice LBD's child host to protect his friends (MK)/the world #I'm. AUGHGHG.#''It's what he would do if he had to. That's the hard part of being a hero!'' OKAY BUT MEI WOULD YOU DO THAT SO EASILY IF IT WERE MK #ME THINKS NO #ME THINKS YOU WOULD NOT

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