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shima-draws · 2 years

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SO I just finished binging all of Romantic Killer bc it came up in my recommended. And oh my god I loved it so much;;

There’s definitely mixed reviews about it WHICH IS FAIR bc the premise is about a girl named Anzu who isn’t interested in romantic relationships but she then gets pushed into typical dating sim situations with Really Cute Boys in an effort to like. Force her into a relationship. And obv this kinda comes off as arophobic. But the fact that she so stubbornly refuses to partake and tries so hard to veer away from those situations makes it so fucking funny, especially when she rejects the boys with faces like this

And it turns out it’s really just a show about found family and overcoming trauma and developing healthy friendships with people and UGH. UGHHH it’s so good.

I actually adore Riri lmao they’re SUCH a little shit and I very much enjoy insanely chaotic characters like that. And we start off thinking okay wow this person’s kind of an asshole for forcing a girl to get a boyfriend by taking away her cat, her favorite hobby and her favorite snack, but then we find out OH, they’re just a cog in a corporate machine and they don’t really have much of a choice about it. And we slowly see Riri actually gain true affection for Anzu, and see how much they come to care about her as a person rather than just as a test subject, to the point of them actually breaking the rules of their contract just to make sure she’s safe. AND NOT JUST HER. They make sure the people she’s associated with are safe too, even if it risks them getting in Big Trouble with their boss. AND the fact that they canonically go by they/them pronouns but can ALSO transform into a boy or a girl depending on their preference, and they playfully flirt with Anzu in both forms?? It’s so good. Also thinking about the effort that Anzu goes through to make sure Riri gets to stick around;; like even tho she’d never admit it. She’s come to care for them too in some very strange way lol

And Junta;; the fact that Anzu is actually so concerned about him possibly being brainwashed into the position of childhood friend? Like she doesn’t immediately push him away or shut him down, she actually cares about him as a person and wants him to find happiness and wants to get him out of the situation she thinks he’s in. But then she finds out oh wait he actually IS a childhood friend. And he’s such a good boy. I love love LOVE how they handle the love triangle aspect in this, because obviously yes there’s a bit of jealousy, but not enough for things to get petty between him and Kazuki. They actually treat each other with respect and regard each other as friends and are kinda rooting for the other in their own way. Kind of “may the best man win” sort of thing. There’s no toxicity, there’s no classic “fighting over the female love interest” trope, they actually genuinely like each other after a bit of awkwardness enough to feel comfortable with living together and living with Anzu. They’re SO fucking sweet god dammit //shakes fists

(Honestly tho I really wish we got more episodes focused on Junta. Bc he really seemed like more of a background character and made the whole “love triangle” aspect not feel as prominent. Which is fine I guess?? But I felt so bad for him lmao)

And Kazuki 😭 My beloved. My poor sweet boy who deserves the world and everything in it. Just the build up. The subtle hints of his trauma that pop up every now and then. And when it all comes together you’re like oh!! Ohhh. THAT’S why he acts so aloof and cold all the time. THAT’S why he doesn’t like being the center of female attention. THAT’S why he gets distressed at things that, at first, seem so insignificant. THAT’S why he got attached to Anzu so quickly. And I love the way they handle his trauma, how they don’t make it seem any less important or alarming just because he’s a guy. And how Anzu’s there for him through everything 🤧 How she’s the person to pull him out of the darkness, how she stands up for him time and time again, how she just KNOWS when he’s uncomfortable and steps in to protect him. She ends up caring about him so much despite how they were set up to encounter initially. And he cares about her so much too. And I just 🥺 I care them

Also the fact how everyone came to help Kazuki when they found out what was going on. No judgement, no “you’re making this up”, no “isn’t this your fault to begin with?” They all just step in without even hesitating and support him through his trauma and immediately go “Okay we’ve got a problem so here’s our gameplan.” SEE. IT’S REALLY ABOUT THE FOUND FAMILY,

And one of my favorite things. Riri 🤝 Hijiri using their influence and power to protect both Anzu and Kazuki despite the risks to their reputation and social standing

OH AND I wanted to mention. I love that all of the classic romantic tropes i.e. something happening to your cute neighbor’s apartment so that they’re forced to live with you while it gets sorted out--those are generally really cheesy and make huge plot holes and don’t make ANY sense in the narrative. But that’s the thing about RK, they make it funny, yeah your cute boy neighbor’s apartment flooded bc we need him to come live with you. We did it with magic. Yes your childhood friend is living with you now bc we had a weirdo break into your apartment--with magic. So now he feels like he needs to stay with you and protect you. Yes you got hit by a car with a really rich boy inside and now he’s interested in you. We also did this with magic. Everything that would be regarded as a “coincidence” and is a badly written plot point just to push two characters together is actually explained through the hilarious concept of magic and I LOVE that it’s so fucking funny

Honestly this show is really up to interpretation too which I like a lot? Some people think hey yeah, maybe Anzu will end up with someone. Others say you know what the message here is that friendship is the most important thing and sometimes platonic relationships are better than romantic ones. The ending is pretty ambiguous so it could really go in any direction.

Anyway I have so much more to say but. Just watch Romantic Killer it’s really good thanks bye

(Trigger warnings include sexual harassment/assault, stalking, panic attacks/PTSD, and attempted murder, so please take care while watching <3)

#Romantic Killer #Romantic Killer spoilers #Anzu Hoshino #Riri #Tsukasa Kazuki #Junta Hayami #Shima speaks #Long post #I'M SORRY I JUST REALLY ENJOYED IT AND WANTED TO SHARE.#Anime recs #I love Kazuki so so so much #Probably bc he reminds me a LOT of Todoroki #Like. They have the same calm disposition and mannerisms #And they talk the same way too #I could not. Help but think of a BNHA crossover while I watched this. SORRY #But yeah it's so good 😭#Kazuki my sweet angel my cinnamon roll who's never done anything wrong in his life ever #Also lmao like. Love triangles yeah okay. But Anzu has TWO HANDS. So does Junta and Kazuki. LET THEM DATE.#Or at least be in a happy platonic relationship together

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hedgehog-moss · 1 year

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I lost one of my chickens :( she was caught and carried away by a fox... I’ve been growing complacent about my chickens’ safety I think because we’ve only had one other attack before, a goshawk that swooped in abruptly (unsuccessfully), but no fox sightings nearby so I’ve been assuming Pandolf was a great deterrent. Which he is, just not foolproof. I’ve talked to some people in town about this and they were pretty philosophical about foxes stealing chickens, like “it’s the tribute we pay to woodland animals, it’s just a few hens here and there.” I don’t begrudge the fox for being a fox, if anything I have a renewed respect for foxes because everyone I talked to proceeded to give me their best / worst fox stories, and most of them involved foxes outsmarting humans (learning people’s habits / timetables, opening latches, faking a limp...) Still I feel terrible for my hen, she was only three. RIP Cordy :( You’ll be remembered fondly... (except by the cats.) I feel bad for the other hen too, who just lost her pal!

When I said that last thing, one of my neighbours jumped on the opportunity to try and convince me again to accept a rooster from him. He had a rooster baby boom last summer and I’ve been telling him for months that I don’t need a rooster, I don’t want to raise chickens I just want eggs, and his new argument was that a rooster would protect my hen (or if it comes to that, would heroically sacrifice himself rather than let the hen be eaten—I’m sceptical...) I asked around for a young hen but there aren’t any to be had in this season, so my remaining one is going to be alone until the spring, and my neighbour said she’d get stressed and male company is better than no company. (I wish I could ask my hen what she wants! Maybe she’s penning A Coop Of One’s Own as we speak.) I said the rooster was more likely to stress her out and harass her and he said nah they’re free ranging all day, it’ll be fine, and he’s young so your adult hen will boss him around. I was like, but then will he be any good at protecting her? etc. etc. and after a while I caved in.

When I told her about this on the phone my mum sighed “you’re terrible at saying no”—excuse me, I said no so many times and the guy just kept ploughing on until he could foist a rooster upon me. I’m good at saying no, other people are terrible at hearing it! I reassured her that I had only agreed to take the rooster for a short probationary period, and if he bothers my hen too much I’ll drive him back to his native farm. My mum was like “Drive him back? look I’m sorry I raised you as a city kid but there’s no need to waste gas on driving a rooster around, I’ll have no qualms about wringing his neck for dinner if he’s more trouble than he’s worth.” The rooster’s fate is not sealed though, if he is anywhere from vaguely useful to not actively problematic I’ll keep him, so we’ll see...!

#if i return him where he came from he'll end up eaten anyway #prove yourself rooster! escape your fate #to go back to the fox attack; my other chicken went to hide in the barn (which is always open and they were not far from it)#and i thought she'd been eaten too because i couldn't find her anywhere. until i heard her clucking to herself anxiously #i called her and she clucked louder in response but refused to come out of her hiding place #after 10min of playing marco polo with a chicken in the barn i finally found her huddled at the bottom of #the large basket i use to store kindling #and pandolf & i went to look for cordy although i didn't have any hope #and we ended up finding feathers quite far away in the woods #i was very impressed by pandolf's ability to follow the fox's smell ! i've been teaching him 'cherche' but he's not that good at tracking #or not motivated enough when it's just for fun #but since he failed in his duty to protect his flock i guess he was suddenly very determined to be #a good dog in some other way and he was sniffing the ground so seriously #sorry the post was already long and i'm writing another one in the tags!

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freakadr0id · 2 years

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ROTTMNT Character Fight Style Analysis - Part 1: Leonardo

Eeeeyyyy it's finally here. This is my analysis of each character's fight style and role post that I teased about a week ago. This turned out to be a hell of a thing, so this will be split into many posts focusing on each character since I have quite a bit to say (and I think Tumblr might break if I put it all into one post). I plan to release one a day, but we'll see how it works out with school.

[Part 2: Raph] [Part 3: Mikey] [Part 4: Donnie] [Part 5: April]

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If there's one thing Rise is known for, it is the show's stellar action animation - it's the reason most people started the show to begin with. The visuals are so strong in these scenes, in fact, that Rise could have easily gotten away with having pointless fights each episode (if the budget allowed that) and still be regarded as a fairly decent show. However, Rise doesn't do that, instead chooses to give its action scenes depth by putting thought into the personality of each character and implementing that into how each of them fights, showing the growth of the protagonists over the course of the show.

After rewatching the show multiple times (seriously, so many times) I began to notice patterns in many of the show's big fights, particularly in how the turtles and April fight and how they cooperate with each other as a team.

I thought it might be fun to categorize and examine how Leo, Raph, Mikey, Donnie, and April fight by breaking it down into their unique fighting styles, their roles and strengths in battle, how they apply those roles, and how all of these demonstrate different parts of their character.

BTW: There's a reason for the order in which I examine each character - it will all make sense by the last post. There's also a bit of a TL;DR at the end, but I encourage you read the full thing (or at least skim it)

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Let's start with Leo.

Leonardo: The Strategist/Initiator

Leo was one of the easiest characters to analyze since a major focus of his character arc is the development of his fighting skills and his ability to cooperate with his team and act as a leader.

Fight Style:

Balanced/Well-rounded Fighter

Leo is the most balanced fighter on the team. He is a capable offensive and defensive fighter and has enough physical strength and acrobatics to handle many types of fighting styles. We see him fight everything from paper ninjas to the large Foot Brute and Draxum's hired goons (the dog guys) without seeming to be weak against one type of enemy. He may not necessarily be stronger than them but he is very versatile. However, this means that Leo doesn’t have a specific ability that makes him stand out in a fight (mystic and ninpo powers aside) the way his brothers do, and won’t have any inherent advantages that he can utilize when fighting a particular enemy.

Strengths and Roles in a Fight:

The Strategist:

Leo’s role as the team’s strategist is pretty obvious. He may not be given the title of “Leader” until the end of season 2, but we see throughout the show that he is a very quick thinker and is skilled at coming up with clever and effective plans. Of course, each member of the Mad Dogs supplies ideas and plans, but Leo is especially good at developing and implementing them. The most obvious example of this is his fight in the Battle Nexus in 'Many Unhappy Returns, but there are other times when he is the one to put all the pieces together (think of the big attack against Draxum in the Shredder armor in 'End Game').'

The Initiator:

Leo acts as the initiator in battle as he is either one of the first into battle or is the one to start a coordinated attack. This doesn't mean he necessarily has to attack first, but that he is usually the one to put the plan into action. This role relies the most on his mystic powers as his portal and teleportation powers give him the maneuverability needed to accommodate any plan. His abilities allow him to enter and disorient the enemy, or he can portal allies into the fight and create opportunities for a follow-up attack. This plays into his strengths as the Strategist as being the initiator can help him begin a strategic attack by maneuvering people or objects into their needed positions.

Utility:

Leo’s skills truly shine in a fight against a few number of enemies as he can better focus his strategies on a specific enemy and direct the battle in his favor. With less pieces in play, he can properly utilize his mystic powers and act as the initiator instead of bouncing around a battle with no real objective in mind. It becomes easier to coordinate attacks with his brothers and allies since they don't have to spend time fighting different enemies.

However, in a fight with multiple enemies, Leo’s skills can be easily overlooked. Sure, he can direct the fight as the Strategist, but there’s only so much he can do in the middle of the chaos. His role as the initiator isn’t all that effective in a fight with many enemies as well as he and his brothers tend to just rush into battle in those situations. However, Leo’s balanced fighting style means he could theoretically go up against every type of enemy and won’t be at a noticeable disadvantage, which is very useful in a chaotic battle.

How it Plays into His Character:

Admittedly, the show is probably the most direct in using fights to show some of Leo's character traits, since so much of his arc is centered on his fighting and use of mystic powers. However, Rise does use this in enough interesting ways to make it worth mentioning.

While his role as the Strategist plays into Leo’s strengths as a character, it also highlights Leo’s problems with team communication. When Leo plans a strategy, he often fails to inform his allies of his plans, which can result in losing the battle or frustrating those around him. The show demonstrates this by having him make strategies in a fight but leaves his allies in the dark and confusing them. Leo does this, in part, to show off, but also because the plan simply makes sense in his head, so it would be easier for him to just do it instead of having to take the time to tell everybody his plan.

The initiator is a good role for Leo’s powers and fighting style, but also feeds into his cockiness and overconfidence in a fight. Leo has a tendency to play the hero and either overestimate his abilities or underestimate his opponent. He may be the best fit for going first in a fight but Rise uses some fights to show how this can conflict with some of his character flaws. When he goes into battle first overconfident and cocky, it only conflicts with the team, but with his own role as the Strategist. He could, theoretically, bring his teammates into the fight after him, but if he thinks he has an easy win in front of him, all strategy goes out the window.

His status as a balanced fighter and lack of specialization in battle is a likely source of some of Leo’s insecurities about his place in the group. We see in 'Portal Jacked!' how Leo doesn't feel like he has a proper role on the team - that he's just the face man - which is reinforced by the way he fights in comparison to his team. Leo is well suited to fight a wide range of enemies, but when his brothers have easily identifiable skills that can give them a distinct advantage, it becomes difficult to recognize the advantages he brings to the team as a well-rounded fighter.

Working as a Team:

As mentioned earlier, Leo's strengths as a fighter make him the one best suited for the first attack in a coordinated team strike as it highlights his skills as the Initiator and the Strategist. It shows how well he can fit those roles when he plays to his strengths and overcomes the character flaws that stand in his way. While the others do have skills that may allow them to start the first attack, Leo's abilities and strengths as a fighter give him (and his team) a much stronger advantage in this position.

Leo also does well when he goes second to last in a team attack, as he can finalize a strategy and prepare for a final blow by putting all the pieces into position. However, this is more situational as there are other characters just as well suited for that second-to-last position and can fill that role when Leo needs to be the one to start a team attack.

Leo’s fighting style, however, does make him a poor fit for a follow-up attack or the final attack in a fight. His balanced fighting style means he isn’t suited for a strong final attack. While he is technically fine acting as a follow-up attacker, it doesn’t really play into his strengths and isn’t that effective when fighting with others who are more suited to that role. His balanced fighting style also prevents him from effectively dealing that final blow to an enemy since he doesn't have a specialized strength in this regard. Again, he can do it, he just isn't well suited for it.

The way Rise develops and explores Leo's fight style demonstrates one of my favorite things the show does with his character (in fact, all of its characters). At first glance, he may seem pretty one-note and predictable, but as we go through the show, we see how both his character is actually more complex than we were first led to believe. The fights Leo participates in reflect that, as not only do his skills develop over the course of the show, but we begin to see how it all ties into his personality and growth as a character - making his fights more meaningful than what they may seem.

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[Little bit of a TL;DR: Leo is the team's strategist and initiator in fights, supported by his balanced fight style and mystic powers. These roles play into his greatest strengths but they also expose some of his character flaws and insecurities. In team fights Leo is most effective as the first or second to last attacker but isn't well suited for a follow-up or final attack]

Thanks for bearing with me on this stupid long post. They're all going to be like this btw. Next up will be Raph. I plan to get that done and posted tomorrow.

#holy shit this ended up being long #way longer than I expected #I don't expect many people to read the whole thing #hopefully some people do #but this is almost too much #yes actually #it is too much #but I'm too proud of it #and spent too long on it #not too post this #you guys said this is what you wanted #so here it is #sorry not sorry #I hope this is actually coherent to other people #and not just my brain #rottmnt #rise of the tmnt #rottmnt movie #rise of the tmnt movie #rottmnt leo #rise leo #rottmnt leonardo #rise leonardo #I'll update each posts with links to the other ones too in case people are (somehow) still interested after reading this beast of a thing #I updated this to hopefully fix the whole crashing problem when people try to reblog this #Tumblr should pay me to stress test this hellsite #I seem to be very good at it #analysis #rottmnt analysis #character analysis

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thelassoway · 10 months

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Jason Sudeikis as Ted Lasso Season 3 » Casual Sweaters/Jumpers

#Ted Lasso #Jason Sudeikis #Theodore Lasso #*mine: gif #tedlassoedit #sweater/jumper game #ugh you idiot with that face #stop staring at me swan #here's a gifset for the sweater/jumper lovers out there and sorry this is a long post. I just couldn't make up my mind on some of these #I spent way too much time overanalyzing the casual sweaters/jumpers. I was trying to only show each one once but then just gave up #deep dived research on the Todd Snyder site that's the kind of overanalyzing that happened #there is a lot of lighting messing with colors and for sure there are some repeats in this but whatever #I had this idea way back when we saw the variety of color sweaters/jumpers for S3 #but after the end of S3 I lost a lot of feelings for this show #my motivation for giffing this show is not so strong anymore but there is a part of me that still wants to maybe try a layout set #I'm thinking of doing all 3 seasons and just an overall sweater/jumper encompassing gifset. both the work and casual together #kind of meh on how some of these turned out ¯\_(ツ)_/¯#it might be the added switch to the new editor and that all of these have been turned into gifv nonsense #also couldn't get the caption font to do what I wanted in html or at least it looked alright in drafts but not in preview #PS: thank you talldecafcappuccino for reading/helping with my color debate/same vs not same sweater/jumper nonsense

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gael-garcia · 5 months

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GAEL GARCÍA BERNAL for LA Times 📷 Carlos Jaramillo

"For me, the idea to play this fascinating character was kind of wishful thinking, but luckily, the pieces fell into place and our production company got involved.” The actor points out that lucha libre is one of the only contact sports that has been gay-friendly for some time. “You can argue that it is still full of machismo, but it was people like Cassandro and a few other of his contemporaries who were the witnesses and pioneers of this movement. Society has caught up with them, and that’s why it’s easier to make a movie like this than it was 20 years ago. Our movie reflects their plight, and I hope it opens possibilities for other openly gay athletes around the world.” [...] A smile lights up García Bernal’s boyish face when he’s asked what he loved best about the experience. “I am so proud that I can be an actor and play as seriously as I did when I was a kid,” he says. “I can’t believe I was wrestling in the ring with these legends. This part also gave me a chance to play with the transgender side, which I believe is something that we all have.” (x)

#gael garcia bernal #gael garcía bernal #cassandro #cassandro 2023 #lucha libre #photoshoot #ggbedit #post #i'm so sorry my caption is way too long again. i cant narrow it down jfd this is already narrowed down bc i also like his phone quote lol #and his actors quote. ok #deadwright #mancandykings #usertennant #userlyudmilla #useryomira #grieving the baity promo pics we could have had w gael raul and conejo jdkd

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mci-writing · 2 months

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Hi I saw that your requests are open. Can I request a senku x female reader where he has a crush on an older tattooed foreigner who was on vacation in Japan when the world was petrified

I've had this sitting for a minute tbh, but mostly bc I didn't want there to be too many spoilers for anime-onlys 😭😭 mostly for how tattoos work,,, Don’t be surprised if there’s a heavy focus on language plot wise, I’ve been working on a lot of linguistics homework 😞

Anyways, hope you enjoy

Science Makes Age Complicated (Ishigami Senku x Reader):

Warnings: technically an age gap but also not (reader was once 2 years older than Senkuu, but now they're the same age due to time shenanigans), fem!reader, some language use (a few swears here and there), reader is American (RIP but it’s plot relevant), reader is implied to know an insane amount of languages (bc this is Dr Stone and it’s relevant to world-building)

"Think you can scrounge something up for her, Yuzuriha?" Senku parts the lush shrubbery for his friend, unresponsive to her obvious surprise at the sight before her. He figured it would go that way, considering how kept away the whole area is, but he'd rather start the spectacle with her big reactions instead of the loud and boisterous version involving the rest of their crew, "I'm more than sure you'll manage to make her something she's 1 billion percent comfortable in."

He'd considered this statue his secret weapon for the next part of their excursion. Well, that would be his explanation as to why he'd waited so long to unveil her and finally free her from her encasement. Really, he could never find the proper time to finally revive her, especially when every time it would feel right to, something else would arise that would require them to use the revival fluid for someone else.

When talks of traveling to the Americas came up, he knew it'd be the perfect time to properly reveal her and, hopefully, ease her into their current predicament. While Gen is a great diplomat, thew mentalist isn't exactly fluent in as many languages as the girl in the statue before them. Even more, if they are to run into more people (which they very likely are), it's better to have at least two representatives to talk things over. That's going to be his reasoning, anyway.

Deep down, he's a little nervous to finally see her again, especially now that he's technically older than her by a few months at least. The last time they'd seen each other had been the day before the petrification light, the two decided to spend time with each other before he went back to school. She was visiting Japan for a bit, a trip she'd planned to make at least once a year since the two had officially met in person while he had been in America. Back then, she'd been 17 to his 15, owning an American driver's license and a tattoo sleeve that left many of the older members of society scandalized.

"I don't think she's going to take being younger than us well," Yuzuriha mentions as she finishes up sewing the outfit she'd made for (Y/n). She worked fast, wiping the sweat that had accumulated on her forehead once she finished. She takes a step back once she's finished, watching as Senku steps forward, "Especially when she finds out how long it took for you to bring her back."

"She'll be fine. I'm 1 billion percent sure she's going to be grateful for it," He responds, popping the top off the tiny vial between his fingers. He doesn't stop the grin from spreading across his face as he lets the contents of the vial drip from the top of her head. The two watch expectedly as it eases its way down her body, stone cracking and parting in its wake, “She’s going to get to visit home, after all.”

The stone falls from her body, the life slowly coming back into her (e/c) orbs as more of her skin is revealed. Her tattooed sleeve remains, now accompanied by the petrification markings on her face and other parts of her body. A wave of confusion hits her as she takes in the unfamiliar surroundings, but her shoulders relax a little as she takes in the two familiar figures next to her, "Senku...? Yuzuriha...?" "Hey, (Y/n)," He immediately greets in response, an excited light coming to his eyes as ruby meets (e/c), "Looks like we're the same age now."

Yuzuriha flinches at his greeting, sighing with a shake of her head as she takes a small step closer to their friend. A nervous smile forms on her lips as she takes (Y/n) hands into her own, leading her out of the hidden away area into the light of the new world. She feels the grip tighten as (e/c) eyes dart around the surrounding forestry in an attempt to better understand the circumstances and environment, "We have a lot to catch you up on, but I'm sure if we ease you in slowly it won't cause you too much whiplash-"

"We don't have time for that, Yuzuriha. We still have to load the ship back up and travel to America," Senku waves the notion off, walking past the two of them and leading them back into the village. Neither of the girls miss the smirk on his face as he continues, unmoving as they gape at him like fish, "(Y/n) will catch up along the way."

He's bluffing, which they realize a little later when Ryusui recounts the plan to spend the next few days loading the ship and replacing the items they used on their last voyage. (Y/n) is assimilated faster into their new society than she can process, the rest of their group taking the basic information they're fed and working with it. Yuzuriha is eventually forced to leave her to fend for her own after a bit to attend to her own assignments and Taiju only stops to catch up for a bit (which is mostly him speed talking and making assumptions about how much she's been made aware of) before continuing to move along.

Senku doubts he'll ever admit it out loud, but he is grateful that they're the same age, even if he's technically older by a few months now. Standing next to (Y/n), who hadn't aged a day past the last time he'd seen her, was the reassurance he secretly needed about his own development. While his growth spurt, a result of the final pushes of puberty during the Stone Wars and roughing it during the New Stone Age, was the only difference he could notice next to her, (Y/n) had been hit with the whiplash of every other development.

To her, it felt like both a lifetime and a long night since she had seen Senku, yet he looked almost completely different and exactly the same. The remainder of his baby fat had rounded out of his cheeks, his face maturing nicely into that of a young adult, and he'd sprung up quite a bit in height. He was still lithe in comparison to Taiju, till thin and very much not built for too much physical labor, but he'd gotten a bit of meat on his bones to fill his arms out a little more. Despite that, he still looked like him, like the jerky boy she'd met by chance in middle school who would be the first person she'd show her newest tattoos to when she was 16 to get some kind of rise out of him.

Taiju and Yuzuriha were a further reminder of the weird passage of time, the two more developed in their own rights. He was beefier, still ever-muscular in a more defined way. His hands seemed rougher, but she didn't know if that had been due to the rougher circumstances or if they were always meant to get so rough with all the handy work Senku would put him up to. Yuzuriha had filled out a little, a few scars littering her hands from what (Y/n) could only assume was from her thread work she'd seem to consistently be working on since they'd gotten back to their stronghold. Her silky brown hair, which had once reached her waist and made a few of the girls from their school envious of its length, now barely reached past her shoulders in its bobbed shape.

She feels so out of place...

~~~~

The rush of information coming to people’s senses is always amusing to watch, but (Y/n) is taking a little more time to process than usual. Even now, a few days into her now being free from the stone prison, she still has more questions. They aren’t particularly scientific, more so just random observations that she really wants the answers to. She’s also hyper-analyzed the villagers' speech patterns, having them repeat their newer slang and pronounce random words in Japanese, English, and German (something they did not realize they were fluent in until she came around). In return, they ask her questions about the past (mostly Senku, Yuzuriha, and Taiju), the sleeve on her arm, and why the hell she knows so many languages already.

Senku can’t really be mad about it slowly down progress, he’s sure he’d slack off a little too if they didn’t have so little time to prepare for their trip across the sea. Neither of them miss the way their eyes longingly stare at one another, meeting a few times before either is dragged away by the others they’re surrounded by. It’s even worse that (Y/n) feels she hasn’t been able to get any time alone with him since they made it to the village. She’d been made aware of their plans once her confusion died down a little, even taking the time to freshen up on the main languages she’d be focused on for their trip and doing what she can to pitch in. Unfortunately, their different preparations would barely, if ever, cross over. Lowkey, it had been killing both of them inside, but they kept up appearances for the sake of getting things done.

She’d learned from Gen, who gave her brain a break by speaking in English with her, that Senku had kept her relatively well hidden. He’d visit her often, but no one had put together that’s what he’d been doing until now. Yuzuriha made it clear she’d only learned of (Y/n)’s whereabouts a little before they’d revived her. However, the brown-haired girl did mention that a few passing statements he’d made in the past were starting to make sense.

It took the last night before the Kingdom of Science would set sail again for (Y/n) to find time away from the others. Despite the various discussions scratching her brain in the best way possible in a new world, the dark blue of the night accompanied by the low noises of crickets and crashing waves gives her the solace she needs. While everything has mostly settled, or settled as much as it can, it's still moving so fast. To her, everything was normal yesterday and then dark for longer than she thinks possible to comprehend, "Maybe this is how Sleeping Beauty felt..."

"I doubt that," A familiar voice speaks up from behind her, the heels of his shoes clopping along the ground as he approaches. The gravel scrunches as he shifts to sit next to her, deep zircon-colored eyes staring out towards the ocean's expanse. He scoots a little closer to her, his head tilting as his pinky reflexively reaches to dig out of his ear, "Considering she typically is depicted to have been a young preteen when she first fell asleep and an older teenager when she wakes, I doubt there were many technological changes to throw her for such a loop, especially if the story takes place in a fictional version of the middle ages."

His eyes shift to peak at her instead, his typical grin filing onto his face. Somehow, they're one of his few features to remain the same despite his growing age. He's one of the reasons she's out here tonight, gathering her thoughts privately one last time so she can tuck them away to focus her attention more on to returning civilization.

Of course, she always thought he was good-looking, most people did. However, where they were turned off by his passion for science and technical engineering, she found it to be all the more endearing for his character. He had his pesty moments, but so did everyone else in some way. It added to his charm, "Didn't see you as the fables type, Senku."

"Had a friend who was super into literature. She read it in different languages to challenge herself," He teases in response, his gaze turning back to the sight before them, "Wonder where she is now..."

(Y/n) tugs her knees up to her chest, the irony of the comparison not lost on her, though made completely on accident. She pulls them closer, resting her cheek on them as she takes in the boy next to her, "Maybe she's trapped somewhere in a stone prison back in the woods."

She watches his chest rumble with his chuckle, a soft breeze picking up and spreading the smell of salt water. He's closer now, the smaller changes staring her in the face and taunting her. She'd wanted him this close to her again, just for the reassurance, but now... She kind of regrets it.

"I would've found her by now," He mumbles, the sound just barely reaching her ears. A fond smile slowly eases across his mouth as he returns his gaze to her, "Would've taken me a while to finally see her like this again, but I think it'd finally be worth seeing her again. Even with the circumstances."

"I'm sure she'd be grateful to see you again too, even with the circumstances."

#ishigami senku #ishigami senku x reader #ishigami senkuu #ishigami senkuu x reader #senku ishigami x reader #dr stone x reader #senkuu ishigami x reader #did not think it would get so sentimental in the end I'm so sorry #I tussled with how to write this for a year and still feel there's further ways I could've taken it but it already feels pretty long so #I may revisit this again later but I won't hold my breath either 🤧#also had this idea that reader was Senku's interpreter in America but I didn't want to get into too much spoiler territory with that idea #she totally teaches him some silly phrases in the different languages she speaks and does mix languages up to mess with people #he doesn't realize he's into her until she goes back home one year and they fight on her way out #I imagine her tattoos are different phrases that she really enjoys and maybe a few doodles here and there #also wanted to wait until Matsukaze was introduced so ppl knew how tattoos work post petrification bc I kinda didn't wanna spoil it

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bootyful-seventeen · 5 months

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Oh gosh okay so I went back to marinating more on long haired Jihoon, but specifically long haired Jihoon getting pegged has me chewing on the bars of my enclosure to get out

Like just think of how pretty he'd look when he's on all fours and your fucking into him!! His chest blushed and heaving from how needy he is for you and the way your touch just feels so good and electric running along your skin! Your fingers then threading through his hair to pull his head up to see his thoroughly fucked out and flushed face in the mirror you placed in front of the bed. His eyes rolling back into his skull as cute little whimpers and cries slip from his lips when you brush your lips along his shoulder and licking up his neck before nibbling on his earlobe. Aaaaaaaaaaaahhhhhh and even the louder moans he'd make if you gripped his cheeks in your hands and pounded him into the mattress, his back arching so nicely that you can't help but run a hand up his spine and wrap his long hair around your fist while he trembled underneath you whimpering about how he's gonna cum. Your eyes dropping down to watch his slick hole swallowing your strap on with ease from being played with for so long before getting bent over. Jihoon's whines getting louder from hand slipping between his thighs to jerk off his leaky cock until he's releasing spurts onto the sheets under him. Tears springing from his eyes as you fuck him at a harder and faster pace until he was left gasping for air, his thighs shaking from keeping his ass up when your strap slips out of his trembling hole and a relieved smile on his face as you cooed about how good he was for you, and how he looks so pretty all fucked out like this between kisses along his spine

#seventeen smut #woozi smut #jihoon smut #i'm sorry i'm back in my geto jihoon thoughts of him with some long hair. like long ass hair like him and this started cuz #i saw a post on ig from the alley saying that they'll have more jjk merch coming soon and i really wanna get the keychains #especially since my slutty little toji is included too like oh my god #but yeah i think i might be good enough to try writing again but bit by bit #mostly cuz the ways i've been coping with stress and anxiety hasn't been as effective but writing this has helped me calm down a bit #and get me focused on something else cuz i've had too many peer reviews that i think i should probably get assessed by a doctor soon #but yee ya girl sammy is making baby steps of a return rn since writing this didn't feel draining at all and it made me so happy!!!#this shit has me feeling like austin powers when he got his mojo back lmaooooo #m:jihoon

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egophiliac · 1 year

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You have me very curious about kamen rider

ooh, yes, I am always happy to suck unsuspecting victims into the rider vacuum recommend it to people! ...I do sometimes wonder how wacky it must seem just based off of my fanart for it. :') (I promise it all makes sense in context! ...most of it, anyway!)

SO: Kamen Rider is a Japanese superhero franchise, the mainstay being a new standalone show (of usually about 40-50 episodes) released every year. there are some common elements between shows -- in general, they're about suited-up superheroes fightin' monsters (and sometimes each other!) and occasionally riding motorcycles (and sometimes a car!) -- but otherwise each show is doing its own thing, and there's a HUGE variety in story/tone/theme/style/what have you. so each one is pretty different! it does have the upside that, if you're interested in checking it out, you don't need to start at the beginning or watch any specific ones to understand the others (with a couple of exceptions*). I did rec a few of my favorites in this post, but if you want, you can also take a look at the entire list and jump into any that sound good to you! :D

* exceptions-wise, Decade and Zi-O are anniversary series that assume you're already familiar with past riders, and I believe Black RX is a direct sequel to Black? (I'm not really familiar with the Showa-era riders, but I think they're more connected story-wise than the more modern ones, which are just straight up completely different universes that have nothing to do with each other) (except when they do, like, crossover movies, in which case the standard explanation for how any of these characters are able to exist in the same place and interact with each other is "they just are okay") (I say this all with great affection. who needs canon when you can watch Ghost and Ex-Aid team up to fight an enormous evil Pacman together? not me, that's who.)

uhhhh sorry for talking so much, here's a Tsumuri to balance it out!

#art #children's shows are serious business #now to be fair a couple of them have also ridden skateboards #there is really not enough skitching in rider #and i do feel obligated to bring up the one time they excused the movie crossover #with the characters literally being like 'wait how did i get here. this makes no sense.'#'oh gaim did it? okay then please continue'#i'm so sorry these posts always get way too long #i do try not to go too hard on here but i have very strong opinions on the motorcycle bugmen

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thejadearia · 2 months

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Speaking of Shimazaki, I learned a lot about myself this week making these terrible memes so I could drop them in the discord chat as I made my friends watch MP100. What I learned was, I have a terrible sense of humor (actually I already knew that, I just didn't realize it was this bad) and that the only thing I enjoy more than watching Shimazaki kick ass, is Shimazaki getting his ass kicked. (I'll have more of these for next week when we get to Serizawa's stuff! Sorry!)

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twocutlines · 16 days

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anyway

#911 abc #buddie #<- i suppose. would not be surprised if someone has made this post before sorry if i'm infringing on someone's intellectual property here #i just rewatched the scene on the left and immediately spent an hour making incomprehensible screenshot comparisons lol #couldn't find a good scene of them not talking about the will because. well. guess what they are not doing. talking about the will 🙃#there is a significantly longer version of this post in my drafts comparing chim admitting that he lied about not remembering the crash #vs eddie's extremely short and clinical account of the shooting but tbh i'm not entirely convinced that eddie is lying #bc i think there is a chance he really doesn't remember. and if he is lying i think it's for much different reasons than chim explains here #so that comparison doesn't quite work as well i think. but it still makes me ill to think about #okay i already spent way too long on this i need to go back to studying now. slides this across the table. have at thee #2x04 #6x12

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mastersoftheair · 2 months

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ok, so my own final (and very, very fresh) thoughts, bc i wanted to wait until i'd watched everything to make a sweeping opinion of the whole series, and it's quite opinionated. and long. probably too long. i write essays for fun (everyone point and laugh):

my personal (and very, very fresh) ranking of the hbo war shows (not including gen kill bc that's a different war, sorry) goes- band of brothers > masters of the air > the pacific (it's the same for my title score rankings. that hasn't changed yet)

my main points of contention with MotA are 1) the nine episodes, 2) the length of the episodes, and 3) certain editing choices. nine episodes, compared to the classic ten, isn't Nearly enough time to showcase all that they wanna showcase (especially when the episodes are as short as they are, once you get past the recap and "next on" parts). and they wanna showcase A Lot! there so much going on! i'd ask them to pace themselves, but they literally Can't!

i mean, the editing choices are a Whole Thing! practically gives me whiplash sometimes lol. i feel like the weaker episodes still have parts that are Really good, but like. Individually. they don't work together as a stronger whole, which is to the episode's detriment. rather than jumping around (as the show often did), they could've benefited a lot from focusing on the One Story instead of squeezing three more stories into there (i say that, but i think the 4-5-6 episode run (all with multiple stories per episode) did this very well while Still being very good episodes, so it's not like it Can't be done, it just didn't work for 7, 8 and (partly) 9). granted, i suspect a chunk of the weird editing can be blamed on, well, there being only nine (and not all that long) episodes and no one wanting to cough up enough money for a tenth. ugh! i'm blaming both hbo And appletv for this (and covid19 ig). it's just One More Episode, how much could it cost?? and on the subject of episodes, why no episode titles? you used to love episode titles! i could've brainstormed episode titles for them For Free!!

when it comes to the characters, the rankings remain the same: BoB > MotA > TP. it's not totally fair tho, since BoB followed the exact same (and large-ish) group of guys from beginning to end, so you're Gonna know who they all are and get attached. this wasn't the case (for me!) when watching TP, since, unlike BoB, they jump around from group to group. i never felt like i got to know them all that well, outside of the main characters. i think MotA almost hits that sweet spot, especially knowing they had those two main things going against it: large cast And jumping from group to group. there's a case to be made for bias here (i Was the blog blogging about everything MotA for like. years.), but i still think they found a good enough balance of fleshing out the main characters while Also helping the audience get to know about a bunch of minor characters, of which there are a shitton (and their personalities, motivations, backgrounds, quirks).

there's also the representation of women. actual angel renée lemaire is and will always be a cut above the rest (bastogne is just That Good, argue with the wall). she's written so well that it almost makes me forget about how a bunch of women are portrayed in carentan. i have...issues with how women are portrayed in TP (even tho i love lena), so there's that. MotA falls in the middle (again) bc there's Way more women on-screen, but the writing can be questionable. balanced (as all things should be?) captain l'sandra wing-westgate is a character of all time, but episode 7 birthed the craziest discourse known to man (the hbo war fandom), but it wasn't all that unwarranted. manon and michou were sooo cool, but we didn't see nearly enough of them (another victim of the 'editing too many stories into one episode' problem. why not a whole resistance episode? or at least as the only b-plot?). paulina was interesting, but fulfilled one of those 'attractive foreign woman gives sage advice during/after sex' tropes (there's probably a tvtropes page for that idk). so many red cross girls, but none of the in-depth payoff :/ epic highs (multiple women!!) + epic lows (writing women??) = pretty tolerable. not great, not terrible. it was aight. i trust the fandom to build on this tho.

narrative is the big one tho. it's the whole "doing so much with so little" thing they've got going on (i'm ignoring their big budget here lol, could've been bigger). rather than having one main story with many connecting side stories (like BoB), it does the TP thing where there's many semi-connecting side stories set in the same general area. it helps that there's crosby's narration (i enjoy narration, sue me!), and he helps everything connect, sorta. but there's still other side stories that have Nothing to do with him (sandra's side gigs (revealing what she did takes away the mystery of what she Might be doing), the tuskegee airmen, quinn and bailey's eurotrip). would it have helped if there were two narrators (say, someone like rosie)? idk. gonna sit with that one. if there's a through-line, it's not super obvious like in the other two shows. which is insanely funny to me bc i literally like TP less, but that show's got an Extremely tight through-line all the way down. i can't lie and say it doesn't!

back to budget- i've seen people criticize this show for being called "masters of the air" when there's not much of "the air". ig that's fair, but there's the money issue, again. also, it'd get very repetitive if they were always in "the air". there was enough confusion about identifying who was who with the masks on, so imagine if that was Every Episode. out of All the issues the show has, this is the least issue-y. again, that's just my opinion, and it could change.

another budget thing (i think??)- idk enough about costuming and hair for period pieces so i can't comment on that with my 0 background in it, all i Can say is that i knoooooow people were clowning on marjorie cleven's hair in episode 1 (and i could see why, no such thing as 1940s beach waves). but from what i could understand- that actress' addition was a last-minute thing (bc i had No idea who the hell she was and i already found someone cast for marjorie all the way back in 2021). maybe there's something to say about the quality of rush jobs, but i really do think it was the most last-minute thing bc it came out of Nowhere, and timeline-wise, it looks like that bit was done long after everything else had been filmed. outside looking in, it seems something probably went wrong/didn't work out with who or what they already had and there wasn't enough wiggle room (time and money) to fix it. this isn't me being an apologist (lol), but i feel like a theorist at a big board bc nothing adds up! and i wanna know what happened! i'm just speculating! speculating on this blog is All i did for like Years lmaooo.

this is more of a side thing, but some of the lines in MotA feel really on-the-nose, almost corny. and that was Gonna be a knock against it, but there's some equally Extremely on-the-nose lines in both BoB and TP (Especially in BoB), so if i give MotA shit for it, i'd have to give all three shows shit for it lol. none of them are free of cheese.

another silly aside- no peaches, no main gingers, no main eugenes! we can't have 'em all, but c'mon!

there Is some good tho lol. one thing that MotA really has going for it, that i think the other shows have less of, is- and GOD it feels so weird to call this "world-building" when it's actual goddamn history, but- it's got world-building. maybe that isn't the best word for it. but i like how much Bigger ww2 feels in this show. BoB is one stop, then the next stop, then the next stop, which is, admittedly, good from a narrative-perspective (easy to follow), but not as good when you want a scale of how devastating the war is (in fairness, it was filmed in 2000). even TP feels pretty "enclosed" in a way. there's island-hopping, yeah, but all the damn islands look the same (not including australia lol). it's a theatre of the war we otherwise don't really get to see, but there still isn't all that much to see. it's water and sand and rock and dirt. which is the point, but Whatever! would've been cool if we saw sledge and co. in china, but moving on. MotA's able to really show the scale of it, both in the air and on the ground (that scene in germany during episode 6 was both harrowing and fantastic, also the inclusion of the actual children forced to fight nearer to the war's end in the finale). idk i just liked how it was able to zoom in and zoom out (and in and out again) in a way that the other shows weren't.

another thing it's got that the other shows don't is Really driving home how young everyone is (not "child soldier" young, but damn young). the cast is full of baby faces (rip babyface). a lot of ww2 shows/movies don't bother casting to reflect this, but i think overlooking that takes away from the overall impact. you browse through some old newspaper articles or photos of soldiers during ww2 enough and you're gonna Regularly get hit with the face of someone who looks like they could've sat in the desk next to you during a high school lit class. a lot of those b&w grinning faces look like kids bc they pretty much were (more so if they lied about their age). you don't really get that in BoB or TP (it's Crazy when the real life pics of the soldiers portrayed in those shows look younger than the actors).

i'm mixed about the tuskegee airmen. what we have, i love (thank you, dee rees). unfortunately, my biggest irk is that it leaves me wanting more of them, which i won't ever get. speaking as a black person (not speaking for All black people, just how i personally feel about it), having them included feels like a catch-22. if they weren't included in any capacity (all while knowing there were whole tuskegee airmen in stalag iii with the white main characters), there'd be a problem. however, including them (all while having these time constraints and not enough focus on them) leads to the feeling of having them "tokenized" (which i can see). there's no world where there'd be 50/50 split (even a 70/30 split) bc, at that point, just give them a show of their own. but there'd still be a general annoyance that big budget ww2 shows are only ever white. on the other hand, hanks and spielberg and orloff and miller and all the directors (except dee rees) are white, and how good of a story about black people are you really gonna get from the perspective of nonblack people? that in mind, i personally don't feel put-off by having the three tuskegee airmen in the posters/trailers/promos, bc i just Know there'd be a whole nother problem if they weren't included in them at all despite being in the show for however long (it'd be even worse if they made their pictures smaller). like i don't work in advertising, but i don't know if a "sweet spot" even exists for something like this. people would be pissed off no matter what imo (i'm also speaking with a bias here bc i had to browse through sooooo many comments written by white guys whining and crying and pissing and shitting themselves once they learned that the tuskegee airmen were gonna be in the show in Any capacity, so i'm just cool knowing they're in shambles rn (and josiah cross- he played richard macon- always goes Wild seeing his face in the promos, and his joy is pretty contagious).

i give it somewhere like a 7.5-8/10. 3.75 stars out of 5. not perfect, subject to change, gotta marinate, but i'm overall happy with it! MotA's best episodes are better than many other individual hbo war episodes. should i be grading it using the overall sum of its parts, not just the different parts? idk, i'm not being paid to grade lol.

#i feel like i'm knocking the pacific too much in this even when i like the pacific. i just like it much less #i've talked my sister's ear off enough about it (she adores the pacific the way i do band of brothers)#and like i've got plenty of issues with band of brothers but it just does it for me. idk. i'm complicated by avril lavigne #this is an essay. my GOD is this an essay #but better to vomit it all out now so i can look over it later and see how my opinion changes over time. i want to archive my fresh thought #masters of the air #hbo war #masters of the air spoilers #mota spoilers #band of brothers #the pacific #for once i'm not spam-tagging those. i talk about them a decent amount in here. sorry for the people who don't go here tho #long post

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absenthearted · 1 year

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LITTLE RED RIDING HOOD || HACKEARNEY + ALTERNATE UNIVERSES [1/?]

A girl walks into the woods, and a wolf walks out.

The village has a tradition: a girl is chosen as a sacrifice to the Wolf. The Huntsman leads the Chosen into the woods and keeps vigil at the entrance.

The girl does not come back. The Wolf stays away.

This is how it has always been—until now.

#hackearney #travis hackett #laura kearney #the quarry #travis x laura #hackearney AU gifseries #a concept series for AUs i may never write lmao #idk how many i'll actually make since i'm fairly limited with what i can use for travis lol #but i have a very tentative idea for a historical one at least #at some point #anyway you can interpret the gifs and the caption however you wish but it was inspired partly by for the wolf by hannah whitten #and obviously diverges quite a bit from the original fairytale but i think you can spin it multiple ways #i've always loved the idea of red as both the girl and the wolf; and wanted to keep laura's wolf transformation in #(which she does! in that music video! but the makeup was a lil too cheesy lol but i actually loved that video lmao)#this started out as a ~no plot just vibes~ thing but then i went on a little mini worldbuilding spiral for this #maybe i'll make a post about it. maybe i'll write it at some point?? who knows #which. these tags are already too long so i won't get into it lmao but! sources!#1&2: mariah scary and the ghoulish cauldrons 'werewolf valentine' MV #4: red riding hood (2011)#sorry the quality is not great on these gifs i did my best #sometimes i make things #wait sorry 3: the trailer for red light bc i couldn’t think of another gif to use for him lol

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dol--blathanna · 11 months

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I try not to post too much TWN negativity on this blog, because I know plenty of people enjoy the show just fine, and I hate being an asshole and raining on other people’s parades. But, god, the way that the show treats Yennefer - or rather, mistreats her - just upsets me and pisses me off so much.

The book already puts her through the wringer - too much at times, honestly - but the show just takes it to a whole new level. The amount of suffering they put her through that wasn’t present in the books is so frustrating to me. Like adding in random torture scenes that weren’t present (the hysterectomy scene, being tortured by Stregebor), losing her magic powers, constantly being captured in S2, not even having a particularly good court standing - like in S1 when Fringilla mocks her for not helping advance Aedirn at all, and Yennefer doesn’t even have a good comeback to that. It’s as if the show is just obsessed with giving her constant Ls and never really letting her come out on top. Sidenote: I am fine with angst, in fact I enjoy it, and I am fine with a character going through hardships and suffering. You can do a lot of great character, story and theme exploration with angst, and sometimes it’s necessary for a character to suffer to develop that. If I wasn’t fine with angst, I wouldn’t be a fan of the witcher lmao. But when I see a character who already goes through a shit ton of misery in the books get forced into even more suffering in the show that never happened....I start to have a problem.

And then, of course, S2 committed the cardinal sin with that stupid ass Voleth Meir plotline. As if torturing her, having her be captured, making her lose her powers, wasn’t bad enough - they completely character assassinate her by making her almost sacrifice Ciri to a fucking demon. Something that is so bewilderingly OOC for Yennefer, something that never EVER happened in the books. When the show got bored with creating narrative suffering for her, they decided to take it to a meta level by character assassinating her in a really bizarre, stupid way. Because, why was this necessary? I know that they were concerned about the fact Yennefer doesn’t really show up much in Blood of Elves, I understand they wanted to create a plot line for her that got her more involved in the main plot. But - why this???!!! There were 101 different plot lines they could have given her that didn’t involve her trying to sacrifice Ciri to a fucking demon, in the process completely messing up her relationship with Geralt and Ciri!!

And this is the main reason I’m making this post - her relationship with Geralt and Ciri being messed up. I’ve seen a lot of articles recently about S3, all stating that Yennefer essentially has to grovel to Geralt, that he ignores her for potentially a full year, that at the beginning he doesn’t even let her enter the same abode as them - what the fuck!!! It upsets me so much. Because this was the biggest problem with the VM plotline - it completely upends Geralt and Yennefer’s dynamic. In the books, their relationship is way more equal - in fact, it honestly would be accurate to say that Yennefer is the more dominant one in the relationship, not Geralt. The show is now completely turning that on its head, and making Geralt the dominant one - but not personality wise, more in a moral highground type way. Because now, whatever stupid shit Geralt does, or has done in the past - e.g. tell Yennefer she’d be a terrible mother, which he never apologises for - none of that matters!! Because it will never be as bad as Yennefer trying to kill Ciri. Instead of a relationship where they both fuck up and both make mistakes, like in the books, in the show the emphasis will all be on Yennefer. Yennefer is the one fucking up, Yennefer is the one making absurdly stupid mistakes, Yennefer is the one who needs to apologise and grovel and beg for forgiveness.

And this is what I mean by, the show is obsessed with giving her Ls. Not only do they make her suffer, they character assassinate her by forcing her character to do this cartoonishly evil thing, and then punish her for it!! They don’t just take away her powers, her court standing, they even strip her of her own relationships!!! And I ask again - why is this necessary?? Who decided that punishing her like this would be an extremely important plot line, an improvement, over the original source material? Like back when the show was first announced, I sure as shit wasn’t thinking “oh wow a netflix witcher show - I sure do hope they have a plot thread where Geralt refuses to talk to Yennefer, and doesn’t even let her into the same fucking house as him, because she tried to kill Ciri!!” who wanted this??? Who thought this was a good idea??? Honestly, it makes me feel as if someone on the writing team hates Yennefer and wants her to suffer, both in a narrative and meta level. And no, I’m not talking about that infamous Beau deMayo interview - something that caused a huge amount of online drama and should be taken with a big old pinch of salt, especially since the writer who made this claim was responsible for some pretty questionable decisions, namely the whole Treeskel thing. I’m not making a direct accusation here - it’s more a feeling. When I look at TWN, I cannot help but sense a level of contempt and spite towards the character of Yennefer. That doesn’t necessarily mean someone in the writing team genuinely has it out for her, but if that’s the impression that I get from the way they treat her in the show, then something has gone very wrong with the narrative decisions they made for her.

And this is why, not only can I not let myself be excited for S3, it’s why I’m genuinely feeling dread about it. Every time I read interviews about how Geralt and Yennefer have this really rocky start and he’s ignoring her or whatever, my stomach just sinks. And again - why was this decision made? Who thought this was a good idea? And yeah, the TWN team have already said they’re trying to fix the problem with their relationship caused in S2, but a) the way they are going about fixing it only serves to punish Yennefer’s character more and b) it should not have been something to fix in the first place. It’s also why I can’t bring myself to believe that S3 will suddenly be more faithful and better than S2, esp in regards to Yennefer (aside from the fact they’ve made this promise before and failed to deliver). Because the early plot points of a story are extremely important in setting the foundation of your later plot, especially in a series like the witcher. If your foundation is inherently flawed, it doesn’t matter how good your later seasons are; they are built on a faulty base, and will therefore lack a good structure. Case in point with Yennefer. Without going too much into book spoilers, let’s just say she has a really rough time of it post-Time of Contempt in the books. So in the show, either a) they will just put her through even more suffering and leave you thinking “wow did this entire show exist just to punish Yennefer?” or b) they will have to deviate away from the books. Neither of these options are particularly good. (this also is one of my problems with S2 as a whole - they were so desperate to put in all this insane blockbuster action and dramatic plot points, but sometimes in stories you need moments of calm to make later dramatic plot points more hard hitting. In the books, Blood of Elves was the moment of calm before Time of Contempt’s batshit, action packed drama. In the show, you never get that moment of calm. Why should I care about whatever happens in Thanedd if S2 had Ciri get possessed by a fucking demon and go on a killing spree? But anyway.)

And I think the reason why I’m particularly disappointed with the way that the show has treated Yennefer’s character so badly (aside from the numerous promises of “we’re a faithful book adaptation” being complete lies) is that Yennefer is a character who already receives a lot of unfair hate. Obviously there’s the annoying “Team Yen vs Team Triss” thing from the games, but even within the show there were a certain type of fans of a certain ship who hated a lot on Yennefer for daring to get in the way of their ship. Like, I’m so sick of seeing Yennefer getting hate for stupid, unfair reasons - and now even the show is treating her like shit??? Like, give me a break!!

I’m just tired of it. And obviously, if you like TWN and you’re excited for S3, that’s fine. In fact, I’m honestly jealous, I wish I could feel the same. And who knows, maybe the show will improve its treatment of Yennefer, maybe they’ll finally give her some Ws. But that’s what I thought about S2, and was proven VERY wrong. Any confidence, trust or optimism I had left for the show was completely destroyed by the Voleth Meir plotline in S2, and the show will have to work very hard to rebuild that trust for me. And unfortunately, everything I’ve heard about S3 so far is only confirming that they’ll continue to treat her poorly.

#sorry I just had to rant about my feelings after seeing all the interviews about S3 recently #it's just so disappointing #and I don't like being negative about TWN on this blog too much bc I don't like pissing on other people's enjoyment of things #but man. i'm just so sick of how this show treats Yennefer in such a weirdly mean-spirited way #anti twn #anti witcher netflix #twn critique #twn critical #twn negativity #long post #text

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coquelicoq · 17 days

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In talking about Chaucer (p. 74), I said that, in general, puns and verbal connections of sound were unimportant and not to be sought out; and now, you will say, I have been using them to explain cruces in Shakespeare. Alas, you have touched on a sore point; this is one of the less reputable aspects of our national poet. A quibble is to Shakespeare [Johnson could not but confess] what luminous vapours are to the traveller; he follows it at all adventures; it is sure to lead him out of his way and sure to engulf him in the mire. It has some malignant power over his mind.... A quibble was for him the fatal Cleopatra for whom he lost the world, and was content to lose it. Nor can I hold out against the Doctor, beyond saying that life ran very high in those days, and that he does not seem to have lost the world so completely after all. It shows lack of decision and will-power, a feminine pleasure in yielding to the mesmerism of language, in getting one's way, if at all, by deceit and flattery, for a poet to be so fearfully susceptible to puns. Many of us could wish the Bard had been more manly in his literary habits, and I am afraid the Sitwells are just as bad.

William Empson, 7 Types of Ambiguity, ch 2 pp 100-101

i'm sorry this is so fucking funny. that pathetic loser shakespeare who loved puns so much it cost him everything, except of course his status as the most famous, most read, most immortal english-language author of all time. but everything else, he lost and it's all because of how weak he was to resist a pun :/ pouring one out for my sad little girly man who could have had it all if only he was better at writing, the thing he is the most famous guy in the world for.

even empson, who disagrees with johnson that shakespeare "lost the world", is like, too bad our favorite poet is susceptible to the thing that made him famous :/ really tragic that the guy whose wordplay we've been talking about for 300 years likes wordplay :///

also i can't get over writing a book about the types of ambiguity and NOT INCLUDING PUNS?? sorry but puns are ambiguous! that's where their juice comes from! imagine liking ambiguity so much you write a book about it but never mention puns except to dunk on them. imagine being a POET and POETRY CRITIC who looks down on sound-based ambiguity! could not be me!!

#puns are a device just as much as any other kind of ambiguity! this value judgment is hilariously nonsensical to me #why are puns bad but other ambiguities aren't? you can't just call them feminine and expect me to be like oh okay in that case #next time my dad makes a pun i'm just going to sigh sadly about his lack of decision and willpower #what a feminine pleasure in yielding to the mesmerism of language i will say. not very manly of you dad :/#i'm annoyed too because one of the types of ambiguity he respects is when one word has multiple meanings possible #in the context of the text. but that is in a sense a kind of pun. he says puns are homophonic but guess what #when one word has multiple meanings another way of saying that is that those are different words that happen to be spelled the same #that is then homophonic ambiguity! aka a fucking pun!!!!#i'm not just quibbling over the exact definition of a pun. i'm saying the boundaries are THAT porous i don't see how you could possibly #like semantic ambiguity as long as the spelling is identical but suddenly think it's facile when the spelling/etymology is different #that's not at all based in rational thinking but he's over here like 'the mesmerism of language is for girls'#pot meet kettle much???#poetry #ambiguity #puns #shakespeare #my posts #there was one other thing i was gonna say what was it. OH YEAH. he also was saying a few pages back that spelling was completely #unstandardized in shakespeare's time...so then why does it matter???#okay and one more thing. he keeps trying to convince me that various verses are syntactically ambiguous if you ignore the punctuation #okay. if we're ignoring punctuation we must be hearing it orally. which means we also don't know what spelling was used!!!!#i think probably he would say he cares more about etymology than spelling. words with different meanings that are etymologically #related are allowed and manly but words with different meanings that came from different roots are a weakness to be avoided #like i'm sorry dude but that is so arbitrary. and you are just cutting yourself off from an immensely rich body of possible ambiguities #by disallowing that kind of wordplay. why would you want to do that????

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