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#i’m in this btw
romansmartini · 3 months
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hey guys if you’re planning on making a vaguepost on the dashboard can you message me with the details and some of the lore behind the vague post you’re making. a vaguepost for the dash and a detailedpost for me. because i like to know what’s going on. if you do this i will automatically take your side because you’ve done the right thing by letting me know what’s up. thanks in advance ❤️
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elodieunderglass · 7 months
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changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
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spiderversegf · 1 year
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without arts & crafts we are in hell
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willgrahamscock · 8 months
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crowley must have known that aziraphale was also in love with him, he tidied the bookshop, he was planning on taking him to the Ritz after his confession, he had their song queued in the car these are not acts of someone who wasn't sure what the outcome will be.
which makes it so much more painful that he still confessed his love for aziraphale with tears in his eyes and on the verge of a full blown panic attack, he left saying "don't bother" but he still waited by his car til the elevator doors closed. all because
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luminarai · 9 months
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hey, hi, I was just on the former bird app and came across this info from a brand new study and now I cannot stop screaming internally??? what the actual fuckkkk
theres' an article from the guardian here and here is the actual study:
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watcher0033 · 10 months
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Y’all, the Archive admins are made up of VOLUNTEERS. And they have been working for 12-13 HOURS STRAIGHT.
I better not hear any complaints when donation period comes around. OR ELSE.
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cosplay by @woahchriswoah on Twitter
EDIT: How do we show appreciation to the volunteers? For me reading these deep dives on OTW issues u guys apparently it's been said multiple times that one of their objective statements is to have paid staff for ao3 and there's a surplus of donations they haven't used up or the other community solutions that needs to address. For those more financially literate feel free to analyze, snipe me or add to the discussion etc. linked here by deepa. They’re cool and these yearly analysis they did aint no joke.
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But Seriously what can we do for these volunteers? The probable burn out from this entire fiasco would be no joke. @ao3org
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petrajuliet · 3 months
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should be someone else doing this 2 me but whatevs
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veryluckyclovers · 8 months
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retrogradedreaming · 2 years
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“Ao3 needs an algorithm” no it doesn’t, part of the ao3 experience is scrolling through pages of cursed content looking for the one fic you want to read until you get distracted by a summary so cursed that it completely derails your entire search
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my-heart-of-heart · 3 months
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Me after tmagp 1-4: yeah I love the theory that the cases relate and hint to the voices that read them but it’s certainly nothing concrete and too early to say that’s the pattern for sure
Tmagp 5: Chester is reading a case about a guy who was roped into horror from a young age and has become almost dependent on horror stories. This, combined with his fatal flaw of morbid curiosity, led him to fall prey to something called “voyeur” that knew impossible invasive things about him and his past. Oh, what happened to him? Well he became another goddamn mystery, why do you ask?
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housecow · 4 months
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so, um… i’m wider.. (june 2022 to now! 215 to 270lbs)
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ash-and-starlight · 1 year
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hades atla bisexual simulator
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melonalemonade · 29 days
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reasons to survive
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miilkybnn · 6 months
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y’all know that one audition tape Neil did? Yeah, so anyways make it Soap
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kotaface · 2 years
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My favorite thing about fanfic is watching a writer go through all 5 stages of grief as their fluffy one-shot inexplicably becomes a 100k-word novel.
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radicalposture · 1 year
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‘how did disney let them make andor omg!’ ‘lol netflix let them make blockbuster that’s so funny’
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