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alitgblog · 7 months

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"live" blogging s7, vol 1 (some analysis, some jokes lol)

first off, I totally forgot there were other casa amor girls so opening the app to see them on the banner I was like oooo

the S7 MC isn't too bad art wise, like it's definitely better than I thought with the preview, but

I do think the skinnier size MC is super skinny and the bigger one is not that much bigger, which is a little disappointing (always appreciate more size inclusion). ideally I think there would be one more size up i think but I do understand that means they'd have to fix all the clothes 3 times.

speaking of clothes they've always been bad at the beginning of the season since like s4 and this is no exception. I wish we got more options in the beginning and then the others they tack on later

the skin tones really are only three shades with each having one warmer variation, which is kind of nice to have people get that option in tone, but I do still wish there were more shades variation in between (and darker ones in general)

for absolutely no reason I have decided that my MC is also gonna be the S5 MC from my first playthrough getting a second chance after a second failed relationship with Suresh (let's just pretend she didn't win her season lol) and she's cute in this style (but again i wish we had the right skin tone for her). I guess if fusebox is backing out of bringing back Eddie then I'm bringing my MC

Her name is Junie and she's doing a lot better now mentally and has gained a little bit of healthy weight and finally loves herself now so fusebox better not make an embarrassment out of her again.

this actually works out pretty well bc usually the casa amor girls on the show arrive at the same time unless something is special about one of them who can show up separately like MC does here (ok fine I've only seen that happen in LI USA S5 and I guess s6 of the game)

Ep 1

Bonnie being an LI feels solely like penance for me thinking Iona was hot but sad she wasn't even a friend really let alone an LI in s3 so thank you but for narrative purposes I'm making Junie straight

Uma is gorgeous

also fusebox is not beating the reused assets allegations even those poses are just too eerily familiar

"I wanna try the slow burn" *has war flashbacks to the Ozzy route I never finished*

short king raf

ok Alex picking MC when Summer was flirting so hard is actually very funny to me

I understand bc it's a gem choice i didn't pick that we didn't get the last card but very funny that they were like we're just not gonna give Summer a chance at all actually

Let's goooo confirmed Joyo is Indonesian (I'm filipino so i was hoping filipino so I could draw him singing karaoke but I am here for any southeast Asian representation at all 🥳)

however I am upset with the use of "rizz" again. maybe once or twice but if they do it again I'm rioting

Alex nerding out is so cute. also who wouldn't want a bob the builder boyfriend for home improvement projects lol

am i too old to understand what normcore is?? like I barely understand e-girl aesthetic but there's more??

Bryson and his sister Jess have the most realistic sibling relationship from the last two seasons bc I also would mess with my brother's partners. and I once again am mourning the idea of a protective brother slow burn storyline in s6 instead of whatever Amelia was doing

"I won't bore you with the details" no pls do it I wanna know and I don't wanna pay the gems

all the guys have great personalities so far and idk if it's because I'm paying attention more this time or it's just better but oh no I'm falling for all of them

the drama set up with the guys and their partners is promising writing (namely the triangle with Geri, Bryson, and Joyo but maybe just because im torn between those two anyway) I'm shocked but cautious it's episode 1 lol

ep 2

early doors?

the gem party outfit is so 2013 disney channel, I actually will be taking the free outfit

wait why is it not night time for truth or dare why did they change clothes lol

joyo, get out of here with the graphic tee and blazer combo. Maybe this is why Bryson doesn't like you, and it'd be justified (tbf him being a bad dresser has been established already though)

oh God I didn't see his pants too jfc let him borrow some clothes

I'm into the frenemy relationship with Summer, like there's always a female villain in the game and they're almost always entertaining to me at the beginning (minus maybe Kat and Ivy)

I'm warming up to the all the guys like how can you pick

I'm starting to realize I personally have a problem because I always go, at least initially, for the chefs/foodies (Jake, Bobby, Camilo, Roberto) and I like Bryson rn and I think my MC would go for Bryson based on how I played her in s5 but I'm slowly inching over to Joyo and honestly i see the vision for Bobby clone I mean Raf and it is absolutely bc they've mentioned cooking

stop talking about feet pls not again

I expect this from Summer but Uma coming over to try to steal my man?? I appreciate her boldness though and at least she's not going behind anyone's back

ep 3

as someone who doesn't have the modded app and will not pay real money for gems, I feel very happy with choosing to eavesdrop on the guys' conversation. I feel like usually a lot of the gem scenes aren't worth it but this one is fun

Joyo does skincare but can't dress and Bryson is a fashion expert but makes fun of skincare. If they joined forces they'd be unstoppable, thank God they hate each other

hey what the fuck happened to cassius

so in summary im pleasantly surprised and hyped for this season at the moment. and lastly, pls don't drop the ball on stick or twist again please please pleaseeee

#litg liveblogging #sorta #litg s7 #litg stick or twist #personal

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rquerdo · 1 year

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Vorag the Kaitogen Sculpture Process

Hey guys!

I just finished this badboy yesterday and wanted to go through the process of making him. This isn't really a tutorial, but more of a walk through.I do want to mention, before you give a critique, I ask that you please read through the entire thing before commenting, I'll be giving self-critiques and most likely I cover what needs to be critiqued. That aside, I'll be more than happy to take on critiques!

To start things off, here's the drawn version of Vorag. I started this drawing in the beginning of this year and worked on it a week after the drawing was finished.

Backstory: The Kaitogon species are cursed humans who sold their souls for strength and power to the Elder Dragon. Each Kaitogon are assigned new names from their reborning and their memories of their past lives are completely vanished.

Time for the process:

So this is what I'm starting off with. As you can see, not really much for this custom/sculpture.

Originally, I was going to use the body and arms for another sculpture (Tyvesses-who's also apart of this series. Click here to check out that process on twitter) however the body got way too bulky for Ty. I ended up using a spiderman action figure for the rest of the body which then leaves us with spiderman's head and hands (I ended up not using the legs). I will have to make the rest of the body from scratch.

I was debating on how I want to display Vorag until I decided to give him a platform to be on. This helps with the posing since I don't have to rely on him standing on his own. I used old casting mold to create the shape of the platform. and from there, I used plaster wraps to obtain the shape and make it all uniform together.

So here's the controversial side. The moldings made the platform too heavy and I knew that would be an issue for the long run. If I were to just remove the molds, the plaster by itself would collapse; not strong enough. So here's what I come up with...

Foam Spray

It's lightweight and it's pretty durable. Reason why it's controversial is because it's not eco-friendly. I try my best to reuse items that I have laying around my home. That or I'll buy items that are used or pre-owned (with the exception of supplies). I don't want to seem like I'm an eco-friendly sculptor when I'm using something that could potentially harm the environment. With that being said, I won't call myself an eco-friendly sculptor, but I have good intentions.

The foam spray does foam up rather quickly and regardless on how careful you spray, I find that you will have to cut off an excessive amount

Taking a step back from the platform and onto the character himself. I thought it would be a cool idea for the armor's eyes to glow-so why not play with some LED's?!

I wish I had my diagram sketch on how I made the parallel circuit but it's quite simple. I found an image from Adobe Stock that explains it pretty well. I soddered two red LED's with a built in resistor. I like to make sure that my LED's have a built in resistor to prevent any burnouts.

Click here to see a video of the LED's light up. You can faintly hear me say "It works!"

The head was an interesting process. So I wanted to make the head out of monster clay for a few reasons. 1) I'm making the head from skratch so I needed as much time as I needed. I usually use Apoxy but if you've used it before, after 10 minutes or so, it starts curing, making it tacky and hard to sculpt. 2) I was hoping to cast it and possibly make multiple heads for future sculptures.

I wasn't mad at what I constructed but I've noticed that the head looks so far off from the original concept design. I figured once it's casted, I can sand it down and fix it with apoxy. I used Mold Star 15 Slow for the mold.

Fun fact: I’ve actually had the molding stuff for a while now. I tried to cast my first sculpture but ended up scrapping it since I found myself spending too much on the materials. Since it’s just the head-I had more than enough to cast :)

Overall, this is what I got:

Yea... no. I knew this wouldn't work. Comparing the two, looks like the casting expanded and I needed the head to be quite small inorder to exaggerate Vorag's muscular body. I have no other choice but to scrap it. I removed the monster clay (by applying heat directly to it) from the spiderman head and started over.

I've also sanded down some eye sockets and an indent from nose to mouth. I tried sanding down the entire head for the apoxy to stick onto it better and to remove the pattern. Is it necessary? not really in my opinion.

Either way, I'm really happy with the results. Kinda hard to see the detail but the head's smaller and it looks more like the concept art. I know the horns aren't going the right direction when looking at the concept art, but I wasn't too particular with the horn placement.

Time for the body:

I used Aluminum foil and some scrap paper to create the base of the dragon part. If I did this process again, I would've sculpted the body separately and not make it permanent to the platform so soon. Sculpting and paining under the belly was a nightmare and it shows too.

I've also installed the led's into the chest. I used cheap plastic nails to wall the apoxy and the led's. I wish I had some sort of red clear plastic packaging instead but the curvature of the nail sits nicely. I used red UV resin to paint the eyes. The LED wires are embedded in the body so you won't be able to see it. The eyes look a little "yikes" in this photo but I did end up fixing it multiple times.

Placing the head onto the body:

I've also added on the arms as well. I should mention that the arms and chest was originally a monster high doll (I don't know which character though). As I was putting on the arms, I've also widen the upper chest. Like mentioned previously, I wanted to exaggerate his musculature figure.

Slowly but surely it's starting to come together! I used apoxy sculpt for filling the entire body and air drying clay for the platform.

Adding on some additional details like the spikes and and the upper teeth of the armor.

The spikes on the dragon part has these sewn-in plastic spikes, like what you would use on an outfit, acting as a base for each spike. I figured this would keep the structure of the spike and keep them more uniform than me just making them with clay.

Wings:

This was rather tricky for me. So I didn't use Worbla, but a cheaper alternative. I find this specific brand trickier to use since, when heated, likes to permanently bond onto any surface. With Worbla, I can still remove it when warm, but with this brand, a slight pull will get it to rip like putty. Ultimately, I would've done more with the wings if I didn't struggle so hard with it. You can also see with Vorag's belt.

I sanded the crap out of the wings, heck-the entire sculpture. I made sure to also roughen up the Worbla knock-off so that the Apoxy and it can blend out when painted. I learned that the hard way when I made the K'ril Tsuroth a few years back.

Here's the entire sculpture primed. Well, I didn't really have a primer, so I used a satin white paint. It gives off a pearly white finish which I find to be really pretty and gives a marble statue effect.

Here's when I installed the wings. I used armature wire as a staple and hot glue to keep the wings in place. I think overall, they turned out quite nicely. I had to fix the back with more apoxy which was a bit tricky, but manageable.

For the belt, not gonna lie, not the strongest look of the entire sculpture.I wanted to give Vorag his belt as seen on the concept, but again, the Worbla knock-off was ripping apart. It was to the point that I had to use apoxy to fix the ripped parts. I could've restarted, but I was so eager to finish this before the end of the month. Also, I'm training myself on not over focusing on specific areas since it would drive me crazy.

Painting time:

Overall, I like the color choices with the exception of the claws and the horns, I wish they weren't as vibrant and more white but I gave it a pass since it makes him a bit more cartoony and I needed a break from seeing earthy/muted tones.

Here's me making an attempt to make the face on the center of the belt.

yea...it's not good.

Instead, I bought a used John Cena action figure on eBay and the difference between the two is no comparison on which one's better.

I cut off the back of the head and hot glued it on to a piece of cardboard. From there I just used apoxy to blend it all in.

Vorag's hair was a mess.

I know, I should've used yarn. But I found such a great deal on hair extensions and little did I realize, it was cheap for a reason. The hair is synthetic so I had to be careful on how heat is applied. If you look at the hair, it's frizzy and hard to control. The hair didn't like to separate which made the glue from the wefts exposed. It was really weird and I don't know how else to explain it. When I was about to remove the hair and give into using yarn, I just said "screw it" and teased the hair. I figured, I'm already going to throw away the hair, what do I got to loose?

Actually, it fixed the problem. Yea the hair is extremely frizzy and I'm not a fan of it still, but it took care of the awkward, open gaps. We was suppose to have an undercut hairstyle, but the top hair was so unmanageable, that I had to anchor down the ponytail part to his back neck with hot glue.

Face up and overall review:

I've exceeded the amount of images used in a post but if you'd like to see more photos, check out my twitter thread here. I think the faceup turned out to be alright, not the best-but alright. The face looks a bit derpy but I think that's because of the way the eyes were sculpted; something I should work on for future projects-symmetry.

I did use the soft pastels and watercolor pencils for the detailing and acrylic paint for the overall base colors. I've used maybe 3 or 4 layers of Mr. Super Clear.

Overall, I'm happy with the outcome. I think for next time I work on something big like this, I should work on it in pieces than work on the entire thing all at once. There are some areas that are just "yuck" (mostly on the belly area). Maybe later on, I'll fix those areas in the future but for now, I'm marking this as complete!

Let me know what you guys think!

While you're at it, check out my social medias:

Twitter

Twitch

Discord

AO3 (Writing a Novel: Chapters come out on the 1st and 15th of each month)

Wattpad

Kofi

Thanks and I hope you find this inspiring of some sort! Feel free to ask me any questions regarding this project.

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artsartblog · 1 year

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I don't currently have any new art, but I have some old art I can pass along here. I don't believe I reblogged any of this from my main account, if I did I don't remember, but here it is. It's art of my tmnt oc (specifically the rise era) featuring Leo and April.

So the first drawing is of Emlyn and April just hanging out at Em's place (specifically her bedroom). I know the colors on April aren't particularly accurate to her show counterpart, but I was kinda eyeballing the colors instead of outright color picking them because I didn't think to do that at the time. The conversation the two are having is probably school or turtle related, though it could really be anything.

The second image is just a bunch of sketches put together of Emlyn. Top left is her at 5 years old in a ninja suit similar to that seen on the foot clan because she had learned to be a ninja like her sister, Cassandra, but decided she wanted to do something else instead (to let Cas have something for herself). Top right is Leo patching Em up after she failed to pull off a skateboarding trick she had tried learning to impress the turtles (mostly Leo) while Leo is telling her that she should've been more careful since she's a lot softer than the turtles. Middle left is a drawing of what Emlyn thinks of how Leo would look like as a human, taking a more likeness to Splinter than the others, which was done out of pure fun for her. At the bottom is a drawing of Em dressed up as Heather Chandler for Halloween, having convinced April and Sunita to be Duke and McNamara.

The third image is a what if kind of drawing. It's a mutated Emlyn, her as an otter (or water chipmunk as I kept calling it when I was drawing it). If Emlyn were to ever be mutated, she'd probably end up as a mutant otter.

The fourth image is from Pride Month a while back. I reused the pose from the second image of Emlyn as Heather Chandler and gave her a cute outfit with her flag colors (Pansexual). With Happy Pride Month written above her.

The last image is a drawing of Emlyn ice skating, which is set during the winter episodes. It's one of the few times I've drawn a background. Also, it originally was going to be a full-on comic of her ice skating, but I didn't have the patience or energy at the time to do that, so I changed it to that. I was going to add the turtles in the foreground without obscuring Em, but I decided against it and just have it be understood that the group found her and are watching her skate. (Actually, I struggled to pick out colors for her costume, but settled on blues because of winter then was like, "Ha, blue because of Leo lol.")

#my oc art #my art #my drawings #my oc #my digital art #my tmnt oc #tmnt oc #rise of the tmnt #rottmnt oc #rottmnt #rottmnt leo #rottmnt april #rottmnt oc art #talking about my tmnt oc #repost from main account

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little-cereal-draws · 2 years

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Hi feel free to respond to this privately but Hi, i love your animated videos, especially the shadows ones! What program(s) do you use if you don’t mind me asking and do u have any tips? I would love to start doing animatics but idk how/where to start. Thanks in advance! ^^

Hello! I'm so glad that you enjoyed my videos! My software is not fancy at all and might be a bit of a letdown tbh lol

For drawing I used to use Paint tool sai (which i think is what a lot of ppl use) but it wasn't working right on my computer, it wouldn't let me save my images. I got it off of some Japanese website and it was $19 (USD). Now I use the app that came with my computer. I have a Windows computer. It's called Sketchbook (oOoOh, so fancy lol) and it is limited in terms of brushes and pen pressure but I like it. Very easy to figure out. I also have Krita which I think I had to pay for. I don't remember how much tho, I want to say $15 (USD)?? Maybe? It is much more complex and lets you do things like animate but I don't use it bc I'm too lazy to figure it out lol I know there's a lot of great tutorials online tho. I also know a lot of ppl use Procreate which is much better especially in terms of brushes but it's not compatible w my computer :( Procreate costs $10 (USD) I think.

As for editing, I use Shotcut. It's a free software that I downloaded from somewhere, I don't remember. It is definitely limited in terms of filters, camera angles, and what you can put in it but hey, it's free! The one thing I hate the most abt it is you can't pan. It drives me insane. But it has zoom, text, filters, etc. I used to use Filmora which is also free but is even more limited and I think it puts a watermark on your videos.

Now for tips!

Uhh, I guess the most obvious is practice. I started doing animatics four years ago and I can't watch any of my old ones now, they're so bad lol

Another thing is vary your shot type. If you have a couple ppl doing smth together, do close ups, medium shots, and wide shots. Try different camera angles. It's ok to do the same type of shot a couple times in a row but after a while it can get boring.

An extension of the last point, if a character does smth like knock a thing over or move it or whatever, show the object moving and then their reaction. Reaction shots are very important for character's emotions. Wide shots to establish a setting.

As an extension of that point, watch your favorite show/movie and watch how they film it, when they zoom in, how they frame the characters etc. I've spent so much time doing that lol (WWDITS might not be the best example bc it's a documentary but it should still work pretty well)

In terms of moving characters/making it smooth, layers are going to be ur best friend lol I end up with so many layers when I make a video. It's partially because I'm scared to delete layers in case I need them later but it's also helpful to see a character's last position. If they're on the left and need to move to the right, draw them on the left, copy the layer, and move the new layer a little bit using the original one as a reference point. Continue until they've made it. Same thing if they're moving their hand up or whatever. Use old layers as reference points to avoid jumpiness.

Because animating/drawing in general is hard and time consuming and I'm lazy I try to reuse shots/poses as much as I can. Again if you have a character going from left to right and then later in the video going right to left, save the left to right layers. You can just flip them to make it look like they're going right to left and now you don't have to draw it again! This can be tricky tho bc you don't want your video to get repetitive like I said before. So do it but do it sparingly lol

THUMBNAIL FIRST! This is very helpful. Just make a bunch of little boxes with stick figures mapping out what's going to happen in ur video. It doesn't have to look good at all, it's just so you don't forget what's going to happen/get lost. This is mine for the video of Laszlo and Nadja dancing:

I put notes on this one so I remember what the actions and camera angles are. Since I was copying an already choregraphed dance here, I did that in black and then put in more interesting camera angles in blue on a different layer so it wasn't two minutes of the same full body shot

And uh yeah I think that's it! Hopefully this is helpful!

#asks #animatics #advice #drawing #animating

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tomschoolwork · 3 months

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Ai is not art

Have you guys noticed how often or how much people defend AI? They post so much about how they need to use Ai to make art because they can't do it themselves. Spoiler alert; it's not real and all of their excuses are not valid at all.

Notice this: when defending their use of Ai to make work, they defend themselves saying "We need to use Ai to make sure we can create" they are wrong. Ignore them. They don't need Ai to create, they need Ai to be able to do work without needing to actually put any effort in. They want profit without any effort. Sounds appealing, right? Well here's another term;

artist exploitation.

"Hey, how can Ai be exploiting artists? It's a computer software!"

How do you think they get their sample photos? Ai cannot create without referencing and sampling. And who are they sampling from? Artists! Imagine posting digital art just for somebody to feed it into their Ai so they can turn your work into something else. And it doesn't even look good! Here's an example.

I fed a piece of work into an Ai to rework it. It's my own work and the only person who could possibly be harmed by this is me, and I took this risk. Here is the original.

And here is the Ai's version

Notice how different they are. The Ai isn't capable of recognizing/replicating what the original image was. It is just some smiling anime girls- which is stupid because it was a brother and sister drawing I had done. It also completely reworked their eye colors and made them paler. Also it hasn't realized how color theory works. I had done every color intentionally, the pink and blue represent and complement each sibling and the black also ties them together. The Ai doesn’t understand these and sees 2 figures to turn into anime girls, which- yikes- and overall is disappointing.

Ai isn't helping artists at all.

"But Ai can give the gift of creation to those who can't create on their own!"

While that sentiment would be nice, they aren't creating with Ai. They're essentially rebranding. They rework an image to create. And often times, it isn't a good looking image. Looking back at my image, yeah of course I made mistakes but the Ai also made mistakes. It can't pose the way I had been able to, and because it couldn't it filled in gaps. Imagine seeing somebody be glad they can finally make something, just to realize they're stealing work from others. It's not gonna be a good feeling at all. Those who are really determined to create find alternatives. Some people use their lips, use their mouth to hold the paint brush, use their feet, anything besides using an online program to reuse old work and pass it off as their own.

Also, Ai is being trained to steal jobs from real artists. And it sucks. Some people have been saying Wish by Disney is Ai generated, and let me just say it's not, it's just a disappointing movie. Wish is what happens when a poorly planned movie gets greenlit. Not everything bad is Ai generated.

Artists put a lot of effort into their work, it often takes hours to make and complete. Imagine creating something that took hours for you to make, and then boom; somebody else posts something that looks similar, but took them a few minutes at longest. And what they did to make it was wait for a computer program to spit out their prompt after they opened a program and fed some art to it. Artists would get disheartened and then they would slowly stop posting. If their work gets less traction for more effort, what's the point?

"What can I do to protect my art?"

GLAZE IT

Glazing your art will not at all impact how your art looks but it will impact Ai that are trying to replicate your art. It poisons the Ai, and it warps whatever they try to generate.

And also let artists know! If you see their art being bastardized by Ai screenshot it, report the post and let the original artist know. If you don't know the artist, report the post regardless.

Remember, Ai isn't a fun tool to make art, it actively harms artists! Report it if you see it being used in any way that could possibly impact artists, or other people negatively!

#ai art #anti ai #ai is theft #THIS WAS MADE FOR A UWHSENGLISH CLASS

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doughisaur · 7 months

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This was originally uploaded to DeviantArt on March 28, 2023 and FurAffinity on October 1, 2023. The original description from the DeviantArt upload is below.

A little something I put together for SwissYosh, a pal of mine from Twitter and Discord. We had spoken a number of times about getting something finished for him but thing after thing just prevented me from finishing it. It was a recolor/retrofit of a base I had, but I still felt a bit guilty I didn't finish it, I still desired to make sure something new was done; that's what I wanted to do more for him rather than yet another reuse of my old art.

For the most part, I'm happy with how this came out, but there are days where I feel on my game and days where I feel like I struggle to draw even when I've drawn Yoshis for so many years; it felt like the latter this time around. I also couldn't quite get the pose the way I wanted, I wanted him to hold the flag with both handpaws but could only manage the one. Maybe next time! I also wanted to make the flag a checkered one, since Swiss is very much into Mario Kart, but I didn't sketch that out previously, and didn't want to wing it freely in Paint.NET, so I took the opportunity to make it the flag of Switzerland, which is where he's from and holds in pretty high regard. He loves where he's from and I give him my respect for that. 😃

Anyway, that's about it for this one, thanks for looking!

Happy birthday! Have a wonderful time! Joyeux anniversaire! Passez un bon moment!

#iKYLE #Doughisaur #SwissYosh #Nintendo #Super Mario #Art #Fan Art #Fan Character #Yoshi #Switzerland

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pomrania · 3 years

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For today’s drawtober I decided it’d be fun to draw a mutated cat, batting around the grim reaper. So I watched a bunch of cat videos, sketched out stuff from there; then, from my sketches, built the pose.

These are my doodles. The one on top is before I got any reference, just drawing out vague ideas of what I thought cat poses looked like. Which is better than it would have been last year, but still not especially accurate. The one on the bottom, that’s from after watching cat videos. And also I decided I wanted to reuse the room decor from a drawtober I did last year, so I found that old picture and what stuff would be in there.

#no fandom #not a reblog

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tl-notes · 3 years

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Kobayashi’s Maid Dragon S2 Episode 2 Notes

Here’s some notes for episode two, too, if you’d care to join me.

The “stay quiet” here is 大人し[い] otonashii, which takes the word for “adult” and adjectivizes it. It’s a common word with a variety of meanings, such as when something is “behaving” properly and not raising a fuss (from children to computer code to a chronic disease to political forces, all sorts of things) or when something comes across as “mature” (like a clothing design or a young person).

In this case the idea is that the dragons had chosen to “behave” and mind their own business, which (they seem to assume) led the humans into underestimating them and deciding to attack. (”Stay quiet” probably does a pretty good job of getting that across, but just to fill it out.)

This is 残念ながら zannen nagara, or “unfortunately...”.

The reason I bring it up here, is that it’s not a particularly intimate way of speaking and leans somewhat formal—potentially implying Ilulu has no more close relatives left to give her this news (and/or maybe her family’s social position is one where other dragons had to treat them with respect).

The second line here is 平常心を保つよ、私は, which is a fairly strong declaration of intent. I kind of feel like “I need to keep a clear head” sounds less confident, like convincing herself “ok bad situation, but if I just do this I’m fine.” In contrast, the Japanese imo is more of a “[Ilulu can do what she may,] but it won’t get it to me either way.” Just a mild point of characterization I suppose.

Just for clarity, she does use the word 雄 osu here, which is the more biological term for “in a sexually reproducing species, the one that produces sperm,” rather than a more gender-based term.

The TV show, シャシャシャシャキーン Sha-sha-sha-shakiin, is a combo reference to irl Saturday-morning kids’ variety show じゃじゃじゃじゃ～ン Ja-ja-ja-jaaN and weekday-morning シャキーン! Shakiin!.

The former’s name comes from the Japanese equivalent of ta-dah!, while the latter’s comes from the ”sound” for becoming alert, going from relaxed/sleepy/bored/etc. to “wide awake let’s go.” (though not necessarily sleep/wake related)

If you’ve seen these two emoji:

(´・ω・｀) (｀・ω・´)

The one on the right is the “シャキーン” one, and is the contrast to the gloomy one on the left (ショボーン shobon). Or these, going from asleep to awake:

( ˘ω˘ )ｽﾔｧ… (｀・ω・´) ｼｬｷｰﾝ

In manga and stuff you’ll also see it used for e.g. someone drawing/brandishing a sword, striking a cool poses with a lens flare, things like that.

I think it gets translated to metallic-y sounds in English fairly often in those cases (like drawing a katana, or a mecha pose), hence the translation above.

The verb for “frolic” here is じゃれる jareru (no relation to jajaan above), which is like to play/mess around, typically in a physical sense. For example it’s used in the compound word じゃれ合う jareau, which is often used in the same way English might say “playful wrestling” about kids or animals.

Though the word Kobayashi uses is actually a different じゃれる compound, じゃれつく jaretsuku, which is like playfully/affectionately grabbing/cuddling up/etc., (also primarily regarding kids or animals). There’s a bit of overlap with some of the uses of あまえる amaeru mentioned in the last episode’s notes.

Assuming I had the visuals, I’d probably just write this as “Please not on my lap...” or similar. (Kobayashi also uses a different verb conjugation for Tohru vs. Kanna in this scene, ~つくな vs. ~つかないで; Kanna’s being more plead-y compared to Tohru’s more “cut it out!” feel, hence the “please.”)

“Contact” here is “skin-ship,” a portmanteau-esque combination of skin and kinship or relationship. It’s primarily a Japanese word (you won’t find it in English dictionaries typically), but it was apparently coined by an American speaker at an international WHO seminar in 1953 (from which a Japanese attendee brought it back to Japan and it was later popularized).

The original use of the word was in reference specifically to parent-child physical intimacy, but as it became more widespread in usage the meaning extended to all sorts of relationships, from the platonic to the romantic.

One reason, presumably, that the term caught on so powerfully in Japan is that it has historically been a very touch-adverse culture (at least compared to say the US), and this extends even to parents with their children after the first few years. You’d see (and still see) psychologists recommend “more skinship” to people, for example.

The relative lack of skinship may partially explain the head pat thing mentioned in last episode’s notes (e.g. when you want to touch your kid, but hugs aren’t on the menu) and things like the old “hand-holding is lewd” meme. (Note this isn’t just me getting all orientalist here; there’s been a good bit of research on the skinship gap, and how it may be shrinking, by Japanese scholars.)

This line is also a bit of foreshadowing that Tohru has realized Kobayashi’s... situation already.

The Japanese here is 心と心でつながった後は体ですよ, which I only really mention because I kinda felt like the English’s “Now...” implied she was saying they only recently ‘connected their hearts,’ which I don’t feel from the Japanese wording and would say is probably not how Tohru thinks. E.g. more of a “Our hearts are already connected; now it’s time for our bodies!” kinda thing.

This 3/3 is March 3rd, which “equals” ♀ because that’s the date of Hinamatsuri, sometimes also referred to as Girl’s Day. The third day of the third month was originally a holiday brought over with the Chinese calendar, and it morphed from a more spring/peaches holiday into it’s more girl-oriented version at some point in the Edo period.

One of the highlights of Hinamatsuri is the doll displays, as pictured in this short bit with the Saikawa sisters. There are various types of displays, but this sort of staircase arrangement is the most common I believe. Each level has a certain type of doll that goes on it, with the top level having an “emperor” and an “empress” doll—which is the pair Riko replaces with dolls of herself and Kanna.

There’s some similarities between these doll displays and stereotypical Christmas trees: a family is likely to have a set of ornaments/dolls they mostly reuse each year, you put them up some time in advance of the actual holiday, then get lazy and leave them up too long put them away for a year after it’s over. A lot of businesses and such will put up displays as well.

“The judge in the underworld” is left vague here and isn’t a specific reference to anything, but is generally in line with the typical “image” of what happens after you die (setting aside actual religious beliefs) in Japan.

Please see the documentary series Hoozuki no Reitetsu for more info.

As of right now in the anime, Ilulu has only shown up twice, and only once of those when Kobayashi was alone. The implication seems to be that there have been other Ilulu encounters that we haven’t seen.

Also, for clarity, the Japanese is 私が一人の時にいつもイルルは来るから, which is more of a “whenever I’m alone Ilulu shows up” than a “she only shows up when I’m alone.” (The English could sorta be read either way I think?)

This bit is それだけじゃないって、争い以外もあると思ってくれているからだ。私はそんなトールを信じているから…　だからその為にイルルと和解したい

The main point of contention I have with this English is that it implies Kobayashi wants Tohru and Ilulu to make up. However, I’d say this is more Kobayashi wanting to come to terms with Ilulu herself (and just by extension Tohru/the other dragons/maybe other humans).

That is, by making peace between herself the human and the “hostile” dragon Ilulu, she’d be helping prove Tohru’s belief correct—and she has faith in Tohru that it is (see also last season finale).

(Notably while Tohru is Chaos faction herself, there’s not really been another Chaos dragon yet to be convinced like this. Kanna is no-faction, Fafnir is technically no-faction even if Chaos-ish, Quetzalcoatl is an observer, Elma is Harmony, and Tohru’s father is an exception on multiple levels.)

Without getting too deep into the “why,” one quick thing I’ll point out is that she says 和解したい wakai shitai, not してほしい shite hoshii or させたい sasetai etc., meaning it’s something she wants to do herself, not want/make someone else do. Generally speaking you can’t use the ~たい “want to” form for anyone but yourself (you don’t know what anyone else is thinking, after all), unless quoting them, asking, or in the ~がる “seems to want to” form.

This is a 防犯ブザー bouhan buzaa, a crime-prevention buzzer, also known as a personal or self-defense alarm. They emit a very loud sound when activated. The idea is you, well, use it like she does here, when someone is trying to do a crime to you.

Since most Japanese children walk to school, it’s extremely common for these devices to given to students (either by parents or a gov’t body). It’s technically recommended for adults to carry them too, though the advent of the mobile phone has driven down carry rates.

This particular one was probably purchased in episode four of season one, if you want to rewatch and see why!

This is 私にぶつけたい気持ちでもあるの？in the Japanese.

The verb for “tell” is ぶつける butsukeru, an evocative word meaning ~to slam against (somewhat similar to “vent” in English when used with emotions/feelings).

The “something” is 気持ち kimochi, ~emotion/feeling/thought.

So the Japanese here feels a lot more expressive than "something you want to tell me,” I would say (that could just as easily be a translation of 話したいこと). That said it’s not an easy thing to express in English within the confines of the format here, especially if you want to keep the “target = ‘me’” part.

It might feel somewhat like “You got something bottled up you wanna hit me with?”, though I doubt if I’d use that either.

As a side note, the manga has Kobayashi say an extra line after this, about being the “main tank” to take her “hate” (Japanese for “aggro” in MMOs).

A small note that “that girl and that boy” is あの子とあの子 ano ko to ano ko, so no gender specification in the Japanese (it’s a good language for talking about people without specifying a gender!).

“Next time” here is 今度 kondo, which is an interesting word because you can situationally use it for “recently,” “this time,” “next time,” or “soon.”

The reason I bring it up here is the English “next time,” personally, leaves me thinking “Was there a previous time? What ‘next’ do you mean?”—just a heads up that that’s not really an issue in the original line.

Also: this whole extended scene with Kobayashi saving Ilulu is one of the “many senses” mentioned in the episode title. (see also episode one notes re ikemen)

As an aside, this "play” is じゃれ合い jareai, the noun form of the jareau that was mentioned in the above “frolic” note.

If you were wondering: “Do dragons use paper?”, the word here is 形骸化 keigai-ka, (almost) lit. ~reduced to bones, meaning something that once was strong/effective is now basically just a formality. It’s similar to the phrase “dead letter” in reference to old laws that aren’t really enforced anymore.

So two potential points of ~lore relevance~ here: 1) the rules probably used to be enforced, 2) we have no evidence (either way, from this) that they actually have them on paper somewhere.

こりゃトールの父ちゃんは本格的に優しかったみたいだな

This might just be me reading too much into the English (again), but one difference in nuance between these two lines is that the English has Kobayashi implying Tohru’s dad “seemed” kind (which implies he’s not really kind, just kind in contrast to this villain), while the Japanese is more taking this as evidence that Tohru’s dad was actually being kind (see also last season finale).

For those wondering if the みたい in that line would imply a “seems”: it sort of does, but it applies across the whole observation here. I.e. “seems Tohru’s father was genuinely nice” vs. “making Tohru’s father seem genuinely nice” (which I’d guess would probably use 優しく見えてくる or something).

When you see “underestimate” in anime, most of the time it’s なめる nameru. It comes from the verbified archaic adjective 無礼し nameshi, meaning a combination of looking down on, acting rude towards, etc., and uses the same characters as “rude” (though often written in hiragana/katakana).

It also is a homonym of the verb “to lick,” so “Don’t underestimate humans” sounds identical to “Don’t lick humans.”

“Functional member of society” is 社会人 shakaijin, ~lit. person of society, which is a very commonly used word to refer to basically anyone who is an active member of society. It includes homemakers, so it’s not strictly “has a job at a company,” but in many contexts it’s used like “people with jobs” versus “students and NEETs.”

(Not that there’s anything wrong with the translation, just some extra context.)

A technique reminiscent of this shadow puppet silhouette style was also used in Hyouka, another Kyoani show and one directed by the late Series Director Takemoto Yasuhiro.

I kind of feel like yelling “Stay with me!” at someone injured is something you do when they’re in danger of fading away, not when they’re waking back up? Maybe that’s just me.

The Japanese is お気を確かに o-ki wo tashika ni, a polite (since Tohru almost always speaks kinda formally to Kobayashi, as part of the maid thing) way of saying “pull/hold it together,” and is used in a variety of situations.

Kanna’s line is a question (e.g. like “are you okay?”) in the Japanese here, whereas the English sounds more like something you say to someone who’s injured to try to reassure them.

This line is その子離れようとしないんです sono ko hanareyou to shinai n desu.

The English is a pretty literal translation: hanareru is the verb for leaving/separating (in some senses), and the ~you conjugation means “try to ~”. However, that conjugation also has a second use in just indicating intent—especially when used in the negative, like here—so e.g. “She didn’t want to leave your side,” or “She wouldn’t leave your side at all.”

（◎Д◎）

Just in case: this is an emoji for expressing shock.

One thing that is left out of the English in this line is the だけ dake, “only.”

So Kobayashi’s not necessarily surprised at this by itself, but in contrast to the fact that Tohru says she probably can hide her claws/tail (so why not this too?).

The base phrase Tohru is saying here is 私たちの仲じゃないですか, which roughly means “that’s just our relationship,” and is used commonly when being thanked for doing a favor for someone close. It’s similar in meaning to something like “hey of course, no problem, I know you’d do the same for me.”

Tohru puts a little spin on it by adding the “eternal” to make it 永遠の仲, which is a separate phrase that means probably what you’d think it means.

This quick cut to Tohru’s feet and the light “foot pop” motion... I have a hard time believing it’s anything but the director trying to give some subtle “goodbye kiss when leaving for work” vibes, even if they aren’t literally kissing. Just me?

Here she says あのトール ano Tohru, lit. “that Tohru,“ which in this sort of context carries a meaning similar to using an italicized “that” in English: not just any Tohru, but that Tohru, the famous one. The implication is that yes indeed Tohru is well-known among other dragons—and known to be quite strong and merciless.

It’s not a particularly big deal, but technically this is 人間と, i.e. Living with.

The ball hands thing is generally thought of as “Doraemon hands” in Japan. Doraemon gets the name from the food “dorayaki,” but “Dora” is also how you pronounce the first two syllables in “Dragon” (ドラゴン doragon).

Keep this in mind.

挨拶 (あいさつ) aisatsu, often translated as “greeting(s)”, is a lot bigger of a thing culturally for Japan than it might be for where you live. Though translated as “greetings” it also includes farewells and more. Basically a general term for “in X situation, say Y” style semi-set phrases.

In more traditionally minded companies, for example, employees are often expected to give a rote ohayou gozaimasu when they arrive (even if they think no one is around to hear it), and may get chewed out for not doing so or half-assing it. Then when passing someone in the hallway etc., an otsukare-sama desu, and yet another phrase when leaving for the day. Also the ittekimasu and itterasshai (when leaving home/saying bye to them) or tadaima and okaeri (returning home/welcoming back) that probably many anime-watchers are familiar with. Even itadakimasu is an aisatsu.

Obviously every culture utilizes “greetings” like this, but in Japan they’re pretty heavily ritualized and treated as a cornerstone of human relations, a key part of showing respect for your fellow humans (even people you hate!) and ensuring the smooth working of society. It’s not the thing they chose to have Tohru put first in her “living with humans [in Japan]” notebook for nothing!

The English “the” is a popular word to use in Japanese as an intensifier, similar to how it’s used in a sentence like “this isn’t just an [example], it’s the [example]!”

It’s usually pronounced “za” and often written that way in katakana (ザ) for this usage. (If you type “za” in a Japanese IME, most will offer up “the” as one of the options to convert the text to, even.)

The word she says here is 喝 katsu, which, in this sense, is a stereotypical thing for a Zen teacher to say to a student as a stand-in for explaining some deep Zen concept that words can’t describe. So here, it’s kinda like “Yes this may seem contradictory, but really it’s just too complicated for you! No more questions!”

Obviously that’s oversimplified and it’s used in other ways too (see Saikawa’s father during the sports festival), but just for the purposes of this joke, there you have it.

The word used in the Japanese here is 建前 tatemae. If you’ve ever studied any Japanese, you’ve likely heard about honne vs. tatemae, your inner feelings vs. the front you put up for social reasons.

People new to the language are sometimes prone to approaching that distinction with “well why doesn’t everyone just honne all the time, why play games?”, but of course almost everyone splits themselves like this. You probably hate your boss, but you also probably don’t tell them that to their face to avoid getting fired. Or maybe you have some family members you can’t stand, but act nice around anyway because it’s not worth the trouble to start fights.

Japan just put names to the idea, and maybe leans a little more toward encouraging tatemae in more situations.

This is せいぜい悩むんですね.

せいぜい seizei as an adverb means doing something to utmost extent one is capable of. You’ve likely heard it from a villain somewhere saying something like “Struggle all you like, wahaha!”.

Though it’s not necessarily down-talky like that, in modern times that is the trend (you can use it for yourself no problem, but if used to talk about someone else’s actions it may come off as belittling). Tohru, as one of the strongest beings in the setting and with the pride to match, uses it a lot.

悩む nayamu is to worry, fret, ruminate over (some difficulty etc.).

The sentence in general is one that is highly context dependent, but here it’s Tohru thinking to herself, somewhat impressed, that Ilulu is actually putting serious thought into the question of what she wants to do with her life.

And, as the background suggests, finding it surprisingly adorable/admirable; up until just a few days ago, Ilulu was known as one of the most extremist Chaos faction dragons obsessed with nothing but destruction, yet look at her now. In a way, Tohru’s taken over an older sister kind of role for her.

(For the curious, if the ね was dropped or swapped to a よ here, that would imply she was directing the comment “at” Ilulu, rather than saying it in observation.)

The word here is 契る chigiru, which usually means to swear/pledge (e.g. swear a pact, pledge your love), but can also be a somewhat fancy word for having sex, especially of a married couple.

I feel like I personally would have used more of a euphemism for the translation.

The phrase here is ダメの助 dame-no-suke, where dame is no/bad/can’t do/useless, and (no)suke is a common ending to first names; both actual names and sort of on-the-spot nicknames; someone looking sleepy might be called a 寝坊助 nebou-suke in the same way as “sleepyhead.”

Or, as here, sticking to the end of things for comedic effect or as indication of a panicked/confused thought process.

（ ° ρ ° ）

Just in case: this one is also expressing shock, but a kind of dumbfounded shock. The ρ is a drooling, slack-jawed mouth.

In the next episode preview they talk about where Ilulu will sleep, since they don’t have room for another bed. Ilulu wants to sleep in the closet—or more specifically, the 押し入れ oshi-ire, which is a particular closet layout you’ll find in many Japanese bedrooms.

The typical difference is that an 押し入れ was originally designed for 和室 washitsu, traditional-style Japanese rooms with tatami floors, primarily as storage space for folded-up futon/blankets/pillows, as you would put those away during the day to free up space. Thus they typically are rather wide, mildly deep, and have a waist-height, solid horizontal divider capable of supporting a lot of weight.

They actually are pretty okay for sleeping in if you’re not claustrophobic or tall.

Anyway, I bring this up because you know who else very famously sleeps in one of these? That’s right: Doraemon.

#maidragon #kobayashi's dragon maid #kobayashi-san chi no maid dragon #miss kobayashi's dragon maid #anime #translation notes #season 2

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falloutsketchysecretsanta · 3 years

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Sketchy Secret Santa: THE HOLIDAY PROMPT!

Friends, fans, and followers-- it’s finally here! The time you’ve all been waiting for! The anon function is off, the request window is OPEN, and the prompt is HERE!

For those who have never participated in a Sketchy event before, let me break it down for you. Sketchy Secret Santa is a Fallout Fandom Event where you send in a sketch request to our group of volunteer artists to whip up a nifty gifty for someone else as an anonymous surprise! If you’d like more information, here’s a link to our info post.

And now, let’s get into the meat of THIS post. How to send a Valid Request, the Do’s and Don’ts, the Prompt List itself, and What to expect after you send a request in!

[Read more to keep dashboards clean]

To Send a Valid Sketchy Secret Santa Request, Please Send an Ask Including The Following:

WHOM the request is for. ---- At current, we are only making requests for people on Tumblr. We’ll need their username so we can @ tag them with the finished work when it’s posted.

The character[s] you’d like sketched up ---- All characters welcome! Canon, OC’s, everyone is fair game so long as it’s Fallout! ---- MAXIMUM FOUR CHARACTERS PER REQUEST. Our artists are working on a volunteer basis, and more figures means more time. ---- Is a request intended to be shippy? Let us know! We don’t read minds. ---- Poly? Found family? Hell yes! Just make sure to let us know the relationship context for the request. All genders and sexualities welcome, so long as everyone is a consenting adult.

1 [ONE!] Item from the prompt list below ---- The prompt list is both to give the artists direction and to limit the scope of what can be requested, keeping things manageable. ---- The items on the prompt list can be considered INSPIRATION, and what is drawn is up to artist interpretation of that prompt. ---- Do not dictate specific poses, colors, or situations. These are freebies, not commissions. All specifics are up to the volunteer artist who takes your request. ---- Do not dictate a specific artist to fulfill your request. Artists are operating on a self-directed basis and are, again, volunteers providing freebies to spread holiday joy. If you want work from a specific artist, might I suggest checking their commission status?

[OPTIONALLY!!] Tell us what holiday traditions the requested characters keep. ---- While there are various holidays on the prompt list, those are general AF prompts. Telling us what holidays an OC celebrates, or what holidays you HC a canon character to celebrate is additional character context and EXTREMELY ENCOURAGED, and does not replace the prompt. It’s like reference information-- telling the artist whom they’re drawing.

Please Do:

Be polite! Say please and thank you, be kind to the askbox managers, ect. Everyone working on this project is doing so on a volunteer basis.

Be patient. Depending on what kind of traffic we see right off the bat, it may take a hot second for your request to be accepted.

Be present and ready to provide ref information! If you request an OC for a friend, we’re going to need reference material for our artists to work with! Have files ready upon request, and be prepared for one of our helpers to request that information through the Tumblr IM [check your blog settings and make sure you’re set to accept messages]

Be kind. We’re going to do our best to get to every request we can throughout the month, but please don’t be upset with us if we can’t serve everyone.

Please Don’t:

Try to circumvent the rules. Just don’t.

Be an entitled jackass. This is a volunteer holiday event. We’re gonna do our best, don’t be a jerk if there’s mix ups or we don’t get to your request.

Try to request for yourself. The whole point of this event is do something nice for others.

Ghost us. Please, please don’t send a request in and then ghost the staff of the event. Nothing kills morale quite like a participant dropping off the map without a word.

Okay, are we through all the rules stuff? Then onwards to...

THE PROMPT LIST!

The following is a list of words, phrases, ideas, and memories brainstormed by our team of volunteers to give the requests direction and verity. You may pick 1 [ONE] per request.

Christmas

Hanukah

Kwanza

Samhain

Keeping Old Traditions

Ghosts of Christmas Past

Drifted Myths

Twisted Christmas Tales

Deck the Halls

Making Decorations

Repurposed/Reused/Recycled

Junk into Jolly

Improvised Christmas Tree

Nuka Cola Christmas

Santa Spotting

Holiday Clothes

Ugly Sweaters

Posing for Pictures

Gift Exchange

Present Scavenging

Firelight

Thawing out

Tending the Bonfire

Lights

Unexpected Kindness

Little Mercies

Rare Reunions

Community Celebration

Found Family

Oh Shit I’ve never had real friends during the holidays before

Holiday Meal

Baked Goods

Potluck

Fireside Cooking

Kitchen Catastrophes

Pound Cake

Feasting Aftermath

Holiday Mischief

Brahmin Tipping

Stolen Pants

Pet Dress-up

Mistletoe Mishaps

Someone is kissing Santa

CUI [Caroling under the Influence]

Holiday drinks

Holiday drunks

Is that supposed to be glowing

Candlelight and Snow

First Snow

Noob in a Snowball Fight

Soaked Through and Freezing

Snowed in

Antlers

Pinecones

Fire and Ice

Tropical Transplant

Ringing in the New Year

To New Beginnings

Celebratory Toast

Watching the Clock

Fireworks

Reinvention

Hokay! So you’ve gotten this far-- you know WHO you wanna request for, WHAT you wanna request, you’ve picked something from the PROMPT LIST, and you’re ready to SEND IT IN!

... So what happens after you send your request?

The mods on this blog will add it to our list, and answer your ask PRIVATELY to confirm your request has been added. At the time of the confirmation, we may ask for additional OC reference information, if an OC was requested, or request clarification on relationship context between the requested characters if more than one character was requested. Be ready to correspond with us, and have reference material ready for OCs!

Once your request is confirmed, you’re all done! The rest is up to us. Finished requests will be posted on New Years Day, @ tagging the gift recipient and no one else, leaving the requester entirely anonymous.

Thank you so much if you choose to participate. The request window is open until December 25th. We’ll be working hard until the very last day.

We wish you all a happy holiday, whatever you celebrate, and a happy New Year!

#Sketchy Secret Santa #Fallout Sketchy Secret Santa #Prompt Post #HOLIDAY PROMPT POST

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jupitermelichios · 3 years

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What I’d change about Rise of Skywalker

To be clear, these are changes I’d make to the existing script, not what I would have written instead. We can all agree Sheev coming back was, at best, a bit dumb, I’m also fully aware that a lot of people disliked TLJ for a variety of reasons and wanted ros to retconn more stuff, but this is not an attempt to change any of that. I’m taking the basic structure of the movie and shifting stuff around to create something I think is tonally and thematically more in line with the overall trillogy.

Also i’m aware the extended universe is sort of canon-until-proven-otherwise at the moment but as far as i’m concered there was a DC style crisis and it’s now open season on worldbuilding elements

- Starting right at the very beginning, our opening crawl is now just about immortality being one of the secret sith powers Sheev kept hinting about in the prequels

- Our very first sequence in the movie is now a (short) montage of Sheev sending psychic messages to members of the First Order, telling them to join his secret sith club. It’s not just Kylo, this is a thing he’s just generally doing, Hux, Pryde, Kylo, random Storm Trooper number 7, they’re all getting this same message.

- Kylo buggers off to go murder Sheev, because Snoke never actually let him graduate (or whatever modern sith do) so he’s not actually a sith lord, but he’s like ah, new/old sith lord is in town, I go kill him and I get to take his title by right of conquest rule of one styley, and also take out a threat to my power base. Also in the one scene we see of him interacting with the first order it’s pretty clear he actually really fucking hates being in charge, so a mission to kill Sheev is looking super win-win

- The reason Exigor is sacred to the Sith now, the reason Palpatine’s able to communicate accross planets, and the reason he’s still alive (ish) are all the same - the planet “has a heart... oF KAIIIBURRRRRR!” (yes the line should be delivered exactly like that) that amplified force powers

- Instead of just being Ian McDermott in white facepaint, Sheev’s design draws heavily on Darth Nihilus or Darth Sion, his body is dead or maybe nonexistant depending on how gross they’re prepared to go. The point is, the answer to the question ‘how the fuck did he survive?’ should be essentially ‘he didn’t’; he’s a consiousness and a fuckton of willpower and not much else

- We establish a temple/cult in this universe that worships twin gods and are generally all about balance and shit coming in twos and they think force diads are sacred. I’m thinking someone at the temple has resistance information, and when Rey and Poe visit, Poe goes to talk to the contact while Rey meditates and sees Luke’s ghost who tells her how he and Leia came here together and about their belief system and how there are different ways of connecting to the force than just being a jedi, setting up the plot point of the diad, our theme of ‘the people we love are never really gone’, and also laying the groundwork for what’s going to be a second theme of building something new rather than repeating the mistakes of the past, by establishing the sith/jedi dichotomy isn’t the only possible path to take.

- Rose and Finn are bored and stuck on base while their friends are on this mission, so when they get a distress call from a minor First Order base they go off to investigate. They find Hux, who’s been ousted in a coup in favour of the First Order just straight up following Sheev after Kylo wondered off, who promises them information. At this base, Finn also sees some young storm trooper cadets.

- Back at the rebel base they all meet up and Hux (who they’ve taken prisoner) tells them about Sheev being back, which they didn’t know about because he’s only been speaking to bad guys.

- Leia is already dying, Rey is super upset about it and during an accidental mind share, Kylo finds out and tells her Sidious knows how to heal people by transferring life energy from one person to another. The healing thing is specifically a Sith power this go around. We get a moment pretty soon after during a mission where someone gets injured, probably Finn, and she figures out how to heal them based on the hints Kylo gave her

- Also this time Leia still isn’t a jedi but not because of a prophesy, it’s because she disagrees with their philosophy, which is going to be relevant later. We get a line to the effect that ‘Luke didn’t grow up surrounded by the legacy of the Jedi’s failings, I did’

- The weird knife thing isnt anymore, it’s just a hollicron now, and the whole bit with both Lando and Rey’s parents and the bonty hunter are removed to give us breathing room elsewhere, it’s just a more tradtional fetch quest now.

- In order to get the holicron translated, Poe’s like “you’re not going to like this, but I maybe know a guy from doing undercover missions”, and takes them to Black Sun to speak to Darth Maul, that’s right, Darth Maul is here now, and he helps them because his prosthetics are breaking down and Rose fixes them and saves his life. Also he’s pretty pissed at Sheev for getting him killed so he’s totally chill with them killing the guy.

- The Hollicron tells them that the last known map to Exigor was stored in the archives of the temple of Corisant.

- They go to the ruins of the temple, a place that is both nostaligic and also has actual character significance to kylo and ties into our theme of how the jedi and the sith are both a bit shit, and even though it makes more sense for it to have been cleaned up, it’s full of little baby skeletons from Anakin’s massacre, just for the drama of it

- Rey and Kylo fight, he taunts her again with the promise of healing Leia, but this time Rey uses their bond and her knowledge of how to talk to force ghosts to basically force Kylo’s third eye wide open so he’s hearing a hundred force ghosts all at one, stabs him while he’s distracted, heals him, and then she fucks off, leaving him to talk to the force ghost of Anakin, who tells him he’s a moron who’s falling for the same bullshit Sheev used on him

- Rey joins up with the others, but at the Rebel base Hux has managed to escape and shoots Leia (it’s dramatic and she dies saving someone but it’s not actually particularly plot relevant so imagine your own death scene of choice here), and obviously Rey feels it

- At this point the gang split up, Poe and Rose go back the the Rebels because they know they’ll be needed, Finn goes off to rescue the storm trooper kids he saw earlier (yeah I’m adding a subplot what’re you going to do about it), and Rey goes off to fight Palpatine

- In the temple, Leia appears to Kylo as a force ghost while he’s doing dramatic ‘i can’t go on’ kneeling pose and gives him a little pep talk and name drops the title

- Finn goes to the first order base, finds the kids, and the little ones are on board with escaping but then they run into some teenagers who actually have guns and it cuts away on a ‘will they turn him in?” cliffhanger

- Rey arrives in Sheev’s big cave thing, tries to fight him but he’s all ‘the jedi could not defeat me before, what makes you think they can now when you’re barely more than a padawan’ and force lightnings her a bit. They’re not related in this universe, he just wants to steal her lifeforce to heal himself more because she’s powerful

- Turns out that the First Order have been tracking Hux, so they know where the Rebel base is so there’s a big space battle going on, and the First Order don’t even have any fancy secret weapon but there’s a lot of them and there’s not enough Rebel ships left after TLJ. Poe’s up in the air flying even though he’s the boss now, and Rose is on the comms trying to contact allies

"This is the Rebellion, please. In the name of Leia Organa, we're calling you. Please, if there's anyone out there. For Leia Organa, for Luke Skywalker, for Amilyn Holdo, please…" and then when there's no response, in tears, she whispers, "For Rose Tico, please!"

There's a beat of silence, and then the radio crackles to life.

"Rose Tico calls for aid, and Black Sun will answer."

A moment later another, "Leia Organa calls for aid and Cloud City will answer."

and then a moment later, “The Rebellion calls for Aid and the Free Troopers will answer” and we cut to Finn in a stolen First Order ship full of the trooper cadets of all ages.

A makeshift amada joins the fight, same as in the original version, and rose and circular briad crown girl who’s also been trying to call for back up hug in celebration and have a very brief ‘oh wait maybe i’m into you’ moment

- Back on Exigor, Kylo arrives to find Rey on the floor, dying. He takes her hand and we see them as spirits, surrounded by the flickering memories of their lives, they’re seeing one another properly for the first time, and they ackoledge one another as twins via the force (personally i’d make them explicitly siblings, by force if not blood, here to carry on the proud star wars tradition of ambiguously incestuous twins, but that might not fly with disney execs in the the 21st century), and then he gives her his life force to heal her and his last words are a title drop again, mirroring what Leia said to him, because this movie is cheesy as hell

- "The power of the Jedi could have lived in you, as the power of the sith lives in me. But instead you threw it away, for what? For that pathetic little boy? He was no more a true sith than you are a true Jedi!"

"I don't need to be a Jedi. The force is with me, and I am with the force. You have the sith. I have all that was and is and will be!"

Behind her force ghosts begin to appear, but not just jedi. There is as many of the Skywalker clan as we can get (including some reused green screen footage of Carrie Fisher), and Rose's sister, and Han, and people visually implied to be Poe and Finn’s parents, and Holdo, and behind them hundreds of others. Basically if we can afford them, they’re cameoing here, alongside a load of extras. And last of all, standing beside her is Ben.They exchange a look, and then Rey strikes. Palatine tries to force lightning her but it doesn't work, and she presses her hands to his cloak, pulls the life force out if him. Thes a terrible screaming and we see glimpses of the other sith, before they dissipate and the robe falls to the ground.

And obviously the space battle also gets definitively won at the same time, this is movieland, I’m thinking Finn and Poe have to coordinate an attack that relies on Finn using the force is that vague ‘jedi’s are all amazing pilots’ way episodes 1 and 4 both used

Oh and then at the end they’re all celebrating back on the Rebel base, and Finn starts to hit on Rose and she’s like “I’m not the one you want to say that too, also you’re not my type” and smooches circular braid-crown girl who’s been in the background of all these movies with nothing to so

Finn joins Poe and Rey and they all hug in the same ambigiously-poly way they did in the original, and then Poe’s like “I’m sorry about Kylo” kind of awkward because he still hates the guy but he knows Rey doesn’t, and Rey’s like ‘I’m not, the people we love never really leave us’

and then the final scene, Rey is carrying Kylo’s lightsabre and lays Luke’s and Leia’s on the altar of the temple of the twins, and goes to ask the priests to tell her about their religion, with the implication that she’s starting to build her own new version of the jedi

(and if I was disney this would totally be the set up for a new animated series about Rey travelling around the galaxy meeting new weird alien cultures and learning about what cool force powers they have, and the knights of Ren can be the bad guys, and sometimes she’ll come and help Finn and Poe and Rose with trying to rebuild the galaxy. And then they have to take out Black Sun in season 2 and it’s all super dramatic because they were allies sort of and had cameos, and now rey and maul are forced to have super cool spider-legs lightsabre battles instead)

#long post #rise of skywalker #ros #script doctor #star wars #its not perfect by any means #i did like the 3po and chewie screen time from the original that i cut here #but it gives rose and finn a reason to be in the story #genuinely shifts the status quo in a way the original didn't #and cuts a fair amount of unecessary faffing about #i wanted it to be more of an ensemble cast #there's a lot of good characters in this movie #but ros just didn't make room for them all #i also tried to make things a little bit less contrived #i'll admit part of these changes may actually just be because i'm more nostalgic for the prequels than the original trilogy #but i also felt like the parallels they were draweing between anakin and kylo #made havig references to the preqels make a lot of sense

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ducktracy · 3 years

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184. the woods are full of cuckoos (1937)

release date: december 4th, 1937

series: merrie melodies

director: frank tashlin

starring: mel blanc (owlcott, walter finchell, milton squirrel, wendell howl, fox, raven mcquandry), tedd pierce (ben birdie, tizzie fish, andy bovine), sara berner (polly gillette, canary livingstone)

this cartoon gets the honorable award of possibly being the most dated warner bros. shorts in its vast repertoire of cartoons. not to worry! this will be a fun cartoon to unpack—i love delving into the shorts that involve extensive research. learning something new is something that‘s very rewarding to me, and i hope it is to you, too!

a giant ode to the short lived radio program community sing (lasting from 1936-1937), the short chronicles a woodland radio show hosted by a variety of caricatured animals putting on various acts.

iris in to the ringing of a bell. a pudgy, bespectacled owl rings it as he stands illuminated by the moonlight, preaching to all of the woodland critters, ready to start the show. he introduces himself as “owlcott”, a take on commentator alexander woollcott. he “blandly announces” (his words, not mine) the introduction of the master of ceremonies, ben birdie--a bird caricature of radio personality ben bernie, “the old maestro”.

birdie’s caricature is not new to audience’s eyes. the caricature, along with a handful of others, is reused from friz freleng’s the coocoo nut grove from 1936, a short that is very similar in vein to this one. tedd pierce provides birdie’s suave, velvety vocals as he introduces the program, only to be interrupted by the nasally cries of mel blanc. out pops walter finchell, a caricature of bernie’s faux-enemy walter winchell, both of whom carrying a notorious (and fake) feud in the radio-verse. it was common for winchell to interrupt the smooth-talking bernie, either throwing pranks or remarks his way, to which bernie dismissed every time. indeed, a signature tashlin upshot angle reveals finchell dropping an egg on top of birdie, who blocks it nonchalantly with a handy umbrella.

art loomer’s backgrounds for the cartoon are absolutely gorgeous. they’re vibrant in color, very lush and painterly, but remain playful and sophisticated at the same time. they certainly serve as a highlight to the short. and, as always, carl stalling’s scores are a blast to hear--his sardonic, wah-wah rendition of “cause my baby says it’s so” is a jolly juxtaposition to the prior score of “love is on the air tonight”, the latter being the song’s cartoon debut. it would be reused in cartoons such as the daffy doc, whereas “cause my baby says its so” was heard previously in rover’s rival.

birdie introduces a clever squirrel caricature of milton berle, whose routine gets interrupted by a little parrot named polly. polly is a take on eileen barton’s character, little jolly gillette, who was portrayed as the daughter of the show’s sponsor. polly and milton go through their act together, polly bluntly (yet innocently) announcing “my daddy says ya gotta let me sing ‘cause he’s a sponsor!” you can listen to real recordings of their banter here!

volney white’s animation of milton and polly is lively and jovial, constantly moving. milton energetically introduces us to our next star, pointing in the wrong direction and fixing it last second as he gestures towards a bird caricature of country singer wendell hall.

even if viewers don’t recognize the bird’s counterpart, they will most certainly recognize his voice--mel uses his foghorn leghorn voice for wendell “howl”. of course, foghorn wouldn’t debut for another 9 years, but that’s another story. the animation of the raucous bird is fun to watch as he extends his neck and wraps it around in coils around the microphone stand. random? yes, but fun nevertheless.

perhaps even more commendable is the staggering crowd shot that succeeds wendell’s scenes. the crowd is mirrored horizontally, but that doesn’t lessen the blow from how claustrophobic it is. wendell asks the audience to get out their songbooks and turn to page “22... no, page 44. uh, no, uh, page 28. uh, 42, uh, 36, uh, 45...”

wendell is transformed from an entertainer to an auctioneer, spitting out numbers at rapid pace as his crowd frantically tears through their songbooks. finally, he concedes. “oh, never mind. we won’t use the books.” off screen, the crowd roars in unison: “OH YES WE WILL!” with that, wendell is generously showered with a barrage of books, buried in the pile of rejected papers. the timing of the scene is comedically sharp and energetic, one of the more entertaining acts of the cartoon.

now, for the real song number, lead by goat and bear caricatures of billy jones and ernie hare (would a rabbit caricature be too on the nose?) respectively, animated by volney white. they march out onto the stage--er, tree trunk--and open the curtains to reveal a sing-along to the eponymous song. thus, the camera pans into the lyrics as everybody bursts into the all-too-earworm-causing song number.

as the crowd, ben birdie and walter finchell all lend their voices to the song, a fox caricature of fred allen sings “swanee river”, clashing with the unity of everybody else. in a nod to friz freleng’s toy town hall where the same routine was executed, a little bunny excitedly coos “ohhhh, mr. allen! you’re singing the wrong sooooong!” the fox bursts into everybody’s favorite Mel Blanc Yell as he repeats a frequent ‘30s catchphrase: “WHY DON’T SOMEBODY TELL ME THESE THINGS!?”

featured in the song is a seemingly interminable cast of celebrity caricatures, all introduced as the camera pans across the screen, each lending their voice to part of the song. some puns require more effort than others (dick powell as “dick fowl” rolls off the tongue better than al jolson as “al goatson”). caricatures include:

eddie cantor as eddie gander, sophie tucker as sophie turkey, w.c. fields as w.c. fieldmouse, dick powell as dick fowl, fats waller as fats swallow, deanna durbin as deanna terrapin, irvin s. cobb as irvin s. frog, fred macmurray as fred mcfurry, bing crosby as bing crowsby, al jolson as al goatson, ruby keeler as ruby squealer, lanny ross as lanny hoss, grace moore as grace moose, and finally lily pons as lily swans.

speaking of grace and lily, they’re both highlighted as they fight to out-perform each other, seeing who can sing the highest note. tashlin pulls of a rather intriguing camera move: as the pan settles on the two of them, the background changes. it’s a subtle maneuver, but smart thinking nonetheless--especially since the camera extends into a vertical pan. as both women fight to sing the highest note, their necks extend, both of them scaling high into the night sky, harmonizing on one final shrill note. they both crumple back into the stands, exhausted by their efforts. some fun exaggerated animation for sure--one wonders how much further this would have been pushed had this been tashlin’s second stint at WB rather than his first. his speed often rivaled, if not out-performed, tex avery’s.

birdie and finchell have a brief interstitial together before making way for a raven caricature of haven macquarrie (raven mcquandry). his sequence is almost jarringly short, but full of fun drawings and poses--the pose of him standing curtly with his arms crossed is awfully reminiscent of izzy ellis’ work under tashlin and later bob clampett in the mid ‘40s. mcquandry asks “do YOU wanna be an actor?”, parotting the name of his real life counterpart’s show so do you want to be an actor? the audience shouts “NO!” in unison, causing mcquandry to do a take and shrug dubiously. though the scene is only a few short seconds, the animation brings forth some much needed vitality.

next is a penguin caricature of joe penner, singing a hilariously out-of-tune rendition of “my green fedora”. the animation is reused from the cartoon of the same name (notice how he doesn’t have penguin feet!), which was also used in toy town hall. not a complaint, but more an observation--this is by far the most humorous performance of the song yet, sung by blanc rather than tommy bond.

another fun scene with some vivacious animation is a sequence featuring a mule caricature of martha raye (dubbed moutha bray), singing a cover of “how could you?”, which has been featured as an underscore in cartoons such as porky’s badtime story and its later remake, tick tock tuckered. raye’s large mouth served as prime material for caricatures, as we see here. the animation is snappy, fun, and vivid--she finishes her song by “swallowing” the camera, an old trick that beckons memories of the harman and ising cartoons of animation past.

an interesting trend in the ‘30s WB cartoons is the trend of playing with the iris, whether it was the closing iris out or an iris in between transitions. tex avery would consistently play with the final iris out on his cartoons, whereas directors such as friz freleng and bob clampett would use one as a transition between scenes. here, tashlin uses the “swallow the camera” technique as a segue for an iris in, tedd pierce’s falsetto squeaking “hello folksies!” as we’re introduced to a fish caricature of tizzie lish, a character played by bill comstock on al pearce and his gang.

though tizzie has long faded into obscurity (as has the entire community sing radio show), it’s still quite easy to appreciate pierce’s vocals and mannerisms as he portrays the character. it’s always a joy to hear him doing voices for cartoons--he’s never been my favorite writer on the crew, but he was an excellent talent as a voice actor. his squeaky deliveries, matter of fact deliveries “mix them up... are you mixing? my friends say i’m a good mixer. are you? or aren’t you?” as tizzie haphazardly dumps food items and their respective utensils into a bowl and prepares the meal are nothing short of hilarious. the timing is very well executed and can be appreciated regardless of background knowledge.

after humming a pitchy rendition of “the lady in red” while waiting for her concoction to bake in the waffle iron, tizzie removes the homemade waffle and discards it, instructing the audience “now take the ‘wiffle’ out and eat the iron. you must have iron in your system. or should you?” thus concludes tizzie’s act, certainly heightened in hilarity by pierce’s vocals and timing.

for the final act, ben birdie introduces a possum caricature of louella parsons, the host of the radio program hollywood hotel, which served as a way to advertise upcoming movies by featuring guest stars enacting some of the scenes. here, we have caricatures of jack benny (as jack bunny, the first of his many reoccurrences), mary livingstone (canary livingstone), and andy devine (andy bovine).

tedd pierce voices andy bovine, whose voice burlusqued not only in this cartoon, but to a greater extent in friz freleng’s my little buckeroo not even a year later. devine, a western star, was notorious for his scratchy, shrill voice which was rife for comedic opportunity. indeed, this scene here with pierce’s vocals is nothing short of hilarious:

the trio chronicle the prodigal’s return, in which bunny and canary coo over their baby son. out of the bassinet pops incongruously large bovine, who shrieks “HOWDY MAAAA! HI PAAAA!”, the sheer volume of his voice enough to blow both of his parents away and out of the scene. and, with that, the scene ends, red curtains colorized from porky’s romance marking the sequence’s end. short, sweet, to the point, and hilarious.

ending right where the cartoon began, the owl caricature of alexander woollcott bids us farewell, the iris closing in on the bell he rings as he exclaims that all is well.

like so many other cartoons i’ve reviewed, this is one that i slowly warmed up to upon rewatching it and typing out the review for myself. i didn’t entirely dislike the cartoon upon my first watch, but it’s undeniably dated and deserves its title as possibly the most dated cartoon. without further research, some of the jokes and caricatures (if not all of them) are difficult to appreciate. the animation has bursts of energy throughout the short, the highlights being the scenes featuring raven mcquarry and moutha bray, but otherwise remains relatively simple and conservative. tashlin does incorporate a few intriguing camera angles throughout the cartoon, but many other entries of his are far more cinematic.

however, despite all of that, this cartoon is not without its bonuses: art loomer’s backgrounds are stunningly gorgeous and rich, and as someone who loves the lush, painterly backgrounds of the 1930s, this is heaven to me. and, as i mentioned previously, tedd pierce’s scenes are great--the tizzie fish and andy bovine sequences are undeniable comedic highlights.

so, if you’re willing to dedicate time to put in the research for this cartoon, you’ll find it’s quite fascinating! i’m certain this was a much bigger gut-buster in 1937 than it is in 2020, but even then, this is a good cartoon for people such as myself who love to learn more information and seek out facts. as a result, i’d recommend it to people who fall into that category. if you’re just someone who wants a good laugh and a leisurely watch, there are more interesting cartoons that lie ahead. you won’t miss much by skipping it.

with that said, here’s the link!

#lt #the woods are full of cuckoos #looney tunes #tashlin #reviews #long post

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enzo-zzz · 3 years

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A vent on the fandom + cg

If you dont wanna hear any negativity, please just ignore this post. It includes dissatisfication on the yttd fandom and ongoing belief in it. I'm not going to use very kind words here, so just ignore this post. 3b spoilers included.

I like yttd so much, but the english fandom, i cannot interact because how toxic it is. Even the smallest different of which route you choose, will attract anyone to abuse, harrass, ridicule or humiliate you. And to be truth, there are many of them who are so judgemental, to the point that there is only one thing that are right and the other are wrong. Black and white mindset. The term "canon route" is what fans created itself. I guess there are many of them who are teens or kids, since most of kids who havent grown up yet tend to lean towards black and white mindset, even if they believe they are not. If you find people who keep arguing especially on social media, you can bet that its teens. Adult are too tired to involve in things like fighting with strangers. There is one time when the poll asked your age and the age range quite small to teens age. I guess thats why i think so.

OTHER THAN THAT, THERE'S ONE THING I'M ANNOYED WITH. ABOUT THE CG AND HOW THE FANDOM DECIDES THAT THE MORE CGS, THE MORE CANON IT IS. To be perfectly honest, i'm the one who came up with the analysis that on certain route 2-2 ending the cg is more. But people really use it the wrong way and now thought that anything that has more cg is the canon route. The word canon route is wrong in itself, who tf come up with the term canon route in yttd? Is the reason for creating two route is for one to be canon only, or for sparing different characters, or for having different storyline? (I personally think that on different route, the story will change and the ones who got to live at last is probably different ). Now i see those who misuse that information everywhere. "In sou route 2-2 ending evil joe AI dont even have new cg but in kanna route he has. See how biased the devs are? he should have drawn more if he really meant the route to be the canon one. Kanna route will get happy ending, sou route is bad ending." I think thats stupid. B*tch, he keep reusing his old art here and there. You can check for yourself. Joe and midori has same hand based on the cg? He's just reusing the hand art. The arm in 3b and 1-1 is the same arm he reuse. Sou and kanna 2-2 ending basically use the same sou drawing, he just changed it a bit. Sara in 2-2 kanna ending use the same cg as when keiji try to calm her in front of computer, he just changed the face. Midori and sara on the 3b game screen cg basically use the same cg in the 3b content, but changed a bit. So i can think why need to create new cg when joe is still malicious as the hallucination in 2-2 sou ending? If i want to create something i will also reuse this to save my time.

So if you wanna really use this cg argument, then maybe you can consider why alice memory game got so many more cg than reko's? and how ranmaru gone insane has so many new sprite and pose with the hair like that. And why when dummy is dead they got cg's. Especially the ranmaru dying one, he got moving cg's and how it was put more effort into that. Then that means dummy dying is actually the canon route since when they alive they got no addtional cg? This is my assumption, but i think the devs just do as many cg as it takes depends on how impactful the scene he's working on, not because its canon, thats really a lazy take if he is actually unwilling to do extra route but still forcing himself to do it anyway. Imagine if dummy is dying but no cg, instead a message " ranmaru/mai/anzu died ". Do you think that will really give impact to you? This game clearly hinting that joe is going to be the spotlight of the game, even in 3b. So when sou set the real joe ai in kanna route for sara, the script is written for the real joe to genuinely react to sara. of course thats going to be heartwrenching since joe himself is the very important part of sara's life. When the script is made that way, lacking of cgs will hamper down the storytelling nankidai genuinely want to deliver. All i can say is it come from the heart of the author himself. If it is just only text for something as tearful as that moment and no cgs, it wont really touch the feeling isnt it? It is the same with alice memory game that tells about how alice "kill" midori. I'm not sure how many it is but atleast there is 3 cgs with one of them has variant. The story of how alice kill midori is also important and should have impact, thus the extra CG's. I can say its about being passionate and indulged in the storytelling.

I dont even know if joe will ever heal sara in sou route, but based on how the story still keep joe relevant til the end, then there must be something that need to happen between them in the end right? Nankidai even made sure that sara see the dog keychain in 3a if player probably choose to not ask gin about the dog keychain he's hiding in ch 2. Its also for relating ranmaru and joe. Having closure or conclusion with joe in the middle of game is still valid, and having a closure with joe at the end of the game is still valid. Imo, having closure with joe at the end of the game after all of those suffering involving him makes the better climax or impact for sara chara development since the game build up to highlight joe and mr. Policeman, it can be even better if all of it are to be pull together in the ending.

Even if the devs has route he prefer, he's not abandoning any route he less prefer, only if its true that he ever have a route he prefer. Plus you dont know which route he's prefer if any. He's taking his work seriously, it just some "fans" looking down on him, even to the point calling him biased, he's punishing the one who take another route, treating like he only use his career for egostatiscal reason (it somehow clearly mirrors that you are the one who egostatiscal to the point of wanting to find any excuse to punish other, you just using the devs name to validate your mindset). If he's dislike people who chose that route that much, then why create that route? If he know its tiring to make alternate route, then why still make the choice to let 3 dummy alive route at the end? It will make more work. I can only assume its out of passion, or just that he deep down wants the character to be alive atleast in a route ( idk if this is correct, i just read google translated version of his public fanbox that he's actually very reluctant at first when the time comes and "crying" so hard when he had to kill joe in chapter 1. So the part where he wants to spare some character is only my assumption ). By this punishing logic, shouldnt he not make alice die when you push reko ai to spare gin, and only do it to those who dont push the ai to save gin by killing real reko? I am more sure that the variants is to tell a different story or who to spare, and specifically for who sara actually was.

Happy endings? I'm not sure. I've expected that once from story with a lot of deaths, wishing for atleast the protagonists alive. Anime or story with a lot of death is definitely my jam, but from what i see, most of them has bittersweet ending, it depends on how the author wants it to be. Some author dont mind killing them all till the end, and some author just easily kill them all because they plan to revive them later. And everyone sense is different. Some japanese people sense in storytelling is a bit different imo. As the one being the audience, happy endings is the most common wish the audience wants. But its all up to the sense of the author. This is why i'm annoyed with some kids from overseas who rarely watch or play many things that involves a lot of death from japan suddenly says that this "one happy ending, this one bad ending! Everyone will survive in this route, everyone dead in this route"

Just play any route you like, nothing wrong with that. Whats wrong is to start this war of ridiculing others or have that irritating attitude towards those who play their own first route and start bad mouthing or desperately throwing bad assumption that one route will end very bad just for the sake of feeling better for your choice and to scare others.You do know that when you read a book, you'll only know if the overall story is good or bad until you know the ending right? The ending will conclude everything that happened. What happening in the fandom is now like, you only read 3/4 of the book and already expecting that this one will have good ending and bad ending. What if its not about the binary, but for the difference in direction? Its not that bad if the story of the book is kinda predictable, but with how plot twists become the main part of yttd's charm, its getting more difficult to predict how it will end. There's a lot of story which was masterpiece in every part as seen by fans, until the ending hits. Its what the author wants, but its not what the fans wants.

If you pick fights with others, even passively, the consequence is all on you. Good luck taking care of your mess.

Thats why i'm reluctant to publish any theory because the fandom will always use it as an excuse to pick fights with other and say " i'm more right bcs i got this proof" . U see in my caption i dont want any of those harasser to even digest my theory. If you are one of them get out of my blog.

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