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#i wanted to offer a little bit about specifically /why/ these artists inspire me
fourswordsannotated · 6 months
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akira himekawa are unbelievably cool.
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soooo here's the thing. i was looking at akira himekawa's website on a whim and found a public blog, with posts that go all the way back to 2009. many hours of google translating later, and i've developed an even stronger admiration of these two women and their exceptional career as manga artists. they share so much in these posts about the creative process, their thoughts on social justice, their connections with nature, and their most major original story, gliding reki, which seems to have always been a passion project in the midst of commercial work.
from what i could gather, reki is unique in that they were determined to do it in full color. and they did it, because after reading about their career, it's clear to me that when these women set their mind to an idea, they make it happen. see also: they just recently produced and distributed their own art book, because no publishers were offering to do it in a way that pleased them.
their stated goals for reki were to make something more adult than their previous children's manga, taking place in a city, involving a lot of mechanical art, and featuring stronger romantic and self-described erotic subtext. good for them. before i get into the four swords-related stuff, i'm sharing what i could find on the internet about reki.
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more under the cut, because there's quite a bit to discuss :)
not much that i could find on the blog specifically references four swords, but they have many fascinating insights about nintendo, the zelda fandom, and the franchise as a whole. i can't know for certain because this information was surmised from translated text, but it seems as if their manga with chibi link made them feel a little stifled, which is why they took a long break before returning to do twilight princess. it's not lost on me that even a work like four swords, which they may regard as not their favorite or best, still has inspired and brought together so many passionate, creative, and diverse people. this is especially sweet because it seems as if they met each other, and formed their creative partnership, because of a shared fandom interest of their own.
honda and nagano have shared their thoughts and feelings on this blog for more than a decade, and they have a lot of thoughts and feelings. throughout their entire career they've made commentary on work-life balance, their experiences as women in a male-dominated field, and their desire to create original art while simultaneously enjoying some commercial work as well. they are passionate about social justice, particularly re: women and indigenous people, and offer insights on aspects of culture and history and the state of the world that really could resonate with anyone. and they really seem to appreciate fans of their work, and emphasize repeatedly the care and thought they put into their manga in the hopes it will inspire and bring catharsis to readers. they love animals (especially wolves), being outside in nature, being nerds about art they enjoy, a certain subgenre of romantic manga that appealed to and empowered female readers in the 90's and 2000's, and traveling around the world to partake in activities like horse riding and falconry.
the coolest part is, they're still updating the blog to this day :) in fact they seem to have recently returned to it, reflecting that twitter is not their preferred manner of sharing things online. they seem very familiar with and fond of older-school blogging culture.
there's a lot more i could say here about my findings, some of which do pertain to... certain ships 💜🖤 . but i don't want my genuine appreciation for these authors to be overshadowed by that kind of conversation. in addition to a link to the blog itself, i'm including a few translated posts of interests, which you can interpret and incorporate into your perception of the media however you please. at the end of the day, it's a really cool gift that these artists have chosen to share so much over such a long period of time. by making their personalities, beliefs, and insights more visible to fans of their work, i hope it brings new context to the stories we already love.
a modern-day insight:
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re: the zelda mangas. these are from several points throughout their career. please note that they have so many fond things to say about zelda as a franchise and their work on the mangas, especially regarding the way they've affected fans. i encourage you to look for yourself, on their blog and their other socials!
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re: gliding reki
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re: the creative process (and in the latter two, the fandom that seems to have inspired them!)
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re: their two goofyass adorable tiny dogs that they dress up in outfits while also loving wolves like a lot, they love wolves (both domesticated and wild), they really love wolves
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re: wolf day (every day is wolf day,)
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re: indigenous rights
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re: painting serious works on commission vs their manga. i can't know for sure exactly what it means, but it really does kinda hit
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re: a fan and manga artist in training bringing them art and a note
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and a moment from a twilight princess manga interview i found very sweet :)
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okay. you've made it to the end. i know you're wondering. here you go. please remember that this is and always has been a public blog, and these posts are actually from 2009 and 2010. also please remember that the point of this post is not to cause or fuel fandom discourse, but to appreciate these authors and the things that they choose to express.
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(also, this is the column they were referring to in image 1. it's FASCINATING. give it a read if you'd like!)
the dots are there. you're welcome to connect them.
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thank you for your beautiful work and insights, honda and nagano. please never change.
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emcscared-whumps · 11 months
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WiJ 2023 - 01: Introduce Yourself
WiJ 2023 Navigation Post
(I'll put my favourite tropes under the cut because this post is getting a bit long, oops lol)
Re-Introduction
I've been in the Tumblr whump community for a couple of years now, but hello and welcome to everyone both old and new to my blog! I'm emc, and I'm an Australian writer and artist specialising in the bloodthirsty subject matter we all love here on whumpblr! I mostly reblog at this stage, but I love to participate in community events, and have plenty in the works :)
I create original whump works. I'm only in one fandom, Danny Phantom, so I will occasionally reblog stuff from there.
Project Updates!
I'm completely, totally obsessed by one singular whumpee... so everything I work on centers around him... lol
Anyways, so, it turns out that SP multiplied...
Shifting Phases - This is gonna be a loooooong fic lol, but! I'm making good progress, and I've managed to stay inspired and motivated for +6 years, so you can count on it getting finished, no matter how long it takes :)
10 of 59 chapters are drafted, one of which is pending review,
8 of the remaining 50 chapters are in progress,
The word-count as of writing this post is 23.5k.
I'm sure a few of you have followed for this fic/pieces of the boi, and I think about that constantly especially since it's still a major wip lol ^-^' Not worry, I will not rush uwu
I'll link the masterpost of it though because I keep it updated with my progress, and also any good snippets I write :)
Full Moon Waning - Because I'm horrible and have so many thoughts all the time, I've actually started planning this; the sequel to Shifting Phases! I think I have some cool whump ideas, and it provides another chance to explore the worldbuilding and character backstories, so I think it has a lot to offer and will be fun to write :)
Plotting; jotting down vague ideas and arranging them in a semi-coherent order.
Eclipse Descending (AU) - Oh this one is incredibly fun and fucked up, and somehow manages to be SO much darker in which Pete falls down a terrible path and becomes a hunter. It goes about as well as you'd expect lol. I explained the premise to a friend and she wondered, since it was so compelling, why it wasn't canon, and man, that's a fun thing to hear. It also means it's gonna be an absolute behemoth...
Plotting and detailing scenes simultaneously.
Caesar Salad (AU) - Remember how I said I wanted to stab my whumpee during the Ides of March? Guess which concept got WAY out of hand XD It will be a much shorter fic, but it's still a major project. It's an alternate secret reveal, so, it's an AU.
Detailing the scenes while trying desperately to come up with a resolution ^-^'
Anything Else? - Yep! I have a few other little scene/whump ideas that I'll eventually write out, but for now, I just keep them stored in a little au/idea doc. I'm still also working slowly on my BTHB card, and also the gift and several treats for the exchange I mentioned earlier, but I shan't be spoiling those :)
Favourite Tropes
Those of you who've been around me/know me will find that I am indeed very consistent XD Some of my favourite tropes include:
Bad caretaker/s
Collapse
Compromised mobility
Dehumanisation and animalisation
Domestic abuse
Emotional whump
Environmental whump
Hyper/hypothermia
Long-term injuries and scars
Near-death of the whumpee
Nightmares/Night terrors
Nonhuman whumpees (usually vampires, demons... and especially mer)
Panic attacks
PTSD
Restraints, especially creative ones
Secret angst-- whumpee having to keep their species/identity secret for their personal safety, and because they fear they'll be rejected by the ones they love most
Severe sickness
Species-specific whump
Starvation
Transformation whump
... and so many more...! Also, caretakers and whumpers are not necessary for me to enjoy the whump ^-^
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kenobiwhump · 9 months
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Closeted Bisexual
I found this in my saved posts, I couldn't find the author but if you're reading! Thank you for all the inspiration!
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Hello there! My name is Kristy. And this short work is about my life as a closeted bisexual.
It’s 2023, so many of you might wonder why I hide my feelings. Well, let me answer that. I am the oldest of five children and the daughter of a strict religious family. Now do you know? I think by using the words strict and religious; I might have given it away. But not only am I bisexual, but I also do not want to follow in their religious ways.
Now some of you might be wondering, move out then. Live your own life. Well, that would be a bit tricky since I’m 16 and have no job, car, or any place to crash for a while. My plan right now is to wait till I’m 18, and then go and move in with a relative.
Ever since I was little, I’ve always been fond of a close relative of mine. He’s gay and lives a very happy life with his partner. He visits every once in a while, and I look up to him so much. But my parents always told me that his life was bad. That loving the same gender is a sin. But every time I saw my relative with his partner, and I saw how happy they made each other, that made me wonder… Why is it so bad when they look so happy?
So, when I got older, my parents explained to me in detail, what being gay means and how it is disobeying the Bible. They didn’t bluntly tell me, but they did insinuate that if the relative didn’t change his ways, that he’d go to Hell. I remember countless nights, where I’d stay up and think, and then eventually cry myself to sleep, scared to death of the relative going to Hell. I didn’t want that, so for like a year, I was all religious, taking the Bible seriously, telling the relative stuff about the Bible, and trying to subtly change him. I was always talking religiously.
When I was about 12, I hit a huge emotional roadblock. The next two years were not good, I was depressed. I always have been since I can remember, I have just never been an upbeat and happy person. But I’m never always depressed. But for some reason, I was just so very depressed. I was also dealing with multiple mental health issues. When I was 13, I tried to kill myself on many occasions, some I was close, and some I never had the guts to go forward. I was put in a hospital once, and bullied there, which really wasn’t helping my mindset at the time. I’ve dealt with self-harm, and the scars I have from it will forever remind me of that time. So yes, I was a very messed up teenager.
After a while, I got better. Not totally better, not even now, but I got a bit better. During my late 13’s and early 14’s, I begin to branch out and explore what the world had to offer. I found out there was so much better music than the Christian artists I listened to. There were amazing movies and tv shows, way better than Veggies Tales or some Christian hallmark movie. There was a whole world out there, ready for me to see.
So, I got into Marvel, which was on Disney+, and streamed all 19 movies. Over and over again. Until I could start memorizing lines. I had a huge obsession with watching Jurassic Park and World, again, I could memorize lines. I became a nerd, really, a proud nerd, but a nerd nonetheless. Then I was banned from watching Marvel or Jurassic Park, I was “idolizing” it, according to my parents. When new movies came out for Marvel though, they didn’t have to know I secretly watched it on a made-up profile and then deleted it afterward.
Then, when I was 14, I loved Star Wars. More specifically the prequels. And I loved/love Obi-Wan and Ewan McGregor. I watched a lot of his movies, The Island, Our Kind of Traitor, Big Fish, Trainspotting 1 and 2, Incendiary, Son of a Gun, Raymond and Ray, Christopher Robin, Young Adam, The Ghostwriter, Doctor Sleep, and that’s just to name a few. He’s an amazing actor. Then I watched one of his best movies in my opinion, Moulin Rouge. I still can’t get the songs out of my head today. I listen to the soundtrack all the time. But that movie, is when I realized I was different than my family.
In Moulin Rouge, Ewan plays a character named Christian who falls in love with a woman named Satine. Satine is played by Nicole Kidman. And when I saw her beautiful auburn hair, her beautiful complexion, and when I heard her amazing voice. And when I thought she was so hot, that she was pretty. That was when I realized I was attracted to her character, I began to understand I was different. And maybe… It wasn’t so bad.
I have been a closeted bisexual for two years. I just recently told that relative, and it felt so good to be able to get that off my chest. I was so scared, though, Rationally, you’d think he’d be fine with learning I’m bisexual because he’s gay. But irrational me thought maybe he only thought you can be attracted to only one sex. Maybe being attracted to both is just weird. But one day, when we were alone, we were just talking, and then I blurted it out. And that was one of the best days of my life. He accepted me for me, he didn’t see anything wrong with me. He understood me. And that was all I wanted. After two years, I told my role model and the person I looked up to, and he accepted me. And the feeling that I experienced was one of the best.
Lately, I’ve gotten more bold with showing my pride, I wear a pink, purple, and blue bracelet, representing the bisexual flag. I wear a rainbow pin on my jacket, representing LGBTQ+. (My parent’s just thought it’s a special pendant I got from a friend, but my relative’s partner actually gave it to me, I was little, but I recently found the pin stored away somewhere and it was perfect) Instead of saying one day when I’m married to my husband, I say spouse.
When I was speaking to my relative about this though, he asked me a very important question. When will I tell my family?
I will tell them when I am 18, and when I have a place to live. Because honestly, I’m worried they’d kick me out. My parents are always saying, if you’re not going to abide by our rules, then you can move out when you’re 18. I think being bisexual in a strictly Christian home is breaking a lot of rules. Plus, sometimes they talk about the “man” I’ll one day marry. A Christian man who is like my parents, strictly religious. And they’ll talk about me, a Christian wife, who is below her husband, because that’s what the Bible says, and a wife who is to have children and raise them in the same environment I grew up with.
The thing is, while I’m also bisexual, I’m also asexual. I’m not interested in sex and never will be. I just want to settle down with my future partner, and cuddle. Or kiss. Sex doesn’t define a relationship, love does. And sex is not the only way to show you love someone. Another thing is, my parents know I’m asexual, but they still talk about it. They tell me I’ll grow out of it, and that in the Bible, it is said that the woman shall become one with a man, and bear him children.
And that’s hard to hear. One, because I don’t want that, but apparently, my feelings on sex don’t matter, it’s my duty to my “husband.” I thought this whole women-serving men thing ended a while ago but I guess not. And second, them telling me I’ll grow out of it, that’s the last thing I ever want to hear. It’s not a stage, and more people need to realize that. It’s their sexuality, and it needs to be brought to awareness. The thing is, through the years, PRIDE is bringing all of this to awareness and I am proud to support it and be a part of it.
I’m proud to be bisexual. I’m not scared of it. Not anymore. And one day, when I do decide to tell my parents, I’ll still be proud to be bisexual.
My dream is to one day be in a relationship with an amazing partner, maybe we adopt children, or we don’t. I just want to be happy with who I am and not hide myself.
But, happiness has a price, because when I decide to embrace myself, I’ll lose everyone but my relative and his partner. I’ll lose my family and my friends. All my friends are devout Christians, I already know their feelings on this, it’s not good. My siblings are so, so loyal to my parents. They’re so engrained in their teachings. I think maybe one or two would still speak to me but that’s it. My parents are strictly religious, so I know that would be goodbye. I know that if I ever married a woman, my dad would not walk me down the aisle. And that really breaks my heart.
I love my family so much. More than they will ever know. Even though they don’t like people who are like me, I love them. Their my family, they raised me, and they took care of me. And to think one day, that that might be all gone. That I’ll probably be the family outcast and disappointment, truly makes me sad.
But I have to think about myself. And I know that I am totally attracted to women. And one day, I might end up being with one. And right now, as I write this, I hope that anyone out there who has the same struggles as me can at least have one person to talk to. Even if it’s just one, it makes all the difference. I know it did for me. I hope that I can be happy one day and fully embrace my sexuality. And I hope anyone who is like me does too.
And I wish the people reading this all the best in life. I hope you find your true self and embrace it. Without caring about what people will think about you. Because that just makes you end up in a sad place. I hope with reading this, you understood too just be yourself. Because that’s the best you.
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avatricebigbang · 9 months
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hey i was just looking through your rules and wondering about the minimum word count for fic writers. is there a reason why 15k was put as the minimum? I understand the amount of time given to write is plenty but to me that does feel too high to be a minimum so I’m just trying to understand your reasoning behind that. i understand if you want stories to be fleshed out and match efforts put forth by the artists but i don’t think you need that many words to achieve that. the amount of time it takes to write even 4k or 8k words is quite considerable so i would appreciate any explanation you could offer. just trying to gain some insight
Hey there, thanks for the question.
I understand it might seem a little daunting, so let me explain the reasoning that we went with.
Firstly, and this is the simplest example, it's a very standard minimum word count for Big Bangs in general. In our research, the lowest we saw was 10k, but 15k does seem to be a fairly consistent minimum requirement for Big Bang fics out there. (If you want a couple of examples, the Carmilla Big Bang or the Bumbleby Big Bang are ones to take a look at.)
Secondly, we want the fics to have a decent amount of content for an artist to work with. If there was too little a word count, then it could easily be just a single scene and an artist might feel forced to draw that one specific scene, whereas for a longer story, they might have options.
Thirdly, it's meant to help writers to push themselves into trying to write something longer than they might normally. We have almost none months to work on our pieces for this event, so it's the perfect event to take that step into taking your writing to the next level. As a writer, you'll be working with an artist who picked your idea purely based on the fact that they loved that idea, you'll be surrounded by other people who also create content for this fandom who are able to help you improve and grow as a writer.
Fourthly, it's to discourage people from just writing a short one shot in a day or two, giving it to their artist, and then forgetting about it for months. A pretty average typing speed is about 1000 words per hour, though obviously not everyone can achieve this, but some people write much faster. If the word count was about 4k minimum, someone could just write that in a couple of hours, do a bit of editing, and day they're done. Obviously, some writers will feel inspired and might finish before they even have a pair no matter what the minimum word count it, but we want there to still be that back and forth there between the artist and the writer.
There are other reasons as well, but the tldr of it all is this, we want to encourage people who sign up to push themselves, to help improve their craft, and to create a ton of amazing content for this fandom!
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askmommylonglegs · 2 years
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Helloo..
This is the post everyone's probably wondering about. I know it's a little long, but you guys deserve the context. Please read it all the way through. I'm also not looking to start beef, so with this explanation, if you know some of the people I'm talking about, I ask you not to contact them about this. It's not worth the fight. I'm just tired. I will not be continuing this blog. I know I don't have very many posts here, and I'm sorry to those of you who I upset with this post... but trust me, there's a reason I'm making it. So, I started this blog as a fun side-project, hoping to have fun with it. I eventually got overwhelmed with quite a few things, one of which being my new job and another of which being my schoolwork. I lost all motivation to draw this blog, and I started focusing more on wanting to further my career. So, this became kind of... not fun very quick. I also was offered money to sell the specific dubbing rights to this blog to someone, which I originally accepted, but the initial conversation also kind of... soured me. It wasn't the person approaching me's fault, but the fact I actually got so overwhelmed with the "why you should let us dub it instead of ___" part that I started crying may have had something to do with it. I tried to do other ask series stuff after this on the main channel I work on, but time and time again I was discouraged from doing so by different people. The last one I wanted to work on, "ASK THE LAMB" (Cult of the Lamb inspired), I was actually kind of... barred from doing so, because someone else (the same person who approached me about this blog), approached me saying they had the idea first... but that they just never posted about it. And because they managed to chug the whole thing out in a week and sweet-talk me a bit in DM's, I just... couldn't do it. I felt defeated and belittled by someone bigger than me. The project was cancelled, because for the third time I felt I could do nothing. I felt helpless. And that extended to this blog as well. It feels bad being practically barred from creating something within the first two weeks because someone bigger than you takes the idea then claims they did it first. And so I decided I won't do any more ask blogs. Instead, I'll revive my presence on Tumblr on my main blog, which I'll link to in a separate post. On that blog, I can promise you all I will draw at least one Mommy Long Legs piece. Kind of a last hurrah type thing. --- TLDR: I won't be continuing this blog because of school, work, and life obligations, as well as my self-esteem as an artist being driven into the mud by someone with 10x my follower count telling me an idea that I posted about first was their idea that they "just hadn't posted about yet." But you guys can find me on my other socials that will be linked in the next post. Also, I will leave this blog up for now, but I will not be answering asks anymore. I'm sorry. Again, thank you all for the love and support. I apologize for you all having to wait this long for something that I should have just.. said. Catch you all on the flip. <3 -DottDraws
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koilarist · 1 year
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4, 8, and 17 for artist asks? :3
4 - Favourite things to draw?
Specifically? My interests bounce around a LOT so it changes from one week to the next. I like to have fun with the process as well as the results. - But in a more vague sense, anything with a story behind it. Which I suppose explains why I'm steering towards comic work now.
8 - What do you like most about your own work?
This answer might be a little too mushy but for me it's seeing the work I put into the skillset paying off. I'm finally able to draw the things I always wanted in the way I imagined them in my head. I've drawn all my life in some capacity, but I never took it seriously until about three years ago, and when I picked it up again I was changing literally everything about my process. The methods, the tools, and the style itself was so vastly different it felt like I'd never drawn a day in my life when I picked it back up. The struggle was that I knew I was severely lacking in the know-how and was unhappy with most of the results I got for the first year or two. Staying motivated through that was so difficult. I wasn't able to attend any formal education (For many reasons, including compatibility. I've spoken to enough artists to know that I wouldn't have gained much from attending. Uni is certainly not the best avenue for everybody.) - So I pretty much had to learn how to teach myself without getting discouraged or becoming stagnant. So. When I look at my work, what I see is everything i had to do to get to this point, and just how much passion I have for what I'm doing here. A bit deep considering the things I typically draw, maybe, but the long term goal was always comics with a little more narrative substance to them and I'm close enough to reaching it where I'm gonna have to come up with a new goal soon, haha
17 - What inspires you? My friends and fellow artists. I've been lucky enough to get to know some brilliant people over the past couple of years, and I'm endlessly inspired by them in so many ways. Especially now that we get to kick the door in on eachother's DMs and start yowling about art ideas/cheering eachother on LMAO. Also, stories. Stories inspire me SO much. I have a LOT of characters (I counted something like 70 recently. I've been at this for too damn long) - But yeah, a lot of the scenarios I draw them in either stem from their situation/story/setting, or from me and friends mashing barbies together to find out if they'll either kiss or kill eachother. I was primarily a writer before I got into art, so it's no surprise that I'm slowly veering back towards the story aspect of what I have to offer. (And getting back into writing again at long last! My word docs have never looked so healthy.)
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ilomilo · 1 year
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(Disclaimer: This post is not my own. This is a repost from the official ilomilo developers on blog.ilomilo.com (only accessible on the wayback machine)!)
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multitap interview
Wednesday, June 30th, 2010
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Brazilian videogameblog multitap interviewed me the other day. If you can read portuguese Click here for to read the interview!
Even if you can’t read it, you should head over anyway as there are some new screenshots there.
Want to read the interview in english? Why, here it is then:
Where did the inspiration for ilomilo and its art style came from? Inspiration comes from a lot of places. It can be from everyday things but I’m also inspired by artists such as Hundertwasser and Klimt. There’s a lot of inspiration drawn from the world of animation. For example i’m a big fan of hedgehog in the fog, cheburashka and russian winnie the pooh.
What does “ilo” and “milo” mean? What are they? ilo and milo are names, and ilo and milo are whatever you want them to be. I like to think of them as represantions of two peoples minds.
What’s the main objective on every level? Is there an “end spot” to reach? The main goal is to unite ilo and milo wherever possible on the level. There’s no “end spot”. There’s also other stuff to do on the levels, such as collecting stuff to unlock secret things and stories.
Is there any difference in gameplay between ilo and milo? They play exactly the same.
How many levels there will be in the game? About fifty, including the super hardcore bonus levels that features a lot of fun stuff that we haven’t shown yet!
Is there some kind of plot, story mode? What is it about? There is a story yes. In fact there are several stories told in different ways, on different consciousness levels. But we would like the players to find out for themselves when playing the game.
In the last trailer for ilomilo, you show some kind of 8-bit ilomilo. Is that just a minigame, or maybe a standalone title (for XBLA)? You’re talking about ILOMILO SHUFFLE! It’s a minigame that you find somewhere within the main game. It’s more of an action oriented game than the main game. It also has it’s own leaderboard!
The game seems too cute, at the same time complex for little kids. Who are you aiming to? Everyone that likes fun experiences. To get through the main story is probably not too complex for not so experienced players. But if you want to unlock everything, play all the bonus levels and such you have to be pretty clever. So there’s hopefully something in ilomilo for players of all skill levels.
Certainly this is not the first new IP Southend is creating and developing, but you have been more famous with remakes like Lode Runner, R-Type Dimensions and Tecmo Bowl Throwback. What are the difference between working in a new IP and a licensed game? There’s a lot of differences. The bigges one is that there is of course greater freedom when working with your own IP. Since we’re creating this world by ourselves we set the rules on what is fitting in the universe and stuff like that.
Most games from Southend Interactive are for Xbox LIVE Arcade. Another one is being developed for Windows Phone. What about making or porting games for iPhone or PSN (at least a PSP Minis)? Maybe WiiWare? Tecmo Bowl was actually released for PSN, so we have experiences from other consoles. There’s nothing specific going on for the platforms you mention, but surely it would be fun to work with either some day.
Any news about the release date for ilomilo, or how much it will cost? Releasing this year, that’s all I can say! We’re hoping to be able to offer it at an affordable price point, but in the end it’s all up to the publisher.
Besides the new trailer unveiled a few days before, I haven’t heard from ilomilo or Southend Interactive at E3. Maybe you will show ilomilo (and other games?) at gamescom? There’s no specific plans at this moment, but ilomilo might be shown on some upcoming events this summer and fall. We’ll have to wait and see.
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steelcityreviews · 2 years
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FRINGE 2022 PREVIEW SERIES - Medusa
Steel City Girl Reviews thanks playwright and director Brianna Seferiades for her insights and experience with bringing MEDUSA to the 2022 Hamilton Fringe Festival.
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1. Quickly! 5 words to describe your show!
Spooky, weird, friendship, memory, monsters!
2. What inspired your company to produce this show? What inspires you generally when creating shows?
All things whimsical, magical and monstrous have been my sources of inspiration since I was a child. I have always been fascinated with the fantastical!
3. Is this your first time producing a show at the Hamilton Fringe Festival? If so, what influenced your decision to bring your show to the city? If not, what helped you decide to return to the festival this year?
This is not my first time participating in the Fringe, but I am usually on the costumes/props and stage management side of things. This is however my first time presenting a play as a solo writer/director… ever!  
The Disability Justice Artist category in the Fringe was hugely influential in my decision to enter the draw this year. I was really excited for the opportunity to have the Fringe’s support, and that support ended up being much more than I anticipated. I’m very grateful.
4. What have been some challenges in bringing your show to life and how have you overcome them?
It has been a bit challenging to jump back into creating live theatre after two years of pandemic. I’m feeling a little rusty! But I have just been moving forward with it as best I can, and I’m extremely lucky to have the team that I have. The cast and crew have been enormously helpful throughout the entire process. This project owes much to the cast/crew’s abundance of creativity and skills.
5. How will this show speak to audiences?
There is a lot of symbolism/metaphor in Medusa, specifically about mental illness and trauma. However, I wanted to express those themes in a way that offered a layer of separation for the audience. So, if someone is able to see a part of themselves represented in the play and that feels validating, that’s great. If people would prefer to just take in the story at its surface level, that’s also great!
6. Why is Fringe important to you? How do festivals like Fringe help you as an artist?
The Fringe is important to me because it is a way to connect with the theatre community and see what everyone is working on. It is exciting to see new projects emerging, as well as more polished pieces. Festivals like the Fringe offer artists opportunities to get creative ideas moving. I appreciate how there is space in the festival for both finished works and works in progress.
For more information, including show dates, times and ticket information, please visit: Hamilton Fringe 2022 - Medusa 
Image credit: Claud Spadafora
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astralibrary · 3 years
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You have such an interesting unique style, I love it!! Especially seeing anime characters in your style is super cute. Just curious, any particular artists you really admire/were inspired by?
waaaa thank you!!!! personally i tend to be more inspired by various artworks i come across than specific artists themselves, but a few of my fave artists that immediately come to mind are:
@queenoftheantz​ - their drawings are wonderfully loose and lively and appealing (which absolutely carries over into their animation my GOODNESS), i’ve been inspired by their art for years
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@poruvoron - i ADORE their use of color and shapes, their work Pops and it’s so fun to look at
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@slitherbop​ - i feel like there’s no other way i can describe their art than Explosive, they fill entire pages with their distinctly styled characters and abstract shapes and designs, not a single pixel goes uncolored and it looks soooooo cool every time
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@zzipa - the colors!!! the energy!!!! the absolute power move that is straight up typing in comic sans on their work and ALSO they are so so funny, always a joy to see their work
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@sakana-comic - EVERY time i reread sakana it makes me wanna draw more cartoony the art is SO incredible (definitely read sakana btw!! Top Tier Webcomic)
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and then there are a couple particular anime studios- for example, kyoto animation is my main inspiration for hair like i am ALWAYS thinking of them when i draw hair, they know exactly how to make it fall perfectly no matter how detailed the style is and it always looks so NICE
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and then there’s studio trigger who do FANTASTIC stylization/character design and animation, i look up to them for both
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lastly, if you’re interested i have a few tags on my main blog for art that inspires me (they tend to overlap, but):
#style goals
#art faves
#art inspiration
i hope this answers your question!
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sohin-ace · 3 years
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Josuke & Okuyasu - Magazine
Inspired by that one fanart I can't use because I can't find the artist.
Enjoy~
'Boys will be boys'.
We don't count the times this excuse was used to justify the hormone-driven and often stupid decisions or behaviors of male teenagers.
This applies to our two protagonists, Josuke and Okuyasu who just happened to be at that age where boys were curious about their own selves but most importantly of course, curious about the opposite sex.
They couldn't really be blamed, sexuality was a normal part of a teenager's life after all. Which may or may not imply them oogling questionable things here and there or watching specific videos, for instance.
Josuke and Okuyasu decided to feast their eyes as a part of their numerous 'bro dates' as they called them, and made it a regular thing.
Of course, they made these moments very secret. Only them could know what sinful things they were doing after school. They trusted no one else than each other and nobody should ever know about their activities.
They especially couldn't let a girl know about their shenanigans. Oh no, that would be an absolute disaster if they were to be caught red-handed by a girl from their school. They would have to carry the heavy title of 'disgusting perverts', stamped right on their foreheads for the rest of their highschool years, if not their life.
One day as they got out of school, they decided to check out the X-rated section of a local konbini, section placed strategically in the far corner of the shop, and opened some nice porn magazine for their needy eyes. As one does.
"Yoooo Josuke check this out!" Okuyasu exclaimed to his friend while pointing to one of the pages, already blushing madly and coughing up an impressed chuckle.
"Oh my god!!" Josuke whisper-yelled to his friend, trying to not catch people's attention. "That's hot! You think those boobs are real?"
They kept on drooling over pictures of sexy women in bikinis or underwear and posing suggestively for 10 more solid minutes, completely forgetting about their surroundings.
They weren't really worried about getting caught as the section they were in was pretty far away from the entrance of the store and nobody really passed by this corner of the shop anyways.
As they were in their own little fantasy world, they didn't notice a certain H/C haired female coming up behind them.
"Hey isn't that the red head girl from last time?" Josuke commented as he pointed at a certain picture.
"The one who was licking a cherry? Yeah I think so." Replied his tan best friend who started chuckling.
"Who even licks cherries like that?"
"I don't know but she can lick my cherry if you know what I'm sayin'~"
They both snorted obnoxiously and stupidly to themselves until they suddenly heard a very familiar someone right behind them.
"Hey guys! What's up!"
The boys jumped, screaming high pitched 'Eeeks' and 'Uwahs' at the sound of your sweet voice startling them into the worst heart attack they'd ever experience, threatening to cut their short lives even shorter.
Josuke nearly dropped the lewd magazine from his clammy hands and they both turned around abruptly, sweating bullets as they desperately and clumsily hid the piece of dirty evidence behind their backs.
'Oh no. God, everything but not this...' They both thought in unison, as if connected.
The last thing they could have ever expected or wanted, was seeing YOU, of all people, here out of all places and now, out of all times. They really had the worst luck. Suddenly, getting struck by thunder seemed appealing.
"O-o-oh hey Y/N-chan..." Okuyasu stuttered shakily, still sweating profusely.
"What uh... Ahem... What are you doing... here...?" Josuke continued clearing his tight throat and eyeing his best friend with rising anxiety.
The boys were silently communicating, trying to come up with anything, any excuse to either hide their shameful crime from you, or make you leave as soon as possible. They had to work their so-called 'bro-telepathy' like they never did before.
"I was passing by to get some strawberry milk, but then I recognized your hair in the distance! I'm so glad to see you!" You smiled angelically at them while showing them your little pink carton of strawberry milk like it was some prize.
You were beaming so brightly at them, they almost had to squint at your radiating light and beauty. Oh no this was bad, they were both striked by you like an arrow right through their heart.
'She.... SHE'S TOO CUTE FOR THIS WORLD!' They both screamed in their heads.
You, in particular, should never know about what they were doing. EVER. You were way too pure and too innocent for this. Who knows what your reaction would be if you discovered their lewd secrets? Would you judge them? Be disgusted by them? Never talk to them ever again? They couldn't possibly risk that.
Sadly, they were not as glad to see you here as you were to see them. You eventually asked them the oh-so-dreaded question that they wished you'd never ask.
"So, what were you boys doing? Reading manga?" You leaned over to the side slightly trying to see what they were hiding behind their backs and they both panicked.
Obviously you didn't notice the big 'R18' sign over all three of your heads and surely, you couldn't know what this part of the store was since you probably never checked it in your entire life.
In an amazingly coordinated moment, Josuke swiftly handed the magazine to Okuyasu while walking towards you, passing in front of the Jobro, the action completely hidden from your sight.
Josuke came in front of you and grabbed your shoulders, smiling big and trying to act as natural as he could.
"Aah um yes! Manga! Actually there's this one manga I wanted to show you, good thing you're here!" The pompadour-haired haafu was still obviously in utter panick, even if he tried his best to play it cool.
As Josuke was trying to deflect your attention from their guilty pleasure, Okuyasu took this advantage to turn around and scurriedly hide the magazine back in it's original shelf.
You were confused at their shady behavior and furrowed your eyebrows a little bit. You noticed Josuke was sweating and panting slightly, but your eyes traveled to Okuyasu fumbling with the magazines behind and you tried to make out what he was doing.
But Josuke wouldn't let you discover their evil plan for anything in the world, and so, he cupped both your cheeks in his large hands earning a gasp from you as he almost squished them, and turned your head back to face him.
He leaned down to your height and your eyes widened, puzzled by his spontaneous actions.
"Y/N Look at me! Look at my eyes!" He stared at you with a serious expression and you blushed at his sudden bold act and how close he was.
"J-jojo...?" You yelped as your heart was beating fast in your chest.
You were so confused as to what the hell was going on and why they were acting so weird. You knew the two could be up to some truly bizarre adventures sometimes, but that was just so strange.
Whatever they were trying to distract you from, it was working. His face was so close to yours, and his big hands were so warm, you subconsciously put your small ones over his wrists in response, face now red with blood and adrenaline.
You were beyond puzzled at everything that was happening, but you were so lost in Josuke's ocean blue eyes, you completely forgot about what Okuyasu was hiding so clumsily.
Speak of the devil, the tan male suddenly came up to you both, and Josuke released you from his grasp as his best friend made a surprisingly genius offer.
"Ohh Y/N, you didn't pay for that milk yet, right? Good, it's my treat then! Josuke, let's get some too! I'm thirsty."
The scar-faced boy casually wrapped a large arm around your shoulders and swiflty turned you around in his strong hold, effectively dragging you away from the adult section of the store, and barely letting you any time to even glance at the overly sexual display around you.
"Eh? What about that manga you wanted to show me?" You looked back at Josuke, regaining your composure slowly.
"Oh that? Never mind, it's not important anyway- Hey Okuyasu, do you want banana flavor or chocolate?" The fourth Jojo quickly changed the subject as he opened the fridge doors and picked up some drinks.
"You guys are acting so weird today..." You loved the boys, and they usually brought you into their messes, that wasn't anything new, but sometimes you really couldn't understand them. "I'll go wait in line while you guys make up your minds."
You gently patted Okuyasu's chest who almost forgot to let you go and you walked away towards the cash register.
When you were finally out of earshot, they both stared at each other, thinking of how they just dodged a bullet so big, it might as well just have been an atomic bomb.
"D-dude... That was so clutch man...." Josuke sighed, still swallowing his stress out and his best friend only shut his eyes and cringed before grabbing his drink.
"Just shut up, let's not talk about it..."
"Aaahh!!" Okuyasu let out a loud sigh of delight as he sipped his banana milk. "Man, that hit the spot."
"Yeah! Nothing better than some fresh milk in the summer. Great idea Y/N."
You three walked out of the store and headed back home, enjoying your drinks. You giggled at their over-the-top reaction and handed them your own carton.
"You guys want to try strawberry flavor?"
"Oohh~" Okuyasu gushed before smirking and taking the item from your hands. "An indirect kiss from my little Y/N! Lucky~"
Josuke gasped and snatched the drink as well, snickering when he was done. "Can't say no when she's the one who proposed huehue!"
"Well you both drank from the same straw, so technically you two kissed too!" You laughed at their priceless shocked facial expressions.
"WHAT?!"
"Naah dude, no homo, no homo." Josuke patted his friend's back, reassuring him with the holy expression famous for saving countless men from potential homosexuality.
Okuyasu sighed in relief. "Yeah, no homo! Still in the bro zone, bro."
You snorted at their questionable reasoning and kept on walking when you suddenly saw two familiar faces coming towards you.
"Oh! It's Koichi and Yukako!" You waved and smiled at the couple who approached you.
"Oh hey guys, what are you doing?" The short male greeted with a smile.
"Oh nothing much, I bumped into them in the konbini." You sheepishly answered and Yukako quirked an eyebrow at the two suspicious looking males next to you.
"Really?" She feigned, still staring at them. "What were they doing without you I wonder..."
"I don't know, reading manga I think? I'm not sure, they wouldn't tell me." You tried to look between her and them and they seemed to glare at the girl as hard as she did them.
"Huh?" She scoffed and shifted her weight on one leg." I bet you guys were reading porn again. Y/N I can't believe your patience around those guys."
"HUUUHHH???" Koichi yelled in pure surprise at the revelation and you three widened your eyes.
"YOU FREAKIN- OH MY GOD SHUT UP!" Okuyasu gasped and screamed at the girl who was smirking in victory.
"W-what?" You stuttered and looked at the two visibly stressed boys. "Po-... I don't- ... What??"
"Y/N DON'T LISTEN TO HER SHE'S LYING!" Josuke guiltily tried to reason as you covered your mouth in shock.
"Well it's the truth, right? Did I hit a sensitive subject, perhaps?" The brunette chuckled cutely, infuriating your friends even more.
"YOU'RE DEAD!!!"
Josuke sprinted towards Yukako who easily hoisted her awe-struck boyfriend over her shoulder and ran for dear life, having no regrets whatsoever.
An old one. A very old fic, it hurts to read it. I'm going to go ahead and post some old stuff I wrote just to get them out of my drafts. I hope they'll be enough for my beautiful gangsters.
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angryinternetduck · 3 years
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yellow & blue
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[not my pic] Hello and welcome to 2.7k words of pure angst! This doesn’t really have a purpose lol but it’s sad and angsty and features 2020 Brits Harry so why not!!! Have some depressed Harry, angelic reader, and yellow suits. Featuring Harry Styles x famous!reader. Inspired by Woman by Harry Styles, It Isn’t Right by the Platters, and When I Was Your Man by Bruno Mars (which should give you an idea of just how angsty this is lmao).
The first time he met you, Harry was wearing a yellow suit. The first thing you said to him was a compliment about it. That suit sparked a conversation, and that conversation sparked an interest, and that interest sparked the best two years of Harry’s life.
If Harry said he hadn’t thought about that suit while preparing for the 2020 Brits, he’d be lying.
The chatter of the table he’s at isn’t boring by any means, but it’s not anywhere near captivating enough to keep Harry’s attention on the conversation and off of you. He heard about your new boyfriend, of course - who hasn’t - but this is your first public appearance together and Harry is having just a little bit of trouble breathing.
It’s been four months. Four months since you broke up, three since the news went public.
As far as the public knew, the separation was mutual. As a brand new artist, you needed to take a second to find yourself as a person. As Harry Styles, the man the myth the legend, Harry needed to focus on his next album and possible future acting career. He also supported you in your decision, and knew that the two of you would, of course, remain the best of friends.
Most of that’s true. You only just released your second album - which is doing spectacularly, of course - and Harry really does need to get this next album done. But it wasn’t mutual. Harry doesn’t think any of his break ups have been truly mutual. You broke up with him. There isn’t really any getting around it. Not that the public has to know.
The problem is that Harry understands why you broke up with him. As heartbreaking as it is, he realizes what he did. He knows that he wasn’t a good boyfriend. He doesn’t really have an excuse, either; he can explain away his faults all he wants, but at the end of the day, you’re just too good for him.
Which makes it all the more depressing to watch you positively glow without him.
Part of him wants to go over and beg for your forgiveness. He wants to walk over and get on his knees and say, I love you with all my heart and I’ll never make another mistake again and I’ll love you forever and ever, please, please take me back, I’ll do anything.
Another part of him loves you too much to do that. Maybe you’re meant to be with this new guy. Maybe he’s your one, your only, the one worthy of all your love and attention. Maybe he’ll make you happy in ways Harry never did.
Because really, all Harry wants is for you to be happy. He wants you to glow like this all the time, to forget the feeling of sadness, to never cry a single tear again. He wants the only pain you ever feel to be an ache in your cheeks from all your smiling.
He just wishes he could be the one putting that smile on your face.
One thing he’s noticed is that your happiness seems to coincide directly with his. Whenever you’re happy, he’s happy. Not at the moment, actually, because you seem happy as a clam and Harry feels like his chest is caving in on itself, but whenever Harry thinks “happiness,” he thinks of moments with you. Of moments when you were happy. Moments when you were happy because of him, with him, for him.
He surprised you with a picnic one year for your birthday. He went all out, spreading a blanket down and everything, and the two of you drank wine, ate sandwiches and snacks out of a picnic basket, and talked in Harry’s back yard until after the sun came up.
Whenever Harry thinks “happiness,” that is the moment that pops into his head.
It wasn’t a loud sort of happiness, either. It wasn’t a bouncing on top of the world, adrenaline rushing through his blood, head pounding with excitement and joy and energy sort of happiness. He wasn’t breathless or wide eyed or buzzing with emotion.
No, this was a quiet happiness. It was the very definition of content. It was your head on his shoulder, your hand intertwined with his, your whispers of, “I love you,” the soft kisses exchanged as the sun set and the stars began to twinkle into the sky. It was your giggles at his jokes, your eyes brighter than the moon, softer than the wispy clouds suspended in air.
Harry’s getting a hollow ache in his chest just thinking about it. It hurts, really, because each of those memories, those days, those nights, carved a little hole in him and filled him with love and adoration and the purest happiness anyone’s ever experienced in the history of the world.
Now that you’re gone, that happiness has disappeared and all that’s left is a hollow, empty pit.
Since you’ve been gone, other memories have started creeping out of the shadows. These are different memories, memories of Harry’s failure and your disappointment and nights spent apart and tears sliding down your cheeks.
The problem with these memories is that it’s not a specific memory. It’s not one singular memory that Harry can turn over and over in his head and decide what went wrong. It’s not one thing that Harry can think about and solidify and apologize for.
It’s a whole bunch of things. It’s all the nights spent at the studio instead of with you. It’s all the last minute anniversary gifts and half hearted, distracted dinners, and all the forgetting of events and details. It’s the gradual falling away of random weeknight flowers, it’s the slow decline of hidden poems around the house he set out for you to find.
Well, maybe there is one thing. It might have been that one date night he cancelled. It was at the very end, during the knowing glances after frequent fights, after the slow, painful descent into acceptance but before the official conversation.
Dancing with the Stars had come on TV one night.
“Hey, I’m a star,” you murmured to him, curled up against him on the couch.
“Got that right,” Harry hummed, and you smiled up at him, and that smile made this night one of the good memories. “It should be just us two,” you told him, watching the pairs made up of one professional dancer and one celebrity dance on screen. “No professional.”
You giggled. “Yeah, we’re too good for them anyway.”
You took to dancing around the house after that night. Your dancing always brought a smile to Harry’s face. Funny how all you had to do was twirl, laugh, smile, breathe, and Harry would want to smother you in kisses and gift you his entire heart.
Sometimes you managed to rope him into it. Often you wouldn’t. Often, Harry would wake up to soft music playing in the kitchen, and he would walk in and see you dancing. He’d sip his coffee, and you would spin around and make up fancy footwork, and Harry would grin and blow you kisses and whisper, “I love you.”
He offered to take you dancing one night. He lay next to you in bed and traced his fingertips over your cheeks, lips, nose, and told you all about the night the two of you would have. He talked about live music and warm food and twinkling stars and dancing. You closed your eyes and smiled and hummed one of his songs, and Harry kissed you.
Then he got busy at the studio on the night you decided on. He stayed long. He called you. You didn’t pick up, because you were in the shower, getting ready for you big night. And you didn’t see the voicemail until after you were ready, until after you were sitting on the couch waiting for him, and when you saw the voicemail you jumped up because you didn’t look at the time it was sent, and you thought the voicemail was him calling because he was outside to pick you up.
You weren’t crying when he arrived at home. You just had a quiet sort of disappointment in your eyes, one that was almost more painful than tears, because this look told Harry that some part of you expected this. Harry didn’t look particularly guilty because he hadn’t realized how excited you were. He thought you probably didn’t even get ready. He thought you’d say, “Aw, well,” and move on.
He didn’t think he’d find you on the sofa, dressed in the most beautiful summer dress he’d ever seen, looking like an angel with a broken wing. He never dreamed you’d be so upset, never dreamed he’d be the reason for you being so upset.
That was the night he realized he was nothing but a mortal man in the presence of an angel.
An actual, real live angel.
An actual, real live angel who was losing her glow because of him.
Harry takes a miserable sip of his drink and tries to involve himself in the conversation happening around him. It doesn’t work. The noise level in the room is almost headache inducing, but somehow Harry can still pick out your laugh through the chatter.
He thinks, for a moment, that he’d like a shot of that laughter. He’d like to bathe in your happiness just once more. Maybe that’s all the closure he needs. A gasp of fresh air after what seems like eons of suffocating loneliness.
Then Harry thinks he sounds pathetic even in his own head and he excuses himself from his table. He walks almost blindly through the halls without even a semblance of an idea as to where he’s going. It’s quiet out here, at least, and he can clear his head, and take a breath, and maybe -
"Hey.”
Harry freezes.
For a moment, he thinks he’s imagining things. Then he turns around, and as it happens, he’s not.
There you are, in all your glory, a hesitant smile on your lips. You’re wearing a lavender dress. It fits you perfectly, makes you look like you’re floating off the ground, and Harry wants to cry because it matches his bow perfectly and that wasn’t even planned and goddammit, universe, that’s just salt in a gaping wound.
“Nice suit,” you say, and now your smile looks more sad than hesitant, and Harry feels the tears building in his throat because you remember too, of course you do, and Harry opens his mouth to reply but he can’t get his words out and now he’s on the verge of tears not only because he’s sad but also because he’s embarrassed.
“Thanks,” Harry finally chokes out.
“You’re welcome.”
The corridor suddenly feels long and empty and silent.
“Heard Feather on the radio the other day,” you say.
Feather. One word, a million memories shifting through Harry’s head faster than lightning.
A gifted necklace, filled notebooks, picked out notes, hummed melodies. Murmured lyrics in ears in early mornings. Night after night in the studio, together. Rubbish takeaway food, in the studio, together. Laughter over everything and nothing. Falling over each other in the booth, soft sighs and blissful gasps replacing giggles and shrieks of amusement. Late, late nights, together. Hearing it on the radio for the first time, together, almost driving off the road because of the excitement.
Hearing it on the radio last time, alone, almost driving off the road because of the stab of grief.
Harry’s not sure what to say to that. What do you expect him to? Oh, great, me too, fantastic song, innit? So he pauses for a moment and then replies, “We should make a sequel.” That gets a laugh out of you, and the thought strikes Harry to bottle it up and wear it in a little bottle around his neck.
“That would be something, huh?” you say.
“Call me,” Harry says. “I’ll book a studio.”
You smile. “Yeah, sure.”
“Don’t forget,” Harry tells you.
“I won’t,” you say, and there’s a beat of silence. Your smile fades as you look at him, as he looks at you, and Harry looks away because your smile’s about to disappear completely and Harry doesn’t think he could stand being the cause of your smile disappearing one more time.
You clear your throat. “Alright, well… Expect that call.”
“Yeah.”
“I’ll see you around, H,” you say.
“See ya.”
You turn around and walk away. Float away. Fly away.
Again.
Flight, Harry thinks, watching you go. That’s what the sequel would be called. Feather. Flight.
You wore a white dress the first time the two of you performed it live. It’s such a love song. It’s the sappiest shit ever written by anyone in the entire world. If anyone else had written it, Harry would’ve rolled his eyes and said, Bullshit.
But it wasn’t. The song wasn’t, the love wasn’t, nothing was. It was the complete opposite. As pure and true as love could possibly be. Which makes it all the more painful that Harry couldn’t keep his shit together enough for you.
That’s another one of the Happy Memories: that first time performing together. You in your white dress, Harry in a silver, shimmering suit. The two of you did a whole choreography; you messed up every other move and Harry tripped over his own feet quite a few times, but the effort was there. The combination of the overwhelming yet familiar excitement of being on stage and the otherworldly bliss of simply being in your presence is a feeling Harry will never forget.
The air in the hallway grows heavier and heavier with each passing second.
Harry should get back to his table.
He starts to walk. He peers up at the ceiling as he does, hands locked behind his back, deep in thought. People are cheering out in the main room. Harry listens to the noise and closes his eyes, trying to shut his brain off.
The fans, he remembers, were devastated upon hearing the news of your breakup. It was kept quiet long enough that the questions and concerns weren’t particularly invasive, but it still hurt. It hurt like hell. It was ripping off the bandaid of the first month and poking and prying at the wound until Harry cried onstage and ducked out of an interview and missed a show.
Feather was taken off the setlist.
Once, during a lull in a show, the audience began to sing it. That was kind of strange. Harry looked up at the bright lights and swaying figures and heard his song, your song, being sung back to him by hundreds of strangers. It occurred to him, then, that it was not, in reality, your song. By that point, it meant something to other people as well.
That was very strange.
Harry ended up strumming out the chords for them. He smiled when the audience grew louder.
He heard later that the exact same thing happened to you. It was a few nights later, maybe the next week, and there were some technical issues. In the quiet, the fans began to sing Feather. You joined in just a second later, adding in your bit of the choreography.
Harry tried his hardest not to watch the footage, he really did, but he couldn’t help it.
He cried a lot that night.
When he finally makes it back to the main room, you’re situated under your new boyfriend’s arm, smiling brilliantly. Harry looks away as he sits down and downs the last of his drink. He grins at whoever’s talking at his table and shuts off his brain.
At the end of the night, through an alcohol- and exhaustion-muddled haze, Harry spots you by the door. He sweeps you up and plants a big messy kiss on your cheek, which you return with giggles and a kiss of your own. Harry leaves the 2020 Brits with two lipstick prints on him.
Despite the pictures splattered everywhere the next morning, Harry feels an air of contentment.
It’s done, he thinks, taking a deep breath. It’s done, and that’s good.
Because really, nothing gold can stay.
Not even the gold of a yellow suit.
***
ummm... yeah lol. hope u liked it...? lskdjf anyway there's that.
thx for reading! a reblog and some feedback would be fantastique!!!!
masterlist | ask
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nobodyfamousposts · 3 years
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Helluva Deal (Miraculous X Helluva Boss)
Well, since Miraculous crossovers with Helluva Boss/Hazbin Hotel are a thing now, I figured I’d write my own on how I think it would likely go. Since this IS the Helluva Boss universe, expect mentions of death and the afterlife, allusions to violence, innuendos, and general inappropriateness:
“Let me get this straight.”
Blitzo stared down the demon before him.
Said demon simply looked back, unimpressed. The little thing was small with blue skin, dorky-looking round glasses, and uneven horns. It wasn’t even a notable demon. Just a random weaker demon who somehow got the funds to pay for their services.
And normally, Blitzo was hardly one to turn down money—or a job that offered money. But this…
“You want to pay us to kidnap someone from Earth—not murder, which is in our company’s name, but kidnap. Which is decidedly more difficult and less fun.”
“Yep.”
Blitzo steepled his fingers together and held them up to his face. “And you want this person kidnapped—not so you can kill her yourself for whatever issue you may have, but because you want her to make you a jacket.”
“Yep.”
“A plain old jacket you could just get anywhere here in Hell.”
The demon gasped in offense. “It’s not just ANY jacket! It’s an MDC original piece and I want one!”
Blitzo took a breath, getting the feeling he was going to regret this. 
“Why?”
This…made the demon pause and eventually shrug. “Well, I did say I would have died for an MDC jacket. And I’m dead now, so…gimme.”
Well, who was he to argue with that logic?
Although…
“That is going to require quite a bit more effort…” He started, obviously leading…
The demon gave a flat look. “I’m not paying you double. I need the rest to pay her for the jacket.”
“Why would you want to pay for it?” Blitzo demanded. “This is Hell! You’re a demon! Just steal one!”
“It’s a commission! I have to pay for it!”
Blitzo would have spit out his drink if he’d had one.
“What are you even in Hell for, anyway? You won’t kill. You won’t steal. You just want to pay some human for a jacket you could get anywhere. What’s the point of that?” He asked, giving the other demon a strange look because really, what kind of demon WANTED to pay for things?
The demon stared flatly at Blitzo, his tail flicking against the chair in apparent increasing agitation.
"Are you saying that a commission shouldn't be paid for?” The demon asked curiously, sounding a little...too polite. “Because the last guy who tried to skip out on paying for a commission died. Eyes stabbed out and everything. Do you want to risk that kind of thing happening to you?"
Blitzo paled.
“Oh.”
The silence lingered to the point of long past uncomfortable as the demon continued to wait for an answer and Blitzo’s not so subtle attempt to desperately press his secret security button under his desk had no effect.
This would turn out to be because of Loona disconnecting the thing due to her hangover. Though in the moment, Blitzo would choose to blame Moxie.
After a good minute of no response from his team, Blitzo started to sweat when the determined artist demon seemed to grow bored and pulled out a pencil.
He jumped to his feet.
“We’ll take the case!”
And immediately fled the room.
_______
Once on Earth, the problem came up rather quickly that they had no idea who MDC was or how to access them. The client only knew the target was a fashion designer in Paris, which narrowed it down to one city at least but still was little help when the city in question was one of the fashion capitals of the world.
Blitzo, naturally, took the lead in trying to work out a means of information gathering.
And by “naturally”, what was really meant was “horribly failing”.
“I’m telling you, the plan is foolproof. We hold someone for ransom until MDC trades herself.” Blitzo said with apparent glee.
“Sir, that would be the exact opposite of subtle and get us the wrong kind of attention!”
Moxie, for his part, was trying to come up with what he would call “sensible plans”. Millie was simply scouting the area while the two argued. Ever faithful Loona stayed behind to try using her own connections…a magazine.
Needless to say, Blitzo was the one carrying the team. Or at least in his not-so-humble opinion.
Blitzo rolled his eyes. “I don’t see you coming up with any plans, Moxie.”
The smaller demon gave his boss a disgruntled glare. “I already told you! We should just go back and ask the client for more information!”
“Hmm…” Blitzo paused, before pulling out his phone. “Hey, Loona. The client still in my office?”
“Yeup.”
Blitzo immediately closed the phone. “Yeah—nope.”
“Sir—”
“He gouged a guy’s eyes out, Moxie! I need my eyes! I’m too pretty to lose them! They frame my face!” Blitzo exclaimed, bringing his hands up to his head in a fit of dramatics. “Is that what you want, Moxie? Do you want me to lose my precious, precious eyes?”
Moxie stared at the man like he was insane. Granted, Moxie had long had doubts about his boss’s sanity, but still...
“Hey, fellas?” Millie called, interrupting the two as she waved them over to the side of the building they had set up a temporary base atop of. “Listen to this!”
Blitzo immediately headed over, with Moxie following along behind looking annoyed. As they got closer, they heard what Millie had called them over about. Blitzo leaned over and peeked into the room in question.
Below them was an open window of the building where apparently a number of teenagers were gathered within for some inexplicable reason. And in this specific room, a group of the teens were gathered around one particular girl with a large forehead and hair that appeared to be made of meat. It was this girl who had their attention.
“—really friends with MDC?” One short blonde asked, looking overly excited like Blitzo did when he got a paycheck.
“Of course!” The meat-girl replied, looking smug. “We go way back! I was even the one who encouraged him to start in fashion and inspired his Heroes line.”
Blitzo looked back up at his team. “I thought MDC was a girl?”
Moxie shrugged. “If no one knows their real identity who's to say if they're a boy or a girl?"
“What else are they saying?” Millie asked, which returned the focus to the room.
More talking from below, using words that none of the demons really understood or cared about.
“—which was why he even made the Fox outfit for me!”
“Wasn’t that design based on Rena Rouge rather than Volpina?” One other girl with blue hair asked from the doorway of the room. She appeared to be rather annoyed for some odd reason.
The meat-girl looked somber. “Well, that was before he had to change it. After all, as bold as he is, not many people would support an akuma line, even if he had kept my idea to donate the funds to charity for the victims.”
The group “oo”-ed over the girl and praised her for her thoughtfulness. The meat-girl preened at the attention. The bluenette rolled her eyes. Some other blond guy looked on in disappointment.
“How amazing!” The little blonde exclaimed, clasping her hands to her cheeks. “I’d love to be able to meet MDC!”
“So would we!”
All eyes fell to the window which Blitzo, Millie, and Moxie used to make their entrance.
Honestly, he thought it was one of his better displays of dramatics. It certainly warranted some applause. Or screams of fear. Maybe one fainting.
“Akuma!”
Honestly, he was rather disappointed by the underwhelming response.
“I know we're demons and all, but I thought this place was French, not Japanese!"
“Nevermind that.” Blitzo replied to his workers before stepping forward to face the students.
Or rather one student in particular.
“Greetings! I am Blitzo. The two behind me are Millie and Moxie.”
The class stared as one of the two glared at them while the other waved cheerfully—or would be considered cheerfully if her teeth weren’t so razor sharp.
“We represent IMP, a for-hire group out of Hell. We take contracts, complete tasks, and make wishes come true!”
The teens looked at the demons in wariness and confusion.
“That sounds nice…” The little blonde in pink said.
“Those wishes generally involve murder.”
“I take it back! That sounds horrible!”
Blitzo grinned. “We are the ‘Immediate Murder Professionals’, dealing with the unfinished business of those poor wretched souls who are seeking some small vindication in their current status in Hell.”
“Then…why are you here?” The bigger male demanded.
Blitzo ignored him in favor of his true target.
“You! Ugly girl!” He shouted, grabbing the meat-girl.
“Hey!” She exclaimed, insulted.
He shook her. “Take us to MDC and we’ll rip out those sausage-links you call hair!”
“…don’t you mean ‘or’?”
He grinned ferally.
“No.”
She shrieked in fear.
“Lila!” Others cried out in horror.
Ah, yes. There was the fear. This, Blitzo was good with. It made him feel better about the previous lackluster response to his entrance.
“Why do you want me?!” The girl—Lila shouted, looking panicked. “I don’t know where MDC is!”
He raised an eyebrow at this. “But you said you were friends.”
She glanced around, taking note of the fact that her cohorts were still in the room. Though he didn’t know why that should matter for her answer.
“We are! But…I don’t know where he lives now! He’s moved since his name got out there and hasn’t given me the address yet!”
A glasses-wearing girl frowned in confusion. “But didn’t you just say that he invited you to his house for fittings?”
“Yeah, you said it was for the latest line that just came out.” Another girl with multi-colored hair added.
“That was months ago. Before he moved.” Lila replied quickly. “So I can’t help you.”
“Sure, you can!” Blitzo replied jovially. “We can just use you as ransom until MDC agrees to hand himself over.”
Moxie approached the two, keeping his gun leveled at the other kids. “We can save some time and see if she can’t call him.”
“Hey, yeah!” Millie agreed, grabbing Lila’s bag off of her and searching for her phone. “If they’re friends, she’s gotta have his contact info!”
“It’s not in there!” Lila replied quickly. “I was worried someone would steal my phone to get his info so I don’t keep his number in my phone!”
Millie frowned, before holding the now open phone up to Lila. “Then just type in the number yourself.”
Lila glanced around the room in growing agitation. “I can’t! I don’t have it memorized!”
“Then where did you write it down?”
“I lost it!”
The demons were looking particularly vexed.
“When and where?”
“It was a while ago. I don’t know where.” Lila replied.
A girl with glasses looked at her in confusion. “But didn’t you say you just called him this morning to congratulate him on the new line? And that he promised you a free outfit as thanks for all your help?”
Lila paled. “I—”
“Then the number should still be in the phone under its call history.” Moxie noted. Millie grinned and looked back to the phone screen to look through the data.
“I deleted it right after!” Lila shouted desperately.
Millie looked up at her in irritation.
Then promptly crushed the phone in her grip.
Lila shrieked, though it would be up for debate as to whether it was in shock at the loss of her phone or in fear that she may soon share that same fate.
Blitzo seemed similarly put out, but ended up shrugging it off as he pulled Lila closer to him. “Then it’s back to Plan A to hold her for ransom. Or torture her to see if she can’t remember the details.”
“No, please!”
“Lila!”
“Let her go!”
Lila grabbed at the arm holding her, panicked but not enough beyond reasoning. She couldn’t afford to reveal she lied now. She could only hope that these monsters would take her somewhere private where she could manipulate them with less witnesses.
Marinette, for her part, was also analyzing the situation.
These were three unknowns. Definitely not akumas. If they were to be believed, they were actual demons. From Hell. Which existed, apparently. And was where Lila would likely find herself in the next hour if she kept this up.
But from Lila’s expression, it seemed she was insistent on staying tight-lipped about her lies. Marinette figured as much due to her history. But she would have thought that Lila would have had some measure of self-preservation. Though perhaps that only applied to the preservation of her lies and manipulations rather than her own well being.
It was clear that Lila wasn’t going to get herself out of this. Not in any way that would spare her and everyone else in the room, at any rate.
As it was, the classmates were about to rally in Lila’s defense. While they had stood their own against akumas in the past,Marinette didn’t want to see how well they would fare against demons. Nor did she want to have to test if the Miraculous Cure would be enough to fix whatever would be left of them if they tried.
Marinette looked to the doorway.
No one was paying any attention to her right now. She could escape. She could go out, find a place to transform, and come back to deal with these…demons.
But by the time she returned, who was to say what could happen. The demons could kill Lila. They could kill all of her friends for being witnesses.
Ladybug may not be able to fix this.
But Marinette…as Marinette, she could.
“I’m MDC.” Marinette admitted.
Everyone froze.
“Come again.”
“MDC.” Marinette enunciated. “It stands for Marinette Dupain-Cheng. My name. I’m MDC. I’m the one you want.”
Alya stared. “Girl?”
Moxie looked at her in consideration. “That would fit with the client’s report of MDC being female.”
Millie, frowned in suspicion. “How do we know she’s really MDC?”
Marinette took a breath and slowly pulled out her tablet. “Well, my signature is in the clothes, so if you’ll let me pull up one of the shots, I can point it out and—”
Blitzo cut her off, grabbing her arm. “Yeah, I think we’ll just take you both and let the client sort it out. Sound good? Good, because we’re leaving.”
“Bye all!” Millie said, waving to the group. “Don’t do anything we wouldn’t do!”
Moxie rolled his eyes. “That’s a pretty short list…”
Blitzo ignored them an opened a portal, dragging both girls after him. Without a glance back, both Millie and Moxie followed him through the portal. Before anyone else could move, the gateway closed behind them.
A long pause followed.
“Not so fast!”
Suddenly, the door was kicked open as Chat Noir burst into the room.
The much less enemy-filled room.
“Um…did I miss the party?”
_______
The room they soon found themselves appeared, for all intents and purposes, completely normal. It looked like an office of the sort they’d find anywhere in Paris. Complete with a secretary’s desk, a few chairs, and a table littered with magazines.
The difference was made quickly apparent, however, through the view out the window. The landscape the deceptively quaint room was mostly a collage of red and black, with a sunless sky above and a myriad of strange buildings. Also of note where the various denizens of…distinctly non-human appearance wandering the streets outside.
“All right, ladies! Welcome to Hell!” Blitzo announced with a flourish, causing the girls to pale.
Lila fell back with a screech, landing on her butt and immediately attempting to scuttle back away. Her path was quickly halted as she bumped into something. Looking up, that “something” was actually a wolf monster, making Lila panic even further.
Loona, for her part, was not having a good morning—ignoring, of course, that it was actually the afternoon. And as if it wasn’t bad enough that her hangover still hadn’t cleared, now some…thing had shoved into her, followed shortly by an ear-piercing shriek that only made her head feel worse.
Seeing the way the wolf demon growled, Lila opened her mouth, possibly to scream even more when Marinette quickly shoved a hand over her mouth with a smile to Loona.
“Oh my! Your hairstyle is quite lovely!” She lied. Blatantly lied to the wolf girl’s face.
“It’s bed-head.”
“I couldn’t even tell. It looks so sleek and shiny!”
“Whatever.” Loona grumbled and stormed off to the break room, slamming the door behind her (and then immediately regretting it due to the noise agitating her headache).
Marinette decided to take the initiative. “So…what do you want with us, anyway?”
“Our client paid us a pretty penny—”
“Basic contract.” Moxie interrupted.
“Pretty. Penny.” Blitzo continued as if he hadn’t heard. “For a chance to meet with MDC.”
Okay, they had mentioned that before.
“Then what?”
“If you are MDC, you can do whatever the client is wanting. If you’re not, you’ll at least make for a decent distraction while we escape and blow up the building.”
The humans in the room blanched at that.
“WHAT?!”
“I know. She was a beautiful building.” Blitzo said mournfully as he actually wiped a tear from his eye. “And I just got my office arranged how I like it, too. But it
Marinette stared.
Lila whimpered.
“I second that ‘what’.” Moxie interrupted. “Nobody at any point discussed blowing up the building!”
“It was on page 3 of the handout I gave you this morning, Moxie.” Blitzo exclaimed, covering his eyes in exasperation. “At least read the mission briefings!”
“Sir, the ‘handout’ was a paper napkin. There was no third page!” Moxie insisted.
Beside him, Millie for her part was looking over the aforementioned napkin for the part that was supposed to mention the circumstances in question…or really any of the plan.
“We’ll discuss it later.” Blitzo said over his shoulder to Moxie as he proceeded to grab both human girls and drag them over to a previously closed door.
“Hey wait—!”
“Hang on!”
Within seconds, Blitzo opened the door and proceeded to shove both girls through before slamming it shut behind them, the last thing they heard being him mentioning where to buy explosives.
_______
So.
Recap.
Hell was real. Demons were a thing. And the two human girls were getting a first hand view of the less than pleasant or holy side of the afterlife.
Marinette was…actually taking it all in stride.
Lila was less so. She was sitting ramrod straight in the chair, keeping a tight grip on her knees and trying very hard not to move as her eyes glanced quickly around the room at the assembled demons.
Marinette actually felt bad for her. And probably should have been panicking herself, all things considered. Maybe she would have been had it not been for her extensive experience as Ladybug.
Sure, it was Hell, but floating gods and people turning into monsters had already broadened her horizons of the possibilities of the universe. Plus despite the name of the company that had kidnapped them both, murder didn’t appear to be on the table. All in all, despite the circumstances, Marinette didn’t feel that scared.
The fact that the “client” in question who hired the group was actually a fan of hers wanting a commission helped quite a bit with that.
As did the flattery.
“OMG! OMG! I can’t believe it! It’s you! Can I get your autograph?! No—wait! I need to focus! Can I get a jacket with your autograph?!”
“Thank you.” Marinette said, somewhat flustered. Honestly, she hadn’t thought she had gained THAT much fame. Especially not enough for someone to want to commission her from the afterlife.
…was that a thing? Could that be a thing?
“What I don’t get is why the other girl had to tag along?” The demon asked, curiously. “Is she your assistant or something?”
Lila brightened, looking ready to speak—likely to try to lie her way out of this. Or mess up what little peace Marinette had managed to create.
“No!” Marinette interrupted quickly, ignoring Lila’s petulant glare. “No, she’s not. There was just a mix up since they didn’t know where I was or who to bring.”
Blitzo rolled his eyes. “Well, how were we supposed to know?!”
“You could have asked me when I contracted you.” Said the demon, somewhat annoyed.
“I have a website, you know.” Said Marinette, very annoyed.
They paused.
“…the fuck’s a website?”
Silence.
Marinette coughed. “In any case, you wanted to commission me?”
“Oh, yes!”
_______
It didn’t take long to make the arrangements. Marinette named her prices and the demon was more than willing to pay her for her services. They made use of Blitzo’s office to negotiate and fine tune some details regarding the arrangement. From determining the materials to writing up the contract to negotiating the costs, it was all pretty professional.
And ultimately involved the humans not being murdered and the building not being blown up, which was always preferable.
It finally came down to determining just how the demon customer wanted the jacket to look, and Marinette started drawing out some sample sketches on spare paper in the office that may or may not have been important documents for Blitzo which she may or may not have particularly cared given the whole “kidnapping and being used as a sacrifice” matter.
The only issue seemed to be that the demon customer wanted the jacket to be made of materials that were only available in Hell. Which made sense, she supposed, since she wasn’t sure how long anything she made on Earth would last in this environment. Millie and Moxie had been sent out to gather the necessary material in question, and what they returned with was a strange sort of leather. It was unique and of a color she had never seen before, and part of her really wanted to get a bit more detail about the make.
…given how pale Lila had already gotten, Marinette kindly decided to refrain from asking questions.
“Well then, let’s go over a few sketches and determine which one you like.”
The demon looked almost giddy at the prospect. The IMP team looked relieved. Except Blitzo, who still seemed to be pouting over their takeover of his office.
Lila was…less enthused. “WHAT?! What are you thinking?! He’s a demon!”
Marinette shrugged. “Well, I do have a non-discrimination clause.”
“That shouldn’t apply to demons!” Lila hissed lowly.
“The demons who have brought us to Hell and are currently our only way of getting back.” Marinette pointed out, dryly.
Lila huffed and went back to her chair.
So, with Blitzo and his team begrudgingly kindly being forced willing to donate their office for her use, Marinette sent to work to try and design a jacket to the client’s taste as quickly as possible.
The sooner she got done, the sooner they could go back to Earth.
…hopefully.
Lila, for her part, was terrified and miserable and just wanting to go back to Earth. Immediately would be preferable. Even without Marinette.
Yeah, thanks Lila.
“Why do I have to stay here? Why can’t I go back home? Or do anything else?”
The client tilted his head. “Are you saying you don’t like art? Because the last person who told me they didn’t like art had their eyes stabbed out. With pencils. Would you want that to happen to you?”
“…can’t I like art and not stay in Hell?”
“No.”
Lila paled and sunk lower in her seat, where she remained quiet for the next couple of hours while Marinette worked.
It was mostly in silence as Marinette drew one sketch after another. Asking occasional questions about preferred length, how many pockets, special embellishments, and which parts of the various jacket styles did he prefer. Eventually, they had come to an agreement about the set look he wanted, the materials needed, and when he wanted it completed by. And from there came the matter of payment…
“Um…I’m not sure what the exchange rate is for Hell currency.” Marinette said, looking at the coins he handed her.
The demon frowned, tilting his head in consideration. “I could always rob a human bank and pay you with that.”
Marinette paled.
“This is fine. Really. I can probably buy some things from Hell with this.” She said with a forced smile.
“There are tons of things you can only find here.” Millie said, brightening. “We could deliver them for you!”
Well, that was a good point.
“That’s true.” Moxie agreed. “You could make other things with the fabrics here. Hats. Shirts.”
He paused, looking over his shoulder at Millie who was busy chatting with the customer regarding the fabric he chose. Seeing she was suitably distracted, he turned to Marinette. “So…how much would it be to make a dress. Just out of curiosity.”
Aww. Even in Hell there was love.
She smiled. “We can certainly discuss it.”
The moment was ruined as Blitzo stepped in and slung an arm around Marinette’s shoulder.
“How about one of those sexy maid outfits for the bedroom? You’re French, right?” He asked before giving Moxie a nudge. “You could stand to have a little more fun in the bedroom.”
“Sir, I’m 14.” Marinette replied dryly.
“And what we do in the bedroom is none of your business!” Moxie rubbed the bridge of his nose. “Didn’t we just have a discussion about this last week?”
Marinette coughed as the two started to argue. “So…um…are we going to return to Earth so I can start working on this?”
Blitzo sighed. “Fine, fine. Killjoys.”
Lila heaved a sigh of relief. “Oh thank God.”
_______
With an agreement forged between Marinette and IMP to have the customer’s order completed and delivered within two week’s time, Marinette and Lila were safely deposited back in their classroom no worse for wear.
…well, physically. Mentally, there were probably going to be a few scars.
Several of their classmates had apparently remained since the earlier incident. Perhaps it was out of worry? Or maybe classes had resumed after their disappearance—akuma attacks and strange circumstances had become rather common, after all.
Still, it was Alya’s cry of surprise and then being pulled into a hug that assured Marinette she was, in fact, back home.
“You’re back!” Alya exclaimed, relieved. “We were so worried!”
It wasn’t every day your best friend and classmate was dragged to Hell, after all.
“—and I’d been trying to reach out to Ladybug and Chat Noir, but only Chat showed up and Ladybug must be busy or maybe she already knew? Did she help you? How did you escape?”
Part of her wondered if Alya had even stopped to breathe. The rest of her was just basking in the happiness that they had made it back safe and nothing too terrible had happened in the meantime.
The absolute LAST thing she needed was to come back and find out Hawk Moth had let loose another akuma that destroyed Paris while she was gone.
Alya suddenly gasped as though struck by a thought.
“Oh my god, Marinette! I can’t believe you did that!”
Marinette smiled. “Well, I had to—”
“You claimed to be MDC just to protect Lila! And here I thought you hated her!”
Happy feeling gone. Gone like a punch to the face. Knocked out. Dead, even.
Alya beamed. “I’m so proud of you, girl! I knew deep down that—”
“Nope!” Came a quick interruption. “That’s not what happened. It was just a lie. Completely and utterly.”
The interruption was half expected.
The fact that it came from Lila was not.
Everyone froze.
“What?”
“I never met MDC.” Lila explained, wasting absolutely no time with subtleties and just blurting it out. “I never knew Marinette was MDC. I just lied about knowing him because I thought he was the next big thing and I knew you would all believe me.”
“…what?”
Lila sighed. “I lied about knowing MDC. And being the muse behind his fashion line—well, hers. Since Marinette is MDC. She never lied. I did.”
The classmates were startled, but seemed to be taking in the information.
Rose, for her part, tried to be positive. “Oh...well, you didn’t have to lie about knowing MDC—”
“No, I mean about everything. Ever. In fact, there’s probably not a single time we’ve known each other that I was ever honest with any of you.”
Everyone stared.
“I’ve been lying since the moment we’ve met.” Lila continued. “I am a liar. Always have been. I am a horrible lying liar who lied about everyone I ever claimed to know and everything I ever said I did just to get you all to admire me because it was easier to manipulate you that way and get you to do things I wanted. From interviewing me for the Ladyblog to carrying my lunch tray to buying me things. I lied about having tinnitus just to get to sit next to Adrien and lied about not being interested in him to manipulate Nino into guilting him into letting me come to his house. Ladybug herself even called me out for lying. And when Marinette got upset that day I came back over the seat change? I threatened her in the bathroom because she was wise to me from the very start.”
A few stares were sent Marinette’s way. She didn’t have any explanation for them though. She was just as surprised as they were. More, even.
Lila shrugged. “Everything I’ve said. Everything I’ve done. All lies. Ever.”
Everyone gaped in shock. Nobody even really knew what to say.
Marinette started. “But why—”
“Because that was Hell, Marinette. HELL. The bad place you go to after you die, reserved for bad people. And until today, I didn’t even think it was real. Or that there could be a chance I could end up there. But I imagine if anything would warrant that, it’d be lying, manipulating, and trying to get revenge on a superhero.”
Nino blinked. “Wait…what was that last one—”
As if a great weight was lifted from her shoulders, Lila sighed. “Now if you’ll excuse me, I’m going to go join a convent to try and save my soul now that I know I have one.”
With that, she promptly exited the room, leaving the group staring after her in complete bewilderment.
Alya gaped. “...what?”
_________
Epilogue: 
Marinette completed her commission to the demon and later for Moxie. Her fame increased in both realms and she eventually did open up her own design house. The only issue came in the customers who wanted to pay her by removing her competition, which she was mostly able to prevent until IMP took a hit on Gabriel Agreste. While Marinette did stop the attempted murder, this did still reveal his secondary identity of Hawk Moth, allowing the Butterfly and Peacock to be recovered and peace to return to Paris.
The classmates were shocked at the reveal of Lila’s true nature, but were more bewildered than anything given how it happened. They did all feel foolish and embarrassed for trusting Lila, but considering what could have happened, they all chose to take it as a life lesson to be more cautious in the future. They all remained friends and moved on to live quite fulfilling lives.
IMP formed a contract with MDC and gained a secondary job of delivery service as well as assassins, which increased their profits.
And Millie loved her new dress.
Lila Rossi convinced her mother to send her to a convent, where she became one of the most pious and devout members, spreading the message of being good in life more than any other.
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zulivaris · 3 years
Text
Art Block tips that helped me
 I’ve recently experienced art block after 3 or so months of overcoming my last one. Thankfully this block only lasted a few days thanks to some things I’ve observed and noted down from the previous time. So I’m sharing these few tips in hopes that it might help someone get unstuck :D!
First and foremost if you’re tired, sad or anxious don’t be surprised that you can’t make art, go and take care of yourself by treating yourself with kindness and patience, the sketchbooks and canvases will wait for you :)
The tips are under here:
Separate art studies from the creative time:  When you do art studies you’re there to focus on specific things, learn and understand how things work so you can apply them later in your art. Studies take a lot of energy and focus and are the opposite of the creative "flow” of making your own pieces. If you combine the two the results are either unfocused studies or stiff drawings. When you sit down at your desk ask yourself “Do I want to learn something new or do I want to create something of my own?”
When you have an idea don’t be afraid of being messy: Let’s say you want to make a picture of several cats kolo dancing in the moonlight. How do you go about doing this? Well since you came up with the idea you already have a vague image in your mind, sketch it out with simple shapes, stick figures, circle and spheres etc Don’t worry about cat anatomy, or the dancer’s moves, sketch out the essence of it. This method removes the need to be perfect or accurate. 
Ok after the messy sketch then what? Well now that you have sketched out the essence of your idea (and hopefully had fun doing so) now you go on to look for references! You put the creative process on pause and you can do a few brief studies if you need to: anatomy, color schemes, values, poses. Pick out a few of your favorites but don't obsess over them, they are a guide, a tool.
You know much more than you think. You’ve probably been drawing for a few years now. You’ve probably done some studies and drawn more than one type of subject. Then you have already internalized some of that information. I used to be obsessed with capturing the minute detail of the subject, and not be able to draw ANYTHING without reference. Instead of a useful tool, references became another obstacle to my creativity. That’s perfectionism my friend, and that’s no good. Here is an exercise a good friend of mine offered: Draw a few characters, animals and objects from imagination. Make sure that the subjects have no personal value to you (no ocs for example) so that if you make a mistake you won’t feel bad about it. Make the process relaxed and comfortable, pour a nice cup of joe, listen to your favorite music ... You will notice that you do indeed know how to draw some things without reference, and it’ll help with your confidence. 
The more you do studies the more you understand This seems evident but the more you understand your subject the freer you can be and the easier it’ll be to draw it from imagination in the future. If you really struggle with something to the point of frustration (as in you can’t get it right even with reference) It means you have to study it. Have a study list, for example: hands, perspective, color theory etc. And one of those days you want to study pick something from the list, and look for videos on youtube or useful sites like line of action etc. Only study one thing at the time. You can go from studying hands to studying arms since they’re more immediately connected, but you can’t study hands and then jump to learning perspective right after. Trust me you can learn perfectly fine with the resources online, and I’m sure you’re clever enough to do it :D
Mistakes don’t mean you “suck”  I’ve noticed that the two most common causes for art block are perfectionism and lack of self-confidence.  The two can often go in tandem which is worse :’D But let me remind you of something, you can fix your piece along the whole process. Use erasers, lasso tools, liquify , select, paint it all over etc If something looks off to you then you also know deep inside how to fix it. Useful ways to see what clunks: flip canvas horizontally (helps with placement, proportions), turn the image to grayscale (helps to check values and where your eye tends to look), look at your image in thumbnail size and ask yourself if it’s clear, see the pose’s silhouette and ask yourself if you can tell what the character is doing etc. Don’t fret, everything can always be fixed :)
Perfectionism, sometimes it stops you before you begin Perfectionism causes you to overwork a piece, it makes you draw less, it makes art stressful, it brings insecurity. Let’s remove it with a simple exercise. It can be combined with the “draw things from imagination” once you’ve drawn something you like: dont do line art, don’t shade it, keep it as simple and crude as possible and then...post it. Yes, post it. You’re not at your best? You’re only human, this will help you embrace that very human side of you. You make mistakes. So what? The more mistakes you make the more you know what you need to study and the better at art you become. Mistakes are there to show us what we need to learn. See them as another tool and not a sign of failure.
Make the process as enjoyable as possible: You like art. You love drawing. Never forget this. Otherwise why are you drawing if you don’t enjoy it? It’s easy to fall prey to the mentality of those relatable memes that “art= suffering” or “I can’t even draw the other eye”. No no no my friends, these messages are fueling your insecurities instead of overcoming them. Let me tell you what, art is fun. It is. Art is fun, because I decided to make it fun again. And you should decide on that too. Personally I adore lineart but my hand-eye coordination is lacking to do it digitally, so....I just skipped it. Yes. I skipped it. I do the sketch, I clean it up a bit and then jump onto color which I adore. It allowed me to draw more and more freely. When I draw I listen to music, make strokes with the rhythm, I take breaks often and I drink my favorite iced teas. If you don’t like coloring do it in grayscale, if you love lineart then do that etc It doesn’t mean you won’t learn your weak points in the future with studies and practice, but you won’t let your weaknesses prevent you from drawing at all. No no, you won’t let them. You draw because you want to, despite of them.
Don’t wait for inspiration, provoke it  Inspiration is not a divine and capricious muse. You make inspiration. It’s easy just collect all the things you like, music, artists, objects, characters, animals, patterns, plants etc Make boards on pinterest or similar sites, combine things you like. You like suits? You like birds? You can draw a bird in a suit, or a bird-inspired suit design, there is frankly a lot of ideas that can spring up from little things like these.
When a project stops being enjoyable either pause it for now or move on to the next thing. Pieces aren’t precious. They’re not “the one time I got x right” they are one of many. This advice goes mainly to hobbyists who can afford the luxury of passing to a new project. I have a WIP of a character who is overly complicated (I enjoy a challenge from time to time) sitting for half a month. I sometimes come back to it and add something... but as soon as it starts to create discomfort and insecurity instead of enjoyment I move onto something else. In the meantime I created 3 or 4 new pieces. If I had waited on finishing that piece I would have been severely creatively and physically exhausted. The art comes from you, not inspiration. The more art you make the better you become.
That’s about it :D I know it’s long but I prefer to be thorough and cover all the possibilities. If you have read of this: Thank you so much I hope this helps you at least a bit, if it helps only 1 other person I’d still be very happy. Have a nice one, and kick art block’s butt!
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jolynej · 3 years
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may i ask some hc's for a bisexual artist reader dating bruno, giorno and doppio? 🥺 👉👈 (bonus: reader gets to flip off/ smack diabolo for interrupting dates lol) - 🎨
yes! sorry it took so long, honey! this was really fun to write!! hope you enjoy, bby!!
all characters are 20+ in this piece!
CW: implied nsfw, a curse word in Doppio’s part
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• Immensely impressed with your artistic and creative capabilities, no matter your preferred medium. Each time that you present him with a finished copy of your work, his cerulean eyes light up, and his amber lips tug up to reveal a proud, dazzling smile. He gets worried that some of his compliments may sound repetitive, so he has developed a habit of commenting on and praising the most random aspects of your work. From anyone else it’d be odd to hear about that ‘handsome shade of green’ or the ‘fascinatingly sexy technique’ you used, but it’s Bruno, and you wouldn’t expect anything less
•If you’ll indulge him, he’s a big fan of sitting back and watching you work. Full warning though — those odd comments of his are in full abundance! The man truly hangs on to everything that you do and is very anticipatory of how your piece will turn out. But he is far from overbearing. He knows how bothersome it can be to have someone hovering over your shoulder, and he makes sure to allow you to have more than enough breathing room and space to work
•On special occasions such as anniversaries or your birthday — or even just on a random Tuesday, the man just loves surprising you, let’s be real — he’ll gift you art supplies. From brushes to paints, to art programs and aprons, Bruno has given you an array of art-related items. The moment you say that you’re eyeing something in particular or are running low on a particular supply, he mentally catalogues that information away for later
•100% into paint and sips! He signed you up for one as a date idea, and he found out that he really enjoyed himself. It’s a fun way for him to loosen up, relax, try something new, and to, of course, spend time with the person he loves most. He’s a bit of a giggly drunk, and he has definitely made you, and some other angry patrons, mess up due to his loud gasps and snorts and wheezes that he makes because he made such a silly little dolphin, wheeee!!
•Bruno offers to model for you — nude, if you don’t mind certain things popping up. He acts all suave and nonchalant when he proposes the idea, but when it comes down to the actual event of him posing on an ivory-colored sheet draped over a chaise lounge with one hand propping up his head and the other sat upon his thigh, he’s trying everything he can to keep himself from getting turned on. But there is something about the distinct way in which your eyes are narrowed in pure concentration, because of him, that gets him going
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•He’s a good critic — he’s fair and offers constructive criticism but is never harsh nor rude, plus, he’s quick to remind you that he knows next to nothing about art and what exactly goes into the creation of your pieces, so he tells you to take his suggestions with a grain of salt, it’s just his way of trying to get you to challenge yourself and achieve even great heights! Still, Giorno always finds something in your latest piece that he admires, and his compliments are always very genuine
•Definitely hangs your work up in his office and whenever someone comments on the work or asks who the artist is, he just smirks and says in a knowing, smug tone that he’s intimately familiar with their other work and that he’s grateful for the exclusive access that his position as don has given him. Whether or not the innuendo is lost or not on the other party is solely dependent on their own inference
•Giorno will absolutely surprise you with your own art studio and/or gallery to display your pieces. While the actual work and planning that went into this took months of proper organizing and hours of him touring different venues to search for the perfect place, the don makes it seem so nonchalant and casual when he calls you out of the blue to tell you to meet him at ‘x address’ at 6:00 PM sharp for your birthday present
•If you have any plants in your works, then he may surprise you with a fresh cut flower or fern or even a potted sapling, depending on the specific species of flora that was featured in your piece. Don’t be shocked to find a vase of roses or hydrangeas or forget-me-nots, or any flower for that matter, on your kitchen counter when you come home from work. He leaves a handwritten note in gorgeous cursive that says something sappy along the lines of ‘I hope this bouquet blooms new inspiration, amore’
•Much like Bruno, he’ll be happy to model for you, and he’ll have no qualms about doing so nude, if you ask, but he probably won’t bring it up otherwise. He’s very patient and does a great job staying still for you, and he will also create a few spontaneous vines and blossoms to better accentuate his chiseled features, stringing the delicate petals through his golden hair and dotting a few at his feet
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•Since the boss has him traveling all over, he’ll commission a small self-portrait of you to keep with him when he’s away. He’ll ask for a new picture every few months, which he explains is because he wants to keep up with your change in appearance, be it a new hairstyle/color, new glasses, a new piece of jewelry that he adores on you, etc... but honestly, he just wants to have as many pictures of you as he can — you’re just too lovely!
•Doppio brings up making one of those giant canvas pieces where you both cover yourselves in paint and make love on the canvas together. He had overheard Squalo and Tiziano discussing it one day, and he immediately found himself torn between whether you’d look cuter in pink or blue paint — or both. Doppio would love to sit and have his portrait painted; but alas, that wouldn’t go over well at all with the boss, so this, to him, is the next best thing! Plus! It’s a testament to the love that you both share, and no one has to know how it was made!
•During his travels, he’ll visit little gift shops and will mail back postcards that feature the work of local artists or photos of the scenery or native wildlife. He writes you a cute ‘I miss you’ letter and signs it with a tiny doodle, a heart, and in cursive he ends the note with a simple but intimate ‘your Doppio’ You should plan on making a scrapbook one of these days due to the amount of postcards that you’ve received over the years!
•You have a date night where you both paint along with an episode of Bob Ross, and to put it kindly, Doppio’s painting ends up on the fridge and not on your living room wall, but he’s still proud of himself, considering it’s his first time painting. A few days later, Diavolo walks by the refrigerator one day and asks you why ‘that tasteless shit’ is on display, causing you to scowl and smack him clean across his disgusted face
“Ah, tesoro...” Doppio winces, rubbing his cheek, red and hot from the impact of your harsh slap. “Why does my face hurt?”
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sorcerersofnyc · 3 years
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The Last Thing Left (Zemo x F!Reader) 9/9 - The Epilogue
If it wasn’t so painfully ironic (and hilarious to watch,) Helmut would find the relationship between Sam and James a little sad.
Ghosts weren’t enough to hold two people together.
While they wait for Torres to locate Donya Madani, Zemo brings Sam and Bucky to the home he once shared with you.
You reunite and he reflects upon his relationship with you (his wife’s friend and his friend’s wife) and your journey from being people with mutual friends to partners.
Part Nine: You Carry On
Angst, brief allusions to sex, I use Serbian Cyrillic as a stand-in for Sokovian.
Note: Main Character is neutral in most regards, but the story was written with my own cultural background in mind. (In other words, I won’t say what she looks like but I envision her as being black.)
First Chapter | Previous
***
You watch him go.
You watch him leave you once again— watch him go off into some dark, unknown future you can never be a part of.
And it hurts.
It hurts to know how much you’ll miss him, hurts to think you'll never see him again.
You take a deep breath (and another and another and another) but the pain only spreads faster as dread closes in all around you.
You feel lost in it, drowned by it, changed by it—but you won’t surrender to it. You’ve walked this road before and you know the way forward. So you take a step, then another, and you turn away from the outside world with a heavy, ragged breath.
The kitchen is far too cheery now. The sun streams inside through the open curtains, and the smell of coffee lingers in the air. Helmut washed the dishes before he left, leaving only his favorite mug behind. It stares at you from its place on the countertop, its dark ceramic gleaming in the light.
You don’t feel your knees buckle or your hands shake, you don’t feel the mangled sob rising up from your chest, you don’t feel the tears that gather at the corner of your eyes and pour down your cheeks like heavy rain.
Your body lurches forward. You reach out to steady yourself but somehow manage to knock the mug over instead. It strikes the title with a sickening clink that echoes through the air.
It chips, but it doesn't shatter. The coffee spills from the mouth and spreads fans out in every direction, staining the tiles on the floor.
Helmut would never know you chipped his favorite mug—but you cry about it anyway.
You cry for the life you could have had together, one where you dumped the stale remnants of his coffee every morning, one where your first kiss wasn’t also the last, one where he held you every day, and you healed your hearts together instead of apart.
You cried because your feelings had no place else to go.
*
Time passes.
*
Time passes.
*
Time passes.
*
You’re alright; you don’t break, or bend, or toil beneath the weight of your grief. The world moves forward, and so do you:
Anežka returns. (“How was the Baron?” She asks you. “We’re the two of you able to… become familiar with one another?” You wish.)
You learn Helmut was taken to the raft. (You order his affairs and have his things sent over to him.)
Sam Wilson becomes Captain America. (He gives a speech that inspires the world to do better.)
The Flag Smashers are killed in a car bombing. (‘No suspects as of yet,’ the report says and your heart tightens at the thought of who might have been responsible.)
You carry on.
*
You receive a package in the mail one day, a thick brochure from The Raft outlining the specifics of a Prison Work Rehabilitation Program.
The front photo was disturbingly picturesque, framing the facility as less of a prison and more like a seaside resort.
'Propaganda,’ you think as you flip through the glossy pages. The program is endorsed by some guy named Thaddeus Ross. You think he was a general or a secretary or something but you aren’t quite sure.
The back of the brochure displays an image of a happy family reuniting and you roll your eyes. Prisoners on the Raft don’t get to go home to their families.
You toss the brochure away without a second thought.
*
A few weeks later, you’re sent flowers after an art show. It’s a beautiful arrangement; twelve thick-stemmed roses wrapped in gold foil.
It adds a classic touch to the modern look of the Visiting Artists’ Office, standing out amongst the dark tables and chairs. But it’s the card that catches your attention; it was left completely blank.
You aren’t sure how you feel about having a secret admirer but you take the flowers home regardless. They’d look nice in a vase near the window, the bright reds mixing with the autumn leaves.
The trip home is short and uneventful and you thank your driver on the way to the door.
You slide your house slippers on and are surprised to see Anežka’s pink one’s by the door as well. You can hear her in the kitchen, opening and closing the doors of the pantry as the air grows warm with the spices of her favorite tea.
“Anežka,” You call out, “I’m home!”
You set the flowers on a side table, barely conscious of the soft footsteps trailing in from the kitchen till Anežka sets her mug down on the coffee table.
“Look what I’ve got. A 'secret admirer’ sent them. Should we put them here or downstairs?” You take an artful picture of the arrangement.
“Neither is a wholly appropriate place.”
You freeze.
Your mind draws blank as it fails to process the words you heard someone other than Anežka speak.
You turn around quickly, knocking the flowers off the table as you do.
“Helmut?” Your voice lowers as a million feelings bubble up inside of you. They threaten to explode.
Helmut is there—right there—dressed in nothing but a bathrobe and his house slippers with a cat-like smile stretched across his handsome features.
He strides forward with confidence, stopping so close you nearly reel back.
“These are special flowers, драга, brought all the way from Ecuador.” He kneels before you, the hem of his robe splitting at the knee to offer a very seductive glimpse of his thigh.
He reaches around you, grabs the fallen bouquet, and sets them gingerly on the table as he stands. “We should place these in your bedroom so you may admire them every night.”
“What’s happening?” You finally manage to ask him, “what’s going on?”
“I’m home,” Helmut teases, speaking as though you failed to notice his soft brown eyes, his damp hair, or the heat that surges between you as he stands close enough to touch, to kiss if you wanted.
He brushes a hand against your cheek.
“Helmut,” you whisper again, but your voice is stern and more controlled this time. “How are you here? You’re supposed to be in Raft.” Despite your words, you lean a little closer, resting both hands against his chest, near the opening of his robe.
“It seems someone of great influence decided my sentence was better served outside the walls of the prison.”
“Like civil service?” You ask, but then you remember the brochure you received in the mail— the propaganda, or so you believed. “Or… Prison Work Rehabilitation?”
“Something like that. There’s a team,” he makes a flippant gesture with his hand before bringing it to rest on the curve of your hip. “Though I needed time to address the matter of my… financial limitations.”
“Limitations?”
“Of course.” He pulls you closer, encircling you in his arms. “The holder of my assets is quite a formidable woman. I thought it best to pay her a visit, to request access to the full extent of my resources. As stubborn as she is, I assume it will take a great many visits.”
“That would be wise,” You nod slowly, a wide smile coming to your face.
“I can’t be with you always, драга,” he tells you, “but I will be here.”
And you don’t quite remember what you promise in reply (or if you promised anything at all) because he kisses you.
Your fingers slide down his chest, brushing past his chest hair and the little charm he wears around his neck.
You don’t know how long you stay there, kissing, and sighing, and melting in the arms of the man you love, but you’re vaguely aware of being walked back against the wall, of the front door opening and closing at some point, and of Anežka pausing by the threshold, groceries in hand.
“Anežka,” He greets her, but his dark and hungry gaze lingers on you, only you.
“Hello, Baron… It’s good to see you.” Her voice waivers, but the sentiment is real. “M-Miss,” she nods in your direction.
“Hi, Anežka.” You’re not quite sure what to say.
“Why don’t you take a few days off?” Helmut suggests, pressing a kiss to your forehead. “I’ll take care of things here.”
“O-of course, Baron—Thank you.” Anežka glances between you one more time before setting the bags down near the door. “Good luck, Miss!” She calls out before leaving.
And as her footsteps grow quiet and hush in the distance, his eyes meet yours and his kiss finds its home upon your lips.
(And later when Helmut comes undone beneath your gaze and the rocking of your hips against his, you bring him home once again.)
And he keeps coming home to you.
***
And so we've reached the end. Thanks so much for reading! I appreciate all the support. This was my first fanfic in many years and I'm glad I could bring it to a close.
The end is a bit of wishful thinking on my part but I wanted to end on a happy note.
I'll probably write one or two bonuschapter that's basically just smut. So if you're 18+ and would like to remain on the taglist (or be added,) just let me know!
Taglist:
@actuallyanita, @fillechatoyante, @viviace, @buckyandlokicanhaveme, @sapphiredreamer26, @robur-bellicum, @apparrio
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Paintbrush (Spencer Reid x Artist!Reader)
Summary: You’re an artist in DC, and a serial killer has started using your artwork as inspiration for his murders.
Warnings: Mentions murder (duh) but doesn’t go into detail
Notes: This is way longer than I planned lol. I based the chaotic-artist vibe that the reader has going on the tiktoker @/artistkatiesmall so y’all can watch her tik toks if you like chaotic energy and paint as much as i do. Oh also I tried to keep this gender-neutral but if there are any pronouns in here that shouldn’t be let me know and I’ll fix it!! I use she/her so sometimes it just comes naturally and i don’t notice. 
Word Count: 2.3k
Masterlist
You were in your studio, listening to music as loud as physically possible. Your art studio is like a safe haven; the only place you feel completely yourself. Right now you’re working on your latest piece. Your art style is very “splattered paint that ends up looking like something”, which your mother had told you on multiple occasions. She had meant it as an insult, but you ended up taking the term and making it your own. She’s not wrong; you typically start your pieces by throwing some paint on a canvas and letting it take you somewhere. So here you are, slapping paint on a canvas and screaming the lyrics to your favorite song.
As the painting began to take form - you hadn’t decided what it would be yet, but you’re excited with what you have - you heard some pounding that didn’t match the beat of the song. Grabbing your phone, you turned down the music, and the pounding could be heard much more clearly now. “Y/N Y/L/N! FBI!” You quickly paused the music and rushed to the door. As you opened the door, your paintbrush (still covered in paint...oops) was tucked behind your ear. At your entrance was two men, one tall and skinny, and the other older with graying hair. “Y/N?” The younger of the two asked, his voice considerably softer than when he’d yelled through your door. You only nodded, and each of the men showed you their badges before the older of the two spoke.
“I’m SSA Rossi, and this is Dr. Reid, we’re with the Behavioral Analysis Unit of the FBI. Can we come in? We need to ask you a few questions.”
“Uh, yeah, of course.” You opened the door wider now, allowing them both to step inside your small studio. “Um, sorry about the mess, I’m not exactly the most conventional artist.” You apologized. You would've offered them a seat, but you only had two chairs in the place, and they were both occupied by piles of your various art supplies. “What is this about?”
Dr. Reid held a file in his hands, which he passed over to you as he spoke. “Do you recognize any of these paintings?” You open the file to find 4 pictures of your own artwork; portraits of various different people. One short blonde woman, one ginger man with an impressive beard, and a hispanic woman with a pixie cut. 
“Yeah, I painted these a while back...Why does the FBI care about some random commission artwork?”
“Someone commissioned you to do these?” Dr. Reid spoke quickly, causing you to look away from the pictures and back towards him. “Uh, yeah. He calls me every once in a while and asks for weirdly specific portraits.”
“What do you mean, weirdly specific? You don’t base your work off of pictures?” SSA Rossi asked you.
“No, he’s never given me pictures to work from. He just describes the person he wants me to paint. Like about two weeks ago,” You paused as you walked over to your cluttered desk, and grabbed your notepad, which was still open to the page you’d jotted down your notes on, “He asked for a portrait of a short, Asian man with bleach blonde hair, dark eyes, and one pierced ear.” You handed the notepad to Dr. Reid, who scanned it quickly. 
“What’s his name?” He asked, before handing the notepad to his partner.
“Tanner. I don’t know his last name, he always pays with cash. What’d he do?”
The two men looked at each other briefly, before Dr. Reid spoke again, “We believe Tanner has been killing the people that you paint. He left the paintings at the crime scene.”
Your heart dropped. Not only had you been in constant contact with this psychopath, but you felt like you’d inadvertently helped him. You took his money, and he killed the people who looked like your paintings. 
“I know this is shocking, but have you painted anyone else for him?”
“Uh, no, this was the most rece-” You cut yourself off, remembering something from the last time you’d spoken with Tanner. “He bought a painting of me.”
“When?” Dr. Reid asked.
“When, uh, when he picked up the last painting. I had a self-portrait sitting over there that I'd done for fun. He asked if he could have it along with the other one, he paid me extra for it-”
“What day, Y/N?” Dr. Reid placed a hand on your shoulder, trying to comfort you. You felt like you might pass out.
“3 days ago.”
Again, the two agents looked at each other, and their faces didn’t make you feel any better.
“Y/N, why don’t you come with us to the police station, you’ll be safe there.” You could only nod in response letting them lead you out of the studio. Before you exited, Dr. Reid grabbed the paintbrush from behind your ear, placing it on a table before you made your way out to the car.
~~~
Sitting in the police station was like torture. First of all, you were wearing your normal painting outfit: a paint-stained t-shirt an ex had left at your place, jeans that were so ripped up you could barely call them jeans anymore, and of course, socks and sandals. The cops were either completely ignoring your presence, or asking you the same questions you’d already answered dozens of times. One top of all that, they wouldn’t let you do anything besides sit and wait. You had managed to find a paper pad and a pen, so at least your doodling could help pass the time.
You’d been at the station for over an hour already, which meant your doodle was nearly perfect; you ended up drawing one of the agents, Dr. Reid. From where you were sitting, he was in clear sight, and one of the only people who was actually sitting still enough for you to draw. And, y’know, he’s the only person you want to look at long enough for you to draw. 
“Is that me?” His voice startled you; you’d been looking down at the paper and didn’t notice Dr. Reid coming towards you. You dropped the pen immediately, and moved the paper out of his sight.
“I’m sorry Doctor, I was just, y’know, bored and-” You tried to put together a sentence, but your embarrassment was getting the best of you.
“I don’t mind, I, um, think it’s kind of flattering. Can I see it?” Dr. Reid asked, and you reluctantly handed the paper over. You’d been an artist for so long, you were almost never nervous for people to see your work anymore; you have a very “if they like it, great! If they don’t, I don’t care,” kind of attitude when it comes to your artwork. But Dr. Reid was making you nervous. “You don’t have to call me Doctor by the way. Reid is fine. Or, uh, Spencer. You can call me Spencer.” He had a light blush on his face as he spoke, which calmed you a little bit. At least he’s just as nervous as you. Suddenly, as if he was snapped out of his train of thought, Spencer handed the paper back to you and cleared his throat before speaking. “We used the phone number you gave us to find Tanner, but he doesn’t have any listed addresses. Did you ever deliver paintings to him?” Behind him, another one of the agents who’d talked to you, Hotch, walked up.
“Um, no. I’d just call him whenever I finished a painting and he’d come to me.”
“Would you be willing to call him again?” Hotch asked. Your eyes widened at the idea. You’re already terrified at the notion that you may be a target for a serial killer, but calling him? Hotch must have noticed your fear, as he began to explain further, “We can track his location with a phone call, but we need some time to do it. If you’re the one speaking, he’ll probably stay on the line long enough for our technical analyst to find him.” 
You took a deep breath, before nodding slowly. “Y-yeah. I can do that. Can you guys give me a minute first? I need some air.” You didn’t wait for an answer before walking out of the police station. Once you got outside, walked to the end of the building and leaned against the side wall. You closed your eyes, breathing deeply. You couldn’t shake the feeling of responsibility over those people’s deaths. Tanner had taken your artwork, your passion, and ruined it.
“Are you ok?” You looked up to find Spencer standing in front of you, hands in his pockets.
“Not really.” You played with your hands as you spoke, not making eye contact.
“You feel guilty, don’t you?” He asked, as he moved to lean against the wall next to you. 
“Shouldn’t you be inside? Y’know, you’ve got a serial killer to catch.”
“You know there are a lot of signs that someone feels guilty. Avoiding eye contact, changing the subject, lack of an appetite...I noticed you didn’t eat the snacks JJ got for you.” He was right, Agent Jareau had gotten you some snacks that you left untouched back in the station. When you didn’t say anything, Spencer continued, “Usually when I see people acting like this, they have good reason to be guilty. You haven’t done anything wrong, Y/N.”
“I inspired him.” When you looked up at Spencer, he gave you a confused look. “When I saw him last, when he wanted to buy that painting of me, I asked him why. He said that my artwork inspires him. If...If I hadn’t painted those people, they could still be alive.”
“You don’t know that.”
“But there’s a possibility, isn’t there? You can’t say for sure that he would’ve killed them anyways, can you?”
Spencer was silent for a moment, confirming your fears. Eventually, he spoke up. “He may not have killed those exact people, He would’ve killed someone. He’s already killed before.” Your eyebrows shot up at this, so Spencer kept talking, “We think we can connect him to two murders from a few years ago. If he had never used your art as part of his signature, it would’ve taken us a lot longer to find him. He may have even gotten away with it all together.” Spencer’s words did give you a little relief. You still felt bad for the way your art had been used, but it was a good reminder that you weren’t the murderer. That Tanner’s actions had nothing to do with yours.
“Thank you.” Spencer nodded in response, giving you a small smile. “I guess I have a phone call to make.”
~~~ a week later ~~~
You were back in your studio, getting ready for a new painting. Just as you placed your canvas on the easel, there was a knock on the door. When you opened it, you were surprised to find Spencer Reid on the other side. “Spencer?”
“Hi.” There was an awkward moment of silence before Spencer spoke again. “I, uh, saw your mural. It’s beautiful.” A small smile formed on your face at the mention of the mural. After you helped the BAU catch Tanner, you reached out to the family of the victims. With their permission, you painted a mural that was put up at the memorial down the road. The mural had been featured on local DC news channels, which is probably how Spencer had seen it.
“Thank you. I probably wouldn’t have done it if it wasn’t for you.” As you spoke, you moved over so that Spencer could enter the studio space. “Back at the police station, I wanted to quit art. Figured I’d finally put that communications degree to use or something.” Spencer lightly laughed as you continued, “But you made me realize that I can still do something good with my art.”
“I’m glad.” Spencer paused, and took a deep breath, and a step towards you, “Do you, uh, think we could go get coffee sometime? I mean, it doesn’t have to be coffee, we could get tea, or um, lemonade, we could get lemon-”
“Spencer!” You cut him off, with a light laugh. You found his nerves to be both flattering and cute. “I’d love to get any beverage you’d like, as long as you’re there with me.” You ran your hands through your pockets, looking for the sharpie you’d had in your hand before you’d opened the door. “Where is…” you mumbled, looking down at your pockets. Suddenly, you felt Spencer’s hand at your ear, where he pulled down the sharpie you’d placed there.
“Looking for this?” He was now standing close enough to you that he only had to whisper. 
“Yeah” You responded, at the same volume he’d used. You took the sharpie from his hand, but before he could pull it away, you grabbed it and wrote down your phone number. When you finished, you looked up to Spencer’s face, which had turned pink. “Call me whenever.”
Neither you or Spencer said a word, you just stood there, staring at each other. You couldn’t help but try to memorize every feature of his face. Your staring contest was interrupted by Spencer’s phone dinging. He took a step back, much to your disappointment, and looked down at the text. “I, uh, I have to get to work. We have a new case.” You could tell he was disappointed too.
“Ok.” You whispered. Spencer looked at you for one more moment before he did what you least expected; before you even realized what was happening, his hand was wrapped around your waist and his lips were on yours. Your hands found their way to his collar, pulling him even closer to you.
You two didn’t pull apart until Spencer’s phone went off again. “You better call me.” You said, finally letting go of him.
“I will, promise.” Was the last thing he said to you before rushing off to work. When the door closed behind him, you turned to your blank canvas with a clear idea in mind. So you turned up the music, grabbed your paints, and began to put every detail of Spencer you could remember onto the canvas.
~~~
Notes: i’ll be honest idk how i feel about this ending lmao but i hope y’all liked it
Tags: @dr-reid-ismyspiritanimal @la-vie-en-amour1 @peculiarinsomniac
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