Saxaphone player Gallagher has not left my mind since the jazz night art dropped AND THEN Robin saying Halovian’s innately have good voices and Sunday used to hum lullabies to her as kids happened in the 2.2 special program, and I’m sure you guys can see where my unfortunate Galladay heart is going with this.
Whoever decided to make this art, I love you. I hope your pillow is cool every night, you’re never stuck in traffic, and your water is refreshing with every sip.
Also the art of Sunday with the White Gentlemen drink in the S.P.A.R.K.L.E jazz night event has also spiraled into me delusionally thinking that’s his go to drink. Which is hilarious since Robin has hinted before that he seems to have a massive sweet tooth in her letters.
(Sunday how do you even make holding a drink menacing, Sunday please get some therapy-)
So imagine this:
Pre 2.0 Galladay, where they’re both wary and suspicious of each other but didn’t do anything outright. Sunday slowly began to visit Gallagher’s bar whenever he had time to observe the Hound, initially on the down low just to get a sense of what he was working with and what to keep an eye on. He always gravitated to that one corner booth that every bar had with the most privacy, and just stalked there for a few hours before leaving. (Smol menacing birb in a tree vibes)
Gallagher obviously knew that Sunday was doing this (even though everyone else seemed to somehow completely miss him, Gallagher wouldn’t be surprised if Sunday was doing some weird Harmony mind tricks), and after the first few “stakeouts,” he bit the bullet and actually approached the table to engage with Sunday, on the off chance this was some weird “test of loyalty” by the Halovian to see if the Hound would swallow his pride to serve his so-called masters.
Nothing terrible happened, but he remained passive-aggressively polite when serving him, and Sunday remained passive-aggressively cool-headed in response. There was some snark of what dear “sweet-toothed” Sunday would want at a bar, and an icy reply of “aren’t you the master drink smith? Why don’t you show me those skills you boasted about?” which led to Gallagher being petty and giving Sunday the White Gentlemen drink, both for the story behind it being such a metaphor for Sunday, and because it was on the more bitter side of alcoholic drinks.
Sunday wasn’t too against the drink; it wasn’t something he would have ordered if it had been his choice, but it wasn’t a bad drink by any means. He couldn’t help but continue to drink it even after Gallagher left his little hidey booth to go back to the main bar, but he’d never stoop so low as to complement the Hound. Of course, he never ordered anything else from then on, only White Gentleman. In fact, over time it seemed to slowly get better, the flavors grew on him, and he couldn't help but look forward to it during difficult nights in the Dreamscape.
If Gallagher tried to needle him into a different drink, Sunday just bit back a “oh? Admitting defeat? I thought this was your best drink for me?” with a little smirk while Gallagher had to use every bit of self-control to not punch him in the face.
As time went on, the bar slowly became a place Sunday frequented to not quite relax, but to get away from the hustle and bustle of Penacony and his duties as one of its main faces. The stresses slowly started piling up, especially with the Charmony fast approaching in a few months and all that came with it.
Gallagher didn’t seem to loosen up regarding his attitude with Sunday, but he did get better at shoving down the visceral hatred he had for everything to do with The Family and Sunday as time went on. He didn’t get soft with Sunday per se, but he definitely kept an eye out for him, and definitely knew when to cut off his drinks on days where it seemed that Sunday wasn’t all that there for their usual veiled comments towards one another when he went to serve him his drink.
It started small, with Sunday staying later and later until sometimes he was the last one to leave the bar to return to reality. Gallagher wasn’t quite sure what to make of it, still wasn’t quite sure this wasn’t some weird long-term test Sunday was devising, especially since he still seemed to be the same ruthless Family member, the same Head of the Oak Family, when Gallagher was working as a Bloodhound outside the bar. For some reason though, within the enclosed space of this strange sanctuary, it was almost peaceful between the two.
One night, there was something wrong when Sunday entered the bar during Gallagher’s shift. He saw a bit of a crowd near the small stage that was within eyesight of his little hidey booth, it seemed some of the musicians of the live band were arguing? He watched as Gallagher came over, seemed to try to speak with the group before honing in on one of the musicians who had been making the most noise and seemed to be about to get physical with the rest. Sunday watched as Gallagher picked up the musician by the scruff of their suit with one hand and carried them towards the doors and lightly tossed them out.
(It was the first time Sunday had actually seen Gallagher perform anything resembling the actual duty of a Bloodhound. It only hit him that he’d only ever seen the other when giving reports, orders, or at the bar. Why was this so shocking to him, he’d seen the man’s arms before, hard not to with his slovenly dress and messy clothing style, as if he couldn’t bother to hide away his imperfections from the world, not like Sunday who refused to be seen by the world, to dare to show one thing off about himself despite his countless failings- he’s getting far too distracted by one meager showing of strength, focus Sunday)
There had always been a live music segment. Sunday was curious to see what would happen with the band missing a member, but was distracted by Gallagher placing his usual White Gentlemen in front of him before heading back to the musicians without a single word to him. Gallagher took a moment to speak with the rest of the band, who seemed to be coming out of their shock and took on worried looks. Sunday could only watch in muted shock as Gallagher went behind the bar and came back with a case, opening it to reveal a saxophone. He then went on stage with the rest of the group, positioned himself further to the side and in the back amongst the shadows within Sunday’s line of sight, and played with the band for the rest of the night.
Sunday couldn’t look away.
He was frozen as he watched Gallagher seamlessly transition from song to song, taking only small breaks to continue serving the other patrons before heading back in. Sunday only remembered about his own drink when his gloves began to get wet from the ice melting into condensation on his glass.
Something felt off within Sunday, and for the first time since Robin’s debut, he couldn't help humming to the music of the band, music that wasn’t of his own sister’s making. He couldn’t help but remember those little concerts the two would have, taking care of his little sister, his only world. He would do anything to keep the Harmony, to keep their family going. When was the last time they truly spent time together? Before he became the Head of the Oak Family? Before he couldn't recognize his own smile?
He was so lost in his thoughts, in memories he thought he buried, that he didn’t realize that it was once again closing time, and he was once again the last one left. He only snapped out of it when Gallagher came by to grab his empty glass, only quirking a questioning brow at him before heading back to the bar.
Gallagher had been keeping a quiet eye on the Halovian that night from the back of the band, in the shadows he felt the most confront in when in the Dreamscape of Penacony. He had watched Sunday’s eyes glaze over, and the only reason he hadn’t felt offended by the seeming disinterest was the look in the other man’s eyes reminding him of his own when he looked in the mirror. The same look of shame, regret, loss, longing, of the wishes to regain everything he had lost. The same look he strove to hide under every bit of the facade he had crafted of this new self, but came back all too often with every reference of the Family found within his prison in the Dreamscape.
Maybe it was the shared nostalgia within his own heart, that little bit of his true self that he thought died when the Family tore out everything that made him who he was, that made him return behind the bar and begin making Sunday another White Gentlemen, giving Sunday a small nod to beckon him over. He wasn’t expecting anything from it, and he masked his own surprise when Sunday actually left his little shelter to come and take a seat in front of him at the bar. Even while out of it, Gallagher made note of the quiet confidence the other still carried himself. Nothing seemed wrong to anyone else looking at him, only for the lost look in his eyes.
The first time in the many months that they’ve been skirting around each other, and finally they seemed to be face to face.
It was quiet as Gallagher made Sunday his usual drink, a drink he had been slowly changing over the months to be sweeter and sweeter that Sunday never quite seemed to notice, or if he did, he never said anything, only seeming to savor it more each subsequent night. Maybe not even Gallagher noticed his own changes to the drink, subtle as they were.
It was quiet as Sunday took the finished drink, and it was quiet as his eyes slid over the bartop to see the saxophone case laying open with the instrument inside. It was quiet as Gallagher followed his eyes, as he came out from behind the bartop to take the saxophone out and take a seat in a chair only one seat down from Sunday’s. It was quiet as Gallagher began to play to his audience of one.
It was quiet as Sunday quietly hummed along.
It was quiet as they both knew that it would not last.
OK yea so this was all because I heard ‘La vie en rose’ at the end of the Jazz night event and went “Damn I wish that’s Gallagher playing on his Sax” and then we spiraled.
Uh. Idk what it is with me having a small ship moment which then spirals into a full blown writing session. My mind blanked out and as I came to I find out that I made a whole ass little one shot over here then completely forgot about it WHOOPS
So yea, hope my fellow Galladay enjoyers… enjoyed! I think I’ve slowly begun to crave… not domestic or fluff per se from these two, but after every AO3 fic being super dark between them (which I get! They are the toxic yaoi kings of Penacony as of writing this, no one is denying that!) I think I want to see them be explored in a more melancholic sense. Not quite the “forbidden” love angle, but in the “damn we kinda have some parallels, and maybe in another life we could have gotten along but there’s too much baggage and anger, both historically and currently to really even try anything”
I have this feeling this may not be the last time I write about these two… is Galladay going to be the ship that gets me to actually use my AO3 account?
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yakou furio's character is so tragic to me. i wanna meme about how they used the fridged wife trope but other than that it's like. he lost his family and later all of his coworkers and just. existed alone for years.
looking at the state the submarine and especially his bedroom was in, with everything being a mess and all the cigarette butts in his bed, yakou was clearly depressed. he wouldn't even take on any interesting cases to fulfill his passion as a detective because he was so afraid of the peacekeepers. instead he just kept his head down. surviving but not actually living.
and then he finally gets some new detectives to work at his agency and the first thing he can do is fail to save most of them from dying horribly. but the five that yakou did manage to save latch onto him and he starts getting into a leader role! even if his new coworkers are all rowdy and get into trouble they still respect him as a leader and look up to him.
the detectives keep picking fights with the peacekeepers that yakou has been trying so hard to dodge. and usually the resolution is kind of messed up because the victims die but the detectives prove themselves capable of handling the peacekeepers! they're helping people! for the first time in a while, yakou comes toe to toe with peacekeepers willingly, to help his new friends. he realizes that he is able to stand up against amaterasu corp, with the help of the others.
but by the time he realizes this, the stage has already been set. the letter from yomi turned his grief into anger and a thirst for vengeance. although yomi gave him the information and opportunity, yakou was ultimately the one who chose to murder the man who murdered his wife.
yakou has already rebuilt his life after his wife's death. the detectives at his agency look up to him and he would do anything for them. it would never be the same as the life he had with his wife but yakou had the chance to turn over a new leaf with a new found family who cares about him.
but instead, yakou plans a murder. he needs to die, over and over, in order to access the man he wants to kill and he accepts it. he needs to trick two kids, who look up to him and who he cares for, into becoming his accomplices to the murder and he accepts it. in the wake of forcing his detectives to witness his murder, he needs leave them in a lab filled with peacekeepers who want to kill them and he accepts it.
and it's not that he doesn't care about his detectives. yuma and halara disobeyed his orders and assaulted several peacekeepers, and he was willing to be arrested himself before throwing his employees under the bus. yuma and fubuki were implicated in terrorism and yakou and the others solve the case for them, then prepare to fight an army of peacekeepers to protect yuma.
for his murder plan, yakou only needs desuhiko and fubuki's powers. but he brings halara and vivia along as well because they would be able to protect the two younger detectives and fight their way out of the lab after yakou dies. he enacts his plan on a day that yuma wasn't around because he won't be able to help fight peacekeepers, so it's better to just keep him out of this mess. he covers up his murder-suicide to protect his detective's feelings, but also because they would be implicated as his accomplices if his plan was revealed.
and yakou probably expected that the other detectives would be fine. if they'd left him behind to die, the other detectives probably would have been able to either fight their way out or hide out in the lab a bit longer and figured out a good plan to escape. if yakou had his way, he would have gotten his revenge and his detectives would have gone home grief-stricken, but unharmed and forever unaware of their roles in his death.
but yakou doesn't account for the fact that the other detectives would try to save his life. yuma doesn't run after the hitman and escape the peacekeepers, he stays behind to beg yomi to help yakou. fubuki uses up all her energy to rewind time to try to prevent yakou's death instead of helping the others escape the lab. halara, vivia, and desuhiko not only have to fight off peacekeepers, but they also have to carry yakou to a hiding spot to give first aid. and instead of calmly planning their next move, everyone is desperate to solve the case so there would be any chance of getting yakou to a hospital as quickly as possible.
one major theme of rain code is that despite tragedies that may have happened in the past, people can work together with those they care about to live a better life in the future. and yakou could have had that. his wife's death should have stayed in the past, and he should have continued to mentor the other detectives, solving mysteries together and enjoying each other's companies.
but yakou couldn't let the past stay in the past. he had every chance to not go through with his murder. he has new people he loves, but he manipulates them and puts them in danger in order to get back at the person who killed the last person he loved. his victory was a pyrrhic one. he got his revenge but in return, he destroyed himself and his detectives' trust in him. he enjoyed his revenge momentarily before dying and leaving his new family, who he used their love and trust for him to his advantage, to pick up the pieces.
yakou furio had lost everything in the past. but in trying to pursue it he destroyed everything he had in the present. that's the tragedy of his character to me.
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