Hello everyone!! I am back for REAL this time!!
I am deeply sorry about the SUPER long hiatus that this blog was on, I had a lot going on at the time but now I've got everything figured out and under control so I think I'm finally ready to be active on this blog again! And there are a LOT of new things I'm going to be trying out too and some old stuff I'm going to bring back as well, such as:
More of my own art! I'm going to start posting some of my sketches and WIPs instead of waiting until I have digitally outlined and colored them because that always takes AGES for me to finish XD
Analysis and headcanon posts! This is something I have ALWAYS wanted to do but was too shy to because everyone has very different headcanons and interpretations, but I've realized that there isn't really anything to fear about sharing my own thoughts and headcanons, especially since this fandom is generally very kind and accepting of different headcanons and opinions and interpretations!
More memes! Anyone who's been following this blog since its very early days probably remembers that I used to make a lot of simple memes and character alignment charts. I stopped doing that because I ran out of ideas, but now I have way more new ideas since I know practically everything about Mega Man at this point!
Polls! Ever since I learned of tumblr's new poll feature, I've been brimming with ideas for Mega Man related polls! I'm thinking I might make it a weekly or biweekly thing and I can't wait to make some soon!
YouTube Recommendations! One thing I've learned about myself in this past year or so is that I LOVE finding and listening to remixes and covers of Mega Man themes, especially my favorite ones! I am just absolutely obsessed with it, I even have a whole playlist of my favorite ones that I found! And because of that I think it would be a really cool idea if I made posts linking each one of them and putting my commentary either in the post or in the tags! They are just SO GOOD, y'all, I just HAVE to share them so you can all hear them and so I can talk about them!!
And I think that's everything! Also just because I have a lot of new original stuff I plan to post doesn't mean that I'm going to reblog stuff any less, I still plan on reblogging everyone's amazing content all the same and there are a LOT of posts that I've been meaning to reblog that I wasn't able to get around to doing before. I'm thinking of setting up a queue that will post like 2 or 3 reblogs a day and I may post more or less on certain days, but that might take a little while since I still need to write tags for a least a good few posts since all of them have either no tags yet or only have very few tags. But I know everything's going to work out in the end and I am very excited about getting this blog up and running again!
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☆࿐ཽ༵༆༒
Imagine you and scaramouche have a language barrier and only talk through translations and one day he started learning english so he can express his feelings to you
"I r-rye— I ryek yu— " but he's having a hard time pronouncing it.
"Aghhh kuso! suki da! daisuki da yo!" (Aghhh damnit! i like you! i really like you!)
He's just screaming in japanese while you're waiting there for him to sizzle down so you can say you like him too.
(was meant as modern!au)
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i feel like the reason aang isn’t as adored and beloved as he should be is because he’s the protagonist but he’s also not an archetypal western classical hero. i don’t agree with the entirety of that “avatar aang: feminist icon” essay because i think the role of patriarchy and gender in atla is more complex than what that essay posits, but he definitely complicates the masculine ideal of heroism and generally does not conform to patriarchal notions of masculinity. which is very deliberate, especially as contrasted with sokka and zuko’s explicit struggles with the imperialist/colonial standards of an aggressive, militaristic, and chauvinistic masculinity. aang is subversive because he represents an absence of war in a world ravaged by it. through his link to a (somewhat more) peaceful and harmonious past, he represents a better possible future. as katara would say, he brings people hope.
but people don’t like that he’s not visibly edgy or tormented like zuko is (even though he’s a far more tragic character than zuko is, just fyi), that he isn’t “cool” (even though he’s literally the coolest kid ever, just fyi), that he “gets the girl” (even though if anything, she gets him) despite being twelve and bald and nice (the horror!). katara is the more classical hero of the narrative, as its narrator and its catalyst, the adventurous revolutionary who gradually learns to control and use her powers and eventually becoming a force to be reckoned with. zuko is the classical anti-hero of the narrative, his “redemption arc” constantly hailed as one of the greatest character arcs in television. so people expect katara and zuko, as very obvious narrative foils who parallel each other every step of the way, to be the obvious couple, because based on every romance narrative we’ve been inundated with throughout our lives, within our patriarchal society, they “just make sense together.”
but as much as katara is a protagonist in her own right, aang is the show. the title quite literally represents the central thematic tension of the entire narrative, the colon illustrating the implicit divide between his duties to this brave new world in desperate need of justice and balance, or his duties to his extirpated culture as the last true voice among them. aang is the central figure because this tension represents the crucial ideological battle happening across the entire show. aang is the avatar because he is the only person in the entire world whose values have not been shaped by war.
people constantly laud zuko, in particular, for being the most interesting, complex character in avatar. but i personally don’t even think that’s true. which isn’t to say that zuko isn’t fascinating in his own right, of course, but rather that he’s certainly not the only complex character this show has to offer. he just happens to monologue about his anguish constantly. but aang wasn’t raised as an imperial prince, and so he approaches the world, and his own pain, in a very different manner. the reason he immediately goes to ride giant koi on kyoshi island, mailchutes in omashu, and otherwise goofs around after learning of the shocking ramifications of his people’s genocide is because that’s how he copes with his pain. unlike zuko, who never stops talking about his aches and yearnings, aang represses his trauma and hides his tears behind a mask of upbeat cheerful goofy twelve year old antics.
until he can’t anymore. until he snaps. both katara and zuko wear their hearts on their sleeves, and that includes their rage. but aang’s rage is dangerous specifically because it represents that he has been pushed past his limits, that the conditions of this world in which he is a perpetual stranger, temporally displaced and dispossessed, are intolerable. that peaceful reconciliation is impossible. and the fact that he persists beyond that breaking point, over and over again, to firmly and resoundingly establish his ideals even as they conflict with everything he has learned about this world, a world that is not his own even as he can never return to the world he once knew, is what makes him so unique, so powerful, so beautiful.
i know that aang isn’t the typical hero, neither narratively nor aesthetically, but really, that’s the entire point. the world, our world, needs something other than what we have now. we need someone who will not succumb to the ideals of domination and victory through violence to assert themselves. we need someone who stands firm in refusing to kill the firelord, even as everyone he knows tells him otherwise. we need someone who knows that darkness cannot be vanquished through more darkness, but can only truly yield to purifying light.
and sure, aang is a child, and often acts childishly. sure, he’s not conventionally handsome and alluring. but one thing i will never understand is how that somehow negates his appeal to the masses. because even if you don’t appreciate how crucial he is to the themes of this narrative you all seem to love so much, how can you not love his adorable little face? his precious little laugh, his zest for life, the infinite well of love and kindness he holds in his heart? people who hate aang are crazy to me. because you are, quite literally, hating the world’s most precious baby boy.
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I'm obsessed with the idea of a mischief maker Astarion. Like, that man has spent so long without autonomy that he uses all of it just to be a chronic little shit.
Imagine this: Astarion, bored, simply needs to cause mischief. His hands are twitchy and he simply cannot keep them to himself.
So he randomly gets up, walks over to where (probably Wyll) is like preparing vegtables for the night while Karlach stands beside him giving him terrible cooking advice. And Astarion just. Nonchalantly walks over, picks up a carrot, and walks away with it. Bites into it, too. Makes sure they see him do it. They know he doesn't need to eat it. He knows they know he doesn't need to eat it. He's a fucking vampire. But he does, and they can't do shit about it.
Or like. He just walks up to Gale, plucks the book from his hands, and starts reading. Stretches out, gets comfy, makes sure to make use of all of Gale's one pillow (because you know Gale is the type of man to have only one pillow) And just. Doesn't say anything.
And what's Gale gonna do about it?? Get mad? Astarion doesn't care. It's funny.
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