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#i mean I’ll probably writer it either way but idk if i’ll post
selfcarecap · 1 month
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Do any of you like Javi Peña? I’m thinking of writing a fic for him but I’m scared sgsnks
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slightecho · 17 days
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20 Questions For Fic Writers
I got tagged by @daydreams-and-honeybees and @halcyonhue (it won’t let me tag you and idk why! 😭)
This is gonna be very interesting and silly bc I have written much and posted little!! 🤣
TAGGING: @silvvergears if you havent done this before and…… actually idk who among my fic writing friends has or hasn’t done this one bc I’ve seen it going around a few times, so if you are a fic writer and want to do it, i’m tagging you!! 😆
1. How many works do you have on AO3?
LMFAO only 4
2. What's your total AO3 word count?
481,043 words jfc 😨
3. What fandoms do you write for?
I used to dabble in writing voltron fic years ago, and that makes up the majority of works on my ao3 but currently writing for The Owl House and I’m hoping to outnumber the Voltron fics on my account with other fandoms 😎
4. What are your top 5 fics by kudos?
Lmao uhhhh since I only have 4 published, I’m just gonna say the top two tbh 😅😅😅
Ashes takes the number one, with Crowd of Thousands as my second most kudos on a fic
5. Do you respond to comments? Why or why not?
Yes!! I love responding to comments! I want to discuss things with people reading my fics and (especially in the case of Ashes), I wanna see what my readers theories are on what’s going to happen. It’s one of my favorite parts of having people who read what I write!!
If you’ve ever left me a comment and I haven’t responded, don’t be discouraged. Sometimes I just don’t know what to say beyond a giant thanks for reading. 😅 And sometimes I won’t reply if my last reply was a teaser
6. What's the fic you wrote with the angstiest ending?
Uhhhh so if I had finished it, it WOULD have been the untitled Bungo Stray Dogs Heathers AU fic I got like 75% of the way done writing and then abandoned.
But other than that I don’t have any with an angsty ending—oh wait no ¡Viva La Gloria! is technically a published fic in my ao3 isn’t it?
Yeah it’s ¡Viva La Gloria! then lmao
7. What's the fic you wrote with the happiest ending?
Crowd of Thousands currently.
Ashes by the time it’s done.
8. Do you get hate on fics?
Haven’t yet ¯\_(ツ)_/¯
Pls don’t send me hate I’ll cry
Criticism and critique are fine. Just don’t be mean to meeeee pls 😊
9. Do you write smut? If so, what kind?
I have.
Nothing published anywhere.
I’m not very good at it
10. Do you write crossovers? What's the craziest one you've written?
Not really. I don’t really read them either tbh
I’m kind of the kid who doesn’t want their foods to touch on their plate when it comes to entire fandoms in fics it’s just not my thing
11. Have you ever had a fic stolen?
Not yet, or at least not to my knowledge.
Knocking on wood now
12. Have you ever had a fic translated?
Nope!
13. Have you ever co-written a fic before?
Somewhat?
The planned Elowyn piece I have is something my girlfriend and I came up with together. So I have co-authored concepts
The first two or three chapter of Ashes, besides the prologue, there was a LOT taken from the discord RP that I’d originally come up with the plot of Ashes for. I had permission from that friend to use them. And I heavily, HEAVILY took out and then rewrote their portions (namely the Raine parts of the chapters “Moving Day” and “Hexside” bc the rest at the time were my characters). Their original writing has been scrubbed and a lot of Raine’s character and story arc has transformed into something else entirely. Pretty much all that remains is that they were the one who came up with the idea that Raine was Manny’s sibling. If they read it, they could probably still see the bones of what they wrote if they squint. But by the time Luz hits Eda with the door in “Hexside,” they’d already moved on from the rp. So it was very easy to rewrite around their parts and just reuse the posts I that I had written for those chapters.
14. What's your all-time favourite ship?
That’s too hard a question how dare you
I like too many ships
15. What's a WIP you want to finish, but doubt you ever will?
Oh jeez.
Either the untitled Bungo Stray Dogs Heathers AU that was never posted anywhere, or The First Golden Guard.
Pretty much The First Golden Guard i have just notes scribbled out of the plot, what I think the first chapter is, and some various bits of dialogue from different moments in the fic. But then I started writing Ashes and that took over my life, and now I really want to write The Caleb Files, and the bonus stuff that got cut from Ashes. Plus the Elowyn fic. so I just don’t know if it will ever get written now
16. What are your writing strengths?
Description and voice.
I really love getting a little flowery when describing action or setting while writing. And in the case of setting in particular, I think I have a more natural ability.
I also really strive to make sure each character’s own unique way of talking comes through in their dialogue. Maybe not always when the narration makes the reader privy to their thoughts and emotions, but at the very least, their dialogue does.
17. What are your writing weaknesses?
Bro just cannot stop yapping!!
I actually genuinely do believe my greatest weakness is my inability to shut up sometimes. I’m sure if I go back and reread Ashes from the beginning, I’ve said the same shit multiple times.
Also sometimes I just get repetitive!! And I use certain colloquialisms like “just,” “after all,” and “as if” FAR too often.
18. Thoughts on writing dialogue in another language for a fic?
sigh.
I am a latinx person who lived through the VLD fandom… I have a LOT of opinions… and I have seen some bad Spanish dialogue written by non-Spanish speakers… the kind of shit that stands out to even me, when I have little verbal fluency.
Here’s the thing: I am not AGAINST anyone writing another language of dialogue into their fics. I actually do think it’s a good thing.
HOWEVER!!!
If you are a person who only speaks one language—if you’re a person who kind of doesn’t know what I’m talking about when I say ‘code switching’ or only understands the basic definition of code switching—I am BEGGING you to try and have someone with more experience in that language than you to proofread those dialogue sections.
The amount of times I’ve seen weird moments where the code switching didn’t make logical or emotional sense for the character beyond the author’s “I want to include Spanish here” is innumerable. And that’s not to say code switching needs to have a deep, profound reason all the time—sometimes code switching happens bc there’s no word or phrase in one language that directly translates from the concept or emotion you know how to describe in another! But from what I’ve found, there are a lot of people who understand code switching in concept (and that it’s important for representation) but not in practice bc they simply have no firsthand experience with it. I don’t blame them, though! It’s a hard thing to understand on description alone! Unless you’ve experienced it before, I don’t think it’s something you can fully comprehend. And it can stand out. You can even think you’ve done it right on technicality, but it falls flat.
A tiktok in how to spot AI images I once saw said “AI understands that a mirror, or stairs, or chair legs have to be there there, but it doesn’t understand why it functionally exists or what purpose it serves” and therefore it makes mistakes by adding twelve stairs on the right and fourteen on the left, or five legs on two chairs that are somehow sharing them, or mirrors won’t show the correct items reflected back. I’ve seen many well-meaning fic writers (and published authors!!!) do the exact same thing with language switching. They understand that it should be there, but not functionally why.
Also a basic “don’t rely on google translate” here….. but also a less basic one: different cultures of a shared language are gonna have different turns of phrase and different slang. I’ve also seen a lot of fics that have Lance (a Cuban character) using Mexican slang or words. That’s always awkward.
There’s just a lot. I could go on about this forever but I think I pretty much covered it all.
19. First fandom you wrote for?
Ever?! Lmfao Harry Potter when I was a young teen. I didn’t understand what I was doing at all and only did it because my older friend who knew I liked writing my original stories at the time said that I should try writing fic.
I didn’t even have a plot or anything. I just genuinely thiugh fanfic was writing your little self insert OCs and perpetually playing with them in a dollhouse made of your favorite thing 🤡🤡🤡
20. Favourite fic you've ever written?
Wholly and completely, without a shadow of a doubt
Ashes
It’s genuinely the first fic I’ve ever written where I have actually wondered if I was better off writing it as an original story and going the publishing route. Unfortunately for future me and fortunately for you all, I’m way too attached to the characters as their original names and incarnations to do that 🤣
It’s also the first fic I’ve ever written where I went into it already knowing every piece of the puzzle and having all the clues laid out to perfectly set them up ahead of time. I’m very proud of that and I long for the day where someone rereads Ashes after it’s over and discovers the tiny things in the extremely early chapters that were hints towards the end.
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ecoamerica · 23 days
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As an Infinity Train fan, I know Simon's death caused controversy for the crew for both the violence, the fact that a worse adult with a much lamer excuse got redeemed, & the writer's ableist comments in regards to Simon saying people with NPD deserve to be killed. I don't want anything like that for Izzy or Our Flag means death in general, ableism and double standards aren't cool.
i didn’t know that abt the writer saying ableist shit, that’s fucked up. but also i’d like to see a source for that, if possible.
i was never super involved in the infinity train fandom, so i was only tangentially aware that there were ppl unhappy with simon’s ending and i didn’t really dig into why that was. if i'm being honest, what happened was i saw a few posts where people were downplaying or justifying what simon did to grace as part of their argument for why he should've been redeemed, and i decided i didn't want to hear what those ppl had to say. like "oh, you think the white boy who tried to kill the black girl (twice! or, once, and the other time he tried to trap her forever in a prison of her own memories) should get redeemed? alright, cool, well i liked the ending, and i don't want to hear your opinions. bye."
so yeah, didn't get close enough to the discourse to know about the writer saying shit or hear the argument that simon's death was ableist. i’ll admit that i’m not super informed abt NPD, but i wasn’t aware that he was written/coded that way. like, genuinely asking, i don’t know a lot abt the writer’s intentions, so WAS he written to have NPD, or was that somewhat accidental? if it was intentional, i’ll take this back, but if it WASNT, then idk how ableist simon’s ending actually is??? obviously, the writer saying ppl with NPD deserve to die is ableist as fuck, but in and of itself i didn’t see simon’s story as a damnation of ppl with mental health issues. the only disorder i would’ve guessed he had on my own would be PTSD, and grace had the same trauma he did but didn’t make the same awful choices.
either way, i don’t think the Ableism part of simon’s death would be relevant to izzy, bc as far as i know he’s Not written to have NPD or any other personality disorders. obviously i also don’t want ofmd writers saying ppl with personality orders should die, and i don’t want to be told by the writers later that “oh yeah, izzy DOES have NPD and that’s why we killed him off.” but as of right now i don’t see an izzy hands death arc as being inherently ableist.
ngl also my memory of infinity train is pretty hazy and i thiiink the “worse adult with a lamer excuse” ur referring to is amelia? (was that her name? the old lady with the braid). again, it’s been a while, but idk if i’d call her WORSE. morality is a nebulous social construct but imo the two of them are like, at about the same level of grey?? from what i remember, amelia was fucking up the train with no regard for anyone else, but she wasn’t actively trying to kill anyone. simon didn’t know the train guys were like, real living people, so i don’t REALLY hold him responsible for that at first, but the way he treats grace towards the end of the season is uh. bad. even BEFORE he throws her off the train. but yeah, throwing his bestie to her death kinda brings him about even to amelia, imo
more importantly tho, when it comes to redemption arcs, i don’t know that it really matters if one character is Better or Worse or if they Deserve to be redeemed. amelia's redemption wasn't so much a matter of "well, the things she did weren't that bad," or even about other characters forgiving her. it was about her realizing she was harming people, and deciding to dedicate what's probably going to be the rest of her life to trying to fix the mess she made. simon's lack of redemption wasn't about "he's irredeemable" or even about how "he deserves this" (i don't think he deserved what happened to him. i dont think ANYONE deserves what happened to him. but narratively speaking, it was a very satisfying ending). simon didn't get redeemed bc he refused to change, he refused to accept he was hurting people, and when his feelings were hurt he responded way out of proportion (your best friend lies to you to protect a child that she KNOWS you'll kill if you learn the truth, so you trap her in a catatonic state and leave her to die?? alright). and like, yeah, he's a fictional character, they wrote him doing those things. but the story they were telling with grace and simon in that season (and the bigger story about amelia that they didn't get to finish) was a bigger conversation that just "this person is Too Bad to get a happy ending." there are certain types of characters that i would never want to see redeemed, but usually for bigger reasons than just "the thing they did was Too Evil to be redeemable" (like, i don't need to see a story about a racist cop being redeemed, bc racist cops are excused from any accountability every day irl). truthfully, if the writers are good enough, i could be sold on a redemption arc for almost any character. i don't see simon vs amelia as a "double standard" bc the choice to redeem amelia and not simon wasn't about "who's More Evil," it was abt what kind of choices can ppl make with to rectify the harm they've caused.
as for the violence of simon's death: yeah actually that was rlly fucked up i can't believe they did that shit on a cartoon network show. i enjoyed the hell out of it, but if i was like... [NUMBER REDACTED] years younger, i would've had nightmares for months. but also the writer's didn't WANT to be making a children's show, they said they wished they could've targeted a slightly older age bracket. also, this one's not relevant to ofmd, bc ofmd' is not for children and it is plenty violent
anyway, point is that i obviously don't want the ableism (which i didn't know about) to be part of an izzy hands Death Arc. but the tragedy of simon's death (bc it is a tragedy; even if you don't like him, you are supposed to feel bad for him) and the way it happened as a result of simon's refusal to change, those aspects of simon's death would be interesting to see in a death for izzy hands. idk if it'll happen, especially since con says he thinks izzy "wants to get better but doesn't know how" (which imo is debatable, but i guess that's how con's played him so far). there's a good chance izzy will be shown how to get better and will choose to get better, and i think that ending would be very well-written and satisfying. however, i know ofmd is gonna be chock-full of happy endings, so my point was just that i would be interested in seeing how the writers would do a tragic ending. my reaction to book 3 of infinity train was one of shock and horror and sadness, and that more than anything is the vibe of tragedy i would want for izzy's character
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tuiyla · 1 year
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oh no, I didn't watch Legend of Korra while it aired! I binge watched the four seasons in 2018 or 2019 (and yeah I did start watching the show because of Korrasami in particular), but I did watch most of Glee (from season three onwards) and Adventure Time (I remember Olivia Olson confirming that Marcy and PB used to date was what made me want to watch all of the episodes and be a lurker in the AT fandom way back in 2014 lol) while they aired. So my experience with Bubbline kind of resembles yours with Korrasami, especially the excitement over them becoming canon (I read many of your Bubbline analyses around the same time you posted them, for instance, and happened to find your blog again bc I'm currently rewatching Glee and was looking for Brittana and Faberry content). I also wish Bubbline was more often praised by media outlets too; Rebecca Sugar planted the seeds for it way back in 2011 with "What Was Missing", after all, before either LoK or SU began. I think they probably aren't given enough credit bc of (as you pointed out) timing (Bubbline only became canon at the very end of the show in 2018, while LoK made Korrasami canon in 2014 and SU had canonically queer characters ever since the s1 finale iirc) and bc neither PB nor Marcy were the show's leads and also who knows if the AT writers would've made their romantic relationship canon if SU and LoK hadn't happened (they certainly wouldn't have back in 2012, as the Mathematical controversy shows). And yeah, you're right that having expectations about Korrasami vs. interacting with the fandom and dissecting each of their scenes weekly really is a world of difference. That said, I'm still curious as to why you thought Korrasami were more well-developed than Bubbline? I mean, Bubbline received so many episodes solely about their relationship spanning over multiple seasons (and I know you know this ofc, you're a Bubbline expert), it's hard for me to see how Korrasami could compare (I remember I thought Korrasami was underdeveloped because Asami herself didn't get a lot of screentime, so idk if her being with Korra for 90% of her scenes in Book 3 would mean all that much (sorry!!), especially bc it felt to me that they really dropped the ball with them afterwards in Book 4. However, I only watched that show once; your review was interesting and made me want to rewatch it). So yeah, I'm asking why you thought Korrasami were more well-developed than Bubbline bc iirc you said you have a media studies degree at some point, so I think you have an interesting perspective that goes beyond personal preference.
Oh happy days, turns out you and I go way back Anon haha. That’s kind of a nice full circle then. Before Glee took over this blog Bubbline was the most I was ever asked about. I wonder if you remember that I declared them canon post-Stakes in 2015? Obviously no worries if not it’s just a fun thing for me to remember because I was the most fucking vindicated person ever in September of 2018 for that very reason.
I do indeed have a media studies degree (Media, Culture and Journalism uwu), something I often forget about lol and though I appreciate the credence you put in that I’m not sure that makes my perspective any more valuable, to be honest. If anything, I’d use that degree to further argue that it does come down to personal preference. I’ll always place Korrasami just a little bit higher and I have no intention of stopping you from placing Bubbline higher. I will get into some, let’s say, more media studies perspectives here but ultimately, like I said in the prev post even picking a more well-developed relationship is subjective. Do I have reasons informed by my £8,000 student loan, sure, but it’s also the emotional bias of Avatar meaning what it does to me and Korrasami meaning what they do me. Fun little side note before jumping in, but literally days before Adventure Time’s finale aired I actually wrote an article for a series talking first queer TV experiences. In that piece, I hailed both Bubbline and Korrasami as the two first instances of real, meaningful queer rep I saw on TV. I credited Bubbline as something that kickstarted not only this golden TV trend but my own journey, and Korrasami as something that gave me, personally, that final push towards coming out. Okay, side quest over.
So first off I need to acknowledge that this: “Asami herself didn't get a lot of screentime, so idk if her being with Korra for 90% of her scenes in Book 3 would mean all that much“ is kind of misconstruing what I said or at least taking only half of it. Asami’s character is admittedly one of the less developed aspects of all of LoK, but reading my original point I’ve also said that Korra, the main character who spends time with everyone and is focused on for the majority of the show, also spends more than half her screentime with Asami in Book 3. And that’s not insignificant. Again, don’t remember the exact numbers and fuck if I can find that post 8 and a half years later (😱) but the sheer volume of it. That screentime isn’t for nothing, either, as the two go from tentatively discussing past relationships with Mako to Asami symbolically taking a similar place next to Korra that Katara did to Aang. Or, in the same series and season, P’Li to Zaheer. Here is where I would advise watching the series again because holy shit how can you only watch LoK once?? Sorry that’s not a serious note I’m just incapable of not living in a world where I’ve seen ATLA ~15 times and LoK... ~7? Eight. Maybe nine or ten honestly who knows oh what’s that time for another rewatch?
Another imperfection of LoK I have to admit is the time jump’s effect on events. No one was more wary of a time jump happening in-between seasons than me and overall, I think it was not only the right shout executed well. That said, the comics canonize that this largely off-screen period was when both Korra and Asami realized they had feelings for each other and so the transition from Book 3′s best gal pals hastag friends forever to Book 4′s romantic undertones isn’t the smoothest. I think the signs are there, particularly in Reunion, but this is an area where Korrasami could have done better. Additionally, as mentioned the show does not give Asami her dues and her moments tend to be understated, her development very internal, a lowkey journey in a world full of exploding spirit beams and mountains literally moved. There’s a beauty in that but an understated beauty where the audience is required to put in the work. Contrasted with Korra, the actual centre of her show and when put together to form a joint development, it doesn’t do the most it could, had Asami been a bigger presence throughout the show. Love my girl, I continue putting her in my top 5, but her overall lack of focus in the show was to Korrasami’s detriment. That said, I’d still push back against what you said because Asami spending the majority of her screentime with Korra does mean much, even if she doesn’t have all that much screentime to begin with. We’re still talking about a major character whose character arc in the entire second half of the show is intertwined with that of Korra’s. Again, not insignificant.
The reason I started off with where LoK is lacking in this regard is to point out that Bubbline is plagued by the same curse of relying on off-screen development. As you yourself stated, Marcy and Bonnie weren’t the leads in their show, unlike Korra being the eponymous character and Asami growing form tertiary character to deuteragonist-adjacent levels. Their disadvantage comes from a combination of this overall placement in the series’ character hierarchy, Adventure Time’s general structure and, I’d argue, the timeline of their relationship. Which is where I promise what I just said about off-screen development will become relevant. First the two points about character hierarchy and series structure because they’re intertwined. Bubbline did have episodes focused entirely or almost entirely on their relationship as a perk of the AT structure but the downside of that is that these were 10 minute chunks every three years or so. AT is mostly Finn and Jake running around and having fun and whole the show does get deep as early as season 2 and evolves beyond its two main characters, Marceline in particular was in very few episodes compared to the overall scope of literally hundreds of episodes. This means that when she does appear, when they do have substantial roles with PB it is significant, yes, but that time in-between passes in-universe as much as it does in the real world. This is most notable after their reconciliation. I think the arc from What Was Missing through Sky Witch and into Varmints is done well and we can see how they gradually rebuilt... whatever it was they had. (Distant Lands makes their past relationship and breakup explicit, but we’re not considering that retroactive confirmation for the purposes of this.)
It just feels strange to compare that, essentially a three-episode arc told over the course of, jesus, 4 years(!) to how Korrasami had Books 3 and 4 to develop. It’s just so apples and oranges. Jfc, thinking about it the three episodes I mentioned are essentially a trilogy but it took AT four years?? Insanity. Anyway, like LoK had its challenges I think AT did too in its structure. Even if we overlook that, to see this Bubbline trilogy for what it was in terms of their reconciliation the audience had to a) remember and b) infer a lot, post-Stakes PB and Marcy fulfill different roles in the story. Used to be, in Marceline’s case, that she appeared rarely but when she did she was the focus. After season 4 or so, PB’s appearances were also less frequent compared to her earlier run but more significant. After Stakes I feel like there’s a shift where they hang around more but are often designated to the background even Marceline. And save for Broke His Crown, the “meet the surrogate dad” episode, which came very shortly after Stakes, there are no more Bubbline Episodes™ until Distant Lands watered my crops with Obsidian (which I’m not over, btw). Meaning, Bubbline-centric episodes are all about the reconciliation and even though I declared that they became canon in Stakes, there’s little actual focus on and therefore development for them later on. And again, apples and oranges, hard to compare to Korrasami’s gradual but more constant-feeling development over two seasons compared to a bazillion but it just doesn’t feel more substantial.
And, the off-screenness of it all. The fact that Bubbline were implied, subtextually, to have been an item before (subtext no more obvious than Korrasami’s) so their story is fundamentally different. We don’t see them meet and develop feelings for the first time, we essentially see the get back together. That’s an entirely different dynamic where so much of their story happened hundreds of years before Finn was even born. Again, Distant Lands shows some of that but at that point they’re already a couple again and we’re not looking for further development of the past. (It’s welcome, I eat it up, if just doesn’t contribute to development re: becoming a couple.) There’s so much unsaid and people like me did infer it but there were those gaps occasional episodes every third season maybe filled out. It’s so different from following the journey of the main character and another major one from her established group of friends. And even after Stakes, which is what I consider them getting back together but is never explicitly confirmed, things happen off-screen. Case in point, who’s to say Stakes is actually when they restart a romantic relationship! Literally just me, internet rando. These more focused episodes we get before Stakes are great, but they carry a lot and imply gradual development in-between. Meaning things had to happen off-screen and we have to try and imagine certain dots to connect, so not too dissimilar from what Korrasami requires to truly buy their story.
I don’t think this is necessarily a bad thing, though I would have wanted much more Bubbline post-Stakes. I just think we see what we want to see, and I wanted to see both Bubbline and Korrasami. I inferred and connected those dots for both as I followed the two series as they aired, and I don’t think watching LoK years later, knowing the finale, people do that. Or watching AT years later, even just the Bubbline eps, knowing the finale, people do that. It’s just in the nature we consume media and why binging is... an interesting topic. Off-screen events implicitly require for you to take that time away from the text, consider what might be happening in the meantime, and get back into the flow willing to accept that some time has passed. And with LoK’s structure, even with the time jump, I think this is easier to accept them with AT’s. And with Korrasami’s arc happening almost entirely on-screen and getting to follow from the very beginning, as opposed to Bubbline having these long-ass lives and tumutous past that’s mainly only hinted at. It still works, obviously, I still love it, but LoK feels more like tangible development to me. On the note of AT’s difference in structure, there’s a lot AT implies and leaves up for interpretation, that’s just the kind of show it is. But in terms of developing a Sapphic relationship in Western animation at a time where that was Super not allowed (as opposed to now, when it Kinda is), it’s just not the best combo.
The emotional investment I gave Korrasami was there with Bubbline as well, of course, and I was more than willing to connect those dots and imagine them and just do everything. As you know, seeing as you read those posts back then. And this is still subjective, but if we’re talking actual on-screen development than Korrasami’s reading between the lines as opposed to Bubbline’s annual breadcrumbs just felt better handled and certainly better paced. It’s a difference between the series themselves but a difference nonetheless. And yeah, having so much of their story happen off-screen just didn’t do Bubbline many favours in this regard. LoK’s approach feels more hands on, more continuous, more tangibly traceable whereas with AT and Bubbline we were dropped down in the middle of the rode, at the lowest point at that, were told to guess what the history was and then hopscotched our way to the conclusion. It worked, I loved every second of it, I went feral with every single Bubbline moment, but they were few and far between comparatively.
Again, as a final note: I’m not going to convince you nor do I want to. I hope you’re not looking to be convinced about Korrasami here because I can’t transfer my own emotional bias. Sounds like you’ve read a lot of what I’ve written on this blog so I hope you know I mean this in the nicest way, but I frankly don’t have the bandwidth to be debating Korrasami’s development. Obviously you’re not questioning their validity but in the aftermath of LoK ending I had to fight for that validity a lot and it was of my own free will but it took a lot out of me. Arguing for Korrasami well-written-ness is just not something I really, truly want to put my media studies degree behind because I had to fight those fights before I had that degree and in such hostile environments and I’m just tired. Been in the trenches, one might say. I just wanna enjoy my favourite ship of all time without justifying it, you know? And again, I mean this in the nicest way possible and I wouldn’t have engaged with either of your asks if I had thought they were mal-intentioned in any way whatsoever. I appreciate you asking these questions and engaging in a convo and it’s really good to hear that you’ve come full circle with my blog, from Bubbline to Brittana. I’d be happy to talk more about any of these couples with you, including Korrasami, I just had to make this disclaimer that I can’t argue more than I did in this post for their development. In particular, not against Bubbline of all ships haha, I inadvertently feel like I’m putting down something I also deeply, deeply love when viewed in contrast with Korrasami.
Did I just rank Bubbline below Korrasami again today, yeah. And I would say that, in whatever almighty metric “development” is, Bubbline has less just by virtue of not being the main focus of their show and much of their relationship happening off-screen. But I really feel like these distinctions are meaningless when both ships mean the world to me, and I wouldn’t normally be thinking about which one I value more if not for rankings on tumblr dot com. Even with everything I said “against” Bubbline when stating my case, I still go batshit insane for them because they’re a ridiculously good duo of two characters who are already well-rounded with deep lores individually. And together? My gosh. Empires have fallen for less.
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renegadesfics · 2 years
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Omg so sorry for falling asleep on ya last night 😂 But now I'm up and I'm having my coffee and trying to remember all my questions. Okay so
1- how do the adults feel about all this? I feel like Wayne is either completely disinterested or like mad as hell at the reader.
2- What about the Hellfire kids? In that lil snippet Mike seems annoyed but he's also a like 14 year old boy and puberty could just be hitting him like a brick so idk
3- why is reader driving around with no heat in their car????? It's about to be winter in Indiana it's gets below 0° easily get that shit fixed omfg
4- what has Eddie been doing for the months they've been apart? Just sitting in the house being a sad boy? Kissing other girls? Kissing other boys? Or is he like completely love sick and writing the worlds greatest emo anthems on his guitar.
5- ARE THEY GONNA GET BACK TOGETHER????? THEY LOVE EACH OTHER 😭😭😭
6- even if they do get back together what happens after the holiday when reader goes back to school???????
I'm just honestly so invested in this storyyyyyy. It's so well written and genuinely interesting. You're such a good writer. The way you say so much with so little dialogue. I am in awe at your skills, truly.
Oh god! No reason to apologize at all, I'm so glad you got sleep, that shit's like... super important!! Thank you for coming back and continuing the conversation, that's so sweet!! Okay, but onto your questions:
This definitely gets addressed in either part 3 (edit: posted just recently!). In part 4 or after, we may also get reader's parents' take on the whole scenario. Can't keep your personal life very secret in a small town, it seems.
That part's already done, actually, and while I feel like I struggled a bit to capture the kids in fully robust 3D, I also recognize that this is reader's first time interacting with them and First Impressions are a thing. They may pop up more in later parts, I haven't totally settled that one yet. (I’ll give you this much, reader definitely likes at least some of them.)
The heating was just a funny little quirk that I added in the beginning when it was all only going to be one part. It was a like, a throwaway one-liner I had tossed in just to add some depth to the character? But now I'm thinking it's probably something they should get looked at before they leave Hawkins.
I will just go ahead and put out there that I fully 100% invest in the concept of queer Eddie Munson. The personal interpretation of that queerness is up to any one person and how they see it, and I'm not here to police anyone else's perspectives on that. I, however, do interpret him as somewhere on the Bi/Pan side of things. (As a bisexual woman, this could just be me projecting.) Strictly speaking, this isn't relevant to the plot, but you kind of hinted at it with your question and I just wanted to take a second to talk about it. Anyway, my plan is definitely to get a little bit more into how Eddie spent the months reader was gone, but I'm not totally certain when that'll happen.
That's the big question, isn't it? Can't provide much by way of specifics here without big spoilers.
Unfortunately, I also can't give a whole lot away on this one because... I mean, y'know. Have to keep you hooked somehow. But I do plan on at least kind of answering this before I wrap the entirety of TtDS up!
Thank you again for your interest in the series and engaging the way you have!! It means so much and I'm so grateful to have people enjoying reading the story as much as I'm enjoying writing it. Maybe in a slightly selfish way, I love talking about it. So. Anyway, hope I answered your questions as best as I'm able to at the moment and hope you enjoy what's coming!!
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spiderlilac · 4 months
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i mean you say the dynamic is no big deal but it's literally all you are interested in so it kind of is to YOU actually.
But whatever, I was being helpful, you found your niche and you have your niche readers and you should stick to that is what I'm was saying. It was in response to the other ask you got asking if you'd write omega Luke and I genuinely don't think it would benefit you because there are alot omega Luke writers...that'all.
shut up lmaooo is this truly difficult to understand? are you not understanding on purpose? 😭😭😭
i wasn’t gonna answer but i’ll do it one last time so it’s clear in case you wanna be ‘helpful’ to any other authors <3
keyword here is ‘YOU’. at the end of the day, when i (me, spider, spiderlilac) like a ship, i’m going to read what i like from that ship. nothing else. i’m going to consume and produce what i like. it’s all about preference. i don’t like omega luke; said i wasn’t interested. does that mean i dislike it? nah i just don’t care for it. if i find a really good fic and it happens to be omega luke, i’d probably still read it. or if i ever have an idea and want to make it omega luke, i will because that’s what i want to do. so yeah it is important to ME, but for others? idk i can’t read their minds.
for last: you were not being helpful. you were annoying and condescending, and your idea of fandom/fanfic is stupid. i don’t write for you or for anyone in particular. “it would not benefit youuuu 🥺🥺🥺” either way it’s not like i’m getting paid 💀 i post on ao3. it’s an archive. ppl can go and find things they like by sorting it in the tag system.
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Woke up to something unrelated to pfq that pissed me off (I was in a shitty mood last night too and it’s still here so I’m not doing good rn and I haven’t even gotten out of bed) so I will probably be using a lot of fuck words in this post lmao
So a few years ago when this one person was active on pfq, I (m20s) was doing some writing for nanowrimo. It was my first time (I failed jsyk lmfao) and I was documenting my progress on my long-gone pfq journal. I had a beautiful table documenting my count by the day which was pastel rainbow, posts complaining about plot and how the characters weren’t doing what they needed to, analyses. The usual writer bullshit. All sfw, of course.
I also had a sideblog on tumblr I intended to use for my writing but never actually did. I mostly reblogged a lot of prompts. But I hadn’t touched it in years. The names of the blogs were a play on each other: if my main was PFQ, then the side was QFP, if you will.
One day I get a new follower on that sideblog. A new notification (usually a like) was already rare, but a follow? Unheard of. Not only was it effectively dead since, you know, I hadn’t touched it in years, but it’s not exactly easy to find. I think I still had a link from my main blog to that side, but I’m not sure if it was one-way or mutual. Either way, you’d never find it unless directly linked.
I thought the follow would be a wayward bot until I saw the name alongside the ugly mug.
This bitch had found me.
But how?
I didn’t link my tumblr onsite, I’m honestly not sure if I had my name and such in my description, and there was virtually no way she could’ve found it without having seen my main. It was a jumpscare moment for sure. Blocked her right off the bat. I’m sure I have the screenshot of her follow somewhere as proof though don’t hold me to it.
She also vagued about me in her journal before it disappeared, where she vagued about a lot of people. It was a positive(?) one, but still a vague nonetheless, and idk who else was doing nano at the time but from what I remember it was more likely than not about me. We have the hobby in common but I allow comments on my works, and I do it better. I’ll share a few excerpts of her work to show what I mean of her bad (stiff) writing because I know who helped her correct them. It’s Pokémon-related so it’d be relevant. And of course, I’ll share her revised product and compare. The cringe, man, the fucking cringe.
Omg!!! Show us EVERYTHING!! Who was this???
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pumpkinpaix · 3 years
Note
hello there, hope you're having a nice day <3
so i've been reading a lot of fics lately, uk for sanity's sake, and i've noticed that in most of them, lwj doesn't use contractions (eg., says do not instead of don't)?? and i think he doesn't in the novel either but i don't remember lol so i can't be sure but anyway that made me curious - does chinese have contractions as well? does he not use it bc it's informal?
hello there! I’m doing all right, i started to answer this ask while waiting for a jingyeast loaf to come out of the oven 😊 many thanks to @bookofstars for helping me look over/edit/correct this post!! :D
anyways! the answer to your questions are complicated (of course it is when is anything simple with me), so let’s see if I can break it down--you’re asking a) whether chinese has contractions, b) if it does, how does they change the tone of the sentence--is it similar to english or no?, and c) how does this all end up with lan wangji pretty much never using contractions in english fic/translation?
I’m gonna start by talking about how formality is (generally) expressed in each language, and hopefully, by the end of this post, all the questions will have been answered in one way or another. so: chinese and english express variations in formality/register differently, oftentimes in ways that run contrary to one another. I am, as always, neither a linguist nor an expert in chinese and english uhhh sociological grammar? for lack of a better word. I’m speaking from my own experience and knowledge :D
so with a character like lan wangji, it makes perfect sense in english to write his dialogue without contractions, as contractions are considered informal or colloquial. I don’t know if this has changed in recent years, but I was always taught in school to never use contractions in my academic papers.
However! not using contractions necessarily extends the length of the sentence: “do not” takes longer to say than “don’t”, “cannot” is longer than “can’t” etc. in english, formality is often correlated with sentence length: the longest way you can say something ends up sounding the most formal. for a very simplified example, take this progression from least formal to absurdly formal:
whatcha doin’?
what’re you doing?
what are you doing? [standard colloquial]
may I ask what you are doing?
might I inquire as to what you are doing?
excuse me, but might I inquire as to what you are doing?
pardon my intrusion, but might I inquire as to what you are doing?
please pardon my intrusion, but might inquire as to the nature of your current actions?
this is obviously a somewhat overwrought example, but you get the point. oftentimes, the longer, more complex, more indirect sentence constructions indicate a greater formality, often because there is a simultaneous decreasing of certainty. downplaying the speaker’s certainty can show deference (or weakness) in english, while certainty tends to show authority/confidence (or aggression/rudeness).
different words also carry different implications of formality—in the example, I switched “excuse me” to “pardon me” during one of the step ups. pardon (to me at least) feels like a more formal word than “excuse”. Similarly, “inquire” is more formal than “ask” etc. I suspect that at least some of what makes one word seem more formal than one of its synonyms has to do with etymology. many of english’s most formal/academic words come from latin (which also tends to have longer words generally!), while our personal/colloquial words tend to have germanic origins (inquire [latin] vs ask [germanic]).
you’ll also notice that changing a more direct sentence structure (“may I ask what”) to a more indirect one (“might I inquire as to”) also jumps a register. a lot of english is like this — you can complicate simple direct sentences by switching the way you use the verbs/how many auxiliaries you use etc.
THE POINT IS: with regards to english, more formal sentence structures are often (not always) longer and more indirect than informal ones. this leads us to a problem with a character like lan wangji.
lan wangji is canonically very taciturn. if he can express his meaning in two words rather than three, then he will. and chinese allows for this—in extreme ways. if you haven’t already read @hunxi-guilai’s post on linguistic register (in CQL only, but it’s applicable across the board), I would start there because haha! I certainly do Not have a degree in Classical Chinese lit and she does a great job. :D
you can see from the examples that hunxi chose that often, longer sentences tend to be more informal in chinese (not always, which I’ll circle back to at the end lol). Colloquial chinese makes use of helping particles to indicate tone and meaning, as is shown in wei wuxian’s dialogue. and, as hunxi explained, those particles are largely absent from lan wangji’s speech pattern. chinese isn’t built of “words” in the way English is—each character is less a word and more a morpheme—and the language allows for a lot of information to be encoded in one character. a single character can often stand for a phrase within a sentence without sacrificing either meaning or formality. lan wangji makes ample use of this in order to express himself in the fewest syllables possible.
so this obviously leads to an incongruity when trying to translate his dialogue or capture his voice in English: shorter sentences are usually more direct by nature, and directness/certainty is often construed as rudeness -- but it might seem strange to see lan wangji’s dialogue full of longer sentences while the narration explicitly says that he uses very short sentences. so what happens is that many english fic writers extrapolated this into creating an english speech pattern for lan wangji that reads oddly. they’ll have lan wangji speak in grammatically incoherent fragments that distill his intended thought because they’re trying to recreate his succinctness. unfortunately, English doesn’t have as much freedom as Chinese does in this way, and it results in lan wangji sounding as if he has some kind of linguistic impediment and/or as if he’s being unspeakably rude in certain situations. In reality, lan wangji’s speech is perfectly polite for a young member of the gentry (though he’s still terribly rude in other ways lol). he speaks in full, and honestly, quite eloquent sentences.
hunxi’s post already has a lot of examples, but I figure I’ll do one as well focused on the specifics of this post.
I’m going to use this exchange from chapter 63 between the twin jades because I think it’s a pretty simple way to illustrate what I’m talking about:
蓝曦臣道:“你亲眼所见?”
蓝忘机道:“他亲眼所见。”
蓝曦臣道:“你相信他?”
蓝忘机道:“信。”
[...] 蓝曦臣道:“那么金光瑶呢?”
蓝忘机道:“不可信。”
my translation:
Lan Xichen said, “You saw it with your own eyes?”
Lan Wangji said, “He saw it with his own eyes.”
Lan Xichen said, “You believe him?”
Lan Wangji said, “I believe him.”
[...] Lan Xichen said, “Then what about Jin Guangyao?”
Lan Wangji said, “He cannot be believed.”
you can see how much longer the (pretty literal) english translations are! every single line of dialogue is expanded because things that can be omitted in chinese cannot be omitted in english without losing grammatical coherency. i‘ll break a few of them down:
Lan Xichen’s first line:
你 (you) 亲眼 (with one’s own eyes) 所 (literary auxiliary) 见 (met/saw)?
idk but i love this line a lot lmao. it just has such an elegant feel to me, probably because I am an uncultured rube. anyways, you see here that he expressed his full thought in five characters.
if I were to rewrite this sentence into something much less formal/much more modern, I might have it become something like this:
你是自己看见的吗?
你 (you) 是 (to be) 自己 (oneself) 看见 (see) 的 (auxiliary) 吗 (interrogative particle)?
i suspect that this construction might even be somewhat childish? I’ve replaced every single formal part of the sentence with a more colloquial one. instead of 亲眼 i’ve used 自己, instead of 所见 i’ve used 看见的 and then also added an interrogative particle at the end for good measure (吗). To translate this, I would probably go with “Did you see it yourself?”
contained in this is also an example of how one character can represent a whole concept that can also be represented with two characters: 见 vs 看见. in this example, both mean “to see”. we’ll see it again in the next example as well:
in response to lan xichen’s, “you believe him?” --> 你 (you) 相信 (believe) 他 (him)? lan wangji answers with, “信” (believe).
chinese does not do yes or no questions in the same way that english does. there is no catch-all for yes or no, though there are general affirmative (是/有) and negative (不/没) characters. there are other affirmative/negative characters, but these are the ones that I believe are the most common and also the ones that you may see in response to yes or no questions on their own. (don’t quote me on that lol)
regardless, the way you respond to a yes or no question is often by repeating the verb phrase either in affirmative or negative. so here, when lan xichen asks if lan wangji believes wei wuxian, lan wangji responds “believe”. once again, you can see that one character can stand in for a concept that may also be expressed in two characters: 信 takes the place of 相信. lan wangji could have responded with “相信” just as well, but, true to his character, he didn’t because he didn’t need to. this is still a complete sentence. lan wangji has discarded the subject (I), the object (him), and also half the verb (相), and lost no meaning whatsoever. you can’t do this in english!
and onto the last exchange:
lan xichen: 那么 (then) 金光瑶 (jin guangyao) 呢 (what about)?
lan wangji: 不可 (cannot) 信 (believe)
you can actually see the contrast between the two brothers’ speech patterns even in this. lan xichen’s question is not quite as pared down as it could be. if it were wangji’s line instead, I would expect it to read simply “金光瑶呢?” which would just be “what about jin guangyao?” 那么 isn’t necessary to convey the core thought -- it’s just as how “then what about” is different than “what about”, but “then” is not necessary to the central question. if we wanted to keep the “then” aspect, you could still cut out 么 and it would be the same meaning as well.
a FINAL example of how something can be cut down just because I think examples are helpful:
“I don’t know” is usually given as 我不知道. (this is what nie huaisang says lol) It contains subject (我) and full verb (知道). you can pare this straight down to just 不知 and it would mean the same thing in the correct context. i think most of the characters do this at least once? it sounds more literary -- i don’t know that i would ever use it in everyday speech, but the fact remains that it’s a possibility. both could be translated as “I do not know” and it would be accurate.
ANYWAYS, getting all the way back to one of your original questions: does chinese have contractions? and the answer is like... kind of...?? but not really. there’s certainly slang/dialect variants that can be used in ways that are reminiscent of english contractions. the example I’m thinking of is the character 啥 (sha2) which can be used as slang in place of 什么 (shen2 me). (which means “what”)
so for a standard sentence of, 你在做什么? (what are you doing), you could shorten down to just 做啥? and the second construction is less formal than the first, but they mean the same thing.
other slang i can think of off the top of my head: 干嘛 (gan4 ma2) is also informal slang for “what are you doing”. and i think this is a regional thing, but you can also use 搞 (gao3) and 整 (zheng3) to mean “do” as well.
so in the same way that you can replace 什么 with 啥, you can replace 做 as well to get constructions like 搞啥 (gao3 sha2) and 整啥 (zheng3 sha2).
these are all different ways to say “what are you doing” lmao, and in this case, shorter is not, in fact, more formal.
woo! we made it to the end! I hope it was informative and helpful to you anon. :D
this is where I would normally throw my ko-fi, but instead, I’m actually going to link you to this fundraising post for an old fandom friend of mine. her house burned down mid-september and they could still use help if anyone can spare it! if this post would have moved you to buy me a ko-fi, please send that money to her family instead. :) rbs are also appreciated on the post itself. (* ´▽` *)
anyways, here’s the loaf jingyeast made :3 it was very tasty.
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Loki’s Line About Betraying Everyone
I need to talk about this line (spoiler: I’m not happy about it). I was going to just include this in the full episode response post I’m working on, but it got long enough that I decided to make it its own.
First of all, here’s the full quote: "I betrayed everyone who ever loved me. I betrayed my father, my brother, my home. I know what I did. And I know why I did it. And that's not who I am anymore."
Y'all, I'm less emotional about it now but this line fucked me up when I first heard it. It hit me like a ton of bricks while watching the episode for the first time because I was actually doing fine and wasn't significantly bothered by anything up until that point, and then came that line and I suddenly almost felt physically ill. I actually wrote up a post about it that night but never posted it because it was essentially just a lot of screaming, so I've now taken pieces of that and formed a hopefully more coherent post (though it still contains a good amount of screaming). So, I get that the idea that Loki’s betrayed Thor over and over is a Commonly Accepted Thing. It's really a lot more complicated than that, and there are a lot of gray areas involved, but fine, I'll give them that one. But - when did Loki betray his father? When did Loki betray his home?? I’m not just mad about it, this is...a legitimate question. I mean with the father thing, I guess the only thing could be the nursing home in Ragnarok/taking the throne from him? Which is irrelevant anyway because this Loki didn’t do that and doesn't even know it happened in the main timeline?? And besides, it PALES, like, hilariously, in comparison to any one of multiple things Odin did to him before that (not counting any fanon here - just the canon things that we know of!) I am just so confused, especially about the betraying Asgard thing. WHEN? LITERALLY WHEN? Guys, there is no film in which that took place.
If I trusted the narrative, I would say the most logical thing to conclude - at least about the betraying Asgard part - is that this is a setup for Loki to later realize he actually saved Asgard by causing Ragnarok (because that's the closest thing I can think of to "betraying his home"), which could even tie into something about, idk, helping him realize he’s capable of being a hero? (or something) and it would be a good follow-up to the moment he found out about Ragnarok in episode 2, but...fuck, the way these lines were framed it really doesn't feel like anything like that is going to happen. I could be wrong, but these just didn't strike me as lines that are at any point going to be contradicted or even revisited.
And moving onto another part of the quote - "I know why I did it." Uh, I guess good for Loki for apparently knowing that...but the audience sure doesn't?? This is something we're just now being told and have not been shown at all?? I have a feeling Loki thinks he knows why but it unfortunately doesn't have anything to do with some of the biggest actual reasons, which are the abuses done to him that helped make him who he is. Even more unfortunately, I also have a feeling the creators are on roughly the same page as Loki here. So yeah, that's a real shame.
The core problem here seems to be where the writers are coming from, and @iamanartichoke worded it really well here, so I’m just going to quote her: “either the writing is being lazy by oversimplifying Loki’s motives, or it’s being deliberately misleading in order to retcon the character, or the writers genuinely believe that’s what happened, which implies a misunderstanding of Loki’s character kinda from the get-go - at least on what drives his villainy and what fuels his anger, which are pretty significant things.” I do think there’s a slight chance they were using Loki as an unreliable narrator here and the audience was supposed to pick up on the subtext (more on that at the end of this post), but I doubt it, and I think it’s very likely one or more of the options listed in the quote. 
Honestly, I can explain Loki's line about betrayal (and his general lack of acknowledgement of his own trauma/legit grievances against his family) pretty easily in-universe. It makes sense that Loki himself would frame things as him betraying everyone who's ever loved him as if they never did anything to wrong him first, or that he would try to ignore what Thanos did to him in favor of putting all the blame on himself (coping with his trauma and loss of control by denying it). Or hell, maybe he would even straight up subconsciously invent a betrayal that never even happened, like the one about his home. I can totally understand Loki seeing the events of his life that way! That all lines up with his complete lack of self-worth, and to have him 1) recognize his mistakes and take responsibility for them (which has happened at this point in the show), but then progress on to 2) realize he isn't solely to blame for literally everything, and 3) recognize the role of his family and others in understanding why he is the way he is - that would be a very satisfying arc and is the natural direction that the story should take in episode 6. The problem is, I don't think the show is going that way. I think we're either supposed to take it at face value that Loki did in fact betray everybody who ever loved him (as if Loki is a reliable narrator when he's most certainly an unreliable one), or the audience is supposed to figure out that Loki's an unreliable narrator here - but the latter won't work, because the creators have to follow through on that subtext at some point and actually do something to indicate that what Loki said wasn't 100% true, and it doesn't feel like they're going to. You can't expect your audience to put any weight on subtext or even pick up on it in the first place if you never actually confirm anything, and your audience won't know your narrator is unreliable unless you tell them. If Loki being an unreliable narrator in that specific moment was their intention, only a small subset of fans are going to pick up on it. So the way they're framing it so far, the audience is simply going to see it the same way Loki does and not realize it's incorrect. 
Unfortunately, as stated earlier, I think the most likely explanation is that the writers either don’t understand Loki, are being lazy, or are deliberately retconning. So while I take a degree of comfort in the in-universe explanation, it’s pretty damn infuriating to consider where the writer’s minds were probably at in reality, and how this set of lines is presenting Loki to the casual audience. 
Tagging @iamanartichoke and @delyth88 if you guys have any thoughts?
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haleigh-sloth · 3 years
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So I know FMA and Black Butler are manga women have written... what other ones are there? In your recent post I saw you have another favourite manga made by women excluding FMA, what is it?
I personally enjoy reading female authors depending on the story. Of course I can’t speak for them all, but I notice they don’t over-sexualize characters, even the men in their stories. Not saying it’s all male authors who do this, but they seem to over-sexualize characters more in their stories then women? What always gets me is when men say they don’t know how to write women but yet some women do it so easily... I feel men overthink it. We are opposite genders, not an alien species 👽 Like, just write a character and just label it a women?
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Gonna answer all of these together.
First anon-yeah, idk dude like just create a human being and make them a woman. I’m not a writer tbh so I can’t say much more than that—but that seems pretty simple enough. I’m gandering that he just has no interest in incorporating female characters into his story unless it’s to draw them super sexualized in a very detailed way—because he sure as hell puts a lot of detail into it when he does this 🙄🙄🙄 I haven’t really made much commentary on this issue of his because it’s just...A Thing™️ that happens in manga and it is definitely NOT okay, and if we all really wanted go into it-our conversation could last for days about women in general being over sexualized in manga, and also just not being written into the story properly or utilized as an actual character—BNHA is absolutely not the only manga with this issue. I’m not excusing Horikoshi by any means but I’m just almost desensitized to it at this point. Isn’t that sad? Anyway.
So FMA is written by Hiromu Arakawa. Surprise surprise—FMA is one of the greatest stories of all time—in art, story telling, characters, and most importantly (to me) the ending is fuckin STELLAR. I say it a lot—top tier ending. I really hope we get one like that for BNHA.
In that particular post I mentioned my two fav manga of all time but I’ll list a couple more because they’re also written by women—but they’re Shojo so they may not be up you guys’ alley.
Fullmetal Alchemist is my top favorite manga of all time. I read that story in middle school—I didn’t leave my couch for three days and I was up all hours of the night because I couldn’t put my laptop down. And the anime FMAB is amazing also. At least once a year I get in a mood where I need familiarity and I just rewatch FMAB from beginning to end and I fall into the rabbit hole again for several months lol. It just has a very special place in my heart and it will never be replaced. This last panel reduced my 12 year old little to tears.
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My second favorite of all time may end up getting replaced by BNHA depending on how it ends—but as of right now it’s still D. Gray-Man. D. Gray-Man is written by Katsura Hoshino (who I recently found out has the same birthday as me 🤭)
D. Gray-Man is still ongoing and it’s coming out on a quarterly basis due to the mangaka’s carpal tunnel. I started this one in high school it was my hyperfixation pretty much all throughout—but due to her health the chapters started slowing down and then eventually went on a very long hiatus. But now they’re coming out regularly—just sparingly. But D. Gray-Man is a very VERY good story—like breathtakingly so. It’s been ongoing since 2004. Almost 20 years and I’m still following it—and I’m gonna see it through til the end even though I’ll probably be like 30 lol. Possibly older. I recommend it but just know the chapters are currently coming out slowly. But Hoshino’s are is just—
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Her artistic talent is unreal. Her coloring style HEAVILY influenced mine. The coloring style is very present in my current drawings. And Arakawa’s drawing style influenced mine as well.
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I have a very very deep love for both of these stories. You have no idea.
Ahhh two more manga that were written by women but also are shojo so it’s not quite the same:
Fruits Basket and Ouran High School Host Club
Fruits Basket is good—I’d recommend it highly. They also are about to finish the anime remake that I’ve been wanting for over a decade. Written by Natsuki Takaya
OHSHC is definitely not for everybody. It’s very slice of life kind of? It’s a love story. The most interesting part about it are the two main characters—the love interests. Everything else about it is just fun light hearted stuff—no high stakes or anything. There is a climactic moment but it’s not life or death or anything lol. I recommend this if you’re just bored and need a fun read. I re-read it like once a year also because sometimes I just want a good love story—and this one is it. So is Fruits Basket. OHSHC is written by Bisco Hatori.
Also—thank you for reminding me that I need to get into black butler. I watched it but I always prefer the manga so I need to get into that one. Also another story by Hiromu Arakawa is Silver Spoon. I watched the anime and it was good so I’m gonna read it to get the full story. It’s not high stakes either so it’s more of a breather story but it was still enough for me to binge watch the anime. So yeah—those are my two favs of all time—written by ladies. Thanks for letting me ramble about my favorite things guys!
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fuckingrecipes · 3 years
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How are you feeling about supernatural right now?
To be honest I lost my passion for the show about two episodes into the ‘Angels fell to earth’ arc, and stopped watching at the end of that season. (8th, I think?) Idk if it was because I was graduating college, I just realized how the character development never seemed to GO anywhere, or if I just found some new stories that lit my fire way more. 
They always had to have a bigger, badder enemy to fight. It started with individual demons, then went to bigger monsters, then to the armies of Hell, then to Lucifer Himself, then to Archangels, Death himself, then to Heaven, then... idk, fuckin gods of non-abrahamic religions, then ‘monsters older than Creation’  then to the Christian God (explicitly creator of everything), then to.... uh.. Castiel-As-God, then God’s evil twin sister, and I guess now we’re at The Empty aka ‘Super Hell, like Hell But WORSE!’ 
I figure you’re asking for my reaction to the ‘Destiel’ news.
I read it, double checked that it was accurate, and then felt something between exasperation, annoyance, and resignation. I figured it’d be addressed eventually.
Their main source of drama has always been self-sacrificial, trading lives and trading suffering. 
It makes a stupid amount of sense for their writers to finally address the elephant in the room and wrap it up in ‘And it was an act of self-sacrifice!’ because that’s how the characters ALWAYS show their love in that show, and that’s the only way that the narrative showed their relationships had value in the long run. 
And the death means nothing to me because they’ve all died a dozen times already and it never stuck, so why would this one? Either it’s the true end of Castiel and no one is happy, or the final season’s last episode will bring him back just like they always have and all this fuss was one last grab for attention before they end the show.  I won’t be watching the ending when it airs, but I’ll probably read the summary of it after the fact, or osmosis the plot from posts that appear in my feed.
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(Someone theorized that they’d somehow get Castiel back from The Empty but not the body he made for himself, and they’d use it as an excuse to finally ship Destiel for real, except ‘Cas’ would be in the body of a hot woman. 
If that happens, I will subject myself to a meal of Nattō and Durian just to allow my body to suffer as much as my soul for the sheer cowardice that I will have witnessed. Yes you can quote me on this, I’ll make a fucking video.)
Other possible shitty endings include “Fucking with time so that the end of the final episode kicks off the start of the first one” and “The world actually ends and God just re-makes everything except its our real world now” and “One of them becomes Ultra-God and just wills away everything that happened in the series so they all live peacefully ever after”.
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shinsouskitten · 4 years
Text
Shinsou Hitoshi nsfw alphabet
damn kat back at it again with the thirst i hate myself 
Idk how I haven’t done a nsfw alphabet for my KING yet but I’m disappointed in myself for it
this post was mostly finished before the whole ‘this cold makes me feel like im dying’ thing so i just had to add a few and it was ready for publishing (bonus points if you can tell which ones were added in my cold-induced craziness)
Warnings: you know it, you love it, the thirsting of a lonely writer
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A = Aftercare (what they’re like after sex)
Shinsou is a king when it comes to aftercare. Hot baths, massages, cuddles, you name it. You mean the absolute world to him, and he’ll go out of his way to show that, both in and out of the bedroom
B = Body part (their favorite body part of theirs and their partner’s)
Shinsou can be pretty self critical, but if you pushed for an answer he’d probably say his hair, cause he knows how much you like it. For his partner, horny Shinsou would immediately go for your neck (literally too). He loves how a single kiss can turn you into putty in his hands, and he’ll leave marks in places he knows you can’t hide just to prove to the world that you’re his
C = Cum (anything to do with cum, basically)
Inside you, on you, he doesn’t really mind. Whatever you prefer, he’s happy with. If you want to get messy, he’s more than happy to help, but if not he’ll keep you clean (ish). Although he’s unlikely to admit it, seeing you swallow his cum ignites a fire in Shinsou, and sets up quite a few more rounds so he can give you a reward for being so good
D = Dirty secret (pretty clear, a dirty secret of theirs)
Shinsou’s pretty open with what he wants, but when you first start getting intimate there’ll be a few things he doesn’t really want to say in case he scares you away (he could never, but he still worries). He wants to experiment, but he makes sure he knows your boundaries before he suggests anything too out there. The thing he keeps secret for the longest is the desire to wrap your neck in a beautiful collar emblazoned with his name, simply cause he doesn’t want you to think it’s weird
E = Experience (how experienced are they? do they know what they’re doing?)
He does his research, but hands on experience is pretty limited before you. It’s a learning curve, both of you learning what makes the other tick, what causes you the highest amount of pleasure, and what to steer clear of
F = Favorite position (this goes without saying)
Loves to see you ride him. It gives you the power to control the tempo, but also gives him a beautiful view to tip him over the edge of ecstasy. More needy Shinsou (aka when he’s in hornball mode) likes doggy style, cause it means he can pull your hair or hold you up against him and kiss your neck
G = Goofy (how serious are they in the moment?)
He’s not going to whip out a joke book in the middle of sex, but he’s also not going to act like an uptight secretary who’s only able to follow the rules (well, not unless you ask 👀) 
H = Hair (how well groomed are they? does the carpet match the drapes? etc.)
Keeps himself trimmed, possibly even shaved. It’s no nonsense and means it’s also more enjoyable for you if you’re giving him head
I = Intimacy (how romantic are they in the moment?)
He’s an intimate guy, but he’s also not above teasing (though there’s another letter for that so I’ll keep on intimate for now). Like I mentioned in B, Shinsou can be pretty self critical, and sometimes he can get scared that you’ll leave him if he doesn’t prove how much he loves you, which to him means intimate sex and reassurance (aka, saying ‘I love you’ every two seconds)
J = Jack off (what are their views on masturbation?)
He does it when needed. He’s not insanely horny, so chances are if he is you’re there to deal with him. But if you’re not, and he’s especially needy, he’ll most likely call you up for a little phone session. The thought of you is incredible, but being able to see and hear you is even better
K = Kink (one or more of their kinks)
I think we all know the phrase kitty, right? Well inference leads me to believe that Shinsou would be down for trying out pet play. And yes, as I mentioned before, he would 100% have a collar for you with his name on it. I don’t take criticism for that one
L = Location (favorite places to do the dance with no pants)
More traditional. Sex between the two of you means intimacy, so he’d prefer privacy. You have yet to find a surface in your house he hasn’t tried to fuck you on. That being said, your comfort is of the utmost importance to Shinsou, so if he’s going to fuck you over the kitchen counter, he’s going to make sure you feel comfortable while he does it. So yes, that means he’ll take pillows off the sofa’s just to make you comfy
M = Motivation (what turns them on, gets them going, etc)
You. Simple as. There are certain things that especially turn him on, such as you biting your lip or being extra attentive to him in what would seem like a normal scene to anyone else watching. Put your hand on his thigh when out at dinner and pay the price when you get home. Or maybe that was your plan all along
N = No (turn offs, something they wouldn’t do)
Shinsou never wants you to be in pain (well not unless you want to be in pain). He’ll leave hickies all over you, but that’s about as far as he’ll go with marking you. Maybe a spank here and there, but he won’t scar you or leave any marks that won’t be gone in a few days
O = Oral (do they prefer giving or receiving? how skilled are they?)
Shinsou prefers giving, but he’ll never say no to receiving either. He wants you to feel good, but if you decide to turn the tables he’s not going to deny you. Once you’re finished though, he’s repaying the favor tenfold. And just as a note, pull his hair when he goes down on you. He adores it
P = Pace (are they fast and rough? slow and sensual? etc.)
Yes and yes. It all depends on the situation, his mood, the usual things. He’ll do whatever provides you with the most pleasure (while also allowing him to tease you)
Q = Quickie (their opinions on quickies)
He doesn’t love them, but if they’re the only way to get some gratification then he’s willing (only if you are though). He’s careful about location, he doesn’t want someone walking in and ruining the whole thing, even if the risk of being caught makes everything a little more exciting. Chances are he won’t engage in quickies unless he’s been to the place at least once before (he wants to know which wall you’d look best pinned to). He has to feel slightly comfortable in the environment
R = Risk (how risky are they willing to be?)
He’s down for a little risk, but nothing that would be too mortifying for you. If he’s going to screw you somewhere other than your home, he’s going to vet the place over a lot, and find the best place where you have the comfort of being private but the thrill of being caught if someone were to venture too close to your hideout
S = Stamina (how long do they last? how many rounds?)
Freaking hell where does he get it from? Like, he just doesn’t stop. Not that that’s a bad thing, mind you. Most of the rounds consist of him pleasing you, and he’ll only give in and finally fuck you when your throat is hoarse from begging, or when he feels the smallest amount of pity at the tears rolling down your face (did someone say crying kink)
T = Toys (do they own toys? do they use them on a partner or themselves?)
Vibrating panties. I said he doesn't physically act on desires when in public, but touching a remote isn’t the same thing as touching you, so he makes an exception. He’s not insanely cruel. For him it’s more about teasing that mortification, so if someone senses something’s wrong, he turns off the remote until they give up. But the moment they’re gone, it’s back stronger than ever
U = Unfair (how much do they tease?)
*roblox oof sound effect*
Once Shinsou gains his confidence with you, he’s not going back. His teasing is often coupled with praise, telling you how good you’re being for him while he denies you pure bliss again and again. He’ll edge you to hell and back if you give him the chance, but don’t worry, it’s worth it in the end
V = Volume (how they sound, how loud they are, etc)
Small moans and louder grunts are the main sounds coming from Shinsou when he’s enjoying himself. He swears a lot, and it’s always easy to tell how close he is to the edge by how creative his swears become. As for his partner, he wants to know how well he’s doing. He wants to hear you whine and beg while he edges you, and the pornstar-like moans that fill the air when he finally gives in and gives you what you really want
W = Wild card (a random headcanon)
You think I forgot about his quirk. Ha, I could never. I said in my hcs that it takes a while for Shinsou to integrate quirk use into sex. As much as you assure him you’re in full trust, he’s anxious about the inability to say no when he has you under his control. The longer you’re together the more willing he is, but even when he does use it it’s usually a way to make edging even more dangerous, with you unable to resist his words when he tells you you’re not allowed to cum just yet
Okay maybe we have 2 wild cards this time cause I also wanna mention his capture weapon. Again, it’ll take a while for it to be available in a less-than-pg manner, but he’s more willing to use his capture weapon than his quirk. Main reason being, you can still use a safeword when tied up. But tying up goes both ways, so even if he prefers to be the one giving the pleasure, he’d never deny your wishes
X = X-ray (let’s have a looksee in those pants)
I’m trying not to be biased cause I love him so much but I feel like Shinsou’s kinda packing. A good 8.5-9 inches (no, I won’t take criticism) and on the skinnier side. But the amount of attention he gives you before his pants are even off means taking him is never difficult
Y = Yearning (how high is their sex drive?)
Not the highest, but when you’re around it increases significantly. He’s not going to fuck you every time he sees you (I mean, he thinks about it) but he also isn’t a nun. It’s a good level, cause most days you can walk, and then on the weekends you’re a little bedridden
Z = Zzz (how quickly they fall asleep afterwards)
He’s a bit of an insomniac, so screwing the energy out of him is one of the best ways to get Shinsou tired enough to sleep. He likes to hold you, so once he’s satisfied with the aftercare, he’ll crawl in bed for cuddles until the both of you pass out
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missnight0wl · 2 years
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It's getting popular in the fandom and I don't remember if anyone has asked you this before, but what are your thoughts on Evil Ben???
I mean the fanart is pretty cool and the set up is written between the lines, but I fail to see the background of all this. And doesn't matter if it's for R or the Cabal, or idk his evil family xD
We've discussed a long while ago 'Why Ben out of everyone else?' and the game still hasn't given us the answer. But, do you think he'd be a good candidate for evilness??
First of all, just to be clear: I’ll be referring to in-game Ben only as I assume that’s what you’re asking about. If you create content for Evil Ben, he’s evil in your story, or you simply enjoy this concept: you do you. I’m basically answering the question: “Would it make sense if it turned out that Ben was secretly evil all along?”. And my answer is: no, it wouldn’t make much sense, in my opinion.
Ben is probably the character who has the most developed character arc in the game. If it’s revealed that he was evil all that time, it’d be simply… disappointing. Because it’d mean that Ben’s personality was just an act. And don’t get me wrong, being shy and quiet and whatnot could work very well as a cover. For example, if Professor Sikander turns out to be evil, I’m probably gonna be pretty ecstatic. But the difference with Ben is that we saw him actively trying to overcome his insecurities. If the writers try to say that it was just misdirection, I’ll be like: “Seriously, bitch? You gave one character some complexity, and now you’re saying it wasn’t even real?”.
If anything, I’d say it’s more likely that Ben would turn evil post Y5, but even that… I can’t really call “being evil”, y’know. More like twisted? Brainwashed? Because his need to protect is so strong that I just don’t see how it could stop being his main motivation.
I also talked about it a bit before it was revealed who’s the mole. You can check it here if you want.
Honestly, the only character who could really work as “secretly evil all along” is Penny, if you ask me. Her happy-go-lucky personality could be a good cover, as well as her love for gossips. MC never questions her loyalty, she’s also pretty close to MC basically all the time (and by the way, this is why Rowan being evil wouldn’t make much sense either). The situation with Beatrice in Y5 could work as another cover, or perhaps R wanted to punish Penny for something (she didn’t make enough progress with MC etc.). Ironically, it made MC update her regularly about the situation with the Portrait Vault. The only thing that doesn’t really work for Penny is that she wasn’t very involved with the Sunken Vault. But other than that… Seriously, I’m quite surprised that Evil Penny is not more popular in the fandom.
Anyway, maybe I'm missing something, too, but... that’s my thoughts, more or less!
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starrybouquet · 3 years
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yo should i watch star trek? i've been thinking about watching it but there are so many shows and movies and it's verrry overwhelming.
star trek and ncis have both been in my list of shows to watch for a long time, but i never got around to actually watching them. watching u post about them makes me wanna binge watch them but it's SO overwhelming and idk where to start
Okay, first off, you should ABSOLUTELY watch Star Trek. It's GLORIOUS and absolutely bonkers and thoughtful at the same time. You should also definitely watch NCIS because for a show about murder, it is surprisingly comforting 😂
This post got VERY VERY long because I learned I have a LOT of thoughts about how to watch large amounts of television. Uh, sorry 😂I split it up into NCIS and Star Trek, and then....the Star Trek section is still really long. I hope it's not too much rambling, and that it is possibly helpful?? I feel really honored you asked me about this <3
NCIS
NCIS is pretty simple to binge - I just finished watching it for the first time. Pretty much, I'd run straight through NCIS (the original, not NCIS:LA or NCIS:NO) from season 1-13. A few caveats: I enjoyed s1-s2, but I have some friends who were bothered by a few episodes that were transphobic. I mean it's kind of expected, since the show started in 2003 and some of the characters weren't written as the most accepting people, at least at the start But that doesn't make it easier to watch. If you think that will bother you, I'd be happy to give you a list of episodes to watch/skip. :)
From season 3 onward, I'd really just watch in order (you can skip some of the more gruesome ones *glares at two specific season 3 episodes*). I wandered off sometime around season 13/14 but you can conceivably continue on to season 18 which just finished like a week ago, I think?
Oh, and then you can try the spin-offs. Neither have really been able to hold my attention but you might have better luck!
Star Trek
Okay this one is a lot less simple. Yes, there is SO much Star Trek and asking yourself to binge all of it is very very confusing because....this timeline is a good explanation.
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Yeah.
Sir, what?
So! There's no right way to binge Trek. I'd definitely start with a TV show. Yes, there are a lot of Star Trek movies and some of them are fabulous, but Star Trek was born on TV and the TV shows are still the bread and butter of the franchise.
There are maybe five good entry points for Star Trek. If you don't like the first one you try, try a different one, since they are similar but every entry in the franchise has a very different feel.
I'd say there are maybe five good entry points for Star Trek:
Star Trek: The Original Series (1966-1969) The classic, very first Star Trek. Kirk, Spock, McCoy. Absolutely ICONIC. Has a few fabulous, classic high-concept sci-fi episodes and a few absolutely HILARIOUS episodes. If you choose this one, be prepared for a show that's VERY 60s in color and style, thinly-veiled Vietnam War allegories, and a lot of William Shatner.
Star Trek: The Next Generation (1987-1994) My personal favorite. Episodic, absolutely brilliant acting, and the RANGE! Literally has a cross-dressing Wild West romp one week and a deep, "machines develop a sense of self-preservation" plot the next. Some of the very best television ever made. The only problem with TNG is it starts reallllly slow. Most people don't really enjoy season 1, and it really doesn't get good until halfway thru season 2. So I'd recommend watching the pilot, then maybe skipping through a few s1 episodes as they strike your fancy. There are a few good ones but also many duds. The nice thing is it's entirely episodic so you can skip without worrying about losing the main thread of the story. After the pilot, I think the only season 1 episode that's crucial for plotty reasons is Skin of Evil (1x23)? Then starting with A Measure of a Man (2x09) I'd watch straight through. The rest of the series is EXCELLENT and quality is, on average, fairly high. (Okay, you can skip the last episode of s2 since it's a clip show. A writer's strike happened. XD) If you choose this route, be prepared for the slow start. And the VERY 80s sci-fi costumes. :)
Star Trek: Deep Space Nine (1993-1999) I'm not a huge DS9 fan, but I really, really enjoy their comedic episodes. If season-long arcs and a more gritty, politick-y feel strikes your fancy, this is the show for you. Again, this one has brilliant acting (most Trek does tbh) and a LOT of range. DS9 is set during wartime, so it's definitely got a different feel. I like it but don't love it, but this show has changed the lives of a lot of people, I think, so it's definitely a good option. I think DS9 starts better than TNG, and this is definitely one you want to watch in order. Seasons 1-3 are a little more episodic and then the series-long war arc begins in earnest.
Star Trek: Voyager (1995-2001) I have an outsized love for Voyager entirely because of fandom. (J/C fandom has a very large overlap with Sam/Jack fandom!) The premise of Voyager is that it's a ragtag crew (half military officers, half rebel terrorists) trying to get home after being flung 70,000 light years from Earth (which will take roughly 70 years for them to traverse). This is the only show with a female captain and it is TERRIFIC. I'm just saying, if you watch this one, be prepared to ship the captain and the first officer. Because...you will. :) Overall quality of Voyager is, IMHO, not quite as high as TNG. It's again more episodic with some occasional multi-episode plot threads. But the two shows have equally strong captains, and Voyager is definitely a more scrappy ship than TNG's Enterprise. The characters change a LOT over seven seasons, so definitely watch Voyager in order. I think this show actually has one of the better pilot episodes of Star Trek, in a franchise full of notoriously poor pilot episodes.
Star Trek: Discovery (2017-) If you want a "modern" show - y'know, fancy effects and such - I'd roll with Discovery. But it's definitely a controversial entry in the franchise, and one of the less consistent ones, IMHO. But I really like the pilot, and also enjoyed season 2, so you could definitely start here if you're looking for something that's more recent and less, y'know, of whatever era it was made.
For people who love SG-1, I'd probably start with TNG or Voyager? I'm not sure. Discovery is a lot flashier but I think you'll probably enjoy the other four more, if you like SG-1. Totally a matter of personal taste, though.
I hope you got to the end of this, and honestly, if you want to get into either of these shows and are still confused, just message me? I will happily give advice :)
TL;DR
Just binge NCIS from episode 1 onward. If you are very sensitive to transphobia, message me and I'll tell you which season 1 eps to skip.
For Trek: If you love SG-1, I'd start with The Next Generation or Voyager. But honestly, you could start with The Original Series, The Next Generation, Deep Space Nine, Voyager, or Discovery, depending on what you like in your TV.
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midnightsgift · 3 years
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hi !! im here to talk about The Devil Judge :-) okay so im super confused about why Ga On and Isaac look alike & im not sure if the show is going to cover that. any thoughts on why theyre literally identical?
Hey :)  sorry I made the post just before I went to sleep so sorry I'm replying so late. First point I don’t know if the show will cover it either, however I think this is probably where we disagree (idk just assuming), you say your super confused and ngl I am too, however I wouldn’t mind the show not explaining it. I’ll go into more detail but essentially I don’t think i need that answer. For two reasons. 1) From what we’ve seen the reason why he looks identical doesn’t seem that important to progressing the storyline. So I don’t mind the writers not having an explanation. As long as the storyline doesn’t call for it. 2) I don’t know if I would be satisfied with any explanation. Perhaps I'm saying this because of what i feel i know what the cheap way out would be, but I don’t think there is any reason as to why they’re identical that, would be pleasing enough for them to state. I don’t think that pay-off is high enough. 
This being said I have loved the writing of the show, the pay-off of scenes episodes down the line. It really highlights that they know what they want to convey to the audience and their writing ability. So, I have more than enough confidence in them to pull it off well if they choose to but personally i wouldn’t feel cheated if there wasn’t an explanation. I go as far to say I hope they don’t touch on it, at least in the show, as I feel like I don’t want one.
I stated before that i feel like there’s a cheap way out and I think we all know what the most obvious storyline would be... Family! Maybe I’m discouraged by how other shows tackle these types of storylines. It tends to be mediocre shows that do it no justice, but if they chose to go down this route i hope they execute it well. Firstly we’d have to ask ourselves is there any evidence of them being related, apart from the similarity in looks. And yes, there’s one quote from the show that I remember vividly it the explanation their (Yo-han and Isaac’s) father gives about why he treats the boys so differently. He states that Yo-han looks like him, leading us to believe that he believes that Yo-han is his illegitimate son, and why he felt better bout beating him but that’s not what the question is about. The relevant part was that he believes Isaac looks like his mother, and I am assuming this resemblance stuck with him as he grew into a man i.e. when he looks the same as Ga-on. This means if they were gonna go through the bloodline it would have to be a connection to Isaac’s mother. This would mean Yo-han would be aware of this link, I don’t believe he wouldn’t have discovered this link or that K wouldn’t have during his digging. However, a line near the beginning of the show from Yo-han being in shock about how similar the resembles shows he was aware of the Ga-on. I think this was solely because he had applied for the role and seen his picture on the CV, and thus taken an interest, However if someone would want to think he had discover him sometime after the incident as Ga-on would be related to Elijah, not Yo-han. Maybe he wanted to see if Elijah had anyone else who’d be able to look after her, and maybe that’s when K made a comment about them looking the same and it wasn’t till years down the line he was able to see the resemblance with his own eyes. I could also see something loosely similar to that also being true. Having said all this I don’t think the double casting was for no reason. I do think it was more a conscious choice on the writing side. When you have a character like Yo-han who’s so used to keeping people at an arms length, it hard to show him take an interest in anybody. I feel like a younger me was very similar to him, and the card scene broke my heart, but it was something that seems so unrealistic (that somebody doesn’t know any card game) but it felt so real. And how he keeps stating he doesn’t like people, where in fact he does, we’ve seen it on plenty of occasions, however he needs to believe it and he does think it’s true about himself. It makes being lonely more comfortable, when it out of your own choice and not regardless of it. But we heard of him as a child taking interest into people, the girl from school, his brother, the maid (he even spares her feeling by refusing to tell her, her food sucks), his niece and others. What makes it easier to believe is that he’s so out of place when it comes to any form of interaction with other people that he can mistake the lack of experience for a dislike.
 But anyway this isn’t a Yo-han breakdown ask, so why i think it’s important to take this into account is that by making Ga-on look like his dead brother you force him to take an interest into him, that deepens the story. It also means we can have scenes like after the bomb where he’s able to successfully save Ga-on someone who looks like his brother, when he had failed to save his actual brother in the original fire. I could sit here for awhile taking about the implications of the resemblance has on Yo-han but i feel like i made this way too long already. 
I’d be surprised if you’ve stuck with my rambles all the way to the end but thanks if you did.
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I know a lot of people think that Landon in Limbo is actually Landon mostly bc he seems different. I mean of course Landon is going be a bit different he's just been through hell. There's just no way he wouldn't be different after that(even if they don't address his trauma it looks like they're showing it in the tiniest and easy way possible by showing him being a bit different, classic legacies I guess). And now he has to figure out why he can't go to peace(and I'm sorry but my heart will never break seeing the look on Landons face when the ferry man told him he couldn't cross. It was like Landon was thinking "of course I don't even get to go to peace"). But there's also one big reason I know it's Landon and not malivore is bc malivore doesn't have a soul so he couldn't be in limbo. And there's also the fact that Brett said that the malivore storyline is over with and they're moving onto something else.
I know a lot of people want the malivore storyline to continue bc we still got a lot of unanswered questions when it comes to him. And I myself wish we could get those answers but I've sadly accepted that we'll never get those answers. Just like I've sadly accepted we might never know what happened to Landon in s3(I'll never not be upset about that and I mean never).
Very true, I’m honestly so glad that Landon was actually acting a bit different. Not because I want him to be different, but to have him acting exactly the same and as if nothing had happened would be wrong and would just be ignoring what he went through. Because exactly, realistically, there’s no way that he wouldn’t be changed after what happened to him. So I’m glad they’re showing a little something, even if it’s nowhere near enough. But yep, this is Legacies, so unfortunately it’s to be expected at this point... And I know, the fact that Landon now has to figure out why he can’t go to peace, especially after all he’s been through, he can just never get a break. It’s one enormous and traumatic obstacle after another (hopefully his time in limbo won’t be at all traumatic though). Obviously he needs to just come back to life, but from his perspective, he doesn’t know that’s possible. He just wants to find peace and can’t even do that, so it hurts knowing it’s yet another thing he has to deal with. I can’t imagine how exhausted he is, idk how he’s not snapped yet.
And yes, very true, Malivore wouldn’t have had a soul and Brett did say that about Malivore’s storyline being over too. And I’m one of those people who would want more of Malivore’s storyline because I still can’t believe we didn’t get any answers to so many questions, no explanations for so many things. And also because they built up that storyline for so many years and didn’t even really do much with it or explore it much at all. But you’re probably right, if we didn’t get any answers in the first four episodes of this season, we’ll probably never get them. And yeah, there’s a very good chance we may never know what happened with Landon last season. Which, if you’ve seen enough of my posts, you’ll know I’ll never not be upset about it either. Like it’s been driving me insane for months. 😀 And wouldn’t you think that if you were one of the writers that it would drive you insane too? If you created the show and the story and the characters, how could you not wanna explain or do anything with such a huge part of the story for one of lead characters? Isn’t that kind of a big part of being a writer, to explore something like that? I’ll never understand.
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