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tobiasdrake · 15 hours

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Digimon Adventure 01 - Adrift? The Island of Adventure! / And So It Begins....

Right off the bat, we can feel the tonal difference between how the two shows want to present themselves. The Japanese version opens with narration provided to us by a grim and stone-faced narrator, while in the English version, Tai delivers the exposition himself in a light-hearted and goofy tone.

The Japanese narrator explains to us in a bit more detail precisely what is happening throughout the world. Drought has struck the paddy fields of southeast Asia, heavy rains are flooding the Middle East, and the U.S. is suffering from freezing temperatures.

Tai has similar dreary info to drop on us. He tries to keep it light because that's the tone the dub is going for, but his version's... a little different. In fact, hilariously, Tai's version is much worse.

The way he tells it, the whole rainforest has dried up and oceans have risen to flood "other areas like chocolate sauce". The freezing also is no longer in the U.S.; It's "cities which are normally blazing hot", not contained to any specific region. Holy shit.

So, yeah. Either way, the world's being fucked sideways right now by climate catastrophe, but it's ironically being fucked harder in the lighter and goofier English dub.

With that out of the way, we met our cast of kids - With the English Tai getting in a funny joke, claiming to be "working on my multiplication tables" while we clearly see him snoozing in a tree.

Each character comes with their own special introduction slide to give us some basic information on them. For the Japanese version, the narrator coldly lists them off by name, while their information blurb tells us what grade they're in.

This gives us a general understanding of how old each kid is, relative to one another, which is kind of important for understanding their group dynamic down the road.

6th Grade: Jou 5th Grade: Taichi, Sora, and Yamato 4th Grade: Koushiro and Mimi 2nd Grade: Takeru

The dub omits that particular information and instead gives us some basic information on what Tai thinks of each character.

Sora: "She's okay, for a girl!" Matt: "Too cool; Just look at that haircut!" Izzy: "He should have gone to computer camp." Mimi: "I'll bet you can guess her favorite color on the first try." T.K.: "Matt's dopey little brother." Joe: "Don't ever scare him; He'd probably wet his pants."

For most of the character names, it's pretty obvious which name connects to which. Izzy's the odd man out, as it's an abbreviation for Koushiro's family name Izumi.

The omission of the characters' ages from the dub is something that I think hurts it; It's not super clear, watching the show in English, that Joe's supposed to be the oldest kid by a year or two, or that Mimi's one of the youngest in the cast. However, this is important context for driving some of the plot points that the show has in store for them.

As the kids are struck by a freak blizzard, neither version really stops to explain this but the kids who will be our protagonists get separated from the rest of the campers. In both versions, we just see a group of counselors ushering kids into tents, and then Taichi opens this door once it stops.

I think the Japanese version was trusting its audience to understand from context where they are. Taichi, Yamato, Sora, Jou, Koushiro, Mimi, and Takeru have all taken shelter from the blizzard inside a nearby Shinto shrine.

This is why, when the aurora suddenly arrives and transports them across worlds, no other campers are taken with them. They're in an isolated location away from the rest of the group.

Jou even has a line expressing that he wants to return to the others, to clarify that these seven children are presently alone.

The English version offers no less information than the Japanese. Well, it offers a little less; That one context-clarifying line from Jou is replaced by Joe saying "I was worried I'd catch a summer cold but this is even worse!"

However, more importantly, we don't have Shinto shrines here. So the context isn't quite as evident to a kid watching on TV in the 90's. I always thought they were just in some kind of cabin at camp.

As the kids stare in awe at the sudden arrival of an aurora that's about to ruin the next several months of their lives, Jou again urges everyone to return to adult supervision pronto. This time Yamato agrees with him, pointing out that they could get sick if they stay out here.

Joe and Matt, on the other hand, have different concerns. In the dub, it's Joe that worries they're all going to get sick if they stay out here. This time, Matt disagrees, insisting that they can't miss a sight like this. That they are all alone in the wilderness with no adult supervision is not a concern for Joe at all, apparently.

Koushiro also points out that auroras aren't supposed to happen in Japan, so this is weird. The dub is trying to localize for an American audience, so Izzy's a bit more descriptive here. He calls this out as the Aurora Borealis specifically but says that's supposed to happen in Alaska. "We're way too far south."

Then the Aurora strikes, delivering their Digivices and whisking the kids away on a magical adventure of violence, terror, and coming to terms with the reality of death. YAAAAAAAAAY

So it begins! Taichi is the first we see meet his Digimon partner. This is Koromon. English Koromon explains that his name means "Brave Little Warrior". This is a bald-faced lie.

Like many Baby and Child stage Digimon, his name is based on an onomatopoeia; Specifically, Koromon is named for the sound of a round object rolling around. "Korokorokorokoro". I think the dub version of the character was embarrassed to admit that. :P

Koushiro's partner Mochimon is next. The subtitle here says Motimon but you can clearly hear Mochimon. His name is based on the sound of a spongey goop extending and retracting. Mochimochimochi.

Once these two are introduced, the dub goes in on trying to deliver information to the audience. This place is called the Digi-World, and Izzy speculates that the Digimon are the Digivices themselves, transformed into physical lifeforms.

None of this is in the original; This is a quiet moment as Taichi takes in the magnitude of their isolating predicament. The only information offered is that this is a place called File Island; the word "File" is said in English.

That they've Isekai'd into another world entirely is not something they know as of yet. At this point in time, the possibility exists that maybe we got washed out to sea somehow but we're still somewhere near Japan.

When Taichi tries to scout out what's around them, our central antagonist for this episode arrives: Kuwagamon, an Adult-stage Digimon named for a particular species of stag beetle: Nokogiri-kuwagata.

The first altercation with Kuwagamon goes terribly, forcing Taichi and Koushiro to take cover inside a special program. As Mochimon explains, they're inside a hologram of a tree which will conceal them from Kuwagamon.

The English Motimon offers the less helpful explanation, "It's a Hiding Tree, silly!" That'll do it. All I need to know, thanks.

Once Kuwagamon's gone, we meet up with Sora and our next Partner Digimon.

Pyocomon, named for the sound of bouncing. Pyocopyocopyoco! The dub cuts off the P and calls her Yokomon.

Immediately followed by Takeru's partner Tokomon, named for the sound of trotting around. Tokotokotokotoko.

And Yamato's partner Tsunomon. This one isn't an onomatopoeia; Rather, "tsuno" is the Japanese word for "horn". He's Hornmon. You can probably guess why.

Following that, we have Pukamon, named for the sound of floating or hovering. "Pukapukapuka", though the dub calls him Bukamon with a hard B sound.

We cut to commercial break and then come back to a completely redundant second introduction. Each Digimon takes turns going around and saying their names, and then Tai introduces each of the human characters and tells us which grade they're in; The same information from those slides earlier.

I think the localizers realized how unnecessary this is because they use this time to waffle instead. Rather than intros, the Digimon just say things like "We're super cute!" "And loyal!" Tai, however, once again misses an opportunity to establish the relative ages of the characters and just reintroduces all of the humans by name.

Wait, but aren't we missing someone? As if on cue, Mimi comes screaming out of the woods with her Partner Digimon at her side.

Tanemon, which translates in English to "Seedmon". However, like Tsunomon, her name remains Tanemon in the dub. Mimi isn't screaming because of Tanemon, however; She's being hunted by Kuwagamon.

I should note that the dub characters are extremely rude about Mimi's absence. Sora calls her "the girl with the funny hat" to which Tai replies, in the most eye-rolling and disdainful voice possible, "Now now, her name is Mimi." You can hear him sneering.

Then Izzy chimes in and, in a weirdly bitter tone, suggest she's "picking flowers" or "going on a nature hike". The fuck crawled up y'all's butts and died? This girl has done nothing.

The dub, however, does get in a fantastic line when Kuwagamon attacks again.

As the kids cower in a clearing from Kuwagamon's renewed assault, Joe cries out, "My mom is going to want a complete and total refund!" XD I love that. It manages to land a joke without killing the tension in the process.

Cornered on the edge of a cliff, the partners are forced to fight Kuwagamon.

It does not go well. Real quick, who do you think wins in a fight: An experienced lumberjack vs. several toddlers?

What a lovely start to an adventure. We have no idea where we are or why, and the strange magical creatures who showed up to protect us have all been beaten within an inch of their life by what, for all intents and purposes at this time, just appears to be Random Encounter wildlife.

We're gonna die out here.

With their backs against the wall, Kuwagamon renews the assault once more and the Baby Digimon are forced to break free from their worried kids and fight once more.

The dub tries really hard to downplay the peril these kids are in right now. For instance, when Taichi asks Koromon why he attacked Kuwagamon so recklessly, Koromon uses what little strength he has to state that he needs to protect Taichi. Dub Koromon just says he wanted to show off and look cool.

Similarly, as Kuwagamon comes tromping out of the woods, Taichi expresses hopeless fear, and Koromon then insists that that Digimon must fight. Dub Tai instead says, "Get ready to run!" only for Koromon to argue that he wants to fight instead. Like. They're standing on the edge of a cliff. There is nowhere to run to. The dub's manufacturing retreat options to make fighting a personal choice rather than a survival necessity.

But now the bonds they've formed with their kids are strong enough for the first in what's going to become a major metaphysic for this series: Evolution.

The dub calls it Digivolution, possibly to distinguish it from evolution in Pokemon which was airing alongside this show, but in Japanese it's just "shinka" meaning evolution. As each Digimon evolves, there's a stock quote format that they express in both versions.

In English, it's "Koromon, digivolve to: Agumon!"

In Japanese, it's "Koromon SHINKAAAAAAAA!!! Agumon!"

I admit, ever since the first time I watched this in subs, I've always had a soft spot in my heart for the bloodcurdling battle roar of "SHINKAAAAAAA!!!" every time they evolve in Japanese.

While Kuwagamon gets dogpiled by Child-stage Digimon as the Digimon theme song blazes in the background, let's take a moment to go over each of their new names.

Agumon: "Aguaguagu". The sound of biting. Gabumon: A type of puppet used in Kabuki theater. Piyomon: "Piyopiyopiyopiyo". The sound of tweeting. Tentomon: Tentoumushi, a type of ladybug. Gomamon: Gomafu azarashi, a type of seal. Palmon: A play on "palm", a kind of tree. Patamon: "Patapatapatapata", the sound of flapping wings.

The English version replaces the roaring Digimon theme song with some generic fight music.

With Kuwagamon successfully fended off, the vibe of this scene is pure tension-relieving jubilation. The dub slides in Izzy saying, "They made vaporware out of him," and goddammit, that got me. XD The important thing is that Kuwagamon is gone and everyone is safe forev--

Oh, never mind. Everyone fucks off a cliff and probably dies and that's where we leave off episode 1. This sequence features possibly the funniest "Easing Up on the Peril" edit in this entire episode. As Kuwagamon slams his pincers into the edge of the cliff side to send them hurtling to their doom, the English version splices in random still frames of the kids looking tough to show this is no big deal and they can handle themselves in this mess!

Izzy standing there like "GRRR I'm a big strong American boy and they build us TOUGH over here! Me and mah gun can TAKE gravity!"

Before ending on the exact same shot of everyone falling to their doom anyway.

Either way, this is where the episode leaves off. The kids have been transported to this mysterious location. They have no idea where they are, how they got here, or why. They were terrorized around the forest, and now they're all falling to their doom.

This sets the stage for what this adventure is going to be like. This is not a magical journey of whimsey and effortless victories. These children are in extreme peril and nobody is coming to save them.

Man, File Island sucks. I'm with English Joe. If I was one of these kids' parents, I'd be demanding a refund too. Worst camping trip ever.

#digimon adventure #digimon #revisiting digimon #revisiting digimon adventure

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ilikestuffthatsparkles · 1 day

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Today is 2nd June 🏳️‍🌈🌙.Just about a week ago, I randomly fell down the rabbit hole of Sailor Moon. I was a MASSIVE fan as a kid, it was an obsession lol. However, like in most countries, the original anime was censored. Many things were cut off, including the whole final episode in my case. One thing they erased is the relationship between two of the heroines, Sailor Neptune and Sailor Uranus. In fact, I found out they were a couple only when I was ~16 years old!! And Neptune EVEN was my favourite character..

In the original show, there's nothing sexual shown on screen, not even a kiss between the two, so there's NOT A SINGLE REASON to censor it, and besides, there are far more "traumatising" scenes, like murder, torture, a suicide... that were left intact.

If I were a child while watching those scenes, I would have thought nothing worrying. To be fair, I would have thought "wait, loving a girl is an option??" because turns out I like girls... but the acceptance of my sexuality wasn't easy at all, I repressed my feelings until late teenage years, and I hurt myself and other people in doing so.

Sailor Moon is not only about this, of course: It's an amazing show that shaped my whole childhood. It really helped a whole generation of children and teens. It's a staple of anime and manga, a symbol of women empowerment, and strenght in femininity. I grew up with the Senshis' looks so much that, thinking about it, maybe that's why I dress with pleated short skirts all the time, and wear ribbons...

The only thing is, i feel an empty spot where Michiru and Haruka's love should have been. The censorship among children's media, especially if coming from the (more progressive) far east, erased from our whole childhood the message that, yes, love is love.

#sailor moon #sailor neptune #sailor uranus #sailor moon art #digital art #yuri #pride #pride month #wlw #wlw art #harumichi #michiharu #haruka × michiru #haruka tenoh #michiru kaioh #my loves #lesbian

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ditizygirl · 2 days

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Editblr is a breeding ground for idolatry, ableism, racism and so much more all for a community about putting images together.

I've been here for only a year but I feel like I've seen it all, and the excuses oh my god the excuses. You are all 15-19, you should not have the mental capacity of a 8 year old. Your common sense is non existent and almost all of you guys are so fucking stupid it's pissing me off more than any god can understand. You are old enough to have logical thinking skills, you may have a disorder and it may be a reason but not an excuse.

Alot of you have forgotten the saying "Think Before You Talk" and I've sure as hell done alot of thinking. This is my deep dive into editblr. I think if you consider yourself a good person you should read under cut.

Ableism

Typing quirks are a way of personal expression but why do so much of you hate to add plain text. I can understand to extent because plain text hates my head because of how long it can be but I'm not gonna act like a little bitch about it. I'm gonna add my typing quirk or even fonts itself to it.

I'm gonna ask someone to help me, or to do it for me. Stopping making excuses for ableism. Alongside with the typing quirks, your psds are ugly and eyestrainy. Psds also fall under racism because I have no idea why you guys are ignoring the fact some make dark skin characters lighter but in the case of ableism most of them are really bright and makes it hard to see.

Orange and brown? Green and yellow? Blue and brown? Why are you putting colours that can be so much eyesore together? And won't even tag as eyestrain and when someone does ask you only do it for one post.

Romanticization

This one is weird as fuck and I see no one mentioning it. Editblr highkey has a ddlg problem, this "little girl" aesthetic you guys have going on borderlines ddlg alot and its icky. The baby talk typing quirk is disgusting, stop it.

I'm not one to judge how someone copes with their trauma but what I DO judge is how you act when majority says its uncomfortable. Now this section I'm a bit unsure how to phrase it, gotta love dyslexia, but that isn't going to stop me.

There's alot of very uncomfortable romanticization of stalking which I've seen so much of alongside abusive relationships and the justification of these things.

Racism

Really can't escape this one unfortunately. Many of you are like kpop idols, you're too dyslexic towards the difference between appropriation and appreciation. Incase you forgot let me remind you.

You can not gift japanese names. Gifting names is a native practice therefore you can only gift native names. Also I've noticed you weirdos befriending people just to use their cultural names. I can't even say it east asian fetishization because its only Japanese.

Also for the love of God can you guys stop saying nonmem and non women especially when referring to sexualities. It's not hard to simply say "queer attraction to women" and "queer attraction to men".

Coming back to the "gifting" names thing, I think it's interesting how all of you conveniently have a Japanese friend who "gifted" you the name of a cute pink anime girl. Maybe I'll do a post later on how much of a bad liar you guys are.

Closed symbols is also another big problem you all have. No matter how much times you're told you can't use something you always cry "but my friend from xyz culture said it was ok!" One person can't speak for a whole culture. You're nothing but a coloinzer in disguise hiding behind the idea of aesthetic. If you want to know if a symbol is closed just use this site.

Goddess Personas

Yea this one is getting a whole section of its own. Like any people I am uncomfortable with goddess personas, especially being someone with biblical sources. Now the idea that a teenager on the internet is making people call them a goddess is strange isn't it?

In my opinion, they're all annoying, copy and paste, and I think not a lot of people talk about how the really bad ones get. You all love to indulge them, make them think they have power over them. You put them on a pedestal and praise them and get surprised when it all goes to their head?

Stop giving 14 years old power, stop indulging in their habits and letting it go their head. Forcing people to refer to you as their goddess? Their Lord and saviour? Their idol? Someone they must listen to? It creates a power inbalance which always leads to the weirdest of manipulation. Also all the engagekiss copiers are so obvious why would you want to copy the identity of a groomer? It says alot of about yourself if that's what you think is ideal.

Callout Posts

Now, personally, I believe that the only reason a callout post happens is because someone was affected, does it not? Very rarely would a callout post would be a fake one, especially if someone has more then one. If you defend someone who has more than one call out post that's on you and you're gonna end up making one some day I can genuine you that. People don't make them for no reason.

This is all I have to say for now. I hope you guys really consider what I have written here, or not, considering the fact you guys have shown multiple times you lack reading comprehension

#rentry #editblr

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goodboyaudios · 3 days

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Do your characters have accents?

Actually yes!

Because they don't actually speak english, I had to come up with a creative way to make them all sound like they're from different places!

For example!

On New Tennessee, I made sure that the more American sounding characters came from the east, like Faith and Joshua. The more British sounding characters come from the north! (Albus and Devlin)

AND! The Australian sounding characters all come from the Wall of Dorn in the Mantle!

Here's another example!

On Manas, the british sounding characters come from Manas City, while the Tyrannians are american.

I aimed for those in Scimitaria to sound more southern scandinavian while those on Shee Khan sound more Posh.

Mirrin was the only exception since he wanted to sound rougher than his lineage would indicate.

#good boy audios #goodboyaudios #youtube #asmr roleplay #asmr boyfriend #bastard warrior

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claire-starsword · 1 year

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All of Alef’s dialogue. She is one of the few characters changed from the guide book, since there she’s said to be from East Rune instead of near Bustoke.

Also, “Vulpes” is an adaptation of the english version, in japanese she’s still a foxling. In the english manual she’s also still a foxling, so it wasn’t a very consistent thing.

#shining force #ressurection of the dark dragon #sf alef #shining series #sfrodd hq dialogue #long post #i'm actually very happy they managed to fit this much for her since she has few battles to unlock them #since unsure of what backstory i like more lmao #the bustoke thing feels very unnecessary and part of that fantasy writer view of segregating races too much #i like having more characters from the east #and i like the precognition thing from the manual as well #also the electric pokemon thing from the guide book as well though it isn't contradicted here #in fact it fits well with her prodigy vibes here #which i do love a bunch lmao #and her studying in manarina makes sense obviously #it's just the birthplace change that bothers me a bit i guess #i'd rather she just studied in manarina then went back to work on her country in the east #until a premonition... hehe wait for it...#Prompted her to seek help and train with torasu #lmao

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doedipus · 1 month

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a large amount of time I've been spending on -untitled undefined scope original fiction project- since the last time I posted about it has been trying to develop the protagonist concept I came up with last summer or whatever into like, a character that would feel real and era appropriate.

it's fun research to do. naturally a lot of the details I assigned to her are things that I already think are cool, so it's been a lot of fun trying to trace her traits back through the relatively recent past, getting reminded of how much things have changed, or where the gaps in my intuition are, and then doing a flurry of reading to get a sense for exactly how someone like her and the people around her could have happened and what her life was probably like leading up to her present day. hopefully this results in some good good verisimilitude.

#I wrote a short story from her perspective over the holidays and then didn't know how to continue it #and then I got distracted by real life stuff for a few months #I forget if I posted about that #and then I've been picking through archive dot org for the last few weeks looking at this stuff #the last big rabbit hole was trying to get a better feel for era appropriate ts/tv subculture #the current one I'm looking at is how she would've gotten into language learning and how that would've worked #nettle has been prodding me about the setting thing lately so I've been thinking about that more too #probably the biggest hurdle by far is figuring out how I want to play that #and how I want the thing to be divided up #since the original coc scenario I'm developing this out of is centered on a flight from LA to honolulu #and the airport dungeon was definitely meant to be a hook for a larger campaign #some amount of it is going to cover protag lady's failed life in LA and some of it is going to be worse things happening in hawaii #but it's like. how much do I want to balance it one way or the other #and realistically how much does the aesthetics of 20th century air travel add to the story #besides me personally thinking it's compelling ofc #a lot of what I find compelling about hawaii is that it's an east/west cultural crossroads and realistically that's also true of socal #and I can wax poetic about socal as much as I want without worrying all that much about mishandling something #and there's also a lot of socal specific history along similar parallels to pull from that I'm more familiar with #I guess it comes down to whether curiosity re: 'doing it right' is enough of a motivator to do the increased amount of research #which I guess it has so far with the above character details. so hopefully that will continue #but it also feels like using machine translation a bit yknow. it's hard to know how effectively I'll be able to sanity check #although depending on where this goes I might be able to get other people involved to sensitivity read down the line #with most of the creative things I do I just have a tendency to always rely really heavily on figuring things out myself #I also want protag lady to have a Cool Car and idk how to get that from point a to point b narratively #this is like an entire second or third post's worth of tags but I don't feel like unfucking this so whatever. suffer. I guess.

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dangans-ur-ronpas · 1 month

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was considering turning this blog into a general fandoms blog but tbh the dungeon meshi fandom is exhibiting some vile behavior after that last ep...

#dungeon meshi #nothing like a not-morally-perfect nonwhite character to really bring out the worst in people!!!!#this is about the shuro/toshiro haters. im sorry he got mad at your autistic whiteguy rep and behaved in an expected way #for a stressed out malnourished exhausted grieving man from a east asian country with a more reserved culture #in a manga/story written by a japanese person for a japanese audience #every single white dunmeshi fan who makes an 'i hate shuro for being mean to laios and marcille' should venmo me 100 dollars #'oh the danganronpa blog is gonna preach to us' YES and so what. if i like the game with a mostly pale stick animeguy cast #and STILL have a better understanding of race and culture dynamics. what excuse do you have #sorry for rantin im. Annoyed.#tried browsing the dunmeshi tag and saw the most rancid takes in there and had to stop immediately

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bancaishi · 2 months

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didn't want to put this rant in the tags of that last post but honestly i feel like a lot of people hate toshiro disproportionately compared to what he actually did in-story. and if we're being real it's most likely because of racism

#xyx.txt #because so much of his misunderstanding of laios comes from a cultural angle #and because his mannerisms are strongly coded as japanese especially relative to the other characters in the story #i think a lot of people's implicit biases have them reading this as an inherent and unchangeable aspect of his being #rather than being just one aspect of him that originates from a particular context and is fully changeable #like any other trait on anyone else.#part of this is just because of the fact that the story is told from laios and his party's perspective #but i think a lot of people's perspectives on him are probably informed by racism #not all east asians are quiet and polite. i know this myself as a kind of loud and awkward and easily excited east asian person myself #but generally cultural mannerisms from east asia tend to be more subdued overall than western ones #so it's. not uncommon. for western people to read east asians as being rude or cold or aloof just for behaving like this #the 'oriental inscrutability' moment...#like he doesn't need to 'get rid of the stick up his ass'. he just needs to not put such heavy expectations on other people #but yeah i think a lot of people are way more unsympathetic to him than they would have been if he were not so distinctly asian-coded #which is ironic! a lot of people being really mad at him for ableism specifically in the social expectations he holds of others #while applying the same kind of judgment to him but through the perspective of race instead of neurodivergence. suspicious.#blah blah blah it's because he's 'neurotypical' or whatever #predicting how some of you people would behave toward neurodivergent asian people and the outlook isn't good #also if we're on the subject of microaggressions.#laios repeatedly and insistently calling him 'shuro' to the point that everyone else calls him that too #that's not 'funny autism bad with names' moment that's a racist microaggression #someone misnaming me because of my distinctly ethnic/foreign-sounding name doesn't automatically become funny and relatable #just because you're neurodivergent lol #can we maybe have more empathy toward characters and people of color in fandom #instead of always using them as punching bag side character trope #thanks.

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local-magpie · 3 months

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the new oc is coming together. serial killer who became part demonic from eating demons, accidentally got magically bound to serve... another oc im still working on. other oc is very average and not prepared for dealing with. all this.

#pulling some inspo from fate where theres a whole mage society obsessed with power and magical studies but hidden from mundane society #instead of the whole summoning servants to fight in a one time grudge match to the death #its more like. common to bind existing powerful supernatural beings #for power/mage political struggles #mundane guy accidentally interrupted a binding ritual and this guy took his opportunity to get bonded to a weakling nobody pushover instead #thinking the original ritual was his ex girlfriend and he was like. absolutely not #(dont worry they would have kind of deserved each other. unhinged 4 unhinged)#but yeah the plan is to kill mundane guy. then its put off bc its so east he can do it any time right #and then eventually its like well ok its more convenient for me to already be bonded-#im a sucker for evil characters accidentally caring about someone more than they should #yelling at the void #hyperionskies draws #i dont remember my tag ill look later and fix it

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belligerentbagel · 10 months

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closing two artfights! reached my final goal, which was a nice round total of 10 attacks for this first year 😊

Alcarnarmo (ThArtemisHunter)

Phoenix Tian and Kai Terranova (@mimicmerchant)

#artfight #draws #kai and phoenix are a little sketchy because i woke up this morning and went HUP HUP HUP LET'S BEEEE AMBITIOUS #but i'm glad to have managed what i did! ^^#and now to 1) close every tab i had open for reference images இ௰இ and 2) DIVERSIFY MY CHARACTER ROSTER WHOOPS #scraped by this year without designing anyone new; just pulling from past d&d characters and a witchsona l m a o #here's the thing #[🙏 innnnnhale]#two of those character options look near-identical bc at the time of creation; i was like 'yeah sure they can look like me -#- can i go build out the class features / start designing witch clothes now'#and sitting down last night with the intent of 'time to create new characters' made me aware that #oh! yeah my preference really is to build upon existing things (more of a personal interpretation than a perfect iteration)#which is why i like making fanart that doesn't stick *precisely* to the canon outline #or building cosplays that are tweaked and extended to my tastes (and why i like animated properties more than live-action)#(bc animated designs tend to be simplified and allow for a LOT of interpretation. live-action is fun to look at but -#1) the garment already exists. i don't feel the need to replicate an extant thing; and it's stressful to self-compare to professionals #and 2) i KNOW the community says 'appearance doesn't matter' but it. still. does. influence people's interactions with & responses to you -#esp if you're working from live-action & guess what! very few TALL east asian women in any live-action properties with my specific vibe 🙃#(tamar kir-bataar is a recent one but COME ON that's just my warlock with bonus axes bahaha))#big ramble in the tags today #uhhhh to circle back around: anyways! despite my preference for Variations On A Theme over designing OCs;#i now have some possible New Character routes to explore. exciting.

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bat-the-misfit · 1 year

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just bc my favorite character is ethnically japanese it doesn't mean i'm a fucking weeaboo obsessed with manga/anime/j-pop that fetichizes east asians like my life depends on it

#in fact i have so many complaints about japan you might think i hate it #idgaf about east asian culture man i like this guy for who he is as a person #i know there's a lot of people who disrespect east asians but pls don't assume a person is one of them just bc of one thing they like #like man i'm just posting about an asian guy i like and sometimes they talk about his japanese ancestry #nothing more #that doesn't mean i'm gonna fetichize every asian dude out there #guess who just got called a maria hashi bc i talked about my fave character once (1) outta here #i'm starting to hate this fandom #man i just wanted a distraction from my familyyyyyyy

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floralovebot · 1 year

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What are your thoughts on how nickelodeon made the Princess of Linphea lightskinned? Was this them trying to whitewash Linphea?

That's interesting!

I mean listen I wouldn't put it past them yknow? This is rainbow and nickelodeon, two companies very cozy with whitewashing and racism. But I do think this could've been more innocent on their part. We didn't see a lot of the people of Lynphea in the first three seasons but we did see some, notably Miele who is also very lightskinned and could very well be white or very white-passing.

I think it's also important to remember that Rainbow is,, pretty bad with racial sensitivity and they treat all of the planets as very "color blind" so to speak. Like Melody is considered the "Asian planet" yet the princess is likely wasian but so white-passing that most fans thought she was completely white. We've also seen multiple other characters from Melody that don't "look" asian (obvs being asian doesn't have a "look" but in the realm of animation and rainbow racism? yeah they do). Nabu and Helia are both heavily asian-coded, yet Nabu (and his family) is from Andros while Helia is implied to be from Lynphea or Solaria.

We also see multiple shots of the crowds on other plants like Domino and Solaria where you can see characters that are definitely Not White. And while those characters could easily be from a different planet, they're also usually wearing the clothing associated with that planet and are considered Part of the people.

Rainbow often mixes different races and ethnicities for literally all of the planets. Like the argument that a character couldn't be from one planet because they aren't a specific race does not work in the winx universe. All of the planets are incredibly "mixed". And again, while there's obviously a discussion to be had about whitewashing cultures, being color blind, uncomfortable implications of colonization, etc, the princess of Lynphea being a white girl or at least partially white-coded or white-passing is actually really on brand for them and not something that I would entirely blame Nickelodeon for.

#and listen im Not saying that these planets wouldnt be mixed or cant be mixed #i mean obviously just look at earth #the way rainbow does it just usually comes off as very color blind racist whitewashing yknow the usual vibes from them #rainbow never intended for any of the planets to represent a specific group of people #the only one they really did that with was melody and even then it was Barely #like it is still very much the East Asian plus occasional southeast asian planet #but we still see characters of other races and ethnicities on melody #we also see other asian coded characters Not from melody #like... rainbow just never actually meant for any of the planets to be That Specific #it may have been completely unconscious but i wouldnt be surprised if it was a very conscious decision on their part #its ironic now obviously with all of the whitewashing and racism but iginio was originally very excited about winx being diverse #him wanting winx to be diverse is literally the reason that we have characters like flora and aisha #so i wouldnt be surprised if them making the planets very Mixed and Ambiguous was a conscious decision #and again thats not to say that they did it in the best way #more often than not it comes across as tone deaf or straight up racist #but yeah ANYWAY i really don't think nick is at fault for krystal being white/white-coded #that's definitely on rainbow and they likely weren't Trying to whitewash lynphea as it was already like that #answered

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nerdfighterwhatevernumbers · 2 years

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high fantasy is so annoying

i’m trying to read the priory of the orange tree and the religious conflict is interesting but like really, you were so committed to not having anything related to the real world you have to constantly use made up words and names for things that already exist. You just had to spell someone’s name “Niclays” because Nicholas would get pedantic questions about name origin.

#my biggest issue rn is actually that the book starts out from Tane's pov but we've gotten her pov the least #more than have the time spent in the East so far is from the pov of the white guy living there #i know the other heroes aren't white but it's still like really you're gonna dress up all the east asian stuff in this whole country #AND have the establishing moment of the book be from an east asian coded character pov #and then just hardly spend any time with them #like why aren't i spendign more time with the character who can ride DRAGONS

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mashpotatoe · 7 months

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im a white jew, i was born in israel,

ive lived there all my life and was brought up in an environment that fosters racism driven by nationalism, nationalism driven by racism.

in israel, they teach you jews and muslims (though usually, they just say arabs) have always been enemies, the same way the US deems the entire middle east as a inherent war zone, ridding them of the responsibility for perpetuating war in thst region.

they tell you "were the fair and humane side who strives for peace! its the arabs who never accept the offer!"

i remember the first time i began doubting that sentiment was in fourth grade, when we were having a discussion in class about the character of Saul from the Torah. the teacher was talking about how Saul, the first monarch of the Kingdom of Israel, used to fight the Philistines, and when she added that the Philistines were the natural enemy of the Israelites, she asked the class what group of people is their modern equivalent to which everyone very eagerly replied "Arabs!" and nevermind that there in that same class sat two arab boys, one of whom sat next to me, who i looked at and thought "but he isnt my enemy? hes just a boy in my class."

they teach you to hate arabs. sometimes they say it outright. sometimes they say it more carefully, or make a distinction between good and bad arabs, those who are with us and those who are against us.

in a state based on the idea of (white) jewish supremacy, they teach you jews are naturally superior. they use the conspiratorial narrative of "jews controlling the world" to their favor, giving their own watered down explanation for why antisemitism exists, saying that it must be driven by jealousy.

the zionist movement always used antisemitism to its advantage, either for reinforcing the notion of jewish supremacy or appealing to the real pain and trauma of generations, people who survived the holocaust, connecting them to stolen land where they are "guaranteed" safety ergo granting "justification" for the suffering of others.

its using peoples real pain that makes fear mongering so effective, and when the israeli population grows up being told all of their neighboring countries want to kill them, they quickly get defensive of the "only land where they can feel safe", but the only explanation ever provided for Why these neighboring countries are considered enemies is because theyre arabs.

and when it comes to palestine, it isnt even recognized as a country, nor identity. just a threat. ive talked to many people who are genuinely unaware of the occupation, and they arent willing to believe it either, because the media narrative has successfully shifted the blame on hamas. because "how could it be us? we want peace! its the terrorists who make us look bad! and their children, they grow up to be antisemites*, might as well get rid of them too!" they never stop to think what environment these children must grow up in to develop these "radical" ideas.

* what they mean by antisemite is really just antizionist, but the term anti/zionist isnt practiced in local dialect, being a zionist is treated as a given

any jew who stands against israels oppression is dubbed a self hating jew, but the biggest contributors to antisemitism is the people in charge of an ethnostate, because at any moment they could decide who is not white enough to be jewish, who is too jewish to be white, who stood against the current coalition government and who is an obedient dog.

israelis arent a monolith, but many of them have been won over, convinced its an "us v them" situation, when in reality it could never be the "us" that "loses"

the israeli government was waiting for an event like the massacre on the seventh of october to declare war, to have the so called "right to defend itself", so they could initiate the final steps of an ethnic genocide and displace, if not kill, all remaining palestinians. under the guise of bringing peace.

it isnt too late to call for a permanent ceasefire, to end the occupation.

please contact your representatives, attend protests and rallies if you are able. palestine will be free, and the flowers will rise again.

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certifiablyinsanez · 1 month

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I am haunted by the detailed, completed map of Hell that Edwin took notes on. You don’t understand, it makes me sick. It’s one thing to have a basic layout, a vague idea, or a rudimentary map but it was meticulously detailed. Down to doors and what they do and where they go. Down to secret spaces in the walls. He even knew what ringing an innocuous bell would do. It can only mean one thing. We don’t know when Edwin began trying to escape, but assuming he started from the get go, it means that he spent all his decades in Hell trying to find a way out. He never stopped running. And that is assuming he never stopped. From his second trip, we could see he resorted to his old ways and ran. But he was eventually caught, reduced to pieces. Even when Charles showed up, he didn’t seem very optimistic about their chances. He could feel every second of those 70 years. There were likely many times he fell to hopelessness, trembling in the corner watching himself be desecrated knowing it was going to happen again and again. How long? How many times did he try to be so, so quiet, hoping he would have a few moments before the next round? How many times did he muster the ability to run, just one more time? How long did it take him to run, discovering the ends of each ring? How many times did he sprint up, down, north, south, east, west, trying to escape? And what happened when he finally escaped? How long did it take for him to be able to relax, even a little? Because he can never relax. He must always outrun Death and her constituents because he can’t count on them to be fair. How many times does he look over his shoulder, waiting for the monster to claim its eternal meal once again? His breath of fresh air, his first taste of companionship in ages not only keeps him company, but sticks by him. And then, in that blessing there comes a curse, because now you have something to lose. Because when you taste ambrosia how can you return to starvation? He feels safe with Charles. Happy and comfortable, but the threat always lingers. And he knows that Charles couldn’t fend off Death. He never considered he could fend off Hell beasts; after all, he’s just a ghost kid. He watches innocents be slaughtered on repeat, unphased by the level of violence but no less affected by it, because no one has even a clue what it takes to be this kind. Even at his most happy, he has so, so much to lose and he goes back to Hell when hope was dangled in his face like the fruit of Tantalus. When he returns, he’s subjected to Hell once again, sustaining through torture that obliterates souls, only to watch his best friend, his confidant, his platonic soulmate, die horrifically. This woman who gave him sea-glass courage, so powerful and yet so fragile. Allowed him to be himself, gave him permission to do so. Was the openness to his closed self, and now she is gone. And he retains his composure, his stiff, British posture because it is what has saved him from madness and Despair, protected him, and now the world is darker without Niko Sasaki in it. But surely he saw this coming. After all, humans are messy. And yet, he shows up for their souls, time and time again.

Edwin Payne is THE character.

#i am unwell #i am unstable #i am so sorry this was so long #but I’m not actually sorry #because you all need to know about Edwin Payne of the dead boy detectives #dead boy detectives #edwin payne #charles rowland #niko sasaki

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halfvalid · 9 months

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nobody but you

ABOUT

alternate title: the jealous character trope is actually kinda fun to write

rating: teen+

characters: live action!roronoa zoro | fem!reader | live action!vinsmoke sanji | live action!straw hats ensemble

pairing: live action!roronoa zoro x fem!reader

word count: 3.5k

description: sanji flirts endlessly with you while dining at the baratie. zoro is displeased.

tags: strawhat!reader, female reader, fluff, kissing, no use of 'y/n', establishment of relationship, flirting, alcohol consumption, pda

author’s note: i got like ~5 requests to write this so here you guys go! this was a popular one lmao. the story is a vague spinoff to my other fic pretty in that, but it doesn't have to be read to understand this one.

You’d volunteered to deal with the docking fees for the Going Merry, locking up the pirate ship as the rest of the crew entered Baratie. You were just five or so minutes late entering after the restaurant the rest of the Straw Hats had gone into. You’d never seen anything like it before—an eatery right in the middle of the ocean, in the shape of a giant fish.

You stepped into the building cautiously, glancing around the wide expanse of the main room to try and catch a glimpse of your friends. The restaurant was big, with a mezzanine that you’d entered in and stairs leading down to the first floor. The host, a fishman who was standing at the reservation desk, glanced up to take a look at you.

“Ah, you must be with the pirates,” he said pleasantly. “Right this way, miss.”

You nodded, wondering how Luffy was intending on paying for the bill of such a place as you scoped out the area. It was far nicer than anything you would’ve expected—but then again, he’d somehow managed to score the Going Merry from Kaya back in Syrup Village, so you figured he’d work something out.

Finally, you caught a glimpse of the rest of your crew, tucked away in a circular side booth that the fishman led you to. Luffy brightened upon seeing you, waving you over with a hand so excitedly you feared it was about to flop around like rubber. Considering his powers, that was a more than likely situation, actually.

“Thank you,” you told the host, then turned towards your friends. “No food yet?”

“You didn’t miss much,” Usopp said, a little snicker in his voice. “Just the waiter getting our drink orders. He was flirting the heck outta Nami.”

“Oh?” you asked, a smile flickering up your lips. The only open space in the table was between Zoro and Nami—you gave Zoro a confused look, and he gestured down to his swords, which were caught in the ledge between the chair and the wall. You snickered. “Ro. You’re such a loser.”

“Shut up,” Zoro muttered, hand on your waist as you climbed over him to get to the empty seat. It stayed there for a moment longer, even after you’d arranged yourself in the seat, before he finally dropped his hand. Usopp made a face that you pointedly ignored.

“What’d you guys order?” you asked instead. If there’d been a menu available, the waiter had probably taken it away; still, there wasn’t much variety in the East Blue, so you could expect there’d be a lot of seafood and not much else.

“One of everything,” Luffy responded brightly. “So we’ll be able to try the whole menu!”

“You sure that’s a good idea, Cap?” you asked, brows raised. Luffy shrugged.

“I don’t see why not.”

“Quit it with the nickname,” Zoro muttered. Neither him or Nami had gotten any more receptive to it since you’d first started calling Luffy it. Usopp didn’t seem so keen on it either—if only because he fancied himself Captain Usopp. Luffy liked it, though, and that pleased you enough to keep using it.

“I’ll get you to start saying it eventually,” you teased, nudging Zoro in the arm. He shook his head, but there was a suggestion of a smile on his lips as he glanced away. “Just you wait.” You turned to Nami, eyes sparkling. “What about the waiter, though? Was he cute?”

Usopp laughed at that, and Nami gave you a disparaging look. “Come on,” she started. “Not you too. Zoro was all—”

The sound of footsteps cut off her speech, and you glanced up to find a lean, blond man pausing by the lip of your table. He held a silver plate, upon which perched a variety of different drinks—beers, milk, water. “Here are your drinks,” he said, voice lifting with an accent you couldn’t quite place. “And appetizers.”

He had just finished placing the last of the drinks balancing on his forearm on the table when the waiter glanced up and registered you sitting there. His expression instantly changed, the crease of his mouth softening into a pleasant smile, his previously-dull blue eyes bright and sparkling. “Well, hello there. An addition?”

“Yeah, sorry I’m late,” you said. The waiter flashed a grin, white ivories shining under the fluorescents.

“Oh, absolutely no problem. They say those who are late are fashionable, and you, madam, certainly fit the bill,” the waiter said. Your eyes widened, glancing over to Nami to find her shaking her head, but the waiter didn’t stop there. “I’m Sanji. What can I get for you to drink? We’ve got a wide selection of fine wines that might suit your taste.”

“Oh, um—” you started, glancing at the rest of your crew again. Usopp was hiding his snicker, and Nami was giving you a tired look. Assumedly this had been the man who’d tried it on her, too—to unfortunate ends, probably, considering how Nami was. Not that this would be any more effective on you. Your eye was already captured by a particular green-haired swordsman, after all. “I don’t really have anything in mind.”

Sanji looked pleased about that, clasping his hands together around his platter. “Ah, let me guess, then. A bayberry or red currant wine, perhaps? Fruity, tart, full of flavor.” he winked. “A feisty drink for a feisty girl.”

“Can’t say I’ve tried it, but sure,” you said, the faintest smile on your lips. “I’ll let you know how I like it.”

Sanji grinned, looking rather satisfied with that, a delighted little smile on his lips. “One red currant wine, then. I’ll have it right out. And would you also like to order a meal, or…” He glanced over at Luffy, presumably referencing your captain’s more-than-outrageous order. “Are you all set?”

“I think we’re set, thanks,” you assured, and Sanji nodded. He flashed you another bright smile before turning on his heel back off to the kitchen.

Usopp finally let out the laughter he’d been keeping in, choked sounds emitting from his throat as he thudded his chest with a fist. You rolled your eyes, but it was good-natured, letting Usopp laugh.

“Well, at least I’m not being singled out,” Nami said with a sigh, and you exchanged a sympathetic glance with her. She patted your hand comfortingly, then scrutinized the water Sanji had gotten her. “At least he didn’t put it in a flute.”

“Zoro, you’ve got competition!” Usopp called, still laughing from the entire ordeal. You glanced to your side, to where the swordsman sat. Zoro had stiffened sometime during the conversation, jaw clenched and arms wound tightly across his chest. He hadn’t even touched the beer that Sanji had set in front of him, eyes fixed carefully to a spot beside Luffy’s head and refusing to look over at you.

“He’s a waiter,” Zoro said crisply. “He buses tables for a living.” With that, he grabbed his bottle, popping the tab and taking a swig.

“I don’t know, man, did you see the way he took down those pirates?” Usopp turned to you, all excited again. “Oh, you missed this whole thing! Two pirates were fighting over a seat or something, and Sanji just demolished both of them! You would’ve loved it.”

“He is a really good fighter,” Luffy agreed. Their words did nothing but seem to annoy Zoro further.

“Can we not talk about the restaurant personnel? Surely you can think of more interesting topics of conversation.” His tone was sharp, and all icy, and you inched your hand closer to his leg to tap his thigh in question. He glanced down at your touch, but didn’t deign to say anything else. He just picked up his beer again, nursing it while the rest of the crew continued on with their conversation.

Despite Luffy changing the subject, Zoro didn’t speak, and you kept peeking glances over at him in concern. Your feelings for him had just continued developing ever since Syrup Village, although neither of you had reasonably talked about the closet incident since it’d happened. What with the reveal of Kuro and the escape from the marines and all, there hadn’t exactly been time to. But you’d been on good terms, and the actions he made around you—pressing a hand to your waist as you moved past him, turning towards you first mid-conversation, shoving you down when the marines had fired their first cannon at the Going Merry.

Before you could whisper to him and question what his silence was about, though, Sanji reappeared, carrying two platters filled to the brim with plates. They were laden with different types of meat and vegetables, sauces glinting under the light and hot steam still billowing.

He set the dishes on the table, somehow managing to arrange them so they all fit on the countertop. Sanji set down the last plate then turned to you, placing a glass and a bottle of dark crimson wine on the table in front of you. He had to lean over Zoro to reach, and Zoro flinched, but still didn’t say anything as Sanji uncorked the bottle and poured you a glass.

“Tell me what you think,” he said, all smiles again. “I’ll be embarrassed if it isn’t to your liking.”

You picked the glass up, swirling it carefully inside the glass before leaning down into the cup to take in a full sniff. You tilted your head back to take a small sip, moving the liquid around your mouth to fully savor the flavor before finally swallowing. The wine was sweet, light rather than rich with a delicate tartness that burst on your tongue. You glanced up just to see a giant grin had stretched up Sanji’s mouth, brightening his face up considerably.

“What?” you asked.

“Not often do I see a patron who knows how to taste wine properly,” Sanji answered with a little duck of his head. “A lady of class, I see. How do you like it?”

“Not too strong. I like the tartness,” you answered. “A good recommendation. Thank you.”

Sanji gave you a little bow, hand flourishing to the side as he dipped his head. “I live to serve.”

“Yeah, well, why don’t you serve me another beer?” Zoro said abruptly. Usopp coughed, and you could see Nami elbow him out of your peripheral vision. Luffy just looked confused.

Sanji’s face fell almost immediately after Zoro had spoken, his eyes flickering away from yours. “Of course. I’ll be right back,” he said, a tight smile at his lips. He ducked out of the booth, and Zoro let out an irritated noise, tongue flicking against from the roof of his mouth.

Usopp snorted, fully this time, and you turned to glance over at him—he and Nami were both hiding their gazes, though you could see smiles cracked along their lips.

Zoro glared at them. “Shut it.”

“Not saying anything!” Usopp said, though he half-hid behind Luffy like Zoro was going to lunge over the table to get to him. That didn’t seem… entirely unlikely, actually; Zoro’s right hand rested firmly on the handle of one of his swords, fingers ready to pull the blade at any second. You watched him out of the corner of your eye, wanting to say something. But not in front of everyone else. It wouldn’t be appropriate, you decided.

Eventually your meal wound down to an end. Zoro got less and less tense throughout it, though you were fairly certain that was due to the drinks he was having rather than any actual reassurance. Sanji, thankfully, came back with the bill in the middle of a conversation you really didn’t want to think about—Luffy and his marine grandfather was not something your mind wanted to dwell on—only for him to disappear again.

Just moments later, a man with a braided mustache came storming out of the kitchen. Luffy did some more of his Luffy nonsense, and, honestly—you were getting too tired about all of this to pay any close attention. You spared a glance over at Zoro again. His face was as blank as ever.

“Okay,” Usopp said slowly, a few delayed seconds after who’d undoubtedly been the head chef yanked Luffy out of his seat. “I’m ready to check out whatever’s outside. Let’s go.”

“What about Luffy?” you asked, perplexed.

“He’ll find his way out of that,” Nami said with a sigh. She stood up, knocking back the rest of her drink. Since she wasn’t exactly wrong, you got up, glancing over your shoulder at the last of the group that remained seated. “Zoro?”

Zoro was staring into his now-empty bottle of beer. He still seemed off, the line of his mouth creased downwards, jaw set tight. “Yeah,” he said finally, standing to his full height and slipping out of the booth. He offered you a hand, helping you down from your seat, but said nothing more.

The four of you headed out to the mouth of the Baratie fish, which boasted a bar decorated with neon lights. You found a place to sit by the fish’s bottom lip, and you turned in your seat, staring out at the sea. The water was dark with the night, peaceful ripples moving across the water that sent shimmering waves across the blue.

“I’m gonna get a drink,” Usopp said. “Come, Nami?”

“Huh?” Nami glanced up, and you turned to watch the exchange. “Oh, I’m okay, Usopp. Thanks, though.”

“No,” Usopp insisted, a smile still pasted on his face as he jerked his head, not very discreetly, in your and Zoro’s direction. Nami seemed to realize, then, eyes going wide before she got up from her seat.

“Actually, on second thought, I’ll join you,” she said, far smoother than Usopp had been. “God knows you don’t have any money to pay for a drink.”

She breezed past him, ignoring the offended gape Usopp left in her wake before he was scrambling to follow her. You turned your attention towards Zoro—he was lounging in the seat across from you, one hand on his swords with his legs crossed. “Hi,” you said carefully.

He stiffened. “Hey.”

You pursed your lips, mulling over the ways to go about the conversation before ultimately deciding to spit it out. “What’s wrong?” At his raised brow, you were prompted to continue— “During dinner. You were acting weird.”

Zoro shook his head, dropping his gaze from yours. You could see the faintest trace of freckles spattered along his cheeks, the yellow glow from the lanterns reflecting off his skin. “Nothing’s wrong. Just… the waiter.”

“The waiter,” you repeated. Zoro shifted, legs uncrossing and hand tightening around his swords again. His voice was low the next time he spoke, and you could barely hear him, having to lean forward to catch all of his words.

“He was flirting with you.”

Your breath hitched, but you tried to keep your tone casual. “He was flirting with Nami too,” you said, glancing up to meet his eyes. Zoro still wouldn’t meet your gaze, staring out into the East Blue behind you.

“That’s different.” Zoro’s eyes finally lifted, long eyelashes casting shadows on his cheeks as you met eyes. You shivered, gooseflesh suddenly prickling up everywhere on your skin—the back of your neck, up your spine, down your arms and legs. “I don’t like Nami.”

You tilted your head to the side, meeting his gaze. The words sent a little rush through you; a rush you got practically every time Zoro looked in your direction, actually, which was only a little bit annoying. The amount of influence a man you’d known for, comparatively, not that long had over you had you rolling your eyes all the time, but… you trusted Zoro at this point, as uncooperative as he and Nami had been throughout your entire journey.

“You’re jealous of a waiter.”

“Don’t—” Zoro sighed. “Don’t put it like that.”

“But it’s true. You’re jealous of a waiter,” you said, unblinking. Zoro rolled his eyes, teeth resting along his lower lip in an almost-bite. You snickered, tone sloping upwards to become more teasing, almost sarcastic. “How the mighty have fallen. From me practically begging you to say I looked nice in a dress to this.”

“Okay, that’s enough,” Zoro said, uncrossing his legs to lean over and press his hand over your mouth. You laughed, surprised, as he leaned over you, eyes sparkling at the reaction. “Not another word.”

He removed his hand, giving you a look. You betrayed his trust almost immediately. “Of a waiter.”

“Do you want me to put the hand back?” Zoro threatened, but you were full-on laughing by now, and he couldn’t do anything but watch. The sounds escaped from your mouth, ringing out in soft, lively hiccups. He shook his head, hand falling to his side as he watched you, a ghost of a smile tugging up the side of his mouth.

“Sorry, Ro,” you said, unable to suppress your grin even as your laughter died off. “It’s a little funny, you have to admit.”

“I’d like to hear you talk if someone was flirting with me,” Zoro muttered, so quiet you could barely hear. You had to stifle another laugh.

“Okay, well, unlike you, I don’t get territorial over people I haven’t even talked about my relationship with, but I appreciate it.” You nudged him. “It’s kinda cute.”

Zoro seemed lost in the first half of your sentence, and you could practically see the cogs whirring in his head. For a moment, you were worried that the closet had been a one-time thing—but no, he’d mentioned just earlier that he liked you, so clearly something else was the matter.

Your worries were answered in just another moment. “...We’re supposed to talk about our relationship?”

“Zoro.” You gave him a look of disbelief, forced to suppress another laugh, though this time it was out of incredulity. “Yes. Have you ever dated anyone before?”

Zoro made a face at that. “Keeping that to myself, thanks.” He dropped his chin, glancing down at where you were, still leaning over you so you were forced to crane your neck to stare up at him. He tilted his head to the side. “So what kind of talking are we supposed to be doing?”

“You know, the establishment of being exclusive; a cementation of our feelings; what the relationship entails; where we want it to go…” You paused, watching as his eyes flickered down your face. Your words were going in one ear and out the other. “You’re not listening at all, huh.”

“Not really,” Zoro said, not sounding very apologetic about it. His free hand came to cup the underside of your jaw, tilting your head up just so. “Is the talking really that necessary?”

You shrugged, trying to keep your cool. “Eventually.”

“Eventually,” he repeated, stretching out the syllables of the word as he quoted you. “So we can do it another day.”

You bit the inside of your cheek to hide your smile. “What were you thinking?”

Zoro was slotting his lips over yours before you could say another word, his fingers digging into the hinge of your jaw to allow him better access. You smiled into the kiss, lips curling upwards and open to let him lick into your mouth.

It wasn’t too risqué, but Zoro took your breath away all the same, an appreciative murmur low in his throat as he kissed you. One of your hands wrapped around his wrist, tugging him insistently downwards so you could get a better angle at his mouth, sucking gently at his lower lip. He nearly stumbled, losing his center of gravity before steadying himself, one hand coming to rest on your ribcage as the kiss deepened.

“Guys!” Usopp’s voice came somewhere from the right, high-pitched and excessively scandalized. You felt Zoro scoff into your mouth.

“You realize you’re in public, right?” Nami deadpanned, plopping down in the seat next to you. You nudged Zoro’s head away, his hand still on your jaw, half-craned over your figure. Nami looked unimpressed, eyes flickering from Zoro to you and back again. “Get a room. Go back to the Going Merry for all I care.” She extended a hand, placing a mug of beer on the table before you before handing you a matching one. “I got you drinks. You’re welcome.”

“Thanks,” you said, leaning up to press one final kiss on Zoro’s lips before turning to take the glass Nami had outstretched. Usopp groaned, covering his eyes with one hand and lifting a giant cup of something with the other. It was so big you wondered how he’d even been able to carry it. You eyed him. “You’re going to pass out drinking that.”

Usopp made a face at you. You just laughed.

“Sorted out your issues with the waiter, then?” Nami asked, turning to fix a knowing look on Zoro. He rolled his eyes, effortless as ever as he settled back down into his seat.

“Still don’t like the waiter.”

“You’re ridiculous,” you said, and Zoro scoffed, picking up the mug Nami had gotten him. You could see the smile behind the glass rim, though, even as he clearly tried to hide it, and matched it with one of your own.

Zoro ducked his head to smile into his beer. Usopp made a gagging sound. “God,” Nami muttered, but their criticisms might as well have been deaf to your ears by then.

All you could see was Zoro.

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