on the current raeda conversation:
I think what people (esp new fans who didn't watch the show as it aired, and didn't have time between releases to really think about characters and let stuff sink in, in that sense) don't understand is this:
raeda provides a more nuanced representation of queerness and what it means to love someone.
the whole point of raeda, imo, is that love shouldn't, doesn't, look a certain way. love doesn't fit into a mold. it isn't easy. sometimes it's tragic. sometimes it hurts.
queerness doesn't look a certain way. the whole point is being who you are and who you are is different for everyone
raeda hits cause we see both of them at their worst. and as the show was airing we didn't know if they'd get a chance to show one another they'd changed. we all thought raine was gonna fucking die every time they were on screen. but i digress
i think people gloss over how well the adult characters are fleshed out in the owl house. honestly it's taken for granted. they have depth. and their queerness makes them all the more vital as representation cause they're not stereotyped and don't fit into a box.
again key word here is nuanced
and isn't the whole point of the owl house to celebrate individuality and how beautiful and unique we are? to not judge people based on generalizations? to not try and fit someone into a mold they have to fit inside forever?
if you try to put anything in the show in a box then you missed the point.
so like, the fact that raeda is so overlooked despite being the best representation of a ship that breaks conventions is weird
the fact that they're both ignored by disney is even weirder. lumity is good rep, but i think raeda is equally if not more important because of the opportunity for kids adult queer role models that prove that life is a mess and the path you're on might not be linear, but eventually everything will get better.
sorry for putting a college dissertation in your ask box. i'll go back to lurking lol
I'm reading this whole college dissertation wdym
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What the Lost boys think about vampire related media
Fluff, x reader but just barely
•While making conversation with your four Vampire lovers you were suddenly plagued with a question.
“How do you guys feel about vampire related media?”
-That question was an immediate head turner. The cave goes dead quite before Dwayne speaks up, “Well…vampires are in hiding so…”
-This sparks a conversation about how media representation of vampires may not be accurate, but that's a good thing. “If a book or movie comes out and it is shockingly accurate to what being a vampire is really like, the creator isn't going to last long.” David explained
-That's because there's a set of rules vampires have to follow and one of those rules is to never publicly reveal your double life identity
-”If something like that comes out, that means a vampire has broken that rule OR somebody knows vampires very closely and is creating media they know shouldn't exist.”
-Turns out if a vampire breaks that rule it's basically open season to kill and destroy their creations.
•You turn the conversation and begin to ask how they, specifically, feel about certain vampire representation
•Bram Stoker's Dracula
-Dwayne is the first to buy in his opinion.
-Dwayne feels that while it is a cult classic and well written, The characters are exceedingly dumb.
-”Johnathan spends a ridiculous amount of time talking about other characters ‘Breasts’ and trying to figure out why his host climbs walls ‘like a lizard's.”
-David is the next one to speak up
-David thinks it's not really worth the read
-”Unless you're trying to brag to people there's no point in reading it.”
-”Also why was Mina talking to that old sailor so much?”
-Paul laughs as he remembers “how fucking crazy he wrote Dracula to be”
-”I'm pretty sure the real Dracula thinks it's a heinous crime against him”
-Paul hasn't read it but have heard enough about it to know even the more obscure references
-Marko comments on the graceful writing style and the beautiful descriptions
-”I've only read it because Dwayne thought I would like it"
-Marko also loves how oblivious Jonathan and most of the other characters are
-All of them think the movie adaptation is hilarious and love the shitty special effects
•Interview with a vampire
-Paul chimes in immediately
-”God it's so homo erotic it hurts…in a good way.”
-Paul thinks its a nice horror novel mixed with a weird cozy atmosphere
-Dwayne thinks it's another well written classic and He actually begins to rave about all the themes involved within Anne Rice’s work
-”It's a beautiful Gothic thriller with a deep, sadly comedic energy.”
-He even offers to read it too you sometime
-Marko chimes in quickly about “Claudia’s rebellious behavior and persona”
-”imagine watching your family choose somebody else over you. It's so deeply upsetting but to an understandable level.”
-”I would have hated to turn so young. I look like a teenager and other people can respect that to a certain point. But being five years old with the mind of an adult, No one would respect you.”
-Marko relates to Claudia on an internal level and loves unraveling her character. When you ask why he quickly responds "Some people call me a cherub... You think I enjoy that?"
-David says he doesn't have much to say other than it was a decent read (That's his version of a compliments)
•Twilight
-All of them agree that it's laughably horrendous
-Almost immediately at the same time they say “This is the skin of a killer Bella”
-This leads to banshee like laughter
David speaks up immediately
-”Why do you humans want us to sparkle so bad?”
-”I personally hate the idea of being a walking disco ball, but to each their own.”
-Marko chimes in quickly
-”Would you like it if we sparkled?” He asked while leans on you affectionately
-Marko thinks the only reason to read it is to have a nice laugh
-”Why did Edward have such a violent reaction of Bella standing by a fan? That makes no sense…like I have mates and I enjoy the smell of you guys but…I'm not nearly clawing off my face at your smell”
-”Yeah yeah, I get he's trying not to overreact but running out of class to get away is crazy.”
-Paul even adds that even thought it's very dumb even he can appreciate the message it's trying to said.
-”something something, coming over adversary, something something, love wins, something something..”
-”Also that Jacob imprinting on Bella's infant daughter is super fucking creepy.”
-when you asked Dwayne about his feels he scoffed and said It's insulting at best and borderline sexual harassment at worst.
-He refused to go into depth
•You thank them for humoring you and they tell you that it's no problem
-David kisses the side of your head in an uncharacteristically soft way “We don't ever mind answering your vampire related question.” He tells you
-Marko turns to you “But seriously do you want us to sparkle?”
-”I think I have some roll on body glitter somewhere..” Paul says while getting up to look for it
Thanks for reading <3
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i'm just now looking at the teen wolf movie because i did not watch it personally but are you telling me. they're trying to say derek hale, born in 1988, had a 15 year old son in 2026 (the year of his death)?
eli would've had to have been born in 2011, literally during or right before canon. and that means derek would have knocked someone up in new york and didn't know about it (because that would be the only damn reason he's never ONCE mentioned) and only found out later, and that's fine. i'm okay with it.
EXCEPT. A BIG PART OF ELI'S BACKSTORY IS THAT APPARENTLY WHEN HE WAS VERY YOUNG, DEREK SHIFTED INTO A WOLF TO SCARE COYOTES AWAY AND IT MADE HIM AFRAID TO ACKNOWLEDGE HE'S A WEREWOLF??
now. teen wolf starts in 2011 and scott and stiles are sophomores in season one, and we travel all the way past their senior year, which would be ROUGHLY 2014 during the timeline of the show. derek is there, on and off. he comes back at the end and we still never hear about a son. and derek only gained the ability to shift sometime after season four. so what exactly was this 'very young age'. what the fuck
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Good People
Part One🦇Part Two🦇Final Part
Wayne knows eavesdropping isn't the done thing. He's definitely old enough to know better, and he wasn't going to. He had a plan. He was going to walk directly into the living room, so they'd know he was awake, and after he'd fixed his cup of coffee, he'd plopped into his perfectly worn in recliner and subtly glare at the Harrington boy until he squirmed.
Mostly because it amused Wayne, but also just a little sliver of it was because he wanted the Harrington boy to know Wayne didn't think he was good enough for his boy. But only a little! Lord knows that Wayne couldn't do anything to make Eddie change his mind about Steve Harrington, short of Harrington proving Wayne right. Which he doesn't actually want because he doesn't want Eddie hurt.
He's just... He expects it to happen. That's what boys like Harrington do to boys like Eddie. He's seen it enough times to know that this song and dance leave no room for improvisation. Boys like Harrington play around, get their kicks with the devotion Eddie shows them, and then when they've had their fill, they leave.
Boys like Harrington will never be good enough for Eddie, but they always leave with Eddie feeling like he's not enough. Wayne hates it.
Anyway, his plan wasn't to eavesdrop. It's just that Harrington said his name and Wayne found himself standing still instead of continuing.
"Why doesn't Wayne like me?" Harrington asks.
"This again?" Eddie says dismissively, which has Wayne agreeing. His opinion shouldn't have bearing on their friendship.
A deep sigh from Harrington before, "I just. It's- he means so much to you. And, like, I- nevermind. It's stupid. I'm stupid."
"Hey," Eddie sounds a type of serious that Wayne rarely hears from him, "you're not stupid. And you gotta quit fucking saying that. You say it enough and you'll start to believe it and it's not true."
"Hard to quit feeling stupid when people dismiss my concerns like they are stupid," Harrington snaps back, bitchy as can be. The tone makes Wayne bristle on behalf of Eddie. His boy doesn't reply immediately, though. Doesn't bite back like Wayne's used to hearing. Huh. Maybe he's growing up, just a little.
"You're right, Steve," Eddie says when he finally speaks. "That was dismissive. I'm sorry. Explain it to me. Why does it matter to you whether Wayne likes you or not?"
"Well, because he's your family."
"Yeah," Eddie agrees, "he is. But that doesn't explain why it matters. I don't care if your parents like me or not."
"That's different!"
"How?" Eddie asks, soft but firm.
"Because their opinion doesn't matter. It's not- It's irrelevant. What they think."
"That makes no sense. Wayne's opinion matters because he's my family, but your parents' opinion doesn't even though they're your family?"
"Yes!"
"But why?" Eddie presses.
"Because they're bad people!" Steve bursts, not quite shouting but close. "Because when bad people don't think highly of you, it's not a fault in you. Their disproval is, like, a compliment. They don't like you because you're too different from them. And that's great! You shouldn't want their approval. It's different, because your uncle is a good person. And when a good person doesn't like you, it is your fault. It's something- it's..." Harrington loses steam here, voice dropping low and defeated, "there's something wrong with me. Something in me that- that he just knows. Senses about me or whatever. Something wrong or rotten or-"
"Steve! That's bullshit. Sure, Wayne's been standoffish, but he'll come around. You're not wrong, or rotten, or whatever else you think you are."
"How do you know that? I was an asshole most of life and what if that's just the real me? What if that's who I'll always be deep down. 'Cause I'm trying so damn hard, man. I'm giving it my all trying to be a better person and it's not enough! Everyone still talks about who I was in high school and even you-" Harrington snaps his mouth closed so hard that Wayne hears the clack of his teeth from his position in the hallway. "I'm sorry. I didn't mean to- I'm sorry."
"Steve. This is about more than just my uncle's opinion of you, isn't it?"
"I'm sorry. I shouldn't have said anything."
"I want you, too. I want to know if I've ever done anything to make you feel like you aren't enough."
Wayne really shouldn't be listening. He should back down the hall and into his room. Give them time to talk.
"No, Eddie, you don't make me feel like- that's not what I meant. I just. I'm...."
"Hey, Stevie, you can tell me."
"I'm just so afraid that... That one day everyone will wake up and realize what Wayne already knows. That I'm not good enough for them. For you."
Oh. Wayne really shouldn't be listening.
"I'll admit that Wayne's opinion is important to me, for a lot of things. But not about you. What I feel about you, how I feel about you, isn't dictated by Wayne."
"Sure. I mean, I know that, like, logically or whatever. But it's. I can't convince my brain that you won't just. Hate me one day. And I- fuck, Eddie, I'm already halfway in love with you and-"
"You're in love with me?" Eddie interrupts, sounding awed, starstruck, and Wayne cannot be listening anymore. He backs down the hall silently and back into his room.
Steve Harrington seems to think that he's a good person, but he's not feeling like a good person at the moment.
He's got some thinking to do.
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