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#i have lots of ideas on how i could improve this drawing if i were to redo it... i couldn't do that within the time constraints But
horsemeatluvr23 · 1 month
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jevin!!!!!!!!!! didn't have access to a scanner so this is my first (and hopefully last) sketchbook picture of the challenge... you can see the scale i'm actually working on here (i have small hands so my sketchbook looks bigger than it is) tbh i do not like how this came out but it was fun and i might recreate it digitally once the challenge is over
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vetyr · 2 months
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hi, i ireally love your work and i don't know if you've answered this before but, what kinds of studies do you do or how did you learn color theory? i wanna get better at rendering and anatomy but im having trouble TT TT
Hi! Long answer alert. Once a chatterbox, always a chatterbox.
When I started actively learning how to draw about 10 1/2 years ago, I exclusively did graphite studies in sketchbooks. Here's a few examples—I mostly stuck to doing line drawings to drill basic shapes/contours and proportions into my brain. The more rendered sketches helped me practice edge control & basic values, and they were REALLY good for learning the actual 3D structure behind what I was drawing.
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I'd use reference images that I grabbed from fitness forums, Instagram, Tumblr, Pinterest, and some NSFW places, but you could find adequate ref material from figure drawing sites like Line of Action. LoA has refs for people (you can filter by clothed/unclothed, age, & gender), animals, expressions, hands/feet, and a few other useful things as well. Love them.
Learning how to render digitally was a similar story; it helped a lot that I had a pretty strong foundation for value/anatomy going in. I basically didn't touch color at all for ~2 years (except for a few attempts at bad digital or acrylic paint studies), which may not have been the best idea. I learned color from a lot of trial and error, honestly, and I'm pretty sure this process involved a lot of imitation—there were a number of digital/traditional painters whose styles I really wanted to emulate (notably their edge control, color choices, value distributions, and shape design), so I kiiind of did a mixture of that + my own experimentation.
For example, I really found Benjamin Björklund's style appealing, especially his softened/lost edges & vibrant pops of saturated color, so here's a study I did from some photograph that I'm *pretty* sure was painted with him in mind.
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Learning how to detail was definitely a slow process, and like all the aforementioned things (anatomy/color/edge control/values/etc.) I'm still figuring it out. Focusing on edge control first (that is, deciding on where to place hard/soft edges for emphasizing/de-emphasizing certain areas of the image) is super useful, because you can honestly fool a viewer into thinking there's more detail in a piece than there actually is if you're very economical about where you place your hard edges.
The most important part, to me, is probably just doing this stuff over and over again. You're likely not going to see improvement in a few weeks or even a few months, so don't fret about not getting the exact results you want and just keep studying + making art. I like to think about learning art as a process where you *need* to fail and make crappy art/studies—there's literally no way around it—so you might as well fail right now. See, by making bad art you're actually moving forward—isn't that a fun prospect!!
It's useful to have a folder with art you admire, especially if you can dissect the pieces and understand why you like them so much. You can study those aspects (like, you can redraw or repaint that person's work) and break down whether this is art that you just like to look at, or if it's the kind of art that you want to *make.* There's a LOT of art out there that I love looking at, probably tens of thousands of styles/mediums, but there's a very narrow range that I want to make myself.
I've mentioned it in some ask reply in the past, but I really do think looking at other artist's work is such a cheat code for improving your own skills—the other artist does the work to filter reality/ideas for you, and this sort of allows you to contact the subject matter more directly. I can think of so many examples where an artist I admired exaggerated, like, the way sunlight rested on a face and created that orange fringe around its edge, or the greys/dull blues in a wheat field, or the bright indigo in a cast shadow, or the red along the outside of a person's eye, and it just clicked for me that this was a very available & observable aspect of reality, which had up until that point gone completely unnoticed! If you're really perceptive about the art you look at, it's shocking how much it can teach you about how to see the world (in this particular case I mean this literally, in that the art I looked at fully changed the way I visually processed the world, but of course it has had a strong effect on my worldviews/relationships/beliefs).
Thanks so much for sending in a question (& for reading, if you got this far)! I read every single ask I receive, including the kind words & compliments, which I genuinely always appreciate. Best of luck with learning, my friend :)
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joonipertree · 7 months
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To show someone that you care, is a gift itself. | Sugar Daddy Bakugo Series
Where you show Katsuki what a gift can be.
Tags: Artist!reader, very self indulgent, like guys....please buy me watercolour paper instead of Versace. Watercolour paper is stupid expensive. Im also not skilled enough to actually make the gift so--
Pt 1 Pt 3
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Katsuki's birthday had been looming when the two of you started going out, like a weighted shadow. You had spent a very long stressing about what to get him with a budget that wasn't even worth a fraction of what he would buy you.
But, like gift giving was Katsuki's, it was your love language as well. And you'd gotten good at getting heart felt things for people. Admittedly, it took a lot of brainstorming and notes upon notes of what to get.
You'd always go overboard to please the people you cared about, afraid that they'll leave if you didn't cross the limits and bend over backwards for them.
Katsuki had always taken care of you, never asked for anything and your love was returned albeit in a quieter and tsundere manner. So the urge to go above and beyond didn't fester for long, knowing that your bare presence made him warmer.
Your gift idea came when he was on the ring, swift on his feet and solid in the rigidness of his body. You'd brought your sketchbook and while you wanted to keep your eyes on your boyfriend, your hands became busy with large curves and sharp flicks of your pencil that brought dark edges .
You'd made at least 20 quick gestures drawings that were more crude representations of movement for you. But with those and the feelings you trapped in your heart, you made thumbnails and chose one to draw large scale.
One where Katsuki's face was partially blocked by his arm and he gave a blow. His elbows were jagged, muscles taut and rippling. And his eyes sharp and cat like.
The charcoal pencils and sticks used to create tapered lines to create hard surfaces was 340 yen. The watercolour pallete used had messy paint splattered everywhere and its lid broken, having been with you for a good while. The coat over the charcoal was 50 yen hair spray that worked just as well as professional sprays.
It didn't cost a lot but your hands were full of care and by the end of it, you hoped that it'd be something Katsuki would at least like. The man could have the world but all you had was you.
You didn't realize that you were more than enough
Katsuki to lost his voice when you handed it to him at midnight, eyes wide as he stared at him but not him. The layers on layers of paint held emotions that he could only describe as love, meticulously hand picked and felt in strokes. He'd seen HD pictures of his fights, seen videos of them where his sweat and pores were as clear as day. The most he'd thought of them were how his form could improve or how cool he looked.
But what you made, it twisted something in his chest and stung his eyes and filled him to the brim with love so warm and overwhelming that his body wasn't big enough to hold it.
You two had been dating for 4 months, Katsuki had spent that time falling in love with you in ways he didn't think possible. He'd fall with every giggle and kiss and ramble and your face when you were concentrating. He'd never said 'I love you', hoping his actions showed it enough, still too scared to speak it in case it was met with hesitance or silence.
But Katsuki had gently put down the canvas, something you that you'd built, stretched and primed yourself. And while you made eye contact with the walls and ceiling, you explained how the only thing you could come up with was the painting, that you wanted to capture the emotions you felt when you saw him fight. That it wasn't much but---
Katsuki had engulfed you in a hug, hand on the back of your head to press it against him and an arm around your waist. He squeezed you, tried to express all that he was feeling with one hug alone. You felt it, held him tightly and carded your fingers through his hair. With his shoulders shaking, you had an inkling that he had been crying. When he spoke, with a wobbly voice, you were sure that he was.
"I love you." He'd muttered out for the first time.
"I love you more." You whispered back and Katsuki had firmly denied it, that no one could love a person as much as he loved you.
Getting a gift for you became hard after that, because Katsuki sucked at making shit.
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1eoness · 1 year
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professor!re4r leon fucking u.. i think (or at least wanting to fuck u)
cw content : leon size kink kennedy (jk) | sub-afab-fem-reader and dom!leon kennedy | age gap(ur 22 he's 27), leon masturbating, penetration, slightly weird ooc leon ♡
[to clarify, i am 18. anyone <18 and anyone >18 uncomfortable with interacting pls dni]
authors note bc i love rambling; btw i'm writing this in public at some boba cafe can u believe that lol im literally supposed to be studying but hwatever fuck it leon make me go blaahhhhhh. btw what do i call this? a fic?blurb?drabble? idklmfao by the way i have NO idea on how to write professor x reader shit so im sorrhy if this sucks ass.
synopsis : conflicted and flustered professor!leon kennedy of your local college struggles to improve his class' average because students like you—incompetent, airheaded, spoiled and klutzy— make it difficult for him :(
‿︵‿︵୨˚̣̣̣͙୧ - - ୨˚̣̣̣͙୧‿︵‿︵
you heard the rustling of laptop bags and stationery as leon's students left for that morning lecture. though, they moved slow and drowsy; for leon is sure nowadays this generation can't afford to wake up at 6:00 in the morning to prepare for a 7 a.m. lecture on "deviance and crime control."
especially you.
kennedy is a sharp man. he harps on students even if they get a B on any assignment, but he swears it's on his tough love (to which a lot of students aren't really aware of, just that they know this stoic pretty-face of a man has high standards.)
he is also keen on attendance. something girls like you seem to take lightly. it was absurd, really. most professors don't give a shit, do they?
it would've been fine with leon if you missed lectures even twice a week as long as you emphasized your understanding of his lessons through putting stellar effort on your schoolwork. but the best you've gotten on his class was a B- drawing close to a C+.
so, he needs to have a chat with you. urgently.
"l/n, i need to speak with you." leon spoke, confrontative as his black jeans peered from your right peripheral vision. he stood tall beside the edge of the table where you sat. jesus, was he trying to give you a heart attack? (he always had this habit, he'd just pop out of nowhere. he has silent feet.)
yes, you may have missed his lectures from monday to thursday to go to macedonia with your family: but if leon were given the opportunity for a vacation he would snag it too, right?
you looked up at the young professor, wide-eyed and a bit intimidated. what the hell did you do this time? you closed your laptop, gave leon your full attention. leon has also noticed this about you; you're quick to pay attention but you have the memory span of a dumb rabbit. maybe even the IQ of one too, if leon was rude enough.
so you sat there, hands on your lap as you fiddled with the pleats of your blue plaid skirt. the color makes his heart beat a little—he loves the color blue. and the way it looked on you... wait, no. what the hell was he thinking?
"you couldn't even spare the few minutes to e-mail me that you'd be missing four- four, of my classes in one week." he emphasized with a slate tone, and the way his eyes peered down at you added that he needed your reasoning of the situation. he'd love to hear what you had to say for yourself. "i had to talk to your friend, ashley, for some clarification. even the president's daughter has the dignity to show up to my class with a verbal apology." leon scolded as his fingertips met the pages of your notebook. did you even care about his classes? :(
much to your chagrin, your lips were pressed in sheepish silence. hopeless, even. you didn't even have anything to say for yourself? how pitiable.
you simply can't miss class, that wasn't right! just because you thought you could hide in the shadows amidst leon's collective of 73 students (yes he counts), you aren't out of his eyes. in fact, you stood out to him even if you were just an incompetent scholar.
he sighed at your silence. "fair enough, an apology can't compensate for your lack of presence or decorum." he then placed your paper on the desk, you had gotten a D. you were never a bad student but this was your first D ever! your eyes widened and he caught on even though he could only see the crown of your hair. "surprised? because i'm not." leon uttered flatly while his pale fingers flipped through the papers right in front of you. you even spotted a few contractions— when did you even pass this?!
but you weren't a bad girl to him, no. you were capable of shame and guilt. you looked sideways, unable to meet his eyes and training your vision to the floor. you felt low, disappointing a professor that gave you numerous chances to break out of your awkward shell.
"you're a smart girl, you know that?" he finally sighed softly. he wanted you to look at him, make him another promise that you'll start putting effort in his class. he needed to maintain his class's average or else he'd prove he was an inept professor, and he can't do that when he lets 'students like you' get away with shabby attendance and subpar schoolwork. "i don't just give students chances. but that doesn't make you special." and it was true—he's voluntarily failed 6 of his students before. "you'll do something about this, right?"
"yes, professor kennedy.." you muttered modestly.
"hmm?" he hummed inquisitively as he took your paper back. he was willing to give you a chance. "listen to me. i'll give you the chance to redo your paper. i know when students rush their work and if i see even a hint of redundancy in it—i will take all my chances back. and you are never taking absences from my class. i don't want you entering even a minute late, or leaving a second early. i hope we're clear, l/n."
naturally, you were scared. so you nodded up at him after countless confirmations that you will do you work and that you'll show up to class no matter what. he has to use your word against you, he's sorry but it's for your own good.
once he was satisfied, he gave you a nod and turned his side, dismissing you. after all, leon was a busy man. you're not his only student.
it was when you walked out the building and then 20 minutes away from it that you felt like crying. you hated being scolded by him :( but just when you were about to go through your bag for your handkerchief, you were stuck with an inconvenient realization. you forgot your handkerchief.
‿︵‿︵୨˚̣̣̣͙୧ -♡- ୨˚̣̣̣͙୧‿︵‿︵
leon just stared at the table where you sat from just now, backpack strap over his shoulders since he was just about to leave. he gripped onto either of them slowly as he stared down at your handkerchief in contemplation.
a twofold baby-blue hankie embedded with a subtle floral print. tentatively, he picks it up with his hand and examines it. for a minute his mind went blank, conflicting between chasing you and just returning it to you or to leave it by the lecture podium for her to retrieve tomorrow (when you hopefully attend his lesson again.)
..but blue was his favorite color.
"damn it." leon, with a barely audible mutter, shoved the handkerchief in his jacket pocket. he felt like the most guilty man in the world, poor boy.
...
leon sighed.
he wasn't celibate.
his hormones were in shambles once he got to his place. perhaps part of it was because he knew he hasn't graded the recent tests yet.
manspreading, tie loose, shirt stuffy and jeans undone while his hair wisped in slightly disheveled directions. cold breaths followed out his pretty mouth.
"nnn..fuck.. uhh-" leon whimpered into the baby blue cloth, laced with your perfume. he felt so guilty, so perverted. he shuddered every time he could see over the edges of the cloth, seeing his cream-leaking tip from previous orgasms spurt teasingly. "ahh- fuuuck, p-please-"
his grunts were high. he was close to crying, staining your pretty handkerchief with guilty-pleasure-ridden tears. spilled milk, it trailed down his pretty shaft as he pumped it over and over. his motive was you— you were just so fucking stupid and had so much naivete, it absolutely vexed him knowing how endearing you were.
until a slip of leon's mouth surprised him, earning a small squeak from him as he accidentally muffled your name in your cloth. "fuck, y/n- a-ahh.. u-uhh..hmfff.." he was frustrated; whining and cumming while his mind stirred with the thought of you and your pretty eyes and the photographic memory of your dumbstricken face.
he gave out a tired whine into the cloth, so, so close to crying his frustrations out. he just wanted to eat you. christ, and he was so hard for you it made his head ache..
he could only watch his girth that pulsed with white. he pried the sweet handkerchief off his lips, breathing roughly and wiping his tears. he felt so, so sorry for you. the color of the cloth looked exactly like the skirt you wore yesterday. and yet to top it off, he (ashamedly) wiped his cum off with your dainty cloth. oh, he's so sorry..
‿︵‿︵୨˚̣̣̣͙୧ -♡- ୨˚̣̣̣͙୧‿︵‿︵
he didn't want to come to this point. or maybe he did and god was force-feeding him with culpability (he's atheist). he offered once to tutor you personally. one-on-one, no distractions. and so suddenly, someone's skirt was on his clean carpet floor..
your blouse draped over your shoulder and was pulled above your bra carelessly. he handled you with so much ease, squishing you into position while he tried to slowly push his thick length into your syrupy hole. you bit the knuckle of your thumb, and whimpered timidly that he was too big. but look where you were now.
"fuck- you're so- you feel so good.. shut up and take it all, yeah?.. hmmff-" there leon goes, harping you again. you were so loud but it wasn't even your fault, not when he was pistoning his cock into you and paying no hesitation to his pace. you were simply too sweet for him not to please. "sweetheart, hold onto me.." he mutters.
he was pushing every squeak and cute little wail out of his pathetic student, rutting his tip into that spot. "n-nnghh- aah!~" you were running low on words.
"yeah?- mhmm...ffuck, right here? huh?" the feeling of him thrusting against that spongy part more and more sent your mind further into autopilot. you were past squirming around and pushing him away, you just had to take it.. and take it.. and you were doing so good ♡.
"l-leoonn.. m-mm!- fffeels t-too good-" you babbled, mind stuffy with the pleasurably-shameful feeling of being gorged with your professor's thick girth. he shuddered at the way you uttered his name so adoringly. to leon you were so dirty but so, so cute. he had you puddled into tears beneath him while he fucked into your cute little hole with fervor. he just wanted to stuff you full, make you his, adore you forever.
he whined softly into your shoulder. you kept clenching down on him and it made him impossible to think. his phone was ringing on his bedside but he doesn't even give a shit—if anything he tried to drown it out by thrusting into you faster, to which made him lament into your skin. he even adjusted your hips up impossibly further.
"l-leeonn, n-no..— n-no more, please!!-" you blabbered adorably, voice mumbly and whiny as you clawed at his shoulders or back— you didn't know anymore.
"shhh shh.." he cooed over your cries with a quiet and honeyed voice, planting a soft kiss to where he could reach on your face or head. "i know, i know, it feels so good, hm?.. just let it feel good, baby—ahh, fuck-.. uhh..." he moaned lowly into your shoulder, unable to stop the way he rutted his cock into your creamed-up cunt. you seemed to be enjoying it, so why were you complaining? leon thinks to himself smugly but he knows he can't act on his pride. after all you made him like this—submitting to his carnal urges...
you didn't wanna cum a third time, huh? silly little girl.
leon growled quietly into the crook where your neck and shoulder met. you've never heard that sound from him. he held you down, constraining you, and squished you further into his mattress. a helpless and surprised yelp lolled out your tongue as he went impossibly quicker while he cursed like he was about to break down in tears. leon was mercilessly grinding his cock into all your sensitive spots, not letting your pleas of retort contest him. "fuckfuck- u-uhhh, take it, baby, c'mon... do it f'me, it's gonna feel so good-.. ahh!-"
he couldn't even finish his sentence—just piping his cum in you roughly as if he were proving a point, growling whinily along the way. he even kept fucking you shallowly while you were a dumb, sniffling mess with no sense of self-assertion as you creamed all over his shaft uncontrollably a third time. consecutive and quiet whimpers could be heard from you while you soaked in your overstimulation, needing him desperately to reassure you again through the overbearing pleasure of being pushed past what your cunny can handle.
"poor baby." he muttered to himself breathily as he gave the last of his tired, frustrated thrusts and pulled out of you; giving you the time to breathe while he pats your hair down comfortingly. his fluttering eyes finally closed as his head found refuge in your neck, slightly limp with exhaustion as he huffed cold breaths on the wet patches of your skin.
he pulled his head away after a minute of regaining what's left of his strength. leon looked down at you with subtle puppylike eyes, like he was sorry for ever being so harsh on you; even before he fucked the shit out of you. you quietly took your handkerchief to wipe some sweat off his neck— and his cheeks went a little rosy, remembering what he did to it that day you "lost" it ♡.
seems detergent can't wash something like lust away!
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carrionne0 · 8 months
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THINGS TO DO WITH YOUR OCS
If you’re like me and you like to play around with your OCs a lot, here’s some things you can do with them!
ART & CRAFTS
Put your OCs in character scenario memes! Here’s some I found on Deviantart.
Do an art trade where you draw someone’s OC and they draw yours!
Use those "Draw The Squad" templates and draw your OCs.
Crochet/knit/sew/etc. a plushie of your OC.
You can also make a paper doll! You can find tons of tutorials on youtube.
You can also make a figure of them out of something like clay, cardboard, or another material.
You can build them out of Legos!
You can also create a hand or finger puppet of them.
Draw a comic featuring your characters!
Create an animation of your character.
Draw your characters as animals!
Create pixel art of your OC! Maybe even make it look like video game sprites.
Draw your characters as playing card designs.
Draw your characters as tarot card designs (Suggested by @ultragirl-parsley)
Create a coloring book full of your OCs!
Create a large cardboard cutout of your character. There are tons of tutorials online!
Put your OCs as designs on cookies, cakes, etc. (I kinda want to do this one but I know it won't turn out well for me 'cuz I suck at handling food T_T)
Design your OC's home.
Make a board game about your OCs and their story
Make Minecraft skins of your characters
INTERNET
Make your OCs in picrew or other dress-up things!
Create a character playlist on Spotify or other music site!
Create a Pinterest board with inspo for your OCs! Maybe outfits they’d wear, a moodboard, etc.
Reblog those “tag your OC as” blogs! They usually have a prompt and you can reblog it and tag which OC it describes. Here’s a few blogs which do this: Tag Your OC on Tumblr develop your oc on Tumblr Daily Asks for your OC (tumblr.com)
Take quizzes as your OC! You can find some on Quotev or IDRLabs.
Make a roleplay account as your OC.
Create a quiz on Quotev about your OC. Maybe something like, "Would my OC like you," "How similar are you to my OC," etc.
Put your OCs in the incorrect quote generator.
Find OC questionnaires and templates online.
Create a page on your Tumblr just for your OC! You can include things like a character sheet, general facts, your posts about them, etc.
WRITING
Do character exercises for them! You can find a lot of these on the internet, but here’s an example.
Write from your OC's perspective. It'll help you understand them better!
Create a list of media they enjoy. Maybe movies, video games, songs, etc.
Write a song (or just lyrics) about your OC or parts of their story.
Write a random story about their childhood!
Create an in-universe news report from your OC's world.
Write a poem about your OC.
OTHER
Put your OCs in character alignment memes! Here’s some from a search on Pinterest.
Create voice headcanons for your OCs. Here’s an example of Vivziepop’s for Hazbin Hotel..
Play as your character in video games! Like, maybe design your character in Miitopia or Sims.
Do some theatre improv games as if you were your OC.
Edit your OC on to pride flags.
Also, you could maybe make those like, Tiktok edits of your OC? (Y'know the ones I'm talking about?)
Create an AU version of your characters! (I’ll create a list of AU ideas soon! :D)
Have your characters solve the trolley problem and other moral conudruums.
Cosplay as your OC!
Create ship names for your characters!
You can also find baby names that your OC might like or something.
Create a visual novel/dating sim in Google Slides (or if you can code, you can do it like that!)
Create a crossword/word search relating to your characters and story.
Answer "Would you rather?"questions as your character.
Find poems that remind you of your OC.
Make family trees.
If anyone has anymore ideas, please tell me and I’ll add them to the list!!
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stellarsagittarius · 1 year
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How would you meet your future husband / wife - Based on Jupiter/Venus Persona Chart Pt. 1
[P.s. Please follow me on Instagram and Tiktok @/Stellar_Sagittarius I post even more astrology content on it and it's a business I'm trying to grow. Your presence means a lot to me ❤️.]
Masterlist: All my astrology posts at one place
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(If you are looking for a man, check your Jupiter Persona Chart. If you are looking for a woman, check your Venus Persona Chart)
(Disclaimer: Don't be fixed on this reading! Always have an open mind because the Universe works the best when you have trusted and let go of expectations! Also, the chart won't tell you the exact place or time or how you would feel about something, no one can do that. What it WILL tell is the theme that can be the most prevalent during that event, and how the event can play out.)
Step 1 - Go to Astro.com -> Horoscopes drawing and data -> Extended chart selection -> Select chart type 'Persona Chart' -> Click on 'Additional Objects -> Manual entry '1585'.
Asteroid 1585 is the Union asteroid. It can show how you can "meet" or "come together" with someone.
Fun fact: I checked this Union asteroid in my composite charts with my friends, siblings, my mobile phone, colleagues, and everything fit so well like puzzle peices.
What we will look in the Jupiter/Venus Persona Chart is the Union asteroid, it's sign, house, and the placement of the ruler of it's sign.
For example, in the composite chart of my phone and I, Union is in the 7th house of Aries, and the ruler of Aries (Mars) is in the 6th house of Pisces. When I went to buy my current phone it was an impulse decision, I was with my father. We were returning from my college (he picks me up everyday, so it's our little routine (6th house)). We were driving (Mars theme) and I was with someone (7th house). He said, "Why not let's go and get you the new phone?" Very unusual of my father because he is very slow and thoughtful person. And just then we went to buy it. It was an impulse buy.
And this is just one of the many examples.
Let's get into reading the Union Asteroid in your Jupiter/Venus Persona Chart.
Union Asteroid Through The Houses
Union in the 1st House -
The first house is all about "yourself". So think of you initiating something. Perhaps you approach this person, or you are the one who initiates the conversation. You could be the center of attention, or you catch the attention of your partner, whether it's your looks or personality. "You" are the focus. This is related to a place where you would stand out or play an important role with your mindset/ideas. They could even approach you, simply because they are interested in getting to know you. If Union asteroid in your chart has a 11th or 3rd or 9th house connection, then they could come across your "profile" on social media.
Union in the 2nd house -
The second house rules our values, possessions, beliefs, our body language, resources, personal finances, etc. There are plenty of situations related to this, going for shopping, while making a purchase, at a restaurant, taking part in some workshop to improve your skills etc. This is a situation where you are focused on your resources, and your skills. This could also be at a bank or shopping centers. Maybe this person changes your beliefs in your first meeting, or perhaps you meet them because you saw their car, and you absolutely loved it so you wanted to ask what model it was. You could have made some changes to your body when you met them.
Union in the 3rd house -
3rd house rules communication, locality, processing information, short distances, siblings, it rules personal communication and also the "media" part of social media. So you could first come across them on social media, like seeing them for the first time. You can meet through siblings or in your local areas. You can meet in high school as well. Some places are news stations, broadcasting companies, daily newspaper/magazine supplier, a bookstore, stationery, elementary school, through blogging or vlogging, through writing. Perhaps they write you letters or leave you notes. Or since you met them, you both talk nonstop/sharing information 24/7.
Union in the 4th house -
Our 4th house is all about home, privacy, security, comfort, our deeper emotions, family, the part of ourselves that we don't show to just anyone, could also depict the people very close to us. So think of meeting this person "through the comfort of your home", good for introverts! This is giving social media, because you don't have to go out somewhere. They just slide into your DMs or your slide into theirs ;) . Internet is a good example because we can use it at our comfort. We can do so much by just being at our home through the internet. Other examples is meeting through your family, perhaps your mom introduces you to them. Or maybe they are a delivery person, an electrician or a service worker who comes to your house to like fix the AC or something! This meeting would feel very cozy. Perhaps getting to talk with each other takes some time!
I have this in the composite chart with one of my best friends. Union in Aries 4th House. She is extremely introverted and shy. We met through the internet, she just randomly slide in my DMs. I was at home chilling in my PJs, and received her message. She had this "other account" through which she messaged me, due to her "privacy reasons". But she just overcame her overthinking and made the first move (Aries energy). Lol I still wonder how brave of her was to text me, she is super introverted! Oh, and also, the ruler of our 4th house is Mars, in 12th house. So the account that she texted me on, was an account that didn't have my real name or picture, it was a little self care niche account. Plus her own pfp was of only her eyes. So kinda sus energy lol with the 12th house.
Union in the 5th house -
Fifth house is all about creativity, pleasure, joy, having fun doing this or that, sex, hobbies, children etc. Places associated with the 5th house are amusement parks, art schools, cinemas, theme parks, movie sets, waterparks, nightclubs as well, etc. Think of pursuing a hobby or doing something solely for the pleasure it brings you, you could meet this person through that. This is also giving collaboration, for a creative project. Shared interests and hobbies! It could also start off as a one night stand or perhaps you both are very flirty with each other from the start. Every couple flirts ofc, but yours is emphasised! So think of teasing or being very playful with each other! Could indicate meeting through children! Perhaps you met at a kindergarten, aww!
Union in the 6th house -
6th house is ✨️That Girl✨️ house. It rules, routines, organization, health, fitness, pets, work ethic, the physical self care, the material realm, getting your life in order, etc. Think of going to run errands or going to the gym and bumping into this person. Perhaps you are out taking your dog for a walk, or going for a run, and you meet this person. This house rules all the mundane, daily life stuff. Perhaps they ask you for the directions when you meet them. This also rules parking lots, roads, vehicles, hospitals, daycare, salon, the vet. This is very routined. Perhaps this is someone you see everyday while going to work, but never got the chance to say hi.
Union in the 7th house -
The 7th house is all about others. It is more one on one, than a group. So think, when you meet them, the focus will completely be on getting to know the other person. Like completely immersed in the conversation, totally focused on each other's company. Someone else can introduce you both. This is like the definition of "meeting". You met, and now you both are genuinely interested in each other. The places could be anywhere you would directly approach them, instead of seeing them here and there or having something else as a focus. Dating apps is a good example, but only if your focus is on them, rather than other people on it.
This is in the composite chart of my bestie and I. I was talking to a friend, and my bestie just approached me. And we got to know each other just like that. It was in high school, about 5 years ago. We just became friends right away!
Union in the 8th house -
8th house is about what you share with someone else, transformation, secrets, bonds, joint resources, marriage, sex (as in bonding with someone, and not necessarily pleasure), other people's stuff, etc. The places associated with the 8th house could be banks, someone else's house, private clubs/bars, private offices, VIP lounges, etc. Someone else could play a part in this meeting or you can meet through some sort of joint collaboration. This is also giving, "Oh you left your diary at that coffee table a week ago, I had to give it back to you!" Somebody or something will help you come together. You could also bond with each other pretty quickly! Wingwoman/wingman energy!
Union in the 9th house -
9th house represents travel, long distances, foreign, higher education, other cultures, languages, adventure, universities, philosophy, spirituality & religion (the philosophical/moral/practical aspect of it), etc. So meeting your s/o through travel or while you are exploring something. Perhaps while you are in college/university. Meeting them through religion or shared spiritual interests. Perhaps a course where you are learning about other cultures or languages. Classic travel meeting. Could meet on an airplane or a long distance train. The relationship itself could start out as long distance. If this has 4th house or Gemini/Cancer connections, then meeting online/at your comfort, but being long distance!
Union in the 10th house -
10th house rules our public image, our career, the part of ourselves that shines the most. It rules buildings, workplaces, companies, public parks or public places. This could also represent our public profiles online, such as for work or businesses. So yes, meeting through your work is significant. Could be a business meeting at first. If there are relations to 5th and 8th houses then it could be to collab on something creative! You could meet through your boss. And keeping the work aspect aside, if you are someone with a public profile online just because you want it so, it's also a 10th house thing. An aspect of your public image will be highlighted! Your work and career will be significant.
Union in the 11th house -
This is the classic friends to lovers placement, no matter how slow or fast it is. 11th house rules communities, friendships, social groups, hope and ideals, long term plans/visions, "social" part of social media, being an influencer or having an audience, networking, building your career, etc. This is a very social house and this meeting will have a focus on networking, becoming friends etc. Perhaps this is a meeting through friends, or meeting at a networking party. They could see you online or be intrigued at the work you do. Perhaps they want to work with you.
Union in the 12th house -
Twelfth house is the house of unconscious, mysteries, theories, conspiracies, hidden, mystical, fantasies, imagination etc. Everything to do with the mind, and not the things that are practical or "material" enough. This is the spiritual realm, the realm of unseen. This also rules isolation, mental health, heavy contemplative states. It rules prisons or hospitals (in a way that you are isolated). Meditation retreats are ruled by 12th house as well. Places that are far away and where we take the journey alone. So yes, meeting when you are alone, or even an account messaging you where the owner is hidden (not saying talk to strangers, but you get my point). This meeting could start out as a secret or won't be apparent to other people. You both could meet at a place where you both are alone, etc. You both could connect over the matters of spirituality and mysticism.
This is it!
You can book a reading with me, text me, I'll respond. I just made this blog so I'm yet to create an official post regarding booking readings!
Stay tuned for the next part!! ✈️✨️
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letters-to-lgbt-kids · 6 months
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My dear lgbt+ kids, 
An underrated health and wellbeing tool is play. 
When you think about playing, you may immediately picture little children - but by definition, play describes “any activity engaged in purely for enjoyment and recreation with no definite practical purpose” and those activities stay important throughout your whole life. 
Why are those activities important? 
Play is good for your body. Intentionally doing something just for fun helps to activate the “rest and digest” mode that is necessary to recover and heal from stress. It signals that you’re safe and helps your body relieve tension. 
It’s also good for your brain. It can stimulate your imagination, visualization and critical thinking skills, which can help you build skills like resilience and adaptability. 
Play can also foster empathy and understanding of others as it can help you see things from another’s perspective. 
Playing can make you laugh, and laughter comes with a whole sleeve of health benefits, such as decreasing blood pressure and even improving your immune system! 
Playing together can strengthen relationships. Positive, fun social interactions are important for your emotional wellbeing. 
Now some of you may think “that’s all nice, but how do I even play as an adult?”. While play is a natural behavior of human beings, many adults need to re-learn how to play - it depends on your specific environment and social circles but you may feel a lot of pressure to be productive all the time and play is by its very nature not productive. So, the first step in re-learning play is to give yourself permission to just *be* instead of *do* (and that can be a huge step!). 
Some ideas on how to ease back into play: 
Think about your childhood. (Or if you can, ask a parent, sibling or childhood friend, that can be a great way to bring back memories!) What were your favorite ways to play back then? What did you love about your favorite game? Does any particular memory immediately give you that “I wish I could do that again” feeling? (You may not necessarily find anything that you want to just replicate as an adult as-is, this is just meant to kick-start your imagination!) 
Gameify everyday tasks. Try to spot as many yellow items as possible on your commute to work. Make up a silly song about laundry while putting away the laundry. Pretend to be on a cooking show while making dinner. Do what you always do, just allow yourself to be silly about it! 
Do something creative, even (and especially) if you’re not good at it. You may not think of drawing, writing etc. as playing but those are activities you can do for pure entertainment! 
Moving your body doesn’t need to be purposeful exercise (and certainly not hating yourself in the gym), it can also be playtime: Do a silly little dance to your favorite song! Tippytoe, crawl, jump, walk backward.. from your bedroom to the kitchen, just for the fun of it! 
Rethink toys. While it is fully okay for a grownup to buy, own and play with toys, and we should abolish the negative stereotypes about it (it’s creepy, it’s inherently a sign of poor mental health etc.) these stereotypes do exist and you may simply not feel comfortable. Luckily, there are a few toys that are generally considered socially acceptable for adults or are even marketed towards adults, such as board games, stress balls, adult coloring books, certain Lego sets or fan/collectors toys (like action figures). And when there are no judgy eyes watching, you may also have fun just playing with household items such as cardboard rolls! No need to go out and buy something! 
Keep in mind that play isn’t a competition to win. You can’t play wrong - that’s the beauty of it! Just let your curiosity and enthusiasm guide you. 
With all my love, 
Your Tumblr Dad 
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liliewrites · 12 days
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Hi, I love the way you write. You express the characters very well, I can really hear Arlecchino's voice in your sentences.
You can do one with Arlecchino x femreader? Where Arlcchino and reader are married and take care of the children together (would be great seeing reader being maternal with Lyney, Lynnett and Freminet) After reader arrived in their lives, parties and family moments were common. One day at a gymkhana held with all the children, a traitorous Fatui was ordered by an Arlecchino's enemy to kill Arlecchino while she was distracted, but Reader noticed and got in front of her, taking the hit. Reader almost dies and Arlecchino, Lyney, Lynnett and Freminet want revenge.
(Sorry for bad english)
HELLOOO ANONN:)) lmaoo sorry i was brainrotting a lot about this ask and i didn't know how to write it and end it because it's such a good idea and has a lot of potential.. anyw here u go and eat uppp!!:) also forgive me if i understood the word "gymkhana" wrong.. i just searched up the definition on google since i am not familiar with the word hihi..
-warning/s ; a bit of violence at a certain part:) besides that, none!:)
(men dni utc please!)
it was a fun, festive day for the children at the house of the hearth.
arlecchino and you had decided to host a fun little event for the kids, as both of you agreed that it'd be beneficial to the children not just for improving their skills, but for their enjoyment as well.
as of the moment, you and arlecchino were sitting on the side, lyney and freminet were currently tasked with helping and assisting the younger children, while lynette had mostly insisted on staying with you and arlecchino while helping out with organizing the event. you and your wife didn't mind much as you knew she was more introverted and a couple more helping hands would help a lot.
"mother, i believe that we should start the flag race soon.. shall we get the horses and the players ready?" lynette asked, looking down at the clipboard in her hands. you couldn't help but smile, lynette has grown into such a fine, young dependable lady. you pat lynette's head, giving her ears a little rub as praise. "yes, my dear. i would appreciate it too if you assisted them with getting on as well, see to it that none of them get injured." you told her, and she nods at you, her tail slightly wagging as she walks away. you couldn't help but chuckle, knowing that your praise didn't go unnoticed by your daughter.
"mother! mother! look, look!"
"don't i look cool, mother?"
"mother! this is so fun!"
left and right, children were all calling for your attention, and your heart was bursting in joy as you got up from your chair to approach them. you could see the smiles on their little faces and you knew they were enjoying themselves. one child ran up to you, holding freminet's hand and a drawing in another. she brought it up and showed you, smiling widely. "mother, ah- look! big brother fremi drew me an octopus!" she boasted, making freminet look to the side shyly. you couldn't help but feel proud of freminet, whom was usually alone and reserved, was now trying his best to get along and help out with the younger children. "my, what a lovely drawing, hm? mother is very glad that both of you are having fun." you smile, the turning your head to look at lyney as they both walked away. he was currently busy entertaining the audience (who were also kids) with his little magic tricks as they waited for the flag race. little eyes looked at their older brother with admiration, watching him unfold each trick with excitement.
and of course, as all this happened in the background, your wife was currently sitting from where you had currently sat with her on the side. arms crossed as she leaned on her chair, eyes watching over you and the children intently, yet the intimidating look had gone away from her face. instead, a soft look could be seen from her eyes, and she was sitting in a rather relaxed manner as she smiled at the sight of you with the children. her heart swelled joyously, seeing you interact lovingly with them, your laughter along with theirs ringing pleasantly in her ears as she made sure to capture each pretty smile you had on your face.
funny, as her comrades and enemies alike told her that "your wife is your weakness, knave. you've gone soft." if it were the old her, the old her that were full of hatred, of revenge-- devoid of the compassion and acceptance that you've taught her, it would've been an insult but right now? it was a fact, she knows it herself. you were her weakness, but you were not her drawback nor her flaw, but the weakness to the lost, angry soul that she was without you. you were the guiding hand that gave her a reason to continue watching over the house of the hearth, a proper one, unlike a certain motherly figure she came to know.
amidst the festivities, lyney had told everyone to calm down as the flag race was about to start. a big smile on your face as you stood there, instead of going back to sit with arlecchino, as the kids wanted to be with you.
everyone had got into position, the kids were safely mounted on the horses. the audience was cheering, and lyney was holding party popper to use as a signal cue. all of you were filled with thrill and excitement, as lyney counted off to start the race.
"alright, on your marks, hold tight!"
"get ready, set, and-"
before he could even pull on the string and say go, another loud bang was heard- and it was not from the party popper that lyney was holding.
much to everyone's horror, you were clutching your sides. you felt like you were slowly falling the floor, eyesight getting hazy, you were losing your senses quickly- everything was becoming blurry.
the whole event was silent before high pitched, loud screams calling your name could be heard as they ran towards you. the older trained kids, however, were sure to hold them back to give you space.
arlecchino, the moment she saw you get shot, wasted no time in rushing towards you to catch you. ".. d-darling, darling. are you okay? i got you, beloved.. i.." her eyes widened in shock, but her face froze in horror as she held you. warm, thick and sticky liquid pouring onto her and her clothes, but she didn't care.
"d.. darling, you-"
she was blinded with rage. all she saw was red and black, you just got shot, the perpetrator shouldn't have gone far. "children, find who did this. now!"
the older kids had gone and scattered, lyney and freminet leading them as lynette ushered the youngers ones to evacuate. as they dispersed, arlecchino held your body with gentleness and care, you weakly held onto her. ".. b-beloved, don't.. don't get the kids into this.." you pleaded, but arlecchino shook her head. you were in a critical situation, and yet, you still thought of the kids?
"my love, they are trained for this. have faith in our children, now, hold on. i will take you inside."
arlecchino gently lifted you up, holding you closely to her chest as she possibly can without hurting you. "don't pass out on me, beloved." she gently coaxed you as she brought you inside, trying to keep you awake.
as she finally got you in the clinic, the kids whom were trained in medical aid had prepared to take care of you while they waited for a real doctor to come. she gently laid you down on the bed, sitting next to you and she held your hand. every time the children made contact with your wound, you couldn't help but groan and moan- this was all being done with anesthesia after all. the sight of you crying in pain made arlecchino's chest tight with anger and fear. it was the first time the children saw their father become eerily quiet with such an expression on her face.
"father! we've caught the culprit!"
lyney came running in the clinic, panting. arlecchino leaned in to kiss your forehead, you were dangling on the edge of consciousness and it made her feel bad to leave you, but she had to- lest her wrath consume her whole and that would not be good for all of you. "beloved, the children will take care of you while we wait for a doctor. i'll be back soon, i promise." she whispered, before joining with lyney. "lyney, is the man tied?" she asked, and lyney nodded. "yes father, shall we turn him in to the-"
"no, never mind that. i will take care of him on my own."
she dismissed lyney with her hand, making the boy silently nod at her father's command to not hand the criminal over to the authorities. however, he couldn't shrug off the creepy feeling coming from his father. arlecchino had a blank expression on her face, he couldn't decipher her feelings at all. he paid no mind to this, not wanting to be the outlet of whatever his father was feeling.
as soon as they walked into the room where the culprit was held captive, the room was filled with a chilling atmosphere. all of the kids within the room could feel it. the perpetrator however, his face was full with fear as he looked at the harbinger. he started talking, but his words were muffled as his mouth was tied and covered.
"children, i am proud of you all for catching this man. we've given your mother justice, but for now. you are all dismissed. tell lynette to come over."
at your words, the children silently obey and leave the room. now it was just the man and arlecchino. for the whole time, arlecchino had held herself back from showing any kind of murderous intent, as she knew you wouldn't appreciate having it shown to the kids.
but now? the look on her face was indescribable, her hand was trembling in pure wrath. she leaned down, grabbing the man by his collar and throwing him against the wall. "i will ask you questions, and for every wrong answer, i will cut off one finger. think wisely." she threatened the man, grabbing a chair and pulling it in front of him. "however, seeing as you've decided to hurt my wife in the first place, i can see that you lack a brain."
the man was silenced, and she carefully studied his features. he was a fatui, much to her annoyance. "a traitor, i see. now tell me, who was it that ordered you to do this?" he asked, tugging on the cloth on his mouth.
"p-please, my lord- it wasn't my intention to-"
the man was cut off by his own agonizing scream of pain, with arlecchino stepping on his leg, piercing his flesh with the tip of his heels. "let this serve as a warning, you buffoon. if you do not give me an answer, i will cut your finger off next."
"i-it was one of the rich men you offended last time, my lord! s-sir van duyn!"
arlecchino clicked her tongue, tsk, it was one of those greedy capitalists again. how childish they are, just because of a few true but harsh words, and they act pathetically like this? sending in someone to hurt the knave's wife as they spend a fun day for the children?
arlecchino walked out the door and lynette was already there. "clean up the mess, do not let anyone else know of this." she ordered and lynette silently nodded.
oh, now they've done it. with a snap of arlecchino's fingers, the man's curdling screams had echoed within the room, his flesh slowly being consumed with her flames and soon, the one behind all this would suffer a much more painful death.
it was already nightfall when you had woken with you in full grasp of your senses. you looked around you, the children sleeping, and you immediately felt bad. they must've been so tired to fall asleep this early.
"beloved, are you awake?"
you were startled, but you looked towards the door. your wife, she was there. there was blood on her. you immediately sat up, but she immediately brought a finger to her lips, a silent cue to be careful not to wake the kids up. she walked towards you and sat by your side.
"oh celestia, my beloved.."
you gasped, hand touching her cheek. blood was splattered against her pale skin, but you were able to deduce that it wasn't hers, seeing as there were no visible wounds on her body. arlecchino however, had leaned into your palm, her hand on top of yours as she closed her eyes. "careful, my love. i do not wish to dirty your hands.." she reminded you, but the blood was dry. your chest was spilling with worry and fear. "what happened, arlecchino? are you okay? are the kids okay? i-" she took your hand off her cheek, kissing your knuckle.
"i'm glad that you are back to your senses, beloved, but yes i am fine. the kids on the other hand, i told you to have faith in them remember? they are fine and unharmed." she assures you as she crawls into bed with you, gently pushing you down and collapsing onto your chest as she wraps her arms around you. "now please, i wish to hold what i've almost lost in my arms." she wishes with a pleading tone, so you decided not to press on further. knowing that it's been hard for arlecchino to see you like this, you sigh, moving your hand to run through her hair again. she closes her eyes, now was she only truly able to calm down, feeling your warmth invading her senses. "if it means being able to keep holding you like this.. i'll do anything- anything, my love, just to protect the warmth that you give.."
a little bonus hihi ;
you sighed, deciding to let this go for now. however, at bedtime, you refused to let arlecchino sleep next to you (for awhile) as you were upset that she had made the kids do something as dangerous as running after the culprit.. but the next morning, arlecchino smiled, seeing as you were sleeping soundly on her chest.
currently, you were having morning coffee with arlecchino while the kids were still asleep. you were skimming through the newspaper, and you couldn't help but gasp in shocking as you read a certain news. "oh, darling? do you remember sir cecil van duyn?" you asked. arlecchino hummed, placing her cup down. "yes, one of our investors? what is it, dear?" she asked, looking at you curiously. "he was found dead! i may have not seen him often, but what a shame.." you sighed, oblivious to the fact that it was your wife's doing. arlecchino looked away, bringing the cup to her lips again. "yes, indeed darling, what a shame.."
she would not tell you this but for you, if it meant keeping you well and alive-- yes, she'd kill for you any day. she could paint her whole arm with the blood of those that dare to even lay a finger on you and she'd wear it proudly, to instill the image of it in their minds, so that her enemies know that it could be their blood next splattering on her if they decide to do the same dumb mistake the others already have.
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cereovo · 9 months
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A set of very conceptual notes I drafted a while back for someone asking for advice on learning to draw humans. I'm entirely self-taught so this is less of a tutorial and more of a very rambling set of general principles I follow and ideas that helped while I was learning. I figured I'd post it in case anyone else could get use out of it!
I also recommend checking out:
Drawing East Asian Faces by Chuwenjie
How to Think When you Draw (lots of good tutorials in this series)
Pose reference sites such as Adorkastock
Transcript and some elaboration under the cut:
Img 1 - Drawing a face
The two most important elements (at least for me) when drawing a face are the outline of the cheek/jaw and the nose*. I often start with a circle to indicate the round part of the skull, then add a straight like and a 'V' to one side [to create the side of the face and the jaw]. The nose creates an easy template for the rest of the face's features to follow (eyebrows at the top of the nose bridge, eyes towards the center of the bridge, ear lines up to eye) and the placement/direction and overlap with other features is a very simple way to indicate dimension. [A sketch of a face that has been adjusted by moving its parts to create 3 different angles. The following text is underneath:] -Different 3/4th views can be created just by adjusting the position of and amount of overlap between the facial features. - The top of the ear usually lines up with the corner of the eye. Think of how glasses are designed [specifically, how the arms run from the eyeline to the ear] [I go on a tangent in these next few paragraphs] *One thing I see many artists do - not just beginners - is learn how to draw A Person. As in, one singular person with one set of bodily proportions and one set of facial features. It's an issue that runs a bit deeper than 'same face syndrome' because sometimes these artists can draw more than one face, they're just not very representative of [the diversity present across] real people. Part of the reason I'm talking more about how to think about approaches to drawing - rather than showing specific how-to's - is because there is no one correct or right way to draw a person. The sooner you allow yourself to explore variety - fat people, old people, people of color, people with [conventionally] 'unattractive' features - the easier it'll be! Artists often draw their own features honestly and without [harmful] caricature, so it's always a good idea to look at art made by the kinds of people you're trying to draw if you're ever unsure about how to handle something. In general, it's far more important to learn how to interpret a variety of forms than to learn how to replicate the Platonic Ideal of the Human Body.
Img 2 - Stuff that helped me
Jumping into drawing humans (faces or otherwise) straight from photo reference can be overwhelming. The trick is to simplify forms into shapes - but even this concept is sort of abstract and it may be hard to know where to begin. Good news - Thousands of other artists have already figured it out. [When starting out] I needed to learn from photo reference AND artists I admired in order to improve. [When looking at stylization you are inspired by] ask yourself: WHY does this simplification work? How can I translate it into a different pose? Instead of copying what you see in a photo reference exactly, try to focus on the general forms first. My two biggest style inspirations for humans while learning to draw them were Steven Universe and Sabrina Cotugno's art. SU gets a lot of hate [in this instance I was specifically referring to a time on tumblr when the art was knocked for 'losing quality'] but its style does a great job of simplifying anatomy in a way that still portrays a diversity of bodies + features. [Extremely simplified drawings of Lapis, Steven, and Amethyst] SU characters are still identifiable- and still read as 'human' - even when reduced to just a few lines!
Img 3 - Things I keep in mind while drawing side profiles
- Eyebrows + eyes close to the 'edge' of the face - Forehead needs enough room for a brain - Eye is > shaped from the sides - Mouth kinda halfway [between the nose and the chin] but closer to the nose - Skin/fat exists under the jaw [and connects to the neck] - neck is about one half the width of the whole head - the back of the skull always sticks out a bit further than you might expect - Sometimes less is more - contours exist on every face, but drawing them in may make your character seem much older than they're supposed to be. However, it's a good idea to use them when you *want* your character to look old! These are very general notes- every face is different and has different proportions [and playing around with them creates unique and interesting character designs]
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zoeykallus · 2 months
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Hello there!
Would you mind giving us something angsty? Like, Reader confesses her love to the batchers (and maybe Rex and Mayday?). They do feel the same, but they react in the wrong way somehow, so that reader gets hurt, but in the end there is something like a happy end? Like separate little short fics or one-shots.
I know that's probably a lot of work, so please don't feel pressured to do this.
Aloha! Yeah, I think I can do that 😊
The Bad Batch/ Mayday/Rex x Reader Prompts – Confessions
Part 1/7 - Tech
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Warnnings: Love Confessions/Angst/Hurt/Comfort/Fluff
Masterlist Ko-Fi (If you feel like giving me some coffee)
AC: I tried to tackle this one with the thought in mind that Tech is/might be in some autistic spectrum. Now please don't throw any stones at me, I have no real life experience on that subject, so I kinda wrote this one the way I feel Tech after almost three season.
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You've had feelings for him for a while now. Your heart beats faster, you feel warm when he approaches you and your eyes meet. You could listen to him day and night, no matter what he talks about. You think a part of him knows this, must know it, because when he discovers something new and wants to tell someone about it, he usually comes to you automatically. Because you listen to him attentively, every time. Your feelings go beyond friendship, you long to be close to him, you miss him every second he's not around. But you know Tech is somehow different. Sometimes he's very forthcoming, seems to enjoy being around you, but other times, he's more distant, almost as if he's trying to keep you at arm's length, as if he can't handle your presence right now. You have no idea how exactly to assess this behavior, it often feels like a roller coaster ride. It's not always easy to deal with and adjust to. But you want to do the right thing, so you don't push him when you realize he's pulling away, even if it hurts.
But one day, you summon up all your courage. Tech and you are working on damage to the outer hull of the Marauder. Until just now, he was telling you about his idea to improve the alloy for the metal of the outer hull and how he plans to make certain modifications to the ship in the future. Now, however, there is a brief pause, and you continue to work in silence. Your gaze wanders thoughtfully from his helmet, which is resting on a toolbox behind him, back to him Your heart is pounding in your throat, your hands are even shaking a little as you decide to finally tell him, to tell him how you feel about him. "Tech?" His name comes over your lips, almost like a whisper. He heard you, though. Normally he would answer you and listen without looking up from his work, but something about the way you say his name catches his attention this time. He pauses, turns his head in your direction and looks at you, his eyes widening a little. "What's wrong?"
His gaze, those beautiful eyes, like dark brown amber. Your knees go weak. You try to hold his gaze, but every now and then, you blink and look to the side before looking at him again as you speak. "There's something I need to tell you" His brows move up questioningly. "Is it something important?" You hesitate for a second before saying, "I guess it's a matter of opinion. It's very important to me" Surprised, you watch as Tech puts down his tools and turns to you. "Then let me hear it," he says promptly. Now you have his undivided attention. Your stomach is tingling, your heart is doing wild tricks in your chest. Your mouth goes dry, and you hastily reach for the water bottle to take a few sips. As you put the bottle down, your hand trembles so much that you can barely put the bottle down properly. Tech doesn't miss this, of course, his brows draw together in concern, but he waits silently for you to tell him. "I have feelings for you," you suddenly say so quickly, with a look on your face as if you were ripping off a band-aid. Then you smile nervously, inwardly cursing at yourself.
He stands there, motionless, and looks at you. Occasionally he blinks. You don't know what you were expecting, but some kind of reaction would have been nice. You nervously hold your breath.
"Romantic?" he finally asks after what feels like an eternity.
You finally dare to breathe again. He sounds thoughtful, confused, maybe even overwhelmed, but you can't quite put your finger on it right now, your own thoughts and your heartbeat are so incredibly loud.
"Yes, Tech. You know, accelerated pulse when you're near me, tingly feeling in my stomach, the need to be close to you, to want to please you. Bittersweet nervousness..."
For a moment, he looks at you as if you have a rare disease that might be contagious, and your stomach tightens at the sight. You regret saying a single word. "I'm not sure how to deal with this," he says thoughtfully, averting his eyes, "I can't... process" You can't help but stare at him helplessly. You feel the blood drain from your face, and your whole body suddenly seems to become much heavier. You swallow and say in a helpless attempt to pretend everything is okay, "It's okay, Tech, we don't have to talk about it" You turn back to your work, avert your gaze, and you miss Tech's confused, questioning look as he asks, "Don't we have to? You said it's important to you" "No," you say and put the tool to work, "We don't have to, everything can just stay the way it was before" He looks at you silently for a while longer, lost in his thoughts, before resuming his work. _______ Over the next few days, you hardly speak a word, in fact you avoid him. You feel like an idiot, hurt and exposed. The thought that Tech knows about your feelings makes you feel like you're walking around naked and every one of his questioning, scrutinizing glances weighs heavily on you.
One evening, as you sit alone in the cockpit, you hear someone walk toward you, and by now you can already tell that Tech is approaching by the sound of his footsteps. You shrink into the co-pilot's seat and focus obsessively on the datapad in your hands. As he says your name, your shoulders shrink down, you try to make yourself even smaller, you don't look up as you answer, "Yes?" His voice sounds soft, but still in his very own matter-of-fact way, as he says, "A few days ago, when you told me about your feelings, you said we didn't have to talk about it and everything could be the same. But it's not. You're avoiding me, avoiding eye contact. I realized that my first reaction made you feel insecure, probably even gave you the wrong impression. I've come to the conclusion that nothing is the same as before and that there is a real need to talk about it" You sigh softly and ask, "Is there something on your mind?" Instead of answering, Tech leans down towards you. Surprised and a little startled, your eyes do wander in his direction. He kisses your cheek gently and chastely, then sits down in the pilot's seat.
Your fingers automatically move to the spot where his lips touched your cheek, leaving a soft, tingling sensation. You feel warm, but at the same time you are confused and can't help but stare at him questioningly. "After some time to process what I've heard, said and felt, I've realized that these feelings are apparently mutual. I hope that's not a problem" You blink several times and straighten up a little in your seat. A soft smile at the corners of your mouth. "That's not a problem, Tech, not at all" He nods, smiling. "Good, so we can explore this new territory together, right?" You resist the urge to fall around his neck, you know that Tech processes things differently, especially in the interpersonal sphere, that he takes longer and values physical contact very differently. You nod, your smile a little wider. "I'd love to, Tech," you say softly. Your heart almost leaps out of your chest with joy as he reaches for your hand, tentatively at first, but eventually with gentle determination. With a cautious smile, he says, "I hope you'll be patient with me" You laugh softly, gently, and beam at him as you reply, "I have all the time in the world for you, Tech"
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blossomthepinkbunny · 2 months
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Vivzepop will always be the biggest issue with her own show if she doesn't change. And i'm not saying that because I desperately want to shit on her but rather because it's so clear that her attitude is what made Hazbin Hotel be so dissapointing after the long wait. The pilot released four years ago and Viv had these characters for much longer than that. One could assume that with this much time on her hands she would have a concise plan for how a series of her story would play out (I can imagine that having an own show is a dream for lots of creative people out there). And I get that that plan might get screwed up by a shorter episode count then expected, but she should be the one who knows her story best and who should know what stuff could also be cut out. The first season of Hazbin Hotel is so incredibly overstuffed with characters and plot that it completely looses the main premise the show was originally pitched with (the idea of a hotel were sinners are redeemed. As it is now the hotel is really not important at all). People have talked endlessly about how Viv can't handle criticism and it really sucks because criticism is one of the best ways to improve your writing, drawings, music etc. Without criticism you won't refine the thing you're working on in a meaningful way. Of course it feels bad when you put something out there you wanted to share and then people critique it, but that's part of pretty much every creative journey, or atleast it should be and Vivzepop shouldn't get a pass from this just because she doesn't like it. And there are great shows, movies or books that are rarely or almost never criticised. But the artists behind these works probably went trough years of honing what they do by being criticised for the stuff they put out. And I don't want to say that Vivzepop didn't work hard to make Hazbin Hotel, but it is hard to claim that she improves in her craft, when everytime someone says they don't like her show she throws a hissy fit. She wants the same reactions that these other amazing pieces of media get without ever listening to criticism. Which she sees as a personal attack rather than a tool that could help her to achieve the same level of writing prowess the creators behind media like that have. She believes she is already on the same level as them, just because she basically shuts anyone out who disagrees with her. There's this clip at the end of a Drew Gooden Video which I think sums up the situation with Viv pretty good (the Video is called "Leaving the YouTube Bubble"). He is talking about Lily Singh and her talk show but I feel like a lot of the stuff he says about handling criticism applies to Vivzepop as well.
(you might have to turn up the audio).
Unprofessional behaviour like that might be excusable when the creator is pretty young or they are interacting with publicity for the first time really. But neither of that applies to Viv. And Hazbin Hotel isn't just an indie animation pilot on youtube anymore. It's now a fully realized show created with a pretty prominent studio on a major streaming network and it should be held to the same standards as other shows or movies alike (not saying indie animation or animation on youtube doesn't have a standard but with more budget and support, there's obviously going to be different expectations for the show now). There have been issues in Helluva Boss and the Hazbin Hotel pilot ever since their release which could've been handled with more time and the new show. But Vivzepop shows time and time again that she isn't willing to listen to people who criticise her, which could actually lead to her show getting better. I don't like Viv or her work a lot. I think she is incredibly unprofessional and she has done her fair share of questionable or problematic stuff, which often leads to issues in her shows. There have been some characters I like, some songs or scenes that were pretty well done, very cool animation and an actually interesting premise on paper in HH and HB. There are things that make me come back to these shows to watch the next episode. And i'm obviously passionate enough about these shows to make whole posts about what I think was done badly and what could be changed. But for the aspects of HH or HB I enjoy, there are soo many more problems I have with it. Problems that won't go away unless Viv stops seeing every criticism as a personal attack. Because if Vivzepop doesn't stop acting like her writing is some unreachable stuff that needs no changes I don't really see a point in assuming that these shows will ever get better.
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tocomplainfriend · 5 months
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VIV is constantly criticized by her own fault.
TW: Mention of: SA, Rape, Transphobia, fat phobia, Antiblackness.
(Hey, i'mma probably do a post eventually about episode 4. Btw, awfully shit, worse than I thought it could be... BIG TW OF R-PE AND SA IF YOU'RE GOING TO SEE IT. AND TW of the minimization of those topics too.)
(SORRY FOR BAD ENGLISH IN THIS POST TOO)
BUT I NEED TO CALL ATTENTION TO THIS! One of the reasons I criticize a lot of Viv specifically is because of how much she puts herself out there. She sees something she posts on Twitter about it a shit ton (even on "threads" lol). AND because of how lacking of improvement she has being. (I personally know people I have considered terrible when we were teens, but I have seen legit improvement from them in recent years. They seem like people who struggle, but got to grow up and made up for any problems (or pain caused to me or others). People have the ability to change and become better. Something that matters at pointing out issues or discussing-is the idea of creating change on others. It is better to get someone to change for the better than to cast them into the forever jail of nothingness (unless, IDK, they Sexually Assaulted someone, for example). Specially when they are young people. Doesn't mean YOU have to stick with other people that hurt you, no. Doesn't mean people get to do what ever and get away with it.
BUT All of this problem I have seen from Viv are from age 19-30. (you can change at anytime btw) And see constantly repeats herself and her actions. Seems to have never accepted criticism (said by herself too), and never able to see her own faults. The fact that is a continuous behavior is a problem, how she always responds is awful. My post of "Viv has being transphobic for 10 years", was to signal that. If she really had changed over those 10 years to a genuine thing- I could've taken that! But no, the shitty double standard against trans men... the weird treatment. THE MANY STORIES OF EMPLOYEES GETTING MISGENDERED HEAVILY, TOO.
(I know people who were transphobic [When they were teens mainly], that Genuinely improved and changed their beliefs. Now they treat trans people with respect and care! And still learning about gender-fluid people, too!)
It just seems to be further and further away from getting better! The fact that she only decides to take in account voices from SA victims that agree with her- it's painful as a victim, my self!
And yes, people who sent gore or dumbass shit to Viv (or the team) don't help. And go get help why you're looking and sending Gore to anyone. (Also, stuff like this does lead to people not listening to others people genuine callouts). The fact that I criticize something doesn't mean I agree with the people that go and do shit like the thing I just mention above.
AND ALSO A IMPORTANT THING HERE!
This drawing was created by DollCreep. BUT ALSO FUCKING REMEMBER this was done in response to the shit that Viv drew of him.
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If you didn't know Viv drew a transphobic caricature of DollCreep using the name Jojo (his old nickname). This put together with a shitty anti-sjw meme video. DollCreep is a transman, Viv drew a character based on him. A furry wolf girl, If you can see in the image the main thing listed below the character name is the fucking "Sex=♀️". SO ON PURPOSE, CHRIST. Like... AND YES-is shitty from both to have drawn this (even if it was in respond) mainly immature in DC part. But that, or any toxicity coming from DC, doesn't delete the transphobia here. (imagine drawing a racist caricature of a poc person, because they are shitty to you). THE POST LINKED ABOVE SHOWS THE SITUATION, and in the end of the day. Viv says that DC is an abusive shitty person to her, but never realizing her own faults or anything she could'be possibly done wrong! (and again, any wrong done by DC in general can not be deleted by the fact of having being treated badly. If he did shitty stuff himself, that doesn't delete the wrong done in general to him or to others by viv)
Here about transphobia:
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(this is like 8yrs old too)
Again, she never acknowledges anything that she might have done wrong. "She is a thoughtful person, that wants tor write queer and disabled characters! She wants to tell empowering stories of..." It doesn't even feel close to that when people bring up actual problems in her writing that are stereotyping or bad, and she just yells and cries. It all feels like empty sticks she is only interested in in the surface level, she doesn't want to actually deal with.
When she says "This characters is black guys ♡♡♡" and then the fucking 7th, a grayish character with zero black features. She can not actually try and draw a black person with a different hair texture, she'll faith is hair isn't straight and spiky (has done this so much too). She is all for positivity and diversity (can not draw more than 1 character that isn't a fucking stick with the same stupid face).
She can not write relationships in general. She cannot do gay couples, then don't lean on the stupid old uke uwu defenceless x big rough seme protector stuff. Again, all the interactions with Husk and Angel are sexual harassment. They are already a revealed future couple (and episode 4 is terrible for them, specially with that song). Stolitz is toxic, and predatory. That is not acknowledged, and all Stolas's predatory behavior and power dynamics are put in the background, cause- "look how sad Stolas is :(! HIS DAD IS SOOO MEAN, HIS WIFE IS A BITCH". All her gay characters are in pure surface: over-sexual twinks that are assholes, which also fit into the top/bottom as personality boxes.
Any other point includes sexual harassment as a joke. BUT KNOW SHE WANTS TO BE LIKE "GUYS SA STORIES MATTER, LOOK AT WHAT I WROTE" as if she didn't lean back into the problem of the diminishing of SA and r- (in general and done to men) with her jokes in HB. With all the sexual harassment that Angel Dust puts on Husk and others. (AND YES THERE IS NO WARNING IN EPISODE 4, FOR ITS HEAVY TOPICS! I do believe all series/movies with this need it. SPECIALLY IF IT'S SO GRAPHIC! "Sexual content" is not the same as a warning for SA or R-pe. An adult can see a movie with sex or sexual nutidy- when they see that- but it's different to get straight assault on screen. Victims can watch movies/series with sex in them all good, you cannot just group consensual sex in the same assault or R-pe...)
The thing where Mammon (the only fat character that isn’t from the fucking background.) is like FIZZ YOU NEED TO LOSE WEIGHT. AS IF SHE COULD EVEN DRAW ANY DIFFERENT BODY SHAPE WITHOUT DYING. Like there is only Mimzy (hasn't appeared yet, not given any importance. In the female lead show). Mammon the piece of shit (does the same as Blitz, but he is actually fully bad.) His design is done with 80 fucking layers on top. Like all the test of the skinny character's clothes suck up to their body except for Mammon. His body is hidden in layers upon layers of clothing (that's all you got?). All you main guys need to fill "the skinny have nothing men" and "skinny woman with big hips and legs, but no fucking stomach"?
AND YES! VIV DOES DO THE FUCKING, "FAT = FOOD LMAOOO". You know the thing HH fans and hater where like the "Bee needs to fat thing is bad, cause of fat = food (only food) is reductive and shitty"
(Can I refer to how the show Bojack H, make Diane gain weight cause of anti depressants- and it wasn't a joke! And she was happier too?)
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(mine, from post right below)
... like is a bundle of issues. And Viv will never accept that she might be /or is wrong. That's why it hits the fan with stuff. -And again I liked many of the little concepts and stuff in HB and the original pilot of Hazbin. Shit- I still like Sir Pentious and Nifty. I do like Mammon as much as he is a pack of problems to call out, I fucking love the piece of shit Australian jester- The artist work hard on it, and I'm happy it's an openly queer! (as limited as it gets, too....). I liked Huni-cast, I loved the original voice cast! -and that happens! I could be writing this about other stuff too, not only Hazbin... if I created this blog earlier- IT WOULD ALL BE ABOUT RWBY, DANGANRONPA, even svtfoe...Ladybug... or Agretsuko's ending too. So yeah, sorry for the long post (as if all my post weren't)
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mysterioushistorian · 8 months
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The Beforus Ancestors
honestly, i didnt like how the drawings turned out. i searched for references for the ancestors but i didnt manage to draw them the way i wanted to. most of the designs are okay, though i still feel like some of them are missing something, like colors.
more info abt them ↓
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The Treasure Huntress (aka. Beforan Aradia) She was a very skilled adventurer and loved finding historic artifacts. She had a special taste for East Beforan art and culture. During her adventures, she met a violetblooded sea dweller who also had a fascination for history and dedicated his life to study and learn more about it. Together, they traveled along each other with the goal of learning more about the history of their planet, and eventually, they developed feelings for each other. However, the warmblooded girl was pale, while the coolblooded boy was red. The unspoken tension between each other lead to a fight, which ended in surprise on both sides over the admittance of feelings. Not wanting to disappoint each other, they agreed to just stay friends.
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The Guardian (Beforan Tavros) He he stood up for the rights of trolls in special needs, and by that, he was also heavily against culling (as in the Beforan meaning of culling), saying that nobody should be treated that way (as helpless and fragile, making them too dependant) and by doing that, they would be "hiding the truth of the world from the children" by basically being way too overprotective. He was a farm boy, living in the country sides with his moirail, who mainly took care of the stables. Their farm was open to public visits, and one day, a certain coolblooded visitor has caught his attention. He wished to re-encounter with the man someday. One day, he has suffered a very sudden mutation that made him sprout wings, with him finally being able to realize his dream of traveling the world to spread the word about the dangers of culling and the rights of trolls in special needs.
(please correct me if I got the wrong meaning of Beforan culling, as I will talk about it again)
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Radiical Psygamer (Beforan Sollux) He was, perhaps, the greatest programmer that Beforus has ever seen. With his magnificent skills, he was responsible for massively improving trolls’ technology and has contributed to the creation of a few robots and helped with the coding of various popular games. He was, however, a terrible teacher, given his introversion and general social awkwardness. He was a big figure in the world of console games and was the first to actively encourage girls to play games too.
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The Unculled (Beforan Karkat) Because of his rare candy red blood, no lusus wanted to raise him, leaving him there all alone. One day, he was found by a purpleblooded man who took him to his hive in hopes that someone would pick him. They waited, and waited, and waited… but no lusus came. Tired of waiting, the big troll decided to raise the grub himself. Because of his caretaker, the mutantblooded grew up to be loud, tough and intimidating, but had a big, friendly heart and cared for his loved ones a lot.
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Sharpeye Furrline (Beforan Nepeta) She was a very skilled huntress. According to herself, she only killed what she ate, and if she didn’t eat, killing them would be mean. She could hunt creatures from a very small size to ones that were the double of her own. One day, while hunting for her dinner, she has killed a creature that was going to become a Lusus of a small wriggler. Therefore, she has accidentally unlocked the rage of a coolblooded troll. Terrified, she knew she couldn’t fight back, so she ran as fast as she could, far away from that beach. No one knows what happened to her.
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The Seamstress (Beforan Kanaya) A rare jadeblood with a rare taste for fashion. She became known for her dresses with odd patterns, inspired by the landscapes around her. She also traveled in search of different sights and, consequently, more ideas for dresses. Her works have eventually caught the attention of the Empress, who offered her a job as her official seamstress.
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The Attorney (Beforan Terezi) She was a blind woman who did not allow her disability to hold her back. She fought back against Beforus’ culling policy and became a excellent lawyer. Dedicating herself to fight against crime and bring justice to maintain the order and peacefulness of her planet, she chased a mischievous pirate lady who seemed to cause trouble everywhere she passed. She was The Unculled’s matesprit.
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Arachnid Cap8tain (Beforan Vriska) A troublemaker who caused mischief together with her pirate crew. She considered The Attorney her rival, as she was the only one who insisted in chasing her and never gave up on her quest to capture the spider pirate. A completely platonic rivalry. She held a special interest for snooker and said that the Ball 8 was actually “her lucky ball”.
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The Horseman (Beforan Equius) A STRONG man who really liked horses. He lived in a farm with his moirail and was responsible for taking care of the stables. Because of his interest, they ended up having way too many horses, which resulted in them having to build a larger stable for all of them. He loved every single one of them and took great care of each one. He said he occasionally had dreams where he was half a man and half a horse (basically a centaur), which is the origin of his title.
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The Clownish Caretaker (Beforan Gamzee) He rescued lususless grubs and wrigglers with an absent lusus and took care of them temporarily, until a new lusus came to become their official guardian. Despite being tall, lanky and overall intimidating, he was a very sweet and cheerful man, and loved entertaining others. Just like others, he was also heavily against culling and said that “every motherfucker should know and be able to defend themselves.” One day, a lusus was coming to his hive to pick up a grub, but it was killed by Shapeye Furrline. The man never felt so much rage before. The pure platonic hate he held towards the woman was bigger than the amount of hate he thought he could feel. Despite that, and contrary to popular belief, he did not chase the lady and took him quite some time to calm down. He was responsible for raising The Unculled and made sure to treat him properly.
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The Historian (Beforan Eridan) A seadweller with a huge fascination for history, he dedicated his life to learn more about the mysteries of his world. He read diares and looked for accurate informations, instead of believing in telltale stories. He studied ancient walls and occasionally collected some artifacts, purely for research reasons, and that’s when he met The Treasure Huntress. They decided to travel together, and it did not take long for him to become flushed for her. Unfortunately, she did not return the feelings, instead being pale for him. They agreed to stay friends, but very deep inside, he was still a bit disappointed.
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Her Glorious Imperialist (Beforan Feferi) The ruler of Beforus. She was a very kind and sweet woman, undoubtedly one of the best rules Beforus has ever seen. She treated her people with fairness, yet despise that, she was pro-culling, saying that some should not face the dangers of the world. After offering a job for The Seamstress, she and the jadeblood grew close. Despite being the one in charge of the planet, she decided to take care of Arachnid Cap8tain herself, and being a seadweller, it wasn’t hard to find her. She still congratulated The Attorney for her efforts in chasing the troublemaker pirate.
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writerslittlelibrary · 8 months
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Thank you so much for writing my request. Omg that was amazing if you could do a part two pretty please (also like reader scared of Maria but I didn’t think of what to call her apart from agent/director hill)
I hope it wasn’t much problem writing it
Sending you this love💛💛💛
-🦈
We are your mothers 2
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masterlist requests masterlist
part 1
summary: when you get kidnapped, your moms do everything in their power to get you back, only to find out that now you'll never call them mom again...
pairing: Blackhill x daughter reader
warnings: yelling, nightmares
genre: angst
words: 1169
a/n: part 2 is finally here! also, covid's been kicking my ass and I can't really breath or see (due to teary eyes) so sorry if this isn't great. I really wanted to write the part 2, and I might improve it or make it longer when I feel better :)
(also who has covid three times? why is that a thing🤨)
You do not have my permission to repost, copy or translate my work 
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It had been over a week, and you were yet to interact with your mothers. Yelena was the only one you let close to you, but even she had no idea what you had endured. You didn't sleep a lot, nightmares haunting you, seemingly even when you were awake.
It broke your mothers hearts, to hear you scream and cry every night and not be able to comfort you. They made that mistake the first night, and the moment they walked in, you tried to crawl away from them, falling off the bed in the process. They tried helping you, but when they got close, you shielded your head and face with your arms, shaking in fear with the thought they might hit you. Natasha had spent that night crying in Maria's arms, hearing how Yelena shushed your cries and cuddled you back to sleep.
When the mornings came, you wouldn't come out of your room, afraid your moms might be in the kitchen. Natasha picked up on that quickly, and her and Maria started having breakfast at least an hour before you'd wake up.
Most nights they spend crying. Maria tried to be the strong one, comforting Natasha to the best of her abilities but she failed, and soon broke down beside her with the fear they might never get to hold their little girl ever again. 
It was a frightening thought to the both of them.
“How you doing, baby spider?” Yelena asked as she walked into your room, seeing you drawing at your desk. You shrugged. Yelena sighed softly in disappointment, but made sure not to let you hear her. You hadn't spoken a lot, and despite Yelena's many efforts, you wouldn't speak to her either. 
Yelena sat down on your bed, leaning back and facing you.
“I was thinking we could go to the mall today. Maybe visit that bookstore you like so much?” Yelena tried, but you didn't even acknowledge her sentence. 
Yelena sighed to herself again, getting up and walking towards you. You quickly closed your sketchbook when you felt her coming close, turning around with your chair to face her.  
“Will Miss Romanoff and Miss Hill come too?” you asked Yelena softly, and she smiled hesitantly at you. “You know they are still your mothers, right? They'd love for you to call them mom and mama again…” Yelena tried carefully, but you flinched from even hearing those names.
You shook your head and turned back around to your desk, tears stinging in your eyes. 
Yelena wasn't sure on what to do, but she decided that after a week, it was finally time to push. “Why wouldn't you want to call them that again? They've missed you so much.”
Tears streamed down your face, but Yelena just couldn't drop it. “They love you.” That was when you let out your first sob, crying as quietly as possible. Yelena didn't hesitate to lean forward, capturing you in a hug and letting you cry on her shoulder.
“What happened to you? What did they do to you?” Yelena asked softly, rubbing your back with one hand while the other cradled your head against her. 
You sobbed and shook your head, trying to tell her, but your sentences came out muffled and in broken sobs. Yelena continued to comfort you, softly sushing you and continuing to rub your back. “We all love you, y/n,” Yelena said softly. “Just know that.”
After your sobs reduced to sniffles, Yelena tried to pull back to look at you, but you just pulled her closer.
Quietly you explained what happened. You left out most details, but covered the most important parts: they hurt when you didn't listen, and all you could see were your mothers.
Yelena had tears stinging her eyes as she heard you explain, holding you closely as she tried to keep in her own sobs. Hearing you talk about Natasha and Maria like that, hearing what you thought they did to you, broke her heart into a million pieces. She kept rubbing your back when your sobs started up again, whispering comforting things into your ear as you explained. 
After a few minutes, when you both calmed down, Yelena finally pulled back, pulling you to face her. “We all love you. Natasha and Maria love you more than anything in this world. They would do anything to hear you call them mom and mama again,” Yelena explained, wiping some hair from your face.
You nodded softly, your tears finally reducing. 
“I'll try,” you said, hugging Yelena one more time before standing up.
Yelena held your hand as you walked to the common area, your moms found sitting on the couch, watching a movie together to try and distract themselves. 
“Natasha…” you softly called, her head whipping around to see you standing there, squeezing Yelena's hand out of fright. “Hi baby,” she said softly, slowly getting up to walk towards you. You tensed up slightly when she came closer, but Yelena squeezed your hand reassuringly.
Natasha came closer carefully, reaching her hands up to try and touch you. When she saw you didn't try to move away from her, she softly put her hands around you, pulling you into a hug.
Maria soon joined, putting her arms around you both as you quietly embraced each other.
When Natasha pulled back, she carefully reached her hands to your face, wiping some hairs that had fallen in front of it away. “I love you so much,” she spoke, tears stinging in her eyes. You kept quiet, tears stinging in your own eyes as well.
“We both do,” Maria spoke, putting her hand on the other side of your face carefully.
They were so afraid to hurt or scare you away. You nodded softly, your tears now streaming down your face. When you fell asleep that night, it was on the couch, your head on Yelena's lap and your legs on Natasha's.
You still hadn't spoken to them, but it was progress. You fell asleep in the same room as them, even going so far as letting Natasha touch you. 
Natasha smiled to herself as she saw your sleeping form, softly stroking your legs as you slept. Yelena had told them everything that night, and both Natasha and Maria had broken down after hearing what you'd been put through. 
You hadn't really said anything to them, and it would for sure take a long time before you'd call them mom and mama again, if you'd ever even call them that again, but Maria and Natasha were willing to wait, helping you wherever they could. 
They love you, and they always will.
(Tags : @marvelogic @marvelav @lgas202-blog @jusnough @carol-romanoff @natsbraids)
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justmanu · 9 months
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Purple Hearts | Monkey D. Luffy
Summary: Since you've joined the Strawhats crew, you've had a lot of fun and good time. But your capitain is someone who is a little clumsy. And, sometimes, that clumisiness affects you in ways he can't even imagine.
Pairing: Monkey D. Luffy x Reader.
Warnings: It's a little angst to fluff, but mostly angst. But with fluff. And cursing, ig.
A/n: OMG. I had this idea when I was remembering the funny moments between Luffy and Zoro, and I imagined it. It was one of the best scenarios I've ever imagined. Really loved this one. I'm thinking about doing hcs for the Vinsmoke brothers, would you guys want that? They've rented a triplex on my head and I can't stand it.
Words: 1,540 words.
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It was another normal day on the Sunny. Sanji was in the kitchen, preparing drinks and snacks for you, Nami and Robin; Usopp and Franky were drawing new machines and inventions to improve things on the ship; Brook and Chopper were playing cards; Zoro was in the crow's nest doing his daily strength training and Luffy was fishing. All seemed to be going normal, but, of course, things on this ship never stay peaceful for too long.
"I got a big one! Usopp! Chopper! Help me out here!", your captain yells and starts pulling his rod at full force. Usopp and Chopper go and start helping him pull it, and then the fish is out of the water. To help him, Luffy used his devil fruit abilities. You were just walking to the kitchen to ask Sanji about your drink when you felt it. The arm Luffy had stretched came at full speed at your back, throwing you against the wooden ship wall.
The wall you hit on was part of the kitchen, so Sanji had a good fright when he heard the really loud thump on the wall. Everyone outside stopped gasped and stopped everything they were doing. This time, there was no way you didn't get hurt. You've been the main target of Luffy's "stretch back on's" for quite some time now. You've only shown how they affected you to Chopper because he was the doctor and insisted on looking at your wounds. You were always covered in deep purple bruises all over your body.
You begged Chopper not to tell anyone, especially your captain, about them. You didn't want the rest of the crew to be worried about your every step because Luffy might hit you. But this time, there was no way to hide it. You hit face-first. You were going to have a huge black eye for a long time. And, come on! That hurt like a bitch! Time seemed to stop for the Strawhats, all of them worried about the hit you just got. But Luffy couldn't have been more oblivious to the harm he's just caused.
When Sanji came out of the kitchen to see what was happening, his eyes widened at you; sprawled out on the floor. Even Zoro got out of the crow's nest to see what was happening. He heard the bang from up there. "Y/n-swan! What happened?!", Sanji asked, running to help you up. Zoro came running as well, worried and curious as to why you were on the floor. You couldn't stand it anymore. You hadn't said a word, trying your best not to cry in front of the whole crew. "I'm okay.", you said, voice a little high pitched. Was all you could manage to say before running to your room, tears already running down your face.
"Hey! Usopp! Chopper! I asked you guys for help, not to stay there looking at the wind!", Luffy said, a little bit annoyed that his friends were not helping him. That's when Nami lost it. "Luffy, are you fucking serious right now? You didn't see what you just did to Y/n?", she screamed at the boy. Luffy was a little taken aback by the shouting. "What do you mean? Y/n is perfectly fine! She's right the-", he pointed to where you were a few minutes ago, resting. He was confused. Where were you? "Luffy, when you stretched your arm to get that fish, while it was stratching back, it hit Y/n with full force and she hit the ship wall at full, too. You hurt her really bad this time.", Robin explained to him the situation.
"Hold the horses, I hurt her?", Luffy asked, not believing what his ears. "Yes, Luffy. You've been hurting her for quite some time now, actually. She asked me to keep this a secret from you all, but I see no point in hiding it now. She is covered in black bruises all over her body.", Chopper said, hoping it would make things a little clearer. "That's why she's been wearing long sleeves and pants? I thought she was sick because there was no way she was feeling cold in these hot days we're going through.", Usopp said.
Luffy hasn't said anything. He was feeling the worst person on the planet. He's been hurting you over and over and didn't even notice! How could he? He was supposed to protect you. Not harm you. He started walking towards his cabin, head low and totally silent. "Are you alright, captain?", Zoro asked. "Yeah, just need to think about the things I've done. I need to think of a way to redeem myself.", Luffy said and walked away. Nami started walking to your room. She needed to make sure you were okay.
When she arrived, she heard you crying from outside the door. She opened and couldn't believe her eyes. She heard Chopper say you were covered in black bruises, but she didn't think it was like this. How were you even standing? "N-Nami! What are you doing here?", you asked, trying to cover your body. "Don't need to hide it anymore. Chopper told us everything, but I didn't know they were this bad!", she said, worried. You couldn't believe it. Chopper told them?! That little reindeer was gonna pay you back.
You and Nami talked the whole afternoon, and you decided you shouldn't be ashamed of the bruises. So, instead of going to dinner in the long sleeves and pants you were used to, you went with a tank top and shorts. When you arrived at dinner, all the Strawhats were shocked at the amount of bruises you had, but didn't dare say a word, and you were thankful for it. You were feeling better not having to hide them anymore. Dinner rolled around pretty light, everyone laughing and having a good time. But something was missing. Where was your captain?
"Hey, guys. Where's Luffy?", you asked, really worried. He never skipped any meal. But as soon as the words left your mouth, the kitchen door swung open to reveal a blood and bruise covered Luffy. "I'm right here." he said, entering the kitchen in most calm of ways. "What happened to you?!", you yelled, worried. That's when he turned to you and saw your bruises. The guilt was eating him alive. He's done all those bruises on you. How dare he? How dare he be so stupid? So distractive. He dropped to his knees in front of you. Turning to look at you, tears in his black eyes. "Please, forgive me. I never, ever intended to hurt you. You are one of the few people I care about most in the world. I can't believe I've done this to you and not noticed! God, I feel so stupid!", he said, gripping his hair as if trying to rip it off.
You couldn't believe your eyes. How did he get this beaten up? "Me and the stupid marimo did it. He asked us to go at him with everything we got, and he didn't dodge one hit.", Sanji said, you didn't realise you said your thoughts outloud. "He said the only way he could redeem himself for what he did to you. If he suffered all the pain he made you feel.", Zoro said, completing Sanji's speech. You were feeling your eyes get filled with tears and a chuckle scaped you. "Stupid, wreckless captain. Of course I forgive you.", you said, gripping his chin for him to look at you. Luffy looked up and searched for your eyes to see if he could find any doubt. He didn't.
He smiled up at you and hugged you tight, you giving him the same treatment. He got up and started spining around with you in his arms. He was so happy right now. When he stopped spinning, he looked in your eyes. You had feelings for your captain way before this all happened, but never told them to anyone. Not even Nami. So when you sealed your lips on a sweet kiss, you were terrified of what was going to happen. But feelings were already all over the place. What harm could it cause adding one more?
The crew went dead silent and focused closely on what would happen next. Luffy looked at you, astonished. It passed a few seconds, and you thought you ruined everything. But then Luffy opened that usual wide grin of his, letting that laugh of his and kissed you again, spinning you around one more time. The Strawhats started shouting, happy for their captain and their crewmate. "Yohoho, I never expected that y/n would have hidden feelings for our dear captain!", Brook commented happy.
All the joy quieted down a bit, and everyone started eating the delicious dinner Sanji had prepared. Luffy sat beside you, not letting go of your hand for one second. You were going to figure out what you and Luffy were, but for now, you were happy to be more than just a friend. "Okay, now that everyone has solved their problems. Can you please stop hurting yourselves? I'm tired of taking care of beaten up crewmates.", Chopper said, making everyone burst out laughing.
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artofchira · 7 months
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As someone else who's in the process of burning out just surviving, and has lost sight of why I enjoyed art in the first place, would you be willing to share some of the things you've tried to get back on your feet? Super glad that you're doing so much better, btw.
First: It's actually become a job for me to help artists reconnect to their art through my mentorship workshop with everything I have learned, and I consider myself very good at it. I've been doing it for about 4 years now. If you or any other artist would like direct help with recovering from burn out please check out the service page of my website and testimonials from previous clients.
To answer your question:
A lot of my own personal stabilization just came as a result of wanting the experience of making art to be comfortable. It wasn't a choice anymore. After my father passed I relaxed for about 3 months -- longest I went without drawing in my life since I started freelancing -- and when I sat back at my desk I just couldn't make myself work under the same pressure. I'd try to force myself to draw and it made me want to cry instead. I quickly learned I could only create if I felt comfortable and drawing felt gentle, so I had to accept moving forward if I wanted to continue being as productive as before I needed to find a way of working that eliminated stress or using will power, which means working in a way that was renovated from the ground up. I couldn't go back. How I was making art was over. I needed it to be repaired. I had no idea what that looked like, so it was truly trial and error.
A fact about me is I have a very high sensory/pain threshold naturally (I also recently learned I was autistic over the pandemic, imagine that has something to do with it) so I've always been historically bad at ignoring my physical limitations because I rarely felt them unless my body broke down on me, and when it did I treated myself with annoyance and forced myself to work through it. I'm talking like no sleeping for 3-4 days straight, or coming home after a kidney stone to finish a comic page still shaky on pain and morphine and then feeling bad at myself for being lazy. To say my old work habits were highly self abusive is an understatement. So when I started addressing everything that was an inconvenience and uncomfortable, it ended up correcting everything I was ignoring or failed to consider a problem until it was past due.
To cut a long story short, a list of material changes to my life that improved my health:
I got medicated, finally. I'm extremely bipolar. Always have been. Drawing between periods of oscillating between feeling divinely invincible vs ideating suicide every waking moment vastly became easier to manage.
I got glasses. I'm farsighted, but it was never a problem for me since I could see fine -- ooor so I thought. Turns out when you're farsighted you're focusing constantly without even realizing it. Turns out getting glasses gave me 80% of my mental space back so I suddenly had more energy, generally more awake, and more focused. No one talks about farsightedness so I had absolutely no idea I was burning myself out physically just being able to see. Worth mentioning!
Started seeing a massage therapist and a chiropractor regularly. I always thought of those things as luxuries, not necessities. Which was extremely stupid. Maintaining my physical body through directly working out kinks in it became something like brushing my teeth or showering -- it's just something you do to make sure health and hygiene isn't making you dysfunctional and rotting you. My body no longer breaks down.
For the same reasons as above, maintained seeing my therapist regularly even if I felt fine or had no issues to work out. I realized I was always quick to end support as soon as I felt I didn't need it anymore (again treating it as a luxury) so making the space in my life for mental/emotional check ins kept my head organized. My therapist is bewildered by me and has no idea what to do with me because she feels she's not doing anything. I just tell her by me making the space for me to explain myself at all, even if all I was doing was describing how I was fine, was the help. She's great.
Got a cappuccino machine. May seem stupid but being able to make gourmet coffees from my kitchen every morning really genuinely improved my life and mind more than getting medicated.
Got a dog. He's amazing. I love him. Very warm and loving companion, and such a gentle soul. He keeps me out of my head and gets me prioritizing walks every day, so my vitamin D intake increased massively. I don't have the luxury of staying in bed for 3 days straight in my depressive episodes anymore. I have to make the effort to leave it at least twice a day to walk and feed him and play with him. Like most people, I'm terrible at prioritizing for myself but will move worlds for those I love no matter where I'm at.
For personal habits I just reflected a lot on why I felt I had to will myself to draw when drawing is something I love doing most. It made no sense to resent doing what you devote yourself to doing. I changed -- and still changing -- my mental framing in how I think of working on art for it to be something I'm eager to do, not obligated to.
Hope this was educational.
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