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#i guess i have to write it
grasslandgirl · 2 years
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every time i try to write more noble pining i end up banging my head against a table bemoaning ‘why did i choose to write something with plot?’ my hubris will be my downfall
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sing-you-fools · 9 months
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me: this is a background character who's in one scene, has two lines, and is completely irrelevant to the rest of the story. i am going to stop obsessing over what to name him and use the random name generator on behindthename.com. i am going to accept the first thing it gives me and move the fuck on.
behindthename.com:
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lu-inlondon · 5 months
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emptyjunior · 9 months
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Enough random notes that have a written story on them as environmental storytelling, explore the space, get crazier with it.
You move into a house and aw cute, it has the kids height on the walls but you notice there's a three foot difference in height between measurements, you check the date, they're a month apart. The final measurement is on the ceiling. It's dated two days ago.
You're part of a recovery team that have finally found a stranded ship, they were found too late and have all passed a long time ago. They all died of starvation. You enter their storeroom, it's filled with food. In the dining hall you find the tables laden with perfectly fine looking breads, cakes, cured meats, jams, candies. Your medic says all the people sitting at the table didn't eat a Thing.
You wake up in an apocalypse. You can't find anyone at all as you wander the streets but you do hear faint music playing from somewhere. You stumble into a supermarket, to see all the aisles still full, except for the shelf that was full of ear plugs, which look to be the only thing that was looted.
Like there's light, sound, props. Having a street where every house is decimated except for One. Landing on a planet known for having No Water and a plant is growing and you don't know where it could have possibly gotten moisture from but you can't find the citizens Anywhere.
I'm sorry, I'm just kinda over the "graffiti on the wall to show the bad guy is around". That's not environmental storytelling that's just normal story. Show me I'm in the villains territory by the rain suddenly cutting out above me as I'm driving, even though it's meant to be raining all night. I park the car and step out, and realise the constellations are Wrong, until I see they're Not constellations, they're the blinking lights of a massive ship-
I Will stop now because everytime I go to write a sentence it devolves into another prompt but I'm just saying we have a Lot of senses, engage them, show me the Environment in environmental storytelling.
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vadlings · 5 months
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Represention of Autistic Frustration in Laios Dungeon Meshi
Like many other autistic people, I related strongly to Laios Touden while reading Dungeon Meshi. This post isn't going to spend time disputing whether he displays autistic traits or not—while I could do that, I want to focus on why specifically his portrayal struck a chord with me in a way the writing of most other autistic-coded characters has not.
Disclaimer: as the above suggests, this post is strongly informed by my own experiences as an autistic person, as well as the experiences of my neurodivergent friends with whom I have spoken about this subject. I want to clarify that in no way am I asserting my personal experience to be some Universal Autistic Experience. This post is about why Laios' character feels distinct and significant to me in regard to autistic representation, and while I'm at it, I do feel that I have interesting things to say about autistic representation in media generally. This also got a bit long, so I'm sticking it under a read more. Spoilers for up to the end of chapter 88 below.
The thing that stands out most to me in regard to Laios' characterisation is the open anger he displays when someone points out his inability to read other people. This comes up prominently in his interactions with "Shuro" (Toshiro Nakamoto):
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The frustration pictured above (Laios continuing to physically tussle with Toshiro, using crude language toward him) becomes even more notable when you remember that this is Laios, who, outside of these interactions, is not easily fazed and often exists as a lighthearted contrast to the rest of the cast. Then we get to Laios' nightmare.
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In Falin's words: "Nightmares love emotional wounds. Wounds you hold in your heart. Things that give you stress, or things that were traumatic for you. They aggravate memories like that and cause the dreamer to have terrible dreams." (chapter 42, page 10.) (damn. i'm properly citing for this post and everything.)
Thus, Laios' nightmare establishes an important fact: even if he is unable to recognise social blunders while he's making them, he's at least subconsciously aware that other people operate on a different wavelength to him, and that he's an outsider in many of his social circles (both past and present). His dream-father's disparaging words stress the impact this has had upon his ability to live up to the expectations set out for him, and we also get a panel of kids who smirk at him (presumably former bullies to some degree). Toshiro's appearance only hammers home how much Laios is still both humiliated and angered by his misunderstanding of their relationship.
I've thought a lot about anger as concomitant to the autistic experience. When autistic representation portrays ostracization, it's generally from an angle of the autistic character being upset at how conforming to neurotypical norms doesn't come easily to them; as a result, they express a desire to 'get better' at meeting neurotypical standards, a desire to become more 'normal' (whether the writing implies this is a good thing or not). In contrast, not once does Laios go, "I need to perform better in my social interactions, and try to care less about monsters, because that's what other people find weird." His frustration is directed outward rather than inward, and as a result, it's the people around him who are framed as nonsensical.
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The Winged Lion starts delineating Laios' anger, and Laios' reaction is to think to himself, "It can sense all my thoughts, huh?" (chapter 88, page 16.) This is the scene that really resonated with me. I'm not saying I have never felt the desire to conform to neurotypical norms that is borne from insecurity, but primarily, I know that I don't want to work toward becoming 'normal'—I don't want to change myself for people who follow rules I find nonsensical. It's the difference between, "Oh god, why can't I get it," and, "WHY CAN'T YOU GET IT?" (phrasing here courtesy of my friend Miles @dogwoodbite). And for me personally, Dungeon Meshi is the first time I've seen this frustration and the resultant voluntary isolation from other people portrayed in media so candidly. Laios' anger is not downplayed or written to be easily palatable, either.
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The culmination of Laios' frustrations in this scene wherein we learn that Laios has fantasised about "a pack of monsters attacking a village" drives home just how alienated he really feels. I need not go into his wish to become a monster himself, redolent of how many autistic people identify/have identified with non-humans to some degree as a result of a percieved disconnect from society (when I was younger, I wanted to be a robot. I still kind of do.)
Obviously, wishing death upon other people is a weighty thing, but the unfiltered nature of this page is what deeply resonated with me. The Winged Lion is laying Laios' deepest and most transgressive desires bare, and they are desires that are a product of lifelong ostracization by others (whether intentional or unintentional). This is the brand of anger I'm familiar with, and that my neurodivergent friends express being familiar with, but that I haven't seen portrayed in writing so explicitly before—in fact, it surprised me because most well-meaning autistic representation I've experienced veers toward infantilisation in trying make the autistic character's struggles easy for neurotypicals to sympathise with.
Let's also not neglect the symbolism inherent to Laios' daydream. "A pack of monsters attacking a village". Functionally, monsters are Laios' special interest—he percieves everything first and foremost through his passion for monsters. His daydream of monsters attacking—killing—humans, is fundamentally a daydream of the world he understands (monsters) overthrowing the world that is so illogical to him, that has repeatedly shunned him (other people). I joked to my friends that it's an autistic power fantasy, and it actually sort of is. And in it, his identity is aligned with that of the monsters, while his anger manifests in a palpable dissociation from the rest of humanity. This is one manga page. It's brief. It's also very, very raw to me. I think about it often.
To conclude, I love Laios Dungeon Meshi. This portrayal of open frustration in an autistic character meant a lot to me, and I hope I've sufficiently outlined why. Also, feel free to recommend media with autistic representation in the notes if you've read this far—I would really like to see if there is more of this nature. Thank you for reading. I'm very tired and should probably sleep now.
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somnimagus · 7 months
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My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.
[id in alt text]
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the-raindeer-king · 25 days
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(A/N: This is part 2 to my Mama Riley au! Thanks for all the love on the first one. ❤ no content warning and I'm trying to keep this gender neutral. Enjoy!!!)
You never expected your angry rant to actually change Simon's behavior. But it has, based on Mama Riley's weekly updates. He's stopping by more, staying longer. He's actually telling her things, mainly about his coworkers, but she's just happy he's finally opening up to her.
While you believe her, you're not seeing the change yourself. Fridays are when you have dinner with Mama Riley, and now apparently Simon too. He just… stares at you, a permanent frown on his face. As if you're the one intruding.
Part of you is glad he doesn't talk much. The few sentences he does speak, the low timber of his voice makes your heart race. Behind the scars and unwelcoming attitude, Simon Riley is a handsome man. But your loyalty lies with his mom. He needs to be a better son, and some silly crush isn't going to change your mind that easily.
Ironically, it's said loyalty that makes Simon fall for you so fast. His loyalty is rock solid, a promise held steadfast, an ache he feels in his chest every morning. There's no one Simon cares more about than his mom, and to see someone else care so deeply and fiercely about her makes you so insanely attractive to him. On top of that, your concern for Mama Riley made you willing to say something to him, and Simon knows he's off-putting and scary.
What I'm getting at is that this man is so down bad, it's not even funny. He'd literally take you to the court house and marry you immediately, if you were willing. But you're not, and he's kind of clueless on how to convince you to give him a chance. He'd rather catch a live grenade bare handed than ask his mom.
His mom who clocked the crush immediately, and is trying to help him without helping him. Even if their relationship is strained (much better now thanks to you!), she knows her son, and she knows he has feelings for you. And while she's not trying to meddle, she is trying to create opportunities for y'all to interact and get to know each other.
Opportunities that Simon keeps fumbling because he clams up so bad around you. He's never been good around people in general, and his crush on you just makes it twice as bad. Plus, he's aware that you hate him, and that's not doing him any favors either.
Mama Riley gives him time to make an attempt, only to watch him struggle and usually fail. But the attempts he's making with small talk, bad jokes, bringing you small knick knacks from deployment; it seems to be working. You're both opening up to each other, growing a friendship.
But as the months pass, nothing grows beyond a friendship. You don't want to ruin things between yourself and Mama Riley. Plus, you're not entirely sure where Simon's feelings lie. He's just as weird and off-putting as he was in the beginning, just now he tells you bad jokes and calls you ‘love’.
And, while Mama Riley promised herself that she wouldn't meddle - Simon's a grown man after all, he should be able to handle this - it's almost painful for her to watch the way you and Simon dance around each other. Nobody here is getting any younger, and after almost a year of watching you two, she decides to take matters into her own hands.
Simon's two months into deployment, when Mama Riley invites you over for routine Friday dinner. You're barely one glass of wine in, when she drops the bombshell on you.
“You know, Simon's in love with you.”
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inkskinned · 4 months
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you have to go to work so you can pay for your doctor, who is not taking your insurance right now, and if you say i can't afford the doctor's you are told - get a better job. it is very sad that you are unwell, yes, but maybe you should have thought about that before not having a better job.
(where is the better job? who is giving out these better jobs? you are sick, you are hurting - how the hell are you supposed to be well enough for this better job?)
but you go to the doctor because you had the nerve to be hurt or sick or whatever else. and they tell you that it is because you have anxiety. you try your best. you are a self-advocate. you've done the reading (which sometimes pisses them off worse, honestly). you say it is actually adding to my anxiety, it is effecting my quality of life. so they say that you are fat. they say that all young people have this happen to them, isn't it a medical marvel! they say that you should eat more vegetables. they say that you probably just need to lose a little more weight, and that you are faking it for attention.
(what attention could this doctor possibly give? what validation? that's their fucking job, isn't it?)
there is always a hypochondriac, right. someone always tells you about a hypochondriac. or someone who is unnecessarily aggressive during the worst days of their life. or someone looking "for a quick fix". or some idiot who wasn't educated about how to properly care for themselves who just abandons their treatment. and again, the hypochondriac, the overly-cautious hysteric. these people don't deserve to be treated like humans (right), and since you might be one of these people, you also don't get treated like a human. because those people can really fuck with the system, you now have to pay for it. and besides. you're actually probably faking it.
(more often than not, you find a 2:1 ratio of these stories. for every "hypochondriac", there are 2 people who knew something was wrong, and yet nobody could fucking find it. the story often ends with pointless suffering. the story often ends with and now it's too late, and it's going to kill me.)
you are actually just making excuses. someone else got that procedure or that diagnosis and he's fine, you should be fine too. someone else said they watched a documentary about other inspirational people with your exact same condition, maybe you should be inspirational, too. you're just too morbid. your pain and your experience is probably just not statistically concerning. it is all self-reported anyway, and you're just being a baby.
(once, while sitting down in the middle of making coffee, you had the sudden, horrible thought - i could kill myself to make the pain stop. you had to call your best friend after that. had to pet your dog. had to cry about it in the shower. you won't, but that moment - god, fuck. the pain just goes on and on.)
you know someone who went in for routine surgery and said i still feel everything. they told her to just relax. it took her kicking and screaming before they figured out she wasn't lying - the anesthetic drip hadn't been working. you know someone who went in for severe migraines who was told drink water and lose weight. you know someone who was actively bleeding out and throwing up in the ER and was told you're just having a bad period.
in the ER there are always these little posters saying things like "don't wait! get checked today!" and you think about how often you do wait. how often the days spool out. you once waited a full week before seeing the doctor for what you thought was a sprained wrist. it had actually been broken - they had to rebreak it to set it.
but you go into the doctor. the problem you're having is immediate. the person behind the counter frowns and says we're not taking your insurance. you will be paying for this out-of-pocket.
they send you home with tylenol and a little health packet about weight loss or anxiety or attention deficit. on the front it has your birthday and diagnosis. you think about crying, and the words swim. it might as well say go fuck yourself. it might as well say you're a fucking idiot. it might as well say light your money on fire and lie down in it. and the entire fucking time - the problem persists.
it's okay. it's okay, it's just another thing, you think. it's just another thing i have to learn to live with.
#spilled ink#warm up#can you tell what i'm mad about today specifically#i will say that there are a LOT of things that go into this. like a lot. this is ungendered and unspecific for a reason#it isn't just sexism. it's also racism. and ableism. and honestly classism.#and before a healthcare professional reads this as a personal attack: i understand ur burnt out#we are ALSO burnt out. your situation is also dire. this is not an attack on you.#this is a commentary on the incredible amounts of bigotry that lie at the heart of capitalism#where people have to pay money out of pocket to be told to fuck off.#your job is important. so is our humanity. and if you cannot accept that people are fucking mad as hell#at the industry - you are probably not listening .#anyway at some point im gonna write a piece about sexism specifically in medical shit#but i don't want terfs clowning in it bc they can't understand nuance#> it is true that ppl w/a uterus are more likely to experience medical malpractice & dismissal globally#> it is also true that trans people experience an equally fucked up and bad time in the medical field#> great news! the medical industrial complex is an equal opportunity life ruiner :)#(if you find it necessary to go into a debate about biology while discussing medical malpractice#i want to warn you that you're misunderstanding the issue. because guess what.#cis MEN might experience this. particularly black men. particularly disabled men.#so YES having a uterus can lead to more trouble for you. but this happens a LOT.#instead of fighting those ALSO experiencing your pain.... try working WITH them.#which btw. is like. actual feminism.)
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caliartcat · 2 months
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klavier you're gonna have to be more direct than that
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jonnywaistcoat · 2 months
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When writing, did you ever suffer from a fear or underdelivering or misrepresenting a topic? If you did, how did you overcome it? I enjoy writing but rarely bring it to the public out of fear that I am either not doing good enough or badly portraying the themes or aspects of what I write.
Absolutely, and on the one hand it's a very healthy fear - it prompts you to do your research and be thoughtful in how you write. On the other hand you've just got to accept that occasionally it will happen. Inculturation is a hell of a thing, and leaves us all with a thousand kneejerk preconceptions and perceptions of the world, some benign and some downright awful. And sometimes they crop up no matter how thoughtful you try to be. And you gotta understand that when it happens and people call you on it, you just have to take your lumps and learn what you can from it.
It doesn't help, of course, that the words you write are only ever half of what your audience reads: five people reading the same book are reading five different books, each filtering the text through a lifetime of psychology and experience. And they will find themes and problems in there you never even considered, and they will also find resonances and beauty in your work that you could never have foreseen.
At the end of the day, writing stuff thats meaningful to you (hell, writing anything at all) is a messy, bruising business, and anybody who tells you there are simple solutions or clear rules to follow is either lying to you or to themselves.
But you can't let it paralyse you. Its like if you're playing football and you're worried about falling over. It's a reasonable fear and you should do your best to avoid it, but occasionally it's gonna happen, and unless you want to spend the whole game just standing still in a field, you've kinda just got to get on with it. Just try not to be one of those writers who's always taking dives and... screaming for the ref to get a free kick? Hm. That analogy may have gotten away from me. I don't actually know much about football.
Point is, I'm aware that this isn't the most reassuring writing advice I've ever given, but yeah, its a messy, scary business. Just do your best. Be thoughtful. Be kind. And always do your research.
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rendevok · 11 months
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“Take my hand” pages 5-11
1 - day 2 - truth - 3
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panthermouthh · 9 months
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And I said, “Hello, Satan
I believe it’s time to go.”
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stevebabey · 9 months
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Eddie is beginning to wonder if he’ll ever reach a point where Steve couldn’t reduce him to this state.
This state being… transfixed. Eddie is sure he must look like a lovesick cartoon. In fact, if he could manage to drag his gaze away, he’d probably find red hearts circling around his head in a halo, popping like little bubbles.
But Eddie can’t move his eyes. Can’t even close his mouth either.
Steve’s talking to him too, which is most definitely worse — he’s totally missing every word. He can see Steve’s lips moving, pink plush lips wrapping around words but fuck, that was a total trap because now Eddie is just looking at his lips. He tries to refocus, to listen. His eyes just wander back to what he was staring back at the first place.
Was Steve like this all the time? Just a walking around looking so damn delectable?
Or is it Eddie, just a starved man who’s been living off stolen glances, for as long as he can remember? For once, he’s learning, he’s allowed to look.
And by God, is he looking.
Steve’s not even doing it on purpose either, which probably makes the whole thing funnier. Eddie knows what his boyfriend (boyfriend! he thinks giddily in his mind) looks like when he’s cleaned up to impress. He can spot the way Steve preens beneath Eddie’s lingering gaze.
This is not that. Today, Steve is just cleaning, a usual Sunday morning ritual.
He’s got some old sport shorts on and he’s clearly grown a bit since he first got them— unless Hawkins has always been giving out slutty little shorts to the basketball team (They haven’t. Eddie would know if they did.)
He’s wearing one of his wife-beater singlets too. It’s a little on the scrappy side though, considering it’s nearly see-through with how worn it is.
Honestly, in Eddie’s humble and gay opinion, it’s stupidly hot. The dark hair dusted across of Steve’s chest is visible beneath it, the shirt showing off the shape of his broad chest. Even better, his happy trail is visible and goddamn, if that doesn’t make Eddie happy, he doesn’t know what will.
But it’s not even that.
Quite frankly, Eddie’s rather embarrassed that he’s basically blue-screening because Steve is pulling out the cord out from the vacuum cleaner.
But… but he’s yanking it up towards his chest, slow and strong repetitive motions— that take enough effort to make his biceps bulge with every tug.
Eddie can’t stop watching. The cord must be several metres long and he’s not sure if he should be cursing it or thanking it for the view he gets; Steve’s tan arms flexing and rippling. Try as he might, Eddie can’t help imagining how they must look when Steve’s got his hand aroun—
“—hello? Are you even listening to me?”
Steve’s voice cuts into Eddie’s dangerously side-tracked thoughts and he pauses his tugging at the same time. It’s the thing that finally allows him to break his lustful stare at Steve’s arms. Oh God, he just got all hot and bothered over his boyfriend doing the vacuuming.
“Hello.” Eddie says back, because that was the first word to register in his brain. “I mean- yes. I’m—”
Eddie decides mid-sentence that he’s not getting away with the lie. He pivots. “Okay, no, I didn’t hear that. Would you please tell me what you just said, oh lovely sweet man of mine?”
Ever the butterer-upper, he was. Thank God it works on Steve. He rolls his eyes a little but there’s an adoring grin on his lips.
“Man of mine,” Steve mutters amusedly under his breath. He drops the vacuum cord on the carpeted floor and leans down the grab the handle of the vacuum. “You just kinda froze when you came in. I was asking if everything was okay? I’m just doing this room then I’ll be done, if you don’t like the noise.”
Eddie adores that Steve’s taken his silence as though he might be afraid of the vacuum cleaner or something. He nearly snorts aloud at how far from the truth it is.
“Uh huh.” Eddie nods, not bothering to correct him. He jerks a thumb behind him, pointing at nothing. “I’m just gonna…”
He spins on his heel and exits left stage, fast as he can while still looking normal (he’s unsuccessful, as he leaves a baffled Steve behind him.) As he enters into the kitchen and decides to fix them both a pot of coffee, Eddie lets himself giggle over the pure absurdity of what just happens.
It’s mortifying. It’s hilarious. He can never tell Steve.
Except, when Steve comes to find him in the kitchen and trades a kiss for some coffee, Eddie can’t help it. All he ever wants to do is make Steve laugh.
He decides it’s worth the embarrassment when Steve laughs so hard coffee comes out his nose.
Steve teasingly promises that he’ll to try be less distracting, then rescinds his words at Eddie’s abject reaction (“Don’t you dare.”) looking far too smug— in a delighted sort of way. Preening, in that way Eddie loves.
Their first kiss, as Eddie slides onto Steve’s lap and loops his arms over his shoulders, fingers dancing on those tasty arms, tastes a little bit like coffee. Their mugs grow cold, untouched.
Eddie doesn’t mind — he’s too busy finding out that the rest of their kisses taste like something between sunlight and Steve.
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suja-janee · 5 months
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Redraw for my blog’s 4 year anniversary! (Ignore the fact that I accidentally erased echo’s arm oh shitttt)
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Old ver.
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oneeyedoctogod · 8 months
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Start a fic with a very simple premise. Promise yourself: "This will be a short one." Write. Realize you haven't planned enough, and the fic is growing much longer than anticipated. Panic (optional but recommended) Keep writing, sobbing because why is this so long? Finish the fic (!!) Celebrate (mandatory). Start a fic with a very simple premise.. Promise yourself: "This will be a short one." Write. Realize that something feels familiar. Panic.
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hotpotghosts · 1 month
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