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#i find it so sweet that their first lines together after s1 are telling one another that it's good to see the other
cerealbishh · 10 months
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"Triss! It's good to see you." "And you."// "It's good to see you." "You too."
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runningfrom2am · 3 months
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cold nights // part twelve
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summary: may the odds be ever in your favour.
pairing: coriolanus snow x fem!reader
wc: 2.9k
masterlists / nav / requests
tags/warnings: tribute!reader and mentor!coriolanus, r is very sweet (too kind for this world. literally.), sunshine x grumpy trope kinda, he falls first, violence typical for the source material, r is very smart (as she should), district twelve!reader.
a/n: i can't believe we made it to the end of s1! i am so, so excited to move on to the next era of this story! this is a reminder if you love this series and you haven't already please reblog this or the masterlist! it makes such a big big difference for me and my fellow writers know it all too well lol.
my asks are also open to talk about this series! (i do have emoji anons open now too!)
send me any and all of your thoughts! here!
series masterlist // playlist
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Coriolanus wakes up, head on the open pages of Romeo and Juliet as people start to flood in, everyone anxious about what would happen to you.
He rubs the sleep out of his eyes, quickly casting his view to the screen ahead, camera view still locked on you. There was no one else for it to be tracking, after all. Except now, you were on Lamina's beam, lying down with your eyes closed. He wasn't sure if you were awake, or when you had even made your way down into the clearing, but you don't move. He can see the steady rise and fall of your chest as you lay with his scarf bunched up behind your head. Tigris was right, you had survived, but you wouldn't have without him. You looked peaceful- not at all like the girl he had seen crumbling apart on the same screen just a few hours prior.
"I feel as though I should inform you, they'll be going in very soon." Highbottom says, grabbing the boy's attention. "But I'd put my money on those boys being dead in there. Congratulations, Coriolanus. This means almost nothing for you."
He walks away before Coryo is even done processing what he had said. He wouldn't get the prize, most likely, but he would still have you.
You don't stir until you hear the peacekeepers entering the arena, sitting up and seeing them with guns pointed in your direction. "Don't move." One of them spits at you and you nod, eyes wide as you raise your hands. You watch as a designated team in different uniforms make their way up to enter the vents, and others spray something over the piles of snakes, stilling those that were still showing any signs of life.
"Is it over?" You ask, confused.
"Not until we can confirm you are the only remaining tribute." One of them answers and you nod, chewing on your lip as you watch the men disappear into the vents.
"Okay... Thank you."
You know what they would find in there, the bodies of the two boys trapped behind your salt line. You could tell them where the boys would be found, but then you'd be outing yourself. You had only confessed to Coryo. Only he could know. Last night, you didn't care. You have to assume he was the only one who witnessed your breakdown, your confession, because if anyone else had, you'd likely be dead by now. You have to hope your secret is safe with him if you want to go home.
The morning drags on forever as you sit there with guns pointed at you from the ground, and Coryo is pacing in the hall. There were many people around, excited to see if you would be crowned as the victor. People were rooting for you, and he was proud of that, but support didn't mean that you were promised a win.
Vipsania and Domitia were the only other two remaining mentors, whispering to each other across the room after they came back. It was eerily silent.
Then, one of the men emerges from the vent, turning all heads including yours as he just nods toward the peacekeepers watching you.
"Alright. Come on down." The same peacekeeper addresses you and you nod, a tear falling down your cheek.
"She did it." Coryo whispers to himself, realization forcing a grin onto his face.
Lucky laughs, clapping his hands together. "She's won! Y/N Y/L/N from District Twelve!" He calls out, making his way over to Coriolanus. "Coriolanus Snow is the Victor of the Tenth Annual Hunger Games!"
Coryo laughs in shock, smiling as the man pats his shoulder. He catches in the corner of his eye as his two classmates storm out, and he's quickly crowded with congratulations and praise.
"I won?" You ask quietly, feet landing on the ground again.
"Yes, they were found." He nods, and quickly your arms are being grabbed as you're led out of the arena.
"Do you know, did Coriolanus get his prize?" You ask them, but your question is ignored as you walk down the hall toward the exit, looking back over your shoulder as the gate is closed behind you.
Just outside the gates, you don't get much of a taste of freedom before you're being pushed into the back of the same truck. Empty. Bigger. Lonely.
"Empty your pockets." The peacekeeper tells you, standing at the entrance.
You do so hesitantly, holding up the compact on a shaky palm. "I'm sorry to ask, but can I have some water? Please?" You ask, once again ignored as the compact is pulled from your hand. "Please, sir, that was a gift... If you must take it can you return it to my mentor? Coriolanus Snow?"
He opens the cold metal, pulling out the piece of paper and unfolds it, quickly scanning it's contents. "That is for him, too. Though, if I had the chance now I would change it." You explain. You knew you both would be in deep trouble if you were caught for what you convinced yourself was no more than salt, and clarity came to you enough to lie about what the compact had contained all this time.
The peacekeeper hums, closing it up again and shoving both items into his own pocket, pointing the gun at you again. "Clothes off."
"Ex-excuse me?" You reply, taken aback by the request.
"Clothes off. Now." He repeats and you nod, swallowing the lump in your dry throat as you begin to slide off your dress, letting it fall at your feet. He moves the gun again, gesturing for you to continue. With trembling hands you remove your underthings, your shoes, and the scarf, placing them on the floor in front of you. He quickly gathers them, taking a step back and nodding to someone outside.
He moves out of the way and you stand there confused, watching as he shakes out your clothes and searches them, when suddenly you're being sprayed down with a hose. You yelp from the fast contact of the cold water pelting against your skin, but it wakes you up. After the initial shock, it actually feels good to be somewhat clean again.
You pant as the water is shut off, catching your breath and rubbing your arms to try and warm yourself again. Your clothes are tossed back into the truck at you before the door is slammed, and you use the scarf to try and dry yourself off a little bit before tying it around yourself the same way Coryo had. By the time you pull the second strap of your dress back on, the truck is moving and you're lurching forward.
You're driving for a while before the door is opened again, and you're relieved to get some fresh air. It was cold in there, and you were shivering in your small dress that was now also damp from your skin.
Once the doors open you're staring down the barrels of more guns as the peacekeepers usher you out and into the train station, right where you were let off all those days ago. Days... or weeks? You don't even know anymore.
"Lay off, why don't you? She's been through enough." A man in a black suit comes into your view, and they drop their weapons and let you go.
He steps in front of you and you wrap your arms around yourself to try and warm up. "Thank you, Sir." You smile, nodding at him politely.
"Nothing to thank me for..." He sighs. "I'm Dean Highbottom from the academy, it's a pleasure to meet you. Congratulations on your victory." Surprisingly to you, he doesn't seem inconvenienced. Someone other than Coryo and Sejanus seemed to be willing to talk to you, to treat you like a human again. When he congratulates you, he sounds sad.
"Thank you, Sir." You nod again. "Do I... Will I be going home now?"
"Yes. In just a few minutes." He nods, gesturing for you to follow him toward the train. "I am extremely familiar with your mentor, Coriolanus Snow." He tells you as you join his side.
"Oh, wonderful!" You force a smile. "I have some things for him, just a note and something he leant to me. I gave them to that man over there. Would you mind making sure they make it back to him?" You point out the peacekeeper as you follow him toward the train.
"I'll see to it that he gets it back, yes." Dean Highbottom nods with a slight roll of his eyes, stopping next to the stairs that would lead you onto the passenger train. "But... if I may offer you some advice?"
"Please." You nod, urging him on.
"Be grateful you survived him."
You want to ask what he means, but the anger you saw behind your friend's eyes that night in the arena would haunt you and you knew that. Surely, that's what the Dean is talking about.
"Yes." You agree, unsure what else to say when he reaches into his pocket and pulls out a stack of cash.
"Take this, your prize, I suppose." He hands it over to you. It must be hundreds of dollars. Maybe over a thousand. With this, you could do so much for your family. "Oh, and Miss Y/L/N... You wouldn't happen to know anything about the rat poison that was in that compact, would you?"
You tense up, tilting your head at him with a confused smile. "Poison? No... All I had put inside was salt." You reply. "Sejanus Plinth gave it to me, with food from his Ma. Salt is good for protection, you know, so I kept it for later. Keeps you safe from evil and harm." You ramble on, panic and shock in your tone. Sejanus had given you salt to put on some vegetables and sandwiches he brought you, but now that you're trying to piece the story together, you don't remember even opening the compact until you were in that vent. Coryo had told you not to open it, so you wouldn't have. Your own memory is confusing you.
"I've heard that." He nods, eyeing you skeptically.
The train horn makes you jump before you can even thank him.
"Go on, now." He urges you onto the train, deciding to let slide however you had came across the rat poison. Clearly, you didn't know what you had done. Or you were convincing yourself you didn't remember. "Enjoy your freedom."
You nod and step up onto the stairs. You were hoping you would get to see Coryo again, it disappointed you that you never would. Maybe it was a good thing you wrote your goodbye note, even if you had survived. "I give you, upon my knees, a thousand thanks." You smile to the man still standing on the ground below you who just nods in acknowledgment before you close the door behind yourself, Coryo's scarf still wrapped around your waist.
"Y/N?" Coryo calls out, walking into the high biology lab. He was told you had something for him, no doubt the scarf and the compact.
"She's gone." Dean Highbottom cuts in, just before Coryo spots him in the poorly lit room.
"I was told-"
"I know what you were told. Here." The Dean tells him, pointing to the metal compact on the table.
Coryo looks at it only briefly before returning his gaze to the man who offered it to him. "Where is she?"
"I wouldn't worry about that, Coriolanus. Your work is done." He explains vaguely. "Were you aware that she cheated?"
"Cheated?" Coryo asks. "How?" He feigns ignorance.
"The boys in the vents didn't die from snake venom, or violently, or, naturally- for that matter." The Dean tsk's. "It was rat poison. Which, before you argue with me, cannot be found inside the arena or even within reach of the monkey cage at the zoo. I checked. So be honest, you have no idea how she got her hands on such a substance?"
"No, I don't." Coryo lies. "But she did what she could to survive- don't take it out on her because she somehow cheated your games. Next year give them uniforms, or up security or something."
"Just thought I'd ask. She told me she got it from Plinth." He waves him off, and Coryo ticks his head in slight confusion.
"Sejanus? No, he-"
"She really... declined, in there." Highbottom cuts him off, making it evident that he at least believed that Sejanus wouldn't do such a thing. "Told me it was only salt. Genuinely, it seemed like she didn't know. Or, she forced herself to forget. A sweet girl like that, it doesn't surprise me that that's how she would rationalize her actions."
"Is she alive? Because if you killed her for that I-"
"You'll what, Mister Snow? I thought you said you just wanted the prize."
"She deserved better." He states simply, swallowing the anxiety building in his throat.
"She does. I agree." Highbottom nods. "Which is why you won't see her again."
Coryo furrows his brow. "I... I don't understand how that could be relevant."
"Oh, I know you do, Mister Snow." His superior replies, a condescending edge to his words.
Coryo snatches the compact off of the table and quickly pockets it, storming out of the room. At least he hadn't been caught for helping you cheat, though he was sure Highbottom knew better. Now, he didn't have the Plinth Prize, and he didn't have you.
When he finally got home, he couldn't help but slam the door behind himself.
"Coryo?" Tigris calls out, excited as she puts down the project she was working on and rushes to the entranceway to meet him. "I didn't expect you home so soon! Did you get to see Y/N?" Her smile fades when she sees his expression. "What's wrong?"
"They wouldn't let me see her. She's already gone." He explains, pulling off his blazer.
"Oh..." Tigris frowns, taking the blazer from him to hang it up. "I know you really wanted to say goodbye. I'm so sorry."
"She'll never forgive me." He shakes his head slightly. "If she's even still alive! I doubt they would tell me!" He laughs, bringing his hands up to rub his eyes with his palms.
"They wouldn't kill her, Coryo. People loved her too much." She is quickly reassuring, reaching out to rub his shoulders. "You did nothing wrong... You did all you could for her. She'll forgive you."
"Not that." He mutters. "It's what I told you. You didn't see the way she looked at me, Tigris. Like... Like I was a monster."
"She was already scared. She was way out of her element. I think now, that she's safe, she'll find the space to see it reasonably." She tries to soothe his worries as best she can. "You're a good friend to her, and she's a kind person. She'll understand."
"But I'll never know for sure that she does."
"You might one day... Don't beat yourself up about it, and don't give up on her."
After a long, two-day journey curled up on a bench on the train, you recognize the building the train is stopping at. Suddenly, all your energy is returned to you as it slows to a stop, and you're already waiting at the door. You hear the latch unlock and you couldn't get off fast enough.
No one you knew were there, not that you expected any kind of greeting party. You inhale the fresh air, once again surrounded by the trees and your own people. You walk out of the train station and down the street, in the general direction of your home. You tried waving at a few folks you knew on the way, but people just stared, for the most part, jaws slack with surprise. They had already grieved your death. Sometimes you were met with a sad smile, but no one wanted to speak to you. You understood. You were used to that after your time in the Capitol.
"Y/N Y/L/N, is that you?" An excited voice called after you resigned yourself to a quiet walk home, twenty minutes from the bustle of the train station. You turn your head to look up at the back entrance to the Hob, a wide smile taking over your face when you see the speaker.
Your friend is already barrelling toward you, throwing her arms around you as your eyes fill with happy tears. It was refreshing. "I never thought I'd see you again..." You sniff, resting your chin on her shoulder as you hug her back.
Rhythmically, your best friend sways you back and forth. "Oh, I know, I know, sweetheart..." She hums, rubbing your back reassuringly. You can hear her voice crack too. "But you're home now. You're okay..."
She lets you break down as she practically holds you up as you cry in each other's arms. From happiness or trauma, you're not sure. "I did some awful things, I regret it all..."
"Don't regret a thing." She shushes you. "You did what you had to."
"No, no... You don't know... You didn't see..."
"I watched, Hun. When I could." She pulls away, placing her hands on your cheeks to wipe your tears. "You did nothing wrong. All that matters is that you're home now."
You sniff again with a slight nod. "I fear too early, for my mind misgives; Some consequence, yet hanging in the stars, shall bitterly begin."
"No... Y/N/N. You're safe here. You are forgiven." She assures you, rubbing your arms. "Now, let's get you home. A good rest will do you well, your parents have been waitin' on you." She waits for you to nod before stepping to your side, guiding you in the right direction with an arm around your waist.
"Thank you, Lucy Gray." You mumble, allowing yourself to lean into her hold.
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taglist: @soulessjourney , @that-veela-girl ,  @dreamyysouls , @rockstarbfs , @maysileeewrites , @baybieruth , @kitscutie ,  @fratboyharrysgf0201 , @totallynotkaibiased , @stelleduarte , @secretsicanthideanymore , @bejeweledreverie , @drewsandsebastianswife , @niicole-87 , @queenofshinigamis , @innercreationflower , @nallasstuff , @scorpiolystoned , @iovemoonyy , @thatmarvelchick19 , @wearemadeofstardust0 , @regulusblackcore , @puredreamagination , @fantasticchaosthing , @becauseseaotters , @secretsicanthideanymore
okay suddenly tumblr isn't letting me tag more people than this so i just made some cuts unfortunately :') i just left the max amount of people i could whose users i recognized and see in my notifs all the time :) if you're not on here and you should be i'm so sorry!
also this taglist is closed now!! if you’d like to get a notification when i update, turn on my post notifications!! i promise i won’t spam y'all :,)
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hopper-wheeler · 2 years
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Hey there fellow Mileven, how are we feeling after the finale? 😊
hey there!! basically i'm a wreck, but in the best way possible. tbh i haven't even begun to process vol. 2 and i can't think too hard about a lot of what happened or i'll cry. i'm very good at denial and compartmentalization though so that's helping a lot lmao. in my head they're all together and just fine :)
fr though i'm just happy to have gotten a solid season!
NOW VOL. 2 MILEVEN!! s4 mileven as a whole, actually. oh my god. i love how mature they are this season, how well written and acted their scenes were, how both mike and el showed so much growth and how their relationship was taken to another level. s4 mileven is just everything i wanted and more. i lost my mind with vol. 2.
nothing could have prepared me for mike's monologue (and i did try to prepare. i did). it was just-- everything. MIKE SAID EVERYTHING AND MORE AND HE SAID IT WITH HIS WHOLE CHEST!! every single line of that monologue is a threat to my life. it was set up so well and so well executed. and absolutely everything he said checks out and adds so much. the way his monologue ties in with their ep. 3 argument, the way mike makes sure to tell el he loves her on her good and bad days, with or without her powers. it was just everything el needed to hear. he touched on every single one of her insecurities and made sure she knew he loved all of her. for exactly who she is. and he said it nine times! insane! and we all knew s1 mike was already so gone for el but to have verbal confirmation of that?! i can't watch any s1 mileven scene without going "this mike loves her. and he knows that."
that pineapple pizza scene? it lives in my head rent-free. i can't think about it without giggling. it's just so sweet and says so much about who they are as a couple. it reminded me so much of 'blank makes you crazy' which is one of my favorite scenes. i just love that we got a quiet, happy moment between them in the middle of everything. i wasn't expecting that and it was the best surprise. goofy mike is my favorite mike and he just lives to make el laugh and just!!!! god. i can't move past how sweet this scene is. i love that he made her pizza box glasses. i love that he made a fool of himself to make her giggle. i love el's reaction to this. she just loves him so much, it's sick. the way she says his name, the way she asks for his hand. i love that el is the one to take the first step and say she missed him. mike's reaction to that kills me. he's really just so surprised and pleased. like he really was afraid she didn't. you can see the relief in his face. AND THAT HAND TOUCH! they're just so soft. and i love argyle for showing up with that pizza because el shoving food in mike's face while he yells he's not a baby? best thing i've ever seen.
and their reunion! truly a worthy follow up to their s2 reunion and that says a lot. i love how real it is. it's less cinematic than their s2 reunion but in a way that makes sense. you're right there with el. there's so much focus on the explosion and then suddenly mike's just-- there. it's amazing. seeing el go from shock to confusion to disbelief to joy at seeing mike in seconds is a goddamn experience. the way they hold each other, THE FOREHEAD TOUCH!!! the way mike is so happy and relieved to see her he doesn't even notice her hair or the collar. the way el herself seems to forget about it. mike's whimper when he hides his face on her shoulder. the way el asks "it's really you?" like she's afraid she's imagining him. like maybe she did think about something like this happening while trying to get her powers back. THE WAY THEY LOOK AT EACH OTHER!! how brenner said el would never be able to find her way out of the desert by herself but she didn't have to because mike was right there. he kept his promise to get her out. i can't describe the amount of love i have for this scene or how it makes me feel.
and last but not least that mike scene in the back of the van. wow. i've always seen mike as a very insecure character, with no self esteem, because that's been canon since s1. it's there if you look for it. but i never thought i'd see them explore this side of him. i was so pleasantly surprised. i love that they went there. i love that they let him talk about his insecurities and his struggles for once. it adds so much weight to so many scenes. it explains so much of what we've seen. the fact that all along he's been afraid not only that he'd lose el because of something out of their control happening but that he'd lose her because she'd see him for who he is and choose to leave hurts me. deeply. and i love that.
all in all, vol. 2 mileven gave us so much. there's so much to talk about. about mileven going forward. about old mileven scenes that feel NEW in light of everything we just watched. i have a lot of thoughts, basically. which is why this reply is so long lmao.
seriously, though, if anyone made it all the way to the end, feel free to yell about mileven (or anything st) in my askbox. i'm more than happy to yell back 💙
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fific7 · 3 years
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Ticket to Ride - Part 1
Billy Russo x Reader
A/N: Inspired by The Beatles song of the same name. This takes place in my S1 Punisher AU with Arrogant!Billy in attendance. Billy gets a taste of his own medicine.
Warnings: 18+ NSFW due to sexual content, including oral, between consenting adults* in some chapters. Drinking and swearing.
*Irl, please don’t go wild in the country without protection.
(My photo edit)
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»»————————————-———- ⚜ ———————————-————-««
𝕀 𝕥𝕙𝕚𝕟𝕜 𝕀'𝕞 𝕘𝕠𝕚𝕟𝕘 𝕥𝕠 𝕓𝕖 𝕤𝕒𝕕, 𝕀 𝕥𝕙𝕚𝕟𝕜 𝕚𝕥'𝕤 𝕥𝕠𝕕𝕒𝕪, 𝕪𝕖𝕒𝕙
𝕋𝕙𝕖 𝕘𝕚𝕣𝕝 𝕥𝕙𝕒𝕥'𝕤 𝕕𝕣𝕚𝕧𝕚𝕟𝕘 𝕞𝕖 𝕞𝕒𝕕 𝕚𝕤 𝕘𝕠𝕚𝕟𝕘 𝕒𝕨𝕒𝕪
𝕊𝕙𝕖'𝕤 𝕘𝕠𝕥 𝕒 𝕥𝕚𝕔𝕜𝕖𝕥 𝕥𝕠 𝕣𝕚𝕕𝕖
𝕊𝕙𝕖'𝕤 𝕘𝕠𝕥 𝕒 𝕥𝕚𝕔𝕜𝕖𝕥 𝕥𝕠 𝕣𝕚𝕕𝕖
𝕊𝕙𝕖'𝕤 𝕘𝕠𝕥 𝕒 𝕥𝕚𝕔𝕜𝕖𝕥 𝕥𝕠 𝕣𝕚𝕕𝕖 𝕓𝕦𝕥 𝕤𝕙𝕖 𝕕𝕠𝕟'𝕥 𝕔𝕒𝕣𝕖
»»————————————-———- ⚜ ———————————-————-««
You were grabbing armfuls of clothes out of the wardrobe and dumping them into the three massive suitcases you’d laid open on the floor. If any of your friends had seen you at that point, they’d have said you looked like a woman possessed.
Finally, the wardrobe was empty of your clothes, and you moved on to the chest of drawers and then the bathroom. The contents were shovelled into a couple of large backpacks, as were various other bits and bobs from bedside table drawers and shelving units. In a surprisingly short space of time, you’d packed up everything that belonged to you in this damned apartment.
That left you just two very quick things to do, and you could then somehow get all this luggage downstairs into the lobby and get the hell out of Dodge.
»»————————————-———- ⚜ ———————————-————-««
The receptionist at the airport hotel you were booking into looked at the amount of luggage you had with you, and studied your face again carefully. No doubt she was wondering if you were a celebrity. Obviously deciding that there was an outside chance that you were but she just hadn’t recognised you, you were given an upgrade on the room without even asking for one.
Plopping down onto the bed once you’d got into your room, you rummaged around in one of the backpacks until you found your laptop, connecting it to the hotel WiFi. Opening one of the major airlines’ websites, you began scrolling through the destinations offered from JFK.
So many to choose from!
Now to plan your getaway.
»»————————————-———- ⚜ ———————————-————-««
Billy Russo got back home really late. He was going to be in trouble, no doubt about it... he hadn’t even texted because he hadn’t wanted to face any questions about what he was doing and when he’d be home.
Opening the apartment door, he was surprised to find it in darkness. Oh... had she gone to bed already? That wasn’t a good sign. He switched on the lights and immediately noticed a sheet of paper and a photo frame lying prominently on the kitchen island.
Walking over, he didn’t even have to pick up the note to read it. There was only one word, printed large.
“Goodbye.”
His stomach knotted and then he looked at the photo frame lying next to it. The photo was the one which was usually on the bedside table, a favourite of his.... she was sitting on a bar stool and he was behind her, his arms right around her. Both laughing into the lens as the photo was taken.
The photo was still in the frame, but it was torn in two.
»»————————————-———- ⚜ ———————————-————-««
Finally, by the next morning you’d decided on London. You’d never been, and quite honestly wanted to lose yourself in another big city. Flight booked, an AirBnB apartment booked for two weeks and you didn’t need a visa, so you were all set.
Now just one more thing to do. You opened up the box containing your new mobile phone and fitted the SIM card into it. After about twenty minutes of entering contact details and various apps onto it, you took your original phone and called Karen.
Her bored voice answered so you knew she was already at work, but she perked up when she heard your voice.
“Hi honey! How’re things? Wanna meet up for lunch today? I’m bored and I need a good gossip.”
You were a freelance copy writer and so you were your own boss. There were one or two assignments you were currently working on, but you could work from anywhere you could get a WiFi connection, so that wasn’t a problem.
“Uhhh, sadly not darling, I’m flying to London this afternoon.” You could hear her intake of breath, then she squealed, “Oh you lucky woman, how’d you manage to land an assignment like that?”
You gave a bitter little laugh, “I’ve left Billy.”
»»————————————-———- ⚜ ———————————-————-««
Billy had sat on his sofa for a long time after he’d seen the note and photo. At first he’d just had to sit down, overwhelmed, as he had the most horrible feeling that his world was crashing down around his ears.
She was the one person who made him feel safe and loved. But he knew only too well that he’d been walking the line recently what with the situation at Anvil and having to keep Madani sweet. He hadn’t actually crossed the line, but he’d had to make sure she thought that he would, and soon at that. Would he have crossed it? He’d need to get back to himself on that question.
Of course he’d mentioned none of this to his girl. But obviously - somehow - he mustn’t have done a very good job at being discreet because she’d guessed something was up. And left him.
He’d poured himself a large whisky and downed it in one, before going over to the window and looking out forlornly at the city lights. Then he called Frank.
When he heard the gruff growl on the other end of the line, he said, “She’s left me, Frankie,” and realised how hoarse his voice sounded.
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“What?!” screeched Karen. You hadn’t divulged your recent secret fears to her, hoping against hope that you were wrong when you’d started noticing little things over the past few weeks. But now you gave her a full rundown of it all.
More and more claims of ‘working late’ and ‘being very busy at work’.
Alcohol on his breath after he’d been on these ‘working late’ evenings.
A distinct smell of CK’s Eternity from a jumper he’d left crumpled up in a corner on the bedroom floor when he’d been out extra late one evening.
The final straw? You almost laughed when you thought about it, as it was such a cliché. A smear of dark red lipstick on the inside collar on one of his otherwise pristine white shirts. And another unmistakable whiff of Eternity.
You’d never be able to wear that damn perfume again.
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Frankie had been suitably sympathetic to start with, but had then begun to berate Billy for being ‘a stupid asshole’ once he’d explained what he’d been up to with Madani. “I didn’t sleep with her!” Billy grumbled, “....just messin’ around. You know we need to know what she knows.”
“Yeah, but women ain’t stupid, Russo! Were you goin’ home reeking of booze and another woman’s perfume?” Billy said nothing at first, just grunted but then said, “Maybe. Yeah.. probably.” “See!” said Frank, “...you’re a stupid asshole!” “I mean, she didn’t even challenge me on it!” Frank started laughing, “So that makes it her fault, huh!? You’re a piece of work, Russo.” “No, no.... I just meant, aren’t you supposed to have arguments about that kinda stuff first? She just up and left me!”
“I don’t blame her,” said Frank, “...and you know she’s not the type to take any BS from you, Bill. She probably thought it wasn’t worth her time listenin’ to you tryna give excuses for the inexcusable.”
Billy was reminded by this that one of Frank’s pet peeves was infidelity. “But I didn’t cheat!” said Billy forcefully. “Whaddya do, kiss her?” “Yeah.” “Feel her up a bit?” “Mmhuh.” “That’s cheatin’ in my book, Russo.” Billy realised he was hanging his head in shame, and quickly looked up and out of the window again.
“I dunno what to do, Frankie.”
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You’d given Karen your new number and told her on pain of death not to pass it on to anyone, even Frank and especially not to Billy. She’d assured you she wouldn’t, and neither would she tell them where you were headed.
She’d been fuming at Billy, and you wouldn’t like to be in his shoes the next time she happened to meet up with him. Her rage had been quite spectacular and she was really, really pissed that Billy hadn’t even tried to contact you. You didn’t say anything to her, but secretly you wondered if he’d actually spent the night with his side piece on this occasion and hadn’t even seen your note yet. Jealousy and anger began to take over and you stood up abruptly, determined that thoughts of that douchebag weren’t going to invade your brain.
You took the SIM card out of the phone, shut it down and tucked it away in one of your bags. Gathering all your stuff together, you began to get ready to leave the room..
Can’t wait to get on that plane, you thought.
»»————————————-———- ⚜ ———————————-————-««
Frankie rang Billy back a couple of hours later. “Micro tracked her phone,” he said without preamble. “Where is she? At Karen’s?” Billy asked anxiously. There was a pause, then, “Nah, Bill. She’s at JFK. And her phone’s switched off now.”
Billy, standing next to the window again, yelled, “Fuck!” before leaning his head against the cold glass. “Can Micro find out which flight’s she’s booked on, Frankie?” “He can try, but it’ll involve some hacking so it might take a little longer.” He paused again, before continuing, “And avoid Karen. She’s out for your blood.”
Billy sighed, “She’s spoken to her?” “Yeah, course she has, Bill. She knows more than she’s tellin’ me of course, but I’m not even gonna try askin’ her. Waste of time.” “It’s okay, I get it, Frankie. I wouldn’t ask you to. But if she does say anythin’.....” “I’ll let you know,” Frank finished the sentence for him and hung up.
Billy looked out of the window and then up into the sky. She wanted to get away from him so badly, she’d got a plane ticket and was about to fly.
He just prayed he’d be able to find her before she took off.
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@blackbirddaredevil23 @galaxyjane @omgrachwrites @behindmyeyes-insidemyhead @ourloveisforthelovely @swthxrry @odetostep
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186 notes · View notes
multimetaverse · 3 years
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HSMTMTS 2x06 Review
Yes, And was a messy ep that brings us to the halfway point of the season. Let’s dig in!
Tonight took some big steps towards the Rini breakup. The conflict isn’t quite earned as they did too much too quickly in making Ricky overbearing; to go from Ricky supporting Nini going to YAC and them singing love songs to each other just 3 eps ago to Ricky now accusing Nini of changing because she didn’t get pineapple on her pizza just doesn’t work. Largely that’s because it’s clear that the writers are working backwards from an outline that requires Rini to be broken up before the finale.
The Rose song is great and Olivia’s vocals are wonderful as always but again it’s not quite earned. The lyrics make it seem like Nini thinks Ricky is holding her on a pedestal and holding her back when that’s not what we’ve seen on screen. Ricky and Nini went through a lot as they were finding their way back to each other and they learned not to see each other through rose coloured glasses and while Ricky was sad that Nini went to YAC he was supportive and respected her wishes, notably the only time he admitted how much he wanted Nini to come back to Salt Lake was after Nini had already made up her mind to return.
Rini was always going to break up both because writers struggle with writing happy or stable couples and because Tim became enamoured of Rina after writing 1x05 and will want to explore them at some point. Tim’s claimed that he has future seasons all planned out but I’m skeptical that he’s really thought out how to keep Ricky and Nini and Gina on goodish terms with each other for the remaining 2 seasons of the show while also not completely closing the door on the Rini endgame the show’s been aiming towards since the pilot.
It’s clear that Ricky has unresolved issues from his mom effectively abandoning him which are impairing all his relationships. And while it’s true he could try calling Lynne it’s the parents job to reach out and she is obviously fine living her life without Ricky. Not sure how much closure we can get with Lynne when she comes back in 2x09 but I hope we at least get an apology on her part.
Yet another ep of Gina going through it. That flashback to Gina tearfully telling Ricky that she wouldn’t have ‘’given up on us’’ if she hadn’t moved certainly paints Ricky’s behaviour this season in a worse light. I do hope the show doesn’t take the cowards way out and have Ricky being too stupid to realize that Gina had romantic feelings for him. Though again we run into the problem that these emotions aren’t fitting the story. There really wasn’t an ‘us’ for Gina to fight for, she and Ricky had only been hanging from 1x05-1x08 and never actually dated or went on dates. Also by this point Gina should be questioning her feelings for Ricky and whether he’s worth it; it’s not like he’s done anything nice for her this season like getting her chocolates for Valentine’s Day. 
Still Gina did make some strides tonight. She finally opened up to Ashlyn which seems to have lifted a weight off of her shoulders and makes the decision to stay in Salt Lake. She also brushes off Ricky wanting to be improv partners which leads to her accepting EJ’s offer which led to a sweet callback to them being wonderstudies. I’m glad she’s not going to Louisiana but it does mean we were robbed of a HSMTMTS/Secrets of Sulphur Springs crossover. 
Kourtney and Howie are finally together. I’m glad they didn’t waste time dragging this out. Kourtney’s confession was very in character and I liked the earlier hufflepuff dragging. As an aside I wonder if say 10 years in the future, shows will still be making light hearted unqualified references to Harry Potter or will J.K. Terfling have completely destroyed the goodwill the series has by then.
Lily continues to act as if she’s in Glee working for Sue Sylvester to take down the One Directions and honestly I’m here for it. I especially liked that she stole some of the condiments on her way out of Salt Lake Slices. Antoine seems alright, the espionage bit was funny. Seems like Salt Lake City would be a pretty shitty place for a French student to study.
EJ remains underused especially since this is his last semester as a student. His Gaston answer was surprisingly thoughtful and hinted at him getting over Nini with Gina as he sat down next to her. His may I have this exercise was just the right amount of smooth and goofy. 
Ashlyn had a good ep, she killed Home, Julia has a great voice. And she stood her ground with Gina but was also there for her and managed to help her decide to stay. Loved her line that she was still part Caswell.
Mike Bowen is sweet, thoughtful, and rocking that beard? Must have been hard for Miss. Jenn to let him go but ultimately she made the right decision as it would just be too messy to date the parent of one of your students.
Lots of funny little moments this ep; the camera panning to the exit sign during Gina’s confessional, the group chat with Miss. Jenn and the real group chat without her, Seb hula-hooping with wild abandon. 
Looking Ahead:
Well we’re now at the official halfway mark of the season. It’s been an uneven first half, lots of pacing issues, and clear signs of the covid pandemic impacting production. Disney + has announced that future seasons of Disney + originals will be released on Wednesdays from now on so we have that to look forward to for S3 and S4.
Carlos uploading the Rose song will inevitably lead to disaster. Nini is very right to tell Kourtney not to let Ricky know, the lyrics paint him in a very bad light. The song gives us more context for why Lily said to Ricky that his gf needed some space in the trailer. I suspect Lily will end up being the party crasher that Ricky re-evaluates in 2x12, I don’t think Tim is going to keep Lily as a one dimensional antagonist this entire season. 
Ricky said in 2x01 that he’s never breaking up with Nini again and I think that’s true because Nini will break up with him. I think it comes before 2x12, maybe them exploring an old haunt in 2x08 is where it happens though the description for 2x11 also sounds like it could be hinting at a Rini breakup.
Well we now know what one of the secrets rising between Gina and Nini will be in 2x10, Nini was already jealous of Gina and Ricky in S1 and I doubt she’ll enjoy hearing that Gina confessed to Ricky in 1x10. Since Gina has already confessed to Ricky it makes it less likely that her speaking her truth in 2x12 is related to her and Ricky. 
EJ and Gina doing the morning announcements starts next ep, that should be fun. Especially since Mazzara is aware of EJ’s feelings for Gina. There’s a pretty clear path to end the season with Portwell or at least set it up for S3. EJ already likes Gina, the announcements help bring them closer, Gina starts getting over Ricky and realizes that EJ puts her first,  maybe Mazzara helps one or both of them at the cast party, and Gina shares her truth and confesses to EJ. So far the show hasn’t done anything it can’t pull back from but sooner or later the writing will have to commit one way or the other. One thing I’ll say is that it’s already clear that making EJ a senior was a big mistake and I expect it to cause a lot more problems for the show in the remaining two seasons.
There’s also a path for Ricky and Gina to get together but that seems less likely given the clear mess Ricky is right now. Seeing his mom in 2x09 probably helps a bit but it’s hard to see how any relationship Ricky gets into won’t swiftly crash and burn. There’s also the matter of when exactly Rini break up, if it’s too late in the season then there wouldn’t be time to jump right into Rina. There’s also the matter of the unexpected facetime call he gets in 2x10 and the party crasher he re-evaluates in 2x12. Even if they’re not linked it does suggest there will be some curveballs in Ricky’s story and at least the party crasher info suggests there’s some non Rini or Rina related twist being planned for Ricky in 2x12. 
Until next week Wildcats
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flamehairedwritings · 3 years
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Happiest Season Of All
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Characters: Chief Jim Hopper x Female Reader
Rating: M, 18+ ONLY
A/N: Happy Holidays! Phew, it’s been a while. Here is a kind of drabble, and also kind of a sequel to Pain In My Heart? Set the year before S1, there’s no mentions of family, no use of Y/N, and it’s just a gentle, kind of angsty little story.
This story contains broken hearts, swearing, alcohol and embarrassment.
I hope you enjoy and have a lovely week!
Summary: Broken up with just before Christmas? Fantastic. The only thing that can help is returning to your home town, old friends... and an old love.
Masterlist
Please don’t copy, steal or repost my work; credit does not count.
23rd December 1982
‘... There'll be parties for hosting, marshmallows for toasting, and carolling out in the snow...’
You quietly hum along absent-mindedly to the cassette someone’s playing from a boombox, gazing out of the window. Usually, you’d have been annoyed but, hey, it’s the holidays.
Besides, you haven’t had much of a chance to get into the festive spirit or mood recently. With the classic Christmas song playing, the train rumbling gently and the twinkling lights in the darkness slowly growing brighter, you’re finally starting to feel it. Inhaling a breath, you lean your temple against the cold glass, your fingers lacing together in your lap as you gaze at the lights.
Hawkins, Indiana. Your hometown.
It’s been a few years since you were here for longer than a weekend but, oh, boy, this year you just need to be here. You’re retreating, you’re not too proud to admit, coming home to lick your wounds and be surrounded by all things familiar, cosy and boring.
You almost laugh. You’d left this place because it was so damn boring and now here you are, craving it. If teenage you could see you now. She’d be giving ‘that’ look which you’re told you still give to this day. 
Ah, well. Time’s a bitch, baby.
The train slows as it pulls into the station and you start to gather your things while a few others around you stand and pull their bags down from the overhead racks. You pull your suitcases down as the train comes to a stop, all three of them, with their different colours and patterns. Pulling on your scarf, coat and rucksack, you haul the suitcases down the aisle as best as you can single-file, muttering under your breath as they catch every few steps against chairs.
The wheels clatter onto the concrete of the cold platform when you step down, one suitcase twisting onto its front and tangling with the others as it nearly falls from your hand. Muttering under your breath again, you right it and continue walking down the platform, two small groups of people reuniting having to part for you. Making eye contact with a grateful smile, you’re relieved you don’t recognise any of them; you’re really not in the mood for your own reunion right now.
“There she is!”
Well, just the one.
A smile spreads across your face as Karen Wheeler trots down the platform in her heeled boots, grinning and her arms open wide. The suitcases drop from your hands as you throw your arms around one another, rocking from side to side slightly.
“Oooh, hello, sweetheart,” Karen murmurs, pressing a big, wet kiss to your cheek.
“Hey, Karrie.”
Your smile lingers, and it’s the first genuine one you’ve had in a while. Karen has worn the same perfume since high school and it puts you at ease instantly. God, you just love her. You talk on the phone every other week and have done since you moved out of Hawkins; she’s been the most consistent friend in your life and you love her with all your damn heart.
“C’mon, give me those, let’s get out of here, it’s freezing...” Pulling back, she takes two of the suitcases from you before you can protest and starts striding down the platform.
You have to do a quick little jog to catch up with her, marvelling, not for the first or even fortieth time, how she can go so quickly in those heels. It’s a short walk to the exit, made shorter by Karen’s pace, and she’s parked right outside. Wonderful. Opening the trunk, you both bundle your suitcases in, tossing your rucksack on top of it, and then do a speedy little walk to the doors, yanking them open.
“Oof, coldest winter we’ve had in years,” Karen shivers dramatically in her seat as she rubs her gloved hands together before buckling her seatbelt.
Buckling your own as she eases out onto the road, you blow out a breath. “Yeah, definitely feels that way.”
“So, how was the journey?”
“Oh, the usual, long but fine. It was a lot emptier than I expected.”
“Well, we keep hearing there’s gonna be a blizzard, so some folks have come home a little earlier.”
“Well, that’s smart.”
“Yeah. Means I keep bumping into people at the store that I wish I could avoid, though, and on the street.” She snorts as she glances at you. “Ugh, I bumped into Peggy Dawnes the other day, remember her? She would not stop talking about her perfect life on her perfect farm with her perfect husband and her perfect kids and her perfect lawn. Well, there were ten bottles of wine in her cart and I know for a fact her mother doesn’t drink and her perfect husband only likes neat whisky, so, there.”
“Oh.”
You cringe internally at your short reply, but you really can’t think of what else to say. Karen glances at you again, pausing. You look over at her and find the sympathy you’ve only been able to hear during the last few weeks. She reaches over and pats your knee gently before returning her hand to the wheel.
“Oh, sweetheart... How are you doing?”
You release a breath, raising your eyebrows slightly. “Better for being here, already. But, y’know...”
She gives you a sympathetic smile as she pats your knee again. “Don’t worry, toots, like I said you can stay as long as you want, it’s no trouble at all.”
You return her smile, relieved that you find you don’t have to force it. “Thank you.”
“No worries.” Her smile widens as she tilts her head. "The kids are looking forward to having you with us, you know how much they love you. It’ll do us all some good.”
You don’t ask about Ted because you know not to.
“I can’t wait to see them, too. How have they been?”
You gaze out of the windshield as she tells you how Nancy and Mike are doing at school and how many words Holly can say now, your eyes flitting from house to house. Decorations are out in full force, as they should be, they’ve probably been up since the 1st of the month, and it makes you smile to see them, remembering how you and Karen would go from house to house when you were younger and rate them out of 10 candy canes.
Ah, the simple life.
She’s still chatting about Mike and his friends when she turns down onto their long drive. It’s lined with various Christmas lawn ornaments, most lit up. Lights line the inside of some of the many windows of the house, too, making it look gorgeous and cosy and warm. A curtain is yanked back suddenly and Mike’s face appears, grinning. He waves frantically and you smile instantly, waving back with your eyebrows raised.
My favourite, funny little kid.
He’s already at the wide open door when Karen parks, still grinning. Unbuckling your seatbelt, you open the door and step out only to have him nearly slam into you before you can straighten, hugging you tightly.
“You’re here!”
You laugh, wrapping your arms around him just as fiercely. “Hey, buddy. You okay?”
“Yeah. C’mon, I wanna show you this book I got...” He’s already out of your arms and waving you towards the door, which Karen is muttering about the heat being let out of.
Chuckling to yourself, you help her with your suitcases and rucksack, feeling vastly different to how you did ten minutes ago; they never fail to raise your spirits. Nancy greets you as you enter, smiling widely and also ready for a hug. You give it gladly and just as fiercely as you had with Mike, asking her how she is. She shrugs and just says “Fine,” with a smile as you remove your shoes and coat, and you marvel at how she’d once been as talkative as Mike when she was younger. You hear the boy himself calling from the basement, telling you he can’t currently find the book but it’s around here someone and you’re gonna love it! You follow Karen up the stairs to the guest room with a wide smile, calling back your thanks to him.
Passing walls lined with family photographs, it’s a short walk down the hall to the room you’ll be staying in for... well, who knows. Karen opens the door with a trilled, “Ta-da!” and you laugh as you take in the sight before you. It’s completely decked out in Christmas decorations; tinsel on every bit of furniture, snow-globes on the window sill, a polar bear stuffed toy on the bed, fairy-lights around the headboard. You’d roll your eyes at the excessiveness of it if it wasn’t so damn sweet.
“Wow, it’s like Santa’s Grotto in here...”
“Eh, close enough, I wanted fake snow on the ground but Ted vetoed that idea pretty quick.”
You snort, hauling the suitcase you’re carrying onto the bench at the end of the bed and dropping your rucksack onto it before sitting on the bed, your fingers running over the blanket Karen’s mother had crocheted. Nancy lingers in the doorway, and after leaning your other suitcases against a chest of drawers, Karen turns to her, making a shooing gesture.
“All right, go on, Nance, us hot young things need to get ready.”
“Ugh, Mom...” Nancy just about manages to stop herself from rolling her eyes as she turns away and heads back down the hall while you stare at Karen.
“Uh... Ready for what? Bed?”
“No,” Karen laughs, and you suddenly notice she’s going through your suitcase on the bench, rifling through and pulling various items out. “We’re going out, to the bar.”
“The bar?”
“Yes, the bar.”
You’re still staring at her. “Where everyone we know goes?”
Karen shrugs, looking at you like it’s the most obvious thing in the world. “Yeah, ‘cause it’s still the only good bar in Hawkins.”
“I thought you wanted to avoid everyone.”
“Eh, yeah, but... y’know, only good bar in Hawkins. And...” Oh, no, she’s looking sheepish, her head bowing slightly as she glances from you to some of your clothes she’s pulled out. “... Uh, we’re kinda having a party here tomorrow, anyway, so...”
“What?”
Her eyebrows shoot up, her hands raising. “It just kinda happened. It’s been years since we’ve had one and Ted and I were talking about it and then I saw Mary-Lou at Mike’s school and I just happened to mention it and she got so excited and then I got excited and it just, it suddenly happened.”
Your lips press together as you exhale a short breath. “Well, they were fun...”
“Yeah, they were, weren’t they?” Karen sits beside you with a nostalgic sigh, shaking her head. “We had some of the best times of our lives at ‘em.”
“Yeah... I remember the one after you gave birth to Nancy, I thought I was gonna have to take you to the hospital.”
“Ha! Thank God my Mom came over to look after her. What about the one where you set fire to the tree?”
“Oh, please don’t remind me, and that wasn’t actually my fault, you know,”
“Ha, yeah, sure, that was great...”
You both sigh together, a smile finding its way onto your lips at all the memories that come flooding back. They had been fun. You hadn’t been able to attend every one over the years but the ones you had had been so great they’d almost made you want to stay in Hawkins. Maybe... Maybe a return to a beloved tradition is exactly what you need.
Turning your head to her, you arch an eyebrow. “You didn’t think to tell me it was happening, though?”
Karen shrugs as she smiles. “I didn’t want you to talk yourself out of enjoying it before it had even happened. Same as tonight.”
“Oh, Karrie...” You huff out a breath. “... You know me too well, it’s so annoying. Ugh, I was so looking forward to just curling up on the couch, drinking and watching some of the classics.”
“I know.” She pats your knee, nudging her shoulder against yours. “And we’re gonna do that the day after Christmas, and every day that you want to while you’re here. But tonight, we’re gonna get fancy and go out and get a little bit drunk. It’s Christmas, c’moooon.”
You just can’t help but smile. “All right. All right! Fine. How long have I got?”
“An hour.”
 “What—”
She’s already on her feet, pointing at you as she heads to the door. “Take a shower while I cook us and the kids something up, and then we’ll get ready. okay?”
You know you have absolutely no choice in the matter. “Okay, fine.”
 “Great!” she beams, reaching for the door handle to close it behind herself. She pauses, though, resting her weight on one foot as she clears her throat. “Oh, and uh... he’s probably gonna be there.”
You don’t have to ask who she’s referring to.
Staring at her, you manage to keep your features expressionless. “Oh. Really?”
“Yeah.” She’s watching you carefully, teeth grazing over her lower lip. “He is nearly every night, apparently, according to Marian.”
Raising your eyebrows slightly, you smile. “Well... maybe he won’t be.”
“Yeah, maybe he won’t be...” She’s still watching you, a gentle smile pulling at her lips. “Shower, toots.”
“Okay, okay...” You wave your hand as she pulls the door closed, hearing her move down the hallway.
The moment you hear her heading down the stairs, you release a long breath, lying back on the bed.
Oh, shit... 
Well.
You stare at the ceiling as the realisation suddenly dawns on you.
I might see Jim Hopper tonight.
James Hopper. Jim. Hopper. Hop. Chief, also now, not that you’ve ever been around to call him that.
You’d been friends since you were kids, best friends actually, at one point closer than you and Karen had been, and then feelings had developed when you'd become teenagers and then you’d taken the leap and had started dating and then...
You’d broken up.
And you’d been the one to initiate it.
And you’d done that because, well... It was because of a lot of little things. Mainly, though, you hadn’t known what route you wanted to take, college or work, you hadn’t even known what you wanted to do, but you knew you wanted to get out of Hawkins. And Hop... hadn’t known what the hell he wanted to do either, but he hadn’t even thought about it. He’d spoken once or twice about joining the military, or just starting a job, too. College hadn’t even crossed his mind. The conversation had come up and, well, it hadn’t ended well. 
In fact, when it ended, that has been the last time you’ve spoken to him. As you’ve returned home over the years you’ve heard he did join the military, fought in Vietnam, came home, married, and lived in New York the same time you had. You’d been heartbroken to hear from Karen that his daughter had died, and he’d divorced and moved back home.
Now, he’s Chief of Hawkins Police and, well, you’d love to avoid seeing him at all costs. There can come a time when, having not seen someone in decades, you can’t even have a casual conversation because all both parties are doing is screaming in their heads.
Well. Like you’d said yourself. He might not be there.
Hey, as Chief of Police this is probably a very busy time of year and he’ll be off doing something.
It’s gonna be fine.
Absolutely fine.
After showering, you throw on some clean, comfy clothes and head downstairs to eat with Karen and the kids.
Holly sits at the table in her highchair, silent as ever, well, being two years old she only knows a handful of words, but she just stares at you as she has done since she was a baby. Mike talks non-stop about school and his friends while Nancy chimes in every now and then to talk about her own friends, saying names of people in her class that you take a moment or two to remember, and to mutter insults at him while he mutters them back.
Karen half-heartedly tells them to stop in between telling you what she might wear, and you somehow manage to keep up with all conversations. Frankly, it’s also quite nice after being surrounded by mostly silence for the last few weeks.
Whipping your plate away from you seconds after you finish, Karen is up and striding to the kitchen, calling over her shoulder.
“C’mon! Let’s get sexy!”
Your lips twitch as Mike and Nancy groan, the only thing they can agree on right now being that their Mom is a complete and utter embarrassment.
She practically shoves you up the stairs, trying to get you to move faster, and from then on the next 30 minutes feels like a whirlwind. She tries on six outfits before settling on her usual favourite, and changes in your room while you rifle through what you’ve brought. Luckily, even though you can’t really remember packing, you’ve brought some of your own favourites, and, after scrambling to find some shoes to go with them, she helps you decide on an old classic.
Gazing at you, her hands on her hips, she beams with delight.
“Well, look at you, huh! Fancy lady!”
You give a twirl as she whoops, and then her arm is looping through yours and she’s practically dragging you towards the door.
“Bye, guys, we’ll be back late!” she calls out, though no one answers, too busy doing their own thing. 
You haven’t seen any sign of Ted and, once again, you know not to ask.
“Late? How late is late?” you ask with an arched eyebrow as she hurries you down the stairs.
“Oh, come on, not that late, we’re not gonna get wasted, we’re not teenagers anymore.”
“... God, I hate it...”
The stall door slams against the cubicle wall as you pull it open a little more forcefully than you had intended. Holding it for a moment, you exhale a short breath before moving towards the sinks, only swaying a little. Washing your hands, you glance up at Karen, watching her try to reapply her lipstick as neatly as possible.
“And did you hear Julian is engaged? And Andrea has a new boyfriend? Is it me or is everybody getting into a relationship?”
She snorts, rubbing her lips together. “It’s that time of year, folks hate being lonely at Christmas.”
You scoff, turning the tap off and drying your hands. “Just sleep with people, then, doesn’t mean you have to get into a relationship and hog someone all to yourself.”
She laughs, slipping her lipstick back into her bag before turning to you, a hand on her hip. “Oh, babe... C’mon, let’s find you someone to have meaningless sex with it.”
“Okay.”
The bar has been heaving from the moment you’d arrived. It usually is, but tonight the place is rammed, perhaps because of the time of year, but maybe more because, it turns out, there’s an offer on drinks, it being the holiday season and all, and happy hour has lasted more than one hour. More than two. It’s nearing three now.
Each sip has helped you relax, even as Karen gasps and points out old high school classmates, filling you in on every detail of their lives she’s learned. So far, incredibly gladly, she’s not pointed out a certain Chief.
Returning to your table, which a guy you don’t recognise has been guarding for you, as in literally guarding, he has his hands behind his back and is saying, “Nah, move along, this ain’t free...” to anyone who looks like they’re going to swoop in. At spotting you both, he grins and holds his arms out wide, gesturing at the table.
“All free for you, m’ladies.”
You’re unable to stop a smile because there’s something so weirdly charming about this absolute goofball of a man. He takes a seat beside Karen as you sit, the two of them having been exchanging small talk that verged on flirting. Heck, it was flirting. Sipping from your drink as you watch them, you feel a small, familiar twist in your stomach.
Karen is more like her teenage self when she’s with you, but when you see her with Ted, no longer Teddy as he had been in high school, and the kids, she’s Karen the mom, like she’s caged her personality in and doesn’t quite know how to bring the two parts of herself together. When she’d come to visit you once last year, you’d gone out to a bar and you’d watched her flirt with a couple of the men there. You’d thought it was harmless at first, just a bit of fun for her, she’s a charismatic lady, but then something had changed and, as a guy had held her hand, stroking it, and she hadn’t pulled away, you’d felt a twist in your stomach.
She’s gonna have an affair one day.
The thought had come to you so suddenly and so sharply that you’d shoved it away with all your might, horrified with yourself. No, Karen wouldn’t do that... Would she? Since then, you’d become more and more unsure. You’ve stopped asking about Ted when you talk because she’d just sigh heavily and spend the next ten minutes pointing out every flaw he has, how the romance has gone, how she’s tried and nothing happens. You know she’s unhappy, but you just can’t see her doing it. You hope not, anyway.
Looking away from them, you watch a few people dancing, Christmas music flowing out of the speakers above.
Karen laughs at something the guy says, and in the corner of your eye you see her place a hand on his arm.
“Oh, that’s too funny! You’re really funny... Sorry, what’s your name again?”
The man is unfazed, still grinning. “Callahan. Phil Callahan.”
He says it with such an atrocious Sean Connery accent, making Karen burst out laughing again, and it makes you smile, too.
“Oh, big James Bond fan, huh?” she says, her elbow on the table, chin in her hand.
“Oh, yeah, it’s why I became a cop.”
Your gaze darts to him. “You’re a cop?”
He raises his hands as he laughs. “Yeah, but, hey, you go on and drink as much as you want, I’m off duty now.”
Karen laughs and you make yourself join in, but your heart has started to beat a little faster.
Oh, stop it, he’s not here.
You take a quick sip of your drink again to cover the fact you aren’t laughing anymore, and then Callahan looks up, his grin widening somehow as he waves his hand frantically.
“Hey, boss, over here!”
Boss?
Boss.
The entire room seems to slow down as you turn your head and see a man, who’s stopped for a moment to shake hands with someone, with brown hair and a neatly clipped beard, wearing a brown leather jacket, plaid shirt and jeans, his eyebrows raised—
Oh, God.
Oh, shit.
Oh fucking Lord in the manger.
Callahan is slapping his hand against the vacant seat at the table, that happens to be close to you, practically shouting, “Hop’, here, saved ya a seat!”
You swiftly turn back around, staring at Karen. She’s frozen, staring at you, and for the next three seconds you somehow communicate an entire conversation with just your eyebrows and eyes.
Both of you seem to agree on fuuuuuuck.
You can’t just get up and leave, that would be the most obvious thing in the entire world. What if he doesn’t recognise you? Yeah, maybe you’ll be so incredibly fucking lucky and it’ll be a Christmas miracle and you’ll somehow have just disappeared from his memory.
Swallowing hard as you hear him move past a group behind you with an “Excuse me,” you rest your hands on the table, gripping them together.
“Hey, Callahan, where’s everybody else?”
Oh, his voice has changed. It’s deeper, rougher.
“Oh, well, Powell said he and his wife are gonna come later when he finishes his shift, and Jones, Davids and Williamson are over there, they’ve been waitin’ to get a drink for ages.” Callahan laughs delightedly, and Karen joins in, giving a slightly nervous one.
It draws Hopper’s attention and you don’t dare look up to see his expression but there’s a note of surprise in his tone.
“Karen, hey, you doin’ okay?”
“Yes, thank you.” And then she panics. “We’re just having a night out.” And then she panics more when she realises what she’s said, and that she’s gestured at you, her eyes as wide as her now somewhat manic smile.
Oh. God.
Lifting your head, you automatically smile, your features frozen.
“Hi.”
Hi.
He looks from Karen to you, and you’re suddenly subject to the full force of Jim Hopper’s gaze for the first time in decades.
Oh. God.
You can’t help it; the memories of the last time you saw him flood your mind.
“Hop’, are you even listening to me?”
He swiftly puts down the ball of rubberbands he’d been picking at on your desk, his eyebrows raised as he looks to you.
“Yeah, yeah, course I am.”
Your own eyebrows rise even higher, your hands lifted. “What, then?”
He tilts his head slightly, grazing his teeth over his lower lip. “’What’, what?”
“You weren’t fucking listening—”
“No, I was,” he quickly says at your weary sigh, leaning forward in the chair and resting his elbows on his knees, an easy smile pulling at his lips. “C’mon, just repeat the last part.”
You’d once found this all charming and endearing.
Your hands going to your waist, you exhale another breath before folding your arms, managing to calm yourself.
“What are you gonna do after school?”
Hop’ shrugs, leaning back again. “I don’t know. What are you gonna do?”
It was just the answer you’d feared, and expected. Licking your lips, you glance down at the carpet before steeling yourself and meeting his gaze again.
You can do this.
“I’m thinking of moving.”
He nods, his smile returning. “Okay, where?”
“I don’t know. New York, maybe. There’s jobs there and I have a friend there, I could stay with her for a bit.”
“Or we could get a place together.”
You stare at him, feeling your stomach twist.
“So... you’re, you’re just gonna follow me where I go.”
“Yeah.” His brow dips slightly, the smile still there, though it’s hesitant. “Aren’t girlfriends supposed to be happy when their boyfriends say that?”
“Yeah, but... What do you want to do?”
Hop’ shrugs again. “I don’t know. I know I wanna be with you, though.”
You’d once have quietly swooned at that and given him a fond smile. Now, though... You want more.
“Hop’, I don’t... I don’t wanna be one of those high school couples that just sticks together because they’re together. I want you to actually want this.”
He’s frowning again, confusion starting to set in. “I do.”
You say it quietly. “I don’t think you do.”
He stares at you, all traces of his smile gone. Then, he scoffs, leaning back in his chair a little more as he folds his arms.
“So now you’re tellin’ me what I do and don’t feel?”
“No, I just, I want you to have some drive, some ambition, not just go along with what I say and do.”
“I go along with it because it’s what I want.”
You can feel tears stinging at your eyes but your mind has also been made up.
“I don’t think it is, I just think it’s easy and safe for you.”
“Stop tellin’ me what I’m feelin’!”
His voice raising makes yours, too.
“Am I wrong?”
He looks at you like he has no idea who you are, and for some reason that really pisses you off because you don’t really recognise him anymore, either.
“Why are you pushing me away?!”
“I’m not, I—”
“Where has all this come from, then?!”
“I don’t know if I want this!”
Silence falls.
You swallow thickly as he stares at you, your voice cracking slightly.
“I’m sorry, I’m so sorry, but... y’know, Karrie and Teddy, they... I look at them and at Joyce and Lonnie and they’re so happy, they know what they want, and they can’t wait to get married and settled down, here, but...”
“You don’t want that,” he finishes for you, quietly.
You speak after a moment, your tone matching his. “I don’t.”
“You don’t want me.”
That sends a knife through your heart because honestly? You have no idea. 
Shaking your head, you close your eyes for a moment. “No, yes, I... I don’t know. I care so much about you, but... I just think we’re on different paths.”
His gaze drops as your words linger in the air. Clearing his throat, he glances up at you again.
“What if we just take a break, for a bit. Or I can come up and visit you, in New York.”
He’s just a boy, you suddenly think, your heart breaking.
Biting at your lower lip to stop it from trembling, you give a small shrug. “I think that wouldn’t be fair on us both.”
He nods slowly, his jaw moving, and you’ve never seen him this distant. Raising his eyebrows slightly, he stands.
“Seems you already had this all figured out.”
“No, no, I didn’t, I just don’t want to be unfair to you—”
“Could I have said anything that would have changed your mind?” His quiet words silence you, and you have to stifle a sob.
“... No.”
Hop gazes at you, and after several moments he nods. “Good luck with everything.”
You’d burst into tears the moment he’d left your room. The front door had slammed shut and as you’d sat on your bed and cried and cried you’d heard his car door slam, too. You’d cried for days, going between telling yourself you’d made a huge mistake, and then that you’d done what was best, that he didn’t appreciate you like he used to and it wasn’t your job to fix him and coach him through life and that... yeah, you’d fallen out of love with him.
You hadn’t just lost a boyfriend that day, though, you’d also lost your best friend.
You loved Karen but there was just something different about Hop’, something that made you feel safe and like you could tell him anything and he wouldn’t judge. As you’d moved away and the months had gone on, several triumphs and bad days had happened, and all you’d wanted to do was just pick up the phone to call him and tell him. You’d stopped yourself every time.
Then, at some unremarkable point, you’d just stopped getting that urge, and life had moved on.
Oh, it certainly had moved on.
You stare at him, trying to look without looking. You can still see the face of the teenager you once knew, though with the beard and the lines at the corners of his eyes he’s very much a man now.
God, is he a man.
He was tall when you’d known him, but is he taller now, somehow? Had he had another growth spurt in his twenties? His hands are huge, too, and he’d been confident back then but it had come from cockiness whereas now he just seems quietly so, more sure of himself.
And you have absolutely no idea what he’s thinking. He’s staring at you so expressionlessly that you believe for a moment or two he actually has forgotten you.
Then, he speaks
“Hey. Been a long time.”
Hey. Been. A. Long. Time.
Said like you didn’t once whisper “I love you” to each other and share every single secret you’d ever had.
Then again, all you’d been able to muster up was a ‘Hi’.
You’re still smiling and you don’t know how to stop.
“Yeah, it has.”
“How are you?”
“Fine, thank you, you?”
“Yeah, good. You home for the holidays?”
“Yep.”
He runs his fingers over his mouth as he nods, and oh my God, he’s attractive. Is he, or is it the alcohol?
Wanting to banish the thoughts from your mind and distract yourself, you quickly continue.
“I’m staying with Karen.”
“That’s nice.” It’s said absolutely expressionlessly. “Just ‘till the new year?”
“Uhm, indefinitely. I’m, I’m working, uh, going through, uh, I’m moving, at the moment.”
“Okay. Well, I hope it goes okay.”
Oh my God, he’s winding down the conversation. He’s gonna go.
And you’re still smiling.
“Thank you.”
Nodding, he glances at Callahan. “I’m gonna go and check in with the others, see how they are.”
Callahan just nods once, his gaze flicking from you to Hopper and back again with utter confusion.
Rising, Hopper glances from Karen to you.
“See you around.”
“Yeah, bye, happy holidays,” you answer, Karen possibly unable to speak.
His lips move slightly, possibly into a faint smile. “Yeah, to you, too.”
And then he walks away, heading for the bar. Staring at where he’d just been sat, a slightly strangled sound releases from the back of your throat.
“Oh my God, oh my God...”
Looking to Karen, a whole range of emotions are flashing across her face as she tries to find the most comforting one. She fails.
“Oh, babe, oh God, that was horrible.”
“I know, I just, I forgot how to have a conversation, my voice got so high.”
“It did, I don’t know why you did that.”
“Neither do I, oh my God...” Putting your head in your hands, you then quickly lift it after a moment, pressing your lips together as you raise your hands. “Whatever. It’s fine. Let’s just, please, move past it. It’s over, I got it out the way, it was civilised, it’s done.”
“You’re right, you’re so right, please let’s forget it. Let’s drink.”
“Yes, please.”
You tap your glass against Karen’s as she raises it, and both take a long drink.
Oh, God.
That had been... so uneventful you don’t quite know what to do with yourself. In all the times you’d thought about how this exact moment might go, you’d never thought it would be uneventful. You’d imagined yelling, or crying, sometimes even laughing, but this...
Well. It was really like it had meant nothing at all.
You don’t know why it’s getting to you so much. You broke up with him. Of course he’d have moved on and left it all behind, God, you have as well. You’ve both lived your lives, gone through so many things and come out the other side and... A break up when you were teenagers kind of pales in comparison.
Yeah. It’s all fine. In fact, you know what, you’re relieved. It’s mature. It’s done. That’s it. You don’t have to be best friends with him again, for fuck’s sake.
Lowering your drink, you don’t realise your internal monologue has played out on your face, eyes widening and narrowing. Looking up, you find Karen and Callahan staring at you.
Licking your lips, you shrug. “It’s fine. It’s fine. Who wants another drink?”
You’re out of your seat and heading to the bar before they can respond. Karen sits back in her chair as she blinks, watching you stride away.
“Can someone just please tell me what’s going on?” Callahan bursts out, his hands raised.
“Oh, God, sweetie...” Karen sighs, reaching for her drink again. “... I have no fucking clue.”
—————————————————————————————————
24th December 1982
“Ughhh... Oh, God...”
It’s not your own groaning that wakes you, but that of someone else.
Cracking open an eye, you stare up at the ceiling as the groaning continues.
Uh, my mouth is so dry...
Licking your lips, you turn your head and find Karen on the other side of the bed, her hair bedraggled and spilling across the pillow, mascara halfway down her face, lipstick smeared. Turning her own head, she looks at you and groans again.
“Am I alive?”
“I think so,” you rasp, and she groans mournfully.
“Ughhhh... I don’t even remember how we got home...”
Closing your eyes, you scratch at your forehead, trying to remember yourself.
You’d gone to the bar, drank, drank a lot, maybe danced a little, spoken with your old classmate, Jessica? Justine? and then... Oh, what was his name again...
“Callahan,” you murmur, your throat aching. “Callahan brought us home.”
“Oh, yeah... Didn’t we ask him to turn on his lights?”
Your lips twitch as you recall how you’d both screamed with joy and whooped and cheered as he’d turned on the lights, waving your arms from side to side.
You snort and she glances at you. A laugh escapes you as you think about the absurdity of it all, and then she’s laughing, too, her cackle loud and delighted.
“Oh my God... Ugh, that was fun...” she sighs, her smile lingering.
“Yeah...” you murmur, stretching your legs out.
“We’ll have fun tonight, too.” She pats your hand, exhaling a breath. “If we just... If we just sleep ‘till noon, and then we can start preparing the house... Maybe even two, it won’t take long...”
You hum, closing your eyes, and, yeah, sleeping a little longer does sound like a good idea... Besides, when you’re unconscious, you don’t have to think about a certain embarrassing event that happened... 
Perfect.
You focus on the softness of the bed as Karen snores lightly beside you, already fast asleep... Yeah... the joy of unconsciousness...
“... Jingle bell, jingle bell, jingle bell rock... Jingle bells swing and jingle bells ring... Snowin' and blowin' up bushels of fun... Now the jingle hop has begun...”
Adjusting a plate on the table, you straighten and blow out a breath, trying to stifle a yawn.
I really can’t handle a night out anymore.
Brushing your hands together, you turn, surveying the party that’s in full-swing. It’s only a couple of hours in but it’s already a success. People are talking, laughing, dancing, singing, eating, drinking, having a merry old time in general really. You feel more proud than you would have thought as your gaze drifts across the room.
You’d had to shake Karen awake at half one, both of you practically dehydrated and feeling not so fresh. After drinking copious amounts of water, showering, changing and finally eating, realising you were both starving, you’d flown around the house together, tidying, cleaning, cooking up food, putting drinks out and decorating. It had been another whirlwind but a wonderful whirlwind. You’d had so much fun, and hadn’t thought once about The Incident. An hour before the party was due to start, you and Karen had gotten ready, selecting slightly more festive outfits than the ones you’d worn last night.
Now, she’s in the kitchen, laughing at something a neighbour is saying, while Mike and Nancy talk in separate corners with some of their friends who have turned up, and Ted, who’d you’d finally bumped in to and greeted, was sat in his armchair, talking with a guy who looked slightly desperate to get away.
The doorbell chimes and you catch Karen’s eye, waving your hand and mouthing, “I’ll get it,”, as you’ve done so for the last few chimes.
You have to carefully push your way past people on the way to the foyer, which is surprisingly empty. Moving to the door, you grip the handle and pull it open, a smile already on your lips.
“Hey—”
You cut yourself off, pausing as you stare up at the man.
Hopper stares back at you, shoulders slightly hunched from the cold, hands in his pockets.
"Hi,” he says, glancing behind you briefly.
"Hey,” you repeat, your heart pounding.
... Whaaaaaat is he doing here?
As if he’s somehow heard your thought, he clears his throat and raises his eyebrows a little. “Uh, Callahan said we were invited.”
Oh, fuck, yes, you’d forgotten Karen had insisted he come, and you, jokingly, had said, ‘Hey, why not invite Hopper, too?’
Haha. Ha. What a hilarious joke. What a hilarious little joke that Callahan clearly hadn’t taken as a joke so it is now real.
Just as you realise you haven’t answered him, he clears his throat again. “Should I—”
“Oh, no, God, sorry, come in.” Holding the door open, you step back, gesturing with your other hand into the foyer.
He steps in, glancing at the party beyond before he turns to you as you close the door, looking up at him.
You’re staring again.
Swallowing, you point at the stairs. “Uh, coats are up here, I’ll show you.”
Before he can answer, you stride to the steps and ascend, gripping the bannister.
Ooh... Ooh, what’s happening... What am I doing...
You’ve shown the last few people up to where the coats are being kept, just in case you can’t see them out, but this is... This is rather intimate.
You hear him behind you, following you up, and you make yourself exhale a long breath to try and calm your heart.
Be an adult.
The coats are being kept where they usually would at a Wheeler party; the guest room, AKA your room. It’s one of the reasons you’ve been basically escorting people up to it, not wanting them to linger in there or have a stranger possibly go through your things.
Pushing the door open, you step in to the dimly lit room and gesture at the bed that’s piled high with coats, scarves and jackets.
“Just here, leave it anywhere.”
He stands in the doorway, hands back in his pockets.
“I’m actually not stayin’ long, I’ve got a shift soon.”
Your hands drop. “Oh. Okay...” You can’t stop a slight frown from crossing your features. “Why did you come up, then?”
Hopper meets your gaze, his jaw moving minutely. “‘cause I want to talk to you.”
“Oh.”
Oh.
You’re sweating, your fingers flexing by your side.
Okay, here we go, he’s gonna yell at me and tell me everything he’s been holding back, here we go...
Shifting his stance, he leans against the doorframe, his gaze holding yours. “Listen, last night, I... I’m sorry I left so abruptly. That wasn’t, uh... polite of me.”
... Well, that’s not what you’d expected.
Your lips parted, you gaze at him. “Uh, no, no, no, it’s fine, I, I completely get it. It’s, uhm...” You pause, swallowing. Then, you smile faintly, and just say it, your voice dropping slightly. “... It’s weird, isn’t it.”
“Yeah. Fuck, yeah, it is.” He lets out a laugh, and for some reason the sound of it warms you. “I was a little taken aback when I saw you, I was totally unprepared.”
“Oh, me, too.” You exhale a laugh, your smile easing. “I wanted to say so many things but my brain wasn’t quite connected to my mouth.” You laugh again, though it’s more nervous this time, because you know if you don’t say it now, you never will. Your tongue gliding across your lips, you raise your hands a little. “Look, Hop, I...” Fuck, it feels strange saying his name again. “... I’m sorry for how things ended between us.”
Hopper’s already shaking his head before you’ve finished, a slight dip to his brow. “Don’t be. I think it was the kick up the ass I needed, and I knew you were right. Took me a little while to admit that, but, yeah.”
“Still, I could have given us a chance—”
“We were kids,” he cuts you off gently with a light smile, shrugging. “Neither of us knew what we were doin’ or how to handle somethin’ like that.”
You snort. “I still don’t.”
A corner of his mouth lifts a little higher. “Yeah, me, too.” Grazing his teeth over his lower lip, you watch him as he seems to consider something, your cheeks heating slightly at his intense gaze. “... Stop me if I’m, uh, treadin’ where I shouldn’t, but, and I’m just connectin’ the dots here, you said you’re stayin’ in Hawkins indefinitely, is that because something similar has happened?”
You give a faint smile, pointing a finger at him as you raise your eyebrows. “Yeah, you got me. I, uhm...” Here we go... “... I broke up with my fiancé. Or, he broke up with me, actually.” Your smile widens a little more. “Good connecting, you must be a great Chief.”
“Well, I do my best.” He looks sympathetic in a way that is mercifully not pitying. “I’m sorry to hear that.”
“Thanks. I feel like shit every day, but, it was for the best. He was an asshole. I just didn’t want to see it.”
“How come he did the breaking up, then?”
You fold your arms, exhaling a breath. “He met someone else. Didn’t even bother to hide it or save my feelings. Just told me.”
“That sucks.”
“Yeah, it really did.”
“Still,” he nods his head at you, “you seem much better off.”
You feel a little proud at that, because, actually, you feel like a mess. “Thanks. Karen’s letting me stay here until I figure out what I wanna do. I don’t even know if I like my job anymore or if it’s just everything that’s going on making me feel like I hate it, or maybe I have hated it for a while and I just don’t want to admit that to myself either.” You catch yourself from continuing, releasing a sheepish laugh. “I’m sorry, I’m just rambling on now, you can go back down—”
“Nah, it’s okay, I like listenin’ to you.”
He says it so sincerely, holding your gaze, that you don’t quite know what to do. Biting at your lower lip briefly, you look away for a few moments, your fingers twisting together.
“Well... Thank you.”
“You’re welcome.”
You can hear the smile in his tone, so you look up, and God...
You’ve missed that smile.
His expression is so soft, too, so gentle and...
No, no, no, no... No, it’s just because you’re sad and it’s Christmas and—
Clearing his throat, he leans an arm against the chest of drawers beside the door.
“Y’know, I... I’ve thought about you over the years, thought about reachin’ out. I heard from someone years ago that you were in New York and I... I told myself I was gonna look you up but... I just couldn’t bring myself to do it. Didn’t know if you’d even want to see me.”
A smile pulls at your lips, your chest aching slightly. “I think I would have.” Biting at your lower lip again, you take a breath. “... I’ve thought about you, too. Sometimes I think about if I made the biggest mistake of my life in leaving you.”
He blinks, before quickly smiling, shaking his head. “Like I said, we were just kids. We didn’t know any better.”
“I know.”
You’re gazing at each other again, quietly.
Don’t.
Clearing your throat, you make yourself smile. “I’m so sorry, I should have offered you a drink, I—”
“Would you like to go out for a drink?” he asks, so swiftly that it’s as if he’d been waiting to. “So we can catch up properly?”
Staring at him, you feel something quietly ignite within you. He looks somewhat nervous, and for some reason it calms you instantly.
A softer smile returning to your lips, you nod. “I’d like that.”
One corner of his mouth lifts a little higher than the other as he straightens, his hands falling to his sides. “Good. Okay. I’ll call. I gotta head out now, sorry, I just wanted to drop by before my shift.”
He wanted to drop by... to see me.
Trying to contain your smile, you move towards him, heading for the door. “It’s okay, I’ll walk you out.”
“Thanks.”
You head down the hallway and stairs in silence, your heart fluttering wildly. You’re suddenly very aware of your body, and of his right behind you, and oh my God, when was the last time I felt this way?
Pulling the door open, you hold it for him as you smile.
“Well, I hope your shift goes okay.”
“Thanks.”
He’s stood before you, a hand in his pocket, and he doesn’t move.
Then, his other hand moves to rest on your arm gently as he lowers his head and presses a soft kiss to your cheek.
Oh, fuck.
His lips brushing against your skin makes your heart stop and every inch of your skin warm. It’s brief, far too brief, and when he pulls his head back to look at you, you desperately hope you don’t look as flustered as you feel.
Giving a slightly breathless smile, you hold his gaze. “Merry Christmas, Hop’.”
The smile he gives in return has you feeling a way you know you haven’t in years.
“Merry Christmas, sweetheart.”
—————————————————————————————————
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spn-romantica · 3 years
Text
So I watched SPN for years, right up until the end of S11, when they brought back Mary. I heard that S15 would be the last season, and I was like ‘oh ok I’ll rewatch (for like the 8th time) and finish SPN then’ BUT THEN 15x18 happened and I was violently pulled back into the SPN fandom. I still haven’t caught up fully watching yet, but I’ve read so much discourse now...and I have thoughts. Hypotheses currently. I’ll wait to finish the whole show for real to call any of this theories but, I wanted to record my thoughts.
They’re about Chuck. As a villain. Which weirds me out. As an antagonist? Sure. As evil? No. Can’t envision it. I just finished my rewatch of S5 and, damn, but if Chuck is the ultimate villain, S5 reads very differently. :0
But I recently saw a post comparing Dean’s reaction in 1x18 (I believe) to his in 10x05 (for sure) about when someone mentions his mother’s death. In 1x18, it’s Sam when they were children and Dean gets angry. In 10x05, it’s a group of high school girls and Dean just bops his head along to the song. The post was framing it as 10x05 not understanding Dean’s thoughts about his mother, but I think that both episodes understand Dean. When Dean is a child, the trauma over his mother’s murder is still fresh. By 10x05, the event is 70 years in the past. Of course it still affects Dean. Of course. You never really get over something like that. But I’d argue that after 70 years, Dean has moved through the stages of grief to acceptance. It still hurts, but like an old ache, not a fresh, still-bleeding wound.
Interestingly, 10x05 is when we see Chuck, after a long absence. He’s watching the play, probably happy that someone loves his work enough to even make a musical, but he is also watching the Winchesters. The actual episodes of the show, aka the books Chuck writes, are what Chuck knows/cares about regarding the Winchesters. Despite being God, I’d argue he doesn’t pay attention to every second and all the little minutia of the boys’ lives. So, here in 10x05, we have confirmation that Chuck is around to see that Dean has healed from his mother’s death.
Later, in S11, Dean acts as therapist/life counsellor to Chuck/God, regarding Amara and Lucifer. And it works! Dean teaches God about family and about healing. Why does God listen to Dean Winchester, a random human? Perhaps it is because of S1-5. Perhaps it is because Dean and Sam were part of God’s test, as God himself describes it in 5x22.
What was the test? Was it God’s experiment about choice and free will? About freedom vs peace? Or, perhaps, was God trying to understand sibling relationships? He and Amara are two faces of the same coin. They are siblings, but with very different outlooks and it caused a rift between them, caused Chuck to seal Amara away before she could destroy his creations. Chuck regretted this, but saw it as a necessary betrayal. But then, some time later, Chuck’s angelic children experience their own betrayal and sibling rift. Lucifer tries to turn the angels against God, rebel and reject God. He makes demons, for sure, and maybe even Hell. But why? God figures that Lucifer was maybe jealous of the new baby (humans) like others in the show postulates. Or maybe Lucifer had beef specifically with Michael, because humans are little more than amoebas from an angelic perspective. Aside from Castiel, Anna and a handful of other angels, angels consistently view humans as humans might view dust mites. Maybe humans were the cause of the rift between Michael and Lucifer, but it was Michael and Lucifer’s relationship that needed fixing in the end, regardless.
So God is left with the sad conclusion that maybe close siblings will inevitably betray each other and be unable to forgive and heal. He wants to heal with Amara. But he also wants Michael and Lucifer to be able to heal. (It doesn’t occur to God that maybe Lucifer’s problem was never with humanity or Michael; it was with God.)
So God has research to do, to see if it’s possible for siblings to experience such deep betrayal and still heal. He turns to his little hairless apes, the only sentient species on Earth with potential to parallel the angels. He starts testing siblings. Cain and Abel are first up. Needless to say, but the betrayal was too strong and left no room for healing. But on down the line of Cain, God continues testing. Eventually, we come to Sam and Dean.
God has scheduled Michael and Lucifer’s family counselling session for 2010. All the data up to this point says it can only end badly. Maybe it’ll half-kill the Earth, but it’s finally time for Michael and Lucifer to meet and for one of them to die. God isn’t happy about this conclusion, but it’s what the data says. So, finally, the last test subjects, the last in the line who will be the vessels for Michael and Lucifer’s showdown, arrive. Sam and Dean Winchester are to be the last sibling test. The conclusion seems foregone at this point, but there is no point in cancelling the last bit of the test after so long, so it continues. God watches. And Sam and Dean surprise God. Siblings after siblings had failed for millennia to heal. Betrayals too strong, healing too little, too late. But Sam and Dean. no matter how badly they hurt each other, find a way to come back together and heal. They don’t give up on each other, despite millennia of data to the contrary. Still, the angels and demons push and push at Sam and Dean until their rift is as wide and as deep as Michael and Lucifer’s, as God’s and Amara’s (in late S4). It seems, despite the brothers’ best efforts earlier on, it’s all for naught.
But there is a further element of randomness, something God couldn’t foresee. Castiel. God hasn’t had occasion for romantic love in his own experience, so he is entirely blind to what choices Castiel is likely to make. He provides an element of randomness to the experiment, an essential part that gives Dean the ultimate chance to go back to Sam and begin to heal (4x22).
Throughout S5, Sam and Dean heal. There is hurt, still, of course, but they love each other and forgive each other. By 5x22, they’ve surprised everyone. Even the angels have given up on turning them against each other, and have shrugged and settled for using Nick and Adam as the vessels for the showdown. Sam and Dean passed their test. They were siblings who betrayed each other and healed from it. God reconsiders how family counselling will go with Michael and Lucifer. He figured it would be the Apocalypse, the end of the problems between Michael and Lucifer, as one of them dies, as had always happened before. But, Sam and Dean showed God, that though it is rare, it is possible to heal. So God gives Sam and Dean an out. He gives Sam the strength to seize back control from Lucifer, should things go south.
Finally, the showdown arrives. Michael and Lucifer meet. They talk things out. To God’s surprise, Lucifer reveals that he never had a problem with Michael. He had forgiven Michael long ago. But Michael couldn’t forgive Lucifer. He had to be a ‘good son’ and do what he thought God wanted him to do. But Michael didn’t realise, that God doesn’t give orders. Free will all the way, baby! But the whole thing comes as a surprise. Apparently, all this time, the problem relationship wasn’t siblings, it was parents.
Oops.
Good thing God had a back-up plan.
Sam throws himself and Lucifer (and Michael and Adam) into the Cage. Michael and Lucifer have an eternity to figure things out between each other now. But that’s beside the point. The point is, now, that God has to start testing all over again. Not how to fix sibling relationships, but how to fix parent-child relationships.
God restores Castiel, perhaps for a few reasons because God exists outside of time, but originally it may have been just for one. He likes Castiel. He is impressed that Castiel invented free will for himself, broke free of angelic programming (multiple times over), and did it all for love. It’s novel. It’s interesting. God might even think it’s sweet. But God has had time later, and thought about it, and he has a plan. And Castiel is essential.
But Dean Winchester is the key.
Sam and Dean’s relationship with their own father has been strained, but both boys find a way to forgive John his flaws and failings, and love him. Whenever they do get a chance to see him again, post his death, they don’t hate him. They’ve healed. John’s relationship with Sam and Dean is one point of data, Abraham and Isaac another. There are many data points that God can reflect back on and consider.
But as S6 through S10 roll on, God watches Sam and Dean and Castiel. He even watches Crowley and Rowena for another data point. Dean is his main focus, however. (This is a little meta, but as the story focuses more on Dean than Sam post S5, it ties in. Prior to S6, both Sam and Dean were essential - the sibling test. Now, post S5, the parent test, Dean is the most essential. Of course, Sam and Castiel are important too. But Dean is key.)
Dean is a good father. He was a good father to Sam, even when he was only 6 years old himself. He was a good father to Ben. He was willing to die for Bobby John. He’s always good with kids. Not only that, but Dean is blunt enough, brave enough, and crazy enough to tell God to God’s face what he thinks. God needs Dean’s advice, his perspective and opinion on family relationships, but he also needs to see what Dean would do if he were in God’s shoes.
[Edit (1/04/21): After seeing Michael and Lucifer (mostly) heal, and after seeing Sam and Dean heal their relationship, God finally has hope for him and Amara. So God logically wants to retrieve Amara from her prison. But how? Well, he could just wander on up to Cain and do it himself, but what would Amara say? “So I see you’ve come crawling back, eh, Chucky?” She wouldn’t be impressed with God. She wouldn’t understand, because she’s hopeless too. SO how to give her hope? How to make her see that she and God can be okay again? Why, stick her near Dean Winchester, of course! So God sets things up for Dean to get and lose the Mark of Cain, thereby ensuring that Amara will feel a connection to Dean and stick around him/keep him alive long enough for Dean to work his life-coach magic.]
In S11, God and Amara heal their relationship because of the hope Sam and Dean gave God, and also the direct advice Dean gives God. God and Lucifer, not so much.
God needs more data. He needs to see what Dean would do. In comes Castiel’s relevance. God sets things up so that Lucifer can have a son. A nephil. Jack. And God points Castiel in Jack’s direction, trusting Castiel’s ability for unconditional love to keep Jack alive long enough for the experiment. Castiel becomes Jack’s father. But Castiel will never betray Jack, the way God betrayed Lucifer. And, besides, Castiel isn’t the target of this experiment. But it is Castiel’s relationship with Dean Winchester that provides the link needed to get the experiment rolling.
Because Jack is Castiel’s son, he is therefore Sam and Dean’s nephew. Except, God has been watching Castiel and Dean. And, frankly, their romantic love for each other is so obvious even God cannot miss it. Through Castiel, Dean sees Jack as his son too. He loves Jack, exactly like a son. In this way, Dean parallels God, and Jack parallels Lucifer.
But God knows Dean would not easily turn on any child, let alone his own child. So God had a plan for that too. One that Amara helped him with.
They brought back Mary Winchester.
Mary is the one person in existence whose loss would hurt Dean enough to spur him to action. So, she was brought back to die. It was a matter of only a few years of gentle prodding to get everything in position. Jack causes Mary’s death. Dean is faced with a horrible decision. If Jack can kill Mary, what’s to say that Sam and Castiel wouldn’t be next? Mary’s death is like everything beginning all over again for Dean as well. Her first death set off a chain reaction, a series of unfortunate events that spanned decades and nearly caused the ruination of not only Dean’s life, but Sam’s and John’s and even the world. That scar, which had healed as well as it could after 70 years, that God saw was healed in 10x05, has been violently opened up again. It’s the only thing that could force Dean’s hand, that could get him to betray Jack and try to kill him. If Jack had killed Sam or Castiel, it wouldn’t have had the same effect. Both Sam and Castiel had died and come back so many times, and while it would hurt Dean and make him doubt Jack, their deaths would be a sacrifice that Dean would feel obligated to respect, to give Jack a second chance like they would both want. (And God has been laying the groundwork for Dean, convincing him that Jack is evil, will be evil like Lucifer, can’t be allowed to live. All things God has thought about Lucifer over time. Was Lucifer inherently evil? Was their rift inevitable?)
So, here it is. The big test. Will Dean kill Jack? Will he betray Jack and cause an unhealable rift? Or will he find a way to heal, like he did with Sam against all the odds?
And, once again, Dean impresses God. He refuses to kill Jack.
But now we’re in the endgame. Sam, Dean and Castiel are aware that Jack’s life was only on the line because of God. It’s not something they can forgive, or understand. They’re all God’s guinea pigs, and while he loves his guinea pigs, he knows he’s hurt them in the name of science, of knowledge. or healing, and God can’t undo what he’s done. Free will is linear, after all. So it is time for the Winchesters, Castiel and Jack included, to be done with God. God is done with them, too. It’s time for them to be free and at peace. The experiments are done. God has decided not to kill Lucifer. He has decided to try to heal. He can get Lucifer out of the Empty and talk and try to fix things. He has forever to fix things, now that he knows he can. (The last element of this, Jack forgiving Dean for trying to kill him, is something I have limited knowledge of, but I am under the impression happens so... To be added in the edit once I finish the series.)
But the only way the Winchesters will be able to rest, is if they think God, the last and greatest villain, is out of the way. They know they’ve been manipulated their whole lives, first towards the sibling experiment and now the parent experiment, so they need to think God is gone so they can feel secure in their free will once more. Truthfully, God never took their free will. He set them up in situations, maybe even gave a bio-chemical nudge of anger (Dean) or attraction (Sam and Eileen) every now and then. But the choices were always theirs. Still, God knows they won’t see it that way. So he sets things up so that they can defeat him.
He lets them win. He wants them to win. They cannot defeat God, after all. It’s not God’s time, and Death is the only one who can claim God in the end, as the two embrace as friends and walk to the next existence. But the Winchesters need this, and so God allows it. A last gift, to the beings who have been such help, hope and inspiration to him.
With an eye for an eventual S16, 15x20 is written to be ‘an ending’ but also one that could easily be reframed as a bad dream.
For example...
Unfortunately, after Jack, suped up on a extra Grace God lent him, restores the Earth and expends all the Grace (”giving up the mantle of God so that their is no God, no plans, only Free Will”), and Dean, Sam and Jack head back to the Bunker to regroup and gather the ingredients to do the spell to rescue Castiel from the Empty, they’re jumped by monsters who are angry with how much God has fucked with them on behalf of the Winchesters. 15x20 is all a djinn dream Dean is trapped in.
16x01 is Dean waking himself up from the djinn dream, Sam and Jack escaping their own monsters, and then the end of 16x01 is Dean saying something about waking Castiel up from his own dreams in the Empty. The rest of S16 sees the boys save Castiel, reunite with Eileen, start a monster-hunting Bobby Singer/Men of Letters-esque organisation, Dean and Castiel getting together and getting married on Valentine’s Day, Jack getting to live a normal life, going to school, making friends, etc.
If their is no S16 ever (which would be criminal), then 15x20 makes no sense, unless it is plainly a recount of an old, hopeless ending written by God. However you spin it, 15x20 is not the way it seems (like owls).
All things being said, God is an antagonist, but he’s not evil. He’s an asshole, sure, but he never once worked against the Winchesters, never bet against them, never tried to erase or end them. He wanted them to win. He wanted to see the fruits of free will be love, second chances, hope, forgiveness, healing, and happiness, not just betrayal, pain, selfishness, jealousy, disappointment, and hopelessness.
Why is the ending he shows Becky ‘hopeless’? Because God is. He has spent his long existence losing his most loved family members. Amara, Lucifer. How can things end well for God, when they can’t even end well for humans? But Sam and Dean defy the script, again and again. They surprise God, defying the statistics, defying the hypotheses, throwing the experiment into disarray. Giving God hope. Sam and Dean were okay. Dean and Jack were okay. If God had a romantic love, he would find hope from Dean and Castiel being okay. But when God wrote the book he showed Becky, he was writing what he thought would happen. In the end, surely, not even Dean can be enough to hold Sam and Cas and Jack together. But in the end, as we see, as God sees, he is proven wrong and he’s happy to be wrong. He’s hopeful. And he can leave Dean, Sam, Castiel and Jack, and all the angels and all the humans, to rule the Earth and the Heavens. He doesn’t need to learn anything more from them, so he heads to the Empty, with Amara, with Lucifer, with Death (Billie or not, Death is there for God in the end), and they can all depart for a better existence of their own.
If you read all of this, thanks! I eagerly anticipate watching the remaining 10 seasons so I can come back and edit the heck outta this, but until then, if y’all have any thoughts, I’d be interested to hear them~
TLDR: God is a morally bankrupt scientist and the Winchesters are his guinea pigs, but he’s not evil and he does love his guinea pigs, even if he could really treat them nicer.
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toriwakes · 3 years
Text
Problem [Spender Reid x Reader]
summary: the daughter of a famous chef becomes a target, and it’s spencer’s job to protect her.
content warnings: female!reader, cursing
a/n: hello!!! first spencer reid post!! so excited to share, sorry if it’s bad </3. this is obviously inspired by s1 ep18. hope u all enjoy, lmk if you have any requests!
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dad was a famous chef. he was known world wide, liked by some and hated by some. that’s how it worked. she had gotten used to the spotlight. it was his, anyway. no one payed much attention to her. or so she thought. when the incident happened she had noticed a pattern. someone was watching her and she didn’t know who. why her? her dad, a hot head, wasn’t going to let this fly easily. and that was a problem.
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“davy plattel, 57. heard of him?” jennifer asked, clearly joking. “he’s an australian chef and has been on 5 different tv shows. all of which he rates food and has a tendency for being cold do this employees.” reid spat out the facts like he’s been waiting to be asked this question since he was born. the team just stared at him before jennifer spoke. “i was kidding.” spencer pressed his lips together as his cheeks flushed pink. “remind me why we’re looking into this guy?” morgan said, flicking through the files. “people going to his restaurants are getting poisoned, press says he’s snapped and is making them pay for making him look like a bad guy for all these years.” derek’s brows furrowed together. “and this is a b.a.u case because?” asked aaron. “right when the poisoning started-“ jj dropped a new file into his lap. “-his daughter (y/n) became a target.”
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“you lot are supposed to be the best in the game. figure out who’s hurting my business and find who’s hurting my daughter!” hot head was right. platell was taken into a separate room by gideon and morgan, which left aaron and reid to scout for you. davy told them you’d be in your room. “(y/n) platell? i’m special agent aaron hotchner with the fbi. we’re here to ask you a couple of questions if that’s okay with you?” your eyes lifted from the floor and to the stern man sitting on the edge of your bed. whilst nodding you noticed the taller man in your doorway. “special agent doctor spencer reid. we’re here to help.” hotch and reid walked you to the backyard, a perfect place to interrogate you. “tell me about your relationship with your dad.” spencer spoke first. you gulped. “i love him. he’s my best friend. he’s all i have, okay? he’s overprotective, but whose dad isn’t? he’s going crazy now that the person doing this wants me.” “what about the person who’s after you? any idea who it could be? think of someone who felt invisible to you, inferior.” as hard as you thought, nothing clicked. you shook your head and hotch let out a sigh. “i’m scared.” you admitted. “nothing like this has ever happened before?” spencer asked, almost surprised. “no, everyone focused on him, never on me.” spencer looked like he put pieces together. aaron thanked you for your time and led you back inside, spencer following. you knew the feeling in your stomach. butterflies.
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things got worse at the end of the day. you got a voicemail, an unsettling voice whose gender wasn’t identifiable called, talking about how they didn’t like how much time you were spending with the fbi. not only did this enrage your dad, it caused him to take matters into his own hands and search the bushes around your house. he didn’t find anything. “did the caller say anything else?” gideon asked. you quivered. “they..” you couldn’t catch your breath. “they said they were going to come get me at midnight.” everyone in the room shared a look of panic. “we need to get her out of here.” aaron instructed. “what? no, she is staying with me.” for what felt like the hundredth time today, the agents had to calm down your dad. “we have a safe house to take you to. an agent will stay with you for the night.” jennifer told you. your mind immediately went to reid. “anyone in particular you’d like?” she said, one hand on your shoulder. you leaned into her ear, whispering the name that made you cheeks flush. “spencer.”
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the car ride was mostly silent. spencer was playing with his fingers, something you did as well. “are you nervous?” you said finally. he stopped at once, putting his hands into his pockets. “wha? oh, no, i’m fine.” you knew he wasn’t, but you didn’t press. “um- when did you leave australia?” he asked. you giggled. “when my dad started to get recognition, so when i was maybe eight. i didn’t leave much behind, the kids at school didn’t like me. i made my first friend here. gina.” he nodded. “was she nice to you?” “always. never anything but. i get a hot head sometimes- just like my dad. on occasion i would lash out on her, but she always forgave me. i always regretted it, she was really good to me.” spencer furrowed his eyebrows. “what did she act like when you would get mad?” you gave him a look, as if to say “why is this important?”. “well, she would look sad at first. like she didn’t understand why i was mad. she made herself smaller and blamed herself for making me mad. i thought it was weird that she never tried to defend herself.” reid shuffled into his pocket and took out his phone, dialing a number and speaking quickly. “hotch, why have we not considered looking at people close to her? it’s just like the case with that government official and the twin sisters- it was someone close to him. her friend- gina you said?” you nodded quickly. “fits the profile, and is close to her.” voices spoke on the other line before reid asked another question. “what’s her full name?” “gina carmen torres.” spencer retreated the name and you could hear hotch say he’d alert garcia. “it’s not her, i know it’s not.” reid looked at you like you were wrong. you shivered.
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when you got to the house spencer advised that you showered and got ready for bed, spreaking since it was so close to midnight. he stayed outside the shower door and handed you your close when you were done. “cold?” he asked, taking notice of you shaky frame. you nodded. he handed you the sweater he was going to wear to bed tonight, not minding at all. there go the butterflies. you sat one the bed and slid under the covers. “you should get some rest, i’m gonna stay up and make sure nothing happens.” he said. you didn’t fall asleep. “is something wrong? other than the fact that you’re being stalked?” you couldn’t help but laugh. “yes, actually. i don’t wanna admit this, but..i cant fall asleep unless i’m hugging something. and i..don’t have any stuffed animals with me.” spencer raised his eyebrows. “(y/n) if you’re asking me to sleep next to you i-“ “please spence? i’m not gonna be able to sleep anyway, it’ll help at least.” you pleaded, showing off your puppy dog eyes. “okay. fine.”
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spencer stayed up all night. sure he was required to stay awake, but he was only staying up because he didn’t want to miss out on how beautiful you looked when you were asleep. you looked so calm, so peaceful. spencer had no idea what he was feeling, but he didn’t want it to stop. he liked you, and a lot. “fuck.” he whispered to himself. the small noise made you stir, but not enough to wake you up. suddenly, a ring came from spencer’s phone. he picked it up before it could wake you. “hello?” he whispered. “reid, we got em bud. found her in the girl’s bedroom of platell’s house. is she safe?” morgan’s voice spoke. spencer looked down at you, petting your head gently. “yea, she’s safe.” “alright man. i’m guessing she’s asleep?” “correct.” “okay. just stay with her, we’ll be there soon anyway.” morgan hung up. soon? damnit, he didn’t have much time left with you. he checked the clock, reading 5am. he wanted to talk to you, but he wasn’t going to wake you up for that. what were you doing to him?
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spencer woke you up at 7:30. “they’ll be here at 10, and i don’t really know your schedule so.. i hope that enough time to get ready.” you rubbed your eyes and examined spencer. he was wearing his sweats and found a white shirt that was a bit too tight on him. he looked cute. “yes, that’s fine. i’ll..i’ll be right back.” you left the room to brush your teeth and get changed, finding reid inspecting some books you had lying around. “i have two copies of that. one at home and one here. just in case.” you said, sitting down right next to him and peering over. “it’s a classic. you like to read?” he inquired. “love it. although i cant stick to a book unless there’s some type of romance.” spencer raised his eyebrows. “call me a dork, whatever. what’s wrong with being into a little bit of love?” you chuckled. “no, in fact i figured you’d be that way.” you rolled your eyes playfully. “profilers. well, tell me what you think of me.” spencer paused before speaking. “i think you’re smart, you know how to pick your relationships-“ “what do you mean by that?” he stopped and pursed his lips, finding what words to say. “you know what you want in friends and boyfriends.” you raised your eyebrows. he couldn’t possibly know. “are you saying you know my type?” he shrugged. “yeah probably.” “try me.” “you like smart guys. guys who are confident, but not full of themselves. you like it when they’re sweet, but demanding. though i don’t know what you find physically attractive.” he said, going back to the book. you pulled it out of his hands. “i can tell you that one. i like guys named spencer reid.” almost instantly his face flushed red and he stopped speaking. you took the liberty of leaning in, your lips ghosting his. “(y/n)-“ “kiss me spence.”
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his lips were as soft as they looked. the way he kissed was new to you, but you adapted and matched his energy. due to this, he whimpered as he kissed you. you pulled back to look at him, his face was bright red. “i’m sorry, i shouldn’t have-“ “spencer!” he cut himself off and looked at you with those full eyes of his. “don’t apologize. i liked it. a lot.” seeing that as his green light he cupped your chin and pulled you in for another quick kiss before getting up and getting ready himself.
‧͙⁺˚*・༓☾  ☽༓・*˚⁺‧
“(y/n)? (y/n)!” your dad showed up at the door a few hours later. “i was worried.” he whispered while you hugged. “i’m fine, dad. we’re fine.” when your dad let go of you and saw spencer lingering a bit too close, he connected the dots. “this boy didn’t try anything did he?” derek was listening now. you opened your mouth while turning to reid, whose eyes were wide with fear. “uh- no. he didn’t do anything but protect me, dad.” that didn’t let up his death stare on him. your dad wandered off to his car, everyone splitting up to leave home. “i’ll see you around.” spencer began to split up as well, but you caught his wrist. “check your pocket. see you.” with that you were gone. reaching into his back pocket, he felt something. a small piece of paper, you number etched on it with a small heart. you’re nothing like he’s used to. and thats a problem.
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frogboy0 · 3 years
Text
Amphibia season 1 rewatch + notes :)
So I just finished rewatching the ENTIRE season 1 of Amphibia and I have some notes on the episodes that stood out to me! There are some quick notes, a couple lengthy analyses and even some headcanons sprinkled in! It's like a written stew of season 1! I'll be doing a written Amphiba stew for season 2 too!!
It's kinda long so you could just skip this or hit the keep reading button and give it a read! 
S1: E2 Cane Crazy
Anne shows general disregard over other people's things
(Mimicking Hop Pop and breaking his cane, throwing all the wood carving things that Loggle made, even a coo coo clock that she even said was nice (And for him to say it took 20 years to make right after she broke it))
S1: E2 Flood, Sweat and Tears 
Anne would be the WORST during sleepovers and I LOVE IT!!! My girl is just being a tween, staying up late, playing would you rather and keeping everyone else up. I think that's ADORABLE and now I'm thinking about how sleepovers might've been back home with her, Sasha and Marcy… 
She also just stays up late in general?? She reads dumb magazines and eats CRUNCHY snacks. She is really just 13,,,
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And it looks like Sprig does it too, not as much as Anne (probably because he is younger than her) but it seems like it has to be in his terms. Before, he looked to be annoyed with it when he was trying to sleep. But, if he was awake, like in the beginning or at the end of the episode, he had no problem staying up playing would you rather!!! 
S1: E3 Hop Luck 
Anne: Old things are dumb! 
And 
Anne:* violently GRABS Sprig and shoves him against the wall* don't you DARE talk about pineapple in my pizza… Ever…
Anne: 
Sprig: 
Anne: Okay! Let's go get these ingredients! 
HHHH ANNE!!! I love this funky little child SO MUCH!!! 
Hop Pop loves these kids so much that he was willing to put aside his old, traditional family recipes in exchange for making pizza with them. My heart is gonna explode I'm-
Anne please don't make your surrogate frog brother get married just to get some pizza dough I'M BEGGING YOU-
S1: E3 Stakeout 
Hop Pop: I'm a crisp 68!
Is Hop Pop actually 68 or does he mean more of 68 going on 80 68? Either way he looks great! 
Anne has Blam Berry Blitz ("the drink that punches you in the face and doesn't stop") in her bag along with all the OTHER stuff we already saw (air pump, toe nail clipper, pencils, cat toys, bath bombs, etc)
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Anne is officially those friends that have EVERYTHING in their bag no matter what. 
I really like the relationship between Anne and Hop Pop, how they both in some way yearn for what was but in different ways (Anne wanting to go home and Hop Pop's olden ways when he was a little pollywog) but are still similar in how they try to remember. They try and try and try to keep what little family/friends they have safe and protected. They love the relationships they've formed with other people (And with each other) and would go great lengths to help and protect them!
Also I MAY be looking way too into it buuuut was Boulder-Tron (that rock dude that Polly hallucinated at the end) supposed to foreshadow Frobo??
S1: E4 Taking Charge 
Okay quick one, Anne nearly having a whole ass panic attack when her phone dies because she couldn't look at her photos or videos of home actually made me sad. This girl is only a CHILD and her entire home and everything is gone and she for real thought she couldn't ever get it back,,, 
Hop Pop: I mean, the part where the island itself is revealed to actually be…!
Sprig: No! 
Polly: Don't!
Anne: Spoilers 
I dunno why and again, I MIGHT BE LOOKING TOO DEEPLY INTO THIS, but maybe this is foreshadowing something with the land of Amphibia? That maybe there is more to this crazy land than we know? Maybe even a reason it, along with all the other universes even exists??? 
S1: E5 Breakout Star 
AHSBWJOA ONLY EPISODE 5 AND ANNE ALREADY HAS HER PHONE'S LOCK SCREEN OF THE PLANTER FAMILY I'M-
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S1: E7 Dating Season 
Anne said that ⅔ of ALL soul mates start out as "just friends" 
I'm looking at you, team Sashannarcy 
S1: E7 Anne vs. Wild 
Hop Pop's behavior at the end of the episode when Anne finally shows them the calamity box is awfully sus…
He doesn't say anything but "may I?" To inspect the box and then is like "Nope, never seen it" I just feel like he knows something and then adding onto it with the whole burying it to protect his family just sounds like… he definitely knows something, maybe not a lot but there is something he's not telling the others 
Also, why would a book that HE has have information on the Calamity box?? 
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(I fully support the Dr. P was a Planter and also possibly the pink frog who was friends with King Andrias theory)
S1: E10 Toad Tax 
At this point, Anne said that she has already been in Amphibia for over a month now. 
(And damn, Sasha's been in prison for like a month,,, yikes)
Also Hop Pop teaching Anne how to pay taxes is so adorable, she really is part of this family now guys,,,
And I love how Anne was able to win over the Wartwood people by being her natural, charming and not to mention caring self. Anne, like Marcy and Sasha, can be selfish because honestly what kid, especially a 13 year old, isn't. 
But what matters is that she always tries to make up for it. 
Yes she did join the arguably sketchy toads into getting the taxes from everyone in order to feel somewhat included in ANYTHING, but while she was doing it, she knew it was wrong. Anne knew it was wrong and tried to give back some of the stolen stuff. Hell, even at the end she risked her safety to protect people she felt didn't even LIKE her, like, Anne literally broke her arm from them because that's just how Anne is. 
S1: E10 Prison Break 
I always forget how like,,, SUPER cunning Sasha is. I mean, she was able to talk FIVE toads into quitting within a WEEK as a PRISONER. Like?? 
Grime: That's not a bird. It's a heron, a murderous predator that happens to love the taste of flesh 
Sasha: Cute 
The lines in this show I'M-
So Anne was a varsity tennis player and Sasha was a cheerleader and did Tai Chi. I still can't believe they were both jocks,,, 
(Well, Sasha I get but Anne? Sweet ol' lil baby with the lanky limbs Anne???) 
Hey um, why the FUCK does Grime have acid spit?
Sasha: *looking at photo of her, Anne, and Marcy* Hold on for a little longer, girls. I'm coming for you. And when I find you, we're gonna get home. But first, I think we're gonna have some fun with this place 
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Okay so this line right here. Now I may not be even remotely correct but this line, this last piece of dialogue spoken by Sasha right before the episode ends leads me to believe that she… doesn't take this world seriously. 
At least not yet. 
I think the 3 girls all see Amphibia differently: Anne as more of an obstacle, a wall preventing her from being home, Marcy sees it as an escape from her life with constant stimuli, and Sasha, she sees it as just really another thing to control. Everyone and their mothers know that Sasha can be a little more than controlling and we all know that she liked being lieutenant just a little too much. 
This world is interesting to Sasha, not in the interesting that Anne sees it (who is interesting in the new people and the relationships she's formed) or Marcy (who is also interested in the relationships she's formed along with the thirst for knowledge and again, the constant stimuli in an environment where she isn't stifled and allowed to flourish). 
No, Sasha sees Amphibia as interesting because it gives her something to control. In a world that is not your own, a world that you will leave eventually, who would actually FOLLOW the rules put in place there? Especially a 13 year old who is basically like a war commander who, even if she does do something wrong or breaks a rule or two, the only person who might even dare to stop her is Grime, and even then, he might just encourage it because it is season 1 and they aren't that close and he doesn't really care for Sasha at this point. 
She also is actually very logical. Everything she does in Amphibia, all the morally questionable things she does, it is always for the same reason (or at least at first), to get her and her girls home. Wanting to sacrifice and kill Hop Pop at the end of season 1? Well The toads had promised if she helped, they'll help her find Marcy and bring the 3 of them home. She cares for Anne and Marcy SO MUCH that she is willing to go great lengths to help keep them safe. 
But even though Sasha didn't really care about anyone in Amphibia besides Anne and Marcy at first, it doesn't mean she won't ever. We see countless times throughout season 2 of Sasha caring. She feels regret with her impending betrayal on Anne and Marcy, she cares enough to try and warn Anne about King Andrias' evil plans. Hell, even in the season 3 intro we see her and Grime at Wartwood and it looks like they're gonna be starting another rebellion against the king to help all the amphibians in Amphibia. 
I just really like watching Sasha's appearance and knowing what will happen in the future with her character. 
S1: E13 Trip to the Archives 
Anne: I get this place. It's like a library from my world. Zoo books and manga, here I come! 
So whenever Anne goes to the library, presumably with Sasha and Marcy, she'd go straight to books on animals and manga probably while Marcy did whatever work they needed (if Anne's dialogue in season 2 with Marcy always doing the work for their group projects was anything to go off on)
I dunno, I think that's kinda cute that Anne liked reading books on animals and probably reading all the manga that Marcy recommended. 
Maybe Anne and Sasha would sit right next to each other while Marcy worked and read fun manga together and cackle with each other while Marcy tried SO HARD to concentrate and NOT infodump to them because she's read that specific manga 20 times and HAVE YOU GOTTEN TO THAT ONE PART WHERE THE MAIN CHARACTER GOES- 
S1: E15 Wally and Anne
MOSS MAN!! 
When Anne wakes up in the middle of the night and goes to grab Wally at town square, her hood is up and it's dark. The only thing we can make out of her face are…
Glowing blue eyes.
Glowing eyes that share an uncanny resemblance to the moss men.
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And Anne loves doing elaborate, silly handshakes? That's so CUTE! Too bad none of her friends liked them as much as she did :( 
When they finally reached the foggy mountain place, Anne noticed glowing blue butterflies and started to follow them, which led her right to the moss man.
WAIT ANNE ALSO DID ROCK CLIMBING BACK HOME?? FUCKING JOCK!!!
S1 E20 Reunion 
Okay I WAS about to say that there wasn't anything to say about this last episode that hasn't already been said before BUT
The last couple moments, when Anne is holding Sasha off the cliff and trying to pull her up with the Planters, there's a couple interesting shots that I would like to talk about. 
While the Planters were holding onto Anne, they say things like "Hang on, Anne! We got you no matter what!" 
And even when the stone cliff starts to chip and break, none of the frogs back off, they don't loosen their grips, they just keep holding onto Anne. 
And they will never let go. 
Because they love her. Because in only 3 months, Anne was able to get a surrogate frog family and dozens of other frog friends in Wortwood. Because Anne has this amazing support system both literally and metaphorically. Because Anne is Anne. And Sasha...
Isn't like Anne. 
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Matt Bradly himself even said that both Sasha and Anne are different from Anne, Anne is the heart, the emotional connection in their logical worlds. Anne can make so many friends so easily and Sasha… Sasha became a war genral, she lost a fight against the one person who she thought would never fight back. 
Sasha doesn't have what Anne has. She doesn't have the kind of skills to make such strong relationships, the kind where you risk your life for the other, in such a short amount of time. 
Hell, they even play a song called "Lean on Me", Anne has people to lean on and they would lean on her just the same. She found these people, made these friends, formed amazing relationships, in only THREE months. 
"Maybe you're better off without me"
And Sasha was only dragging her down. 
Sasha loves Anne, she cares for her and would do anything to protect her. That's why she let go. She didn't want to drag Anne down, to hurt her more than she already has. 
Sasha would do anything for Anne, even die. 
Over all notes: 
Season 1 is SUPER FUNNY!! The lines hit and they don't rely on toilet humor to get the audience to laugh. They use great one liners and physical humor that isn't fart or butt jokes. They do an excellent job on showing how crazy the world of Amphibia is through humor like how the animals are always eating each other. 
I really like how the characters were crafted so carefully! And the storyline!!! You could notice things that get explored in season 2 and I can't WAIT to see how many bread crumbs were left to lead up to season 3!
HOW DOES ANNE KEEP SO MANY THINGS IN HER BOOK BAG??? 
That stuff is in her SCHOOL BAG, why would she bring it to school??? So far I've got an air pump, toe nail clippers, pencils, cat toys, bath bombs and an energy drink. WHY??? I wonder if she held on to any of Sasha or Marcy's things too or ever forgot to give them back
Also again, I'M STILL IN SHOCK OF ANNE BEING A JOCK. I don't even know why I am, I knew she played sports and stuff it's just,,, she's so lanky,,, 
Her and Sasha are jock buddies and WILL shove other jocks in lockers if they ever pick on their nerd Marcy.
I also am in LOVE with Hop Pop's screams lmao
Be ready for an analysis of season 2! 
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underthestarlitsky · 3 years
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I would love to hear your thoughts on YJS3
sure! fair warning, though, I'm a ranty person by nature so this might end up being a bit long. sorry in advance ♡
anyway! things I liked:
the humor: s3 was pretty funny lmao, theres that whole collection of outta pocket scenes from throughout the season that I find hilarious each time + the humor was a little more dirty which is nice bc the audience has also grown up from the kids they might've been when they watched it on CN
dickbabs!: I'm not a huge fan of dickbabs, I prefer dickkory (no hate to dickbabs stans btw I just vibe more with dickkory) but this dynamic between the two of them was so sweet and well-balanced I couldnt help but squeal everytime they were on-screen
Clark and Conner getting along: them calling each other brothers was so CUTE I canttt
FORAGER: an absolute legend 10/10 freaking love him
That Episode With The Hallucination: mmmmmmm I miss wally. SO MUCH. and the og 6 I was Super Mad about the first timeskip so it was nice to see them all together again🥰
yeah that's about it for things I liked lmao. now time for the Much Longer list of Things I Hated:
HALO: young justice the bar was so fucking low how are you still successfully doing the limbo what the fuck. you take a muslim immigrant in what is VERY CLEARLY a hijab and 1. infantilize her to an exceptionally uncomfortable degree (I KNOW SHE WAS THE MOTHERBOX, I DONT CARE) to the point where she resembles a five-year-old with every sentence she speaks or action she takes 2. you made a visibly muslim girl claim that she's actually no longer muslim, she's just wearing the hijab as some kind of security blanket???? I'm sorry??? what the fuck were you aiming for here exactly 3. why did you have to name her violet harper. what. 4. really?? the immediate romance with brion? What the shit was up with that...you make her Muslim in some aspects like victor not seeing her hair when she brushes it but her LITERALLY making out with brion like I'm sorry what the fuck are you doing??? you had one muslim character and you fucked up so bad holy shit...like...it could've been simple as hell, man, but no...Big Yikes.
M'gann: I've said this before but I really feel like once they introduced artemis m'gann immediately became a side character whose only job is to be villainised again and again even though it doesn't really vibe with her character. Secret teams?? Lying to Conner??? This isn't s3 but that whole thing with their breakup in s2...what the shit are they doing to M'gann, man. I loved her so much in s1, she's literally trying her best after having gone through so much and it's never fully explored...like we get half explanations every season but we're never shown half the shit that we were given for artemis. And by making her the Uncool Girlfriend at points it just looks like they're trying make her easy to hate like what the fuck. no. stop it
The Plot: too overcomplicated, too many characters. It's only season three, why are you introducing Apokolips already. Why are there so many characters?? what's with all the subplots yall were switching location cards every five minutes. And it's so convoluted...like...what was going on with Beast Boy and the monkey-god-doom-patrol-exposition stuff? I can't even remember if there were two granny goodnesses or just the one. All of those meta kids left over from the last season are a cute cast but like...I was so bored??? we know you can do well-written self-contained storylines a la s1, so hop to it, yeah?
THE ANIMATION: ok ok ok so. season 1 and two (one especially) had a very distinct feeling to them and that feeling was very late-2000s Cartoon Network Action Show - the base model for the males and females is the same (like Ben 10 Alien Force) the colors were not dynamic (stayed the same no matter the lighting, lots of cel shading, and generally were realistically colored in the sense that suspension of disbelief was not entirely necessary) CHEEKBONES, gritty textures and purple skies (Batman the Brave and the Bold). overall theres a certain Tone to the earlier seasons that spoke a lot to the animation capabilities of the studios at the time, as well as the general feel of the show. however, season three was a MAJOR downgrade in terms of animation. they made it both simpler and more complicated - they started using their DCAMU animation style which while it does give muscles to the women, adds too many unneeded shadows and a strange stiffness and dullness to every character. There are now extra lines and uncessesary shadows on the face of every character, and their eyes and facial features are almost identical. There's also less highlights, and the hairstyles are way too overcomplicated now to be appealing (see mgann and dick) - the hair is unspeakably dull and and the skin tones and hair colors are painful on the eyes. This isn't even taking into account the shitty backgrounds they've started using (AHEM AHEM ARTEMIS'S KITCHEN) because while the earlier seasons may have had unappealing, mostly empty settings, the characters still fit in to the scene, unlike now.
the lack of sisterhood????: apparently, only artemis goes to see zatanna for her Dr. Fate appointments. Apparently, M'gann barely talks to Artemis after the very tragic apparent death of Wally. the two of them, dare I say even the THREE of them, should be close as hell considering they spent their early years super-heroing together on a team full of boys. M'gann LITERALLY called Artemis her sister in the SAME EPISODE she was introduced, and neither of them had any real girlfriends other than each other at this point. M'gann who fell apart so hard Artemis died in her head that she almost killed them all in her grief. Like. You're telling me, you're SHOWING me that these two aren't each other's support system? Where is the sisterhood, bitch????
Lastly: the costume design. I understand that they're constrained by the need to make it simple enough to animate, but COME ON. if you're going to borrow Diana's DCAMU/JL: War costume, at least keep the metal silver. What the fuck is that green-gold. And Tigress? god DAMN that mask is ugly. Cassie looks like she robbed a goddamn supermarket discount clothing aisle for her outfit. Why is bart's outfit Like That it's so ugly it makes me want to cry. @ young justice costume designers Please Rethink Your Decisions
that's about all I can think of right now. it got REALLY negative whoops, but theres just so much I didn't like about this season :/ hopefully the next one will better ;-;
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mrs-nate-humphrey · 3 years
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I am curious: what are your favorite scenes from your main ships (date, dair, derena...)?
scenes involving milo don't count, sorry!
for me, it's really not just scenes, but body language & just in general, how they are with each other, you know? dan and serena grin at each other and hug SO much, you can tell that being around each other in s1 made them both so happy, and even after that glow fades the way they look for comfort in each other... top level stuff. the way blair looks at dan... we never see her as radiant at any other point. she was not looking at anyone else like this. and gosh, dan and nate. they're both so comfortable around each other that there's absolutely nothing weird about like. discussing that one ex girlfriend whom they both share AND both were in love with. there is literally no other duo who trusts/enjoys each other's company so much that they're comfortable in a love triangle. (probably because they're more in love with each other than with the girl, but that is not the point. or is it?)
anyway, more specific answers. under the cut. this is one of the longest answers i've ever written on this blog possibly but you KNEW that would happen when you sent this ask, didn't you? (affectionate)
derena: i tagged one of my ds reblogs as 'the grumpy one is soft for the sunshine one' and like. look at them! this hug from 1x10 kills me in the best way. they are both the literal embodiment of :D when they see each other! i love 1x10 as a whole moment, their entire thing at cotillion is so sweet and they're both so happy. the fact that he is talking about his chemistry teacher during this kiss in 1x07. that bit at the end of 1x05 when they talk about their siblings (being there for their sibling because of fallible parents being a derena parallel makes me simultaneously really sad and really soft, tbh). 1x05 gives me SO MUCH SECONDHAND EMBARRASSMENT but the way they walk off together arms around each other does something to me - these are two people who are still getting to know each other but who really like what they see, and who trust each other and. are just having a good time together! back when derena was my OTP, the 1x11 "your story's about me?" was absolutely a fave, too, and i still adore it, albeit in a different, more nostalgic way. i like a dan who writes cute stories about serena. no empty shell sabrina van skoneker bullshit. she is so much like you, daniel! you'd be shattered if she did this to you. don't do this to her. tbh, most derena moments from s1 are just A+ romance. the bit in 2x02 in the jitney is so funny, they're SO bad at being exes. the bit in... 3x03 i think?? i don't remember... on the contrary. when they're talking about dan's fling w/ georgina and serena's relationship with carter, the ease with which they talk and how happy/supportive they are of each other's new relationships... yeah. love to see it.
i also really like any instance of them having honest/open conversations. 1x13, talking about how serena is concerned about blair. 1x08, serena talking to dan about feeling jealous of vanessa. this bit from the touch of eva or whatever that episode is. 4x04 i think. this is the conversation everyone is trying to get dan to have and he's avoiding EVERYONE else. derena interactions in 3x21 (can't find a gif right now) - the fact that dan is with serena when her dad abandons them, the fact that he goes all the way there with her. 2x07, "i'm really glad you're nate's friend. he really needs someone like you right now" (though i'm cheating, that's technically a d/n moment too klhdflkgf). there's a bit in s4 where he's advising her against having an affair w/ colin, i don't remember the ep number, but the way he takes her side so easily and naturally and puts due blame/responsibility solely on her professor... yeah. 4x10 i think this ep is?? idk. but like my tags say, im sentimental about this moment because while what dan was doing was irresponsible, sneaking her out of the ostroff, he was the only person in this episode who was actually talking to her and listening to her and taking her seriously. nobody else was doing that!!
i probably have more moments i'm not remembering, but we're only 1/3 into this answer and LOOK AT THE WORDS, good lord, i'm sorry.
dair: my favourite dair episode is hands down despicable b (5x21) which i have heard is an uncommon answer. i just love the conflict resolution of it all, okay!!! 1x04 & 2x08 are like. standard answers any dair shipper will give, and i'm no different. i love dan being able to give blair advice and blair actually taking his advice even though they're not friends yet!!! be right back, yelling at the intimacy of it all!! 5x16, with their getting together (this little kiss and dan being so startled by it), blair admitting a flaw she genuinely does have and dan saying it's not awful because it's her, which is just. romance at its finest. those vows, good lord. 5x18.... they're having fun! blair showing up at the loft in lingerie for dan... the delight on her face.... (i know this moment blows up in their face but when she's there she looks so happy and proud of herself and this was like THE moment when i was like. oh. dair is really the heart of this garbage show huh).
i think for me, the thing that really sells dan & blair together is the serena of it all. both of them love serena more fiercely than anyone else, and that is what brings them together. (fwiw i definitely think nate loved serena this much and this deeply, too; the writers just wanted to pop the serenate balloon, which even i think was extremely unnecessary and ooc.) but (& i have so much meta about this) their relationship grows beyond serena. their entire s4 arc is SO good. i love how comfortable around each other they are, in such an adult way, in the sense of like. they both bring so much stability to each other? morgan tagged this edit "the marrieds" and like. yeah. b offers to help him shave. they're having breakfast & reading the paper together.
all the love declarations we got that weren't a simple 'i love you.' be your charming wonderful self (how could she not love you/ tell me what would make you happy, dan) i told chuck he doesn't have my heart anymore (you spent your life earning the keys to set you free when you were free all along!!!!) dan's pep talk to blair in 5x21 (already linked a gifset earlier, here's another one if you want i guess). there's definitely more... but honestly, the way the dair arc was executed was so good - while i do have my complaints, i also think keeping those aside, it was SO close to perfect. i love dan & blair's banter and gradually becoming closer and closer and closer. it felt very organic and real and GOSH. the way penn & leighton looked at each other while playing dan and blair...... it's just SO MUCH.
date: this is the hardest, because it's. *screams*. maybe you saw me losing my mind over those 2 seconds of nate handing dan a waffle? i love almost every scene with these two, even the hellish s6 breakup scene. my favourite episode for d/n (& also favourite gg episode in general) is 2x06 - i love the homoerotic subtext of it all. nate pretending to be dan because dan's name is the first name that came to his head. dan flirting w/ nate while tied to that thing, in his underwear. them becoming friends. and 2x07 as a follow-up to that! dan getting nate to live in the loft with the humphreys for a while. i am so soft.
4x09 is a terrible episode in general, especially for serena my beloved, but the d/n moments in that one? off the CHARTS. this weird overly macho flirting, in some ways THE most iconic d/n line. this entire finish each other's sentences nonsense. someone (i think it was ana but im not sure?) compared the energy of those scenes i just linked to the book blairenate love triangle resolution, blairena choosing each other over nate in the books, date choosing each other over serena in the show (if only! RIP.) after the saints & sinners ball, this cute little moment of 'youre the only one who understands me. please tell me they went home together. i mean. how could they not have.
3x07, them watching vampire porn together. a tag i used on ao3 (& also on here, once) is 'nate brings out the himbo in dan'. here is a prime example. 'is she levitating?' i don't fucking know, dan, what do you think?? (i was telling my partner that that's what i love abt dair vs date. around blair dan is an intellectual, a librarian, an art historian, a museum curator. around nate it's like dan is competing to be #1 himbo on the show. can my girlfriend actually fly? i don't know, dan. i can't believe you're seriously asking such a question.)
3x12 pep talk. (sorry about the shitty quality!) essentially nate telling dan that he (dan) is hot and that he shouldn't talk himself down so much.
dan making nate gay in his book. you know. his book from which blair found out he was in love with her. nads (who i will not tag in this billion word long gushy meta, because i value her sanity) once called inside "wish fulfilment' and. i mean. yeah
nate checking dan out at the derena wedding continues to be hilarious. hilarious in the same way as dan sexually fantasising about nate. canon really went 'let's give ivy some special easter eggs' and i appreciate them a lot!
i love the way they are around each other - so quietly attuned to each other. i showed my sister my date!husbands gifset, and she was like. yeah they're so married. and it's just stuff like how dan looks for nate over his shoulder, it's not even an active action, it's as easy and natural and intuitive as breathing, checking to see if nate is still there.
oh, that wasn't as hard as it could've been! okay. cool. im SURE there's more things i could scream about, because it's DN, the fact that they're non-canon makes me THAT much fiercer about them than dair/derena, to be honest. so many dots to connect!! anyway.
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feralnumberfive · 3 years
Text
The Rewatch Academy: Episode 3 of Season 1
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“Extra Ordinary”
I am in no way a good analyst so my little analysis and speculations probably sound a bit goofy or pretty wild and probably mean nothing at all. Everything I put into this post about each episode is purely what I noticed or thought, whether it's funny or serious. I will be making jokes, so please just leave it at that (in no way am I trying to make fun of an actor and or character!) I am also in no way saying I noticed this stuff first. This is just what I noticed while rewatching these episodes
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1x01 | 1x02 | 1x03 | 1x04 |
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☂ First off I’d like to say that this is one of my favorite episodes of this season. It’s just soooo good
☂ The second comic book in the window features the Televator from the actual comics, so that has to be canon in the show! Also at the time that that second comic came out, Five had already left since we don’t see him on the cover
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☂ It’d be cool if they actually printed Vanya’s book for fans to read
☂ Well Diego isn’t wrong when he called Hazel and Cha Cha animals because of their masks
☂ Honestly I feel Vanya’s struggle with chair placement. I’ve fortunately had the luck of playing in all three clarinet chair placements, but 1st chair is challenging. I personally found each placement very fun to play, especially 3rd, and I hope Vanya does too! (why am I talking like she’s real)
☂ Hazel talks about people living ordinary lives, but didn’t he live like that too at one point? How does The Commission recruit people? If they get ordinary people, do they wipe their memories of their previous lives?
☂ “Let’s see’em get out from behind their desks, get their hands dirty for once.” Well Hazel, Five does indeed do this even though he only had a desk job for a day. Still, he got to experience both worlds
☂ My mind is blanking on this, but how did Five get that cut on his arm? Was it from a bullet wound at Gimbel’s? 
☂ Five must have a high pain tolerance to stitch his own wound but his bandaid probably wouldn’t stick due to the wet blood he slapped it over. Five sweetie you need a cotton pad and gauze for that one
☂ Wait, you’re telling me that The Umbrella Academy boys’ top uniform consists of a tank top, a white dress shirt, a tie, a sweater vest, and then the blazer? Someone asked Reginald what he wanted for the uniforms and he just said “Yes.”
☂ Five: *puts hands in pockets only to immediately take them out*
☂ Aidan almost sounds like he has an accent when he says “I'm done funding your drug habit.” 
☂ Five’s so soft talking to his wife
☂ No Leonard, your bread and butter is being a creep
☂ Also, he thinks wood carving is embarrassing? If someone came up to me and showed me something they carved out of wood I would be so jealous cause it’s such a neat form of art
☂ Leonard saying that he carved wood, and in that case wooden figures, when he was a kid is a slight foreshadow of all of his tampering with his Umbrella Academy figures. He can make wooden figures but he’s also destroyed a handful of the Hargreeves figures 
☂ “Never really did like The Beatles.” Well sir you’ve made me dislike you even more
☂ Vanya asking Allison if her siblings wanted her at the family meeting bugs me a bit. I absolutely get that she was literally left out of anything and everything that had to do with her siblings when she was younger, but Allison just asked her to come back home for a family meeting. Allison wouldn't have walked around looking for Vanya only to tell her that they were having a family meeting and that she wasn’t actually invited. Allison is including her in on a family meeting but Vanya is just in a bit of disbelief that she’s being included
☂ Ah yes, the only PTSD flashback for Five we see in the show! He looks so scared when he snaps out of it. I believe it was somehow triggered by the kids (I could be wrong) but do you think Five sometimes panics when he looks at himself in the mirror now since his body is the same age it was when he got stuck? Also it’s very subtle but when Luther opens the door, Five slightly jerks/flinches back. I wish we would see more of this in the show since it’s one of his major traumas
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☂ “Does it matter? It’s Klaus.” Ouch! Well Five I hope you know that your siblings are somewhat thinking the same thing since they believe that you’ve lost your mind and are practically an old man crying “Apocalypse!” 
☂ Five does an ever so slight huff and smirk when Luther tells him that the meeting at the Academy is important. He finds it a little funny but so frustrating in his mind that Luther doesn’t know what’s truly important
☂ Also I love that Aidan has to turn to the side so that he can keep it together after Klaus talks about his chocolate pudding waxing. Either that or he’s portraying Five as being frustrated and in disbelief. Also this is the first time I’ve noticed that he says “Ay, ay ay...” 
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☂ “We’re all you have. And you know it.” Oh Luther, you’re failing to see that that’s why he’s acting like this right now. He’s all frantic and crazed about trying to stop the apocalypse so that he can protect and save all that he has
☂ Five certainly is mad at Luther during his mini lecture. He’s clenching his jaw tightly and when he first speaks he hisses out the words through gritted teeth. He even called Luther by his number. He’s very impatient at this point and doesn’t care for Luther’s act of attempting to be a leader
☂ This is their first, and certainly not last, time watching Klaus go by in front of them doing something he shouldn’t be doing
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☂ “You haven’t been home in a long time, Vanya.” Sir you were also just on the moon for four years. Yeah Vanya was away for a long time but Grace easily could have changed too during the four years you were gone
☂ How sweet, even though Five hasn’t really been home they want to include him in on the family vote :]
☂ I’ve noticed that in S1 that David really mumbles his lines. A lot
☂ I wish we got more flashbacks of the younger Umbrellas
☂ Diego my beloved mama’s boy ♥️
☂ It’s confusing as to which country TUA takes place in, but it’s really not supposed to be a specific one. It’s portrayed as being in North America, but you can see behind Cha Cha when she gets out of the car at the Academy the flag of the RAF, which Canada would have at a monument since it’s a Commonwealth country. At the same time though Delores came from Gimbels, which was a department store chain across the U.S
☂ The light above Five’s portrait is slightly crooked, which probably means no one has really been paying attention to it
☂ It makes me nervous that Klaus wipes bubbles onto his face. It looks like he got some in his eyes
☂ Ugh I love the whole scene of Hazel and Cha Cha walking around the Academy with “We’re Through” playing
☂ Diego: *has knives but instead chooses to punch and hit Hazel to try to make him let go of Allison”
☂ A rope-a-dope is a boxing tactic of pretending to be trapped against the ropes, goading an opponent to throw tiring ineffective punches. Diego sweetie Hazel wasn’t even trying to get you off of him all he was doing was choking Allison. The only person who got tired was probably you
☂ What’s the point in Diego yelling “Luther, go!” if he’s already going 💀
☂ Luther was there immediately when Hazel attacked Vanya. That means that Luther heard Vanya and was going to go get her to safety
☂ I will never stop signing my praise for the entirety of the “Sinnerman” fight scene(s). It gives me chills every single time. Easily one of the best scenes in all of the show
☂ Klaus must really have his music blasting if he can’t hear the gun shots right next to him
☂ I’ve always wondered if Allison actually registered in her mind that “The boy” is Five when Cha Cha says that’s who they’re looking for. Either she does realize that’s Five, is simply just angry that those two are looking for a boy, or registers in her mind that it’s Five through his superhero codename even though Cha Cha’s not referring to him in that way
☂ Diego is full on just standing in the background watching Allison get beat up by Cha Cha 🕴
☂ I love Diego’s little hand flap when he gets hit in the hand fighting Cha Cha
☂ Okay so I make everything about Five, but the whole Cha Cha fight scene with Allison and then Diego kind of scares me. Cha Cha and Hazel are both amazing assassins (they’re both probably right below Five) and neither Allison nor Diego could stop her by themselves. Could you imagine Five fighting one of his siblings? Especially with his spatial jumps? We already got a glimpse of his true combat skills when he fights Lila in S2. What a scary little old man
☂ “Vanya, get out of here!” Again, wanting to make sure that Vanya is safe and gets away. He even tried to go look for her
☂ Something I don’t really get about the Hazel and Luther fight is why doesn’t Luther just overpower him? Luther has super strength and on top of that he has giant muscles due to the gorilla DNA. Shouldn’t he be able to beat Hazel to a pulp? Maybe we have to consider that Hazel might have been altered by The Commission to be stronger and more durable, but they haven’t mentioned that in the show
☂ “Ah, you gotta cut down on that fast food, soldier.” What are you talking about Diego he literally just got off the moon two days ago aflksjfdk
☂ So Luther was too injured to jump out of the way of the chandelier but was able to push it up off of himself? 🤔
☂ I personally think that Luther’s body design adaptation for the show is really cool and that they gave him the perfect amount of bulk without making him look ridiculous
☂ This has been pointed out before, but cross-stitch foreshadowing, baby 
☂ Again, Diego my beloved mama’s boy ♥️
☂ Well at least Diego thought about Vanya dying before thinking about his siblings dying because of her. The latter is ironic!
☂ The clock above Luther’s mirror reads approximately 1:30 am. Hazel and Cha Cha didn’t want to wait until morning
☂ I wonder how different it would be if Five was present at the Academy when Hazel and Cha Cha attacked. He probably would have surrendered himself to them, but it's fun to entertain the idea that he would go apeshit if he knew that they were harming his family in order to find him
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Feel free to comment or reblog with things you have noticed too!
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for the ship headcanon meme: star trek pairing of choice, #16-#20?
Bet you thought I forgot about this ask meme, fuckers!  And you’re right, I did, but the beauty of forgetting is that sometimes you remember.  Anyway, as always, it’s Michael/Saru Hours, lads.
16) When the zombie apocalypse comes, how do they cope together?
This is not a headcanon, but I have this fragment of a fic idea in my head based on this question, and that fragment of a fic idea is like...some kind of case fic where Discovery finds a planet being ravaged by Basically A Zombie Apocalypse and Michael and Saru get stranded there.  Ideally, for my personal enjoyment, I would want to slot it into the plot of s1 as early as possible, because the best/worst dynamic there would be Michael choking with guilt and yet still one of the finest scientific minds in Star Fleet, and Saru unable to keep himself from pressing on the fresh bruise of loss, unable to trust her, and the two of them still working together flawlessly.
Because that’s the thing, isn’t it?  Even when they can’t stand each other, they argue like a choreographed dance, and when the chips are down and they have to think on their feet, they still move like Georgiou’s trusted right and left hands.
Anyway.  That, but make it zombies.
17) When they find a time machine, where do they go?
If Michael came into possession of a time machine that actually allowed her to reliably control where she went and let her come back, I think she would sit down and try to do the temporal math to figure out how to avert the war.  I do not, however, believe that Michael and Saru, survivors of a fair amount of timeline hopping already, would actually risk going back in time.  I think they would both talk about wanting to go back, specifically because they know the other will talk them out of it, but I don’t think they would do it.
That being said, I would love a lotus eater prison AU where Michael and Saru are trapped in an idyllic dream of a world where the Shenzhou was never destroyed, Michael was being prepared to be promoted off the ship as a captain, and Saru was preparing to take her place, ft a lot of sadness about Georgiou and Michael and Saru working together to find a way to wake up.
18) When they fight, how do they make up?
Michael wears Raised On Vulcan tattooed on her face, sometimes, and especially when she defensive or guilty--if she’s angry with Saru, she’ll tell him exactly what she thinks he’s doing wrong, to his face, and it takes her a long time to learn that she should pull that punch a little more with people she cares about.  On the upside, that means that, when she feels like she’s been out of line and unnecessarily harsh, she’ll walk right up to Saru and tell him, blunt as anything, what she did, why she thinks it was wrong, and that she understands if he’s angry with her.  
This was initially…a weird experience for Saru on several levels, if he’s being honest.  A lot of his experience with people is colored heavily by the fact that very few people know how to deal with Kelpiens, and that means that he’s either handled like glass or he puts in the work to be treated like any of the other crew members. He’s not really sure how to deal with someone who handles him with exactly the same unemotional ruthlessness as everyone else, and it’s disorienting, and it makes him angry that it’s disorienting, because that’s what he wants, but also, Michael is sometimes an asshole.  She’s the first person that he’s ever argued with on the regular—really argued, a push and counterpush, shoving each other away from the science console and pulling out ad hominem attacks in a way that visibly infuriates Michael’s Vulcan training.  But quite frankly, they never felt like they needed to apologize for those early fights, under Georgiou.  It was part of the ship dynamic, to have Burnham and Saru trying to take strips off each other in a very professional and scientific manner.  As long as Saru never took a cheap shot over Michael’s upbringing and Michael resisted the impulse to go full xenoanthropologist on Saru’s species, they were very good at fighting.
(Personally I am of the belief that Michael only tried to pull the I understand where you’re coming from because of what your species makes you after the mutiny, after she was trying to be nice.  Before then, she expected Saru to perform to her standards and fuck the details.  Half the reason he’s so coldly furious with her over it is because he knows she’s trying to manipulate him, because if she wasn’t, she would never play that card, because no matter how nasty their fights were, she always fought with him as a person, not as a Kelpien.)
19) Where do they go on their first date?
There’s a fic that bounces around my brain every time I watch Discovery, and it’s about Michael and Saru having a first date (sort of) very late at night, when they’re both having trouble sleeping.  It’s not an arranged date, they’re not even really friends even though they’ve gotten past the stage of Michael letting Saru flay her alive for her guilt, but Michael is having trouble sleeping and she’s not a prisoner anymore, so she wanders, and Saru, frankly, sleeps like hypervigilant garbage since the Binary Stars, so he has a preferred hiding spot on one of Discovery’s few observation decks.  As Lorca likes to point out, they’re not a goddamn pleasure cruiser, but Star Fleet never built a ship without at least one view panel, not even their top-secret war machine.
Michael is avoiding people—she hates being asked why she’s awake, gets tangled up in her automatic shame over not being able to control her emotions.  It’s the middle of the “night” by ship standards, but Discovery seethes with activity around the clock, especially since Stamets pulls regular all-nighters when he gets really entranced and often has to be peeled away from his work by Local Exasperated Doctor Hugh Culber.  So she ducks into the parts of the ship that she usually doesn’t go, the places that are more for socializing and are empty at this hour, the places that aren’t often used, the places that are quiet.
She finds the observation deck dim and blessedly silent, with the stars spreading infinitely outside.  The room is faintly lit by the nebula off to the starboard bow, the one they’re using to hide their signature while they run some necessary repairs.  It’s a practical use, but it’s also beautiful, every window in the ship glowing with warm reds and golds, and Michael still finds the stars soothing after all this time, and so she drifts up to the glass with the vague plan of sitting down and spending an hour or two there in an attempt at meditation.  She only sees Saru, leaning back against the edge of the viewing window, when she’s close enough to nearly trip over one of his long legs, stretched out in front of him.
Michael, of course, apologizes, and turns to leave.  Saru never really does have a good answer, as to why he stops her.  But he doesn’t ask any questions about why she’s awake and she doesn’t ask any questions about what he’s doing here, and instead they sit in relative quiet for a while before Saru sits up straighter and offers Michael, again, a small bowl of fruit. It’s not familiar to her, this time, but he says it won’t hurt her, that it’s sort of like a lychee, and she believes him.  It leaves a bit of thin red juice on her fingers when she bites into the first one, and he recommends eating them whole to avoid it while she ruefully sucks the juice off her thumb.  It’s good—less sweet than she expected.  Saru settles next to her in the middle of the window and sets the bowl between them, and she asks how he always manages to have fresh fruit, and he admits that he can wring a lot more out of the replicators since he never gets meat. Somehow it turns into—talking.
Michael is startled to realize, around the hour mark of murmured conversation, that she might have literally never just talked to Saru before. It’s—nice.
(Because I’m physiologically incapable of letting things be nice, if I wrote this fic there would be an immediate sequel of Observation Deck Chats Redux, featuring them doing basically the same thing but after Michael gets back from the Mirrorverse.  Michael leans against Saru’s shoulder in a way that she would never, if she hadn’t been awake with nightmares and grief for pushing three days, and she tells him about the Empire like she’s confessing her sins, and they talk quietly about the ghost haunting their ship in the shape of Empress Philippa Georgiou. It’s not nice, but not for lack of kindness.)
20) Where do they go on holiday?
I think Saru and Michael would have two very distinct kinds of “holiday” and they have two destinations accordingly.
The first kind of holiday is Nerd Holiday, in which they find an unexplored planet and appoint themselves to the away team—everyone else on the away team is wryly aware that they are, essentially, third-wheeling a date, but Discovery has watched this whole situation unfold and honestly the popular opinion is that it would actually be easier to deal with a little bit of PDA than the current Very Professional Mutual Adoration Show.  Local Red Shirt Absolutely Agonized By The Very Correct Ten Inches Of Space Between Her Captain And First Officer, Reports As They Come.  Michael and Saru are pleasantly unaware of this and are having a great time arguing over whether they need another sample of that plant if it’s just a different color.
The second kind of holiday is actual fucking shore leave.  They both prefer planets or stations with a large variety of species—Saru is uneasy with being the center of attention among strangers, and since he stands head and shoulders above a decent percentage of the Federation, it’s hard to avoid unless they’re in mixed company; Michael never quite recovered from the perpetual sense of disjoint when it comes to being around all humans or all Vulcans, so being in a place where everyone is different makes her feel less out of place.  Neither of them like big crowds, so they’re the tourists who immediately leave the usual Tourist Area and find somewhere else to be, which has its ups and downs.  The first time they get into trouble on a totally safe colony planet because they decided to go exploring, there’s a beat of them looking at each other and silently agreeing that they won’t be telling the crew about this, because there’s already a running ship joke about what trouble magnets they are and they do NOT need to feed anyone more material.
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jubberry · 3 years
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oohkay let's go tua with those ship asks: fiveya, horrance and alluther.
thanks el i love you
Send me a ship and I'll answer three questions based on if I ship it or not.
fiveya obvs i ship this since this is 90% of my tua drawings lol
1. ill wait ill wait (to be the one) by georgiestauffenberg made me ship it cause holy fuck dude. I dont know if i ship them romantically when i saw them onscreen cause first of all, age difference is kinda weird lmao. Second, they dont rlly interact much outside literally the first couple of eps. But he was so soft for her, and i felt like they had so much unexplored history.
so i looked at fanfics cause i was wondering if ppl still ship it, then i liked the description of this one so i gave it a go.
Basically the premise is that vanya dates a much older man who seems to know a lot about her. And it was amazingly in character and just provided their characters some depth that u wouldnt find outside of a romantic relationship between them. (The implication of five pining while she doesnt know who he is, their missed chances when he time travelled, fives missed chances of living and having a 'normal' life bec of his own hubris, vanyas insecurity and being able to open up bec shes with someone whos known her since childhood). Its so sweet and thats how i was like, oh yep i can do so much more with these two, and what has kept me interested in drawing them etc.
2. My favourite things are the shippers cause i made some friends in the fandom who are super cool and supportive! I dont get super involved in fandoms and usually just watch from afar so finding people to talk to and muck around with in this tiny fandom is super cool 😭
Though thats not to say I havent come across some bad apples in this fandom and things that I dont like. I think thats the importance of carving out a place for yourself and ur friends in fandom tho.
Another thing I like about the ship itself, i just like the grumpy person whos soft for one person trope. Its so cute. I like all the little clues in canon on how their relationship as kids is quite warm, which is interesting cause five is basically the star student and he can be quite cold vs vanya who is the black sheep of the family.
I also like how five likes her powers even when she caused the apocalypse he spent the majority of his life in lol. Like its a popular hc that five is just a wife guy and i love that.
I see vanya as the type who has a lot of love to give, and she sometimes has unrealistic expectations of what her partner can give. Betrayal and lies really angers her, but also when her partner cannot meet her expectations of love she gets very upset bec its also an indication of how shes not good enough, or not loveable enough to be able to have this in the relationship (her insecurity means every failing always comes back to her, even if its out of her control).
I feel like five would be a level-headed person enough in the relationship to not be afraid to say 'vanya ur being stupid' (ie. the s2 confrontation lmao). Also, five's personality means she will never have to doubt his actions bec she knows hes the type who will not give u the moment of the day if hes not interested.
Not to mention they also have the whole apocalypse vs. saviour, hero/villain thing. Theres just a lot to explore!
3. I probably have several. But mostly I dont mind five being a dick to vanya bec first, even if the appeal is hes soft to her hes already kind of a dick in canon lmao. Also, vanya isnt a child. Shes grown and she can handle petty af things like five telling her shes not good at cooking lol. I also dont mind it cause I feel like people are getting too afraid to write... conflict for fear or portraying an abusive relationship or smth. Like, chill. Conflict is fine, resolving it is how u get a story. However in saying that, nobody should be obligated to write any way unless you want to! Fanfic is for comfort so if what your doing is making u happy then its good enough!
horrance which i also ship but i love the platonic and romantic relationship equally:
1. I came in tua in general not shipping anything so Im honestly not sure. I do remember someone doing a meta before s2 came out that was basically how ben acted weird when klaus summoned dave in s1 that made me go 👀 Otherwise, tua s2 rlly made me like them cause tua FED horrance shippers. Like..... the fact that klaus didnt want ben to leave him, and ben knows thats why he stayed 😢 or the fact that klaus was all over him for some reason???? Somebody also mentioned gay ben once and I resonate with that deeply. Like i get that jill exists but i resonate with gay ben deeply.
2. I love their bickering, theyre so cute together. I just like ben being angry bec hes self aware that hes got both shit and amazing taste. Shit bec he cant believes he likes Klaus (and also amazing also bec Klaus). I think the idea of them being kind of underdogs, theyre not rlly leader types and dont want to be, helps them bond together even in platonic horrance. They're both down to earth, and even tho they can annoy each other, they also know if they want a space to feel comfortable its with each other. Theyre not pressured by rivalry over leadership, or any sort of competition.
I love the idea that even tho ben is like klaus's ''conscience'', hes also down for chaos and bitchy. I feel like klaus rlly enabled that side of him, its not exactly a good thing but its p funny lol
3. I know some people think their dynamic is unhealthy but i dont care lol
alluther. So id say i dont ship this, mostly due to the fact that im not invested? Just like all tua ships so far I rlly came out not wanting anything but platonic relationships cause I feel tua doesnt do romance very well. With alluther, theyre so cute but im not super invested in either of their chars so they havent stuck for me. I appreciate seeing them and talking about them tho, and I'm def open to exploring them further.
1. I think tua canon romances are just so lackluster 😔 Idk who writes the romances but I was just like 'nice' but afterwards I dont really think about them. I love their dance scene and the message behind it! Otherwise, theyre sweet like most of the tua romances but im not super invested, same with all the non canon ships.
2. I really feel like tua needs to decide on what their relationship is. Like, just say its incest or not and stick with it 👀 Or if you wanna support it or not, just make up ur mind. I think I would've liked it better if I found the characters more interesting. Allison especially I feel like suffers from the fact that tua just doesn't want to make her ''mean''. They want to make her supportive and are less interested in making her flawed (ie. she should've had a conflict with Vanya in s2, but the writers didnt want to write the girls fighting which is stupid imo and not what that conflict is about).
In regards to Alluther, the scene where Allison gets annoyed at Luther for sleeping with someone else felt out of line. Like, how are you marrying other people and moving on but Luther isn't allowed to? But honestly, I don't mind if they actually just acknowledge it and make it a deliberate part of Allison's trait that Allison can expect a certain loyalty automatically from other people (which can tie in to her childhood being a star, and the rumour).
Luther is a big simp for Allison, which is sweet, but at the same time it would be nice to have him explore himself for a bit, and who he is outside of the academy. Then maybe they can rekindle their relationship again as new people and see where they go from there.
3. I don't hate them, but they're ok. I'm not super invested in them, just like all the tua canon romance. But I wouldn't mind making content for them if I were a bit more invested in their characters. I love their dance scene in s1 and I feel like its super a underrated portrayal of what their relationship is meant to be. I know no one talks about it but it's just such a great scene, and I'm pretty sure the choreographer was into interpretive dance? The scene had a lot of meaning that I don't see people dig around with.
Essentially I'm pretty sure the fairy lights are obviously a throwback to their childhood together, spending time outside of Reggie. So the dance scene kind of symbolized that pocket of space they made for each other in their life (even if theyre far away, or with other people, they will always have that space for each other).
The way they danced was more like playfighting than dancing, which means their relationship isn't sensual. It's more ''pure'', and romantic. Its basically two kids rekindling their love as adults. I also think this is a response to the incest, cause in s1 tua klaus literally said that 'thank god Regg is not their real father' right before Allison and Luther meet lmao. So its kinda like saying Allison x Luther isnt supposed to be 'ohh step sibling hot' but two people who experienced the same trauma as kids and finding comfort with each other (and rekindling that love after many years).
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emachinescat · 3 years
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I've decided to watch MacGyver from the beginning (again), and I'm live tweeting the experience with every tweet tagged with #savemacgyver. I thought it would be fun to share my collected thoughts from the episodes on here as well.
My Thoughts on S1E2, "Metal Saw"
Seriously love the music in this show!
THE FREAKING BELT GRAB. You can tell they've done this kind of thing before.
I always love it when Jack and Mac have heart-to-hearts in the middle of super intense, dangerous situations. Like... it's sweet, but time and place, guys?
"Hi, I'm Jack." Nervous Jack is bebby.
Ew, sweat. Like, I know it's "realism" to have sweat stains on clothes in situations like these, but that's one bit of realism I can always do without. Gross.
Is that a bit of PTSD I'm seeing with Mac there on the couch? That's a kind of realism I can always get behind.
Riley finding Mac and Boze in that compromising position will never not be funny. "But he was on top." I love Riley more every episode.
Riley is a really good liar from day one.
I love the joke about ex-cons benefiting from being in relationships with stable people (i.e., fake boyfriend Bozer), then the immediate cut to Bozer with his whole arm inside the vending machine. Great stuff.
Love the Riley and Bozer bonding... right up until the cringe-tastic "Slide me your digits."
"Soon, I'm gonna woo you the same way Romeo would have wooed Juliet if they had Snapchat back in the Renaissance." Bozer and his surprisingly accurate pickup lines. The Renaissance did in fact start in Italy around the 14th century, when R&J is thought to take place.
I love all this psychoanalyzing of Mac. "Adapting is his survival mechanism." Also I'm living for Jack sticking up for Mac to Patti.
"This place has been searched by everybody and their dog." Is this a Texas thing or an old guy saying? Either way it's great.
Nothing beats the early days of Mac and Jack. Nothing. I wish we had gotten more interactions where Jack has to parent Mac: "Stop touching that. Look at me." ❤️❤️❤️
Jack so concerned about Mac and putting on the kid gloves = everything I could have ever asked for and more.
Jack has such a big heart. Poor guy, the look on his face when he sees that the reporter is actually Sarah...
Paperclip sculptures: When I first started watching the show, I thought they were lame. Now I miss them so much. Does that mean I've gotten lamer or that they were always cool and I was always lame?
"Closest time I ever came to coming home in a box." Oof. This line hits different now, and not in a good way.
I just love how Jack is this big tough ex-Delta who is so open about his emotions, particularly with Mac. And the way Mac reassures him... Their bromance is top-tier.
"Oh, like when they invented fire!" Another zinger.
Mac grabbing that giant cigar right out of that dude's mouth 😂😂😂
Love some good fight-scene Mac whump! 👏👏👏 And bar fights are always a blast!
Riley with the car door - such a boss. "What? You told me to stay in the car, and I did."
I've seen some people say they don't like S1 Mac's hair. I kind of dig it, to be honest. He looks like he's 5, but I love it.
Mac has made a lot of DIY cutting torches in his time, but they never get less impressive.
Jack trusting Mac to save Sarah while he keeps watch is just *chef's kiss*!
These early episodes have so many MacGyverisms. One right after the other. It's awesome.
I've never been a big fan of the dark either, Mac.
The first scene with Mac and Sarah is so beautifully tense and whumpy (he way he scrabbles for purchase, gasps for breath, that hitch in his voice as he tries to squeak out Jack's name) that I had to rewind and watch it again.
The hopeful disbelief in her voice: "Jack Dalton came for me?"
Sarah can kick some serious ass. I can see why Jack likes her. Too bad she's about to lead him on the rest of the episode, while actually having a fiance...
Sarah: *leans out of car, shooting her weapon with deadly, terrifying precision* Riley: I agree, this woman should not have kids. 😂 Everything that comes out of Riley's mouth is gold.
Riley asleep in the back of the car while Mac sits quietly and Jack and Sarah have a sweet moment is like mom and dad with the kids in the backseat. Except mom has a fiance and hasn't told dad yet, even though she's had ample opportunity.
Because seriously, Sarah. It's not that hard to tell him the truth. Giving him those big eyes and flirting with him, thinking he has a chance is just cruel. I have never liked her character, and this is why.
Mac and Jack giggling about Jack's crush on Sarah like middle-school girls is life.
"You're just gonna have to let that go." Man, I love their relationship.
Gosh, the scene where they find Luis always hurts so badly. These early episodes did not play around.
"There isn't always time to beg some suit back home for permission to do what's right." I'm not a fan of Sarah, but I love this line. Also, this is pretty much the synopsis of the whole show.
Riley's hair used to be so LONG! 😍
The loyalty of these three! And I love the OG trio so much.
This sleazy guy in the computer place makes my skin crawl.
Love how Patti's like, "Mac will be back by then." Not Jack, not Riley. Just Mac. Can we say teacher's pet? I actually lowkey love this though.
"Who is this guy?" Much like Doctor Who's "It's bigger on the inside," I never get tired of people being equally amazed and confused at the stuff Mac can do.
I've never been the biggest car chase junkie, but Barrios jumping over the car using that log in the road is pretty dope.
Sarah's rage is chilling. And Jack talking her down breaks me every time.
Again, I love the loyalty of our team. Everyone sticks up for each other, ending with Mac's totally unbelievable but still somehow 100% genuine "It was me. I forced them." TOO good.
First mention of Oversight this early. Just thinking about who it is that doesn't like unsanctioned ops just makes me 😤 I wonder if the writers knew who OS was at this point or if it was a later development.
I do wish we could have gotten more conspiratorial, approving Patti. She's so much better than expressionless, bland Patti.
The way Sarah never told Jack about her fiance Jeff (who is in fact a cinnamon roll but still a discount Jack) pisses me off. "I tried to tell you." Yeah, right. It's not that hard to say, "Yo, I'm in a relationship."
Jack NEVER should have found out about Jeff the way he did. There's no excuse.
It's not okay, Jack. She did you wrong. You didn't deserve that. Stand up for yourself, man. Gosh, he's so broken here, and I hate it.
"At least we have each other... Don't look at me. I know how weird it sounded." THESE TWO I SWEAR 🤣🤣🤣
Poor Mac. I do love how we get his obsessive tendencies so early in the show, and how they keep coming back, even as late as season 5. As someone with clinically diagnosed OCD, this makes me feel seen and I love being able to relate to my favorite character.
Love the found family antics at the end. Riley and Bozer making dinner while Mac and Jack play basketball? Perfection.
Lol, Bozer calling Riley a "caramel goddess" has such Schmidt/Cece vibes from New Girl, and I dig it!
Ew. More sweat. I know some people find sweaty men attractive, but that is NOT my vibe. I prefer my men clean and freshly laundered.
The way Riley glances back over her shoulder at them as she walks away, as if to make sure they're really there, that this is actually real!!!
"That's not even... that's true, actually. That's sad." Jack 🤣 Also, "I'm hungry." Big mood.
As a Grandpa Harry stan from the OG show, I eat up any mention of him in the new one. I just wish we'd gotten more of that wonderful man in the reboot. Still, I'll take what I can get!
I'd honestly forgotten how much I enjoy this episode! So solid, full of bromance, found family, and lots of good-natured bickering. Can't wait to watch the next one, hopefully tomorrow! In the meantime, please keep fighting for our show! Together we can #savemacgyver!
If anyone wants to join me in my re-watching and tweeting adventure, please do! It's my way to take about an hour a day in my busy, busy life to commit to the #savemacgyver movement. (And to enjoy my favorite show yet again!) If you do tweet as you watch, make sure to tag EVERY tweet with ONLY #savemacgyver so we can keep that hashtag trending! :)
Thanks for letting me share my (numerous) thoughts on this episode. This was really fun, and I hope it's something you all enjoy, too. I'd love to know what you all think of the episode in the comments! ❤️
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queenofthedramedies · 3 years
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Legacies Opinions 3x06: Absence Makes the Heart...
Hello, my lovely readers! (Okay, so I'm going through some writer's block. Hopefully this opinion piece will come out well...)
Thursday's epi. of Legacies seemed to be built on the theme of absence. We see it everywhere: Jo joining the human high school. Landon still trapped. Mentions of Penelope Park, who exited Legacies, late S1. Ethan talking about Maya's having left. And most of the Salvatore School having withdrawn.
While so much absence could lead to a very melancholy epi.; there are many light moments in the show. Let's talk about some of them.
Lizzie worked, in this epi. to distract herself, and Hope, from their pain by dragging Hope into taking potential students on a tour of the school. This led to a series of misadventures. MG saying he would not be helping the gang, because he needs to say: "No!" more often. Jed's three-person wolf pack. Apparently not impressive. Poor Jed. He tries. And Kaleb taking an interest in new, potential student, Cleo.
Speaking of potential students: Gabi (not sure which spelling this new character uses for her name) and Lizzie do not seem to be hitting it off given the fact that Gabi used to go to an all-witch school in Belgium. This leads us to our first Penelope Park mention of S3. And, I'm still hopeful that we may see Pen return, especially considering she's holding a torch for Josie. #Posie
Back to Cleo. Personally, I like her. She's seems intuitive, kind, and honest However, characters have turned out to not be what they seem before. We'll have to keep an eye out, to see how this character develops, considering she's making fast friends with Hope, and, again, Kaleb seems smitten. Their interaction led to one of the best lines of the night: "One of my fears in being trapped in a room with a man playing piano." That is gold!
Back to MG: He's on a roll. Telling Jed off about Alyssa, Wade that MG's not into all things geek, and Lizzie. Oh, boy, does he find himself regretting that last one, which is part of one of my other favorite bits of the night. That one you will have to watch at the end of the epi. And trust me, it is good...
Wade. So happy to see him popping around this epi. He just brings a certain lightness to the show. And it turns out that he has a connection to Gabi, too. Who's here for platonic male-female friendships? Me! Anyone else?
Speaking of platonic friendships: Jo and Ethan do lunch at the human high school. It looks like this is the beginning of a strong friendship. Maybe. Or something more. Who knows? You know, other than the writers...
Jonch. Or Jo and Finch seem to be kindling something real and kind of sweet. The only problem is Finch having no idea who Jo really is. And we learn more about the new girl's past which may end in her not being happy with Jo's secrets.
Last, but not least: Handon. I could not end this piece without discussing Handon. Hope is haunted by her love's absence and ends up unintentionally hurting potential students with her psychic energy. Cleo is helpful in talking Hope through her grief, but I suspect that Hope has long road ahead of her.
Landon also has a long road home. After opening the door, which turns out to be in Malivore, he finds himself in an ice cream shop, with The Necromancer. Oh, no!
I know I shouldn't enjoy it, but Landon and The Necro are funny together. But they also have more than a few dramatic moments ass they struggle to find a way out, and to leave the other behind.
The Necromancer makes a big mistake when he repeatedly tells Landon that Land can not rescue himself. This seems to trigger a force within Landon, and ends in brutal violence, which we have not really seen in this character, till now. The Necro also predicted Hope's Klaus-like nature taking over, with her search for Landon. Looks like this couple could be moving toward a path of villainy, before they correct course, or not...
In the meantime, Landon has left a letter behind which may, or may not find its way into anyone’s hands. We shall see...
And a special gift for Handon fans, we saw Landon put on Hope’s necklace which feels like a big step, a kind of joining of the Mikaelson fam; if you will. Or maybe that’s just wishful thinking on my part. 😊
Oops! Almost forgot: Dorian Williams is back, and is the new principal of Mystic Falls High!
Overall, the epi. felt much more focused around certain story arcs that will probably play out through the season and beyond..
That's all for this week! 😊
Be safe,
-J
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