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#i dont WANT do lose this
ganondoodle · 6 months
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i know im an overemotional, overreactive pathetic little wimp about my hyperfixation, and i dont even mean that derogatory, i think its both my best AND worst quality, im well aware of it, especially in moments when im already stressed i have a hard time to get my brain back into control, im so well aware of it that i HAVE been managing to learn how to deal with it actually which is why, instead of letting myself spiral any further, i went to bed to let my brain calm down
and it worked!
i still hate the live action zelda thing, i still think it WILL be bad, and it will still negatively affect how i feel about the franchise as a whole, i am not spiraling out of control about it though, which i think is a win in my book, some people hate that i say my opinion at all though, more on twitter than here so hey, im grateful to not be called pathetic to my face bc i said something someone might decry as too 'weird'
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lokh · 3 months
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fake dating au where shuro ends up pretending to go out with laios in order to secure his inheritance.... but is it really what he wants? a journey of romance and self discovery that ill never ever write
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lucabyte · 18 days
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Taking pride in One's own appearance.
#you people are becoming my guinea pigs for my finally learning how to communicate information via comics. a thing ive needed to practice at#also BLEGH. YUCK. andrew hussie was right candy makes you sick. this is a little too saccharine for me. yeesh. let me get back to the meat.#isat#isat spoilers#in stars and time#in stars and time spoilers#isat fanart#in stars and time fanart#isat siffrin#isat loop#sifloop#doodlebyte#'let me get back to the meat' i say eyeing something similarly sickly in my sketches. at least it's mildly tormented as a counterbalance...#you people have no idea how much im having to stay my own hand. oh i can draw miserable nudity but the most basic of fluff? visceral#anyway i dont know the logistics of picking up a glass eye or where loop got money (besides pilfering from siffrin) & ive previously drawn#sif with a vague blank middle-grey eye as either being scarred over or a blank occular prosthesis put in quickly at the nearest town#i dont know that they'd have a glass eye during the game but considering prosthesis are reccomended to keep the skull etc from deforming#id imagine it would probably come up postgame as something to do now theyre not on a time limit trying to save the country#plus i assume that having it gouged at by a sadness wasnt exactly a clean wound by any measure#all this to say. idk i just wanted to get some information across in comic form to Test my Abilities#and we're far enough down now to say my absolute most wretchingly sweet fluff headcanon that actually inspired this#which is that i think siffrin gets into the habit of not wearing the eyepatch around loop so they kinda match.#and as a signifier to the other that they're letting their guard down around them. vulnerability etc.#just kinda wearing it around their neck so they don't lose it
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fucklife101 · 11 months
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I feel like I’m drowning again. I’m falling back into old, bad habits, losing motivation to do anything again and my self esteem has gone completely out the window. I’m not sure how to survive this time.
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samwise1548 · 6 months
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Prev
[ID: Four sequential drawings of Martin Blackwood from the Magnus Archives as an orange cat.
Panel 1) A closeup of Martin's face sniffing a blue bowl of steaming brown liquid.
Panel 2) Martin moves his head back from the bowl and thinks "Wow this smells nice! But how do I eat it?" Jonathan Sims, out of frame, says "It's just broth. Sorry, I don't have any proper cat food."
Panel 3) Martin looks up at Jon, now partially in frame, and tries to say "Jon, you forgot the spoon." But all that comes out is a small "mew".
Panel 4) A closeup of Martin's shocked face as the realization strikes him. He thinks internally "Crap I forgot I'm a cat!!"
\End ID]
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deoidesign · 12 days
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important distinction.
Testing a few different things with this one
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fibi-draws · 10 months
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You found a spider in the ceiling... er... the ceiling of the multiverse? Weird
[Commissions are open]
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closeup :)
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fiendishartist2 · 8 months
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smth i think ppl get wrong when writing jon is that he has to be a bitch but he cant be cruel. if you take away his bitchyness its not jon anymore, he just becomes a fanon husk of himself. but if you make him too mean, then you're forgetting the awkward politeness and humanity of jonathan sims. remember: he may be a stubborn dickhead, but he let martin stay in the archives without having to be asked, even back in season 1
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cloudysarts · 3 months
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this show would be good if literally everything about it was different
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chirpsythismorning · 3 months
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Can we talk about how Jonathan might've been able to clock Mike simply because of what happened with him and Nancy in season two?
This will be a long post, so you might want to strap in or save it for later.
In Will and Mike's case, it would obviously be much different from Jonathan and Nancy's situation, given that you know, they're gay. But we still have Jonathan arguably going through a similar experience as Will, while Mike is going through a similar experience as Nancy.
In s2, we see Nancy confront Jonathan about how she waited for him before getting back with Steve, which is a revelation to him. Then they're at Murray's and she's struggling to say she loves Steve, after a handful of moments between them that felt like she might return Jonathan’s feelings. And you can clearly see it in his eyes, listening to Murray imply that they have feelings for each other, with him looking back and forth sort of in awe of what's happening, like he's starting to question if she might actually like him back.
Will doesn't have that same affordance as Jonathan to really hope, at least not anymore. Which is why these relationships in s2 and s4 end differently for these two brothers.
Based on all the signs he was seeing that Nancy felt the same, Jonathan decided to take the plunge to admit to Nancy how he felt, and at that same moment Nancy had the courage to show how she felt. In Will and Mike's case, Will wasn't ready to take the plunge to admit to Mike how he felt, at the same moment Mike didn't have the courage to show how he felt.
What's so painfully hilarious to me about all of this though, is that Jonathan arguably starts the season in the same shoes as most of the audience, where from his perspective, it's becoming obvious to him now that Will like's Mike, but that Mike does not feel the same way.
First at Rink-O-Mania, Mike appears a little uncomfortable upon hugging Will. Then as the happy couple continues on their adventure into Rink-O-Mania, he watches Will lagging behind moping. And then unfortunately he's out of commission for the rest of the evening...
But once he's sober and back to being an attentive brother the following morning, we see him watching them at breakfast, with Mike barely sparing Will a glance, all while Will is blatantly staring, almost like he's waiting for Mike to look back, only for Mike to get up and walk away.
All of these instances gotta be SCREAMING unrequited gay love to Jonathan. He's already gotten signs for years that Will is gay, these are now just the signs that are instilling his suspicions that Will has feelings for Mike. He could have easily interpreted their relationship in the early seasons as young best friends, with Will seeming to have a crush on Mike, and with them growing up and that potentially including Will's straight friend distancing himself from him because he doesn't feel the same. It's not the most unexpected thing in the world considering.
But then there's a shift.
Suddenly he's creeping up on them talking in his room. And we know he was listening in on the conversation because he brings up Owens when he sits down. As he's eavesdropping, he's probably thinking something innocent like Aww they're making up! And like, hey! Even if Mike doesn't feel the same, which is okay and entirely expected honestly, at least he still cares about Will enough to make things right after acting so out of character. Still, I'm not gonna lie, that sounded a lot like flirting to me--
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Then he's knocking on Will's door like 30 minutes or less later only to find Mike and Will back on their bullshit. Mike suddenly isn't going out of his way to ignore or put Will on the back burner. In fact, he's on his bed and they're talking, again! The door is even closed this time, which is interesting. This has gotta be a good sign in Jon's eyes. Nothing to worry about! Right? Right...?
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But then suddenly this shift continues, going in a direction he probably didn't expect.
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I mean, this is literally an identical jancy parallel we have here with byler on the hood of the car, with Jonathan right there to witness it. Despite him maybe only now subconsciously picking up on the similarities between Will and Mike to him and Nancy here, he's at least taking note (I mean he's even got his gay map out and everything).
It isn't until the van scene happens, that I think Jonathan starts to genuinely consider his suspicions, which is that Mike might actually like Will back.
EVERY time we get a shot of Jonathan looking back at Will and Mike in the van, followed by a shot of his POV from the rearview mirror, we're faced with Mike looking at Will while Will is looking away.
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As Jonathan is hearing Will confirm his suspicions about his feelings for Mike, he's simultaneously witnessing Mike not looking at Will with disgust, but something more akin to reverence. All of those moments in the van that we witnessed, including all the ways Mike looked at Will and everything that was said, Jonathan was right there.
And what's even more insane about this scene, is that it circles back to Jonathan as a character himself.
I remember when people were talking about how odd it was that we never saw Jonathan with a camera in s4. After 3 seasons in a row of making his passion for photography a big part of his identity, that part of him was apparently absent entirely this time around... But was it really?
This is the same guy that said, "Sometimes, people don't really say what they're really thinking. But you capture the right moment, it says more."
Jonathan might not have had his camera in s4, but this was without a doubt one of those moments where he captured something more.
Something that I also think get's highly overlooked about this scene, especially when it comes to Jonathan looking back at them, being followed by a shot of Mike staring at Will, is that he could see both of their reactions the whole time, from beginning to end. Will nor the audience had the affordance of knowing because Will was facing the other way at the end, while we on the other-hand were blurred from even having the chance, despite Mike literally being in the frame. But not Jonathan. He even lets us see what he sees, a few times, but not at the very end, which would have been nice after they didn't let us see Mike's reaction seconds before this.
Let's just stop right there for a second though and circle back to what I consider to be the first time Jonathan really picked up on Will's feelings for Mike, which was at the end of s3, in a sequence that is a little too relevant to the van scene if you ask me, given that they are almost direct parallels.
While these parallels are pretty spot on visually, they are also near spot on narratively when it comes to the evolution each of these characters are experiencing.
For Will in the first scene, it's sadness that he's moving away from his friends in Hawkins and also feeling like he's losing Mike, after what looks like him and El making up, which makes him scared he'll distance himself again. For Jonathan, it's sympathy for his brother who appears to have some very deep feelings for his friend, feelings he can't quite grasp yet but soon enough will.
For Will in the second scene, it's heartbreak that he has to accept that Mike will never feel the same, knowing that supporting his relationship with El (encouraging it honestly) will likely turn out just as it did last time, with him losing Mike all over again, for the last time. For Jonathan it's sympathy for his brother who has now confirmed his suspicions that the feelings he has for Mike are more than just that of a friend.
Given that this parallel reinforces the same feelings Will and Jonathan had in s3 to now, why would this not also reinforce those same feelings that Mike had in s3 to now?
In the first scene, Mike was visibly distraught, with dialogue from Hopper in the background applying a little too perfectly with what he was feeling in that moment, which was scared. He’s apparently back together with El now, despite them doing just fine as friends for the last 3 months, as well as him and Will just having finally gone back to them being on good terms again. But now, it’s like he’s right back where he started at the beginning of s3, feeling obligated to be the perfect boyfriend to El, and as a result, having no choice in his eyes but to distance himself from Will. Mike then walks into his house looking like a zombie, almost emotionless stepping into his mother's embrace.
Now, I say almost emotionless because it looks like Mike was trying to hold back showing how he truly felt in this moment. He's not crying like he did in s1 when he lost Will that first time. Time has passed and things have changed (he doesn't want things to change). And he's trying his best to keep it together. But the in-focus close-ups make it clear that he is definitely not okay.
What's so impactful about these parallels is that it presents the inner struggle both of these characters are having, both queer and experiencing doubts, but in different ways and for different reasons.
Will is the one who covers it all up with lies, hiding the tears in his eyes, because boys don't cry.
Mike is the one who has never cried to them, just to his soul (RUN AWAY! TURN AWAY! RUN AWAY! TURN AWAY! RUN AWAY!!!).
If you actually try to get a gage on Mike's in-focus emotions in that first scene vs. his out-of-focus emotions in that second scene, well they're not that far off from each other.
We go from Mike smiling vibrantly at Will, to him now slowly turning away to look back down at the painting, with whatever the hell emotion this is...
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It's near impossible to catch because of how out-of-focus it is, but looking a lot closer, it honestly appears like Mike is feeling something akin to sadness that he's trying to mask. For a moment it even looks like he turns his head to wince emotionally, only to correct himself.
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And call me crazy, but these shots also low-key parallel each other. Mike looking down trying to keep his emotions in check and failing miserably, only to look up and meet eyes with someone whose witnessing it.
With each shot before this of Jonathan observing Mike looking at Will, with him showing all the emotions Will never got to see and everything else in between, I wonder what Jon saw this time? Probably another thing he didn't expect.
Can you just try to imagine the silence in this van, accompanied by Will's muffled sobs, and then try to imagine Mike turning to look down at the painting, only to sneak a glance, and then go right back to looking at the painting, IN SILENCE, and then try to tell me how the assumption that Mike didn’t notice Will crying makes any sense, like realistically?
Yeah me and Jonathan are confused too.
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Right now, Jonathan's probably wondering why Mike was acting a little fruity and repressed during the painting reveal. And that although he may have a penchant for being able to 'capture the right moment', Mike is sticking with his story (despite all the stalling and doubt). He is 100% straight!
And so maybe this is where Jonathan tries to accept what is being presented to him as the truth, despite the contradictions in front of him. It's likely that despite the way Mike looks at Will and acts around him, in ways he would have assumed coming from Nancy in s2 would've been evidence that she felt the same, it probably doesn't apply to Mike.
Maybe Jonathan's ready to accept that it's a lot more likely Will is experiencing unrequited love as a gay kid growing up in a small town, the most predictable experience a gay kid could go through, and in contrast Mike just feels too bad to let Will down easy.
Or who knows, maybe Mike could still be a little bit gay too...
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But it doesn't matter anyways. Mike seems to be adamant about this and so there's really nothing else Jonathan can he do besides tell his brother he'll be there for him no matter what. And so he does just that.
But then Mike just has to surprise him one last time.
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For those that don't know, the line Mike gives here in his monologue was in part pulled from Will's monologue in the van. Most don't know this because this line didn't make the final cut for the van scene, but in the official script the writers posted, what we find is an almost a direct parallel.
Which makes the reaction shots of Will and Jonathan directly after Mike says this all the more epic.
From Will's end he was probably hearing Mike say this and just thinking 'Damn. Well, that's what you get for using your feelings to inspire Mike to profess his love to El.'
But from Jonathan's end, I don't think his outside POV of these events overlapping was nearly as naive as his brothers understanding of the events. Because why the fuck would Mike need to use Will's feelings to inspire him to profess his love to El in the first place? Is this what Mike has been struggling with? Really? Why before every moment Mike takes action in this scene, is Will's hand literally pushing him into it? Why is Mike being so dramatic about saying I love you, stuttering and rambling about her being a superhero, not saying nearly as meaningful of things as what Will said in the van?
And then it hits him.
Mike is reminding him a little too much of another Wheeler right now...
Nancy Wheeler, who was afraid of what would happen if she accepted herself for who she really was, leading her to retreat back to the safety of Steve. Because Nancy liked Steve, but she didn't love Steve.
And now here is Mike Wheeler, who has went from being incredibly distant with Will after reuniting with El, something that is very unlike the Mike he knew in previous seasons, to something more himself again after they make up, with him looking at Will with adoration after hearing his words in the van, only to turn away and look heartbroken. Mike who is now struggling to simply tell El he loves her with Will right behind him literally yelling at him to do it.
And now it's like all those little moments are starting to add up to Jonathan.
Suddenly all those signs he picked up on from Will when he was younger are now blending in with moments Will shared with Mike. It was Mike who jumped in after him and his mom's speech to Will in the shed in s2, with tears in his eyes recalling the day that they met (without being asked, let alone pushed to). And it's Mike who is now looking like he's at war with himself as he attempts to give encouragement to El, just like he did with Will in s2, but this time he needs someone to push him to do it, and that person just so happens to be Will. After just finding out about Will's feelings and also while assuming El wants him to love her that way still, Mike is stuck.
I don't think it's takes a genius to consider Jonathan is capable of realizing how fucked they all are in this situation.
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As much as Mike isn't ready for a sleuth of reasons, Will isn't ready either.
This provides a huge contrast between the bylers ², because while Jonathan and Nancy went through a similar experience to Will and Mike, them being ready to accept it and act on it didn't involve nearly as many factors and risks. Will and Mike also have the added barrier that is homophobia.
Will's internalized homophobia lies in part with assuming Mike could never feel the same based on some of the words he said in their last two fights, with parts being painfully reminiscent of the things his dad and bullies used to say about him. These are also words that contradict Mike's own words and actions from the previous seasons, things that did once give Will hope. The shame and guilt that comes with falling for your best friend, who you now know will never feel the same after being foolish enough to believe it not too long ago, and who might not even want to be your friend anymore upon finding out the truth, is understandable. He can't have hope like Jonathan can. It's just not the same.
Mike's internalized homophobia lies with assuming El wants him to love her, along with their relationship being expected and socially acceptable from everyone around him. Though unfortunately for her he feels abundantly more in love in the moments he shares with Will. Despite trying to make it work with El as hard as he could, because she's amazing and all any guy could hope for in a girlfriend, he can't ignore the fact that the feelings he has for these two people are different. The shame and guilt that comes with you, a boy, falling for your best friend, who is also a boy, and who is starting to show that he feels the same, all while you can't muster up the courage to break up with your girlfriend, nor can you muster up the courage to tell her that you love her, not when she's begging you, dying or even just simply at the end of a letter, is pretty understandable too. He can't have hope like Nancy can. It's just not the same.
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Spoiler: They were not ready.
PS: I'm still not over the fact that they low-key confirmed these events elsewhere in the story...
#byler#st analysis#pocketgate#lettergate#i'm aware this is a hot (big brain) take#but i'm like 76% sure mike understood will in the van scene#also why mike is gonna finally be dealing with some personal business in s5...#just want to add that this makes the scene at Nina hit harder#also#mike trying and failing to tell el he loves her or break up with her at surfer boy and stalling because he just can't fucking do either?#mike's face when will pushes him to profess his love to el right in front of him???#honestly i dont think mike would've gone through with his monologue if he didn't think this is what el wanted in large part#i think he thought that if he did break up with her she wouldn't need him at all anymore#or more specifically if told her the truth she might hate him for it and just not want to be in his life in the aftermath of that#this is why he struggled so much with being honest#it was either lie and suffer but get to keep her in his life most likely or tell her the truth and potentially lose her and still suffer#it's just that now he has literally no choice but to conform and be with her all while knowing it's not what his heart truly wants#the heart not being true to himself jumpstarted the apocalypse#everyone act surprised#byler getting jonathan’d in s5 can be something so personal#no but imagine jon getting even more signals mike feels the same 😭#and he tries to talk to will about it but will just gets upset like pls stop why are you saying this?#or imagine him talking about it subtly with Nancy and her being like no way#only to see it for herself#maybe then Nancy would try to talk to Mike about how he’s feeling#idk I could genuinely see byler just getting byler’d individually#but it’s clear at this point Jonathan is extremely suspicious#honestly all I think it would take is him having intel about their previous fights#if he found out mike defended his behavior by insisting that they’re friends…#jonathan would just be like… oh shit.. the first lie…
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loomingtwilight · 5 months
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i love neuvifuri’s dynamic and relationship. like. imo they are the epitome of “we are inseparable, we are in love in every way, we are soulmates not by birth or due to fate binding us inexplicably but because we spent those 500 years being the one constant in each others lives and weve come to know each other the best, but we are simultaneously strangers. we never truly knew each other during all that time.“
and neuvillette knew for so long furina was keeping a secret from him and it pained him to force that secret into the light, but he knew he had to in order to save fontaine, and despite that he still wanted to do it as gently as possible. to make the trial the last resort if the travelers conversation didnt work. after the final events of the archon quest, he let furina go wherever she wished, he (if im remembering correctly) gave her a nice house and enough funds to do as she pleased and live comfortably. he used his new authority over hydro to give her a vision made specifically for her, the very first vision he has given out. he has made it as clear as day that she is welcome to talk to him, to ask to have tea, to ask him for whatever or simply just to talk.
neuvillette using those actions to say “i hope you let me know who you truly are, and allow me to stay in your life for as long as you wish, but i love you so i will not force you.”
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thinking about how as Aemond’s wife you are the model of perfection. 
Your back is straight as you curtsy when you first meet him and hair neatly braided with fine jewels. Your voice is even and never waivers as you speak to him of your family and how grateful they are for this union. 
You are intelligent and beautiful, the perfect wife. 
It’s why Aemond hardly ever spends time with you. 
He bears no ill will toward you, of course. There is no resentment or hatred to his lady wife, but there are no fond feelings either. 
He knows of courting and romance, his mother taught him everything from a young age. The poor woman would hold her son’s hands tight and explain that a man must not only respect his wife, but truly cherish her. Love her in the eyes of gods and men. As he grew older he noticed the way his father would wave off her constant advice and concerns until the dreaded night where she was the only one defending him after he lost his eye.
But practice was one thing. When you were nothing but a concept. A figment of Aemond’s imagination when he was ten and marriage was only spoken of during his lessons. Before he lost his eye. Before he heard the ladies of the court whispering about his mutilation and before he watched a whore flinch at the sight of his scarring when Aegon dragged him to a brothel on his thirteenth name day. 
He learned then that no matter how much he would love and worship his wife, it would not be returned. 
Rather than attempt to force it (he was no brute and had no intentions of doing something so cruel) he simply let you be by yourself. 
Yes you were married. You sat by one another at every meal and formal event and on the rare occasion he would even ask for your hand in a dance. But Aemond’s affections toward you were few and far to find. 
But there were moments. 
Where his icy facade would weaken and you found yourself able to slip through the cracks. 
Alicent had told you of his “moments” when the engagement had been announced. The queen herself taking you by the hand as you walked through the garden and explaining gently of Aemond’s condition. 
“There are times where he feels a great deal of pain because of the-” She paused, chewing on her cheek while trying to find the most inoffensive way to describe the tragedy that befell her son. “-incident he had as a child.” 
You knew enough of it. Many rumors flew through court the day Aemond targaryen walked in with a patch on his eye after Laenor Velaryan’s funeral at driftmark. Some day it was from a sparring incident, others say it was a mark he bore from the first time he mounted the mighty vhaegar. Others say that the Rouge Prince Daemon Targaryen himself gave it to his younger cousin after crude words were exchanged behind closed doors. 
You didn’t know what was the truth. Aside from the day the princeling got his scar, was the same he got his dragon.
A fair trade, some would say. 
But they didn’t live with the attacks he did. 
Nerve damage, is what the maester’s called it when you asked them for more information. His wound may have healed years prior but the prince would continue to live his life with constant bouts of mind-numbing pain brought on by the slightest touch or too sharp of a wind to his cheek. 
“Senseless fits.” Aegon called it. When he heard about your curiosity about his brother’s condition he had all but cornered you late at night in the hall. “Anything will set him off and send him throwing a tantrum like a belligerent child. It’s quite entertaining.” 
But there’s a moment where the elder brother frowns and you see a shred of concern in his eyes. 
“He doesn’t like to be touched during those moments. It makes the pain worse. So if you’re trying to find some way to comfort him I’d recommend you do something else.” 
What was ‘something else’ you learned, was simply being there. 
Sitting by his side when he curled into himself, trembling fingers reaching out to grab yours and not complaining when his nails dig into the palm of your hand as he cries out in pain. When his breath evens out and the pain subsides, he crawls to you and presses his face to the crook of your neck. He’s far too tired to cover the gnarled scar covering the side of his face but you show no fear or disgust at the sight of it. Your fingers run through his hair, gently combing back the silver tresses and ignoring the tears that stain the shoulder of your gown. 
The next morning your husband would wake in your arms and takes a moment to watch your peaceful expression and the way the morning sun kisses your skin. 
That day Alicent notices her son sits closer to you at breakfast, speaking softly to you of something she cannot understand. But when she sees his hand reach out and grasp yours, she smiles. 
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sentientstump · 6 months
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thinkingg
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about things
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in the alt text with some notes
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emberglowfox · 9 months
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closing time
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the-bi-fangirl-biatch · 6 months
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the entire season they've shown sylvie perpetually being okay to just walk away from the fray and getting no consequences whatsoever. which would be ok since she doesn't rlly care about them like loki does. but in the end she just moves on so fast after she watched loki isolate himself and go off JUST to fix her mistake.......
meanwhile mobius is there, frozen in that time, left behind by the person he's an "expert" on not only bc of his job but bc of their friendship, him quitting the job that was his entire life, because loki has left and his previous purpose didn't have loki anymore
it's just fucked up how everyone else got their happy endings (good for them) except for loki and mobius. they're apart, separated once again, looking miserable in their last shots. just like last season.
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snekdood · 1 year
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There are genuinely people online that instead of actually bringing people to the left, at this point, would prefer that anyone who was previously not on the left but who tries to be *stays* outside of the left, because i guess its just easier to comprehend when the world is put into little shitty boxes you labeled for them instead of actually thinking for once and having the nuance to understand them. Like thats wild to me that theres people who would prefer you not be on the left or not try to be. Yall GENUINELY do not care about advocating for your side politically in any capacity. Its LITERALLY just a clique you've found yourself in. And theres nothing progressive about that or being exclusive, wtf do you think this shit is, a night club? Grow the fuck up, honestly.
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