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#i don't have comic files with me please
catman-draws · 2 years
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Installing neon lights over my inbox rn
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marmastry · 3 months
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would you ever be willing to show the steps you take to create a comic? :> 🩷 if you have done so before my apologies, i didn't see it
I'd probably not.
I'm not doing it to gatekeep, It's just documenting steps, explaining why I do this and that, is just a whole work I'm not willing to invest in especially when I'm mostly operating on instinct. Please, I just knew how to draw and decided to make some self-indulgent comics. I thought it would be a good brain exercise now that I find it stale to work on beautiful portfolio-worthy artwork 100% of the time -_-
The mangas and comics I've read in the last decade certainly gave me a direction on how I want to do it. If you're looking for a helpful guide, Adrienne's comic tutorial taught me everything I know: here's the link (It literally gave me the confidence to make one lol).
That said, please don't ask me for a step-by-step process anymore. I don't like doing it. I get that spreading knowledge is important but asking someone who doesn't want to teach, teach will do more harm than good. I think people who want to learn better deserve better and I'd feel bad if I just ended up adding to the noise of bad art advice out there djsfladsjfh
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randomshyperson · 4 months
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R U Mine? - Heart Shaped Series
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Chapter Summary: A game of cat and mouse begins between an Avenger and a criminal. But perhaps there are no winners, as they both fall.
Warnings: mentions of typical canon violence, hints of abusive past and unhealthy work dynamics, some superhero routine lore, more shapeshifter power mentions, mutual pining, forbidden relationship, some teasing, (first) kiss and then a lot of kisses and steamy make out, some fluff and comedy. | Words: 6.965K
A/N-> How many references to Killing Eve can one put in a story. And also, references to the Witch's Road comics. This here is the extra chapter about their first kiss, enjoy reading.
General Masterlist | AO3 | Series Masterlist
-&-
Before.
"I know what you're doing."
Three weeks prior, Natasha's sentence would have made her jump with fright. Perhaps she would have tried to hide all those files and lie and lie again, until she could convince herself the whole thing was about the job.
But today? Wanda was tired. She had spent the last few hours stumbling into dead ends, no progress on whatever she was trying to do with all that vague information Shield had on you.
So she lifted her face to the redhead who appeared in her room late at night, two cups of coffee in hand, and chuckled weakly at the statement. It was obvious that the drink was an invitation - perhaps even a sign of 'hey, I'm not trying to start a fight. I want to help,' and Wanda accepted without hesitation.
"It's not like I'm doing a good job of keeping it a secret." She retorts to Nat, who smiles before taking the empty space on the bed. Practically all the Shield files - now labeled Avengers - about you are scattered on the mattress. It's a mess, and to Nat, it makes sense that Wanda hasn't made much progress.
"To be fair, for a first-time Investigation, I think you're doing all right." Says the widow after a sip of her coffee. "You covered your tracks and even used an official justification for researching her. Your mistake was involving Vision."
Wanda sighs. "Let me guess, he talks under pressure?"
Nat chuckles, nodding. Wanda rubs a tension point on her forehead. Taking advantage of this, Natasha gestures to one of the files. "I'm not going to tell you what you can and can't do, Maximoff. But this doesn't seem very healthy."
Wanda gives a sad smile, and Nat expects her to defend herself. But instead, the smaller girl sighs. "I know." She murmurs sincerely, forcing a faint smile at the widow. "But I need this, Nat. It's the first time in months that I've managed to think about anything other than Pietro. And I know it doesn't look healthy, but it's all I've got. I'm an Avenger now. Maybe it's just time to get to work, and arrest villains or something."
Natasha frowned at her, absorbing the confession for a moment before rebutting: "Is that what you want to do with Y/N, though? Lock her up?"
Wanda swallows dryly, looking down. "Of course, Nat."
"You're a terrible liar."
The brunette sighs. "I mean it!"
"And I don't believe you." Nat insists in a good mood despite everything. "Look at all this, Wanda. You've been at it for days. Studying her. Did you even remember to eat anything in the last few hours?" Wanda snorts, gesturing to the breakfast leftovers on the dresser in the corner of the room which makes Natasha let out an incredulous laugh. "Wow, a nutritious example you are."
The witch tosses her hair back. "If you've come here to try to babysit me, please leave."
Natasha rolled her eyes and ignored the other woman's stubbornness. She put her coffee down between her crossed legs and started organizing the files.
"You're naturally perceptive and clever, Maximoff. But you lack experience and practice. You need to put together a timeline and find the gaps." The widow began, and masterfully, all the security camera photos, reports from shield agents, and unexplained crimes related to thieves with no identifiable faces began to connect and make sense. "But I must warn you, I did all this years ago. When I started at Shield, your little friend was already some sort of the goose that laid the golden eggs, or stole the gold for the saying to work."
"She's not my friend." Wanda murmured, her gaze fixed on the files so Natasha wouldn't see her blush. The widow ignored the comment and continued talking.
"My point is that I didn't get very far." Nat says with a sigh. "To be honest, it was an insult to my ego. She was just a kid back there. And she managed to flee much more experienced agents. She had endless, untraceable disguises. She doesn't need to impersonate, you know? She can create faces. It makes her almost impossible to monitor. When we met for the first time, it was she who found me." Nat says, swallowing dryly at her own memories. Wanda's eyes widen softly, listening carefully. "I never told this to anyone, but when Clint first met me, he told me that he felt something. As if he knew I wanted to escape. And when I saw Y/N, I had the same feeling."
"What did you do?" Wanda asked and Nat sighed.
"I couldn't do what Clitn did for me, Wanda, I'm sorry." Said the widow sincerely. "She attacked first. And I had to defend myself. It wasn't just protocol, it was all I'd learned to do."
Wanda frowns. "Why are you telling me all this, Nat?"
The redhead sighs. "Because it's important. It means that she doesn't trust easily, and attacks when she feels threatened. She reminds me of both of us, to be honest." Nat comments, getting a small smile from the witch. "Besides, I want you to be really careful if you do dig into this."
"I will."
"I'm serious, Wanda." Insists the redhead. "Careful not to miss a gun hidden in her dress." She remembers the last official report Wanda made, regarding her first mission, the night she simply couldn't stop thinking about, especially after your secret vision to the compound, and the witch swallows dryly. Nat doesn't mind her hesitation. "Careful in a way that you'll use your powers if necessary."
Without looking the widow in the eye, Wanda retorts between her teeth: "I get it, Nat."
"You're not going to carry this on until you look me in the eye, Maximoff. And swear it."
Wanda's stubbornness falters, and she returns her attention to the widow, looking at her seriously. Nat gives her a small smile as she adds, "It's not just Clint who cares about your safety. We all do. I'm not going to allow you to throw yourself headlong into something dangerous just to escape your grief, Wanda. Swear that you'll be very careful, and you'll walk away if it gets too dangerous."
Wanda is surprised by the tenderness, and a little embarrassed. It takes a moment but she finally nods. "I swear." She says before adding. "I want to help Y/N. Like Clint helped you. Not lock her up, like I said before."
Natasha chuckles. "I know, kid. I know."
With the Black Widow’s blessing, she kept digging those files. And Nat didn't lie, you're untraceable. Every time you meet, it's clear that you've let yourself be found. Even with handcuffs on your wrist, you keep smiling as if it was all part of the plan. Judging by the way you always escape from prisons, later going public that some confidential information for the police was stolen, this is easily confirmed.
The Avengers are getting used to the strange persecution, very much because each of them has their secrets. And just like his protég��, Steve Rogers had side missions to pursue Bucky. It would be hypocritical of him to hold anything against Wanda for being after you.
And Wanda couldn't stop. Even after hundreds of dead ends and ridiculous escapes. She had to meet you, and have less than five minutes in your presence with another twelve agents and the whole Avengers present every fortnight when they manage to track you only for you to escape again. She didn't know why, but she had the impression that you looked forward to these moments as much as she did.
Like a little private game of mouse and cat, only you and her were part of.
-&-
There are a hundred things to do in the Capital of Crime.
The most complete list of gambling games imaginable, right down to a mural of targets to be captured.
All these things are at your disposal, and all you can think about is the new addition to the Avengers team.
Wanda Maximoff was born in the country that fell from the sky around the same time that Baron Strucker was playing Pinky and the Brain with your cells in a secret laboratory of the now-destroyed Hydra. A Stark bomb made her an orphan, and after bouncing from orphanage to orphanage, often expelled for getting into trouble with her twin brother, Wanda embarked on protest groups in search of civil rights until she was finally recruited into a human experimentation program that turned her into an enhanced version of herself. She was the only reason for the first time in your life that you wished you hadn't split with Strucker so soon - If you'd still been his puppy instead of the clients he got, you would have met her. You may have become friends.
"She's doing it again." Xu Xialing whispered to Layla, the two engaged in a game of Beat the Hero - a competition of colored cards that contained electronic figures detailing the abilities of real-life superheroes. It was, in a way, training for possible battles in real life, where they learned about their enemies by playing. The two of them were sitting in opposite armchairs, while you were practically lying on the sofa, drinking with a lost look on your face. According to them, fantasizing for the tenth time in a row about the Avenger you met in Italia weeks ago.
Layla giggled when she saw your expression before turning her face to Xu Xialing again. "You know, they say Maximoff has psychic powers. Maybe Y/N is under a spell."
"A love spell, that is." Mocks the Chinese woman, getting a laugh from the other.
You only came out of your trance of thoughts about Wanda with the bell from the private room you were in. Your face changed before the curtain opened, and Xu Xialing was the first to look at the security guard entering, somewhat annoyed at having her private time playing games with friends interrupted.
"Forgive me for intruding, madam. The Countess is here and requests the Sage to join her." The man said, and Xialing nodded in understanding. She turned to you, but there was no need. With a soft leap from the sofa, you got to your feet and took one of Layla's cards from her pile - you threw it on the board and helped her win the game, taking the opportunity to leave the room while the two of them discussed whether the assisted victory had been fair or not.
The Golden Daggers Club was as packed and vibrant as ever. The next round of betting for the fights was due to start soon, and there were a lot of people shouting their bets to the judges, and joining the fight cages, so you had to make some effort to follow the venue's security guard into the special area of the place - where federal agents were given even more privacy to be around.
Contessa Valentina Allegra de la Fontaine was waiting for you alone, but behind a door with six security guards guarding her. Each of them gave you a look of contempt, but you walked past them without any reaction until you were with Valentina in a room with no windows, every inch of which was covered in priceless works of art, many of them stolen throughout history, which you and Layla recovered together in the service of the Ten Rings.
"You wanted to see me, Countess?" was your greeting, softly snarky. You weren't in the best of moods, especially since Valentina had interrupted your rest.
The woman gave you a false smile from the armchair where she was sitting waiting for you. A closed file and a glass of wine lay on the corner table.
"Oh, what a surprise, after your last defeat, I thought you'd given up on Sage." She comments with a certain venom on your disguise, the same one you wore two weeks ago when you went on what she called a streak of bad luck in the Club's fighting competitions, but which Xu Xialing called a distracted lovesick puppy. You try to disguise your clumsiness by clearing your throat.
Checking that the door is closed, you return to your real appearance and Valentina gives you a small but genuine smile.
"What do you want?" you insist, and in response, she pats the file resting on the table. You sigh. "What's this?"
"Last month has been very busy, but I've finally had time to review some of your late missions reports." She begins and you hide your nervousness, knowing full well where this conversation could end. "I apologize for taking so long to check them, darling. I hope you don’t think I’m jeopardizing your learning progress."
"Stop stalling, Valentina, just tell me what the problem is." You retort grumpily but she chuckles, her fingers tracing the paper before she grabs the file.
“Normally, I trust your experience, but I've heard that you've been particularly... antsy in your last few operations. Of course, you've successfully made it out of all of them, after all, we're having this conversation, but for a master of disguise, the increased number of encounters with the Avengers attracted my curiosity. I thought I'd take a closer look at your original encounters with them, and found an interesting passage in your report on Italy two months ago."
The page is already marked and in the next moment, she begins to read;
"My exit was interrupted by the presence of a new Avenger. A woman, perhaps the same age as me. The new, improved one from Sokovia. Average height, brown hair. Green eyes. Intense. Hypnotizing."
You swallow dryly, looking down at your feet. You're grateful to have control over your own body, or Valentina would be able to watch your cheeks blush.
She continues reading. "We faced each other briefly. The girl doesn't have complete control of her abilities, it was a quick fight. I immobilized her and departed in the getaway vehicle. No disguise was compromised, no other witnesses." Valentina narrates, finally raising her eyes from the file to you. "You know what's funny, sweetheart? The Avengers submitted their own report on Sapienza, and Wanda Maximoff describes the encounter with a Shapeshifter in detail. My question is, why are you lying for someone who didn't hesitate to use her special abilities to show her team your real appearance?"
You're caught off guard. A conflict of emotions rises in your chest, from anger to disappointment. It hurts. It's confusing and suffocating, and you feel the urge to start crying. But none of these emotions floats over your expression, your nails digging into your palm are enough to keep everything well buried.
With a soft sigh, you look Valentina in the eye.
"I don't trust the CIA."
Your boss chuckles, closing the file and crossing her legs. It's not exactly her best lie, but it seems to work on her.
"If this is about the Hydra clean-up in the public sector, I can assure you that we're safe." Valentina says. "Besides, your job is to trust me, Y/N. Not the CIA, or the Ten Rings, or any of your contractors. Only me, dear child, must you trust."
You bite your tongue hard, tears almost escaping this time. 
"I just..." You try, not knowing exactly what to say. "There was a conflict, and the girl, she beat me. Effortlessly. That energy she possesses revealed my disguise immediately, I had no chance to try another one. So I made a choice, and I omitted the part that I thought would do me any harm. Isn't that what you taught me to do?"
Right answer. Valentina grins, before sighing and standing up. You don't want her to touch you, but she puts her hands on your arms and you resist the urge to pull away.
"I'm proud of you, you're getting cleverer every day. I want you to be this way, Y/N. Strong-willed, resourceful." She compliments you, her hands moving up to your cheeks. You try to smile, but Valentina squeezes your skin tighter. "That doesn't mean you will lie to me. Understand?" She asks but doesn't expect a vocal response. Your nod is more than enough for her to give you a fake smile and loosen her grip. "You're my most valuable employee. I don't want you to put yourself in vulnerable situations without a reason."
Valentina steps away, and you decide to take a chance.
"She's like me." It's more hesitant than you'd like, but it's enough to make your boss raise an eyebrow at you. Swallowing dryly, you continue. "Wanda and her brother were also Strucker's experiments. We are the same. I thought I could-"
Valentina interrupts with a spiteful chuckle that makes you cringe like a frightened child. "The same? Is that what you think?" She retorts in a mocking tone that makes you feel too ashamed to even broach the subject. Leaning her waist on the table, she looks at you. "I know you've been digging through my files on her, Y/N. I don't blame you for being curious, but by now, I imagine you know very well the conditions of the experiments Miss Maximoff was part of. How she volunteered for all that. How can you say you're the same?"
You hesitate uneasily. "I don't mind that she volunteered. War called for desperate measures. I just... I've never met any other of us. Another who survived the Baron. I've been thinking if I could just see her-"
Valentina bursts into laughter, and you fall silent, concentrating so that she can't see your red ears. "See her? Now what's that, huh? Romeo and Juliet of the supers? What an absurd idea, child!" Refutes your boss, still chuckling as she walks away to the table. She finishes her glass of wine in one long gulp, and to your surprise, throws the file in your direction. You catch the item flat against your chest. "The notes the Avengers made about you are on page 24. Read what she said about you, and draw your own conclusions about who you call an equal. I came here to confirm your mental state, and this conversation was enlightening. I'll arrange an assessment."
"Val-"
"It’s not open for discussions Y/N." She cuts you off, a car key already in hand that makes you groan to yourself impatiently. "You're not going back to work until you talk to Doctor Grand."
She leaves without saying another word and you're left alone with the file in your hands. Without hurrying, you flip to the page mentioned earlier and sigh when you find a photograph of Wanda wearing a uniform with the Avengers crest embroidered on it. Below is her statement about the mission.
You trace your fingers over the passage "An extraordinary and dangerous skill from an equally impressive fighter" but hesitate when you read the passages about how she felt scared and unsafe. About how she thought you were aiming at her. About how she felt she failed by not bringing a high-risk criminal into custody.
Your tears finally fall, staining the page before you quickly wipe them away, closing the file tightly after ripping Wanda's photo out.
It was time to wrap up loose ends and get back to your perfect record.
-&-
In the fake drawer hidden on the floor under your bed - safeguards for someone whose apartment is frequently visited by a two-faced countess - you kept some personal things. Hydra's last record of you, small souvenirs from missions, and a photograph of Wanda Maximoff.
And this morning - and any other morning really - you were supposed to ignore that drawer, leave any weapons at home, put on a presentable outfit, and meet Valentina in the lobby promptly at 10 o'clock. She would take you by car to Dr. Grant's office who would do a standard assessment of your mental state that would tell whether or not you were fit to return to work.
But instead, you took the photo of Wanda out of its hiding place and put it in your pocket. You stood up, walked through your closet, and chose the least flashy backpack you owned. Then you armed yourself with three different types of knives and two pistols in a chest holster, very similar to that of American detectives. And speaking of the police, your drawer of false documentation provided by Valentina was studied without haste until you had in your pockets the identity of a Shield agent who never existed but was meant to be a little tribute to the job you were performing today.
With your disguise ready, you left the apartment two hours before your scheduled meeting with Valentina, and you had barely boarded the ferry when she called you.
"Our appointments aren't something to be skipped, young lady." Stated the woman seriously, but you gave her a weary sigh.
"I don't wish to see Doctor Grant."
Valentina chuckled, as you handed your ticket to the clerk passing in the corridors. On the other end of the line, she then spoke;
"You're not getting away with this, Y/N. I'm not authorizing your return to work until Roland confirms to me that your mental state is stable for you to continue."
You prop your feet up on the seat, switching your cell phone to another ear. "Val, I'm not running away, I promise. I just needed a break. Give me a few days, okay? Reschedule the visit, I'll be there. I'll even be there early."
She pauses thoughtfully, you can hear her breathing. And then she sighs in defeat and you smile. "Okay. If it's any encouragement, your next service is already being prepared. It's something you've never stolen before, and I'd like it to be yours. Of course, if you prove suitable."
A few weeks ago, the temptation would have been too much and you would have turned around and gone to the appointment just to win Grant's approval and be cleared for the job. To prove not only to Valentina, but to the world, and to any other colleague, that you could complete that mission. 
But now you let out a short laugh, and that surprises Valentina enough for her to keep quiet. "Reschedule for the end of the week. I guarantee that I'll have Dr. Grant's approval and you'll have your order in no time."
The promise seems to be enough for her, and after another sigh, Valentina hangs up. You put your cell phone away and return your attention to the now-stamped train ticket to New York.
The trip didn't take long, and within a few hours, you were in the bustling city. Especially today, at the inaugural Heroes of Earth celebration event, Manhattan was almost chaotic.
With fans and journalists from all over the world filling the streets that had been closed off for a sort of open-air Comic Con, you had no trouble at all going unnoticed in the crowd. You wore a disguise, of course, but you didn't have to. A few minutes into the fair, you really did look like a tourist, with your Avengers sweatshirt, cap, and colorful glasses.
The knives in your backpack were well hidden under the amount of superhero souvenirs you got.
You were trying to choose between an Incredible Hulk smash-burger or a portion of Thor's worthy chicken when the bell announcing the photo session with the Avengers was about to start.
Your appetite disappeared, anxiety taking over your whole body at once.
It was time to move.
The queue was huge, as was to be expected. At least, most of them were there for the best-known Avengers. Thor wasn't even on Earth, which meant that the other five originals were competing with each other over who got the most autographs. The new members, like Wanda, the Falcon, or Vision, were given presentation stands but had much more free time at the event.
You tried to ignore the pang of pride when you saw that among the new members, the queue of people to see Wanda was the longest. A considerable number of children were very excited to ask her to do magic tricks.
Your strawberry milkshake - Black Widow's Special - almost fell out of your hand when you finally saw Wanda leave the curtains dividing the dressing rooms and join the autograph table.
She wasn't wearing the soft hoodie with the Avengers symbol from the photograph you sneak a peek at almost every night, nor was she wearing the pathetic disguise she wore the first time you saw her. No, somehow, she managed to look prettier. Like all her teammates, she was wearing an outfit similar to the official fighting uniform, probably designed just for the event. With a black tactical outfit covered by a red jacket, the gloves that didn't cover her fingers were probably your favorite part.
Despite her relatively unfriendly uniform, Wanda offered such lovely smiles to the people who came to greet her that you thought the milkshake made you sick, judging by the way your stomach and heart were unsettled.
When the Meet & Greets began, you had to go to the ticket booth and buy a single ticket in cash; to meet Wanda, of course.
It would take place back in the fair's improvised dressing rooms, and after waiting for almost forty minutes, you were finally guided inside. Your backpack wasn't searched, perhaps because your weapons were hidden by Ten Rings technology, a gift from Xu Xialing on your last assignment, and when it went through the X-ray at the entrance, all they detected were the countless fair toys you had acquired. And the knives hidden in your body, well, it's obvious to say that when it comes to changing aspects of your anatomy for any situation, passing a security search was quite easy.
"Miss Maximoff will be here in a minute. She had a little problem with her costume, the children who came in before you caused a little milkshake accident."
One of the organizers informed you, and you gave her a kind smile, commenting that the Black Widow special was essential, even if it might cause minor accidents. The employee chuckled before going to answer a call on her communicator that could have been your intentional flooding of one of the toilets to occupy as many of the staff as possible.
Wanda's dressing room was the most intimate environment of hers you've ever been in. It didn't have many things, of course, but for someone who only had access to government documents, it was paradise.
Curious fingers traced all the belongings you could reach, from more comfortable pieces of clothing for her to change into during the event, to different types of tea and books, until you found a music device. 
The password protection on a Stark Industries MP3 player made you laugh to yourself. "What a distrustful little witch." You murmured affectionately, stowing the item in your jacket pocket and moving over to the schedule board.
You had already read the row that marked the start of the Meets, probably described there and in all the other dressing rooms, when your gaze caught a small notebook forgotten in one of the armchairs.
You got the chance to take it in hand and smile at the sketches on the first few pages before the item was suddenly lifted and pulled out of your hand.
"Sorry, but this is private." Wanda grabbed the item out of the air, but you stood there, static like a frightened animal, unable to breathe properly under her gaze. She seemed to realize that she had been too harsh and huffed out a laugh, the notebook clutched tightly against her chest. The sound made you swallow. "I shouldn't have kept you waiting, I guess you got bored. Sorry about that. Let me put this away, and we can, um, get started."
She didn't use magic to return the book to a safe place, you didn't know that yet, but Wanda was still learning to trust her powers. And if she could help it, she usually didn't use them.
She approached you, to put the book away in a bag that you didn't have a chance to peek into, and the sudden movement made your body react in alarm. Your back hit the schedule board, and Wanda frowned, stopping in her tracks with an almost hurt look on her face.
"You don't have to be scared. I'm not going to hurt you, you know." She murmured with the tips of her ears red. "I'm just going to put my notebook away, you see." The backpack floated towards her with a tug, and Wanda hardly met your gaze after that. She tossed the bag into a corner of the room and fiddled uncomfortably with the edge of her blouse.
She was no longer wearing the outfit she'd worn before, she was wearing a comfortable set, too soft and domestic for you to be calm-minded about anything.
You forced your brain to work because you thought the whole thing was getting ridiculous.
"I'm not scared." Your voice comes out very hoarse, so you clear your throat. Wanda raises her eyes, finally, and the green irises make your cheeks warm. You don't hide it from her. "As a matter of fact, I'm not the one who usually gets scared when we meet, am I, Maximoff?"
Taking the time she needed to understand, you removed your colored glasses and cap, your face changing back to its original appearance. Wanda sighed shakily as soon as she recognized you.
"Hi, Y/N." She greeted, too sweet for you to do anything but smile shyly, forgetting for a moment exactly what you had come for. 
"Hello, Wanda." You tried to sound just as gentle, but you must have done a poor job, to blame it on your body that doesn't seem to be working properly. Wanda swallows dryly, her hands moving slowly in the air. You watch the unhurried gesture - the way her fingers draw the air, and how the items of disguise float away to the armchair, and in your hands appear handcuffs that don't prevent you from moving them, and don't hurt either. The most you feel is a tickle.
"I've come all this way, just for you to put me in chains, little witch." You try to tease her, and you think it's a victory the way Wanda tries to hide a smile, approaching with her head down until she's close enough to touch you.
Her hands should be gripping the magical handcuffs, but instead, they hold yours. Wanda sighs. 
"You can't be here." She whispers, meeting your eyes, and you think it's ridiculous that you made any plans at all. You could never do anything to harm Wanda, and that was just the truth. "Then why are you?"
Unlike her, you don't hide your smile. You shrug as if your heart wasn't thumping in your chest, and revel in playing with Wanda's buttons.
"I was in the neighborhood. Wanted to say hi." Your casual reply makes her snort impatiently.
Her hands release yours, and you raise an eyebrow at Wanda's audacity to start searching you. 
"Wow, take me on a date first, love." You joke, but despite the new color her cheeks acquire due to the joke, the fond nickname, Wanda doesn't stop. She gropes in your pockets, reaches into your jacket, and grimaces with disapproval at every illegal item she finds. The false documents, the Shield badge, the guns. The MP3 is in the front pocket and Wanda gets a little closer to reach it, enough so that you have to lick your lips trying to control the instinct to break the distance. She just looks so kissable and smells so good.
She offers you an incredulous look at the stolen item, which floats back to the table as she gropes for the other pocket. Finding the train ticket, she lets out a short laugh.
"Six hours of travel is not being in the neighborhood." She comments, raising her eyes to you. 
"What do you want me to say?" You retort with a little smile, discourteously glancing between her eyes and her lips. "That I couldn't help myself and had to get on the first train to see you again? That I can't even go back to work because I can't stop thinking about you?"
There's this thing that Wanda's eyes do. The pupils get huge, and the green darkens. And she looks at you as if you were something to be devoured in every detail as if you were worth admiring. As if you were worth any of her time.
She speaks again, so low and hoarse that you wouldn't be able to hear her if you weren't close.
"Your thoughts are loud. Are you always so hard on yourself?" 
You swallow dry, caught off guard. Your hesitation makes Wanda sigh. She looks ready to apologize when you nod.
"It doesn't matter, every time we bump into each other, you make me feel different. Better. You look at me as if you can see more. What do you see, Wanda?"
She sighs deeply, and her hands move to touch your face. It's too gentle, and affectionate in a real and true way that you never experience. Your body goes rigid, not knowing how to handle the tenderness, but Wanda doesn't catch any request for her to stop touching, so her hands continue to hold your cheeks.
"I can see your anger, just as I can see your fear. I see the thief, and the murderer, but I can also see only you. No disguises, no lies. The person you are underneath it all." She says, swallowing dryly as she lets her gaze fall to your lips. "This is the person I let get away. And the person I'd like to meet, if you'll let me."
Your chest is heavy with confusing feelings. Your traumas beep in unison, your defenses beg you to push Wanda away and flee before the rest of the Avengers decide to show up. 
But instead, you return watery eyes to Wanda and gasp softly; "Why? Why do you care?"
And Wanda tries to lie. "I think you could use a friend."
You chuckle dryly, pulling away from the touch. "Hard pass." You mutter, but Wanda doesn't let you move away entirely. She decides to risk everything.
She grabs your chin and tilts your face towards her. It's a miscalculated kiss, you both flinch and gasp at the first contact of your lips and being taken by surprise makes you lose your balance in the middle of the movement to get away from her.
You fall into the armchair, and Wanda should apologize, but she doesn't even bother. She pushes your tense shoulders and straddles your lap, this time, when her mouth meets yours, it's much hungrier and more determined.
The handcuffs disappear into thin air with the first gasp that leaves her lips, and you waste no time in grabbing her waist, roughly pulling her down and holding her tight against you as your mouths move together. It's a passionate kiss full of urgency, charged with all the tension you've built up.
Your tongue slides into her mouth without warning, more experienced than Wanda, you manage to get a whimper out in no time. She wants to shrink away from the sound, but your hands slide down to grab her ass and pin her down onto your front, and suddenly all she can do is moan.
It seems absurd that you've gone a lifetime without kissing Wanda Maximoff when you both seem molded to do this with perfection.
You don't even move apart to breathe, a battle of restless hands and hungry mouths panting against each other. Wanda begins to grind herself into your lap in search of friction and you let out a sound you didn't know you could make.
Everything is suddenly so hot that Wanda doesn't hear her surroundings. She doesn't hear the curtain or the footsteps. But she definitely hears the machine man's surprised exclamation.
"Oh, forgive me, Wanda." Vision's back is turned the second he catches a glimpse of what's happening in that armchair.
Wanda jumps away as if she's received a jolt, and you groan in displeasure at the interruption. Despite the way every cell in your body seems to be vibrating with euphoria, you manage subtle changes in your face that prevent the Synthesized from recognizing you if he decides to turn around. "I didn't mean to interrupt-"
"Vis, please leave." She demands with ragged breathing, her face bright red. Wanda looks neither at you nor at Vision.
The man clears his throat, stuttering. "Of course, Wanda, I'm so sorry." He says, but although he mentions leaving, he doesn't. Stopping just before the curtain, he risks a glance over his shoulder. "There was a forced distraction with criminal indications in the western sector, the fair has already been interrupted. The captain has asked everyone to gather for a patrol check, in case there's an attempted attack. I just wanted to warn you. It would be appropriate to send your... friend away." explains the machine, exchanging a quick glance with Wanda before leaving the dressing room.
You'd like to kiss her again, but Wanda sniffles at Vision's departure and you frown in a mixture of concern and confusion.
"That's why you're here, isn't it?" She deduces annoyed. "To try a bloody attack on a children's fair? God, I’m so stupid. You’re obviously using me to distract your partners-”
But you stood up with an impatient sigh for the anxious and nervous conclusions of an avenger who has been caught in the act.
You grab Wanda again and kiss her hard enough for her to lose her balance, and she ends up pressed against the schedule board, and then the coffee table, each kiss more desperate and heated than the last.
Your thigh presses between hers, and Wanda practically meows at the friction. You love how responsive she is to your touch, and you try to push a little further under her clothes, quickly addicted to attracting more sounds.
And you're almost to the edge of her bra when you're interrupted again.
"Jesus, Maximoff, what the hell is going on here?" Unlike Vision, Natasha Romanoff is much more serious and determined to put an end to the whole thing. And she cares little about what was happening against the table. You hide the change in your features on Wanda's shoulder, while also trying to control your own breathing, somehow much more aroused than before. "We're working, Maximoff. There may be terrorists on the perimeter and you're here, well, I'm not judging, I'm just saying there's an appropriate time for everything. I'm sure your friend will survive if you let go of her mouth for a few hours. Who knows, maybe next time you can meet in a more appropriate place?" 
When you finally look at Nat, you can see that she's hiding a teasing little smile. You're glad that Wanda is making friends.
And unlike you, who doesn't mind having been caught not once but twice by the Avengers, Wanda looks like an embarrassed tomato who nods quickly while her magic does the work of adjusting your half-open clothes and leaving the objects you bump into in order again. 
"Of course, Natasha, I'll send her away. I'm sorry." Wanda practically pushes you out, dragging you to a more secluded area at the back of the dressing rooms.
She tries unwillingly to resist your eager hands or the quick but intense kisses you steal from her on the way.
"You have to go." She struggles to gasp, her hands pushing your shoulders to stop the whole thing or she wouldn't be able to think.
Wanda with her hair disheveled after a proper make-out session, her face flushed and her lips swollen is too much for you.
"Fuck." You gasp and she swallows.
"What?" 
You don't know what to say, nothing seems enough. She's awakened something in you that you didn't know existed. Suddenly, the idea of staying away from her seems an impossibility.
"When will I see you again?"
She frowns at the question, laughing nervously. "We shouldn't have seen each other even today."
But your hands pull her by the waist. "Nonsense. We should definitely do this again.” Your lips trail down her jaw, to the sensitive points on her neck that you're trying to memorize. She sighs, and struggles to keep her eyes open, but only for a moment before she pushes you away again, laughing shyly.
"Please, darling, I need to get back, my job-"
"There's no attempt attack, I flooded a toilet so I'd have time to see you." You clarify quickly and Wanda has to shake her head and laugh incredulously.
"You're nuts."
"Honestly? Yes. I think I've figured out what was wrong with me over the last weeks. You’re driving me nuts, Wanda Maximoff. I can't stop thinking about you." You retort quickly, not caring about the irregular beating of your pulse, nor the way she blushes heavily. "I need to know when I'm going to see you again."
She looks back into the dressing rooms and can see that Natasha is coming out through the curtain. She approaches you at once to give you one last intense kiss and whispers goodbye on your lips as you part.
With every inch of skin that Wanda touched vibrating and your heart pounding in your chest, you only remember to regulate your powers and return to a disguise a good few minutes after she has disappeared from sight, and hope that no security cameras saw you there.
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ginbutnottonic · 2 months
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I FINIIISHEED (CW! Eyestrain) (please don't flop)
If you think Ratio's eyes change shape on every drawing - no you don't.
I honestly gave up at the end, I got tired of drawing this thing ;; But I finished in time for Aventurine, so good luck to everyone who's pulling for him! (I have a guarantee and then savings for Boothill mwehehe)
I'm surprised that I managed to turn an in-game joke into a very OOC Ratio comic (idk if hes OOC u tell me I cannot comprehend anything anymore)
Edit: Fixed the shading issue fr this time <3
Anyway the Sunday panel under the cut because I really enjoyed drawing it (CW!Eyestrain)
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He turned out great. Can you tell I don't like Sunday much?
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Also why did I draw it all in one file? Who knows, not me.
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celaenaeiln · 9 months
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so my friend, at 12 am, called me just to say that dick grayson is the only one in his family that bruce truly views as an equal and then hung up. what. what do i do.
well, call them back and tell 'em they're right 😂😂😂
I started cackling so hard I began wheezinggg oh my god that's hilarious!!!
But maybe for a more reasonable time to talk about this concept after you wake/have woken up from your dick grayson cameo dreams, I'll drop some comic panels
Dick is privy to all of Bruce because of the way Bruce treats him like an equal
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He lets Dick in on secrets that he doesn't tell any of the others
I've made a post before on how Clark views Dick as his equal just as Bruce views Dick as his equal.
I'm going to drop the Bruce segment here:
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When Bruce was gone the only person he entrusted any information to was Dick. He left a personalized - voice activated - message for Dick and only him that lists his worries, faults, and regrets.
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"The girl, Cassandra Cain... I told her to give this file to you should I fall tonight."
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"She's my greatest sin, Dick. My deepest regret. Stay alive, and please. Try to forgive me--"
He lists his insecurities to Dick as friend, as an equal.
Of everyone Bruce left behind, the only person Bruce left a message for was Dick. He relies on him unconditionally to take over because Bruce doesn't seem him as a kid like he does with the other - don't get me wrong, he still values and knows just how brilliant the rest of his children are - but he sees Dick as an equal in terms of intelligence, abilities, and leadership. Actually -
Bruce puts Dick on a pedestal.
He views Dick as the golden standard of everything he's working toward.
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The reason I think Bruce is so harsh on Dick in regards to training is he doesn't see him as a kid that needs protection, he seems him equal to himself.
Time and time again he sends Dick on solo missions because of the faith he has in Dick's abilities and intelligence
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In another comic there's an Arkham breakout and Bruce just. He just sends sends Dick on a solo mission to contain the entirety of Arkham and the villains inside by himself.
And Dick does. Effortlessly.
The fight for Spyral
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"I know the other heroes. I know them all. I'd have them do it, but they can't. They'd fight, but eventually they'd give up, they'd give in."
We all know that Bruce despises himself when he fails at something. He thinks he's the best in the world and struggles to cope with the idea that he failed. As such, Bruce views Dick as an extension of himself. Unlike with the kids where he acknowledges their differences and treats them like children, Dick and Bruce are so intertwined that Bruce considers Dick as the "good part" of himself while Bruce is the "bad part".
He gets the angriest at Dick during times where Dick disagrees with him because he believes that Dick should understood what he's going through and what he believes in. For his part, Dick is always on Bruce's side and acts like Bruce's leash. He'll let Bruce do anything he wants as long as it's within the limits of acceptable behavior. Once Batman crosses those limits, Dick fights with him to bring him back.
As such, Bruce doesn't differentiate himself with Dick. He is the best and as a result so is Dick. Except in his mind Dick is better than him in every way possible and he took the steps to ensure it through training.
One of the reasons people in the comics call Dick the Golden Child is because he's the living embodiment of everything Bruce strived to create. It's not because he follows his orders religiously or anything. No, Dick just gives Bruce a longer leash than most.
In the Spyral fight I think he hits Dick because he is in part frustrated with himself. Imagine seeing someone you have unconditional faith in because you know they're capable of the very same things as you and can even surpass you fall to a threat. Doesn't that mean you would've fallen too? Is their failure just as much yours if you see yourself as a god? But how can a god-like being fall?
Their relationship is complicated because while Bruce sees Dick as his own person, he also sees him as the reflection of his success.
That's why Bruce is harsher on Dick than the rest of the kids. That's why Bruce makes Dick his right hand man. That's why Bruce shares his sorrows, fears, and vulnerabilities to Dick.
The way they interact, they view each other as father and son but with all the roles and responsibilities as partners.
Dick's compartmentalization and the way he mothers Bruce and Bruce allows it? He doesn't let anyone do that. I feel like on some level he subconsciously expects Dick to take care of him. As someone he can turn to with his worst and darkest sides and still be loved and appreciated and told everything will be alright. It's not a burden he places on the rest of his kids. Which is why Dick's relationship with Bruce straddles the line between son and guardian with him playing both roles and Bruce reacting/ forcing him to react that way.
Also
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"Robin fuctions as support."
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"Robin wasn't your idea, Bruce! It was mine! I sat in your cave and I watched you and I learned-- and when you needed my help I was there!"
"I'm not your employee, I'm not your son. I'm your partner."
One thing that differentiates Dick's robin from the other robins is that while the other Robins were worried about meeting Bruce's expectation, Dick was more worried about Bruce not seeing him as an equal. He ran away from home because he was mad that Bruce was becoming more controlling and not at all like how they used to be - partners.
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There's a reason Dick is the only one Bruce views as his equal. It's because the experiences they've shared have woven them so tightly together that Bruce considers Dick his better half and pillar of strength. If he falls back, he can rely on Dick to take over. Emotionally and physically.
Still laughing at your friend lol. Wild
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kandavers · 10 months
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Kandavers Nation, I’m very sorry to say, but this Art Theft thing has been stressing me out a good amount lately... I used to feel very Happy and Safe being able to post artworks without the need to put a large/noticeable watermark on them, but now I’m embroidering my username onto the characters’ clothes and everything, and though it’s a Cool and Fun Idea, it really is actually out of spite. As a result, I feel like the Love I put inside my Art has plunged significantly because of it :(
I’m not saying I’m quitting Art or going to stop Drawing Welcome Home content or anything (Although I actually considered it for a second...), but, once again, I am Kindly requesting you to report this thieving channel. And one more thing you can do for me is go onto each of their reels/videos and comment asking them to at least give proper credits to the artists they stole from or take the videos down. Mention the artists, if you know them. For example, "this art is originally made by kandavers! this account is a repost account so please stop supporting them and support the real artist instead!"
PS. PLEASE DON'T ATTACK THEM! Just kindly tell them to take the video down, okay?
i feel like if a lot of people comment smth like that, the more likely for it to surface at the top of the comment section and more ppl will see
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The pure disrespect they have for me is unreal. They post shorts with no captions, no nothing, and get tens of thousands of views they dont deserve. And not to mention... the poor choice of audio... and overall extremely low quality editing... It makes me sad. There was no justice for me.
I would usually have no problem with comic dubs or edits, or anything, but please please please ask me first and have the basic decency of properly crediting me!
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And someone even had the gall to reply to my post about an art reposter and say I'm the bad guy for wanting to get the videos where someone stole my art taken down. I literally can't with these people.
"What did they even do to you" Umm... They stole my art? This person with the gacha life Wally x OC pfp wanted people to report me for wanting to take down a repost account. I can't do this anymore 💀 They probably don't realize that if I ever stop drawing, half of the repost channel's content will be gone. Literally. Imagine defending reposters and then insulting my emoji usage too. (This is why I hate minors /hj)
Usually I wouldn't pick fights or escalate things when I don't need to, but this is genuinely upsetting me and I literally filed a takedown to YouTube so that the reposts will go away.
In the meantime, I think I'm going to need a break for a couple of days to gather myself again. However I managed to cook some art for you to enjoy over this weekend! Hopefully that will fill your Kandavers Art Needs while I am away.
Thank you for your help! And see you soon.
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objectheadzine · 1 year
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WELCOME TO THE 10TH ANNIVERSARY OF THE OBJECT HEAD ZINE!
In celebration, the 2024's edition will be a Grab Bag - draw whatever object head you like (so long as it fits the guidelines, see below). In Lieu of a theme, all submissions MUST HAVE ASHLEY (the megaphone mascot) in the piece! Feel free to make him as large or as small as you want in the composition. He can be hanging out with your characters or he can be on a flyer, just so long he's somewhere in the picture! Reference of all his outfits can be found here. But don't feel like you're restricted to his previous outfits. Feel free to dress him up in anything you'd like. Content is also free for whatever! You want to date the lil man? Go for it! You want to tease or go on the attack? Also fine! Ignore him and let him live his life? Sure thing.
ALL submissions will be accepted as long as they fit guidelines and each person has a limit of up to 3 submissions. Submit your pieces to the zine email objectheadzine(@)hotmail(.)com along with the email/website/name you’d like to be credited as. (Feel free to omit emails if that is more comfortable). When you’ve finished your piece(s), you are allowed to post them to your blogs as long as you link back to the zine blog! This will be a DIGITAL ZINE ONLY and will be available free upon completion (donation optional).
The guidelines are as follow:
Illustration-quality works in either digital or traditional mediums. Both colour and b/w acceptable; background required. *BG can be as simple as a pattern or colour block! Avoid utilizing a camera to submit your images, please use a scanner. 
The default size will be 6″x9″, 300 dpi (1800px x 2700px) but feel free to go larger or smaller, so long as it follows those proportions. Please work in a vertical format.
For consistency’s sake, keep faces to a minimum (You can have eye(s) or you can have mouth(s) but don’t have both in a humanoid arrangement.)
Ashley, the megaphone head mascot, must be included in your piece. He can be small in the picture or a large factor but he must be included. When submitting, if he is not obvious, please point him out to me. References are found here.
Please go for original characters (or fanart of your friend’s characters) and not so much established object heads (e.g. the popcorn and soda heads from No More).
If you want to include humans, that’s fine as well but keep the ratio of people to object heads 1:1.
Content should be at most PG-13: Romance is fine but after-hours business should not be implied, Blood is fine but no gore. In the end, use your common sense.
Feel free to draw a comic or just an illustration! A comic counts as one submission.
Some facts about Ashley that could help with your piece: He's 5'2", he's of Chinese nationality, he's a TV show host, he's a bubbly, happy-go-lucky kind of guy and he has a Samyoed dog named Cotton!
Note that if a submission does not meet the above guidelines, I will either reject your submission or suggest improvements that would help your piece fulfill them. Please email me at objectheadzine(@)hotmail(.)com if you have any further questions and I’ll do my best to reply promptly. If you do not receive a message from me within a few days, please send it again. Final pieces submitted should be either in PNG or a one layer PSD file format.
Want to share your piece as you're working on them? Come on over to the Object Head Zine discord!
THE DUE DATE FOR SUBMISSIONS IS NOVEMBER 9TH.
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spockandawe · 2 years
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Lectern Book Case Dimensions
Lectern books!!!!
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Once again, I'm running further behind than I wanted to be, but I said I was going to do geometry to this thing, and goshdarnit, when has being redundant stopped me before.
Only, I don't think I'm being entirely redundant. I've seen other people do the basic geometry, but I wanted to come up with something that was completely customizable, from the viewing angle to the size of the hinge gaps. I wanted something that would work for books that were too large to be traced and drawn directly onto my available boards (cough cough, my latest wip).
I'm not dumping that entire writeup in a tumblr post, because I'm a dirty filthy engineer who littered the entire thing with subscripts and greek letters. I had such a good time, I'm not sorry at all. But here's what I do have for you. I made a nice diagram writeup of my dimensions and the equations that drive them. Tumblr's resolution may sabotage me, so a link to a google drive pdf copy will follow
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https://drive.google.com/file/d/1QlycJjwsweGxPmR0InFTpqy9DXLIfDnB/view?usp=sharing
Here's a copy of the final version of my handwritten notes that drove this, which I share for my personal satisfaction
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And now, here's a link to a google doc describing my process, equations included, and including a partial discussion of how to assemble the case.
This still isn't quite as accessible as I would like it to be, I do want to have a version of this that someone who DOESN'T bind books can still follow. I'm in the middle of building a prototype that will hold a standard three-ring binder. I'm going to keep working on that, but I think my personal life is about to get bananas, and I don't want to just leave this sitting on my computer taking up space.
Like with the fore edge painting slideshow, I'm not an expert, and I'm not the final word. I worked out this process for my own satisfaction, and the next step in satisfying myself is that I want to enable more people to do cool things. Take this, copy it to other platforms, share it with your friends, hoard it on your hard drive if you think it will be useful. It would be cool to get named for credit if you repost it, but that's not my main priority here. This is what I have for now, and I want to share it! Anyone who tries this, have fun!!!
Edit: This comic is literally me dumping a huge column of equations out on an unsuspecting audience
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So I've added a spreadsheet link within the google doc! If you open it up and make a personal copy, it should let you enter your input values and it will spit out the dimensions of a trapezoid and two triangles for you. I have not had an opportunity to test it, please move with caution before cutting up a bunch of boards, but that was a hilarious gap in my goal of making this craft ""accessible,"" hahaha
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shapelytimber · 2 months
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Wdym it's been 5 months ? Anyway, here is the end of my little comic serie about this niche Skyrim mod
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*Insert me 100%ing the 4th arc of the hit mod 'vigilant' for the elder scrolls V Skyrim with little difficulty having a grand ol' time*
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I messed up my files so Teldryn divorced me while I was away ckgkckkc And you know what good for him, he got a cottage and a kid out of it
[PART 1] - [PART 2] - [PART 3]
[COMMISSIONS]
If you're interested in my thoughts about this mod, you can read that below (it's fucking long so I'm sparing you all just here for the art to have to scroll through all that) vvv
A fantastic mod for sure ! I had so much fun, the voice acting was (for the most part) quite impressive, the music !!!!!!!!! Excuse me who gave this mod permission to have this fucking banger of an ost ???? Loved the new environnements, and there was so much of them !! Especially in act 4, I felt that all the locations had a unique and gorgeous aesthetic (frankly it was the most fun I had doing dungeons in skyrim... the bar is on the floor tho- if I ever see another nordic tomb or draugr I'll not be responsible for my actions), and fucking impressive mise en scene.
And the fights were so fun ??? In skyrim ?? Incredible.
But I still have some problems with it- first let's get the elephant out of the room : act 1 and 2... Boy oh boy were they not so great- I get that the begining is a slow burn to 1) get to know the vigilants of stendar, and 2) drive home the fact that the vigilants are quite incompetent and stendar hates them. Ok this is cool ! And they definetly were some highlights, like with the story of the three kajiits (I'm not good with remembering names (forshadowing for later-)), the ending of act 1, and uuuuuuuhhhh underground windhelm looked sick in act 2 !
But the quests in general were not very fun, at least not fun enough to distract me from the parts of the scenario I understood- which were kind of sexist and not that interesting (the sexism doesn't get better with act 3 and 4 but at least I'm having fun)- like I don't expect great women characters, this is still a tes mod, and it definitly doesn't get to "the man writting this is a fucking creep and I'm not playing this any longer" territory... But all the women we interact with are either : prostitutes, mothers/wives, or abuse(it's nearly always rape) victims- like I don't really mind that the first quest is to track down a vampire prostitute who propose to show me her sweetrolls, but it gets pretty tiresome after a while (and kinda ridiculous, like do all the big musley men I'm fighting in act 4 have to angst about their wives ? Can't a big musley woman angst about her partner too...). The worst one is Lamae Bal. From the charadesign, to the dialogues with her, to her story- hated that.
And also we don't have much dialogue choices and ways to influence the story in these 2 (3) first acts. Which I understand like this is a lot of work for fan content, but it's such a stark contrast to act 4 it's a bit jaring.
But speaking of the story... I get this is a very thoughtful and well researched story. A lot of work reading the tes wiki as been done by the author... But I, on the other hand, did not read the entire extended lore wiki- and I admit I was not understanding any of it during Act 4. Like I got a general idea, and the epic, dramatic and emotional moments were still impactful ! But I really don't think the author did a great job getting the story accross, and the more the mod progress, the more this problem becomes relevant. The recuring problem of tes games is that they have really deep interesting lore that we rarely get to see in the games ; the problem of this mod is that we get presented with this lore as if we already knew it.
And after watching an explaination of the story, it's such a shame because it's really good !! And well written ! But I don't think I should need a youtube video to understand it...
Also omfg I am not good with names mod please- everything has like 2-3 different weird fantasy names (but it's never explained it's the same thing, and what the thing is is never explained-), there is a billion men characters with weird ass long names, and the mod expects me to remember them all 5-6 hours after they got killed ??? I don't remember them 5 seconds after I'm done talking to them-
But I had fun playing it, and that's what matters <3 and I'll never get other twink molag bal <3
Also, my mage dragonborn is even more op now omg I can summon an army of 8ft musle men + molag bal + Jyggalag ??? The only fight I had a bit of trouble with was Pelinal's, the rest got obliterated easily (by Pelinal) kgkgkfjfifb
I'll probably need to nerf Elaris at some point in the future-
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antimony-medusa · 9 months
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HEY MCYTBLR HAVE YOU HEARD OF YULETIDE?
What's this? I have come once again to your dash to tell you about an exchange? Absolutely I have. And let me tell you, this one is a doozy.
Yuletide is The Big Multifandom Exchange. It is the king of exchanges. It happens every year, and the works reveal on December 25th, and de-anon on the 1st of January. Last year over 1,800 people took part in the exchange. A lot of people only do Yuletide from the roster of exchanges. It is literally so big that it's the reason we have the Ao3 matching algorithm, because the Ao3 algorithm was built to handle Yuletide, because you have to algorithm match that one, it is simply unfeasible to hand-match an exchange of this magnitude.
What makes Yuletide special is that it is an exchange for rare and tiny fandoms— specifically, fandoms with less than 1000 fics on the archive. So all these niche book fandoms that get 10 fics posted in them a year— these people sign up for Yuletide, and they get matched. And people sign up with SUCH small fandoms.
Commercials.
Tumblr posts.
Art.
Songs.
Reddit Posts.
TikTok skits.
Web comics.
Twitter threads.
Books published 30 years ago.
Anthropomorphic concepts.
Niche tv shows.
Video games.
You can look at the tag list last year to get an idea of the sort of fandoms that show up in it. I did it last year, and I signed up with two book fandoms, SMPEarth, anthropomorphic apple products, and the "humans are space orcs" tumblr post as my fandoms.
Wait, SMPearth? And yes, we have come to the point of why I am specifically talking to MCYTblr. I do the MCYT on Ao3 stats dive every month, so I happen to know that there are 35 canonized MCYT tags that are eligable, as they have less than 1000 fics.
Pirates SMP is eligable.
Ivorycello Prison Escapes is eligable.
Karmaland is eligable.
Rats SMP is eligable.
Witchcraft SMP is eligible.
New Life SMP is eligable.
SMPLive is eligable.
Mianite is eligable.
The list goes on.
So. Do you want to do Yuletide 2023 with me?
Please Please Please Please Please. It's just a 1k minimum and they give you six weeks to work on it. You don't even nead a canonical tag to nominate, you can nominated non-canon fandoms! Please Please Please so funnnnnnn.
They are in tag nominations now, so until 28 September, at 9am UTC, you can nominate the tags you want to match on. I just nominated SMPEarth Emduo and Worldbuilding. It's a fun time. Join Meeeee.
IMPORTANT TECHNICAL NOTES:
Yuletide is a BIG EXCHANGE and everyone there is very professional, but that also means that they have very specific rules for how things should be run. I would say read the rules, maybe twice, before you submit anything. If you have any questions, message me and I will do my best to answer them.
Yuletide blog here.
Yuletide collection here.
Nomination rules here.
(Especially take note of the stuff about disambiguation, and use mcyt best practice of using gamertag and not tax filing name, none of the | pipes and multiple names in there.)
Eligability rules here.
Nominate on the Tag Set here.
If there is something about your fandom that makes you think they might not accept it, you can explain your arguments here.
Note that people who have had over 1000 fics written about them in RPF are not eligable to be nominated in a RPF fandom, so depending on your guy, you may need to pop a message on that post to explain that Afterlife SMP is not actually Video Blogging RPF for example, and Smajor1995 (Afterlife SMP) is not the same as Smajor1995 (Empires SMP).
Go forth! Participate in a great exchange!
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doublegrinch · 8 months
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Do you have a favorite bit of hypno-community media?
Oh gosh, don't make me choose XD
Okay, to even have a chance at answering this, I'm gonna have to divide by type. Get ready for an avalanche of shoutouts.
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My personal niche! The cop-out answer here is "pretty much everything Jukebox ever wrote", since there's so much to pick from.
I can't pick just one, so
Subroutine by @kallie-den is single-handedly responsible for me having a "drone phase" (yes it was a phase, mom!)
If we go older, a lot of Trilby Else's stories go waaay too dark for me, but Purpose strikes just the right balance of enticing and pitch dark. Very much CW: noncon, implied self-harm and other very dark stuff
Gotta mention the OG fave and inspiration for Mind Play, Busman's Holiday by Wiseguy
Going Down Gamblin' by @h-sleepingirl is genius
@modren83's Whiteout, one of the all-time greats
@skaetlett's Bouquet Bound is peak Skaetcore and I love it for that reason alone (and also it's very good)
And of course, The Love and Trances of Madison and Belladonna by @misscammiedawn. No I'm not just saying that cuz it's you asking, it's legit an inspiration for my personal "lovey dovey scenes between partners" style :)
I'm forgetting some others (like, I can't pick just *one* @ellaenchanting story, that's impossible). I just like a lot of smut okay??
Audios
Okay, so I have a bias for my friends here. I have a number of people I know who do files on occasion (yourself included!) that I adore. Also shout out to my friend Pling (who isn't on tumblr) for his very very good files on Patreon. And of course, the ridiculously talented and prolific @secret-subject.
My go-to "underrated fave" though is Secret's Please Hold, a very cleverly produced track about a help line with very interesting hold music. Extra bonus points for the version where the person you're trying to reach picks up the phone at the end ^^
Visual Media
There's a specific comic by Sleepymaid that's not online anymore about a "hypnosis diner" where two ladies go to dine. One asks for obliviousness, the other for robotization. Just a very nice combo.
Also this piece by Keeper of Pots. Something about the expression on the girl with the fan.
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tblsomedoodles · 4 months
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I
C R A V E
more Donnie VS The World content. It makes me vibrate and scream and wiggle like I'm off my meds. I would love anything, even a solid block of text, but your doodles/full artworks/comics are my favorite.
Please? All I've found so far is what we see in the donnieverse comic and the MVA/AMV (music video animatic/animatic music video). So many questions, like - is Casey (Sr) involved in any way, whethercas a fellow captive or rescue mission teammate? Is this the True Apocalypse or Averted Apocalypse timeline? If the latter, where is Casey (Jr)? How is Splinter handling it? (Is he even still alive to be Having Emotions About It?)
(Please feed me.
B L E A S E)
(If you don't mind, could you show/tell how Donnie escapes, one of his first Big Leads that gives him so much hope he cries, and/or the Big Reunion? One would be nice, two would be great, and all three would be amazing. If they aren't planned/are too spoilery, that's okay. Anything you can/are willing to give would be lovely.)
Thank you!! I'm glad you like it : ) I don't think I've answered many asked about this particular au, so i'm more than willing to talk about it! : )
I don't really have much up for it, mostly b/c it deals with a lot of angsty material that i can be a little uneasy about posting. I have a bit of old concept art, and an unposted fic i'm editing/rewriting (b/c it's the first fic i wrote for Rise and i did not have those character voices down lol.) I can probably post the first bits of it later this week. I did say at one point that i would once 'proud family tradition' was over, and it now is.
but yeah, here's the concept art, i'll put the explanation under the break b/c i'm going to be rambling lol.
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So Donnie vs. takes place after the thwarted apocalypse (not-apocalypse future). They get taken by Bishop a few months afterwards, and it isn't until about a year after that, that Donnie gets free.
He's the last one still with Bishop at that point, and had been told/convinced through various means that his brothers were dead.
Bishop did a lot of experiments on him, leaving a lot of scaring. One of which was injecting him with Krang DNA to see what would happen. (the eye and veins thing. I think he has some side effects from that but i'm not entirely certain what they are atm)
The fic itself starts after his rescue, b/c i'm focusing on Donnie's search for his brothers (and his own recovery) Rather than the traumatic event itself.
The rescue itself, was certainly a rescue. April, Casey, and CJ worked together to get him out of there as well as gain whatever information they could before they were found out. (Casey went undercover and was able to get some incomplete files and help get donnie out before she was discovered and had to leave.)
donnies in...pretty bad shape at that point, mentally and physically. Physically, he's malnurished, injured, scared, the works. Bishop did a number on him in the year he had him.
Mentally, he's pretty much shut down. He's completely non-verbal, unresponsive most of the time, when he does respond it's very slow and seemingly difficult for him to do so. He describes it that it feels like he's behind several plates of thick glass. He can see and hear what's happening, interacting (or even just feeling anything about it) is very hard to get past the glass.
How he goes from that state to hunting down his brothers is fairly simple. One of the broken, encripted files Casey acquired was Leo's file. None of the three could open it, but they managed to get Donnie to try to do so. He manages it, sees the file, and for the first time in about a year, has hope. He doesn't even wait to show the other three, he just takes off while no one was looking, with April's laptop and CJ's coat (he steals a backpack along the way.)
I don't really want to say much past that. A lot of the rescues/reunions are pretty spoiler heavy, and i don't want to ruin some of the mystery of what's going on in the fic. But know this, he does get all his brothers (and family in general) back. Also, splinter is alive and is part of this, but again, that's spoilers for some things i don't want to ruin.
Again, i'll probably start posting this sometime this week. It's an interesting fic that i've put quite a bit of time into at this point, so i'll be excited to see what is thought of it.
Thank you!
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pigeonneaux · 5 months
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graphic design is still my passion.
ADDITIONAL INFOS AND CONDITIONS UNDER THE CUT :
DRAWINGS FOR PERSONAL USE ONLY. want me to work for you or do something for commercial use? email me and we'll make a contract! : [email protected]
I can draw pretty much anything. Furries, RPF, OC insert, Self insert, crack ships, detailed designs, i can also illustrate fanfics, Headcanons, and shitposts. I can make comics and custom stickers as well! Just ask. (about the comics, i will only do them in monochrome, like this) NSFW and gore and everything inbetween is OK. I cannot draw MECHAS.
i will need you to send me as many references as possible, of the characters, the clothes & accessories, and the pose you want for them. (stickmen drawings are fine, and if you describe the poses it should be fine as well but it's harder to visualise for me) might ask for some context around the characters if i don't know them :) same if they're original characters, tell me everything<3
you can send me a drive folder with every information necessary. If you don't have many ref, you can send me everything in DMs directly.
the ideal ref folder has : face closeups, in side profile, front, 3/4, (faceclaim is very helpful if there is any) same for the body, ref sheet or at least a good indication of the character's body type, body language, and style. same with clothes. and a .txt file where you write your idea + where are some specific details like their scars, or facial hair, birthmarks etc, and any info you think might be relevant<3 and a clear pose reference if possible
once i start the commission, i'll kinda disappear for a week or more, then come back with w.i.ps, i will ask you if there's anything you want to change
sometimes it can take a lot longer than planned and sometimes it can be quick.... you just can never know, so just be prepared for that eventuality.
if you have a deadline for the commission (ex : birthday gift, holiday etc) i will be on time. but please contact me more than one week in advance.
if you commission me to draw my current obssession i will kiss you on the lips
- I reserve myself the right to refuse a commissions, for any reason.
- DM me to start, or to ask any question !
Payment through  Paypal, I will send you an invoice.
ko-fi/paypal.me (do NOT pay me before i sent you an invoice)
And again if something is confusing (and god knows commission sheets are confusing) send me a DM or an Ask, i will do my best to answer it properly in the #faq tag!
If you want more exemples of my commissioned works, check out the #pigecomms tag
for NSFW exemples check out my Pillowfort
Also here's a list of my interests if you want to look into it to see if yours appears in it idk
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dandylovesturtles · 1 year
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once again writing fanfic for an AU that's not mine
uh hi so I guess it is Crying About Future Donnie Hours except this is actually a different future Donnie than the one everyone else is crying about.
I have wanted to write something for @kathaynesart 's Replica for awhile now and I got an idea and I decided to use @tmntaucompetition as an excuse to write and post it, so I guess you could say this is propaganda I didn't expect it to be the day after my poll though so I kinda scrambled a bit aaaaa lol
Replica is one of my favorite ROTTMNT comics, it's one of the first I found after I watched the movie, and I love it so much. If you haven't read it please do! However, there is one part of the comic in particular (and especially one line in particular) that has stuck with me since I first read it, and I think about it a lot. So consider this my little homage to that part of the comic, and to the character who says it.
Also there is a short section of this that is just dialogue from the comic so obviously all credit for that dialogue goes to Kat!
And Kat I really hope you don't mind me playing around in your sandbox a bit /)_(\
Anyway I don't normally title these but I did give the gdoc for this one the title: The Needed Functions to Appreciate It
I hope you enjoy!
~~~
As an AI, experiencing the apocalypse was different.
S.H.E.L.L.D.O.N. did not have to feel the aching gnaw of hunger, or the bite of the cold. He did not feel the sting of acid rain on skin, or the seeping of blood from injury. All the physical sensations his family and friends suffered, S.H.E.L.L.D.O.N. was spared them all.
That did not mean he didn’t feel.
“Hey Dee?”
The “Hm?” he got in response was distracted. Donnie was often distracted those days. S.H.E.L.L.D.O.N. didn’t resent him for it. He knew how busy Donnie is - he cataloged and prioritized the to-do list himself, after all.
“I still have the timers Raph asked me to set for his training in the system, and all his old records. What…” He hesitated. “What should I do with them?”
“Oh.” That got Donnie to pause in his work oh so briefly. His finger tapped twice on the enter key without pressing. “You can delete all of that. Might as well free up memory space where we can.”
“Okay.” It was the right answer. Members of the resistance were allowed to set timers and save some personal files on S.H.E.L.L.D.O.N.’s system, and protocol dictated that forty eight hours after loss of vitals, S.H.E.L.L.D.O.N. should clear such files.
It had been three hundred and fifty seven hours since Raph flatlined. He should have cleared these ages ago.
“Hey Dee,” he said again, more quietly this time, and Donnie actually looked away from his work and gave him his attention.
He hadn’t had a physical body since a raid over a year before; he was just an artistic representation on the monitor. Donnie promised to make him a new one, but S.H.E.L.L.D.O.N. could see both the parts inventory and the to-do list and he doubted he would be able to do that. Usually it didn’t bother him, but he thought that day that it bothered him a little.
“I don’t want to,” he admitted, and Donnie’s face shifted to something more sad.
“Ah. You have developed a lot of sentimentality…” Donnie sighed, not unkindly. “Well, you can keep it. I won’t make you delete it.”
S.H.E.L.L.D.O.N. bounced around the monitor a moment while he mulled it over. Donnie didn’t look away, though one of his battleshell arms took up the task of typing on his computer.
“Isn’t that not good, though, dude? Like… it’s useless now. It’s just taking up space.”
“Yes… sentimentality and practicality are often in direct conflict.” He leaned back in his chair, eyes roving to the ceiling. “Sometimes we just can’t let things go, even against our better judgment, because they remind us of something or… someone.”
S.H.E.L.L.D.O.N. zoomed himself in so he filled more of the screen. “Do you get sentimental, Dee?”
Donnie’s lips quirked up in a smile. “Yes, unfortunately so. I find it vexing… though, Mikey would say, “That’s what makes you a person, Donnie, don’t fight it!” or something like that.” 
“But if it makes you hold on to useless stuff, or do things that aren’t necessary, isn’t that bad?”
“Ah, such is the nature of emotions, Shelldon - they often lead us to do things that are, for a lack of a better word, suboptimal… Sometimes I think it would be nice to have a switch so I could just turn the pesky things off. I would focus so much better if I never had to feel… anxious or frustrated or… or sad.” He slumped forward, hugging his arms around himself. “If I didn’t have to… to miss anyone.”
“...That’s the worst one,” said S.H.E.L.L.D.O.N., and Donnie nodded.
“Yeah… yeah, it is.” He turned to face S.H.E.L.L.D.O.N., eyes glossy. “But-”
ERROR: Memory file corrupted.
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“It is a convincing replica. Expertly crafted. You act just like him… Be careful that it does not interfere with our intended purpose.”
“Need I remind you, one of my core purposes is to act as a support to Donatello’s family. That includes you, even if you have chosen to forego the needed functions to appreciate it.”
“A necessary purge to keep the Kraang’s whispers at bay.”
“Was it? That is not what Donatello ever wished of you. Even when you decided to take on this burden.”
“Not having to ‘feel’ has its… benefits.”
“And Donatello was quite firm that you not lock yourself away-”
“Such advanced artificial intelligence, yet you still fail to recognize your own ignorance.”
“To what, exactly?”
“To the bliss in not having to miss him.”
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Username: OMEGABOOTYYYSHAKER9000
Password: ****************
MEMORY FILE ACCESS AUTHORIZED
Enter date: XX/XX/20XX XX:XX
RETRIEVING MEMORY FILE. . . SUCCESS
AUDIOVISUAL PLAYBACK BEGIN
“But even if missing them keeps you from performing optimally… Running from bad emotions means running from the good ones, too.” Donatello sighed. “At least, that’s what Mikey said to me after Papa… And it took me awhile, but I realized he was right. Don’t tell him I said that, though, or I’ll never hear the end of it.”
“Your secret is safe with me, dude.”
“Thank you, Shelldon.” He reached with his hand and touched the screen, and even though they couldn’t actually feel each other, S.H.E.L.L.D.O.N. moved like he was nuzzling his palm. “When you see Raph’s training records, it makes you sad, but also makes you remember all the things you loved about him, right?”
“I guess, yeah… He’d always scratch my head when I came to give him his training report. When I had a body.”
“Mm, so that’s why you always went to do it in person.” Donatello chuckled, rubbing his thumb on the monitor. He was sad, then, thinking that he couldn’t build S.H.E.L.L.D.O.N. a proper body. Always lacking the time and materials…
“Is it worth it, though?” asked S.H.E.L.L.D.O.N.. “The good feelings, when there’s bad feelings, too?”
“Maybe that’s one of the great mysteries of life, Shelldon. All I know is… I don’t want to give them up. Not anymore. And… it’s easier to deal with, when you’re not alone.” Donatello pulled his hand back, and looked at him very seriously. “Anata wa hitorijanai. That’s as true for you as it is for any of us. Your family will always be here for you, when you miss Raph, or anyone else.”
Maybe it made S.H.E.L.L.D.O.N. feel better. He smiled, as much as his facial design would allow.
“Okay. And I’ll always be here for you too, Dee.”
“Thank you, Shelldon.”
“Love ya.”
“I love you too.”
End playback? Y 
PLAYBACK ENDED
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objectheadzine · 9 months
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WELCOME TO THE 10TH ANNIVERSARY OF THE OBJECT HEAD ZINE!
2 months left!
In celebration, the 2024's edition will be a Grab Bag - draw whatever object head you like (so long as it fits the guidelines, see below). In Lieu of a theme, all submissions MUST HAVE ASHLEY (the megaphone mascot) in the piece! Feel free to make him as large or as small as you want in the composition. He can be hanging out with your characters or he can be on a flyer, just so long he's somewhere in the picture! Reference of all his outfits can be found here. But don't feel like you're restricted to his previous outfits. Feel free to dress him up in anything you'd like. Content is also free for whatever! You want to date the lil man? Go for it! You want to tease or go on the attack? Also fine! Ignore him and let him live his life? Sure thing.
ALL submissions will be accepted as long as they fit guidelines and each person has a limit of up to 3 submissions. Submit your pieces to the zine email objectheadzine(@)hotmail(.)com along with the email/website/name you’d like to be credited as. (Feel free to omit emails if that is more comfortable). When you’ve finished your piece(s), you are allowed to post them to your blogs as long as you link back to the zine blog! This will be a DIGITAL ZINE ONLY and will be available free upon completion (donation optional).
The guidelines are as follow:
Illustration-quality works in either digital or traditional mediums. Both colour and b/w acceptable; background required. *BG can be as simple as a pattern or colour block! Avoid utilizing a camera to submit your images, please use a scanner. 
The default size will be 6″x9″, 300 dpi (1800px x 2700px) but feel free to go larger or smaller, so long as it follows those proportions. Please work in a vertical format.
For consistency’s sake, keep faces to a minimum (You can have eye(s) or you can have mouth(s) but don’t have both in a humanoid arrangement.)
Ashley, the megaphone head mascot, must be included in your piece. He can be small in the picture or a large factor but he must be included. When submitting, if he is not obvious, please point him out to me. References are found here.
Please go for original characters (or fanart of your friend’s characters) and not so much established object heads (e.g. the popcorn and soda heads from No More).
If you want to include humans, that’s fine as well but keep the ratio of people to object heads 1:1.
Content should be at most PG-13: Romance is fine but after-hours business should not be implied, Blood is fine but no gore. In the end, use your common sense.
Feel free to draw a comic or just an illustration! A comic counts as one submission.
Some facts about Ashley that could help with your piece: He's 5'2", he's of Chinese nationality, he's a TV show host, he's a bubbly, happy-go-lucky kind of guy and he has a Samyoed dog named Cotton!
Note that if a submission does not meet the above guidelines, I will either reject your submission or suggest improvements that would help your piece fulfill them. Please email me at objectheadzine(@)hotmail(.)com if you have any further questions and I’ll do my best to reply promptly. If you do not receive a message from me within a few days, please send it again. Final pieces submitted should be either in PNG or a one layer PSD file format.
Want to share your piece as you're working on them? Come on over to the Object Head Zine discord!
THE DUE DATE FOR SUBMISSIONS IS NOVEMBER 9TH.
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bisexualbaker · 4 months
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Crochet Patterns for Palestine
Making a new post for this; I'll still accept donation receipts from all organizations linked on the previous version of this post, but my focus has shifted and/or concentrated somewhat.
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This crochet pattern is for small cats, of a good size to make into keychains, magnets, or even hair clips! There are six PDF versions available:
- US stitch names in 12 point Atkinson Hyperlegible - US stitch names in 22 point Atkinson Hyperlegible - US stitch names in 22 point Comic Sans
- UK stitch names in 12 point Atkinson Hyperlegible - UK stitch names in 22 point Atkinson Hyperlegible - UK stitch names in 22 point Comic Sans
Between those six options, that should cover most pattern accessibility needs. If you need something else, though, let me know! I’m prepared to offer a .doc or similar file on an individual basis if you need a screenreader to access crochet patterns, and have a sheet I can use to translate things to German stitch terms (though more in-depth instructions would still be in English). The pattern is worked primarily in (US) single crochet/(UK) double crochet, with the ears in (US) double crochet/(UK) treble crochet popcorn stitches, and is bundled with similar file options of a popcorn stitch tutorial PDF (no stitch names used).
“Socchan,” you say, “These cats are super cute! And you said that this pattern is for charity? How does that work exactly?”
I’m glad you asked! Simply donate a minimum of $3 or close-enough local equivalent to a related charity, then take a screencap of your receipt/proof of donation. Block out any information that could doxx you; it’s nice if you trust me, but it’s not impossible that my email could get hacked, and I want you to be safe! Finally, email the altered screencap to socchan (at) protonmail (dot) com.
Once I get and check the screencap, I will email you back with a password-locked zipped folder of all six files, as well as the password. I will do my best to respond to all emails within two days of receiving them. Please be respectful of both my work and this donation incentive and don't upload the patterns elsewhere!
As a bonus, if you take your donation up to at least $5 (or close-enough local equivalent), I’ll throw in an additional link and password for a very cute little flower pattern!
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“That sounds pretty easy,” you go on to say, “but where should I donate? There are so many options to choose from!”
No problem! Check out Operation Olive Branch: A spreadsheet collecting lots and lots of links to fundraisers in Palestine.
Too much information to sort through? Here are some good general options:
Palestine Children’s Relief Fund - Focuses on medical aid to children in Palestine Medical Aid for Palestine - “[H]elp MAP respond to the ongoing emergency in Gaza, as well as provide medical supplies, support healthcare services and deliver long term development to healthcare in the occupied Palestinian territory and Palestinian refugee camps in Lebanon.” MAP reportedly has a team on the ground in Gaza, providing critical medical aid. Anera - Providing food, hygiene kits, and medical care in Gaza, the West Bank, and East Jerusalem. Palestine Red Crescent - More medical support in Palestine; the rest of the webpage is in Arabic, so be prepared if you want to click around at all. Basically the Palestinian Red Cross. Crips for eSims for Gaza - This organization is raising money to buy eSims in bulk, to help Palestinians in Gaza to communicate with the outside world. Help Gaza Children - Organized in part by Tumblrite @fairuzfan, Help Gaza Children provides food and toys to children in Gaza, feeding bodies and hearts.
"Socchan," you say, "I heard about this other person who is offering something else in exchange for proof of donation to Palestine-related charities. If I make a donation to get a drawing of a dragon, or some neat music, or a book of international vegan recipes, or something else I've found, is it okay if I also use that same donation or purchase to get a crochet pattern or two?"
Absolutely! What matters to me is that the people of Palestine get the aid they need. One of the reasons I made my minimum donation request so low is because I know that money is tight for a lot of people right now; even small donations are still very welcome to many of these organizations, and I understand if you need to make your money stretch as far as it can.
Thank you so much for reading this far! Please consider boosting this post, so it can reach more crocheters and crocheter-adjascent people.
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