Expertise can't help you here.

if you opened discord’s april fools day loot boxes how long did it take you to get all the items? it took my friend 18 boxes but me 65 and i want to see how bad my luck is

Silly doodle bc it was the first thing I thought of when I saw Pomni.

can i say something. for years i thought the joke of the song short skirt/long jacket by cake was that he wanted a woman who was hung like a horse. like i thought when he says jacket it was a last-second fakeout because he very obviously meant to say cock. and the rest of the things in the song were just her personality and interests. which were secondary to her awesome penis

ohmygoddddddd....

this will not be a bridgerton blog but for the foreseeable future i will not be thinking about anything other than bridgerton

(original post @romanceyourdemons)

i feel like not enough ppl are factoring in the cultural clash between laios and shuro and the many micro agressions shuro faced while being in their group. literally the name 'shuro' in itself is one

his name is toshiro 😭 lets also not forget that he has his own communication issues, in the opposite way that laios does- thats literally a factor in their argument, that his envy for laios's ability to express himself sincerely manifested as part of his distaste for him.

ig all this to say like, was their fight heart wrenching, especially when reading laios as autistic? absolutely. anybody whos ever been in laios's position knows how much it hurts to realize someone you thought was your friend doesnt actually like having you around, especially when they didnt tell you and you had no way of knowing due to not understanding their cues. but im begging yall to step back and see the nuance of this situation cause im gonna be real a lot of you are kinda just brushing over it acting like everything is toshiros fault and that hes a terrible person when in reality hes an average guy who really, really clashed with laios and it led to a very long misunderstanding due to their supremely opposite methods of communication. even laios and toshiro, after letting everything out in their fight, were able to come to an understanding and start a foundation for an actual friendship built on better communication

ok yknow what Edit: i shouldve made it even more explicit at the end of this post, i hadnt thought i would need to since i started the post with this, but i think a few too many people are missing my point so i just wanna clarify. i shouldnt have said 'really clashed' and left it at that because yeah they did, but it wasnt just their opposite methods of communication, it is also very much that toshiro was experiencing microaggressions via laios. it may have been unintentional on laios's part, but it still happened and wore him down, made it harder for him to communicate on top of both the more subtle social cues that he was raised with and his own communication difficulties. i also want to say that the fandom reaction to toshiro and the complete ignorance of this point is also racist tbh or at the very least ignorant. i understand that the anime did not cover this panel, and neither did the manga, as this was an omake, but im gonna be real with you guys. there are enough context clues within the story to clue you into this. if you didnt pick up on it thats ok, but i think this is a good lesson in picking up subtext in the stories that youre watching and/or reading. kui shouldnt have to explicitly say 'by the way laios was racist to toshiro' for this point to be understood, and at the very least, when the author portrays a character in a sympathetic light (as kui clearly does) it should make you question Why they are doing so and what makes them sympathetic, rather than youre immediate and only reaction to be 'well i hated what this guy did/said so i hate them and they suck'. idk exactly how to finish this, just. idk. question your biases and gut reactions to things you see in media and stories, and think about whether or not theres subtext that youre missing.

The global reaction to Aaron Bushnell’s self immolation has been very jarring. I understand how powerful and scary it is to witness such a young man set himself on fire while screaming for a free Palestine, but to now see comments like “his death will not be in vain” and “the video will haunt me forever” is very strange considering the depravity of the videos we have been seeing coming out of Gaza for 4 months. It seems like people are now using Aaron as the “perfect martyr” of Palestine that we can put all of our efforts into celebrating as if there has not been 30,000+ Palestinian martyrs that we have been begging you to acknowledge

Saint Applebees, champion of Cassandra, and Sir Applebees, Knight of Cassandra.

(please pick this future Bucky, it's the one with better friends and a sick mullet)

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

#obsessed with their priorities

loving how hoo brought us a native american character, two hispanic characters, an african american character, a chinese character, and the whitest boy ever

Character: I think boys are pretty

Fandom: oh! They're gay! That's canon!

Different character: I have no interest in romance or sex. I don't understand it. Relationships confuse me. They seem pointless to me. I have no desire to be in a romantic or sexual relationship. I am an aromantic asexual.

Fandom: well, I guess you can interpret them as aroace...I don't see it though.

Picture this: Dragons using their caves to age cheese. Dragon Cheesemakers!!

The dragon coiled his enormous body, completely blocking the entrance of the tunnel that lead to the caves.

“No,” he snarled, smoke pluming from his nose.

The cheesemonger pinched the bridge of her own nose. “Look, I explained this to you at the start,” she tried once more. “I make cheese.”

“Yes,” the agreed, nodding his scaly head.

“Then I bring the cheese here.”

“Yes.”

“Then you store all the cheese in your cave, keeping it at the perfect temperature and humidity.”

“Yes.” He sounded particularly proud of this part.

“And then when the cheese has ripened,” she concluded. “I come to pick the cheese up again.”

A thunderous scowl clouded his maw. “No.”

“But that’s how it works!” she cried in exasperation. “I make the cheese, you store the cheese, I sell the cheese, I make more cheese!” She peered up at him. “You do realise I cannot bring you new cheese until I have sold this cheese.”

The dragon considered this for a moment. “Ah, but what if—” he began. “What if you go and make more cheese. And bring me the cheese. And I put it in my cave, with the rest of the hoard. And then I keep it there forever.”

“No,” she said flatly.

It was remarkable how much a dragon could look like it had just swallowed a lemon.

“You can’t keep cheese forever,” she insisted. “It will spoil and go bad!”

“You said it would get better and better!” the dragon roared indignantly. “And I take good care of them! With the air flow and the humidity and the temperature!”

“And that is great,” she said, trying to smile through her frustration. “But when a cheese is ripe, it’s ripe! Then you should not be kept anymore, it should be eaten.”

The dragon scraped it’s formidable claws against the stony ground and sulked.

“Look…” The cheese mongering business did not tend to require a lot of sweet-talking, but she was making an effort. “I’m sure the cheeses that aged in your cave are the best cheeses people have ever tasted. When they find out how delicious they are they will want us to make loads more. Maybe several caves’ worth!”

The reptilian eyes stared at her with disgruntled, reluctant interest. “Several caves?”

“If we’re lucky! And I could make so much cheese that I could bring you new cheese as soon as I pick up the aged cheese. Your cave would never even be empty!”

This seemed to strike a chord. The dragon lifted his head a little.

“And that would really be much better for the rest of your hoard,” she continued with fresh inspiration. “Because if you leave cheese too long, it might go bad and spoil the cheeses next to it too!”

A nervous ripple went through the beast’s scaly body, but he clearly was not convinced just yet. “But what sort of a hoard is it if I have to give it away,” he complained.

“Well! Cheese is not just any old hoard! It’s a developing creation! And you will have a hoard that is constantly developing too. Constantly changing, but, if we do this right, never shrinking.”

The dragon looked at her solemnly, wavering with uncertainty. Perhaps she shouldn’t hold it against the poor thing, it must be a difficult concept to wrap his head around.

“And I will tell you what,” she said encouragingly. “If business is good, I can start investing in some really good crumbly cheeses. You can keep those in your cave for five whole years!”

“That is quite a long time for humans, is it not?” he said, sounding a little more cheerful.

“Very long. Especially when it comes to cheese. Cheeses that have been aged that long are very expensive.”

In retrospect, she should perhaps have led with that. Gourmand or not, a dragon was still a dragon after all. A glittering, toothy grin appeared on her recalcitrant business partner’s shout and he moved just enough for her to move past him into the mountain.

“Tell me more about this expensive cheese that crumbles.”

She hid a smirk. “If you help me carry some of the current ones out, it would be my pleasure.”

“I hate the script, the vault dwellers sound so cheesy—“ my Brother in Steel you realize that’s the point, right? They were bred to act like the physical embodiment of an HR e-mail. Did you not catch the memo that Vault-Tec put out regarding their experiment facilities?

@pscentral event 20: antagonists ↳ THE LORDS IN BLACK in NERDY PRUDES MUST DIE