Holy crap, I've rewatched Murder Drones again after 7th episode dropped with my friend and looked what we've found

Tessa has appeared in 4th episode this is insane She even glitches there

And second later you can see a hand behind the wall

HOW DID WE MISS IT SHE WAS RIGHT THERE ALL ALONG

Untitled by Pas (paxiti), on May 23, 2018

Untitled by Pas (paxiti), on June 1, 2018

Untitled by Pas (paxiti), on August 30, 2022

Untitled by Pas (paxiti), on August 31, 2022

Untitled by Pas (paxiti), on September 6, 2022

Untitled by Pas (paxiti), on June 17, 2023

Untitled by Pas (paxiti), on June 21, 2023

Untitled by Pas (paxiti), on June 22, 2023

I can’t believe I went through all of Season 2 assuming Nina was the stand-in for Crowley when you actually pay attention it’s so CLEAR that she’s Aziraphale. I was tricked by her spiky, sarcastic, cynical outer shell and lulled into a false sense of security by Maggie’s bubbly optimism and wholesome goodness, because on the surface they reflect the ineffable husbands perfectly, in their personalities, their aesthetics, even many of their actions and morals. but not, and this is the real key, when it comes to their “relationship”. but those first impressions really had me damn fooled. 

I missed the blatantness of Nina’s “we’re just friends. actually we’re not friends. we barely know each other.” the same thing Aziraphale said in season 1.  the way he still struggles to quantify their friendship when Nina asks. Nina’s sarcasm when Crowley asks about rain and awnings because it worked for him (we all know it LMAO). hell, that whole convo the girls have in the rain is so AziraCrow (“I know. I’m not your type” “...You have no idea” hits so much harder the second time, help meeeee.) “Lindsay” maybe being symbolic of Heaven and Aziraphale’s toxic relationship with them and their abuse? (the handwritten text messages in red pen make me think of angry notes on paperwork, anyone else?) because Crowley has never actually cared about what Hell thinks of him, just not getting into trouble (or him or Aziraphale getting hurt). Maggie is always chasing Nina. NINA NEVER GOES IN THE RECORD STORE. Just like Crowley always goes to the bookstore, to Aziraphale, Zira NEVER WENT TO THE FLAT (apart from The Swap but that doesn’t count imo). Crowley has always chased Zira, not the other way around. Always there to rescue him, always going to him for company, always relying on their shared connection, always US. OUR SIDE. All through season one, he comes to Zira every time to work together, never trying to work alongside Hell in any way that isn’t to save their skins or Earth, while Zira hides things from Crowley because he STILL thinks Heaven is ultimately good and will do the right thing if he can just show them. fix it from the inside. 

Maggie working up the courage to finally say something, to put herself out there, while Nina is utterly oblivious and then when she does realise Maggie has feelings, becoming standoffish, putting up that barrier, fighting it, denying it, ITS SO CROWLEY AND AZIRAPHALE IN THAT ORDER. the way I was fooled into thinking Nina’s trust issues are Crowley because he does have trust issues ofc he does BUT Crowley has ALWAYS TRUSTED AZIRAPHALE. has always relied on him. has always been hurt when Aziraphale doesn’t immediately reciprocate the way he expects (the holy water request, the bandstand, the “off in the stars” etc). he’s always the one putting himself forward. Aziraphale has always been the one to second guess everything, to fight their connection, their similarities, their friendship. the girls really made me think it was going to be okay when they sat Crowley down, even as my inner sirens were going haywire about Metatron interfering, they were telling Crowley he just needs to open up and it’ll all work out BUT HE’S ALREADY AT THAT POINT. he may not say it, and by gosh is that part of their damn problem, but he’s always SHOWN IT. he’s not Nina who needs time to heal and recover from her broken trust, he’s always been Maggie believing it doesn’t matter, they’ll end up together in the end anyway AND I WALKED RIGHT INTO THE TRAP THAT THIS MEANT THEY WERE GOING TO BE OKAYYYYYYYYYYY

Experiments with pupils and mouths that devolved into shenanigans :)

A blacktip reef shark named Sharyl

i. about 2 weeks ago, i was told there's a good chance that in 5 or so years, i'll need a wheelchair.

ii. okay. i loved harry potter as a kid. i have a hypothesis about this to be honest - why people still kind of like it. it's that she got very lucky. she managed to make a cross-generational hit. it was something shared for both parents and kids. it was right at the start of a huge cultural shift from pre to post-internet. i genuinely think many people were just seeking community; not her writing. it was a nice shorthand to create connection. which is a long way of saying - she didn't build this legacy, we built it for her. she got lucky, just once. that's all.

iii. to be real with you, i still struggle with identifying as someone with a disability, which is wild, especially given the ways my life has changed. i always come up against internalized ableism and shame - convinced even right now that i'm faking it for attention. i passed out in a grocery store recently. i hit my head on the shelves while i went down.

iv. he raises his eyebrows while he sends me a look. her most recent new book has POTS featured in it. okay, i say. i already don't like where this is going. we both take another bite of ramen. it is a trait of the villain, he says. we both roll our eyes about it.

v. so one of the things about being nonbinary but previously super into harry potter is that i super hate jk rowling. but it is also not good for my mental health to regret any form of joy i engaged with as a kid. i can't punish my young self for being so into the books - it was a passion, and it was how i made most of my friends. everyone knew about it. i felt like everyone had my same joy, my same fixation. as a "weird kid", this sense of belonging resonated with me so loudly that i would have done anything to protect it.

vi. as a present, my parents once took me out of school to go see the second movie. it is an incredibly precious memory: my mom straight-up lying about a dentist appointment. us snickering and sneaking into the weekday matinee. within seven years of this experience, the internet would be a necessity to get my homework finished. the world had permanently changed. harry potter was a relic, a way any of us could hold onto something of the analog.

vii. by sheer luck, the year that i started figuring out the whole gender fluid thing was also the first year people started to point out that she might have some internalized biases. i remember tumblr before that; how often her name was treated as godhood. how harry potter was kind of a word synonymous for "nerdy but cool." i would walk out of that year tasting he/him and they/them; she would walk out snarling and snapping about it.

viii. when i teach older kids creative writing, i usually tell them - so, she did change the face of young adult fiction, there's no denying that. she had a lot more opportunities than many of us will - there were more publishing houses, less push for "virally" popular content creators. but beyond reading another book, we need to write more books. we need to uplift the voices of those who remain unrepresented. we need to push for an exposure to the bigotry baked into the publishing system. and i promise you: you can write better than she ever did. nothing she did was what was magical - it was the way that the community responded to it.

ix. i get home from ramen. three other people have screenshotted the POTS thing and sent it to me. can you fucking believe we're still hearing this shit from her when it's almost twenty-fucking-twenty-three. the villain is notably also popular on tumblr. i just think that's funny. this woman is a billionaire and she's mad that she can't control the opinions of some people on a dying blue site that makes no money. lady, and i mean this - get a fucking life.

x. i am sorry to the kid i was. maybe the kid you were too. none of us deserved to see something like this ruined. that thing used to be precious to me. and now - all those good times; measured into dust.

/// 9.6.2022 // FUCKING AGAIN, JK? Are you fucking kidding me?

Ya'll ever stop to think about this piece of dialogue in Human Nature when Ten is going to use the Chameleon Arch:

DOCTOR: That's why I've got to do it. I have to stop being a Time Lord. I'm going to become human. Never thought I'd use this. All the times I've wondered.

Like, imagine him sitting in the console room staring at it while Rose is sleeping just wondering what it would be like to become human, being tempted, wishing for the one adventure he can never have.

And this being in a two-parter where we have these lines "That's all I want to be. John Smith, with his life, and his job, and his love. Why can't I be John Smith?" That to me seems more like Ten seeping through in the way he did through John's dreams...

Anyways. Just hitting me real hard today 🥹

House M.D. but it's when a character says the name of the episode

Obsessing over this fic

Doodled this for it!

i'm so so sorry to the people that didn't get to see saltburn in theaters because imo it was truly the best way to watch it

feeding off of the energy of all the other people in a packed theater, it feels SO much more voyeuristic with strangers sitting right next to you in a dark room with all your senses heightened, the soft gasps, the shocked laughs, people mumbling "what the fuck" to their movie partner next to them under their breath, i cannot describe the high i got off of seeing it in theaters

the genuine goosebumps i had from the soundtrack in surround sound, from rosamund's gut-wrenching scream, it is just not the same at home

i feel like if you didn't see it in theaters, it's not fair to give it a terrible review because it is really a completely different experience

I know that we got plenty of options as to how everything with the Ender King is going to go down, but a thought that has not left my mind was the idea of the Ender King downing qPhil in some way and taking him away. Which means there would be a chat message for all to see :)

For example :)

Things that are easy to miss in Dragon Age: Origins, I guess:

If you talk to the soldier guarding the tower of Ishal, he tells you they found tunnels under it, so they should already know it’s compromised.

If you exhaust all dialogue with the head templar of the Lothering chantry, he’ll tell you about the right of annulment being sent for (at least if you’re a mage).

If you reject Leliana and talk to the barkeep, he tells you a bit more about her.

Honorable mention to the people who completely miss Leliana bc they never go in the tavern.

The Orzammar Palace Dragon.

The full Blackstone Irregular and Favours for Certain Interested Parties quest lines, which I missed my first couple play-throughs.

You can extend the quick bar by dragging it.

Feel free to add your own to the list.

This is what I'm quite interested about. Not sure if somebody already done it.

we do it together. together?