Headless Fun Fact + Hamilton Connection
So, you know that Jonathan Oldstyle guy that appeared in the finale?
Apparently "Jonathan Oldstyle" was another pseudonym of Washington Irving's. Specifically, he used it in nine satirical letters written to The Morning Chronicle in 1802-1803. It marked Irving's first appearance in print, before Sleepy Hollow or Rip Van Winkle, when he was 19 years old.
So, first of all, kudos to Shipwrecked having one Irving pseudonym replace another Irving pseudonym as bard.
But it gets more interesting.
The editor of the paper at the time Irving wrote those letters? Was Aaron Burr.
Yes, THAT Aaron Burr.
Who sent five of those letters to his daughter Theodosia, because he was so impressed for the work of one so young.
His final letter, eerily enough, was on dueling , which had recently been formally outlawed in New York (April 1803).
According to Wikipedia,
Declaring the practice of dueling with pistols "unceremonious," [Irving] recommends instead that duelists draw lots to see who gets to have a brick dropped on his head from a window. "If he survives, well and good", [Irving] says, "if he falls, why nobody is to blame, it was purely accidental."[11] [Irving] even suggests that dueling be licensed by "the Blood and Thunder office" of the state as an official event, where the public can watch, as "this would be a valuable addition to the list of our refined amusements."
Which.... good god, the irony, y'all. Not just because of what Jonathan Oldstyle does in Headless, but in real life, the Burr-Hamilton duel happened in July 1804. Just over a year later!
@shipwreckedcomedy did y'all know about this connection when you made that Hamilton reference in the Unsolved Babesteries finale??? Because that's just... wow.
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If any indigenous people seriously don't want me hating on Disney's Pocahontas on their behalf (see last rb), be my guest and dm me telling me so. I'm trying to do the responsible thing and echo back what the native bloggers I do follow have said and feel. I get it.
I'll try not to be dismissive, though understand that a major part of what irks me about that movie isn't just the white guilt, it is the inaccuracies. Wolfwalkers and Iron Giant can send Oliver Cromwell off a cliff and end Coldwar with hugs because they're well written; the writers are making speculative alt history which is the point. Where I think media, especially children's media, is actually harmful is when it isn't set in a time period but about real figures in history, as that trains kids idealize these people as fictional characters.
And you know?
Since we're on this "ruining ur childhood by pointing out that the original stories are disturbing"-tanget, why doesn't any one of these clickbait sites talk about the rest of the Jamestown story? No one gonna even make a joke about how the guy Governer Ratcliffe is based on was apparently skinned alive? Or how the Starving Time included the colonists eating eat other?
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Writing Weapons (1): Swords
The Thrusting Sword
Type of fight scene: entertaining, duels, non-lethal fights, non-gory deaths, swashbuckling adventure
Mostly used in: Europe, including Renaissance and Regency periods
Typical User: silm, male or female, good aerobic fitness
Main action: thrust, pierce, stab
Main motion: horizontal with the tip forward
Shape: straight, often thin, may be lightweight
Typical Injury: seeping blood, blood stains spreading
Strategy: target gaps in the armous, pierce a vital organ
Disadvantage: cannot slice through bone or armour
Examples: foil, epee, rapier, gladius
The Cleaving Sword
Type of fight scene: gritty, brutal, battles, cutting through armour
Typical user: tall brawny male with broad shulders and bulging biceps
Mostly used in: Medieval Europe
Main action: cleave, hack, chop, cut, split
Main motion: downwards
Shape: broad, straight, heavy, solid, sometime huge, sometimes need to be held in both hands, both sides sharpened
Typical Injury: severed large limbs
Strategy: hack off a leg, them decapitate; or split the skull
Disadvantage: too big to carry concealed, too heavy to carry in daily lifem too slow to draw for spontaneous action
Examples: Medieval greatsword, Scottish claymore, machete, falchion
The Slashing Sword
Type of fight scene: gritty or entertaining, executions, cavalry charge, on board a ship
Mostly used in: Asia, Middle East
Typical user: male (female is plausible), any body shape, Arab, Asian, mounted warrior, cavalryman, sailor, pirate
Main action: slash, cut, slice
Main motion: fluid, continuous, curving, eg.figure-eight
Shape: curved, often slender, extremely sharp on the outer edge
Typical Injury: severed limbs, lots of spurting blood
Strategy: first disable opponent's sword hand (cut it off or slice into tendons inside the elbow)
Disadvantage: unable to cut thorugh hard objects (e.g. metal armor)
Examples: scimitar, sabre, saif, shamshir, cutlass, katana
Blunders to Avoid:
Weapons performing what they shouldn't be able to do (e.g. a foil slashing metal armour)
Protagonists fighting with weapons for which they don't have the strength or build to handle
The hero carrying a huge sword all the time as if it's a wallet
Drawing a big sword form a sheath on the back (a physical impossiblity, unless your hero is a giant...)
Generic sword which can slash, stab, cleave, slash, block, pierce, thrust, whirl through the air, cut a few limbs, etc...as if that's plausible
adapted from <Writer's Craft> by Rayne Hall
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