⭕️Hey Bones! Is it ok if you explain and/or elaborate how Crowfeather is abusive to Breezepelt if please?⭕️
I do KNOW that crowfeather is indeed, abusive to Breezepelt, due to the fact that he emotionally and/or physically neglected him - with child neglect being known to BE a form of child abuse - and I also heard that he slashed and/or hit him within one of the books, which I believe is in the book Outcast, in chapter 16.
But I also wish people would talk and be informed about it more within the fandom, because in the parts of the fandom I’ve known portrayed Crowfeather’s neglect on Breezepelt as negative and bad, but not in a way that made me think and/or feel: “Wow, that’s pretty bad. That’s…actually abusive.” I suppose? So I hope more people will talk about it more in that type of way.
Also, please be aware that I have NOT read PoT, OoTS, etc. or barely any warrior cats books, since the majority of the information I got from the series is from the wiki and the fandom, so that probably explains why I didn’t know this part of Crowfeather’s character is as bad as it actually is until now. Also, feel free to talk about Crowfeather’s abuse on Breezepelt I haven’t mentioned and/or don’t know right now as well if you want.
I’m SO sorry that if this ask is unintentionally quite long, and feel free to make sure to take all the time you need to answer it. Thank you!
OH LET'S GOOOO
Breezepelt is both physically and emotionally abused by Crowfeather. I'm not talking about only child neglect; he is screamed at, belittled, and even once hit on-screen.
The fact that Crowfeather both neglected and abused him is very important to the canonical story of Breezepaw. There's actually a lot more to this character than people remember! Even from his first appearances he displays good qualities, a strained relationship with his father and adult clanmates, and is clearly shown to be troubled before we understand why.
As many problems as I have with the direction of Breezepelt's arc (especially Crowfeather's Trial), his setup is legitimately a praiseworthy bit of writing from Po3 which carries over into OotS. To say that Breezepelt was not abused is to completely miss two arcs worth of books SCREAMING it.
BIG POST. Glossary;
INTRO TO BREEZEPELT: The Sight and Dark River
ABUSE: Outcast, Social Alienation, the Tribe Journey.
DARK FOREST: How these factors push him towards radicalization.
For "brevity," I'm not getting into anything post-OotS. I'm just showing that Breezepelt was abused, the narrative wants you to know that he was abused, and that his status as a victim of child abuse is CENTRAL to understanding why he is training in the Dark Forest.
INTRO TO BREEZEPELT: The Sight and Dark River
Our very first introduction to Breeze is when Jaypaw walks off a cliff in the first book of Po3 and is rescued by a WindClan patrol. He's making snarky remarks, and Whitetail and Crowfeather are not happy about it. Whitetail snaps for Crow to teach his son some manners, and Crow growls for Breezepaw to be quiet.
But our proper introduction to him is at his announcement gathering, when Heatherpaw playfully introduces him as a friend,
From the offset something's not entirely right here between Breezepaw and his father. He's cut off by Heatherpaw here, but he's touchy whenever his father is involved, and we're not entirely sure why.
Throughout Book 1, he's just rude, with a notable xenophobic streak. He's a bit of a mean rival character for Lionpaw, as they're both interested in the affections of Heatherpaw and make bids to get her attention, but nothing particularly violent yet.
He participates in the beloved Kitty Olympics and gets buried in liquid dirt with Lionpaw, basically a rite of passage for any arc.
(And Nightcloud has a cute moment where she watches over them until they fall asleep)
As the books progress, the relationship between Crow and Breeze visibly deteriorates. They start from being simply tense with each other in The Sight, to the open shouting and hitting we see in Outcast.
In the very first chapter of Dark River, we learn where his behavioral issues are really coming from;
Crowfeather.
Breezepelt is getting xenophobia from his father. Occasionally he says something bigoted and his dad will agree and chime in, and those are the only positive moments they have together.
(Note: In contrast, Nightcloud explicitly pushes back against xenophobia, chiding Breezepelt for his rudeness to Lionpaw in back in The Sight, Chapter 21. The Sight is the book where a lot of "evidence" that the Evil Overbearing Woman is actually responsible for the rift between father and son but. No. She's not. Though she can be overprotective; Crow and Breeze have a bad relationship when she's not even around in Breeze's first appearance and even his Crowfeather's Trial Epiphany refutes it. Anyway this post isn't about Nightcloud.)
So he starts acting on his bigotry, accusing cats in other Clans of stealing, running really close to the border. What's interesting though, is that this is not entirely his doing. The first time we get physical trouble from Breezepaw, DUSTPELT aggressed it. Breezepaw and Harepaw were just chasing a squirrel and hadn't yet gone over the border at all.
We learn that WindClan is teaching its apprentices how to hunt in woodland, and tensions between the two Clans is starting to escalate as ThunderClan isn't entirely trusting of their intentions.
The second time, fighting breaks out over him and Harepaw actually crossing the border and catching a squirrel. WindClan is adamant that because it came from their land, it's their squirrel. So it's as if Breezepaw is modelling the aggression around him, learning how to behave from the older warriors and his father.
When he joins Heatherpaw and The Three to go find Gorsetail's kits in the tunnels, he's grouchy towards the ThunderClan cats, but very gentle with the kittens. Notably so. When Thistlekit is dangerously cold, he cuddles up next to her, and even assures Swallowkit when she's scared,
Through this entire excursion, he's the one in the comforting roles for the kittens. Breezepaw is the one who is taking time to tell the kits they'll be okay, that he'll protect them, and physically supporting them when they're weak, even when he's terrified.
And it's always contrasted to Heatherpaw who's way more 'disciplined,' as a side note. It's a detail I'm just fond of.
All this to point out,
Breezepelt displays his best qualities when he's away from the older warriors of WindClan, and he's at his worst whenever he's near Crowfeather. Even while he's essentially just a bully character for The Three to deal with. He's gruff but cooperative when it's just him and Heatherpaw interacting with The Three, but mean when there is an adult to please.
We're getting to the on-screen abuse now, but Po3 actually sets up Breezepaw's troubles and dynamics well before it's finally confirmed that he is a victim of child abuse.
ABUSE: Outcast, the Tribe Journey.
In Outcast, Breezepaw's problems have escalated into open aggression towards cats of other Clans, and is now a legitimate concern for his own safety. Yet, he's spoken over by older warriors, and reprimanded at nearly every opportunity, right in front of the warrior of another Clan.
Squilf just asked the poor kid how his training was going, and then Whitetail JUMPS to talk over him so she can complain, RIGHT in front of his face.
They can't even wait until they're alone to grumble something rude about Breezepaw, who is still just a teenager here;
They taught him already that a bit of prey that runs off their own territory still belongs to WindClan, encourage him to blow past borders in pursuit, and started a battle with ThunderClan over this. And then they're pissed off at him for being aggressive, thinking it's deserved to scold him in public.
When Onestar announces that he wants Breezepaw to go on the Tribe Journey, he's devastated by it...
Because he thinks WindClan doesn't like him, and he's right. He's gossiped about, torn into in front of a ThunderClan warrior, and even his own dad doesn't want to be around him. It's clear that Breezepaw's impulsive "codebreaking" behaviors are a desire to prove himself, and once you realize that, the way that he's being alienated is heartbreaking.
But Wait!! Hold on a minute! Where did he get a "patrol of apprentices" from to confront the dogs with, exactly?
Simple. Breezepaw CAN make friends! He actually values them a lot! So much that it's the first thing Crowfeather snaps at him over, out of frustration that his son is also being forced on this journey with him. It's an angry response to his child having emotional and physical needs, resentment that will continue all journey long.
Note that it's plural, friends. Breezepelt has multiple friends, at least one who is not Heatherpaw, and she promises to say goodbye to them.
Up next, they state over and over, Crowfeather and Breezepaw do not like each other. Crowfeather resents being around him and dealing with his rudeness, embarrassed and angry, and Breezepaw is absolutely miserable being sent on a journey to the mountains with a man who hates his guts.
The whole while, Crowfeather is brooding longingly about Feathertail, already thinking about her as soon as he kitty-kisses Nightcloud goodbye, his eyes looking somewhere distant. He makes a jab about loyalty when Breezepaw doesn't understand why they're helping the Tribe.
Breezepaw gets smacked after he's "shoved" at Purdy and acts rude to him, while the other three manage to be polite (while still having internal dialogue about how stinky he is).
Without so much as a, "cut that out," Crowfeather raises his paw and hits him. Breeze is quiet after that.
I don't give a shit how rude your teenager is being. Do not hit kids. Being throttled on the head is not okay.
In spite of the Three not liking Breezepaw, or even Crowfeather, they're constantly noting that their arguments are not normal, and that Crow is a cold, unsupportive father who digs into his kid constantly, and the only time he ever DOES "discipline" his child it's through immediately smacking him.
At one point, the apprentices get hungry, and decide to foolishly hunt in a barn that they know has dogs in it against Purdy's warnings. Once again, JUST like the first two books, Breezepaw is more friendly when Crowfeather is not around.
EVERY time he is alone with cats his own age, he's grumpy but cooperative. Even enthusiastic at times! The minute Crowfeather is in the picture, he's nasty.
Naturally, the dogs show up, but Purdy rescues them. Though Brambleclaw also chews his kids out (and i have strong opinions about bramble's parenting style for another time), Hollypaw is taken aback by the contrast of what a scolding from Brambleclaw looks like vs how Crowfeather reacts.
The narrative is desperately trying to tell you that the way Crowfeather treats his son is not normal.
And then Crowfeather is pissed off that Breezepaw is exhausted from running for his life from hungry dogs,
And he's constantly losing his shit whenever Breezepaw says something as innocuous as "dad im hungry"
Then, Breezepaw is made to watch his dad pine over the grave of a woman who died long before Crowfeather was even considering his mother for a mate. What he feels is jealousy, because he knows his own father doesn't love him anywhere near as much as he loves the memory of Feathertail.
This really goes on and on and on. The ENTIRE trip is like this, with Crowfeather treating Breezepelt poorly, giving him a smack before even verbally warning him, pushing him past his limits and blowing up on him when he asks simple questions about eating or resting.
It all comes to a head in this one exchange, towards the end. Hollypaw ends up snapping at Breezepaw for his rudeness, before having an epiphany.
It's explicit. Crowfeather's emotional abuse, his "scorn" for Breezepelt, is what is driving a wedge between him and all of his older Clanmates. Between EVERYONE in Breezepelt's life who wasn't already his friend. This awful treatment is only making him worse and worse.
Realizing this, she has more sympathy for him, but it's too late. He continues to be rude to her because he feels insulted, and her patience completely runs out. She's just a kid. They're both just kids. She's not responsible for fixing him when he's pushing everyone away at this point.
That's the end of Breezepelt in Outcast. It can't be helped anymore. Any spark of friendship they had together in the barn, or in the tunnels, is gone.
As the series progresses, Crowfeather continues to refuse any personal responsibility for the mistreatment of his son, even pinning all of Breezepelt's behavioral problems on Nightcloud. He is a cold, selfish father who only ever thinks about his own pain and reputation.
DARK FOREST: How these factors push him towards radicalization.
Everyone talks about the Attack on Poppyfrost, which happens in the first book of OotS, in oversimplified terms. YES he is going after a nun and a pregnant woman. I've never said that's not Bad.
But no one talks about "WHY", and that reason is NOT just that he desires power like so many other WC villains. Breezepelt makes his motivation very clear on the page.
Escalating to violence was about making Jayfeather feel the way that he does.
When Breezepelt says that he wants Jay to be surrounded by "lies, hatred, and things that should never have happened," he's talking about the way HE grew up, knowing his father never wanted him, and that his Clan HATES him as a result. Killing Poppyfrost is about trying to frame Jayfeather for her murder, so ThunderClan won't trust him anymore.
When Jayfeather points out the simple truth that what Breezepelt is saying doesn't make any goddamn sense, his hatred "falters." He's blaming his half-clan half-brother for his own treatment because of the reveal, but totally failed to consider that JAYFEATHER'S ALREADY GOING THROUGH IT... so his response is just this pitiful, "s-shut up, man."
Then the ghost of Brokenstar and Breezepelt bounce him back and forth between them like a beach ball for a bit until Honeyfern's spirit shows up.
Breezepelt's childhood abuse and social alienation was a hook that the Dark Forest latched onto, to reel him in. His anger at his half-brother is so obviously misplaced that its absurdity was something Jayfeather pointed out.
We soon learn that it's the Dark Forest who's planting that ridiculous idea in his head;
The narration is SCREAMING, "The Dark Forest is validating the anger he feels towards his father, and redirecting it towards The Three." He's described as 'kitlike,' Tigerstar's eyes are compared to a hypnotizing snake.
This prose could not make it more obvious if it drove to your house, beat you with it, and then spoon fed you the point while you were hospitalized.
At the end of this scene, Tigerstar sends Hawkfrost to recruit Ivypaw. This scene where Breezepelt is being lovebombed, and the command to start grooming Ivypaw, ARE LINKED. That was a choice.
A VERY GOOD choice! Again, as many issues as I have with OotS, its handling of indoctrination is unironically fantastic, and it owes a good amount of that to the outstanding setup of Breezepelt that was done back in Po3. And that setup doesn't work if Crowfeather was merely distant.
Breezepelt was abused by his father, both verbally and physically. It drove him to be more aggressive to prove himself, modeling the battle culture around him. The adults of WindClan judged him based off Crowfeather's responses, shunning and belittling the 'problem' teenager, which eventually drove Breezepelt to the only group that he felt "understood" him.
In a book series that is RIFE with abuse apologia, this is one of the few times that there's any behavioral consequences for abuse and the narrative holds the perpetrator accountable for it.
But people hear Crowfeather's deflective excuse in The Last Hope where he says he never hated him, blames Nightcloud for everything, and just lick it up uncritically.
Gee whiz, I wonder why the guy who never blames himself for any of his problems would suddenly say it was his ex-wife's fault. Real headscratcher!
(Crowfeather's Trial then goes onto, for all my own problems with it, also hold Crow accountable as the reason why Breezepelt turned out like he did. But that's a topic for another day.)
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Tell me more about velvette and baggies relationship in the swap au
I wanna see all the different and toxicity in it, and how charlie would react to it and all that
*Not sure eif I sent a similar ask to this or not- if I did sorry)
FUCK YES I FINALLY CAN YAP
And dw you did not my ask box is. Empty
Their relationship is vaguely similar to I think, Mammon and Fizz?? Somewhat, I mean I've never watched Helluva but I've seen people talk about it, Vaggie feels indebted to Velvette for getting her to where she is right now yk with being a popular star, and Velvette is. Interesting
Velvette often switches back and forth between treating Vaggie like a bestie and just another demon working under her, and previously before Charlie came into the picture, sometimes like a girlfriend, which leaves Vaggie constantly confused
Velvette often overworks Vaggie to hell and back, but honestly she kinda? means well? A teensy bit, she doesn't want Vaggie to fall from popularity if she leaves the public eye for too long, and Vaggie does like performing/singing and the praise she often gets from it (even if she gets overwhelmed sometimes) so in a way she's trying to help her maintain the fame and praise that Vaggie often seemed to preen over, so in a fucked up way, in her eyes, she's trying to keep her happy and to keep up everything they both have worked hard for (Vaggie's career). She's also like, really into Vaggie but she gave up on that pursuit a bit ago, doesn't stop her from being petty and toxic about it tho
Vaggie is tired and confused, to say the least. She doesn't really know what Velvette actually thinks of her, if she values her in any way, or even care at all about her. Velvette tends to demean and sometimes verbally abuse Vaggie but the next day she tends to sort of make up for it, like she feels bad. In the early days, they were much closer, and Vaggie genuinely liked Velvette, and maybe had a little crush on her.
When Vaggie does good, Velvette showers her with praise, affection, and affirmation but is she slips up, she gets cold and mean, even a little shouty at times, and "honestly are you trying to embarrass me at this point?!" And Vaggie just stands there confused, ashamed, and a little pissed. Does she even see her as anything other than another asset for her brand? She can't tell. Sometimes it feels like she does, sometimes it doesn't. Vaggie is just so confused.
Velvette pushes her so much because she knows she can do better, but she constantly fails to take account Vaggie's limits, boundaries, and feelings, especially since Vaggie tends to mask her true feelings alot, keeping them all inside until they burst under the smallest addition of pressure, which makes her lash out at Velvette when Velvette didn't really deserve it at the moment, which makes Velvette think she's being unfair.
Vaggie feels that Vel is capable of being a better person, she just doesn't see that she's not one already, or that she needs to (or maybe she's just not worth it in her eyes?)
But neither hate the other, not really. Vaggie would like to, but she can't quite get there, while Velvette wouldn't even dream of genuinely hating Vaggie.
It's complicated, they're both fond of each other but also have a certain animosity between each other, esp Vaggie (rightfully so)
They are honestly both flaming messes, Velvette being the worst one of the two and also a part of the reason why Vaggie is a flaming mess aswell-
In short :Vel is a bad boss and a conflicting 'friend', and Vaggie is struggling through it
And Abt what Charlie thinks? She sincerely hopes Velvette explodes, she would do it herself but Vaggie still has an attachment to her (which Charlie sincerely hopes she'd lose, Vel isn't good for her, or much of anyone) so for now she just lets her be, but they always argue w/ each other (Vaggie just sigh tiredly in the background)
Hope this satisfies you, I have alot of thoughts Abt them :3
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The Hellflire Club Foreshadows Mike's Monologue (and More Than You Think...)
Several fans have noticed already that there are direct parallels between Mike's monologue in The Piggyback, with Eddie's monologue in The Hellfire Club.
While we've been grappling with all sorts of supernatural creatures over the course of Stranger Things' entire run, here Eddie is warning us about forced conformity and how that is the real monster.
This has also led fans to joke painfully about the fact that Max 'died' because forced conforming; that's what's killing the kids, aka Mike's whole speech to El wouldn't have happened the way it did in the first place, had him, Will and El not been trying so hard to be who they think they're supposed to be, instead of who they truly want to be.
However, what I want to add to this discourse, because I haven't seen anyone else acknowledge it (correct me if i'm wrong!?), is that this scene at lunch has two extras with whom Mike sits between, which are very likely meant to represent Will and El.
We've seen a lot of (love) triangle blocking used with these three before, often with Mike between the two. This screen-cap below has gotta be one of the most iconic and so I feel the need to mention it briefly:
What also makes this shot relevant as an example for this post, is the costume choice for Will and El here: the same shade of dark blue (hints of gray), and the fact that this doesn’t align with the colors/style they usually wear as individual characters. However, this was presumably one of the few times Will and El have genuinely interacted beyond supernatural happenings. And so now, with both of them standing on either side of Mike, after two seasons of him having only one of them beside him, and while the other was out of reach, what we're seeing is that these two are more or less two sides of the same coin. Whether Will and El are actually blood related (I'm like 75% sure they could be) remains to be seen. However Mike's bond between both of them individually is causing him to sort of be at war with himself (and his identity).
Now bear with me, because I know so many of you see theories/analysis involving set design/blocking/costumes and you just instantly check out and stop taking it seriously. But I can assure you, this is the real deal.
What follows, is so outrageously easy to overlook. And yet upon thinking about what it actually requires to film a scene, especially a scene like this with dozens of background extras, along with how this scene actually turned out, I'm going to explain why there are several factors which make me feel fairly confident about what these two specific extras represent.
To start things off, we know how this scene begins, with Eddie dramatically reading a Newsweek magazine:
"The Devil has come to America. Dungeons and Dragons, at first regarded as a harmless game of make-believe, now has both parents and psychologists concerned. Studies have linked violent behavior to the game, saying it promotes satanic worship, ritual sacrifice, sodomy, suicide, and even... Murder."
After they give us a short introduction to some of the faces of the Hellfire Club (notably Eddie), they cut to this point of view shot from Mike:
Here we are instantly introduced to the two extras that are going to dominate a majority of this scene outside of the main characters themselves, aka Willel...
note: interesting they don't include Mike in the shot for that specific sound bite below... almost as if he considers himself a freak for a different reason...
Yes, on the surface this scene is establishing that Mike and Dustin are finding a place in High School, as the freaks and geeks, but a place nonetheless.
Though, is that really all there is to it?
You'll see what I mean.
note: there's no meaning behind the circles touching here. i just wanted to acknowledge here that the El extra is visible at first, only for her to become hidden the moment that the Will extra becomes visible.
Now, this shot right here below is kind of iconic, because it's what made me realize that this girl extra here in the scarf represents El.
To provide a little more context, the Will extra next to Mike has already been picked up on by a decent amount of fans. I've even posted about it at least once. This guy definitely resembles Will at certain angles, to the point where he could arguably be a stand in/stunt double for scenes that don't require a close-up of him.
Also keeping in mind, this is a scene of the party in high school, in a D&D club. Assuming Will could have stayed in Hawkins and went to high school with the party, he would've more than likely been right here beside them. So that's what I initially got out of this scene and still partially do get out of it, regardless of these other observations I'm discussing here.
What's so fascinating about the Will extra though specifically, is that they avoid showing his face as much as possible, which is a unique choice that we're just not seeing be applied to the other extras in the frame. They even let us see the face of the guy across from the Will extra (blue/yellow striped shirt guy) multiple times, but apparently they really wanted to avoid showing this guys face (there are a few notable, but fleeting side profiles from an outside POV), almost to keep up this guise that we could imagine this is Will and hell, it could be him, bc it's pretty damn close.
However, upon recently rewatching this scene, I remember looking for other points when this Will extra might have been prominent, to see if I could find anything else.
And that's when I realized this girl in the scarf, directly blocks the Will extra at the most convenient time.
And that's when it hit me...
FORCED CONFORMING!!!!!!!
The following images below is when it really starts to get obvious that there was an intended direction going on here with the blocking of these two extras, in accordance with Mike's placement in the frame.
What sealed the deal for me, was noticing how the other extras surrounding them (excluding Willel), do not seem to be granted much importance in the continuity of this scene.
Continuity between shots is pretty essential to filmmaking. It's gotta be the main thing about film that just bugs me, which is that you can tell very visibly when a shot is followed by another shot, but from a separate take (has the capacity to ruin the illusion that this is real and not all fabricated).
For example, what I gather from the beginning of this following conversation, is that there were at the very least 2-3 takes done for these reaction shots of Dustin and Mike, and it's because the extras in the background give it away. Sometimes they're in the frame, sometimes they're not.
The Will and El extras provide a contrast to all the other extras, in that the continuity for their blocking in the frame is fairly spot on each time, equal to the standards of the main cast arguably. Meaning they had a mark and they had to stick with it.
Check this out:
side note: star wars reference (luke & leia??)
The most obvious thing that gives away the importance of these two extras, besides the blocking, is them both sporting an almost identical color in their costume. While the Will extra wears a maroon shirt, the El extra wears a scarf in that same color.
This is so simple yet sort of genius, because again, from what I understand, no one has noticed this, and so it's pretty epic once you finally do pick up on it.
The Will extra is almost always in the frame on Mike's right? The El extra is facing the the opposite direction as them (not on the same page), and wearing a scarf, which is there to represent the tentacle choking her during Mike's monologue...
This theory does take a turn for the hilarious, when at a later point Eddie starts monologuing again, while Dustin and Mike look at him fondly (w/ Mike in focus), the Willel extras are now nowhere to be found...
I think this choice was made to indicate that Mike's attraction to Eddie is based on the most basic type of attraction, while what he shares for Will and El is so much more complicated (and deep). When you're just experiencing everyday attraction, you're not thinking about your significant other or your hearts desire in that moment, because this moment is just a blip encounter that isn't going anywhere, it's attraction and that's all there is to it. Whereas what he feels truly for Will is true love, while what he feels truly for El is familial love. This tiny moment isn't about his conflict over his romantic feelings, it's about the fact that Mike is attracted to men.
And then what follows directly after this, is that little snippet of Eddie's monologue, which echoes Mike's monologue to El at the end of the season...
Oh and look who it is?! The El extra has made a reappearance, just in time!
This is one of the few times they made a point to have the El extra in the frame while the Will extra wasn't, which I also think is intentional because it could be a hint to how Mike's speech about falling in love with El the moment he saw her is a fabrication (copyright to be exact), and it also doesn't resemble the love that Mike has for Will, hence why he was almost entirely left out of those shots. (Also similar to Mike's monologue at the end of the season, where Will was in certain shots but not others, because the words did/didn't match Mike's feelings for Will at those points).
Lastly, we get a Gap (gay and proud) reference for Mike. And low and behold, the Will extra is making a reappearance, just in time!
I think what makes this scene easier to understand on a basic level, without making it too complicated for yourself, is comparing the implications that come with it, to the implications that came with Mike's monologue.
The choice to put Will in most of the shots, directly behind Mike as he professes his love to El, who is lying before him unable to look in his eyes or even respond, leads those truly paying attention, to the conclusion that this is not how you shoot a satisfying love confession. Therefore it can't be a genuine love confession.
Instead what this scene more so depicts is a character having a confession practically wrenched out of him. And because of all the other details happening over the course of this season and just the series overall, we can gather that Mike feels pressured to go through with this because he thinks he has no other choice.
They didn't beat the big bad this time, instead they lost. Because forced conforming, that's the real monster.
With only one season left, they're going to have to face the truth if they want to make it out alive this time (and happy!).
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