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#haha isn't that fun :) )
ride-a-dromedary · 8 months
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[Tell me something about yourself that I wouldn't even think to ask.]
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azaracyy · 3 months
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a lesson on good karma digimon survive week 2024 day 4: supporting characters
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kimdokjas · 3 months
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[major orv epilogue spoilers]
i was rereading the webtoon the other day and i had to Stop for a sec thinking about sys & od parallels. do u guys see my vision. okay listen hear me out
the way kdj was already living in a ruined world before the apocalypse even began. the way the words he typed all those years ago in a cold and lonely hospital room were "how to survive in a ruined world". how he was just a child clinging onto the one and only life raft he had found. and so he dreamed.
and then the scenarios begin and he looks at sys who feels unworthy of living for just trying to survive. and she's just a child and it's not her fault so he extends forgiveness to her as easy as breathing... but he's incapable of extending that same forgiveness to himself. so he takes up his sword in that subway and charges at od as if it was the only possible conclusion—and then he leaves. he stays behind and his eternity is his own form of atonement.
"your death has no place in the ending i wish for", he tells sys. and he means it. what he doesn't say is that he himself isn't part of that ending. because he never saw himself as part of the story at all. his salvation was always meant for others, not himself, and the most cruel and tragic kind of love is a hypocritical one.
and while kdj is hypocritical in his love with all his companions, the parallel between sys and kdj is especially poignant because they were both just kids who felt guilty for simply living. and they both felt responsible for dooming the world. sys realizing her 41st turn version would cause mass destruction, and kdj seeing od in that subway. they both felt the same despair and self-hatred so why wouldn't they be worthy of the same forgiveness? their bond is special because they understand each other at their core, but the tragedy is that kdj could see himself mirrored in sys and forgive his reflection but he could never in a million years forgive himself.
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astrobei · 1 year
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for @quinnick: kiss prompt #4 - lips barely touching
The car is out of gas. Will is about ten seconds away from maybe-dying (again). Mike Wheeler has been abnormally quiet today.
At least of late, one of those things is more abnormal than the others. 
The car is always out of gas. Will doesn’t know when the last time they’d filled it up was, but he does know that it’s not his problem trying to figure it out. That’s Hopper’s deal. Or his mom’s, maybe. Or Nancy’s, or Jonathan’s, or–
Whatever! The point is that the car is out of gas, Mike and Will are stranded at the currently closed general store, and they’re probably about to die.
Again.
“Mike,” Will tries, for maybe the hundredth time. “It’s not your fault, okay, it could’ve happened to anyone–”
“Yeah,” Mike grumbles miserably, as they round the corner, from aisle four – cleaning supplies and household items – into aisle five – canned goods. Most of the shelves are empty, turned over. Mike picks up a can of pickled green beans, pulls a face, and puts it back on the shelf. “But it didn’t happen to anyone. It happened to me.”
Will takes a long, deep breath in through his nose. God forbid Mike Wheeler ever let anything go. “You didn’t know,” he huffs anyway. “It’s not your fault.” The store is dark, which is great for being able to roll your eyes without Mike seeing. Will’s flashlight sputters, briefly, the bright circle of light flickering in and out of view. He smacks it against his palm once, twice, and it steadies. “Seriously,” Will adds, as Mike slows to a stop in front of him. “Stop beating yourself up. So we have to wait for a ride. Big deal.”
Mike turns around to face him. His expression is mostly unreadable in the dark, but Will’s flashlight catches the edge of it – worried, a little guilty. “Yeah,” Mike says softly. “Except there are things everywhere and waiting for a ride is just– we’re sitting ducks here, okay,” Mike frowns. “I don’t like it. It feels like tempting fate.”
“Well, the simple fact of my existence feels like tempting fate sometimes,” Will jokes. It works, for a split second – Mike’s furrowed brows smooth out into something halfway amused, and he makes a noise that might be a laugh.
“Not funny,” Mike says anyway. His lips twitch.
“You laughed!” Will insists, smiling. His voice carries down through the hallway in a vibrant echo. “I know you did!”
“Shut up,” Mike whispers, looking away. “Would it kill you to keep your voice down?”
It might. Somewhere in the back of Will’s mind, he’s vaguely aware that they’re not safe here, out in the open, and that the whole point of them coming inside instead of waiting in the parking lot was to hunker down until Jonathan and Nancy could get another car here to pick them up. And also, preferably, get some gas.
Somewhere significantly closer in Will’s mind, though, is the knowledge that this is the most Mike has said – and the closest he’s come to laughing – since the car had stalled on the way from the cabin to the general store ten minutes ago, and Mike had just barely had time to pull into the abandoned parking lot before it had stopped altogether. He knows Mike doesn’t like this – being caught off-guard, out in the open. Even minute changes in the plan – which you’d think they’d all be more prepared for, considering the way things have been going lately – get Mike a little keyed up.
And the sorry, borderline pathetic part is this: despite it all, despite the ever-present threat of danger, and the impending sense of doom that’s been hanging over their heads for what seems like forever, Will feels vaguely pleased with himself anyway, seeing Mike hold back a smile instead of forcing one on his face.
So yeah, it might kill him, if he kept his voice down. That’s okay. Will thinks it would be worth it, sometimes – the danger and the doom and everything else – to hear Mike laugh.
God, what’s wrong with him? That’s embarrassing. That’s so embarrassing.
He shakes the thought off. “Whatever,” Will says instead, praying the cover of darkness is hiding the blush that’s rapidly rising to his cheeks. He angles  the flashlight away from them anyway, just in case, and Mike’s face falls back into silhouette. “You know I’m right. You’re doomed just by being here with me.”
Mike shakes his head. “You know I don’t think of you like that.”
Will frowns. “Like what?”
“Like– like a bad luck charm,” Mike waves his hands around. “Or whatever.”
“I didn’t say bad luck charm,” Will exclaims. “Ouch! Stop putting words into my mouth.”
Mike grins. “Would you rather have, uh,” he picks up the nearest can to him, something small and vaguely gray, “tinned sardines in your mouth? Tinned sardines in water? Oh, gross. Never mind, actually.”
“I would rather not,” Will decides, even though the shelves are so bare that they might have to suck it up and take home the tinned sardines in water after all. “Would you like some, uh. Tuna?”
“I guess we know why there’s so much fish,” Mike sighs, leaning heavily against an empty shelf. “Nobody wanted it.”
“You mean the ten people outside of our circle of friends that are still left in Hawkins? Yeah,” Will scoffs, then sets the can back down with a soft clink. “I guess not.”
Neither of them say anything for a moment. It’s quiet in the store, the room dark and lit faintly by Will’s flashlight and the display in the corner. It lights Mike up a faint blue, catches the edges of his jaw and where his hair is curling softly over the hood of his jacket. 
Will’s flashlight sputters again. 
When it comes back on this time, it’s more faint than it was before. It’s dark in here, Will realizes, a bit belatedly. Like, really dark.
He takes a deep breath and shuffles closer to Mike, just a little, like the shape of his body all leaned against the empty shelves is a grounding force. Mike gives him a look that Will can’t quite decipher in the dark.
“Everything okay?”
“Yeah,” Will breathes out. The proximity is helping, a little. “Just– waiting for our ride.”
Mike leans in a bit closer too, places an arm under Will’s elbow. It’s a light touch, nothing forceful, but the semblance of support is there. “You sure? You look a little pale.”
Sometimes, Will hates how well Mike knows him. He doesn’t get antsy in the same way Mike does in situations like these, but he’d be lying if he said they didn’t affect him at all. It should be expected by now, the automatic fight or flight. 
For some cruel reason, it still isn’t. “You can’t even see me,” he says, but lets himself lean into the touch anyway.
“I can see enough,” Mike says easily. “Do you want to sit down?”
Will shakes his head. The only thing worse than waiting out in the open is sitting out in the open. At least when you’re standing, you can run. “No. I’m fine.”
Will can’t see Mike either, but he’d be willing to bet real money – that he doesn’t have – that he can tell exactly what Mike’s expression looks like. The pause grows, swells and swells and swells, until Will is sure Mike is going to say something–
There’s a clattering outside.
Instantly, Mike’s hand tightens its grip on Will’s elbow. “Did you hear that?”
“Yes,” Will hisses, twisting around to try and see through the windows. “Of course I heard that, Mike.”
“Do you think that’s–”
“No idea,” Will whispers. With no small amount of reluctance, he tugs his arm out of Mike’s grip. He misses the warmth of it almost instantaneously, and the tugging in his stomach is only amplified by the way Mike automatically leans in behind him, places a hand on his back to replace the absent touch, like it was never gone at all. Will swallows, and flicks the flashlight off. “Now be quiet.”
“The windows are boarded up,” Mike says, decidedly not being quiet. Will wonders where the Mike Wheeler of fifteen minutes ago went – the one that was sulking and fidgeting in silence the whole way down the first aid aisle. “They’re boarded up, so nothing can get in. Right?”
“We got in,” Will points out, which Mike seems to realize at approximately the same second he does. It’s getting a little hard to think, with Mike so close to him.
Will really wishes Mike would pull his hand away.
“Right,” Mike whispers, breath ghosting gently over the back of Will’s neck. “Okay. That’s fine. That’s fine.”
Fine, Will thinks. That’s one word for it.
Another clattering. It’s closer this time.
Will freezes.
Jonathan and Nancy are probably about ten minutes out. Twenty if they had to go back to the Wheelers’ for the other car. So they’d probably be fine if they stuck it out here, because the chance of something happening across them now, in the brief period of time where they’re stuck without a ride, in a building equipped with close to nothing that could help, is small.
Small, but not nonexistent.
Will isn’t really feeling inclined to take that chance. “Come on,” he says, then spins on his heel, grabbing Mike’s hand and tugging him in the opposite direction. “Come with me.”
Mike follows easily, stumbling slightly with the sudden movement. “Wh– where are we going?”
“Just come on,” Will says, then tugs Mike around to the back of the store. He yanks open a door, and shoves him inside. “Get in.”
“Whoa,” Mike says, as Will tumbles in behind him. “Will, what–”
“Would it kill you to be quiet?”
“Sorry,” Mike says, then does, at last, fall silent.
Immediately, Will wishes he hadn’t said that. It’s dark in here – even darker than out in the front of the store – and the only noise is the faint hum of a generator, somewhere behind the walls. It’s grating and stilted. Will wonders when the last time it had been repaired was.
Plus, it’s really–
It’s really fucking dark in here.
Will lets out a long, slow exhale, and reaches out to feel for the wall beside him. His palm comes into contact with chipped paint and he follows the shape of it down, lowering himself onto the ground.
“Will?” Mike says, and Will is in half a mind to say that thing about being quiet again, but–
It’s dark. It’s really dark.
“Yeah,” he says, barely audible even to himself over the faint hum of the generator, and the louder hum – demanding, prominent, persistent – of his blood rushing through his ears. “I just– sitting. I’m sitting.”
There had at least been some light out in the front, but this storage closet might as well be a void. It smells vaguely of dust, something stale and unknown and probably untouched for who-knows-how-long. Will takes another deep breath in.
“Where?” Mike asks. “I don’t want to step on you.”
Will cracks a smile. “Here,” he says, and holds a hand up in the air. “Right here.”
There’s a quiet shuffling sound as Mike moves closer, and then Will feels fingertips brushing against his. Mike latches on immediately, gripping tighter onto his hand and sits down in front of him. 
Will still can’t see anything – he can’t see anything – but he can feel Mike’s presence like it’s a tangible thing.
Mike could let go of Will’s hand now. Now that he’s found him.
He doesn’t, though.
“Hey,” Mike says, then there’s another faint shuffling noise. “Where are we?”
“Storage closet.”
“Huh. How did you know it was here?”
Will cracks another smile, despite himself. “My mom worked here, remember? For, like, years.”
“Right,” Mike laughs, and then he’s moving closer, knees bumping against knees in the dark. “I forgot. It doesn’t feel like the same place.”
“Tell me about it,” Will sighs. He’s probably breathing in dust and debris and soot and all sorts of gross stuff, but he can’t find it in himself to care. He presses his knees against Mike’s a little harder, just because he can.
“I remember,” Mike starts, readjusting his grip on Will’s hand – fingers interlocked, a firmer grip – “she’d give me free candy from the front counter. Whenever I came in with my parents, I mean. My mom was so confused about why I kept asking to tag along to Melvald’s with her.”
“That’s not fair,” Will laughs. “She never let me have any candy.”
“You were a menace all hopped up on sugar,” Mike points out. “I knew how to behave myself.”
That’s a damn lie, and they both know it. “Liar,” Will says quietly, leaning his head back against the wall. “You’re such a liar.”
“Maybe so,” Mike hums. “But I’m still the one who got free candy, so–”
“Mike!” Will shoves lightly at his knee, and Mike’s answering laugh fills the small space instantaneously. It’s loud – too loud, because they’re supposed to be hiding, goddamnit – but the nagging little voice at the back of Will’s head is vanquished almost as quickly as it came. “Shut up.”
Mike, as always, ignores him. “Why don’t we turn on a light?”
“The fuse is probably blown,” Will responds. “If there’s even a light in this stupid closet.”
“I mean this, idiot,” Mike says, and then clicks the flashlight back on. The batteries must be dying, because it flickers to life weakly, steadying out into a dim yellow-white. “Obviously.”
“Don’t waste the batteries,” Will says at once, trying to grab for it. “Come on, Mike–”
“Jonathan and Nancy will be here any minute and then we can go put in new batteries,” Mike says, holding it easily out of reach. “No point sitting in the dark, right?”
“Mike,” Will tries to protest, but it’s useless. Mike’s made up his mind.
Slowly, and a little far away, Will realizes what Mike is trying to do. He’s not being subtle about it, but subtlety has never been Mike Wheeler’s strong suit. He’s always been exuberant, quick and spontaneous with his actions, and this is no different. Sitting up close, closer than would be strictly necessary in any other situation. Turning the light on, despite the dying batteries. Telling Will about coming here as a kid, all those years ago. Making him laugh. Diffusing the tension.
Jesus, and he’s still holding Will’s hand.
A wave of affection washes over him, sudden and overwhelming enough for Will to feel borderline nauseous.
This isn’t fair. This isn’t fair. Mike can’t just sit here and touch their knees together and hold Will’s hand, and–
“Look,” Mike is saying, and then he’s holding the flashlight under his chin and grinning. “Don’t I look freaky?”
In all honesty, Mike looks fucking hilarious. The direct light casts long shadows across the dips of his cheekbones, the shapes of his eyelashes distorting wildly as he blinks. “No,” Will snorts, rolling his eyes. “You look ridiculous.”
“Really?” Mike grins, in a way that means he knows just how ridiculous he looks. “Not even a little?” He waggles his eyebrows, and the resulting effect is so comical that Will can’t help the laugh that bursts out of him, sharp and sudden and real.
“Mike,” he chides, for the millionth time. “You’re going to kill the battery.”
Mike looks way too pleased with himself. “Worth it,” he says anyway, as he sets the flashlight down. It evens out the sharp angles of his face, now that it’s farther away, lights his cheeks and nose and eyes up into something softer, more open.
Something about the steadiness of Mike’s expression is brighter than any source of light. Suddenly, it’s too much. Suddenly, it’s blinding. 
God. He’s so screwed.  “For what?”
“Getting you to laugh,” Mike says, simple and easy, like he’s reciting times tables instead of proceeding to turn Will’s entire world upside down on its pathetic little axis.
Will feels his lungs stutter on his next inhale. He looks away. “Don’t do that.”
The gleeful expression falters on Mike’s face. “Don’t do what?”
“Don’t,” Will says, “don’t– you’re being so– so–”
Mike looks caught somewhere between confusion and amusement. “So what?”
“So,” Will tries again, and then Mike moves closer, and the difficulty of articulating a halfway decent sentence immediately increases tenfold. “So.”
“So,” Mike echoes, shifting so the side of his thigh is pressed up against the side of Will’s. He’s being slowly backed into the corner, but the thought isn’t terrifying like it might have been five minutes ago. Suddenly, Will is overwhelmed in a completely new way. “So what?”
“Nice to me,” Will gets out. “Stop being so nice to me.”
Mike pauses, then says, incredulously and half-laughing– “What? Why?”
Bad choice of words. “You heard me,” Will says anyway, because he’s nothing if not stubborn. “You’re being too nice.”
“I should hope so,” Mike says. “I mean, you’re my friend.”
Maybe Will is imagining it, but the sentence feels unfinished. Like there’s a second half to it that Mike is keeping for himself: You’re my friend – right?
The obvious answer here is that yes, Mike is his friend. But that answer feels unfinished too, like a lie by omission. Will tries to imagine it, doing these things with anyone else – what it would be like if Dustin was holding his hand, or if it were Lucas sitting next to him this close.
The conclusion he comes to, almost immediately, is that it would be weird.
It would be really fucking weird.
That feels like– something. An admission, maybe. Because the fact of the matter is that things with Mike have always been like this, and they’ve never been like this with anyone else, and Will doesn’t think they can be like this with anyone else without it being the most unsettling thing that’s ever happened to him.
The silence, he realizes, has gone on just a second too long.
“Yeah,” he blurts out at last. “Yeah. Obviously.”
Something settles over Mike’s face. “Will–”
“Forget I said anything,” Will backpedals, a little bit desperate. “Never mind. Be as nice to me as you want.”
Mike bites down on his lower lip. It looks like he’s holding back a smile. “As nice as I want?”
Oh, no.
“Sure,” Will tries. “Do your worst.”
Mike lets out a shaky exhale. He presses in further, leans in closer until their shoulders are almost touching. “How about this?”
“That’s not nice,” Will says weakly. “That’s just an invasion of personal space.”
“Seems pretty nice to me,” Mike mutters under his breath.
Will inhales sharply. “Mike.”
“What?”
“What are you– doing,” Will whispers, stumbling over his words, just slightly, as Mike places a hand on his arm.
Mike’s gaze does not waver. “Is this okay?”
Is it okay? Will thinks his brain might be halfway to leaking out through his ears. This is–
This is–
“Yeah,” he hears himself say. “Yeah. Great.”
“Okay,” Mike whispers. He’s so close now that Will could count all the freckles spattered across his nose, if he wanted to. He could, and the thought is dizzying, dizzying – suddenly, it’s not the claustrophobia that’s making him feel like this. It can’t be, because Mike is in front of him, and he’s so close that Will could just lean forward and–
He could just–
“Mike.” And maybe he’s a bit of a broken record, but he can’t come up with any words other than his name. He clutches at Mike’s knee and meets his gaze and prays – to whatever deity allowed him to get trapped in a storage closet with Mike Wheeler two inches away from his face – that Mike Wheeler will find the courage in him somewhere to close the fucking gap.
He doesn’t, though, which is a sign that the universe must be majorly fucking with him. Not yet, anyway. Not anywhere near as fast as Will needs it to be – if this is what he thinks it is, it’s nowhere near fast enough.
In actuality, what it is is excruciating – the way Will’s heart is beating so loud that he’s sure Mike can hear it, in the proximity. The slow circles Mike is tracing over his other hand – the hand that he’s still holding. He’s so close that Will can discern the warmth emanating off him, the familiar scent of soap, can feel Mike’s eyes trained steadily on his mouth, and yet–
Either Mike is actually moving at a speed of one nanosecond per minute, or time has slowed to a near-stop around them. Mike’s grip on his hand is agonizing, caustic in all the places where they’re touching, each slow circle of Mike’s thumb against his wrist driving him slowly and steadily out of his mind. Do it, Will thinks, like maybe if he thinks it loud enough, Mike will be able to hear him. Do it, do it, do it.
Mike’s lips touch his.
The world stops moving.
It must, anyway. Or maybe it’s just that Will doesn’t think he’s breathing anymore – he doesn’t know if he can find it in him to remember how. All he’s aware of is this: Mike’s hands on his arm, his wrist. Mike’s leg under his own palm, warm and steady and pressed up against him in a smooth, unyielding line. The pressure of the wall behind him, the strands of Mike’s hair brushing against his face, and Mike’s lips – gentle, gentle, gentle, and nowhere near enough.
It’s like Mike is waiting for something. Waiting for Will, maybe.
God, okay.
Fuck it, Will thinks, from somewhere far off in his own head. Fuck it. Fuck this. 
“Will,” Mike whispers, pulling back a precious few millimeters, and that’s it. That’s all Will can take.
Will lifts his hand off Mike’s leg, raises it to his wrist and tugs. Mike topples into him with a small gasp, Will falls backwards into the wall, and then they’re kissing.
God. Okay.
Mike steadies himself quickly, braces a hand on the wall behind them and leans in, firm and enthusiastic. His hand, Will notices, faintly and with no small amount of affection, is shaking. Just slightly. Will’s trapped between them again – Mike and the wall – but this time he can’t find it in himself to care even the slightest bit. As if there’s anywhere he’d want to go that wasn’t here, as if he’d want to be somewhere without Mike’s hand carding through his hair, or without his lips moving softly against Will’s own, or the noise he makes when Will presses forward, too fast, too eager, too betrayed by his own fluttering pulse – something like a laugh, trapped deep in his chest.
Suddenly, it’s not enough. It’s not enough. It’s–
“Mike? Will?”
Shit.
In a flash, Mike pulls away, wide-eyed and pink-cheeked and breathing like he’s just run a marathon.
Shit.
“Yeah,” Mike calls, voice cracking just slightly on the syllable. “We’re in here!”
Shit.
“So,” Will says, aiming for nonchalance. He fails immediately. His voice cracks too. Great. “That–”
Don’t freak out, he thinks. Please don’t freak out.
Mike, to his credit, is not freaking out.
“Yeah,” Mike says, voice a little high-pitched but surprisingly even. He clears his throat. “Um. Yeah. You were–”
“Yeah,” Will finishes, rather lamely. He’s grinning like an idiot. He doesn’t even need to look at himself to tell. His expression is mirrored, perfectly, flawlessly, brilliantly, on Mike’s own face.
The closet door gets thrown open, and there’s a blinding, sudden light– “What the fuck,” Mike exclaims, squinting and throwing a hand up in front of his eyes. “Nancy?”
Jonathan peers around her shoulder. “What were you guys doing in here?”
Don’t look. Don’t look. Don’t–
Will can’t help it. He looks at Mike, and they immediately burst into laughter.
Shit.
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feroluce · 11 days
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So I spoke somewhat about my thoughts on Emanator Sampo here, but I never really thought of it from a design point of view or what kind of powers he would have until just recently. But I actually kind of love leaning into it from a "stage hand" perspective?
Because like. Aha's body in THEIR official art is completely black, giving attention to all the fun brightly colored things around THEM. And that's so fitting for Sampo! He usually prefers to be a side character. He likes to act from the shadows. His is a much more subtle hand.
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So I wonder if as an Emanator, a lot of his clothes are actually very dark? Not necessarily plain, still extravagant and needlessly detailed in things like cut and quality with lots of different fabrics and textures and ornamentation, but dark. Or maybe even his skin itself becomes blackened further down his body; his hands in particular are dark, as a sort of sleight of hand reference.
The motif of a lot of straps wrapped around him like in his canon design is still present, but they're all loose and flowing off of him like paper streamers now instead of restraining him or holding him together. He is no longer contained! Or maybe they're still a bit more rigid/heavy, but just draped more like red stage curtains!
And this is like. Fully self-indulgent, but I love inhuman designs, and there's nothing in canon to say I can't do this, so screw it! Go for broke!! Maybe it's not visible to normal people, but Sampo having a second set of arms would be really cool, as further sleight of hand reference. One set is almost normal looking, but his hands are a bright, attention-drawing white, and the other is dark, set almost in the shadows of the first arms, to act less noticeably.
He also has something of a broken heart design to him in canon (the front of his black shirt with its jagged shape down the middle; his coat looks like a full heart shape in the back), and I actually like him keeping that element as an Emanator, because I think it suits him. Sampo says his taste in aesthetics and views on Elation involve human dignity,
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and the story he helps create in Belobog involves the long and winding road of resistance and survival and eventual triumph in the face of some very adverse, oppressing odds. (I'm pretty sure I heard he once called Wildfire "artless" though, plus the man acts like he thinks Shame is some kind of dessert, so like ndkdjzjskkd) But the point being!!
I think Sampo is someone who can appreciate heartbreak and angst and tragedy in a story, because it makes the victory at the end all the sweeter. And this would be another thing he shares with Aha, because I think THEY did bless the Mourning Actors partly just to be a little shit, but also because Aha does recognize tragedy as part of THEIR Path, too, and you can see it in some of the game. So a broken heart motif can still suit him, and I like him having elements of both comedy and tragedy. Like his clothing having a happy sun/sad moon (like the moon in Aha's art) or him having both of the traditional comedy/tragedy masks in his design.
And as Emanator, Sampo can maybe play with the stage settings environment, too. Like lights sometimes behave strangely around him, appearing blindingly bright to someone or dramatically dark. Sampo wills it and suddenly there seems to be a metaphorical spotlight right where he wants everyone to look. And when he doesn't want to be noticed, his face seems to be cast in shadow, he seemingly just fades into the background, no one notices or recognizes him and he sneaks away easily. He can create smoke or fog literally out of thin air without his bombs now, too, the air will just suddenly thicken until his stage is obscured, and Sampo can set the scene as he pleases or disappear without a trace.
And in line with being a stage hand, Sampo can direct attention like no other. He was already extremely good at this as a normal mortal, and becoming an Emanator only took it up to 11, past human limits. Sampo points, and all present feel compelled to follow his fingertip. He looks away, and they all follow his gaze. He can even affect the mood of an audience; he can influence everyone to be calm and placid or he can whip them into a feverish frenzy. Sometimes a crowd will start to become unsettled, agitation stirring until it boils over, until it incites a full on violent mob.
And in the middle of all that chaos will stand one perfectly calm figure, face cast in shadow, until they quietly slip away out of sight.
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skyloftian-nutcase · 6 days
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I'm looking at the Zora May prompts and wanna write stuff, and now my brain's just giggling with ideas LOL like--
Imagine, after Age of Calamity, that Link and Mipha get together. That has its whole set of fun and drama - a Hylian/Zora marriage would mean a lot anyway, but particularly when it's the Zora princess and the Hero of Hyrule. Link and Mipha start to have a family, Zelda is settling into being queen, and they all have their own set of stressors and joys and the three are still besties and it would be just so funny to see y'all. Like... Link takes his oath as a knight seriously, so he still assists Hyrule often, and just this scenario in my head came and--
Zelda, sighing: I hardly slept last night. I was up late researching the latest Zonai discoveries and almost forgot I had a meeting with the Rito delegation this morning. I'm so tired.
Link, hair a mess, on his third cup of coffee after dealing with one of his kids having a meltdown while the other kept everyone up crying all night, dealing with Mipha also trying to do royal duties, having just teleported over here via Sheikah towers: .....That sounds rough.
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gummi-ships · 1 year
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Kingdom Hearts Birth by Sleep - The Land of Departure
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seventeendeer · 1 year
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the tf2 fandom on tumblr is in such dire straits, it wraps around from being annoying to being funny
no one knows anything about the time period it's set in. no one knows anything about the time period it was written in. no one knows the media genre it's parodying. no one knows how to write mostly-middleaged, mostly-white men who are intentionally and comedically a product of their time and individual cultures. no one seems to even realize each character is hugely informed by (the stereotyped version of) their culture. no one is comfortable engaging with the old war propaganda it's satirizing. no one knows anything about guns. some people actually think the sniper is 26
it's hard to watch, but then again the official comics post-2015 fall into every single one of these pitfalls too so like. maybe a lack of media literacy isn't just a fandom problem
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americankimchi · 2 months
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thinking about how both tfa (2015) and rogue one (2016) came out post-disney's acquisition of lucasfilms (2012) and both those films live on so fondly in my heart but have also, somehow, been earmarked in my head as the last true additions to star wars canon to have come out ever since
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⭐"Do you carry a dream, Manager Esquire? Verily, I do!"🐴
A stimboard requested by anon for Don Quixote, with fast and 'upbeat' stims, from the game Limbus Company.
Gif credits under the cut.
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donnyclaws · 1 year
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CARAMOLUMEN (Intro)
Denizens of a little spec bio headworld I’m picking at. They’re land bound penguins that filter feed air through specialized crests (Don’t ask how that works yet I have no clue). They’re extremely complex socially and in terms of communication but struggle with long term memory, they patch up the gaps with complex perfumes, re triggering memories by olfactory association! Their movement is very slow and gliding, this is difficult to maintain but it is a purposeful locomotion. They can knuckle walk or shuffle but it’s considered very lowly and crude to others, balance and poise is key. Their arms also just aren’t especially strong, they’re only really used for specific fine tasks so they’re not often exercised in the ways they need. They can hold their breath for quite a while, a lingering lung capacity from penguins like relatives. It’s not an ability often used but they do hold their breath in churches, more a factor of not wanting to contaminate a special space or take in knowledge (Scents) not allowed to them. They do have architecture and tools, because of their specific body structure the larger structures they live in are constructed with the help / use of other species they live with.
▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄ [  SITE  ]  Merch Kofi   Zines   Patreon 
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sysig · 2 months
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Look, options are limited, beggars can’t be choosers (Patreon)
So I do have a white trenchcoat to offer him, but uh
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It looks a little goofy and bulky lol
As above, there’s no shirt that I can put underneath it either! Too silly but not in the way I like my silliness! >:0
Of course, the alternative is
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Lol. I mean, it’s definitely A Look, but it’s not what I would imagine finding near the front of his closet haha
The skelebros are even more limited tho, they’ve only got the one outfit to “choose” from
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(Also yes, Papyrus does get glasses to match Gaster ♥)
I want to do some poking around with the Body Shop to see if I can make some custom outfits myself, or at least do some retextures! I’m sure I can make something workable!
#Doodles#UT#Handplates#Gaster#Papyrus#The Sims 2#WPTS2#WPVG#I'll go over this mod more in its own post :3c#It's really lovely! It's a shame it's been abandoned but just from a glance around I can understand why haha#I don't know how they did it - I can only guess - but putting full outfits in just the pants category by? exporting the mesh??#It's really something! :0 Not to mention the skeleton model is lovely <3#I've tried editing it as well to try and get Gaster's signature eye and uh - I dyed the whole thing green and nothing changed lol#I'm not sure how or why :0 There are clear differences between age textures! How did they do that!!#I have so much yet to learn about Sims 2 models apart from just texturing X0 Texturing is already overwhelming sometimes!#In the meanwhile it's fun to dress them all up in what little there is haha#They look cute and silly and isn't that what's really important#I turned the waist-tie into a scarf because what do you take me for lol#The game is only so customizable! I will pick up the slack#I wonder if I could raise the tie to be an ascot....... I know I can delete it entirely but hm#Actually it might only be the knot that has a separate mesh aw :( Oh well! Next time#Gotta actually check out Milkshape one of these days lol#Anyhow ♪ Gaster being rather indifferent to clothes is fun - but does partial nudity as a uniform count! Does a silly outfit count haha#I think his croptops are quite tasteful personally - the cuffs are what really get me here haha so cumbersome!#I do also have some scarves hmmm.... And a full suit but that might be a bit much lol#And the suit supersedes glasses! >:0 That won't do at all!#This mod was also made without Seasons in mind so there's just a blank spot for his outdoor clothes :0 That's no good!#Lots of work on all the Sims families before they can be moved into the main neighborhoods
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vargaslovinghours · 7 months
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The unusual but no less hard-hitting 10½! (1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9)
So as it turns out, I did so many Blank Slate/Have you lost your mind? doodles that I ComPletely broke the last sketchdump lol, so it gets it’s own! Who could’ve figured that making basically a full comic of Chapters 2 and 3 would’ve made just a few too many sketches lol
Because of that, I’d strongly recommend reading what I've posted of Have you lost your mind? so far before this! Spoilers and author’s notes/behind the scenes warnings and all that haha
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Concept sketch for Scriabin - I always love having visual signifiers to denote timeline/AU/etc. differences so you can tell at a glance where you are :) His silhouette gets to be correct! The details, well, sorry we forgot those ♪
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And concepts for Edgar! I've drawn him in different glasses before so it was a bit of an excuse, using these new/old glasses to do so again haha
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But in the end I went for a reference! Remember when I drew Edgar's glasses tiny?
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And I mean, if he hadn't worn them in a while, maybe they're just a bit small on him! Lol
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Poor memory-less Edgar's musings, it's not just sad to be forgotten, it's sad to forget :(
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Early concept of Scriabin freaking out by himself in the bedroom. I'm glad I got to keep it :D
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Always gotta draw 'em reacting to something just out of frame
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Poor Scriabin, he wants to be close despite knowing Edgar doesn't remember him. He has to face this whole Being Human thing completely alone! Edgar just doesn't understand!
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He doesn't know how good he's got it haha, if I was really mean I'd have let him keep his glasses instead. There's a bunch of fun themes either way, but stealing from Edgar while hiding in his own hair is as good as any hehe <3
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Blank-faced Edgar, I ended up with a lot of these, unsurprisingly. Doesn't help that he's cute haha
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As usual, starting from the middle - it's just easier to get ideas flowing around a core! Also that note pointing at Edgar of "Put Todd to bed" was all the everything of the prep work I did for writing that little section, but the rest Absolutely Needed storyboarding lol
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He might come to resent you if you manhandle so much right after meeting for the "first" time
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Scriabin actually touches him in the original draft, but after I thought about it, it'd probably take a bit to cross the touch barrier comfortably again! Scriabin's still weird about Edgar but Edgar is wary, it's an interesting dynamic
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I won't show off every panel, but panels like these where I think they turned out especially cute Have to be included haha <3 I dunno what it is but Scriabin pouting always turns out adorable ♥
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Floof harder! Edgar's innocent expressions ahh <3
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Starting to lay the groundwork, but still a bit nervously! It is quite fun how they skirt each other, not quite sure what the other knows - how many lies can Scriabin get away with before he gets caught!
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Scriabin using some informed guesswork in conjunction with what he definitely knows, he is rather intelligent :) You can also see Edgar's unfocused eyes well in this one, I tried to draw them fuzzy behind those glasses hehe
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These are all lined up like this on the page :D Really happy with his hand expressions here, and his face haha
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This was one of my favourite lines - he keeps making excuses for Nny! Edgar no! - I fully admit that it's also partially influenced by how cute Edgar turned out haha, the poor thing - but he's so wonderfully fluffy!
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I love this line as well, Scriabin utterly convinced that all his hard work must have gotten through to Edgar somewhere in there, he said it often enough, he must have listened to him at least once-!
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And then Edgar completely cuts him off and redirects him haha, they’re both hopeless <3
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So mad at himself and Edgar, comedy = pain + time, but this is still fresh! Give yourself some time!
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That last line in particular is so insidious because he did that, Scriabin was the one who put him in that situation, and now he’s trying to turn it back around on him! He's the worst ♪
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Guilty Edgar <3 Still pressing on (changing the subject so he doesn't have to linger on the feeling hehe), he does have his own questions
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These kinds of exchanges were especially fun to look back on from their individual perspectives since I only drew it once, starting with Edgar. How honest can Scriabin really be? He can't explain everything and not be kicked out for being a potential danger to Todd or Edgar! He's gotta play his cards Just So
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Edgar is also quite intelligent! Catching Scriabin out in a lie, even when he's trying so hard to skirt the truth!
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Scriabin so mad about being called out, gotta rub it in just a little bit that he's Totally Right lol, what a brat <3
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Scriabin is legally and morally and emotionally and spiritually obligated to mess with Edgar sexually in literally every iteration of his existence, it is a core tenant of his being and also he really really wants to (lol) ♪ Drawing Edgar all blushed up is just a bonus, who does this stranger think he is! What has he forgotten! He's not some easy man! Haha, if you only (still) knew, Edgar
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Whatever he was going to say would just hurt Scriabin's feelings, better to just cut him off before another reminder gets laid out
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Probably my least favourite dialogue that I had to change was making "?" into something that flowed better in just-text, it's not the same! Lots of little notes about word choice actually haha. Love them reaching for each other even like this <3
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Edgar has all these feelings to contend with! My favourite shot is easily the last one, Scriabin's relaxed mouth while Edgar's heart is beating out of his veins right into his ear ♥
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Pls o////ò;
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Existence is exhausting
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Even without knowing him, he's just a cautious guy :) And he wants to be gentle with him! He doesn't realize what he's doing, what his actions would mean to Scriabin if he could see them, and he does them all the same 💕
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Pretty lad <3
Technically backtracking, to Ch. 3! POV shifts are fun lol
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Zarla mentioned Scriabin curling up into a ball in the blankets and I thought it was a cute visual haha ♪ Haven't had a use for it yet but never say never hehe
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I wanted to go for some high perspective shots to drive home the uncanny feeling of being really truly alone for the first time ever. That, and he's dramatic anyhow haha
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His posing was very important to me! Since Edgar knocks on the door while he's still leaned against it, the contact points would Feel a specific way
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Scriabin got a lot of「bracket notes」for his section, usually as digs lol, where does Scriabin get off saying that Edgar has no tact haha
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More blank-faced Edgar! These were actually drawn separately - could be chalked up to how each of them remember the event! Edgar sees himself as more put-together and Scriabin as more foolish haha ♪
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That horrible sinking feeling
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I pick on him a lot but this really would be incredibly scary and sad! He's alone, expelled, and the only person who Knows him now doesn't even recognize him! This was probably the one scene I wanted to be just a bit longer, really feel the weight, hmm
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But he's also quite resilient haha, he has to be <3 He has enough tenacity, thank goodness haha
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One of those examples of panels basically repeating lol, I can only fit so much text per pose! Plus it's fun to see the little body language differences :)
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Another bracket note lol, Scriabin has to be the best at everything!
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And another, have I mentioned that Kaggie is my favourite of the two? ✨ I'd still like to give both K and D a more sizeable reference sometime! Scriabin continues to be the cutest when he pouts, agh <3
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Touchy touchy touch ♥
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I do love the phrase "feeling himself" right after the last panel lol - it can be both literal and metaphorical! And that's what you get for not cleaning up after yourself! I swear that lightswitch panel confused me so many times on reviewing notes lol
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He's not even careful pfft. Then again if he was, he wouldn't have a mess to grumble about in the first place!
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A familiar face while Scriabin's already feeling small on his lonesome, ~it's symbolic~
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Ough, it hurts to think that Edgar might actually be able to watch Zeitgeist, not knowing the deeper implications. The thought of him inviting Scriabin to see it! 💔
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The most important question, and he hasn't come to a conclusion yet :) I wonder what his answer will be once he stops hiding from it!
Hhhh this has been a really fun AU to write for, I'm glad that I finally put it to words since it had been rolling around in my head since early 2021 - there are so many fun and insidious things to explore! Especially on Scriabin's side, though I still think it's the most fun to be stuck behind Edgar's eyes, an aware audience knowing what Scriabin is up to while Edgar doesn't hehe ♪ Hopefully I'll have some time to return to it after a bit! :D
#💟#Doodles#Art#Sketchdump#Blank Slate AU#Scriabin#Edgar#Hhhhhhhwhy did I make so many of these lol ♪#I finally utilized the method I'd heard about for fic writing of doodling out scenes for visualization#And then it comes back on me like this! Lol#And this still isn't even all of them!#Cough Patreon plug cough cough cough lol#But most of them are featured here :) I was happy with a lot of them! :D#In general as a fic it's been quite easy-going haha#It feels a little ironic to me but it's my in-between fic - since I'm not rereading it's detail-light/non-specific#I guess I'm just thinking of it as a first draft until I reread haha ♪ I'm just sharing it while I'm here! :)#I think it'd be a fun read-along to find which panels go to which scenes hehe#Although I'm also a big advocate for ''seeing'' fics on your own first!#Sometimes the imagery is different and inspires! I've had several times where I'll read and then draw#And /then/ go look at the accompanying art and it's quite different! Translation through medium! :D#So I always recommend getting your thoughts out first haha you can always return later :)#I know I said so already but having at-a-glance differences to show where we're at ah <3#And that it's to do with both of their glasses! How they see each other but literally! Hehe!#It really is such a fun concept to play in ♪ Similar in some ways to And Also With You#But one-sided! I also really love the trope of ''The one who should know Doesn't''#Oh and did you catch the Loved and Wanted reference? It's subtle haha#Always pulling little things from everywhere >:3c Blink and you miss it fun!#Pls do stick with me if you like it so far :D I have more ideas just you wait ♫
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paimonial-rage · 19 days
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type - heizou [random writing event] | requested by @ebi-samaaa
Shikanoin Heizou really wasn’t your type. Sure he was handsome, and yes, his voice was rather nice to listen to. His flirtatious nature was definitely attractive. If only his face wasn’t so childish looking. And if only he weren’t just a little bit taller. Really, it really was a shame. If it were not for those things, he would have stolen your heart right off the shelves.
And really, it truly was such a shame, for the man was desperately in love with you. Completely head over heels one could say. No matter how many times you tried to shake him off, he chased after you relentlessly. He wanted you with such a passion that you often had to stop your heart from skipping a beat whenever your thoughts inevitably lead toward him.
As you walked down the long hallways of Tenshukaku, you wondered if you’d see him this evening. It was the night of the full moon, after all. Wouldn’t it be such a romantic backdrop to highlight the excitement of the event you were soon to partake? He surely wouldn’t leave you hanging, would he? You did send him an invitation, after all.
So as you stepped into the central room, you couldn’t mask the smile that curled the corners of your lips. It was empty, not that you were very surprised. If you planned it right, the Tenryou Commission and its soldiers were currently occupying the Hiiragi complex on high alert. All that work only for their honored guest of the evening to be a no show. How sad, but it really wasn’t your fault they didn’t know how to read a calling card.
With a soft chuckle, you gazed fondly at the pedestal at the center of the room. There, sitting upon plush velvet, was your target for the evening—a slightly faded black pearl inlaid in a silver ring. It didn’t take you long to pluck it up from its stand to slide over your finger. And, oh, how the luster shined in the moonlight. But as much as you wished to lose yourself in its beauty, duty came calling.
“My my, Detective,” you crooned sweetly, “We really must stop meeting like this.”
A laugh came from behind.
“I gotta hand it to you. When you said you’d be targeting the Evening Moon’s Jewel on a night like this, not even I thought you’d come for the New Moon.”
You spun and leaned against the pedestal with a careless huff.
“Oh come now, Detective,” you cried with a mocking pout. “It shouldn’t have taken you very long to notice the Hiiragi’s Full Moon pearl is nothing better than an elaborate fake. You should be thanking me for giving you a little excitement on such a boring evening.”
He smiled as he took a step forward, his stance purposely relaxed.
“Thank you for breaking the law? We’ve known each other for so long. I must say I’m hurt.”
You grinned cheekily.
“Oh, don’t say that. I was only joking. I was looking ever so forward to meeting you this evening. I really don’t get to see you as often as I would like, you know, so let’s make the most of it, hm?”
And with that anemo powered punch he threw at you soon after, you really hoped he wouldn’t be smart enough to check out the hospital the day after.
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ask-thearchivists · 3 months
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Hey Collector! Greetings! I heard you like Riddles, then riddle me this:
It cannot be seen, cannot be felt.
Cannot be heard, cannot be smelt.
It lies behind stars and under hills,
And empty holes it fills.
It comes first and follows after,
Ends life, kills laughter.
:)
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The Collector: Ooh I think I've heard one similar to this from the Curator! It's darkness. I have a riddle for you! Don't cheat, it's one Luz told me. She said they told it to her in high school and said it's one little kids are more likely to get right.
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The Collector: It goes "What is more powerful than god, more evil than the devil, the rich want it, the poor have it, and if you eat it you will die?" And if that one's too easy for you I can tell you a Collector riddle for you to answer.
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The Collector: What is made of nothing and can hold anything?
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wizardnuke · 6 months
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i love dnd..i love playing heavy utility/support/backfield and i love having three to six attacks in a turn and an insane ac. at heart im a support player ill get my hands on whatever we're missing in a group
#looks at a druid a fighter and a bard fighter. okay cleric time.#i LOVE playing cleric turns out.#though abjuration wizard is still super super fun its a different flavor of support#it's not buffs it's 'i am going to transfer literally all that damage to myself and war caster style succeed my witchbolt concentration'#doing insane amounts of damage while taking damage (+ with temp hp and then just a lot of hp. im taking the tough feat as soon as possible)#aabria iyengar was right these abjuration wizards are craaaazy. but war domain clerics also fuck hard#my abj wiz is very much an experiment in 'what if someone who is not at all suited to this life tries to adapt as well as she can'#the point is that she isn't a cleric. do u understand. she's not a cleric and that's the point it's the. hbbbgbfhb. she's out here#functioning as a combat medic on some aasimar features + healing kits/potions + arcane ward. Look At Me#i also really enjoy playing nonreligious characters in these worlds where deities 100% exist not in a 'fuck the gods' way but in#a way somewhere between 'i'm all i need' and 'i called and no one answered' and 'may or may not go on an insane power hungry spiral and#try to get a touch of godhood' which is in part very due to my own agnostic and people-loving heart and 'haha what if i icarused this girl'#a resentful caution towards gods an immense respect towards religious companions and 'when your god isn't here to help. i will be'#anyway REACTION arcane ward you don't take damage im fine. next turn reaction shield ward's back up. the thing is.#she will drive her hp down. the ward isn't much like it goes past that temp hp. it's 14hp that shit goes down and carries to her hp#but it never drops. any leveled spell puts hp back into the ward. a 1st lvl shield puts it at 2hp and she can use it again#she is not suited for these conditions but my god it is fun to watch. i care her.#i explained that subclass feature to a player that's not in that campaign and said. like. yeah she can take damage. when her ward drops to#0 it carries to her. any leveled abj spell puts it back up. and she can use it and drive her hp down again.#do u understand what i am explaining to u! do you get it! she is and has always been a punching bag!#she was a very valuable asset to the army and the group she was drafted! into. because when she's there. people just don't fucking go down#aside from her. aside from her. AAAAH. she's so cool. she is very smart i am still riding the high of critting every turn w witchbolt and#reacting to ward a party member against a crit that would have dropped him by taking the hit herself. and she didn't break concentration#badass
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