why is it that whenever im trying to write an essay or anything where i need so many words i can never get enough but when im talking about anything theres no reward for talking about im literally so bloody verbose and take so many words to descibe completely simple bloody things that could be described in a lot way less words

Hey, I had a thought for the fantasy au! So on one of the previous versions of the WH website, there was a rhyme for the show that went:

A house is a place with four walls and a floor,

with a ceiling above and a lovely front door.

There's a bed to cradle you safely at night,

and windows to bring in the morning sunlight.

Your house is a mirror of just who you are,

A reflection that tells you to never stray far.

Which I thought might make a good incantation for when Wally properly summons Home (I can't remember if that's ever required for Warlocks but hey, it's still a fun poem regardless).

ohhhh this. i like this...

bonus og sketch! big ol eyes...

& no capalet because uhhhh eh nah and also i wanted Home's pendant to be on full display!

Chinese/Lunar New Year

So uh for the past few days I’d been contemplating a Chinese New Year piece for this year in particular because uh it’s the Year of the Dragon and that plus dragon dance so perfect a combination it makes, but uh… admittedly I bit more than I could chew so uh :’D

I wasn’t able to make a full artwork in time, but I do have my cleaned up sketch to show for the holiday, so without further ado, happy Chinese/Lunar New Year Stilton fandom <3

It’s very not complete and the dragon’s details aren’t even drawn in but I hope ya’ll like it anyway

I am planning on finishing this tho so stay tuned for that :3

It started with a whisper ♥ (Patreon)

I finally found some time to sit down and listen to music and relax and just not think about anything, but the music I was listening to was the new Taylor Swift album and The Prophecy came on and now I will be thinking about how well it fits that really angsty chapter of Time Heals All Wounds for the next 36 hours.

"you drew stars around my scars."

@idont-know-what-im-doing replied to your post “"anyways id survive in that house" sounds like...”:

Those are also true for Duck. Does he look sane to you?

​REBUTTAL TO THIS: IM NOT HIM I COULD DO IT!!! also idk man. hes not like,actively going nuts, I don't think. like, if they never leave, he'd be the one least bugged by it yknow? Red's LOSING it, Yellows like,haunted by his not-mom and battery memories and if my lil green guys got none of that going on he's pretty fine I think.

REBUTTAL TO YOUR SECOND COMMENT:

I DONT HAVE ANY REBUTTAL THATS JUST MEAN

How I be looking with "any pronouns" in my bio

I’ve been wanting to experiment with noses more for a while, so I finally sat down and forced myself to doodle some concepts.

got tagged by @bethereforme for a:

🖤✨ bias check ✨🖤

i'm not actively into a lot of groups anymore so rip

tagging @amaranth @littlesunshinedae @myeonplane @xiuminscheeks and @xiu-bee

One of these days when I'm in the right mental space for it I really, really want to post about how incredibly isolating it feels to be neuro-divergent in the pagan community and, at the same time, more or less following a near-reconstructionist path despite how extraordinarily difficult it is because my brain just wired differently so I basically have to fight own instincts and inherent nature in order to practice my religion but at the same time I fight entirely of my own accord because it falls in line with my personal principles and--

Just looked on the older books for refs of Thea and

Boi Curse of the Cheese Pyramid is insane

It literally starts with G heading to work on time at 9, but William comes in like "BOI YOU'RE SPENDING TOO MUCH MONEY ON THE GAZETTE YOU HAVE TO CUT DOWN THE BUDGET" (Imagine this screamed directly into Geronimo's ear)

Obviously William's definition of "cut down the budget" is this

TW: Spoilers for Curse of the Cheese Pyramid, William behavior, do not click on if you don't want a spike in blood pressure

If you choose to turn away now, the following fume was just an intermission for finding this picture lmao

He pawned over everything (and I mean EVERYTHING) in Geronimo's office, from his desk to his armchair to his carpet to his book collection to his art collection, and replaced it all with a single plastic chair and desk ("All you need in an office is a desk and chair!")

He fired ALL THE STAFF and decided that only family members will be working for the paper (because family members don't need to be paid as much probably (if at all) when working for a family business-- they all share their finances with each other, anyway maybe (it's not clear what their salaries are gonna be (wanna bet G is paid minimum wage while Thea is paid 50% of the Gazette's monthly expenses after this clean sweep))). The only person spared from the firing spree was Shif T. Paws, the Gazette's sales manager, who apparently offered to work there for free.

He delegates all the work of the Gazette to four people-- G does all the office work (taking calls, building maintenance, writing, editing, printing, clientele stuff), Thea does all the interviews and field work stuff, Trap does all the cooking, and Benjamin is "William's personal assistant". Lord knows what that last position means for little Benji. (Okay reading ahead Benjamin seems fine, but he does say that William is "a bit pushy".)

He sends G out on a work holiday thing and he overworks the crap out of everyone, to the point where even Thea is sick of William's senile old-fashioned ass, and it seems that the Gazette was also going downhill because of this mouse furry ripoff Daniel Dancer. (To give a preview of what he did in the working perspective, he basically had Trap work seven days a week)

He was planning to have staff give use old newspaper instead of toilet paper (T&B expenses), make a 30-second time mechanism for the restrooms (to maximize manpower efficiency and possible humiliation for anyone going number 2), and was considering cutting all electricity to the building and just have staff work on typewriters "just like the old days".

This man's senile ass--

Idk how influential you are on the LT fandom on a Whole but you definitely inspired me to check out the originals, and especially appreciate Porky/Daffies more. It helps that my favorite short for years was Yankee Doodle Daffy!

AWWWWWWWWW THIS IS SO SWEET THAT IS 100% MY GOAL THANK YOU!! you don’t know HOW much this means to me!

i tend to stay away from fandom spaces/don’t consider myself a part of the fandom, so quite honestly your guess is as good as mine—i HOPE people think of me or associate me with these cartoons HAHAHAHA but 100%, my goal is to spread the joy of the originals and shed a light onto the people who made them and how their experiences and input inform the cartoons as a whole, and maybe how our perceptions of these shorts and characters have changed as time has gone on…

there’s no right or wrong way to enjoy the franchise, but i really do think it is a more fulfilling experience to Experience The Originals for yourself. i really enjoy talking about cartoons that are given less love from a mainstream angle and that 100% includes the Porkies and Daffies (and is also why i’m so adamant about spreading The Porky Gospel; he gets such a bad rap and is so underappreciated and every person i’ve spread my gospel about him to seems to really like or appreciate himself after HAHAHA. Daffy will always be my #1 favorite but he doesn’t really suffer from this, though i absolutely think his ‘40s persona gets a lot of misunderstanding as well)

THIS REALLY MEANS A LOT TO ME GENUINELY. making the plunge and checking out the cartoons is the best decision i’ve ever made. there’s a lot of rightful hesitancy to be had since there are SO many cartoons and it’s hard to find a starting point (and not to mention the many, many, many, many aspects that have aged poorly and/or were poor to begin with), but i can’t begin to tell you how fulfilling this experience has been.

so, if anyone who’s following me is cautious about making the plunge, i encourage you to give the originals a chance, ESPECIALLY if you’re into more modern LT media to familiarize yourself with the source material. you absolutely do not have to be a nut like me and watch every single in chronological order, but these cartoons are so ingrained and formative in the animation landscape today that i think anyone with an interest in animation should definitely give them a chance. and, if you’re a bit of a history nut like me, it’s very fun to see the evolution of culture as a whole as the years go on… radios evolve into TVs, the rambunctious attitudes of the shorts during the war years take a more domestic turn after the war, celebrity references depend on the decade, even the stylings of music, and of course the art styles of the shorts themselves… it’s so fascinating from a multitude of reasons. i really can’t tell you how happy i am to hear this (and Yankee Doodle Daffy is a GREAT favorite to have!)

All of Alef’s dialogue. She is one of the few characters changed from the guide book, since there she’s said to be from East Rune instead of near Bustoke.

Also, “Vulpes” is an adaptation of the english version, in japanese she’s still a foxling. In the english manual she’s also still a foxling, so it wasn’t a very consistent thing.

I keep thinking of that reply in my Odysseus/Agamemnon post about how I regard differently Odysseus' and Agamemnon's actions, while acknowledging that at times Agamemnon is written as a sweet man and Odysseus is always straight up shitty, and how it was taken as some sort of defense for Agamemnon and as a form of pointing out the double standard; and that wasn't at all what the post was about for me, even though I can see where they were coming from. To be honest, given I didn't imagine it would spread anywhere other than my own blog, I didn't explain myself very well (or at all).

The fact is that when I talked about Odysseus not caring about hurting someone else's child to start and end a war I was indeed comparing his actions to Agamemnon's, but my words about supporting Odysseus' wrongs and cheering him in his terrible actions, while in a joking tone, weren't entirely a joke. I do think that Odysseus does some very shitty acts, and some quite terrible ones depending on the sources. That's a fact, that he does is at the core of his characterisation and it's what makes him so much fun; but not even when he is at his most cruel does he harm his family, his own son. Agamemnon, while sweet and loving at times in some texts, at his worst is willing to sacrifice Iphigenia. When readers regard with more sympathy Odysseus over Agamemnon despite both being responsible for children dying, I don't think there's a double standard in this aspect at all considering it's never his own kid Odysseus harms. And that's the key, I think.

Odysseus and Agamemnon have very different priorities, a very different view on loyalty and duty. It could be said that Agamemnon acts out of selfishness, but it could also be read in a kinder light, saying that Agamemnon is ruled by the gods first, and by his role as head of the achaeans; Agamemnon is not entirely himself. In opposition we see Odysseus acting perhaps mainly for himself and his own family and men; yes, he is a king, but he has not the role Agamemnon has. As a consequence, Agamemnon submits his family's wellbeing to the war, to the gods, while Odysseus stops the plow before hurting Telemachus but is (depending on the source) the cause of Iphigenia's sacrifice and Astyanax's death.

Both Odysseus and Agamemnon have reasons to support their actions, and both can be sympathised with; it's fiction after all. When it comes to fiction, at the end of the day which character a reader is drawn to or sympathises with is mainly an issue of personal taste, but I suppose it also implies a certain level of one's own views or preferences on morals, what makes us find certain actions more justifiable, or tasteful (perhaps that's a more accurate word), than others. Agamemnon sacrificing his daughter, no matter how sympathetic or understandable the reason, generally sits worse on people than Odysseus doing the same with someone else's kids, because they're someone else's. This different emotional reaction they provoke has place not just metanarratively, but also inside the very story; it is narratively significant, given it determines how their arrival home plays out, how their wives react to them, and thus their futures. Ultimately it determines whether they live or die.

I think both terrible acts go in line wonderfully with each characterisation, showcasing the role they hold in their world, what they value, what they care for, what they're willing to sacrifice for themselves and the others, how much of their own they're willing to give and bend. While looking at the wider picture it could perhaps be drawn that Agamemnon is the better person out of the two, but Odysseus' selfish actions are perhaps easier to empathise with, especially from a modern viewpoint. Odysseus is treacherous and prone to betrayal, but not against his own; Agamemnon follows the rules of the gods. How fitting in that context that Odysseus doesn't die at the end of his story, that he cheats the death heroes so often are fated to, almost as if cheating the narrative itself, bending the rules of the world he is ascribed to; how fitting in the context of those texts that point towards Sisyphus being his father. But that's another topic, and I've already talked a lot.