haven't done WIP Wednesday in a while, but two good friends from our lovely Calamars Club server were sharing some snippets from Fantasy Fest fics today, and i thought: you know what? i can do this too!
this is quite short, because my doc at this stage is still far more planning than any actual writing, i'm afraid. but nevertheless: a teaser for those interested 😘
When Charles Leclerc is four years old, he meets Pierre Gasly.
The thing is, they were never supposed to meet. Pierre's father is one of the palace guards, and Charles' father is one of the people the guards are supposed to protect the palace against. Pierre is going to be a knight of the realm one day, and Charles...
Well, there have been prophecies whispered and sung about Charles long before he was even born. There will be a boy, and he will be the most powerful of us all, and he will make it right. He will bring us back to where we belong.
He is Il Predestinato, and he will restore the kingdom to us.
No, Pierre and Charles were never supposed to meet. But against all reason, they do.
🪄 :D
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disabled/chronically ill people in general do not have the same number of usable hours as ableds. i can't meet my friend tomorrow because i need to wash my hair, and i can't meet them the day after because i need to do a load of laundry. i can't meet them thursday because i have an important appointment on friday, and if i overdo it on thursday i'll have to cancel friday's appointment. then i can't meet them on saturday because i'll be recovering from going out on friday, if i even manage to make it out the house. the old 'we all have the same 24 hours in the day' saying does not apply to us.
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They really spent a lot of time pointing to the second coming for
Apolaypse 2 electric boogaloo
all 3 minisodes are about ... humans dying and being brought back to life, or more like, how that is not possible...and how Heaven and Hell have worked around that
In A Companion to Owls, Job kids never died even when they should have, Heaven didn't know enough to distinguish that they were the same children and Sitis quickly got that the miracle was... that their children didn't die to begin with. Once they are dead it is game over and Crowley and Aziraphale refused to let them die
In The Resurrectionists (it is literally called The Resurrectionists!!) and it is how one girl is shot and they can't do anything once she is dead. And Crowley still goes off of his way to make sure the other one doesn't kill herself, risking everything. And we know hell's extreme sanctions are probably what makes him ask for insurance, for holy water. On the other hand, this episode is called The ResurrectionistS, plural, but we meet only one of them ..while in the other side of the sign is Christ himself.
THEN in 1941, we have ZOMBIES, the literal living dead walking around, and Furfur states that he can't make them living people again due to a clause and just leave them as zombies to roam the earth. We see how cursed they are, rotting and bound to eat brains but not human.
EVEN! From episode 1, we get a big Clue: miracles are measured in lazarii, and resurrecting someone is no easy feat. They were telling us to watch out about coming back to life... and how only the mightiest of archangels are able to use that amount of power (or an angel and a demon holding hands...)
and I do want to point out that part of the things Gabriel remembered was this line
Job kids didn't die, in victorian england Wee Morag died falling in the hands of a resurrectionist, and the Germans died and came back- just not quite alive. Every day it is getting closer,
... they are telling us that the second coming is afoot, but they are also showing us that there is no second opportunity on this earth. Once you are dead, you are dead.
and Crowley, in the direst time when Aziraphale is breaking his little demonic heart, says
And now, the plan to resurrect one human to make the end of the world happen is in Aziraphale's hands.
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How I save time on backgrounds as a full-time webcomic artist
Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.
Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!
This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)
So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.
I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.
I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.
Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.
Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!
This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.
But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)
I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.
My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!
Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!
panels that look like this in scroll format...
can look like this in print!
because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.
Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!
Enjoy!
Also obligatory "my webcomic" if you want to see this in action or check it out!
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