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#gender fluid ed
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@sugashook you lil devil 💋 this is for you 💜
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(This prompt kinda ran away with me, but I was having fun and makin a mess at the same time)
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nobodymitskigabriel · 3 months
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Personally I don't actually see Sam as a woman in a literal sense and I understand the term "woman-coded" isn't totally free of baggage but to me it's more about being boxed and perceived in a certain way that colors the pattern of treatment he experiences by the narrative that feels allegorically gendered. Especially since they're often applied to him without his desire which is very similar my own experience with gender as well. Like just the ways that monstrousness is treated when is manifests in sam versus dean are SO different and it feels fair to analyze them in a gendered way e.g. demon blood sam being physically restrained and locked up, sam being solely blamed for something that was objectively multiple parties fault; moc dean continuing to roam free during his descent into violence, everyone's expected to believe him when he insists that he's fine. This is obvious not a feminist debate or analysis it's just one interesting lens to view the character imo.
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reyl0ct · 5 months
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On the road to self discovery I've now realized why I connected to these characters specifically in my younger years....
Haruhi (OHSHC)
Sailor Uranus (sailor moon)
Ed (cowboy bebop)
Kino (king's journey)
....Like holy shit it makes so much sense now
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readingkitty · 2 years
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My gender is fluid so though I feel like a man sometimes I tend to stick with they/them pronouns ? But when I feel like a woman? I don’t like how that sounds on me. When I feel like any other gender I shift to feeling better labeled as she/her ?
Idk ,, it’s weird cause calling myself a woman feels wrong but the word female feels fine I guess? I still don’t like it. It’s like I feel like I can’t associate my gender to female but she/her pronouns feel right sometimes… then calling myself a male feels off but man feels right. I’m also just a person. Non binary. It’s weird feeling wrong so much more often than feeling right. And even then, my gender fucks me over all of a sudden and I don’t feel like a man or I feel like a man and I feel so uncomfortable in what I picked out to wear in the morning.
I hope that makes sense. I’m mostly rambling, unfiltered.
But yeah,,, Just wanted to rant cause I’m going through it rn
I feel like such a fraud sometimes even though I know I’m not. I hope I’m making at least some sense.
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little666wrath · 6 months
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Kristina is so rude she legit just called me fat and laughed at me. Like bro legit why I have an ed🐹
Have fun with my period blood in ur mouth
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celluloidbroomcloset · 6 months
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It's interesting that Izzy is the one who sees Ed's attraction to Stede first. Yes, Izzy is the closest to Ed, and he pays a lot of attention to Ed because that's part of his job. But it's clear from his voiceover at the start of "Art of Fuckery," and what happens with his character subsequently, that he's watching Ed very carefully for signs that he's slipping out of his Blackbeard persona, and more broadly, out of the performative masculinity that Izzy believes is the mark of a real man.
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A lot has been said about Izzy's internalized homophobia, but it's a very complicated kind of homophobia - he doesn't fit the trope of the closeted gay man using homophobia to cover his sexuality. Izzy has no apparent problem with homosexuality - as Calico Jack says, it's more or less expected at sea. The form of his homophobia has more to do with gender presentation and sexual roles, not the concept of gay sex or attraction.
The two men on the Revenge he has the most immediate conflicts with are Lucius and Stede. To him, neither of them perform masculinity correctly, and both of them, in their own ways, refuse to participate in the masculine hierarchy he's steeped in.
Izzy's problem clicks for Lucius immediately, because Lucius is an out gay man who has undoubtedly met men like Izzy before. He's not ashamed of his sexuality or his presentation of it, and so he defies the hierarchy by explicitly refusing to participate.
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Stede is more complicated because he's not out at all. Izzy calls Stede a "ponce" and a "fop," but neither word would necessarily imply that Stede's gay; being a fop is not equivalent to sexuality (though in "Act of Grace," Izzy's emphasis makes it clear that "twat" is standing in for a much stronger word). It is Stede's presentation of masculinity, his effeminacy, that Izzy finds repellent. Stede's not a "real pirate" (read: a real man). The idea that Ed - the man's pirate and the pirate's man - would be seduced by him upends Izzy's worldview and is something he feels he must put a stop to.
At the start of the "Art of Fuckery," Izzy's realization that Stede has "seduced" Ed is immediately followed by the stabbing scene, which Izzy overhears. I'm still not clear if we're meant to think that Izzy believes they're actually having sex on the deck, but regardless, it confirms the "seduction" for him.
This is the one clear time that we see things filtered through Izzy's perspective, with the episode literally starting with his voiceover. He's horrified by what he hears on deck, and the obvious sexuality connected to it, and he immediately insists that Ed kill Stede.
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This is not a subtle show. The stabbing on deck is explicitly sexualized. Not only is Ed being "stabbed" by another man, he's being stabbed by an effeminate man. In Izzy's reading of the world, there are men who penetrate and men who are penetrated, men who dominate and men who are dominated, and those roles are aligned with masculine presentation. It would be fine for Ed to be stabbed by Calico Jack, a properly masculine man who understands the masculine hierarchy, but not by Stede.
Stede defies Izzy's categorizations by quite literally not understanding the role he's supposed to play in the first place. Stede's not humiliated by his shirt being cut off in "A Damned Man"; he says that he quite enjoyed it. Izzy's threats go right over his head in "A Gentleman Pirate" - he can't even remember Izzy's name. It doesn't occur to him to be scared or humiliated. He further upends Izzy's reading by treating Ed kindly. Ed can't bring himself to fulfill his role in the masculine hierarchy by killing (stabbing) Stede, and Stede sits down and offers him gentleness.
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Stede throws Izzy's concept of masculinity out of whack by being an effeminate man who penetrates, a fop who seduces a "real man," and whom Ed sees no shame in asking to stab him. He's too fluid for Izzy to get a hold of. He doesn't just not participate in the performance of masculinity that Izzy wants from him; he doesn't even know that there's a performance going on.
Later in the episode, it's Izzy who stabs Stede, pinning him to the mast and re-establishing the masculine hierarchy - Stede is the one to be penetrated by a "real pirate." Then Stede just...breaks his sword. He did it on purpose. Izzy is effectively emasculated, but Stede doesn't even know it. He just knows that he "did it right."
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What has thrown Izzy off is Stede's lack of participation in the masculine hierarchy. He doesn't know the rules that Izzy has been controlled by, and so he's not "doing it right." Being penetrated isn't inherently shameful. Penetrating isn't inherently about dominating or gaining power over. Stede's face when he stabs Ed is simply one of concern, because he's hurt him. He's not getting a sexual thrill out of harming Ed, and penetration doesn't equal power for him. Stede throws everything Izzy thinks he knows about masculinity overboard simply by existing.
(I think I've got more to say about how this all shifts in Season 2, and why that's so important to Izzy's arc, but I done wrote enough for now.)
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phoenixyfriend · 1 month
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Ahsoka is bisexual but specifically in a way that her partner cannot be too concerned with Being Cis. Like she'll date cis dudes but only the ones who are like "I mean yeah I'm a dude, but if someone they/thems me I'm not gonna throw a fit, gender is fluid, the galaxy contains multitudes, and Man is just the box I'm closest to fitting into." Girls need to be at least some level of GNC (mainly thinking of Bo-Katan). Mandalorians are easy partner fodder because like Yeah they have gender but it's like eight slots down on the Things That Make Up My Identity for them.
As far as my ships for her go…
Bo-Katan: gender appears to be Lesbian-as-a-gender (is actually bi)
Jango (time-travel): appears excessively masculine, but buys into the whole "we don't do gendered pronouns" angle of Mando culture where the collective gender is Soldier and is cis by default
Quinlan (time-travel): at least a little GNC (long hair, painted nails type of gnc), would just shrug and go with it if they/them-ed
Rex: actually Fully cis but still mostly just like "IDK I mean I don't feel like a woman or nb so… yeah, I'm a man." He's very masc and it's very funny for Ahsoka, because she's generally not into dudes who are excessively masc in a cis way, but for some reason it's fine with Rex, he gives off "bi dude who offers to drive drag queens and trans folk home so they feel safe" cisdude trans ally energy
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eesirachs · 19 days
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For a school assignment, I'm assembling an anthology around the theme of queer divinity and desire, but I'm having a hard time finding a fitting essay/article (no access to real academic catalogues :/ ), do you know of any essays around this theme?
below are essays, and then books, on queer theory (in which 'queer' has a different connotation than in regular speech) in the hebrew bible/ancient near east. if there is a particular prophet you want more of, or a particular topic (ištar, or penetration, or appetites), or if you want a pdf of anything, please let me know.
essays: Boer, Roland. “Too Many Dicks at the Writing Desk, or How to Organize a Prophetic Sausage-Fest.” TS 16, no. 1 (2010b): 95–108. Boer, Roland. “Yahweh as Top: A Lost Targum.” In Queer Commentary and the Hebrew Bible, edited by Ken Stone, 75–105. JSOTSup 334. Cleveland, OH: Pilgrim, 2001. Boyarin, Daniel. “Are There Any Jews in ‘The History of Sexuality’?” Journal of the History of Sexuality 5, no. 3 (1995): 333–55. Clines, David J. A. “He-Prophets: Masculinity as a Problem for the Hebrew Prophets and Their Interpreters.” In Sense and Sensitivity: Essays on Reading the Bible in Memory of Robert Carroll, edited by Robert P. Carroll, Alastair G. Hunter, and Philip R. Davies, 311–27. JSOTSup 348. Sheffield: Sheffield Academic Press, 2002. Graybill, Rhiannon. “Yahweh as Maternal Vampire in Second Isaiah: Reading from Violence to Fluid Possibility with Luce Irigaray.” Journal of feminist studies in religion 33, no. 1 (2017): 9–25. Haddox, Susan E. “Engaging Images in the Prophets: Feminist Scholarship on the Book of the Twelve.” In Feminist Interpretation of the Hebrew Bible in Retrospect. 1. Biblical Books, edited by Susanne Scholz, 170–91. RRBS 5. Sheffield: Sheffield Phoenix Press, 2013. Koch, Timothy R. “Cruising as Methodology: Homoeroticism and the Scriptures.” In Queer Commentary and the Hebrew Bible, edited by Ken Stone, 169–80. JSOTSup 334. Cleveland, OH: Pilgrim, 2001. Tigay, Jeffrey. “‘ Heavy of Mouth’ and ‘Heavy of Tongue’: On Moses’ Speech Difficulty.” BASOR, no. 231 (October 1978): 57–67.
books: Ahmed, Sara. Queer Phenomenology: Orientations, Objects, Others. Durham, NC: Duke University Press, 2006. Bauer-Levesque, Angela. Gender in the Book of Jeremiah: A Feminist-Literary Reading. SiBL 5. New York: P. Lang, 1999. Black, Fiona C., and Jennifer L. Koosed, eds. Reading with Feeling : Affect Theory and the Bible. Atlanta, GA: SBL Press, 2019. Brenner, Athalya. The Intercourse of Knowledge: On Gendering Desire and “Sexuality” in the Hebrew Bible. BIS 26. Leiden: Brill, 1997. Camp, Claudia V. Wise, Strange, and Holy: The Strange Woman and the Making of the Bible. JSOTSup 320. Gender, Culture, Theory 9. Sheffield: Sheffield Academic Press, 2000. Chapman, Cynthia R. The Gendered Language of Warfare in the Israelite-Assyrian Encounter. HSM 62. Winona Lake, IN: Eisenbrauns, 2004. Creangă, Ovidiu, ed. Men and Masculinity in the Hebrew Bible and Beyond. BMW 33. Sheffield: Sheffield Phoenix Press, 2010. Eilberg-Schwartz, Howard. God’s Phallus: And Other Problems for Men and Monotheism. Boston: Beacon, 1995. Huber, Lynn R., and Rhiannon Graybill, eds. The Bible, Gender, and Sexuality : Critical Readings. London, UK ; T&T Clark, 2021. Guest, Deryn. When Deborah Met Jael: Lesbian Biblical Hermeneutics. London: SCM, 2005. Graybill, Rhiannon, Meredith Minister, and Beatrice J. W. Lawrence, eds. Rape Culture and Religious Studies : Critical and Pedagogical Engagements. Lanham, Maryland: Lexington Books, 2019. Graybill, Rhiannon. Are We Not Men? : Unstable Masculinity in the Hebrew Prophets. New York, NY: Oxford University Press USA, 2016. Halperin, David J. Seeking Ezekiel: Text and Psychology. University Park: Pennsylvania State University Press, 1993. Jennings, Theodore W. Jacob’s Wound: Homoerotic Narrative in the Literature of Ancient Israel. New York: Continuum, 2005. Macwilliam, Stuart. Queer Theory and the Prophetic Marriage Metaphor in the Hebrew Bible. BibleWorld. Sheffield and Oakville, CT: Equinox, 2011. Maier, Christl. Daughter Zion, Mother Zion: Gender, Space, and the Sacred in Ancient Israel. Minneapolis, MN: Fortress, 2008. Mills, Mary E. Alterity, Pain, and Suffering in Isaiah, Jeremiah, and Ezekiel. LHB/OTS 479. New York: T. & T. Clark, 2007. Stökl, Jonathan, and Corrine L. Carvalho. Prophets Male and Female: Gender and Prophecy in the Hebrew Bible, the Eastern Mediterranean, and the Ancient Near East. AIL 15. Atlanta, GA: SBL, 2013. Stone, Ken. Practicing Safer Texts: Food, Sex and Bible in Queer Perspective. Queering Theology Series. London: T & T Clark International, 2004. Weems, Renita J. Battered Love: Marriage, Sex, and Violence in the Hebrew Prophets. OBT. Minneapolis, MN: Fortress, 1995.
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synoname-wordsmith · 6 months
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Leftovers and Burnt Toast: Sanji x gn!reader
Summary: sanji has some concerning eating habits. you've ignored them for as long as you can, but what happens when you finally confront him about it?
Warning: eating disorder, angst, eventually comfort, let me know if I missed any
A/n: inspiration hit at 2 am after reading the linked post. I'm not a writer, so don't come for me. Also, I'm pretty sure I used gender neutral language, but if not, let me know, and I'll edit. Happy reading
Heavily inspired by this post:
You weren't spying on the cook you were observant, and those old habits never really died, did they? You were a spy, and it was in your blood to notice things. Moving silently through rooms thing caught your eye, even if it wasn't intentional. So no, you weren't spying on Sanji. You just started to notice a pattern.
Spending your time in the kitchen working on research of nearing islands, you could see him moving through his space, cooking, and baking but never eating. At first, you thought he just wasn't big on snacking and saved his appetite for meals, but when meal time came, his plate was hardly full. You knew he didn't waste food, so small portions made sense, but he never went back for more.
Then you noticed he skipped breakfast. Every day, he entered the kitchen just moments after you set up your books and notes, and not once did he grab anything to eat. And when breakfast for the crew was finished and being divided up among the group, he was always last to take. And with Luffy, that meant scraps and crumbs at best. Lunch was the same, and dinner didn't change the pattern either.
He didn't snack while he meal prepped, and the few times you "accidentally" made too much and offered it to him he graciously smiled and thanked you, but handed it off when Ussopp showed interest.
You've heard his stomach growl, so you knew Hunger was something he experienced, but you couldn't wrap your head around his avoidance.
***
It was a Tuesday when you finally said something. Coming home early from an excursion on the latest island. You entered the kitchen and was met with the familiar warmth of Sanji's blue eyes.
"Hello love, i didn't expect anyone back so early, i can whip you something up if you like"
"No, thank you," you matched his light tone. "Nami and i grabbed a bite at one of the little taverns." he smiled at that and turned back to what he was doing. You paused for a second, then made your way to one of the stools across from him. Watching his fluid movements through the kitchen as you considered speaking again.
"Have you eaten?" You hoped the nervousness wasn't prevalent in your voice. He paused before turning around. Smiling his signature smile.
"No need to worry about me, mademoiselle, that's my job"
"That's the thing, though," you paused, trying to find the right words. "i do worry about you," you paused again, and before you could speak, he interjected.
"Don't waste any energy worrying that pretty little head of yours, darling," he laughed airly, "especially about m-"
"You havent eaten since sunday!" You blurted without thinking. The silence that followed was deafening, and Sanji's face reflected that.
Just as quickly as his smile faltered, though, it was back. "That can't be right, love, surely you're mistaken"
"Im not," your voice was barely a whisper, "i made too much toast when i woke up on purpose, and you ate the extra, but you haven't eaten anything since then. No lunches or suppers, and you never snack." You risked looking up from your fidgeting hands. His eyes were wide, and his smile was gone.
"Have you been watching me that closely?"
"Not on purpose, noticing things is what i do, but once it became a pattern, i couldn't not see it, and - Sanji, what is going on?"
He laughed again, but it lacked humor, and then he reached for a cigarette. He didn't speak until his first exhale. He was stalling, another habit of his you noticed.
"I assure you im fine." his voice was low, and his eyes glossed over as if he was seeing something far away.
"I dont think you are," you whispered, willing him to look back at you. "i didn't want to pry, but i also noticed the more stressed you are, the longer you go between meals." He took a drag looking at his shoes. You could feel panic crawling up your throat. "We dont keep secrets. Remember? That's what you said to me. And I've been trying every day since then to be open and honest with you. Why is it not a two way street-?"
"Enough!" He didn't yell, but his voice was low, and his tone was heavy. You froze.
"Sanji-"
"No, this is of no concern to you, and I do not appreciate you sticking your nose where it does not belong " you had never seen him like this, he seemed genuinely angry. It scared you
"Sanji-" you tried again
"Maybe it's best you work out of the map room with Nami from now on." he turned from you like he was done with the conversation. Your hands shook, and you tried to fight the tears that pricked your eyes.
You felt frozen and before you could organize your scattered mind to respond the rest of the crew entered the kitchen
"Sanji! Look at all these groceries Nami found! Supper tonight will be amazing!" Luffy yelled cutting through the tension like an oblivious knife.
In a moment, Sanji reacted, posture shifting and smile returning. "Of course it will! Show me what you bought!"
You felt yourself lose control of the little composure you had left and slipped out of the kitchen without being noticed. If you were going to cry, it wouldn't be with an audience
***
"just talk to him"
it had been 3 days since you confronted Sanji and neither of you had been hiding the tension well. You had tried to give him space and act as if nothing was wrong, at least around the others, and Sanji seemed to have decided on the same approach. You moved to the map room and held off Nami's questioning stare for a few days with vague statements, but meal times were still tense. 
You tried to ignore it and to interact with the rest of the crew but it felt like a giant flashing sign was going off above his plate now. You kept quiet, kept your distance but the worry was eating at your insides.
" do i need to remind you 'Just talk to him' is how we ended up in this predicament in the first place " 
You had finally caved and told nami what was going down in the evening of day 2. She was perceptive and terribly persistent, before you knew it you had told her everything.
"Sure, but we both know Sanji is the poster child for not asking for help. Its probably why you get along so well" the last part was meant to be a joke, you scoffed 
"You're one to talk" you retort trying to hide your smirk. A moment of ease sat among you as you both laughed, but all too soon your anxiety started to settle in.
Nami sighed and placed a hand on your arm, "look, he was probably just caught off guard and embarrassed last time. Try again."
"Ya, probably." You aren't as sure as you sound, though.
***
Supper came and went and you had meant to talk to him as he cleaned up but Usopp and Luffy monopolized his time. Before you knew it it was dark and everyone had dissappear inside for the night.
You hadn't seen Sanji since the kitchen was clean but decided to do one more sweep of the place before giving up for the night. 
That's when you saw him out on the deck. He stood near the railing facing the sea, the kitchen giving just enough light to illuminate the smoke rising off his cigarette.
You went out and joined him. Leaning on the railing beside him. He didn't look at you and you didn't say anything as you both watched the dark waves.
You started to pick at your cuticles in the silence trying to figure out what to say.
"Im sorry i snapped at you, it was unfair" you turned your head to look at him but he kept his sight trained forward. "You were right and i got defensive and mad"
You wanted to tell him it's okay, that you don't take ot personally. You also had a million questions rapid firing in you brain but the look in Sanji's eye made you hesitant to speak up. You didn't want to shatter whatever aire was floating around you both.
"It was my mothers birthday last week. I didn't even realize the date until after you said something to me" you turned your body to him this time. Sanji rarely spoke of his family before Zeff and when he did it was vague with glossy eyes. Only after calming him down from a few nasty nightmares did you piece together very basic ideas of his home life. "So when you said i eat less when im stressed i guess you hit the nail on the head." He discarded his cigarettes into the sea and leaned forward on the railing. You reached out and placed a hand on his arm. He took a deep breath and continued. "I knew i did that, with the food i mean, i just- food isnt really for me you know? Dont get me wrong i love food and cooking, but i do that others, for you guys. It's like a love language i guess." He pulls put another cigarette
"I do eat when i feel i need to, but starving isn't a foreign feeling, and, i guess, along the way, i forgot the urgency that is supposed to come with that." He exhales smoke with a dry laugh. "I never considered it was a problem,  and i never meant to worry you. For that, im sorry"
He finally looked over at you. His words broke your heart and you tried to keep your breathing steady. If you cried he would make this about you, and you didn't want that.
"You need to eat, Sanji. You deserve to be healthy, not just alive." he smiled at that. It was more to himself, and it didn't reach his eyes. He took another drag.
"You keep saying that." He tried to joke, it almost had the lightness of the Sanji you knew. You felt you grip on his arm tighten as you fought harder against tears. 
"How are you joking, how do you not see you deserve the love and care you so selflessly give to others?" The words came rushed and more pointed then intended but your control on your emotions was deteriorating quickly. "I don't ask about your family, and i'm not going to start now but whatever they did and said to you, they were wrong. You deserve love Sanji" 
He opened his mouth, but you spoke again before he could. "No, you deserve kindness and unconditional love. From others, but also yourself." You hadn't noticed you were crying and only noticed you were shaking when he embraced you."i care about you so much, we all do. Please take care of yourself. If not for you, for us. For me." 
You felt his arms tighten around you and he didn't speak for a moment but when he did it was clear he was crying also.
"Im sorry" it was barely a whisper "i don't want to upset you, i'll do better"
"I just wish you could see yourself the way I do. I wish you would talk to me."
"I know I'm sorry, I'll do better at that too." You sniffled and looked up at him. His face was streaked with tears and his eyes puffy. You half smiled up at him
"Hey, I thought apologizing too much was my thing." With that he laughed. A real, heartfelt Sanji laugh. Hearing it made you feel like you could breathe again.
He wiped his face and then yours, leaving his hands on either side of your face. 
"We can figure this out together, right? As long as it's together?"
"Together," you echoed.
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vamp-fag · 1 month
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hii!! i don’t really feel comfortable using my real name on here for safety/privacy reasons, so you guys can call me vamp!!
i’m 18, my sexuality is unlabeled, i’m gender-fluid, and i use he/they pronouns. i’m not on testosterone, nor do i plan on going on testosterone. i’m a virgin and i consider myself a switch. i dont mind receiving dms, but please do not message me for the sole purpose of getting you off. ask first.
DNI: minors, basic dni criteria, IF YOU SEE ME AS A GIRL IN ANY WAY, ed blogs, men dni blogs, adbl, terfs
HARD LIMITS INCLUDE BUT ARE NOT LIMITED TO (red means that i will not engage): necrophilia, bestiality, anything having to do with food, raceplay, misgendering, forced masc/fem, detrans, feet, vomit, scat, vore, rape
KINKS INCLUDE BUT ARE NOT LIMITED TO: degradation, praise, light pet play, light humiliation, blood, knife play, light cnc, intoxication (weed), objectification, dumbification, somno, (slight) fauxcest
preferred terms: cunt, pussy, dick, cock, clit, tits
things you can call me include but are not limited to: vamp, pup(py), mutt, fag(got), slut, whore, bitchboy
i’ll probably add more to this as time goes on :3
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DAN HIBIKI from STREET FIGHTER
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JUSTIFICATION:
"Although I personally headcanon them as nondysphoric genderfree (as in lacking gender in a fluid, free, whimsical way) I can see so many cases for Dan to be a trans woman or transfeminine nonbinary it's not even funny. To start off, although their appearance is heavily based off the very masculine Ryo Sakazaki and Robert Garcia (albeit chubbier than the two), their personality is based off the very much a tomboyish with a girly streak girl Yuri Sakazaki. In addition, starting from IV onward, they say lines that very much imply they lean in a transfeminine direction, albeit without changing their pronouns like an onee character (those characters are typically transfeminine or transfeminine coded) would. For instance, in one of their winquotes to C. Viper, at least in English, they say "you're a businesswoman? That's what I do too!" Implying they at least partially see themselves as a woman. Street Fighter V takes this even further with lines in the shop quotes (they run the in game shop) implying they have worn schoolgirl skirts, implying they want to wear a bikini, and even saying "You know who would look hot as a woman? If you guessed me, give yourself ten points!" in reference to the Demitri costume Ed has as DLC. The Japanese version of this quote takes it a step further with them calling themself a "number one bijin" in reference to the costume, with bijin being a gender neutral leaning feminine term for beautiful person. I rest my case." - @sunkern-plus
Reminder: Submissions are always open!
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whathorselegs · 2 months
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Skk gender and sexuality hcs?
My headcanons for gender and sexuality are always changing, it's kind of a "All is correct" mentality.
There's also the fact that I don't think Chuuya or Dazai are the labeling type in general. They grew up in the mafia, their experiences exploring sexuality and gender were probably not that great. It's not like the mafia has sex ed classes, you know? So I think they figured themselves out as much as they could, but they'd panic and have no idea what to say if someone asked them to actually define their gender/sexuality.
Currently I headcanon Chuuya as gay and somewhere on the asexual spectrum, but he has no idea why his relationship with sex isn't the same as other people's. (I think in general he'd have sensory issues because of all the physical trauma he's been through that could make sex too over stimulating for him sometimes, unrelated to his sexual orientation)
I also like the headcanon that Chuuya is a trans man, that his upbringing in The Sheep was so far removed from societal norms that he just said "Actually, I'm a boy" and The Sheep said "Makes sense."
For Dazai, I headcanon him as bisexual and demiromantic. Contrary to Chuuya, I think Dazai finds sex very easy and that he finds the physical side of relationships much easier to perform than he does the emotional. I think it feeds into his idea that he doesn't qualify as human. (To be clear, I'm not saying this is true!! On the Aro spectrum myself! It's just bad depression thoughts telling Dazai that.)
And for his gender I think Dazai thinks of himself as a cis man (because, like I said, lack of education around different genders) but he likes blurring the lines of what that means. His gender is more fluid than he knows, if he ever sat down to explore it, he'd probably find himself leaning towards a masculine nonbinary identity.
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firein-thesky · 9 months
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Act II
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|| kaeya alberich x afab!reader || E/18+ || hurt/comfort/fluff || wc: 37k || ao3 || masterlist || Act III -> coming soon! ||
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When you, a beloved artist and performer of Mondstadt, attract the attention of the Fatui, there is only one person you seek out for help; the infamous Cavalry Captain of the Ordo Favonius, Mondstadt's beloved bastard.
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minors and ageless blogs dni, 18+ only
❀ give me a world masterlist ❀
❀ for you are the world (as i am in pieces) - @lorelune ❀
a/n: hello! i am two days late, but here is the second act!! instead of splitting into multiple parts/posts, i just linked the ao3 at the bottom to continue reading! 37k is actually insane of me. i struggled a great deal with this act and it was the source of a lot of frustration but...i am ultimately happy with how it turned out <33 big shout out to my buddies @lorelune who helped me a lot and beta-ed parts, as well as @suguwu who beta-ed and gave me some great feedback on this act, and finally, @acerathia for beta-ing and giving me feedback as well! i am very appreciative of all your help! also please go check out lore's lovely diluc fic linked above as part of this collab!! without further ado, here is act ii! i would love to hear your feedback!! your thoughts!! your predictions! anything! thank you all for reading and i hope you enjoy <3
tags: afab reader (she/her pronouns but is rather gender fluid/binds her chest sometimes and presents both femme and masc), alcohol use, mentions of kidnapping, mentions of stalking/full on stalking from the fatui to the reader, smut, oral (f!receiving), use of "good girl", friends with benefits, somewhat unclear and messy dynamics, mentions of heartbreak/abandonment issues, bodyguard au technically, fake dating au technically, angst, hurt/comfort
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SCENE I
Somewhere dark and stone, dripping, and cave-like. Shadows press and shudder and shift. This is an unknown place and sharply different to Mondstadt’s gold and sky. Confined and cold. Each sound should echo softly or loudly, should repeat itself over and over again. 
Kaeya moves with his back to us, slipping among the darkness as if he might belong there. 
Kaeya has spent nearly an entire day attempting to tail one of the Fatui members he knows is keeping tabs on you. There’s three, he believes, and they rotate in shifts, much like he, Diluc, Jean, and Venti rotate being near you. 
For the first time in a long time, he hasn’t spent his entire day with you. Nor the previous. Venti stayed with you in your own home and now you’re with Jean. 
He hates to admit it, but he’s become rather accustomed to watching over you. 
But he needs answers for you, so he’s been running all over the city, searching for their reasoning. 
This is the closest he’s gotten to a new discovery; this ruin beneath the earth, ducking and weaving through an old, stone crypt of some sort. 
He realizes rather quickly it must be some secret meeting place for the Fatui in the city, especially those dealing with the Abyss Order.  
The narrow hall opens up into a larger space where an old desk, piled with papers and maps sits under lantern light. Shadows grow large and spindly on the floor. On the stone walls are photos and torn notebook paper, pinned and plastered together, a collage of secrets. 
Kaeya peers carefully from his hiding spot to get a better look. 
He wants to look at that desk, all the information atop it. He’s certain there must be something there of use, even a greater hint. But he needs this member to leave. 
Kaeya picks up a stone, smooth and cool to the touch. He has to play this carefully. 
There’s an adjacent hallway across this room. It leads to further darkness. And with the Fatui member’s back turned to him, facing the desk, if he can aim well enough, he’ll be able to–
Kaeya throws the stone and watches it sail through the air, finding it’s mark as it clatters into the bend of the wall down the hallway. He flattens himself to his own wall, waiting and listening. 
“Who's there?” The Fatui member calls and Kaeya holds his breath.
“Hello?” Again, before he hears their footsteps stride towards the hallway Kaeya had thrown the stone in and away from him. 
He waits as they retreat, deeper and deeper, echoing softly. 
He knows he won’t have much time now. 
As silently and quickly as possible, he rushes to the desk. His eye flies over all of the papers and maps and scribbling notes. 
Your name jumps out to him. He skims. 
Vision: Pyro 
Strength: Low
Intelligence: High
-Not a fighter
-Use discretion; known and beloved by Mondstadt and other nations. 
Kaeya searches harder, shuffling through the papers a little. 
There’s a ledger with all the places you’d gone, every single day. There are notes about where best to kidnap you and Kaeya’s stomach sours as he reads words like use force. And torture if necessary. 
But what is it they think you know? What would they need to torture out of you? 
He moves another piece of paper, only to catch sight of something that makes his heart stop. 
Your diary. 
There’s no mistaking it. He’d know it anywhere now. 
How do they have this? It should’ve been in his home or safe with you. 
Horror sweeps through him–they don’t–they couldn’t have taken you, could they? 
You’re with Jean, he tries to rationalize. Had you hidden your diary again? Had they found it? 
If you hid it, had you snuck away from Venti or Jean in the last day or so? His mind spins sharply. 
Footsteps echo. 
He’s out of time. 
He disappears down his own hallway, heart ricketing in his chest wildly. If they had you, would you be here? Should he search? Is he being unreasonable? 
He’ll go to Jean first. 
Use force. 
You’ll be with Jean. And if you’re not, Jean will organize a rescue party. He’s found their hideout. 
Torture if necessary. 
Kaeya breaks the surface of the world with a new urgency. The day is melting into evening and the light nearly blinds him a moment as he stumbles out. He doesn’t have time, he breaks into a sprint. His mind flashes hotly, imagines he wish he could never conjure. Images of you tied up, bloody, beaten–
He runs towards the city gates fast and hard. 
Strength: Low 
He shouldn’t have pawned you off on others–he should’ve stayed beside you. This whole time. He should’ve had Diluc look for the Fatui, he shouldn’t have bid you goodbye yesterday. He should’ve checked in with you. 
His ribs ache, his legs burn. He doesn’t stop. 
What was he thinking? You’re practically a sitting duck. He knows this. 
Not a fighter. 
You wouldn’t stand a chance against them. What if Jean is already searching for him because you’ve been taken? He imagines bursting into the city to find her or Venti or Diluc, with some pale look on their face. 
The knights on watch must know something is wrong as he runs beneath the gates–they call after him, but don’t stop him. 
“Where’s Jean?” He barks to the one trying to catch up to him. 
“Headquarters, I think!” 
Kaeya veers sharply for Headquarters. 
He prays he’ll burst through the door and find you there, with Jean. You’ll be pestering her as the sun sets, chirping and flitting around her office while she tries to get paperwork done. You’ll be there, he tries to tell himself, you will be. They must’ve just nicked your diary. 
He throws open the door to Headquarters, rounds the corner and bursts into Jean’s office. Jean is standing on the opposite side of her desk, back facing Kaeya and–
You’re nowhere to be found. 
His stomach drops. 
“Jean,” he says her name sharply, a note of desperation. “Where is she?” 
Jean turns, startled by his appearance, by his urgency, but–
“I left her with Venti. They said they were going to Angel’s Share to perform some songs.” Jean steps towards him, “why? What’s wrong?” 
“They have her diary.” Kaeya gets out, rushing out the door of her office. 
“Kaeya!” She barks after him, but he’s already pushing his way out of Headquarters. He won’t rest, not until he sees you, until you’re right in front of him. “What are you–where was her diary?” 
“I don’t know,” Kaeya snaps, taking stairs two at a time, “I thought it was at my apartment but she’s always hiding it and–” He breaks into another run, heading towards the tavern, “when did you leave her with Venti?” 
“I don’t know,” Jean gets out, keeping pace with him, “a few hours ago, maybe? I had a lot to do–” 
Kaeya curses under his breath. 
“I still don’t know what they want with her but–their notes were about using force. Or–” he can’t get the word out. “They think she knows something.” 
“About what?” 
“I don’t know.” Kaeya bites out. 
He rounds the corner to Angel’s Share sharply and Jean takes it with him. 
“I’m sure she’ll be here with Venti.” Jean gets out, attempting to be calm with him. She’s attempting to be a leader. 
Kaeya throws open the door, gaze flying across the room and–
He doesn’t see you. 
His blood runs cold. 
For once, he wishes it was Diluc at the bar, but it’s Charles. 
“Has Venti been here?” And then he asks for you, too, says your name with a shot voice. 
Charles shakes his head, “haven’t seen either of them at all today. They were supposed to play music tonight, I think–” 
Kaeya doesn’t let him finish. He rushes out. 
He has half a mind to start shouting like a lunatic for you, all over the city, wandering like a mad man with your name a cry on his lips. 
“Maybe they went to her house before–” Jean tries to rationalize, but he can tell she is beginning to fret, too. 
Kaeya is already ahead of her, rushing towards your home on the hill in the city. He can’t help his pace, the run he breaks into again. He tries to think of you throwing open the door, laughing at his worry. Where else would you be? He wants to hear you say. 
But when he pounds on the door, there is no answer. Not a peep. Your little space is quiet. 
“Do you have a key?” Jean asks, but Kaeya doesn’t have the time. 
He takes a step back only to kick in the door easily, letting it fly open on its hinges. 
(He promises he’ll get you a new door, a better one, one that isn’t so flimsy–that could be so easily broken into. He thinks of you asleep here, with a door like that, and his worry grows insurmountably.)
He shouts your name as he enters. 
No answer. 
He storms the place. Your bedroom, your bathroom, all familiar and all so empty. 
“Venti!” Jean calls, and then your own name, too, as she searches. 
Nothing. 
“You know how they are,” Jean tries to rationalize, “they’re always getting up to trouble. They could be anywhere.” 
“That’s what I’m worried about,” Kaeya growls, rushing past her and back out the door. He’s beginning to panic. He can feel the tendrils of it creep up his chest, wrapping like vines around his poor throat. His head is growing foggy, warped with his fear. All he can see is you being dragged away. 
Use force. 
His mind feels hot, too sharp. 
Torture if necessary. 
“Kaeya,” Jean barks his name, rushing to catch up to him. 
Her voice is a balm, he wants–she should–
“I’ll try to get ahold of Diluc and send word out to search the city for her.” Jean says and her voice is filled with authority now, level-headed and steady, “where else would she be?” 
“I’m going to my apartment.” Kaeya says, mind narrowing, “in case she’s–I don’t know–” 
“Go,” Jean agrees, a command, “and if she’s not there, keep searching–you know her hiding spots now.” 
Kaeya nods dazedly. 
Jean grabs him roughly, on the arm, jerking him to face her. One hand coming down on his shoulder. 
“We’ll find her.” She promises and she dips her head a little to force him to meet her eyes. They’re all stone and determination. The eyes of a leader. “Do you hear me, Captain?” 
Kaeya nods, more assuredly now, “yes,” he agrees, finding his voice, her eyes. 
She shoves him a little, a push to go, “I’ll reconvene with you shortly. Stay sharp.” 
Kaeya doesn’t need another moment; he picks his eyes up to catch the city skyline of Mondstadt, of his apartment in the distance. He breaks into a sprint. He tries to focus only on his breath, on the way his feet carry him swiftly, weaving in and around the city. 
He tries to force away what he’d seen. 
He bounds for his home, feels his heart and fear ratchet up inside of himself. He’s imagining his home empty. 
He’s imagining you gone. 
He’s imagining the door shut tight and locked, how he’d left it, and you’re nowhere to be found. A cold space. An empty space. 
He takes the stairs two at a time, he tries the door and it–it’s locked still. 
He doesn’t pray. He’s not a religious man. And that stupid Archon–
Is sitting perched on his kitchen counter, overlooking the living room.
“Ssh,” Venti hisses, finger to his lips, as he points to his couch. The one Kaeya has slept on nearly every night since this whole ordeal started. The one you are currently occupying, curled up beneath the blanket he usually uses, sleeping soundly.
Or, you were. 
You blink awake, slow, confused. 
Kaeya rushes to your side. 
He kneels. 
The door is left ajar. 
“You’re here,” he gets out, winded, rough. 
“Kaeya?” Your voice is so small and confused. 
Without thinking, he brushes a strand of hair from your face as gently as he can, hands shaking. He’s still panting, chest still heaving. But–
“I’m here.” He says then, astonished, relieved. 
He wants to pull you off the couch and into his arms. He wants to hold you. He wants to collapse on top of you. 
He falls back onto his bottom, breathing hard, all his fear leaking out of him swiftly. “Oh, you’re here.” He says again, voice breaking, as if to assure himself. 
You sit up, eyes pricking with concern, “what’s wrong?” you murmur, “where else would I be?” 
Kaeya can’t even speak yet, but he laughs, delirious, out of breath. 
“No where.” He says, “I thought–you were–” 
“She was trying to nap,” Venti finally speaks up and his eyes are far too keen. “Before our performance tonight.” 
Kaeya looks at him. Venti looks back. 
The door is open. 
He heaves out a rough breath. He hangs his head between his shoulders. He tries to calm himself. 
“I need to tell Jean to call off–” he laughs, “oh, Diluc is going to lose his mind.” 
“Call off what?” You ask.
“Your search party.” Kaeya finally can get out. Your face brightens to shock. 
“My search party? Kaeya–”
“Venti, why don’t you find Jean and tell her where you’ve been? Before the whole city turns upside down looking for her.” Kaeya then says. He won’t look at him but he can feel Venti’s eyes on him.
But then Venti laughs, and chirps, “aye, Captain!” 
And he flits out of Kaeya’s home. 
Venti shuts the door behind him and seals you away with him. Kaeya exhales roughly again, elbows resting on his knees. 
“Are you okay?” You ask for a second time, so sweetly. So sincerely. You lean towards him like you want to touch him. 
And he wants to say, I was scared. He wants to say, I was terrified of losing you. I could’ve torn the whole city apart looking for you. He wants to say, I’m so relieved to see you. Hold me. Let me hold you. 
Instead, all he says is, “they had your diary. And I thought–” 
The door is shut tightly. 
“Oh,” you breathe, “I left it at home, the last time we–” 
“They must’ve broken in.” He agrees softly. And then he looks rather sheepish. 
“What?” You ask, as if you know. 
“I broke in. I owe you a new door.” 
“Kaeya!” You scold, “why did you–why were you so–?!”
“Jean and I thought you were kidnapped!” Kaeya defends himself.
“Kaeya–” 
“We were searching for you. Since you weren’t in any of the places you were supposed to be.” He begins to scold. 
“Kaeya,” 
“Didn’t I leave you with Jean? You should’ve stayed with her.” 
You suddenly launch forward, arms wrapping around his neck, falling from the couch and onto his body. His breath is almost knocked out of his lungs for the millionth time today because of you and surprise colors his face. Raises his brows. 
You hug him tight, face pressing to the crook of his neck, a bundle in his lap. 
“I’m okay,” you murmur, “I’m right here.” 
His arms, which had come up in surprise, finally settle over you. They wrap all the way around your shoulders, your middle, pull you closer, and he’s sure his heart is such a mess in his chest. He’s sure it sounds like a disaster. 
But you press harder into him, fingers digging into his muscles. 
“I’m sorry I scared you,” you say, and then your voice tilts upwards playfully, “didn’t think you’d really send the cavalry just because–” 
He pinches your side. 
“I had reason to believe–!” 
You start to laugh, into his throat. You shift to pull away and he wants to keep you there, he wants to hold fast to you and not let go. He wants to cling to you. But he lets you move away to look at his face once more. 
You look at him in a way that just makes him feel naked. He wants to hide. He wants to say something clever. 
“Thank you,” you suddenly say. 
“For what?” Kaeya laughs, “causing a ruckus? Waking you from your nap?” 
“For coming for me.” You cut him off. “I feel safe with you and this just proves that–” 
Kaeya slackens a little, perhaps surprised or unsure or–you always leave him wobbly and uncertain. You always disarm him so swiftly, so viciously. 
“Of course I’d come for you.” Kaeya says and he does mean it. He softens it’s truth with, “it’s my duty.” 
But that night, you don’t ask him to sit beside you as you fall asleep–he does so anyway. You don’t say a word, except to ask him for another bedtime story playfully, except to hear him speak, as you always do when he stays with you. 
You didn’t ask but he needed to. 
It’s not his duty, but he wanted to.
He can’t imagine not watching you drift off to sleep tonight, of all nights, when he thought he’d lost you. 
He watches you sleep soundly in his bed, back rising and falling as you curl around one of his pillows, cheek endearingly squished against it. He doesn’t sleep. 
The door is locked tight. 
And even though it's not his duty, he watches over you, anyway.
***
SCENE II
On the docks of Cider Lake in the early afternoon sun. Venti is perched beside you, plucking lazily at a lyre. Your feet dangle off the dock, swinging like a child. The sky is endlessly blue. Clouds are like sleeping rabbits in the sky. The wind kisses you. 
“I feel their eyes most when I’m with you.” You say suddenly, glancing at your companion out of the corner of your eyes. 
A note strums from Venti’s fingers. He hums lightly. 
“Not sure what the Fatui would want with a measly bard.” Venti shrugs, “maybe they think I’m the weakest of your guards.” 
“Maybe,” you say, but you don’t believe that. You don’t believe it because–well, because you noticed them following him first. At first, you weren’t quite sure and you had mentioned it to Venti, but he’d shrugged you off. 
Breezy as ever. He’d pretend there was nothing to worry about. 
You turn towards him and look at him before you murmur, low enough that any ears listening would only catch the sound of the gently lapping water, “why were the Fatui following you?” 
“I believe I’m supposed to ask that of you,” Venti replies with a smile but you can tell, there’s a chipping like a porcelain teacup losing a piece of its lip. 
“I wasn’t sure at first,” you tell him softly, eyes glancing out over the calm lake, “but then I caught them intercepting letters and messages of yours. I caught them in the belltower and I knew.” 
The belltower in the cathedral was a place Venti had shown you early in your return to Mondstadt. He’d told you it’d been a place that he came to play music, to look out at the world below. A secret place for him, now for you; a gift, he’d said. Places are a gift to give the people you love and secrets are, too. 
Then you’d caught a Fatui member snooping through the hidden items Venti had left there; music sheets, maps the two of you had crudely drawn, and old clues to scavenger hunts long past. 
The two of you had always liked sending the other all over Mondstadt; it’s why you hide your diary. He hides new songs he wants you to learn. You’d leave clues, games to play, puzzles to solve for each other. 
Venti plucks out a few, odd notes on his lyre. Goosebumps erupt over your skin.
“You don’t think I have dealings with them, do you?” Venti asks queerly. There’s a funny sound to his voice. 
You shake your head quickly, “Archons, no.” And then you tilt your head, “but I did what I do best.” 
A wrong note. It rings discordant in the air. 
Venti looks at you. 
“You didn’t.” He almost begs, but he knows. 
“Of course I did.” You respond and Venti looks genuinely distraught. So you add, “nothing terrible–but I wrote you false letters. I led them on a goose chase a little, like I always do when the Fatui gets too close or comfortable in Mondstadt.” 
Venti shakes his head, “you shouldn’t have meddled here.”
“They’re looking for something of yours, aren’t they?” You ask slowly. 
Venti, for once, is quiet. The wind catches on your clothes in a burst. It’s confirmation enough. 
“So I sent them all over Mondstadt with puzzles and clues and fake letters.” You said, “and really, I thought it was harmless but–” 
“Did you tell this to Kaeya?” Venti asks.
“Not specifically this. I always toy with the Fatui when I can, though, he knows that.” 
Venti shakes his head slightly, fingers digging into the wood of his instrument, “and with all the hiding places and riddles between us, I’m sure they–” Venti stands abruptly, “I need to speak to Kaeya.” 
You stand with him suddenly, “why? What for?”
Venti frowns at you and it’s an expression you hardly ever see him wear. 
So you press tenderly, “what are they looking for, Venti?” 
“You’re such trouble,” Venti replies and his voice catches with emotion; he doesn’t  mean it meanly, in fact it’s–well, it’s fond. Mournful, almost. The wind rushes past the two of you, stronger now. Water laps at the docks. 
“Give me a clue.” You try to charm him but it sounds more like a plea. “Like always. I’ll figure it out and you won’t ever have to say it outloud, if you’re that scared.” 
Your heart feels like a brewing storm in your chest. Venti has never hidden things so openly from you. It frightens you. 
But Venti shakes his head for once, small and soft. “Not this time, my friend.” 
“Venti–” 
He suddenly looks away, down towards the other side of the dock, where the cobblestone of the street meets the wood. Kaeya is standing there, waiting to relieve Venti and walk with you to Springvale for rehearsal. The gold of his coat glints in the afternoon sun. He looks like a knight. 
He waits for you. 
“You have rehearsal,” Venti says, and his smile doesn’t quite reach his eyes, “go.” 
“Please, will you tell me?” You ask again. You swallow hard around sudden tears; stupid and silly but–aching. You can’t name why you feel like crying, only that you can tell something far larger is on the horizon. 
It hangs like a storm. 
You can feel its pressure, now more than ever. 
Tell me, you want to beg him, you want to sing, you want to scream. Let me help you, let me in. 
Venti looks at you with love and affection and sadness. He looks at you with a heaviness you can’t name, but can taste. It’s ancient. It’s otherworldly. You want to hold him. You want to hide him from the world. 
“Not yet,” he replies. 
“Why not?” Your voice breaks as easily and fragile as a bird’s wing. 
Venti smiles sadly, “because if you knew, you’d put yourself in even more danger than you already have for me.” 
You open your mouth, but he continues;
“And this isn’t your battle.” He turns away, eyes glassy, but waves at Kaeya, as if nothing is wrong. He smiles at you, watery and fond. 
“Besides, you’ve never been much of a fighter in the first place.” 
***
SCENE III
In the living room of Kaeya’s apartment. Soft, evening blue light through the windows. Hazy, dark shadows. You’re curled up on the couch, legs tucked up underneath you, with a cup of tea held in your palms. You’re ready for bed. Kaeya enters from his office with a stack of letters and papers; what the audience can see of his face is that he’s somber for once. He casts the greater shadow.
“Will you tell me again why you thought it was a good idea to toy with the Fatui?” Kaeya asks and in his hand, he has only some of the letters and maps and sheet music that you’d been leaving for Venti. 
Or, the Fatui. Since you knew they were rifling through Venti’s things. 
“I always toy with them.” You reply simply, taking a slow, burning sip of tea. It’s chamomile and rose. A hint of cinnamon. Kaeya prepared it for you before disappearing to do some work in his office. You swallow. “And I never said it was a good idea.” 
“Then why do it?” 
“Why are they following Venti? What are they looking for?” 
Kaeya lets out a sharp breath, perhaps growing impatient. “I don’t know. Right now, I need to know why they think they need you to find it, though.” 
“Well, I made it seem like I had whatever they’re looking for.” 
You watch Kaeya freeze for a moment and if you weren’t so intuitive and just a little wittier, you’d make some sort of joke about cryo and freezing in place. 
“Why?” He demands suddenly. 
“I wanted to get them off Venti’s back.” You say, “this is what I do when the Fatui get too close to the people I know. This is what I do when the Fatui think they can stick their hands in Mondstadt. Someone has to teach them a lesson.” You take another little sip of your tea, and then add, “and I don’t have a sword–my weapon is my pen. My voice. My wit.” 
Kaeya shakes his head, “you don’t even know what you’ve gotten yourself into.” 
You gesture smoothly, “then enlighten me.”
“This is bigger than you, do you understand that?” Kaeya then says and you don’t think you’ve ever heard him quite so stern. 
His face is shadowed. It’s growing darker. 
“Sure,” you say easily, “that’s why I had to intervene.” 
“I don’t think you actually understand.” Kaeya says and his voice has grown more serious, imperative, a little lower. 
“I’m not an idiot,” you snip, “clearly! Since I’ve managed to fool the Fatui and send them running all over Mondstadt.” You can feel your hackles rise a little, heat swimming in your chest, up your neck. “And most importantly, away from Venti–since he’s got some huge secret that no one will tell me!” 
Kaeya moves suddenly to sit on the coffee table in front of the sofa you’re on. Your knees nearly brush. He splays out your letters and music sheets and maps. “Why didn’t you come to me before doing all of this? Before involving yourself?” 
“Because I always mess with the Fatui!” Your voice raises and you finally move to set the tea cup beside him on the coffee table. “I didn’t think it was any different than any of the other times!” 
“The Fatui aren’t just–” Kaeya gestures, papers crinkling beneath his grip that has grown tighter with his own frustration. “–some band of half-wit politicians or merchants for you to toy with! They’re dangerous.” 
This quiets you for a moment. And then, “so? A lot of things are dangerou–” 
“So?” Kaeya repeats, “so?! You’re not even–” he laughs, but the sound is scraping and hollow, off-kilter. It’s disbelief, almost a scoff, “you’re not even a fighter. You’re not a Knight or a warrior. You’re not even an adventurer of some kind.” 
Silence stretches between the two of you. 
“Can you ever trust my own judgment and intuition? I have made it this far–” 
“But you’re reckless.” Kaeya says, “specifically, you’re reckless with yourself. You know the Fatui are dangerous–it’s why you’re worried about Venti, right? It’s why you intervened.” Kaeya says and then his voice gentles, “so why don’t you have the same concern for yourself?” 
You feel your jaw lock. It ticks. 
You look away from him defiantly, out towards one of the windows, blue with the evergrowing night sky. 
It strikes a strange note inside of you. You have concern for yourself, you want to say, you came to him, didn’t you? Eventually. 
But it doesn’t negate what you did, which was reckless. He’s right; you could’ve turned to him immediately, you could’ve gone to Diluc or Jean or him. But instead, you tried to distract the Fatui; you tried to dance and sing and entice them onto the path you’re on, instead of the one Venti is on.
You gave them a performance. And now, with all their eyes set on you, like the hungry, vying eyes of an audience, a predator, you are in danger. 
“This isn’t a game anymore. This isn’t funny or—or breezy. You’ve gotten yourself into real danger, do you understand?” Kaeya then says and you can tell he’s trying to get you to look at him again. 
“I have you and Jean and Diluc to—“
“But your recklessness got us all here. You rush head first into—into everything, without regard for yourself.” Kaeya continues. “You’re an open book. You wear your heart on your sleeve—it’s like you have no self preservation whatsoever.” 
You sit in silence. You cross your arms over your chest and you feel a hard, little ache in the pit of your throat.
He’s chipping away at something inside of you, something already too tender to take the beating. 
“It’s not a bad thing to be open.” You say and your voice is tight, thicker than it should be. 
“No,” he agrees, “but you have no regard for yourself and all of it for everyone else.” 
Tears prick your eyes, much to your dismay. 
You know the reason. You can feel it, somewhere in the back of your mouth, down where your throat is tight. 
You can’t lose Venti. 
Venti could lose you, you’ve decided. The world could lose you. But you are so terrified of loss and really–you must’ve been easy to leave if–
If it could be done so effortlessly. 
(You think of yourself as a child and your father setting you down for the last time. You think of yourself at an altar, forever waiting, the way you waited for your father your whole life.) 
Venti can lose you. 
But you can’t lose Venti. 
You hope that maybe if you give enough of yourself to the world, it will need you bad enough to never lose. You think one day, it’ll fill the empty, aching wound inside of you that has been just left to dry out. Crack and splinter. 
Sometimes, you think if you scare someone bad enough, they’ll look at you and say they can’t lose you. You think maybe if you scare yourself bad enough, you’ll finally look at yourself and say I can’t lose you. 
“Don’t cry,” Kaeya hushes softly and you wipe quickly at the tear that has freed itself to slip down the slope of your cheek. 
It makes you want to cry harder, for some reason, for him to be so tender now. 
He sets the papers down beside you on the couch finally. He reaches out and touches your knee, broad palm surprisingly warm, as he rubs a gentle pass with his thumb. 
“Why are you crying?” Kaeya then asks, coaxing, gentle.
You sniff hard. 
You dig a little, you search for the answer. Is it because you’re careless with yourself? Is it because you’re scared now? Is it because he pointed it out at all—that he noticed enough, saw through you enough, to finally say it? 
Is it because—
“I worry about you.” He says when you don’t answer him. 
—you’re worth fretting over?
You shake your head a little, perhaps in an attempt to disagree with him, perhaps in an attempt to reassure him. But nothing comes out except another few tears. 
You try to keep the sob back, the noise trapped with the reason in the back of your throat. You fear what will come out. 
“I’m sorry,” you manage to whisper and when you finally turn to face him, he’s right there, and for a moment, you think he might move further to hold you. You think you might just slide into his arms. 
You hold your breath. 
You think he holds his, too. 
“I don’t need an apology.” Kaeya finally murmurs and he doesn’t fold you into his arms, but he turns up his hand on your knee carefully. His palm, an offering. “I just need you to be more careful.” 
Slowly, you slide your hand into his. 
You’ve held his hand plenty now, know the rough scrape of his calluses against your own, but it has never quite felt like this.
Real. Weighted. 
He folds his fingers between yours gently. Your hands lock together, woven, knuckle over knuckle. Palm to palm. 
You’re both watching your hands, enamored, maybe terrified. 
You cling to him in a way you haven’t clung to someone in a long, long time. 
You think you’ve tried to hold onto everything like this; with too much force, gripped in your rebellious fist. You think everything you’ve ever held must’ve been crumpled and ruined from your grasp, you think everything must have the indents of your fingers permanently etched there. 
You want to squeeze, you want to bear down on his hands like a dog who finally caught a bird. 
“Can you promise me that?” Kaeya prompts gently when he doesn’t receive a response from you. 
You glance up at his searching face, the way he’s watching you carefully, scouring to see any flicker of emotion. 
You nod a little, jerky, unsure. 
“Will you say it for me?” He murmurs and dips his head a little to keep your straying gaze. 
You swallow hard around the lump in your throat, tight and hard. 
You feel your eyes fill with tears again. 
But still, you manage to croak, “I’ll try to be more careful.” 
You can tell the response displeases him somewhat; you can tell he wants more. But anything more right now, may feel like a lie. 
And you’re no good at that. 
“Okay,” Kaeya agrees, “thank you.” And then he adds with a gentle lilt, “I’m sorry for making you cry.” 
You laugh a little through your tears, “it’s okay–” you mumble, letting your eyes fall back to your intertwined hands. “I probably needed to hear it.” 
His thumb makes a slow, comforting pass over the back of your hand. 
For a moment, the space fills with silence. 
You watch the careful sweep of his thumb, you watch the flex of his  hand, the veins against his wrist. You can feel the room fill with something more, a growing of a feeling, stretching amongst your ribs. Perhaps amongst his. You think there is something blooming inside of him, something he’s terrified of, something you’ll always long for. 
(If you could feel his pulse in his wrist, it would be jumping, picking up in a fierce little tempo.) 
He’s tenser now, you realize. His breath is caught somewhere in his chest, like he might speak again. 
You wait for him. 
He opens his mouth. 
But then after a moment, he closes it. 
You pick your head up to examine his face, to try and discern what it is he wants to say now. 
And mostly, it’s a mask of causality. 
(His trembling heart is the only thing that gives him away now.)
Maybe, the depth of his eye, or maybe it’s only a trick of the light. 
You want to say, what is it? Or prompt him for more. You want him to speak what is so clearly on the very tip of his tongue. 
Tell me, you want to say, tell me what seems to scare you so badly. 
“I–” he starts. He stops. 
And then neither of you speak and the tension stretches and something inside you grows. You cling to him harder without realizing it, as if anticipating the way he’ll pull away. You don’t want him to go. You can feel it, your heart unfurling for him, you can feel the way he holds you, too. 
In the same way that you hold him. 
You hope he leaves indents in your skin. You hope he never lets go. 
“Yes?” You prompt gently. 
But then he clears his throat and glances away. 
The spell is broken and he forces his hands to loosen from his own hold on you. He forces himself to recede and to calm his heart. You watch as he mentally pulls away from you. You force yourself not to cling harder to him, to catch his hand and hold it close to yourself, to pull him closer to you. 
He says, “Mondstadt cares very deeply for you–and you for Mondstadt. I only wish–” he draws in a small breath, “that you’d afford yourself the same care.” 
You wonder what he was going to say instead. You know this is not his original thought, but the secondary, more distant one. You almost want to ask him, you want to needle and beg, but you know Kaeya well now. 
You know he doesn’t say anything he hasn’t carefully thought about or that he doesn’t want you to hear. 
Still, it manages to make you soften, to make tears press again behind your eyes. 
You turn to tuck your face into your shoulder, like it may stop him from seeing you cry. You squeeze his hand like a lifeline. 
“Oh, look what I’ve done now.” He says and his voice is light–he’s teasing you gently, holding you tighter again as you laugh now and sniffle, fingers still digging deep into his hand. 
“I’m sorry–” you mumble, “Am I hurting you?”
You loosen your grip on his hand. 
“I’ve been through far worse,” he soothes, running his thumb back over the dips and plains of your hand. 
You try to keep yourself from bursting into heavier, harder tears. You can’t even quite name why; your care for him, or his for you. The fact that he won’t name it, or because you’re scared he’ll leave if you do. 
You’re nearly trembling with it; you’re afraid he’ll say one more word, one more phrase and you’ll simply fall to pieces.
You don’t know what it is about care; but when someone is gentle with you, it makes you feel as if they’ve torn you to shreds. It turns you inside out. It turns you into a child again, desperately seeking it out. It feels foolish now sometimes, over dramatic.
But Kaeya holds your hand and you take deep, shuddering breaths until you don’t feel as if you’re going to bawl your eyes out anymore. 
You don’t want to stop clinging to his hand, though. 
“I should get to bed,” you finally say, if only for him, if only to give him an out because it’s easier than if he finds it himself. You’re too fragile for him to pull away first tonight.
So you slip from his grasp and stand. Your legs feel a little wobbly, unsure of yourself. He looks up at you, from beneath the fan of his dark lashes. You swallow hard, around the tears, around whatever it is he makes you feel. 
You can still feel the pressure in your hand, the way his fingers feel against yours. 
Again, he looks as if he wants to say something. 
You wait, expectant. 
And again, he lets it fall. 
Instead, he says, “yes–it's another early morning. I’ll let you sleep.” 
He stands now, too, collecting the papers, gathering them into his hands carefully. All of your wit and love and craft. All of your recklessness in the palm of his hand.
“I’m going to stay up a little longer,” he says then, “if you need anything.” 
Now it's your turn to look up at him. 
And there must be something too raw, too sincere in your eyes, because he can’t look for long. 
“Kaeya,” you want to draw his gaze back to yours, but he doesn't quite reach your eyes. Still, you need to say, “thank you.” 
“For scolding you?” He asks, light, too light. He tries to create distance. Coldness. 
“For caring about me.” 
He swallows. He doesn’t confirm or deny it. But he looks guilty, a man held back, everything carefully in place. Not a word misspoken, not a look out of place. Sometimes, you have the urge to destroy that veneer. Sometimes, you want to know what he looks like without all his thoughtfully placed appearances. 
You wonder if you will ever see him like that. You wonder if he will ever tell you more; if he will ever let you in. 
You think maybe you will stay like this forever, close to him, but not too close. 
With care, but without it spoken. Always in the blue dark and never in the dawn. 
He clears his throat, “it’s my job to look out for you.” 
Your heart falls a little, sharp, like a plummeting note, a tight draw of the strings of a discordant chord. You swallow around the lump in your throat. 
“Yes,” you agree distantly, nodding your head, “I suppose it is.” 
“I’ll be in the office.” He says because he must slip away from you now. You think when he gets too close, he grows scared of being burned. 
He closes the door behind him.
You watch it for a moment, steady. 
You wonder if it’ll stay like this forever; always on the other side of the door. 
When you go to sleep that night, you leave the bedroom door ajar, as if to prove something. 
But in the morning, you find it shut tight. 
At rehearsal, you’re somewhere else, off in your mind. Though you say your lines, you feel as if you miss them, like they’re coming out automatically, half-hearted. 
And the only ones that rings true, that resonates throughout the stage is one you’d previously thrown away;
“Hold on tight–don’t let go.” 
This time, your voice cracks with it, breaks over the don’t. 
That night, Kaeya presents you with a bouquet of flowers; a show in front of the world. 
And when he brushes his knuckles against yours, you eagerly slip your hand into his as you walk home. 
You don’t even care that it’s for the world and no longer for you.
You are, if nothing else, a good actor (or of foolish heart);
So you pretend it’s real, with the flowers he gave you nestled into the crook of your elbow, and his hand curled around yours. You pretend that you are walking home with your love, and the sun is setting, and you are filled to the brim. 
You laugh as if that’s the case. You lean into him as if that’s the case. 
You knock into him as you walk, desperate to be close, to feel his side against yours. You are desperate to have more of him; all his attention, all his affection. 
To not feel like a world away–or like there’s a door between you, one that you don’t know if he’ll ever open or not. 
***
PRELUDE TO SCENE IV
Springvale in the afternoon, the sun warm and bright; it makes everything sparkle, almost radiant. The grass seems lush and full, the lake is shimmering. 
Klee eats cut fruit happily beside you at a picnic table. You steal a piece or two from time to time. Kaeya sits across from you and Klee, his back to the audience.
“Are you and Kaeya boyfriend and girlfriend?” Klee suddenly asks around a burst of valberries. 
Despite everything, you feel your heart tick up in a strange, sharp tempo. 
Your eyes fly to Kaeya, who's already looking at you. 
You share a silent conversation with each other and a series of increasingly dramatic expressions;
What should we tell her? 
The truth? 
What? No! 
Then you tell her–
“Yes,” Kaeya finally says, “we are boyfriend and girlfriend.” 
Klee picks her head up, perhaps surprised at his answer. “You’re dating?!” She asks, louder now and you can’t help but laugh. 
“Yes,” Kaeya lies, perhaps for any eavesdroppers, “we’re dating, Klee.” 
She looks between the two of you. 
“Miss Jean said you’re in love with each other.” Klee says casually and that makes both of you freeze momentarily. 
You feel heat rush into the high points of your face. Your mind whirls, spins into overthinking. Why would Jean say this? To keep your covers? A kinder way to say it to a child? 
For a moment, you fear Jean knows a part of your heart that you fully haven’t gotten to know yet yourself. 
You fear there is some truth to it. 
(Perhaps love is too strong of a word but—)
You adore Kaeya. 
You have your whole life, you think, from when you were young and chasing after them with childlike, outstretched hands, to adulthood, where you have always held respect for him and now—
Something more, perhaps, after all your time with him. 
How could you not? What chance did you have against him, anyways? 
(You hope he doesn’t dare read your diary again. 
You suddenly worry that Jean has instead.) 
You’re almost fearful to catch Kaeya’s gaze, you swallow hard, but force yourself to. And when you do, you realize he’s–
Amused. Near laughing.
That absolute bas— 
You kick him underneath the table and he yelps a little. You hide your snicker behind a hand against your mouth. 
“We care about each other very much.” You tell Klee, sobering. 
“Are you gonna get married?” She asks then, just as casually, around another piece of fruit. 
Kaeya makes a noise of surprise, “married?” He asks Klee, “where are these questions coming from?” 
“I thought if you’re boyfriend and girlfriend, then you get married.” Klee responds. 
“Sometimes,” you agree, nudging the bowl of fruit closer to her little hands so that she can reach the last few pieces better. “But right now we’re just boyfriend and girlfriend.” 
Klee hums around her berry. 
And then she looks up at you, “do you guys kiss?” 
The word kiss is punctuated with disgust, almost sick curiosity; as if she might not be able to believe it. 
It makes you choke, then stutter into a laugh. Kaeya laughs as well, full and surprised. 
“People who are dating do tend to kiss, Klee, so yes.” He says, amused with her. He catches your eye across the table. You swallow hard with the way he gazes at you, infinitely pleased and laid back, deeply amused. By you or Klee, you’re not sure. Still, you can’t help the smile that touches your lips, perhaps just as entertained, perhaps a little rueful. 
“Gross,” she declares. And then she looks at Kaeya, “do you think she’s pretty?” 
You look at Kaeya expectantly, propping your chin in your hands, and sing, “yes, Kaeya, do you think I’m pretty?” 
He smirks, leaning back in his seat a little, and a fissure of heat rips through you. You bat your lashes for him. 
“I think you’re beautiful, darling.” Kaeya croons, sweet as ever, and enough to make you damn near melt. 
You can feel heat in your face, despite it all. You feel like a teenager. You feel like a girl with a crush, a boy with his love in front of him, and not a clue what to do. Bumbling and suddenly young, graceless. 
A pang hits you squarely in the chest; you wish this was real. You wish he was being honest. 
Klee squeals in embarrassment or surprise. “You’re going to get cooties!” She tells you. 
You use her as a distraction, leaning down a little to conspire with her, “Kaeya does have cooties.” You agree in a faux-whisper. “But I have the antidote.” 
“You do?” Klee asks, “what is it?”
“Its a secret recipe,” you begin, putting on a good show of trying to come up with the ingredients, “but it certainly starts with the essence of butterflies.” You glance over at the field behind you, which you know is teeming with butterflies.
You used to chase them here in your youth until the sun set and the fireflies sparked to life in the evening dark. And then you chased their soft, blinking lights until the other kids were called home. And it was just you and the rolling fields and endless night skies and bumbling bugs. You’d try to carry one home with you so you wouldn’t feel so lonely. 
Klee follows your gaze and watches as one of the butterflies flits and flutters. 
“Can I ask for your help, little Spark Knight? Will you carefully catch me a butterfly? Don’t hurt it, though, we need it alive for the antidote.” 
Immediately, she is perking up, jumping up from her seat. 
“You can count on me!” 
She bounds off into the field of swaying wildflowers. 
You turn back to Kaeya. 
His eye is soft, perhaps fond. 
Before you can loose your bravery, loose your courageous little heart, you stand and move to his side of the bench so that you can watch Klee. 
Your shoulder brushes with his. Your thigh touches his. You’re aware of it all, sharply, keenly. 
He looks at you and you gaze back up at him. For a moment, you get swept away in his star-blue eye. The bend of dark lashes. Like the butterflies in the field, your heart flutters, feeling as delicate as their wings. 
“Careful,” Kaeya says softly, so smoothly that his voice could be a melody, “or people really will think we’re in love.” 
Heat smarts your face again. But you tip your chin up because you’ve never shied away from a challenge before; “why do you say that?” 
Kaeya suddenly reaches out and carefully, as if you might fall to pieces at his touch (and really—you think you might), takes hold of your chin. His thumb barely brushes your bottom lip. Then he says, “the way you look at me.” 
“You were looking at me first,” you accuse but your voice is hushed. 
“And you shouldn’t melt when I touch you.” 
Your stomach swoops like a bird in the sky and then soars. Your lashes flutter. You’re close to him—almost nose to nose. And now you really do think of kissing him like he’s actually yours. As if he could be. 
His eye drops to your lips, thumb inching upwards. 
“Then you shouldn’t touch me so.” You murmur, earnest, and if your voice is soft with pleading—a pleading for what, you can’t tell—then whose to say? “Like—like you want to kiss me.” 
Your nose brushes against his. 
“Don’t—” his voice sticks, “don’t kiss me. No one’s even watching.” 
“Do you not want me to?” 
“Yes, I want—” he stops. 
Your heart sings. I want, I want, I want—
He swallows, “we shouldn’t, though.” 
“Why not?” You dare to ask, hands drifting to his chest, his collar bones. 
You can almost, almost feel his smile, slow and fond, “well, firstly, you’ll get cooties…” 
“Kaeya,” your own smile is a warm curve that you want to feel against his.
“Secondly,” He begins, drawing in a soft breath that you feel beneath the palm of your hand. 
“I have a butterfly!” Klee shouts, head suddenly poking up from the wildflowers in a burst of petals. 
You and Kaeya jolt away from each other, hands drawing back into your laps, facing away from each other as if teenagers caught by your parents. Heat zips through you in a rush. 
He almost—you almost—
Something in your chest bats its wings, excited, elated. It takes to flight. A smile overtakes your face, winning, determined. 
Oh, you think, glancing at him as you head to Klee, oh, you want me, too. 
She opens her little hands for you and the moment she does, the butterfly escapes into the sky—taking to flight. 
You laugh as she squeals. 
She races after it. 
And then you do, too. 
In an instant, Kaeya has joined you, too. 
And it dissolves, the sun slowly moving throughout the sky, into running and chasing and laughing. The joyful sound of your laugh, of Klee’s excitement, of Kaeya’s fondness. 
It melts like the sky, like your heart, like the way you do when Kaeya touches you. 
There’s a moment, quick, when you’re in the wildflowers with him. He’s on his back and you lean over him. 
He peers up at you. 
Beautiful man that he is with sparkling eyes. 
You think, people really will think we’re in love, if you look at me like that. 
And then you say, boldened by the day and the sun and the warmth and the tempo of his heart beneath your open palm;
“You’ll be mine yet, Captain.” 
He blinks, perhaps surprised, before a full, warm laugh falls from his lips. 
“Is that a challenge, princess?” He purrs, looking up at you with a halo of flowers beneath his head. 
You grin, beautiful and wicked and radiant. 
“It’s a promise.” 
And then you stand to run after Klee, down the sloping hill, and into the arms of the sky hanging above your heads. 
He watches you and you can feel his gaze on your back, your silhouette against the sky, your laugh caught on the wind, and tuck the vow into your heart. 
Hope it tucks into his, too, finds it’s home there where no one has before and claim it as yours, yours, yours. 
You open your palms and a butterfly, blue as the sea, as a bird’s wing, leaps from your hands and takes to flight. Takes to the sky all open just for you. 
***
SCENE IV
The belltower in the Cathedral, high above Mondstadt. Storm clouds cling to the horizon. The sky is mostly dark, but the sun escapes through a sliver of clouds and still shines for now, casting the world in a strange contradiction. More ominous. More stunning. Burnished buildings set against wicked, deep blue storm clouds. 
Your skirts swirl against gold and silver bells, as blue as the clouds. Kaeya turns and twists, so we only catch flashes of his face. 
Kaeya takes the steps near two at a time to keep up with your pace. You lift your skirts with one hand, racing up the curving, stone steps, and your other hand holds fast to his. You drag him up and up and up. 
The whole day, you’d dragged him all over Mondstadt, to all your favorite places; bakeries and music stores and the library. Eagerly, he’d followed, been at your side, at your heel like a loyal dog. 
(A lovesick pup—) 
Kaeya thinks he could spend countless days with you like this. 
The world is always more brilliant with you—he can’t deny it. 
And now, you’ve promised him another secret place of yours. 
“How much further?” He breathes hard, surprised to find himself winded. His legs almost burn; there have been far more stairs than he originally thought. Or was promised. but he was also promised the best view in all of Mondstadt, with one of your sweetest smiles.
And really, how could he have denied you then? How could he deny you at all today?  
“Not much!” You chirp back and then all it takes is a little more, until you come to a wooden door. 
It gives easily under your weight, your excited push, throwing it wide open. 
Light gleams, the world bursts before his eyes in a shimmer of gold, a rain of color and life. 
You sweep into the space, the arch beneath the stones and over the other side of one of the great bells. If he peers down, he can see the wooden scaffolding where someone stands to pull on the huge rope below. No doubt, it would take up this whole space, swing wildly so that the two of you would have to nimbly dodge and move, duck just to keep your heads. 
He hopes you’ve accounted for this, too. 
He follows you carefully around the bell, only to come to the other side of it and have the whole world open up before you. 
And it’s just you, in the breeze, and the storm clouds, above all of Mondstadt. 
You hang, perhaps a little too precariously, off one of the large stone pillars. 
Kaeya has half a mind to grab you, to pull you back towards him. But the wind favors you. 
“Isn’t it beautiful?” You breathe and you’re so taken with it all, that he can hear your voice catch. 
“It is,” he agrees, but he’s not looking at the world the way you are. 
He’s looking at you. 
He watches you watch the streets below and the clouds above. He watches love and adoration paint across your face; joy and a strange sort of melancholy. 
Oh, you’ve always been so open.
Finally, you inhale. 
 Whilst still looking at the world below, the heavens above, you say, “I can’t explain what it does to me–the sky and the city and the wind when it touches me.” You look as if you could almost cry, and immediately his heart gives a lurch in his chest, “I don’t know how anyone can stand it.” 
Something in him twists and constricts. He wants to wipe your tears. He wants to coo, don’t cry, don’t cry. 
You laugh, “I’m sorry,” and shake your head like you’re silly, “I can’t help it–I’m just so happy. I adore the world so much.” 
You turn to face him, open and raw, “I know these haven’t been ideal circumstances,” you start and you shift, and like he’s drawn to the movement, like you’ve pulled him in, he moves, too. 
And then he’s standing in front of you. In front of an ancient bell from a nation that isn’t is, but could be. Above the whole world. Beneath the storm of it. 
“But I’ve been–” a tear escapes and again, as if he possessed, before he can even think, his hand has darted out to catch it. You laugh again, joyful and aching, “you make me so happy. And I—“
“Doesn’t seem so,” he murmurs, “seems I’ve made you cry.” 
You laugh again, sweet to his ears, like their own song. Your hands come up to his chest, palms open and flat against his racing heart. He’s sure you can feel it. Can you hear it? He hopes not. 
And no one is watching. He doesn’t need to stand this close to you or wipe your tears. 
You don’t need to put your hands on his chest and look up at him like that, in a way he doesn’t deserve. 
(You’ll be mine yet, Captain.) 
You look at him like he could’ve hung the moon. Or carved your beloved Mondstadt itself with his own hands from hill and valley. 
An ache spreads its wings like a bird in his chest. It isn’t fair, he thinks, to be looked at by you, with this expression on your face, when he knows he can’t have you. He knows you can’t be his, not truly. 
He wishes you wouldn’t look at him so. 
“They’re happy tears,” you tell him, pawing at his chest, creeping up towards his neck. You sway towards him. You finish what he tried to stop you from admitting, “—and I adore you.” 
Kaeya’s heart gives this twist, like it’s trying to rebel against him. He wants to run. He wants your arms around him. He wants—
“Careful,” Kaeya murmurs reflexively. Careful of what, though, he can’t say. 
Careful with yourself around him? Careful with him? 
You don’t heed his warning at all, and like you always have, you barrel towards all that you want. You press up to him. 
“You do make me happy,” you say again, sweeter now like honey on your lips, tip your chin up like you might offer him a taste. 
“Everything makes you happy,” Kaeya counters, shaking his head fractionally, looking down at you with lidded eyes. 
“Not true,” you almost pout up at him, shaking your head, fingers tightening in the collars of his shirt like you know he’s thinking about fleeing. 
He has half a mind to kiss you. You’re leaning up on your toes a little. He can smell your perfume; red berries and honeysuckle. Warm vanilla. He feels something tighten inside of him, hot and aching. He needs to put a stop to this—
He says your name, in warning. Perhaps fear. 
And you look up at him through the fan of your lashes and say his name like it’s a melody, “Kaeya.” 
He shakes his head now, fractionally, “don’t.” He murmurs, voice a low rumble. 
“Don’t what?” You ask innocently and then you do it again, as if you know perfectly well, “Kaeya–” 
His hand comes down to clutch your wrist, to keep it from moving around to the nape of his neck. He stills you. 
You look up at him, questioning, almost desperate. Perhaps unsure–you go to pull away, but he seizes your wrist, holds it tight to his chest and keeps you close. 
Thunder rumbles. 
“Don’t say my name like that.” He croons, voice a little rough, “don’t torture me.” 
He watches your face transform into understanding. Into—
Your fingers sink back into the fabric of his clothes, emboldened, “Kaeya,” you say like it bursts on your tongue, and then again, “Kaeya,” you hum, sing his name on a note that could be its own siren song. “Kaeya,” you purr as one of your arms winds around his neck. 
His poor heart—
He makes a noise; a soft groan of frustration, a little growl, back in his throat. 
“You’re such trouble,” but his other hand is squeezing at your hip now. “I swore to everyone I had nothing but pure intentions with you.” 
Your nose brushes his, a smile licking at the corner of your mouth, “I surely hope not.”
“I’m supposed to protect you.” He gets out.
“You do—you are.” Soft, sweet little assurance. 
He shakes his head again, barely, nose brushing yours. Fractionally closer. “You’re my responsibility.” 
“Are my desires, too?” You murmur and when you lean towards him to close the short distance between your lips, he suddenly seizes your jaw in his hand.
You gasp.
“And what of mine?” He asks, eye glinting like the too-hot part of a flame. “Do you have any idea what you do to me?” 
His voice is a low rasp.
You look up at him with wide eyes, soft in the center, your eyebrows drawing in a little and you look—you look like you adore him. Like you’re desperate for him. 
“Sleeping in my bed every night, my clothes—“ Kaeya allows his thumb to drift over your bottom lip, slow, parting it from your top. He exhales roughly. “What am I supposed to do with you?” 
“Kiss me,” you plead.
Lightning cracks across the sky in a fissure of heat. 
“I shouldn’t.” He counters, even as you kiss at the pad of his thumb. Lips soft and warm, wet as your tongue darts out in a flash of heat. He inhales tightly, letting his thumb be drawn into the crux of your mouth. 
You look up at him through your lashes. He has to fight back another groan. There’s a flush on the nape of his neck, heat that swims beneath his skin. He’s certain you’ll melt him with your gaze alone.
What’s he supposed to do?
How’s he supposed to survive you? 
He scrambles for his wits. 
And firstly, he pulls his thumb from your lips.
“Kaeya—“ you coax again, “Kaeya.” 
“Stop it,” he hushes, “I can’t.” 
“I want you,” you murmur, almost whine.
“You’re a brat.” Kaeya groans finally, “stop tempting me.” 
“I’ll beg,” you sing sweetly. “Is that what you want to hear?” 
“No,” he says quickly because the thought of that makes his mind screech to a halt. “Never. I’d never—“
Make you beg.
He swallows around the words sharply. 
He lays his hands, long and broad, on your shoulders. 
He forces distance between the two of you. 
Thunder grumbles unhappily across the sky.
“I’m not going to kiss you.” 
“But you want to?” 
And the way you look at him, so earnestly and so desperately—
“That’s besides the point—“ You open your mouth to speak, only for him to continue, “my job is to protect you. This would be highly unprofessional of me.” 
“Since when have you—“
“You deserve better.” He finally says, words flying from his mouth before he can stop them, “I am, frankly, a rake and a cheat and—“
“That’s not—“
“The point is,” Kaeya continues over you, lest you do something even worse and try to fight or deny him, “it would be unwise of us.” 
“I, for one, have never claimed to be wise.” 
Kaeya laughs now, full and warm and fond. He shakes his head. You’re near glowing with just the sound of his joy. So he continues;
“It would be foolish. Perhaps, even, one of the worst things we could do.” 
His voice lilts, turns melodic. 
Your hands are back on his chest somehow. Flat over his heart, nearing his collar again. He’s losing. You’re sidling close and he wants to bring you closer still. He can feel all the curves of your body to his, fitting up against him like a missing puzzle piece. 
“Utterly disastrous, really.” He continues, voice growing fainter. He’s losing. 
“Wildly reckless?” You murmur, tipping your chin up, offering your lips to him like a sweet lamb to sacrifice. 
“Terribly…” he drifts, feeling the brush of your lips against his, “stupid, I’m afraid.” 
You hum lightly, barely, in acknowledgement before he’s suddenly closing the distance and kissing you soundly.
Oh, he’s lost. 
(It’s a promise.) 
The wind picks up sharply for a proper storm. Lightning flashes behind his eyelids. 
And that’s all it takes, Kaeya realizes, heart swinging wildly in his chest like a bell tolling. Knocking against his rib cage.
You throw your arms around his neck and deepen it. 
He groans in defeat, damning it all, and grabs at the skirts of your waist, squeezing at your hips desperately. 
Damn it all, he thinks again, knowing it’ll be something of a shipwreck; brutal and splendid and massive. Beautiful and heartbreaking enough that he just won’t be able to look away. 
More thunder, sky swirling and teeming and ready to just burst. He can feel it under his skin. 
You sink your hands into his hair. He nips sharply enough at your bottom lip that a gasp is wrenched from you. He swallows it. 
He wants so much more. 
The sky opens up and rain falls from the heavens in a golden and brutal downpour. 
***
SCENE V 
Dawn Winery in the evening, plum dark and warm from fire in the hearth. You and Diluc are at the grand piano, seated side by side, in an intimate and cozy parlor room. 
Kaeya has just entered and we see the side profile of his face as he watches the two of you. 
“Oh, do you remember this one?” You ask and immediately, music fills the space as your hands dance over the keys in a sweet, jaunty little tune. 
“Like this?” Diluc asks, setting his hands to the lower side to immediately complete the melody you play. “It’s this one, right?” 
“Yes!” You exclaim, the two of you playing with ease, a smile on your face. “We used to play this one all the time for our parents.” 
It’s such an innocent remark. Kaeya is almost caught off guard by it, by the memory that floods back to him. 
Crepus in the lounge chair, your parents across from him on the settee. The glow of the fire warm and gentle. Faces of people that swim in his mind, that he hasn’t seen or has avoided for a long time now, their smiles and laughs. People who left. Who died. Ghosts that once listened to your music, just as he is now, on the outskirts. 
Diluc, surprisingly, is not put off by the memory. Instead, he smiles, “I used to always mess this part up.” 
And then with ease, his large hands cascade over the keys. Not a note out of place.
“And look at you now!” You encourage him. 
He laughs softly, low, like the fire in the hearth. 
With ease, the two of you close the song together, watching each other with crinkled, happy eyes for the timing. For the last notes. 
He can hardly stand how lovely you look. Or how you look at Diluc. 
Have you ever looked at him like that? 
He clears his throat. 
When you see him, your face lights up and the way you say his name, with such warmth and adoration makes him feel worse somehow, “Kaeya!” 
Immediately, Diluc’s face hardens. 
“Apologies,” Kaeya says with perhaps more chill than he anticipates, “I didn’t mean to interrupt the concert.” 
“Not at all,” you respond, “how did we sound?” 
“Your music is lovely as usual.” Kaeya responds flippantly and you eye him for a moment, scrutinizing. 
And then, slowly, you say, “then you wouldn’t mind if we play a few more? This piano does bring back fond memories for me.” 
There’s a glint in your eyes; it could be the fire that favors you or a trick of the light. 
And because Kaeya pretends he doesn’t care, he says, “please; don’t allow me to stop you.” 
He takes a seat on the settee as far from you and Diluc as he can manage. 
Diluc sets his hands back to the keys and opens with a few, small notes, “do you remember this one?” He asks you.
“How could I forget?” You laugh, “I sang this one at every party and soiree we ever had.” 
And Kaeya also instantly recognizes the first chord that Diluc eases out, the tune of it like his childhood. He remembers you standing so small and young, by the piano which seemed so much larger when he was a boy. Your glowing face and sweet, little voice. 
And when you open your mouth to sing this time, it’s mature and warm, lower but more distinguished. 
The lyrics must come to you like from a dream, he’s sure of it. 
As if it was yesterday, you sing the song of a different time, a different lifetime ago it feels like. Of late nights in this very parlor, with laughter and the clinking of glasses. A house full. A heart full. 
You sing of angels and the moon in the sky, the stars, and a love from forever ago. 
And really, it’s so horribly fitting for you; the song is as in love with the world as you are. How could anyone sleep, you sing, how could anyone close their eyes to the night sky? To love? 
Kaeya realizes sharply that he feels as if he’s been sleeping for a very long time. 
He’s turned his eyes away from the stars and love and the whole world. 
And you, wonder that you are, have been desperately trying to wake him. To show him again. 
The last concluding notes ring softly, hang in the air, before you are smiling and leaning onto Diluc’s shoulder, hugging his broad arm to you happily. 
Kaeya looks at the two of you, the light and dark of Mondstadt. The joy and pride of the city, so beautiful in the fire. 
How could he ever compare to the two of you? 
“Kaeya, did you remember that one?” You ask suddenly, turning to face him. 
He somehow manages to unstick his voice, and lies, “not really.” 
After a moment, a heartbeat where you seem to see right through him, you ask, “shall we go home?” 
Yes, he wants to say. Let me take you home. Let me take you away. 
Instead, he says, “I’m hardly in a rush.” 
You stand from the piano bench and saunter over to him. Diluc turns to watch as you come to stand between his legs, peering down at him. 
“I missed you today.” You say honestly, “were you busy?”
Kaeya won’t return the sentiment in front of Diluc. In fact, he’s surprised that you’ve come this close in front of him at all. He thought this was supposed to be between the two of you and no one else. 
Selfishly, he wants to keep it that way. He wants you all to himself. 
Kaeya glances at his brother, then back to you. Diluc’s eyes narrow fractionally in suspicion as Kaeya says, “very, unfortunately.” 
You tuck a strand of his hair behind his ear. Your fingers drift then, hovering around his jaw like you might touch him more. You don’t. You say, “let’s go home, then.”
You offer him your hand and when he takes it to stand, you don’t drop it. You tuck up against his side. Kaeya feels something wobbly and fragile take a few, tentative steps inside of him, like a newborn fawn. 
How strange, he thinks, to imagine you as openly his. How strange, to have your genuine affection, your genuine adoration. 
“Thank you for playing with me, Diluc,” you say with a smile, “I hope I wasn’t too much of a bother today.” 
“You’re never a bother,” Diluc promises like the gentleman he is, “and I am always charmed to play the piano beside you.” 
Diluc glances down at your interlocked hands. You let him look. Kaeya fights the urge to pull away and create distance. You squeeze his hand. You say to Diluc, “perhaps we should throw a soiree, the way our parents used to. I miss being in the manor. And then we can play for everyone again.” 
Everyone except the ghosts, Kaeya thinks, their faces pale in his eyes. 
Diluc seems as wary as Kaeya is, for once, but it is so hard to deny you. Kaeya knows that well. 
As if to sweeten it, you let your head tip onto Kaeya’s shoulder, cuddling up to him even closer, “I think it’d be great fun. A reason to come together again.” 
Diluc meets Kaeya’s eyes briefly and he can already feel the scolding he will receive. He can already feel Diluc’s doubt and judgment. But instead of starting a quarrel, he says to you, “Perhaps we can arrange something.” 
And really, Kaeya thinks it's a testament to how charming and lovely you are. 
You bid Diluc goodnight, sweet as ever, and lead Kaeya out by the hand. 
He can feel Diluc’s gaze burning into the center of his back. 
And the moment you pull him around the corner and out of Diluc’s eyesight, you turn and suddenly pull him down into a deep, slow kiss. 
Kaeya’s eyes flutter in surprise and immediately, he attempts to pull away from you. It’s one thing for Diluc to see the way you held his hand, it’s another thing entirely for him to catch the two of you like this.
You hardly let him get a word out, before you’re pulling him back down into a dirtier, heavier, more desperate sort of kiss. 
He yields with a soft, surprised noise of wanting. He kisses you back, just as dirty, just as desperate—tongue licking into your mouth, heat stoking to life along the nape of his neck, the curve of his spine. 
When you pull away, he manages to get out, “well. Hello to you, too.”
You smile, wide and lovely. “I did miss you.” You say again, as if you know you have to convince him, and that he never believes you the first time. And still, he thinks you must be lying. You’d never miss him. 
But you lean up onto your toes to get him to kiss you again; which he does. Easily, happily. It’s gentler than the previous, a little more content, though no less heated. He draws you closer, as close as you can get. His tongue dips gently into your mouth, deep and hungry and exploring. He feels the fabric of your dress bunch up beneath greedy hands, pulling at them, pawing at you. 
A cleared throat. 
The two of you jump apart, whirling around to face Diluc in the entryway. 
He does not look pleased. 
Kaeya, for once, feels like a younger brother again, caught red handed. He opens his mouth for some strange excuse, but you beat him to it;
“We’re taking our role as a couple very seriously. Archon forbid the Fatui question our legitimacy.” 
Kaeya can’t help the laugh that barks out of him, before Diluc’s glare forces him to clear his throat and compose himself. 
“I can see that.” He says dryly. 
“It was my fault,” you then add, “Kaeya is, for once, blameless. I’m a bad influence.” 
“I highly doubt that.” Diluc drawls, “he’s never blameless.” 
Kaeya opens his mouth to speak, but you beat him to it again.
“We will truly be taking our leave now.” You then say, tugging at Kaeya’s hand, “goodnight, Diluc!” 
The door slams hard behind you. 
Kaeya looks at you, your back to the door, chest heaving a little. You look back at him. 
And then you burst into laughter. He shakes his head, but he can’t stop the smile that comes onto his face. The laugh of disbelief. 
“Diluc is going to kill me,” he finally says, “I can’t believe you.” 
“Oh,” you coo, striding past him, “should I protect you? Diluc is harmless.” 
Kaeya laughs again, though this time it’s dryer, not as funny, but more ironic. 
Well, he has an eyepatch to certainly prove otherwise. You must catch onto his shift in mood, because you take his hand again and assure him, “I’ll deal with Diluc, if you’d like.” 
“No,” Kaeya says, “no need to fight my battles.” 
“I did get you in trouble.” 
 “Well, that I can’t deny.” Kaeya agrees with a smile, slipping his hand around your waist and this time, he knows it is real. Realer than ever before. 
The stars are bright above your heads. The moon is full and shining like a coin and casting you in its soft light. Your eyes are crinkled in delight. 
“You’re also a liar,” you add and Kaeya pauses, looking at you.
It strikes a strange note in him. 
You continue, “I thought you said you weren’t the jealous type?” 
Kaeya’s brows prick upwards, “did you think I was jealous?”
“Kaeya,” you say his name warmly, with love, “I could feel you glaring a hole into the back of our heads while we were at the piano.” 
Kaeya laughs, but it’s rather hollow, “I’m not the jealous type, my dear. I’m sorry to disappoint. Did you have fantasies of being ravished by me in a jealous rage?” 
It’s a little barbed. 
If you notice (which you do), you don’t take his bait. 
“Well, now that you say it…” you tease, walking backwards and in front of him, a sly little smile on your lips. 
Kaeya shakes his head, “there’ll be no ravishing.” He promises, “I’m being a gentleman.” 
“Hm,” you hum lightly, “and how long do you plan to keep that facade up?” 
“It’s not a facade–” he starts to protest, but your hand is winding in the front of his shirt to pull him back into your orbit. 
You pull him into a hard kiss. 
This one is more desperate. Heavier. Hotter. 
He sees what game you’re playing. 
The walk home, in Mondstadt’s streets, for everyone and the moon to see, is a game of cat and mouse. Kissing hard and soft, slow and fast, against brick walls and wooden fences. Leaning into shadows and sharp, little gasps. Teasing kisses along the jaw, before slipping away, and back into the night. 
You manage to lead him right up to the threshold of his bedroom. 
He takes a stance here, roots himself down. He swallows hard—he has to steel himself, he knows. 
So he goes no further than the arch of the doorway, no matter how much you pull at him, or kiss him or tease him. And as hard as it is, he doesn’t even sway when you gaze up at him with that look in your eyes; dreamy and enamored. 
You look at him like he could be a great man. 
It’s absolutely horrifying. His heart jumps in his chest. He can feel as if he can hardly breathe.
“You really won’t sleep with me?” You ask, lips hovering just beneath his. His hands are latched tight to the doorframe of his bedroom as to stay them. To keep his resolve. 
Kaeya shakes his head, “I’m a gentleman.”
You let go of a tired sigh, “I don’t need you to be one.” 
He swallows hard. 
“I’m afraid I need to be one.” He answers. 
“I didn’t take you as chaste.” You murmur, kissing at the corner of his mouth, his cheek. All that warmth comes rushing back to him. 
“Hardly,” he scoffs reflexively, allowing you room at his throat, down the length of his neck. “But I am trying to preserve–” 
He stalls, when he feels your tongue at his pulse. 
You blink up at him innocently and supply, “you’re trying to preserve–?” 
He clears his throat, “some level of professionality. Dignity, maybe.” 
Protection, too, though he isn’t sure anymore if it’s for you or him. Perhaps both. 
The only way he sees this ending is poorly–he cannot foresee a current future where you don’t end up disappointed and hurt by him. He cannot see a future where you don’t leave for your own good. 
And besides, all things must end, he knows, all people must leave or be left behind. 
He was left once and he’s vowed to never be left again, standing in the rain, shivering and young. 
(He tries not to think of you—left at an altar.)
You pull away to look up at him, sweet-eyed and gentle, almost amused with him. “If you say so.” 
Reluctantly and with a great deal of his strength, he leans away to put distance between you. Coldness sweeps in. He tries to appreciate it. “You should sleep. You have rehearsal early tomorrow morning.” 
You step away as well. You offer him a little curtsy in jest, “as you wish, my most proper and chaste lord.” 
“I’m a lord?” He asks, astonished. 
“A prince?” you ask, “or do you prefer a knight? We can roleplay, if you’d like–” 
“Goodnight!” Kaeya announces then, reaching for the doorknob to begin swinging the door closed, to put distance between whatever it is growing between the two of you. 
You laugh, though, so warm and wonderful at his antics that he just can’t help it; he kisses you once more, soundly, goodnight. 
And this time, he says it gentler, lower and sweeter in a way he knows makes you shiver, “goodnight, princess.” 
He watches you fluster, the way you blink up at him. And now it’s his turn to laugh, low and soft and hot, before he quickly swings the door the rest of the way shut. Locking you on the other side of it. Far from his reach. 
Lest he do something horrible. 
Lest he want you too greatly. 
But when he lays down on the couch to sleep that night, he realizes he can hardly sleep at all–and, really, he thinks, who could sleep at all? With the night sky like diamonds, and the way you kiss him like you have everything to lose, and everything to gain. 
Like he could be desired to keep. 
How could he sleep at all? When there is a door between the two of you? And the world hums and glows and shifts, right from underneath his feet. 
How could he sleep? He hears you sing, around and around in his mind, at the piano of his childhood, and the one tonight, a lifetime later. 
***
Finish the rest on Ao3 ->
a/n: this act was too long to post on tumblr in full and i would've had to split it into three separate posts. i figured linking ao3 would be easiest to finish reading :)) thank you for reading!! let me know your thoughts!! <33
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navigotterminated · 2 months
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My tumblr account just got terminated for the first time since 2016 so let me say this: YOU ARE DOING NOTHING, ABSOLUTELY NOTHING, BY REPORTING MY ACCOUNT. You know what I did the second I got termed? Rolled my eyes and made a new blog. It will take me maybe a week or two to find all of my moots. Its a mild annoyance at best.
Anyway I was @/coffeewsweetnlowpls here’s my stats again.
Name: Navi/Fae (either or)
Age: 20
Gender: Gender-fluid
Pronouns: They/them
Height: 5’6
SW: 166lbs
CW: 150lbs
GW1: 140lbs
GW2: 130lbs
GW3: 120lbs
If you are in recovery, a minor, an “ana coach”, a p*rn blog, or otherwise non-ED related please DNI. Block don’t report.
[active march 2024]
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celluloidbroomcloset · 3 months
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HI !
I think for stede you have pointed out something, some members of the fandom don't like stede.
In the fandom I have always felt a kind of imbalance when it comes to blackbonnet. An attempt to make their dynamic one-sided: ed is too good for him so stede will have to step up to the plate to be worthy (and this isn't just in blackbonnet but in fandom in general and I'm tired of that.)
For stede this manifests itself in bad behavior which does not seek to take his feelings into account because for them it is not worth it. Slanderous takes that make him look like a bad guy. I've reached a stage where I don't even know if people are sincere in their tags when it comes to stede. If they really love him or only in the pair he forms with ed, because otherwise for them he is worthless.
And recently in the tag of a post (not current) concerning ed and stede I read: "I like stede but you are allowed to hate him BUT ED??" (And I left before reading the rest...)
I too allow people to hate characters I love even if it hurts. But there is this difference in treatment in mode: stede has no value so do as you wish.
After a while, what did stede do in their eyes to be considered so detestable? At this point nothing will surprise me anymore.
Anyway, I'm here writing to you because it's not often (if ever) that we see a person who talks about stede so in a sense I'm confiding.
Still have a good week !
The times when I come across this (and it obviously pisses me off too), it seems to be centered on Stede being effeminate and perceived as weak. Which is hilarious, given that the whole point of Stede's character is that he upends views of traditional masculinity and that threatens the hell out of people who are invested in patriarchy. One of the things that's getting me right now is the combo of either "he's too foppish" or "he's trying too hard to be masc." Stede being in control of his own self (and that includes him fucking up in some things and learning as a result) seems to bother some folks.
I do think there's a general lack of consideration about some of his characterization, like the takes about when Jack bullies him, his reasons for running away from Ed at the end of Season 1, or the incidents in Man on Fire. It seems to assume that Stede is less perceptive about others and also less self-aware than he actually is (in part, I think, because his emotional arc is subtler and more internal than Ed's, which is part of his characterization) and vilifying or blaming him for things rather than any other character.
TBH, a lot reads to me like low-key contempt for him because he's more fluid, both in gender presentation and in his overall emotional makeup.
All of that being said, most people I follow and whose takes I see are 100% into Stede, just like Ed is, so it makes the more problematic takes stand out to me.
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hauntedfemme · 1 year
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˚ ༘♡ ⋆。˚ 🦷 hello ! i’m ryn , & welcome to my account ! i’m 18 , my pronouns are they/she , & i’m white, autistic, and a gender-fluid lesbian. my account is nsfw , meaning minors are prohibited. i am happily taken by my beautiful girlfriend. <3 (so please don’t send in any asks if they are sexual!)
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— main kinks: bondage , bdsm , overstimulation , edging , orgasm denial , kidnapping , humiliation , praise , degradation , dumbification , knifeplay , blood , petplay , free use , & many other hard & soft kinks.
— my limits: scat , omo , age play , ddlg , & more.
— dni: minors , men & non sapphics , age play , ddlg , ageless blogs , sh/ed blogs , general dni criteria.
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