I know I've casually mentioned that I use a tape recorder in a previous post about how much TMA has effected my life but. I was not exaggerating.
Just yesterday night I was having a mental breakdown talking to myself about stuffs and then I went, oh shit, I gotta record this.
I fucking paused my disassociated panic attack to run across the house, sit down with my tape recorder, turn the recorder on, say that I was in a shit mental state, and then continue on with my breakdown.
I shit you not I just *paused* the breakdown in order to grab my tape recorder. It shouldn't be funny that no matter what I do I need my recorder, but it kinda is.
I mean, I don't go anywhere without my SONY microcassette-corder M-560V. I don't leave the house with it. I usually keep it with my phone. Hell, I've even left it in my bed because of the recordings I do in order to end the day.
I get anxious whenever I don't have my tape recorder on me. I used to feel that way with my mp3 player, despite the fact that my phone was always more efficent with music, but yeah. I need my tape recorder to *function.*
This is probably unhealthy.
I'm blaming The Magnus Archives.
And myself.
But mostly The Magnus Archives.
390 notes
·
View notes
I am thinking thoughts about airports and flying again. And Dreamling, of course.
So. Human AU. History professor Hob has to fly around a lot for work, perhaps for conferences or smth of the sort so it's always to a small handful of the same nearby cities. He's pretty neutral on the idea of flying in general, though he wishes it was a bit more environmentally friendly, but Hob is a sucker for a nice airport and especially a nice airport lounge during layovers or before boarding.
Hob has begun to frequent a small local airline (White Horse Air, the logo is a coat of arms with a little pegasus, wyvern, and hippogriff on it, haha) when traveling because he likes their service (they've never lost his bags, not even once!) and their flights are never fully booked, which makes them quieter and easier for hob's chronic pains. He always picks seats with no one next to him so he can sprawl out and so it's easier on his knees.
Until, one day, he boards the little plane and there's someone in the seat next to his. Hob's sure that when he booked his seat, the other one was empty. Oh well, whatever, Hob's not going to bother the other man already sitting there for one flight— he'll just have to be a little more mindful booking next time. Hob shuffles into the seat, and notices that the stranger sat beside him is reading Sir Thomas Malory's Le Morte d'Arthur! Hob gets excited because! That's a William Caxton publication! And Hob has so much to say about Caxton! He turns to the stranger to strike up conversation about it and... is immediately lost at how pretty the stranger is. Handsome, gorgeous, yes of course, but pretty, with the shell pink lips and focused blue eyes and slight frown at the book in his hands. Hob picks up his metaphorical jaw off the metaphorical ground and strikes up conversation with the stranger. Though the other man starts off apprehensive, somehow the two hours of flying fly by and the two of them end up talking about all sorts of art, history, and everything in between. Hob learns that the stranger works in publishing, thus his interest in Caxton.
Their flight lands, and the two of them disembark at the gate, still attempting to continue their conversation while Hob tries to wrangle his carry-on bags. (The Stranger only has a small laptop bag on one shoulder and a suit jacket folded over his other arm with him.) Then Hob has to check the time and begrudgingly says that he should probably head towards his next gate soon— this is just a layover after all. The Stranger looks ever so slightly disappointed and admits that this is his actual destination and he needs to meet his sister soon. They part ways, and Hob tries to dwell on the strange warmth in his chest. He thinks about the Stranger for his entire work trip afterwards.
This, somehow, happens a couple times. Turns out they both frequent White Horse Air, and though they're never in booked seats next to each other again, the flights are always empty enough that they can shift to sit next to each other once the plane's in the air. They chat the flight away, and then part ways once they disembark, with the Stranger headed to the baggage claim and Hob to his next flight. One time, the Stranger even requests the hostess to bring out a special bottle of Chateau Lafitte 1828 just for the two of them to share. Hob's in awe. He really enjoys their conversations, it's nice to be able to talk about his interests in a non-academia environment. The Stranger always has the most intriguing and eye-opening perspectives on everything, too. It doesn't really help that Hob thinks... maybe he's developing a tiny, teeny, really inconsequential really crush on his Stranger. He's not in grade school anymore, how does he feel like this about someone he doesn't even know the name of yet!
This all comes to a head when Hob mentions to the Stranger that his layover is a bit longer than it usually is, and if the Stranger is in no rush, they can continue their conversation in one of the airport's lounges. White Horse Air is a bit too small an airline to have their own lounge, but Hob's collected enough miles to get into one of the other airline lounges and is fully willing to pay to get in one if it means more time with his Stranger.
The Stranger is extremely enthusiastic about the idea— which shows up physically as a subtle, coy upturning at the corner of his mouth and a little sparkle in his eye. (Hob feels proud that he can read this reaction so well.) He's so enthusiastic, in fact, that the Stranger offers to get them both into a first-class lounge. Hob doesn't even pretend to hesitate to say yes.
Let's just say they get to the lounge, split some cheese and wine, and the proceed to get even more enthusiastic with each other in a private room. Hob's lucky he brought a change of clothes in his carry-on. (Maybe Hob's not so lucky and can't sit comfortably during his next three-hour flight.)
Hob gets a bit emotional when he has to leave for his next flight (already missing being able to hold his Stranger's face so gently, being able to card his fingers through his soft, smokey hair) and gets his guts together to ask if the Stranger wants to exchange phone numbers or something, so they can be in contact more regularly. Perhaps even, meet on purpose maybe? The Stranger smiles and kisses him lightly on the cheek when he slips a business card into Hob's hand.
Hob's so caught up in it all that he doesn't check the business card until he's fully boarded and sat on his next flight. And he gawks.
Morpheus Aion
The Dreaming Publishing House
As in, one of White Horse Air's biggest shareholders? Aion, as in, probably the sibling of Teleute Aion? As in, Teleute Aion, the CEO of White Horse Air?! Hob almost passes out.
In the end, Morpheus and Hob laugh it out. Morpheus promises he never abused his sibling privileges to invade Hob's privacy, but used the sibling perks to frequent White Horse Air flights a little more than he even needed to just for the chance to see Hob again. They're both happy to not need to keep flying just for that chance anymore, haha. Idiots in love! Turns out, while Teleute lives where Hob keeps having his layovers, Morpheus and Hob actually live just a few hours driving from each other from their shared initial departure location. It all works out perfectly, and Morpheus self-restraint from inviting Hob to move in (so they don't have to keep travelling to see each other, no matter how small) lasts not even a year after they officially start dating. Hob doesn't even pretend to hesitate to say yes :)
(Years down the line, much after they're married, Hob finally has enough miles to get them back into those first-class lounges to have more fun. It's all very lovely.)
272 notes
·
View notes
its time for scp required reading... TWO!!!!!!!!!!!!!!!!
please for the love of god heed the fucking warnings im so serious . like as much as i want to keep the tone of this post jokey and funny you NEED to heed the warnings on these
ok with that out of the way. read about my blorbos boy
''incident 239-b clef-kondraki'' (general warning for violence and blood/gore) - this one fucks. thats all i have to say about it
''technical issues'' - this one's funny + im biased because i fucking love pat the tech guy
''routine psychological evaluations by doctor glass'' - again i have personal bias about this (<- simon glass enjoyer + host is a glass introj) + this ones funny + if you're more into the fanon versions of the foundation staff this is right up your alley
''tradition'' - halloween party fun :-)
''dr cimmerian hits reply all'' - this is exactly what it sounds like i don't now what to tell you
''stupid cupid / stupid cupid: stop picking on me!'' - my house my rules read about cimmerian and his boytoy
''hawaiian shirts'' - clef fucking Breaks. thats all i can say about this without exploding into viscera
''help me my (love for) my daughter was born too still'' (general warning for mentions of child death) - i have personal bias about this (<- #1 agatha rights enjoyer) but this tale is So Good in general and a super interesting look at how agatha perceives herself and her work/life balance
''so leave yourself alone.'' (warning for graphic depictions of vomit and attempted suicide) - REALLY really really good look at clef kind of dropping his cruel persona and iris' mental health struggles regarding the foundation
''yesterday'' (warning for violence and implied/reference suicide. kind of.) - :-( <- this is the only way i can express my emotions about this tale. anyway it's really good and an interesting way of showing clefs relationships with people
''an apple a day...'' - REALLY good look at how dr glass is as a person and how he acts with people + this entire tale fucks SEVERELY
''personal log of dr gears / personal log of █████ 'iceberg' ████'' - good example of how gears and iceberg both format their documents / how they speak + its vaguely gearsberg + this gives a look at how gears and iceberg met. read the gearsberg tale boy
''portraits of your father'' (warning for graphic alcoholism, suicide, survivors guilt, and blood/gore) - super good look at draven and his relationship with his father, and kondraki's alcoholism, and also talloran is there. also three cheers for dravoran
''life's cold'' - most normal day iceberg has at this fuckass foundation + this is a good look at how iceberg acts and thinks
''fond memories'' (warning for death and body horror) - draven proposes! Draven proposes.
''scp-3999'' (warning for bugs, paranoia, death, body horror, sexual assault/rape, unreality, self harm, and depictions of bodily mutilation) - unironically this one fucks me up so bad its so fucking good dude. go read about james talloran RIGHT NOW
''i stared into the face of everything and nothing and made it back alive'' - this one also fucks me up so bad like i dont even have anything to say. read about talloran and draven RIGHT NOW
''you are at the center of everything that happens to you'' - james talloran talks to himself. kind of.
''a suicide note'' (warning for mentions of rape, child murder, survivors guilt, and suicide) - interesting look at clefs thoughts on him and his work
''date night'' - objectum win! dr alto clef is objectoromantic AND objectosexual! <- that should tell you all you need to know about this one
''scp-4231 / montauk house'' (warnings for graphic depictions of sexual assault, rape, child abuse/neglect, murder, domestic violence, verbal/physical abuse and survivor's guilt) - absolutely gut-wrenching look at alto clef/francis wojciechoski and why he's so fucked up. uh genuinely do read the warnings on this one because when i say graphic i am not exaggerating. all of these things are explored in detail and are genuinely triggering so.
''okay, that's enough, let's get you home'' (warnings for some dubious make-out sessions, (mentioned) suicide, implications of rape/sexual assault, and vomit) - shameless moldhouse plug sorry not sorry. HIGHLY recommend reading this and it's other parts in their entirety because it genuinely drives me up the fucking wall it is So good. i will sing moldhouses praises until my throat goes out. read moldhouse Now
''duke 'till dawn'' - bpd king!!!!! anyway i dont have a lot of thoughts on this its just really good. also i didnt know dracula was an actual scp until i read this which is kind of funny to me
''rights' birthday party'' - my house my rules you're going to read about agatha rights whether you like it or not
''sex at a frigid temperature'' - again, my house my rules. read the depressing gearsberg tale, boy.
''7 things that new level 3 researchers should know'' - i dont have any thoughts on this i just think this one has really cool formatting
''home is where i want to be'' - no greater thoughts this is just really neat i think. also kiryu labs is in it and im biased as fuck
''gentle wings flutter quietly in the dark'' - read about zyn kiryu NOW
182 notes
·
View notes
not sure how to phrase this but something i have been ruminating on recently is that xue yang is strangely fragile. obviously he is also incredibly resilient. he survived, and continues to survive, impossible things. he has a million barriers between himself and the world, but none of this actually matters when it comes to what he feels. everything is personal to him. everything pierces straight through all that armor and goes right to his battered heart, the heart that no one else believes he has. that even he is not fully cognizant of. the world strikes and strikes and strikes and so he strikes and strikes and strikes back, even (especially) when the wound is something other people would not think worthy of retribution.
xue yang would never realize this- would be outraged at the concept of it- but the way everything, everything is something to rally a defense against is in itself a form of fragility. he does not know how to let go of things, or let them pass him by. passivity is death. so he is ruthlessly cruel and violent. he projects himself as a lunatic untouchable by anything you might possibly do to him, and on some level he even believes this. but in actuality he is one raw emotional wound. he never learned to separate himself from his emotions, much less process them. the volatility is not so much insanity as it is the constant lashing out of an animal in a trap, and the trap is the world, and the trap is himself, and he is never going to get out. and like so much else, this pain is just part of the background radiation of his life. it hardly registers. to be able to register the hurt, you would have to be able to register a time in which you were not hurt.
i feel like it is a fragility that could blossom into such tenderness, given exactly the right set of circumstances. how at the very first touch of softness in his life he fell into a domesticity from which he never recovered. how much was there, still, to be salvaged from the cruelty. on some level i am always thinking about the little apple bunnies. about the meal for daozhang and the straw in a-qing's bed.
it was too little, too late. it shattered like glass when the world intruded back in. but the tenderness was there. no one, least of all xue yang, knows what might have happened had it been unearthed in him any sooner.
142 notes
·
View notes