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#france rant
disast3rtransp0rt · 1 year
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We shit on France a lot for a country that does most of our favorite stuff, such as:
Antagonizing England.
Antagonizing and disrupting global religious norms (Western Schism, anyone?).
Beheading the greedy, overwealthy bourgeousie and demanding various workers'/civil rights on a regular basis.
Holding their governing body accountable, with very real consequences if citizens' demands go ignored.
Normalizing snack culture (bread and spreadable cheese with juice, amirite, fellow neurodivergents?)
Having the BEST possible villain accent for campy children's cartoons (step aside, Cockney Brits)
Providing endless meme content.
Like I'm not a France Stan by any means. Please don't get me wrong. The one French exchange student in my university's English Literature MA program did his thesis on Homestuck, for fuck’s sake.
But damn... They have the vibes.
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bethanydelleman · 3 months
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I'm really tired of the "woman sad about her arranged marriage" trope, especially if that woman is royalty.
I am sure that many women across time were sad about their arranged marriages, but I'm sure a lot of others were excited, ambivalent, or resigned. Again, especially if you were royalty! I am sure if you were born a princess, you were trained from birth that your whole purpose in life was to marry someone important to solidify the power of the person on the throne. And honestly, it's an important job, if it wasn't, they wouldn't have tried so hard to do it.
That woman isn't just marrying another king or prince, she's going to be an ambassador of her country. She's supposed to be there promoting good relations. She isn't just a woman being sold off, she has a job! Also, if she is marrying the reigning monarch (or the heir), she may well end up running the country if the king is off at war or he dies when the heir is really young. That happened a lot throughout history! (or maybe she marries the third son and helps him find his way to the throne. Good for her)
It just feels like a modern sentiment being projected back. In Romeo and Juliet, when Juliet's mother first brings up marrying her to Paris, Juliet's basically cool with it and says she'll try to like him. She would have known this was going to happen because that is what rich women do, they marry into another family so their two families can be buddies. What else would she even be expecting?
It wouldn't bother me so much except that it's all we see! Give me a story about a woman who is like, "Cool, I shall give it my all!" Or she's like rolling up her sleeves and planning how she's going to get the court on her side and rule France, power behind the throne style (these women are mostly portrayed as villains, but who is to say the king would do a better job?). And also, have a little faith in women's fathers? You think men in the past didn't occasionally consider the happiness of their daughters? Not even a little bit?
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marzipanandminutiae · 9 months
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Of course, the burkini ban is messed up on grounds of religious freedom and racial discrimination. But also
Under any other circumstances, people would be HORRIFIED at a government mandate that women have to show a certain amount of skin. Like. That’s fucking dystopian, and the absolute opposite of feminism. If a government tried to pass a law that all women had to wear tube tops and miniskirts to go outside, people would rightfully be up in arms demanding blood
But because it’s targeting a marginalized religious group, many folks are lauding the blatant forced sexualization of women. Appalling
(apparently the ban also outlaws things like sun – protecting bathing suits if they cover too much skin. Which like. Yes, let’s give everyone skin cancer just so we can spite a religion we’ve decided to hate. Sounds like a good plan </s>)
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lecoindecachou · 2 months
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You know, as someone living in France, I always feel like I should specify how I feel about women wearing the hijab since it's so controversial here so there goes the disclaimer: I don't give a fuck what people wear on their heads, how long their skirts are, and I especially don't care what kind of bathing suit they wear to the beach. Pls god let me have one fucking summer without having to hear about the fucking burkini. I wish the French government would spend even HALF as much time trying to solve homelessness at it does policing how Muslim women dress. There.
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chialebeauf · 1 year
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Dispatch from Absurdist France
Just so you know we're still living in our own weird Kafka/Ionesco fusion timeline.
Macron's a pompous authoritarian dick and we hate him, so the good people of France started a little informal competition amongst ourselves to see which city or town can fuck his redemption tour of public appearances the most. Besides the usual booing, heckling (shoutout to the two old guys that called him a butthole to his face and called his government corrupt while shaking his hand on live TV yesterday, dudes rock!) etc, we've seen a revival of the ancestral tradition of the casserolade/cacerolazo. Which is basically bringing pots and pans and banging on them to make as much noise as you can to drown out government bullshit, thanks to our Latin brothers and sisters for keeping that one warm for us.
Since he's also very sensitive and his minions the préfets -kinda like a local police chief+mini-governor thing- are very attentive to his feelings, they're taking Measures. This morning he went on a visit in the beautiful, beautiful Languedoc backcountry, my only true love, and the local préfet wasn't about to be outdone in fascist shit by his colleagues.
He invaded the small town of Ganges (4000 souls) with 600 riot cops, not a typo, and illegally used an anti-terror law to forbid the carrying of various things in the municipality, including "portable sound devices".
WHICH, Y'ALL, APPARENTLY INCLUDES FUCKING POTS AND PANS!
Irony and parody are dead, here's the video of popo opening people's bags and seizing saucepans. Also they got manhandeld by a buch of dads with an average of around 0,64 baldspots per scalp and then threw CS gas from 5m away while being downwind.
To top it off, the word for saucepan (casserole) is actually slang for a political scandal, which Macron and his gov are full of (2 or 3 ministers in exercice and his Chief of Staff currently under indictement and 4 or 5 former ones still under indictment or convicted, I lost count)
All of that happened before noon.
I'm done with this clown state, I'll start an Occitan independentist guerilla, this is too stupid.
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egberts · 9 months
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I'm just gonna start blocking people who send me essay length asks trying to argue about stupid shit because their personal experience was different
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holyprincenerd · 1 year
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A Few Thoughts Regarding Why the ESC Jury is SO Dysfunctional
I’m going to cut right to the chase: The judgement criteria for the jury make literally no sense once you stop and think about them. They quite literally cause trolley problem after trolley problem. As a reminder, these are the criteria the jury was supposed to use to judge the performances this year:
composition and originality of the song,
quality of the performance on stage,
vocal capacity of the performer(s),
overall impression of the act.
Let’s start simple - vocal capacity of the performer(s):
As everyone’s aware, this year, we had many talented vocalists participating in the competition: A few examples are Sweden, Norway, France, Cyprus, Spain, Estonia, Albania and Portugal. They all came swinging with their vocalists. Notice something funny about this list of countries?
It’s based entirely upon the assumption that the ability to belt or the usage of one’s head voice is what defines someone’s vocal capacity. Here’s why this is a problem: Assuming that belting as an example is the peak performance of singing means to ignore other, arguably harder and more demanding techniques that are more unconventional sounding to the mainstream ear. A hilariously good example of this would be growling. It require a lot, and I mean a lot of technical prowess and control over your voice, and is thus arguably harder than say belting, as an example. Seriously. Try to growl. Right now. I bet most of you have noticed that you literally can’t growl without sounding hilariously pathetic. If you did manage to let out a decent growl, now try to sing while growling. Pick any song you like, and go for it. Pretty hard, right? And guess what! We had someone doing that this year, and being phenomenal at it.
Too bad they came last in the competition.
That’s right, if we’re going to start judging vocal abilities here, arguably the most vocally capable singer was Chris Harms. There are multiple parts in Blood and Glitter where he uses the growling technique. Not only that, but du-du-dum! He also belts during the song, and does so wonderfully. So, based on this, clearly, he was the most vocally talented artist out of the bunch, right? (Obviously, I am 100% simplifying things here, but bear with me for a bit.) He does everything that the previously mentioned group did, and more. Arguably we could also say that alongside him Alessandra is carrying the torch of the most vocally capable performer, as she does have that one whistle tone in her song (if you’re thinking what I think you’re thinking, don’t worry, we’ll get to that later).
However, this gets even more complicated than singing techniques, how hard they are to master, and how many of them you use in your song.
You see, we can’t really judge someone’s vocal capacity and compare them with the other contestants, when many of these artists were performing songs in different genres. Here are some of the genres represented during the Eurovision finale of 2023:
Metal
Industrial metal
Progressive metal
Rock
Alternative rock
Progressive rock
Pop rock
Pop
Dance-pop
House-pop
Latin-pop
Hyperpop
Chanson
Flamenco
Disco-house
Electronic
R&B
Rap
Schlager
Tractor (lol)
With this many genres, different singing techniques are more appropriate for some songs than others. So this is no longer even a question about comparing each contestant’s vocal abilities with one another (which is a problem, since you know, this is a competition), but rather who performs well within their own genre. Suddenly, we can add almost every contestant to the list of competent vocal performances. For those of you who are wondering, yes, even Käärijä came through with his vocal performance, especially in the first half of the song.
While we’re on the topic of Käärijä (and we won’t leave him for a bit), how are the juries supposed to judge the vocals of rap performances that are more heavily reliant on the enunciation of words than the vocals themselves, if the song’s not in English? Part of the reason Cha Cha Cha works so well is because of the way Käärijä raps certain lines or even words. How is any other jury, except the Finnish one, (who’re not allowed to vote for him,) supposed to catch something like how good the ”Ja mä jatkan kunnes en enää pysy tuolissa niinku” part sounds to a Finnish ear? Specifically the words kunnes, en and enää, are doing a lot of heavy lifting in that one singular line due to the rhythm and enunciation. Can a jury member who doesn’t understand Finnish catch onto the way he allows the first two words to almost melt into each other while pronouncing the last word ridiculously fast to create a very specific rhythm? I’m sure some jury members would notice that, but it’s just as likely to go completely unnoticed unless you’re familiar with the language.
Next, composition and originality of the song:
Again, we have a clear victor here: Cha Cha Cha is by far the most ”original” out of these songs (despite the Electric Cowboy plagiarism accusations, and it’s all thanks to the fact that the song does a genre based one-eighty by the end). I mean, hello? Blending industrial metal, rap, hyperpop and Finnish schlager? This is such a strange combination of genres, it becomes its own entity. And somehow it works. Personally, I’d say this is at least in part due to the melodic hook that repeats literally throughout the song. Those beeps and boops you hear after the first line of the song? They keep repeating themselves, in the chorus in the ”Cha, cha cha, cha cha cha cha” portion, and in the schlager part of the song, though there, the melody is cut in half and only the last three keys are present in the ”Niinku cha cha cha” parts and in the lines that end with an ”aa-aa-haa.” (So, ”Niinku cha cha cha, enkä pelkääkään tätä maailmaa-aa-haa” etc.) Obviously, we get to hear the melody in its entirety once again in the final cha chas. Brilliant! Douze point. Sometimes less is more, and I can’t believe I am saying that about fucking Cha Cha Cha but here we are. Simplicity is king.
Now, on the other hand, we could say that most of the pop entries are not original in the slightest. We could argue that there is literally nothing original about repeating the same pop formula and the same chord progressions which can be found in most pop songs. This is why Tattoo, Solo, Unicorn, I Wrote a Song, Break a Broken Heart, etc, are getting compared to other pop songs and accused of plagiarism: Pop music just is that generic in its building blocks. It’s also why we could argue that they’re not particularly noteworthy in their compositions.
And while we’re still on the topic of originality, songs that are tied to a specific genre are practically screwed. No one’s going to reinvent genres like cha-cha-chá, waltz or mambo here, unless they step away from what identifies these genres, the rhythm. If the rhythm isn’t there, it’s not a cha-cha-chá, waltz or mambo song. You wanna blend salsa and reggaeton? Too bad, salsaton is already a thing! Should everyone start doing what Käärijä and his team did, and mix a minimum of four genres with a somewhat unusual structure in order to be ”original”? What even is originality in the context of composition, really? There are only so many chords and chord progressions to use, there’s practically no way to actually be original, which is also why the topic of plagiarism is so fucking complicated when it comes to music in specific.
Anyway, let’s move on to the quality of the performance on stage:
To avoid making a lengthy repetition of the previous point, let’s keep this short: Depending on the genre of the song, a certain type of performance is going to be more appropriate than another. Imagine Alika having a performance like Let 3, or Teya and Salena performing like La Zarra. What’s that? It’s the taste of good ol’ thematic and tonal dissonance. Each song is elevated by a performance that matches that song in specific, and the artists can either perform well or fuck up. Again, this becomes a trolley problem, where the juries have to ask themselves: ”Do we value a performance like Joker Out’s above a performance like Luke Black’s?” When both perform well, it’s hard to compare them because they’re playing in two completely different ballparks.
Finally, the overall impression of the act:
Literally what the fuck does that even mean? This is actually just a preference question. Unless someone fucks up tremendously, everyone should be getting points for this. And that’s the core issue here. Because we’re dealing with such a large variety of different artists, different genres, different languages, it becomes impossible to judge them fairly against each other. Do we value belting above growling? Trolley problem. Do we value pop above metal or rock? Trolley problem. You get the point.
”Okay, but obviously the juries are basing their votes upon objectivity and looking at the whole package,” someone might say, and if they do, they’ve missed the point: There is no objectivity here, and because of that, there is no comparing whole packages either. Literally the only way to be objective about this is if everyone has an identical performance; same song, same staging, same camerawork, same choreography. And that’s not the point of the ESC. We’re supposed to be celebrating our individual cultures and our differences. Variety is quite literally required for this contest to work the way it’s intended to. At the end of the day, music is art, and art can be many things. You can’t argue that EAEA is more artistic than Mama ŚČ! (or vice versa) without opening a philosophical can of worms that is way too big for this silly competition. You can’t say Tattoo is objectively better than Cha Cha Cha (or vice versa), because, again, the songs shine in different criteria and are playing in two completely different ballparks. As a matter of fact, their ballparks exist on completely different planets. There are too many variables at play here for anyone to logically be able to be objective. And that’s when this becomes a question of voting based on opinion and personal taste (you know, if the concept of jury darlings hasn’t made this obvious enough). And personal taste is what the audience is supposed to base their votes upon.
Oh, and before I forget to touch upon that, Alessandra: According to some tabloids, her vocals were struggling during the jury show, and that’s why she in specific didn’t receive as many points from the jury as she probably should and could have otherwise. And that’s ridiculously unfair. Why should the jury and the audience base their judgements of an act on two completely different performances? As Käärijä has said in many interviews, each performance is unique and its own entity. Shit happens. Sometimes your vocals are struggling, other times a wire tries to murder you, etcetera. It’s actually bizarre that we don’t give our votes based on the same performance.
So yeah, shitty system, does not work, 0/10. Zéro point in French.
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nixthelapin · 4 days
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I don’t think enough people realize that Origins Pt. 1 & 2 happen on the same day
In French schools, they have a long lunch break, so lots of kids just go home for that time then come back. Seriously, they get like 90min- 2hours! (Which blows my mind as an American, who only got 30 minutes for my lunch break)
So when Adrien runs away again to school, the stuff that went on with the seats, the hurt from Kim taunting Ivan, Marinette’s insecurity about being picked as Ladybug, is still fresh! They didn’t even have the night to process it!
I just still see a lot of people who discuss origins talk about pt. 2 as “the next day,” when really it’s just the afternoon, so I thought I’d make a post finally lol
This has been a short PSA, thank you.
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normalpeoplethiings · 8 months
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aled and daniel have such a cool relationship in radio silence. like they are dating but they are both kind of unsure about it in a way. i really love how that even if they were to break up they would still be best friends because they value their friendship above any romantic relations between them. i’m so happy that they managed to figure things out again towards the end of radio silence because they are such a good power couple 🫶🫶
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mask131 · 3 months
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In general, when it comes to the religious approach between the US and a country like France, the huge gap can be easily explained by history.
The USA history was all about learning to embrace and accept and tolerate all and every religion. Yes there was religious fanaticism and religious extremes in this country - in fact a lot of people in there like to forget the founders of the USA were themselves considered religious fanatics by Europe. But the whole history of the USA is about learning to be open-minded and tolerant and respectful of other religions.
But a country like France? Its history is about to try and kill religion. France had its "let's welcome and open all religions" era - but a long time ago, and somehow it shows how "young" of a country the USA is. France meanwhile went way past beyond that, and went to the next phase, the systematic elimination of religion, or at least reducing it to the point of it being harmless.
Because France had to deal with all the most fucked up things religion had to offer. Not only did we kept fighting with every neighboring countries in names of religions (Christianity vs Islam, Catholicism vs Protestantism or Anglicanism), but we even had the historical traumatism of the religious wars within France itself, the country devouring its own due to the Catholic vs Protestant debate. Itself being a mere continuation of the strict hunt by the Inquisition of all the various "heretic" groups in France - France was the country where the Templar Knights and the Cathare met their death by mass executions.
The French Revolution was all about getting rid of an over-powerful and corrupted Church, and of a biased government tied to Christianity so much the Crown and the Church were just one and the same. Overthrowing the King was overthrowing the chosen of God, and the one sent by God - and thus the French Revolution was about men of religion, and the Terreur that followed made sure to get rid of all those French communities that were still too attached to their religion. Heck the French Revolution was all about removing any religious name, and all religious celebrations and destroying all religious statues - not just of Christianity, but also of long-dead religions such as the Greek or Roman ones.
And the Enlightenment. What about the Enlightenment? Everybory part of the "Lights" were about denouncing and criticizing religious fanaticism and the power of "superstition" over the minds. They liked in times of religious wars and persecutions, and they knew first hand that religion was the enemy of a good, human thinking. Just take Voltaire's writing: the guy spent his entire life taking down any form of organized, unthought religion, caricaturing, mocking or denouncing all the forms of Inquisition and hurtful superstitions he could find.
And even then, one of the most important dates French kids are taught in school, which is considered to mark the beginning of modern France, is 1905: the law separating the Church from the State. This was the moment the modern Republic, after many tries and fails, finally established the principle that religion should not be part of a government, and that the State should be above religion, and that religion was a private domain not a public one. This is one of the fundamental principles of the French Republic: secularism, laicity, the modern way to ensure a freedom of religion by making sure none dominate and that all religious matters are to be secondary in the greater scope of things.
So yeah, what I am trying to say is that France's entire history is about fighting off religion and trying to make clear it should not define people's life and should not be imposed on anybody and should not have too much power. Because France lived in the trauma of the Inquisition, and the religious wars, and the superstition-fueled persecutions, and the Church influencing if not corrupting the government. Times and times again in an endless cycle.
Which of course is going to make a HUGE difference when it comes to religious approach compared to a country like the United-States, which was founded by religious communities, partially for religious reasons, and whose entire creation relied on religious principles (like Manifest Destiny), and where the President still has to swear by the Bible before obtaining their post...
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petitemort · 4 months
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just a rant about fellow travelers again, (because i'm rewatching the show for an essay i'm currently preparing for school) but i think what really makes the show amazing other than the fact it's an amazing adaptation of the book: it's the details and all those little things in tim & hawk's relationship that makes it so intimate.
i think about the scene where hawk is laying on tim's chest at the beginning of the 2nd episode, and he just kisses his finger and tim smiles
i don't know i just love to notice all these little details during their scenes where they're together and sweet :(( and it really brings the softness of hawk too, i'm currently thinking about it and i need to see a gifset of all those little cute details in the show (for my mental health)
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purpletrashcans · 4 months
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This is a rant, an oddly specific, very unnecessary Radio Silence rant
Okay so we all remember that one tumblr post in Radio Silence in which a user talked about how privileged and rude Aled was for criticizing the education system and not wanting to go to university
This post - and I know it's not real, I know the person who wrote it doesn't exist - makes me so mad every. Single. Time.
Like have you ever thought about the fact that some people are simply not made for university, some people are just fucking miserable when they're - yk - stuck in university, i mean having the privilege of being able to choose if you want to go to university also means having the privilege of being able to not go
Also just because you have the privilege of being able to go to university doesn't mean you can't criticize a system that is so obviously shit, like i'm sorry, but even as someone who actually kinda enjoys university i 100% think that we not only have the right, but also responsibility to criticize when we see deficiencies or problems in the education system
And what kind of weird whataboutism is this "You don’t want to go to university, because you know it would make you miserable and think that the education system is deeply flawed? Well what about people that can't go to university at all, you privileged prick? How dare you not want to be miserable for at least the next 3 years of your life!!!!" Like i'm sorry but that’s so idiotic i can't even
Just because you CAN go to university doesn't mean you have to, the privilege is that you have the choice, that it's your decision
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12ratsinagnomecostume · 5 months
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I love it when bsd crossover fanfiction say "and abilities are only in Yokohama" or something. When... most of the cast is not from Yokohama?
The decay of angels (including fukuchi, I don't think we know where he's from)? Not from yokohama
The guild? Not from yokohama
Mimic? Not from yokohama
The order of the clock tower? Not from yokohama
Even some of the agency and port mafia.
Dazai? There's implications that, just like the author, he's from northern more rural Japan. Probably not from yokohama.
Kenji? He *is* from northern more rural Japan. Not from yokohama.
Ranpo? We don't know where he's from, but he mentions traveling away from his home city, so not from yokohama.
Atsushi? Similar to Ranpo, we don't really know where he's from but it's, say it with me, probably not from yokohama.
Chuuya? Has an entire arc about how he's not from yokohama.
Most of the cast is not from yokohama, so it's just such a weird story choice? But my god is it funny.
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adoresia · 5 months
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niggas in paris 😼
miles and reader visiting the eiffel tower? (yes unrealistic i know but so romantic)
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roseofspades · 1 year
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don’t get me wrong i absolutely love heartstopper but they way every single other alice oseman book is always first and foremost about friendship i just- i love heartstopper but i’m obsessed with radio silence and solitaire and iwbft and loveless because of something about those friendships which is just so beautiful. incredible and beautiful forms of platonic love is what her books capture so brilliantly. and yes it does kinda disappoint me that only the work that centres around a romantic relationship one gets recognition by general audiences, because while heartstopper is lovely, the whole of the osemanverse is about more than just teenagers coupling up for triple dates. i do think having isaac in the show will allow for some important discussion of aroace experiences and i really hope as things go on, the rest of alice oseman’s work will get the appreciation it deserves. it would just mean so much if broader audiences could see platonic relationships and aro and ace identities as how central and beautiful they are in her other works rather than just through side characters where their feelings are secondary to the romantic relationships.
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bernard-the-rabbit · 2 years
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“...it felt like we were friends. Friends who barely knew anything about each other except the other's most private secret.”
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