machines are alive btw. yheyre warm and they make sounds and the fans? them breathing

I love butterfly rays because half of the images of them online come in two varieties and it’s

a) a baybey!

b) I know what you are.

Periodically, it hits me like a ton of bricks that this scene exists:

With the windows framed as their wings, the hand fluttering to the back, the most emotionally devastating kiss ever to be filmed...

I am still not well.

Me: I have 12 drafts I should really work on the ones I already have before making more.

Also me: alright I posted 4 of them. I should have 8 left...

Draft list: 14

Me: how?

Some important shots of Will Graham in S02E01 'Kaiseki'

one day, in a thousand years

f/o who doesn’t know they’re touchstarved until they meet you.

the heavy want grows in their chest and is absolutely undeniably there whenever you two even just briefly touch. when you’re so close that they’re so desperate have you closer, wanting to feel their body pressed against yours in a tight embrace, that the thought of your hand in theirs is barely enough. when you two finally hug, or whenever you do, they sink into your embrace almost immediately, a deep sigh of content heard as they wrap their arms around you to return the tender hug. it’s a little hard to get their arms off you afterward, with those small mumbles of “just a little longer” and “i don’t want to let go yet.”

maybe they’re super embarrassed about feeling so at first and are so glad whenever you indulge in their desire to have you, to feel your warmth. or they’re incredibly stubborn about it but their actions always say otherwise, finding every little chance to have their skin touch yours, to quietly tug on your sleeve or any other sign that you immediately know what they want with it.

eitherway they’re forever thankful that you’re so understanding. with the little touches you guys end up doing like from simply pushing a strand of hair behind an ear or running fingers through each other’s hair, they’re absolutely addicted. smitten, even, so incredibly much that they can’t put their love for this, for you into words.

grian as the strange man who appears suddenly on gem’s dock with no explanation. no one knows who he is.

no one saw him arrive and he has no car.

he’s never bought anything from the store, and a few locals said they saw him simply cooking and eating the fish he catches on the spot.

the only belongings he seems to own are his fishing gear.

when asked where he lives, he points to the cliff. there is a tiny blue house there, balancing precariously on wooden stilts. the house has never been there and no one’s seen it before, but the local gas attendant pulled up a 40 year old photo of her grandma on the beach, and sure enough, the tiny house is there, a wee speck of color hanging like a barnacle on the cold, wet bluff.

the age of his mysterious little home aside, no one’s sure when he visits it. he’s at his little dock before the earliest ships cast out, and the sickly glow of his lantern can be seen long into the coldest of nights.

the man has pulled the strangest things from the ocean. fish, to be sure, but other, stranger things. lily pads, far from their native biomes. fishing poles, tattered and worn, of various makes and styles- some look positively ancient. boots. giant shells with twisted patterns to match no living thing. a genuine horse saddle once. bowls. a bone that looked just a bit like a human femur.

and books. perfect, unblemished books, nearly glowing with some kind of energy and filled with a script both unfamiliar and unsettling to see.

he opens them each with a breathless anticipation that tastes like brine or maybe tears.

but whatever he sees in them is not what he wants, and each book is tossed aside with resigned disgust and something like despair, before the weathered pole is taken up to cast a line to sea once more.

"What do you mean their name isn't Beef?"

(for @moondal514)

will all great neptunes ocean wash this blood clean from my hand?

no. this my hand will rather the multitudinous seas incarnadine, making the green one red.

there isnt any blood on his hands, but there doesnt have to be.

@trashpremiium

edit: HI I JUST FOUND THIS IN MY DRAFTS?? for some reason i never posted it but here

TOM BLYTH AS CORIOLANUS SNOW | The Ballad of Songbirds & Snakes (2023) Academy Orientation

PEDRO PASCAL as JOEL MILLER The Last of Us - "Please Hold to My Hand"

found this papa terzo in my drafts, decided to finish it!! 💜💛🖤 𐕣

To everyone who has lush fields ripe with story ideas but is struggling to go out and actually harvest them with your writer’s scythe: that’s alright. There’s a reason.

I see writers despairing or making self-deprecating jokes about how many wips they have, as if the ability to come up with the idea is equal to the ability to finish it out into an end product.

It isn’t.

A lot of our ideas come about, not because we were determined to be productive writers, but because daydreaming is an internal escape from life’s demands.

Writing is a demand, too.

Resting and relaxing are basic needs, unlike the high level, abstract satisfaction of being creatively productive. That’s why you might daydream (which is a mild and normal form of dissociation) ideas that you feel good about, and then struggle to research, write the words, fill plotholes, check grammar, revise— all the critical thinking and executive function things involved in creation. Your basic needs must be satisfied before your higher needs can be met effectively.

So, if you’re daydreaming about your stories extensively to mitigate stress, it’s expecting a lot of your stressed self to return from fantasy land, sit down in the cold hard real world and do the hard work to write masterpieces of literature. Those operations are at opposite ends of the spectrum.

Writing is hard. Making yourself feel guilty is only going to make it harder. You don’t have to atone for entertaining or distracting your mind by making that available to other people. Daydreaming is a valid end in itself.

Don’t feel bad about having ideas but not being able to write them. Scribble some notes if you can, if you want, but above all enjoy the escapism and take care of yourself first. The words will come after.