#foreign animation studios | Explore Tumblr Posts and Blogs

ashitakaxsan · 1 year

Text

Bad news about Iranian Animation(:

This real BAD news,that concerns not only the Present,but the Whole Future of the Iranian Animation Industry.While the occidental news outlets are going with the approach about “the rights of women”,”equality” they don’t care about an awful news.

Iranian animators attracted to foreign studios over weak local currency: expert. December 4, 2022 - 18:37

Photo below: This file photo shows Iranian animators working at a studio of the Institute for Intellectual Development of Children and Young Adults – Kanoon. (Kanoon/Hamid Tavakkoli)

“Due to a sharp decline in the value of the local currency in comparison to the dollar, Iranian animation studios are willing to work for other countries,” Ali Azizi told the Persian service of MNA.

“These studios were previously selling their productions to the Islamic Republic of Iran Broadcasting (IRIB), but I’ve heard that IRIB has not paid them as a result of the precarious circumstances surrounding its funding,” he added.

“Moreover, strict IRIB rules and regulations impose certain restrictions on animation works, while animators want to have a free hand to let them use their creativity. As a result, they are reluctant to work with IRIB,” explained Azizi who was formerly a manager of an animation school.

He has recently quit his job to direct an animation project.

Azizi said there are animation studios in Turkey that are working with Iranian animators who are even allowed to work remotely. Their projects are totally or partly done by Iranian studios.

The Turkish studios pay the Iranian animators less than they pay their local employees. Nevertheless, the wages paid to them are still higher than what they receive in Iran. He said that some Iranian animators have also been duped and have failed to receive their wages from the Turkish studios.

The animation industry has developed in Iran over the past decade, but the country has failed to exploit its commercial potential.

Ashkan Rahgozar, the director of Hoorakhsh, a major animation studio in Tehran, has frequently warned about the emigration of skilled and even semi-professional people working in the country’s animation industry.

Images below:from the iranian,epic,animated movie “The last Fiction”.

In an interview conducted last year, he said the financial motivations are the key factors in these migrations.

“Iran has not done well on efficiently training human resources in this field, and the professionals’ migration issue has really become serious. We are seeing them going to foreign companies for higher salaries. I see no bright prospect for improvement in human resources here, because even semi-professionals are easily attracted by overseas companies,” said Rahgozar who is the director of the acclaimed animated movie, “The Last Fiction”.

MMS/YAW

My Understanding

This is the Real Significant news.I fear that the iranian animated movie “The Last Fiction” might be a Swan Song!(: “Who’s fault is this?” Not of the iranian regime.It’s of others, who fill us with the unessential claims(yes,claims isn’t the real thing)about human rights,and they passby that the strict sanctions make life harder for the creative people,such as Iranian animators.

Source: https://www.tehrantimes.com/news/479368/Iranian-animators-attracted-to-foreign-studios-over-weak-local

#Iranian animation studios #animation in Iran #The Last Fiction #Ashkan Rahgozar #foreign animation studios #Shahnameh #The Book of Kings #Hoorakhsh studios #Shahnameh Ferdowsi #شاهنامه #ابوالقاسم فردوسی توسی #Zahak is the much as Naraku #Iran culture #Tehrantimes #Swan Song #Iranian animators #Inuyasha Naraku

5 notes · View notes

xviicprc · 2 years

Text

Imaginary Scrambled Egg (ft eddie)

541 notes · View notes

lilyoflaguna · 2 years

Text

I’ve become sceptical of the unwritten rule that just because a boy and a girl appear in the same feature, a romance must ensue. Rather, I want to portray a slightly different relationship, one where the two mentally inspire each other to live- if I am able to, then perhaps I’ll be closer to portraying a true expression of love.

Hayao Miyazaki

#hayao miyazaki #miyazaki movies #ghiblicentral #studio ghibli #ghibli #from up on poppy hill #ponyo #howl's moving castle #laputa #castle in the sky #kiki's delivery service #spirited away #japan #Japanese film #foreign film #anime #film quotes #words words words

57 notes · View notes

suchananewsblog · 1 year

Text

‘Suzume’ movie review: Makoto Shinkai explores love and loss in breathless road trip anime

Mid-way by means of Makoto Shinkai’s newest, you realise what separates this from his earlier works like Your Name and Weathering With You. For over many years now, Shinkai’s imaginative and prescient (a modern-day legend himself) has been in comparison with the best there ever was: Hayao Miyazaki. Now, with Suzume, he decides to go full throttle with references and tributes to Studio Ghibli’s…

View On WordPress

0 notes

babydarkstar · 2 years

Text

wow i feel bad for kids today. almost all of their media consumption is owned and produced by one studio

#they do find a way to watch every amimated foreign film available tho #like im just thinking abt how everytjingis owned by d*sney #and it was starting to get that way when i was an older kid but it used to be ripe w anim studios #i miss bad animation. let’s bring it back

0 notes

ja-khajay · 10 months

Note

hiii! In regards to the "Guillermo del Toro Says “We Have to Rescue” Studio Animation From “Emoji-Style Behavior”" article/statement, do u have examples of animation that specifically is & is not this type of expression/animation? Bc it's rly hard for me to actually picture this and like I need examples ahaha

Disclaimer - I was not at this specific talk, so I don't have the full context and I know from reliable sources - friends of mine that DID attend it - that it's not all he said there, so that article is pretty much only relying spicy chosen bits. That being said, I will focus on this paragraph.

Getting more specific, he went on to detail what he despises about certain lazy proclivities in commercial animation, notably how characters and emotions are “codified into a sort of teenage rom-com, almost emoji-style behavior.” He added, “[If] I see a character raising his fucking eyebrow, or crossing his arms, having a sassy pose — oh, I hate that shit. [Why] does everything act as if they’re in a sitcom? I think it is emotional pornography. All the families are happy and sassy and quick, everyone has a one-liner. Well, my dad was boring. I was boring. Everybody in my family was boring. We had no one-liners. We’re all fucked up. That’s what I want to see animated. I would love to see real life in animation. I actually think it’s urgent. think it’s urgent to see real life in animation.”

What he talks about here is something I find omnipresent in modern American animation, or from studios that are funded by and/or trying to sell to americans (ex: Illumination McGuff). Here del Toro specifically mentions characters and emotions and how they are codified, which would include how characters are written, how animated their emotions and body language are, how they interact... He also mentions studio animation, an important distinction - this does not include indie animators!

A few things, adding * to those he's specifically calling out here, and more of my own that are not stated but I feel match the style

*one liners

*the "dreamworks face"

*sassy attitude

*quick banter

*taking poses

looking into the camera

overtly smooth, cartoony body language

characters explaining their emotions, plot resolutions around this

I will now get to examples, starting by a comparison between two animated films. Both of these films are contemporary, family-audience, french animated films. They share similarities in setting, being medieval fantasy fairytales about female heroes. One of these films was made with an american audience in mind (Pil), and the other caters to a french audience (Dragon Princess). You can compare how the characters act in both trailers:

youtube

Try and only focus on dialog, body language and expressions, barring art style and story!

Feature films that, in my opinion, also fit that "emoji style behaviour" (* for those I have not fully watched) any why:

Turning Red: the sass, the one liners, body language, camera looking, quick banter, plot resolution with characters explaining their emotions. The whole film fits

Puss in Boots: The last wish: sass, one liners, body language, banter, characters explaining their emotions. Scenes like Puss meeting his past lives and the dog's dialog are strong offenders

The emperor's new groove: sass, one liners, posing, banter

Encanto: sass, posing, banter; the explaining their emotions to drive the plot is ridiculously present to the point where I'd say del Toro was vagueing that one with the family example

Klaus: posing, banter, body language, explaining their emotions

*Nimona: sass, posing, banter, expressions...I only watched the trailer so can't say much but it leans HARD into the rapid fire quip territory with emotional resolution

*Trolls: sass, posing, banter, body language, camera looking...

Regarding films that do not do this, the quick answer would be...watch foreign (=not american) and/or older films. Nowadays with internet a massive catalogue is available, although the USA has such a monopoly on animation via its advertising budget other countries don't have that those films can be harder to find especially if you only use english-speaking internet.

As most studio animation is for a young or family audience and my entire example list above is, I will give some recommendations of films that are also for such an audience, but with older and worldwide picks. Some of these films are fully available on YouTube (although not in english always), so I'll be linking that when possible!

Mom is pouring rain (France, 2020s) (trailer): A shorter film about a little girl sent to live with her grandmother while her mom heals from depression. Has emotions front and center but expressed and animated in a way typical of modern french animation, with cartoony designs but subtler, more "boring" acting

The little prince and the eight headed dragon (Japan, 1960s): Beautifully animated in a style distinct from anime, this is a simple folktale adaptation. Fully on YouTube, albeit in its original english dub who's quality is frankly not great.

Next! (UK, 1990s): Stop motion short by an animator who specifically explores subtler, harder to animate expressions, as well as the art of theater, represented here by a Shakespear puppet playing out his works as a one-man show.

Ramayana (India, 1990s): Animated version of the legend of the same name, coupling a Ghibli art style with your ancient legend's large scale battles and polite heroes.

Ne Zha (China, 2010s)(trailer): that trailer is dead serious, it's actually a pretty damn silly movie! Including this one because as a big CGI animated film it's interesting to compare to what Pixar/Dreamworks/etc is doing.

...I'm realizing that I included a whole lot of animated folk tales so for modern chinese animation I'll also name Legend of Hei (2020s)(trailer), an original fantasy film with indie origins and a whole lot of over the top action.

As for films from the US that do NOT match that style? As a country the US has a rich history of animation asides of Disney! I personally grew up on Tex Avery and Looney Tunes cartoons who (pre-90s) are great examples of this.

For more adult films, I'll link my list of mature animation recommendations!

My ask remains opens for any clarifications :) have a nice day!

#answered #animation

841 notes · View notes

bidisastersanji · 5 months

Text

Classic high school anime tropes ZoSan omigosh listen up this is so cute and I have so many tropes to hit I basically wrote down the beats of the season:

Unexpected mid semester half foreign transfer student Sanji with mysterious past

Zoro sits by the window at the back of the class and Sanji is told to sit next to him

Dropping the eraser and brushing hands oh my this new guy has the softest looking hair and his eyes are so blue

Your eye-

Huh?

Your eyebrows look stupid.

What did you say you stupid mosshead?

-Roronoa. Black. Stand outside. (With the buckets, staring daggers at each other)

Thus starts their rocky friendship (?) and they’re forced into interacting because they’re sat next to each other in class and constantly are paired to do class work together.

Sanji’s flirty and deferent nature around women- students and teachers alike (and his occasional nosebleeds) rub Zoro the wrong way, and Zoro’s disregard for women, hygiene, manners, the dress code/uniform etc annoy him even more.

He also hates how popular Zoro is and the amount of love confessions he gets and that he does not handle gracefully at all (you’re such a brute!)

Rivalry intensifies during sports class- episode where they go absolute ham during dodgeball and scream out attack names

Although it must be noted that Zoro feels warm when he sees Sanji stretching effortlessly, and being sweaty and fiery during sports class

Nami is elected class rep and Sanji vice class rep

The high school girls think Sanji is princely and mysterious and he quickly becomes popular thanks to his beautiful bento and the snacks he makes for his girl classmates

Zoro observes him and thinks he’s always putting on a mask and keeping people at arms length. He doesn’t let himself admit that he kind of feels bad for him but subtly drops comments that get Luffy interested in him so that Luffy can force him to join their rowdy friend group

They go to karaoke and the strawhat shenanigans slowly crack at Sanji’s composure until he’s singing loudly and happily with everyone else by the end of the evening

From then on Sanji’s smiles are more genuine and happy and Zoro is more than content with his little plan

Nami noticed and teases him about it

At least one scene where Nami steals Sanji or Zoro’s umbrella so that they share one and go home together (they learn they have to go in a similar direction and walk some of the way together from that day on “you’ll get lost without my help mossy, we know you already have too many lateness issues with the school)

Sanji joins so many clubs- he works really hard to be top of the class and does all the things that would get him into a top university- and it’s only after Zoro talks to him that he decides to follow his heart and join the cooking club and drop another club

He later gets his first part time job at the Baratie and gets basically adopted by his new father figure Zeff (Sora’s brother who he reconnected with)

He’s so excited to have some money of his own and gets a marimo keychain for Zoro’s birthday

Episode where Zoro gets sick (I thought idiots didn’t catch cold?) and as vice class rep (Nami makes an excuse not to go herself) he has to go give Zoro notes and stuff

Highly entertaining scene where he gets to Mihawk Manor and meets Zoro’s goth family

Followed by sweaty feverish Zoro in his bed that absolutely does not make his stomach flip flop and his hands sweaty (he brought homemade soup!)

Obligatory Zoro pushes himself too hard to prove he’s not sick/weak and passes out on Sanji and Perona walks in on an easily misunderstood position they’re in

BIG EXAM arc where everyone is stressed out, Sanji shares his notes and organises a study group at his place - revealing that he lives alone in a studio apartment, he glides over his explanation and says it has to to with the fact that he’s half and his French dad doesn’t live in Japan, and Sanji wanted to live here because his mother was Japanese. No one dares dig deeper but Zoro can tell there’s a lot more to the story, Sanji looks very tense and his fake smile is on (also there’s no family pictures at all)

Zoro falls asleep during the study group and Sanji definitely doesn’t think he’s adorable drooling on his tatami floors

Zoro is captain of the kendo club and has a very… intense fan club of people of all genders who guard him very jealously

Zoro interacting with Sanji constantly makes the fanclub jealous and some try to intimidate him and bully him into avoiding Zoro but he refuses to be pushed around until they find stuff about his past/family and blackmail him (this happens in a bathroom probably)

Zoro gets insanely annoyed that Sanji has been ignoring him- he then confronts Sanji about it- cue dramatic, tear filled scene where Sanji says hurtful things to push Zoro away

A few weeks pass until Nami and Usopp catch wind of what really happened and Zoro is FUMING with anger when he learns what happened. He confronts the head of the fan club and tells them to burn whatever it is they have on Sanji and to never go near him again, threatening them

Things eventually go back to normal

Zoro exasperating Sanji with his inability to not burn everything they’re supposed to make in home economics

Winter holidays and Sanji is lonely (but happy to spend Christmas with Zeff)

He is cheered up by his friends making plans to go to the new years festival in kimono (he wouldn’t miss Nami and Robin in kimono for the world! - he says , while also thinking of what Zoro will look like) zoro comes in normal clothes and he’s disappointed and insults him for not making an effort and what did he even expect from a sentient plant

Zoro keeps stealing looks at how beautiful Sanji looks in his kimono though. Nami tries to bribe him into revealing what luck/what prayer he did but he doesn’t cave, no matter how much of his debt she would wave off

Sanji gets “extremely bad luck” in love and cries haha

Valentine’s Day and White day shenanigans with obligation chocolates and homemade chocolates and Zoro feels sad cause he didn’t get any from Sanji- is even particularly jealous that Law, Pedro and Ace got some, but Sanji gave him something else since he knows he doesn’t like sweet things but Zoro didn’t realize it was a Valentine’s Day gift until Nami explains it to him later

Zoro struggles to find a gift for white day since he still can’t tell if it was obligation or romantic on Valentine’s Day - he gets Sanji a kitchen knife, to the hilarity of all and the panic of their teacher

The straw hats going to cheer on for Zoro at his kendo competitions and Sanji definitely doesn’t think to himself that Zoro looks very cool

Culture festival is ripe for SO MANY THINGS do they do a maid cafe??? Is Sanji forced into a maid dress by his burgeoning fan club/the girls in the class he can’t say no to? Sanji is so happy to bake the patisseries for it all (also Zoro’s reaction ti Sanji in the maid outfit and saying welcome goshunjin-sama before he sees who walked in and turns tomato red)

Alternatively they could do a play where they have to play the prince and the princess and we get Sanji as the beautiful princess, directed by Iva-Chan of course- and they torture themselves over the kiss scene

Luffy pressures Sanji into accompanying him and Zoro to the haunted house done by another class and Sanji is terrified and grabs onto Zoro (you will never speak of this to anyone, marimo, you understand?)

Beach episode!! Nosebleed Sanj surrounded by bathing suits (not just the girls, this man is a proud bisexual disaster).

Going at Mihawk’s expensive beach house with all the strawhats. Watermelon smashing, ice cream, playing in the water, going in a cursed/legendary/scary/lover’s cave (repeat of Sanji tightly holding on to Zoro for dear life, especially since there are bugs) fireworks, near love confessions with one of the two parties asleep and not hearing it

Background world wise- seven warlords are on the student council and hold a lot of power of course

Obligatory jealousy episode with the childhood friend and misunderstandings- Kuina (yes she’s alive, but a wheelchair user she survived the accident but can no longer compete in able bodied Kendo) comes by school and Sanji misunderstands the tenderness Zoro shows her, jumping to conclusions in typical anime fashion and running away

Class trip to Kyoto arc where the boys struggle with all the romance in the air, sitting next to each other on the Shinkansen (zoro falls asleep on Sanji’s shoulder and he lets him and shushes people), get into trouble when they’re late to the meet up because Zoro got lost( sharing a hotel room - yes Usopp and luffy are there but they need to share a bed omg), buying souvenirs, getting into a fight with local school punks (Killer and Kidd)

ALSO OF COURSE a bath scene during the Kyoto class trip what was I thinking, we need a nosebleed Sanji being taught how Japanese bath etiquette is- Sanji asks about Zoro’s scars and lies about his own when Zoro notices the many marks he has

Possibly tie up the story with finally revealing Sanji’s tragic backstory that’s been hinted at the whole season when Judge comes and removes Sanji from the school and plans to send him to a boarding school abroad- everyone bands together and dramatically save the day and Zeff adopts Sanji and Zoro and Sanji confess to each other and become boyfriends

The end

#wow this got so much longer than I meant to make it haha #I can just picture it so clearly haha #did I miss some tropes ?#zosan #zoro x sanji #sanji x Zoro #zosan fic idea #high school au zosan #anime tropes zosan #op zosan #op sanzo #sanzo #can you tell I’ve watched too much anime #my brain is mush

265 notes · View notes

theliterarywolf · 1 year

Text

Someone brought up the lack of scope people have in regards to the 'Animation is Cinema' sentiment. Or, how people who make those tweets or posts always point out the same four American CGI movies.

So, with that in mind, let me offer:

Millennium Actress (2001)

WolfWalkers (2020)

Persepolis (2007)

When the Wind Blows (1986)

Please feel free to add any other strong pieces! Remember, try to aim for animated films that are either traditionally animated or a from foreign (specifically not Disney/Disney-affiliated) studios.

#Animation #animation is cinema #fun fact: the first of these will destroy you in a feel good way #and the last of these will destroy you in a miserable way!#yay for the vast array of emotional and interpersonal depths that can be expressed #via the MEDIUM of animation

418 notes · View notes

fibula-rasa · 9 months

Text

Cosplay the Classics: Elizabeth Montgomery in “Two”

“Two” first aired on 15 September 1961 and is the first episode of the third season of The Twilight Zone. Sadly, “Two” is the only episode that features Elizabeth Montgomery.

Montgomery was nearly ten years into her professional career in 1961. She had already carved out a solid resume in television, appearing prolifically on anthology and episodic shows and occasionally stretched her legs on the New York stage. Samantha Stephens was still three years away when Montgomery took her voyage through The Twilight Zone.

In its five seasons, The Twilight Zone was a crossroads of up-and-coming and well-established performers. “Two” paired the rising star Montgomery with Charles Bronson, who had a decade more acting experience in TV and film than Montgomery. Though Bronson was the more established star, “Two” is Montgomery’s showcase.

Read on below the jump!

“Two” relies on minimal dialogue throughout and notably Montgomery only has a single line spoken. The role relies almost entirely on Montgomery’s action/reaction, expression, and styling. The episode begins on Montgomery as The Woman wandering an abandoned city. The first nine minutes of the episode pass with no dialogue, with context given by visual elements and Serling’s opening narration. The entire episode takes place on a small section of city street (at the old Hal Roach studios, conveniently already in disrepair).

We learn through newspapers and magazines that this city is in The Man’s homeland, invaded by The Woman’s nation’s army. Signs of the city’s long five-year abandonment are everywhere, including full skeletons left where they fell. (The macabre element of skeletons is used sparingly across the Twilight Zone and usually in circumstances less grounded in reality than “Two,” such as “Long Live Walter Jameson” and “Queen of the Nile.”) As The Man mulls over his first encounter with The Woman a dove flies up behind him as a symbol of his genuine desire for peace. Through a variety of posters and advertisements, we learn that The Man’s homeland had a culture heavily invested in war.

Collage of the war-related paraphernalia in “Two”

All of that is solid storytelling, but Montgomery’s acting adds an extra something. When The Woman first encounters The Man, Montgomery performs hair-trigger reactivity. Despite The Woman’s dire situation—a stranded foreigner in a decimated country with seemingly no chance to ever return home—her reluctance to trust The Man is significant. Pairing Montgomery’s wordless portrayal of these responses with the jingoistic quality of The Man’s homeland and the notable length of time that the city has been abandoned makes me feel that her feelings might not be a simple holdover of wartime hostility on her part but potentially extended trauma. Perhaps The Woman had previous awful experiences with other straggling remnants of The Man’s military, who may not have been as ready as The Man to give up wartime attitudes in spite of the war clearly being over.

The Woman is understandably acting like a cornered animal. As the episode progresses, The Man tries to be as calculated as possible in communicating to The Woman that he doesn’t want a fight through his actions, turning his back to her, and not retaliating the third time she launches an attack on him. Montgomery, in turn, does a great job of drawing out the cornered animal characterization—alternating between curiosity, hope, mistrust, and open hostility. Montgomery’s characterization gives the role the added dimension that saves the episode from feeling too much like an overly simple fable.

Unfortunately, it’s in executing the fabular aspect of the story where “Two” falters. The opening narration by Serling specifies:

“It’s been five years since a human being walked these streets. This is the first day of the sixth year as man used to measure time. “The time: perhaps a hundred years from now, or sooner, or perhaps it’s already happened two-million years ago. The place: The signposts are in English so that we may read them more easily, but the place is The Twilight Zone.”

It’s established here that the location is meant to be a stand-in for any city in any country, and that the use of English is merely a storytelling convenience. So, even though “Two” is intended as a Cold-War era anti-war statement, they are intentionally distancing the fiction from the contemporary real-world conflict. To create further distance from a contemporary place/time, they establish that the rifles are laser guns.

But, then, that one line that Montgomery speaks in “Two,” seventeen minutes in, is “Prekrasny” or “прекрасны,” a Russian word for beautiful or pretty. This pretty much grinds to a halt the concept that this is a cautionary fable and not a vision of a dark future where the Soviet Union and the United States moved to open warfare. While I’ll admit that the conventions used to establish “Two” as a fable are cheeky and a little on the corny side, the episode itself would have been stronger without the suggestion that The Woman is Russian.

I’m not sure who made the call to use a Russian word. I wonder if perhaps Serling wrote his introduction and he had a different read on the story than its writer, Montgomery Pittman. Maybe Pittman intended “Two” to be more of a dark premonition with a twist of optimism and Serling thought of it more as a fable and the two approaches hampered each other in the final product? This is pure speculation on my part of course, but it’s a black mark on what I think could have been an even better episode than it is.

Regardless, I think “Two” is a strong episode and a fine example of a Serling-esque story written by someone brought on to lighten the load of Serling, who worked himself to the bone on Twilight Zone. I also appreciate Pittman’s confidence to rely so heavily on visual storytelling techniques, taking into account that the high quality at which we watch the show now does not reflect the quality home viewers would have had in 1961. It reflects both Serling and the producers belief that viewers would be fully engaged in watching the show as it aired rather than just passively having it on in the family room while unwinding after dinner.

Elizabeth Montgomery’s performance heightens the whole affair considerably. That’s no shade on Charles Bronson, in fact I think the monologuing he’s given could have come off as unbearably hokey if delivered by a lesser actor.

If you can believe it, this is my very first time cosplaying The Twilight Zone! (Though I did play Rod Serling in a set of sketches in high school. I was as weird as a teenager as I am an adult, okay?) If you didn’t already know, I run another blog called Twilight Zone in Close-ups, examining the powerful use of close-up shots on the show by testing out how much of each episode’s story can be communicated solely by its close-up shots.

☕ Buy me a coffee! ☕

#1960s #1961 #elizabeth montgomery #the twilight zone #Twilight Zone #rod serling #classic television #television #closet cosplay #cosplay #television history #OTD #science fiction #speculative fiction #horror #1960s tv #tv

190 notes · View notes

sytokun · 3 months

Text

A lengthy thought wall about the recent RT shutdown and DillonGoo Studios' interest in acquiring RWBY - I speculate and entertain some hopium about the pros that could come with it and why all in all, impossible it may be, it's probably the best shot we have for RWBY.

Some rwde cause it mentions Shane's letter and nobody likes that.

I've been reading a lot, a lot of the various discussions around RWBY's fate and Dillon Goo Studio's (henceforth shortened to DGS) interest in acquiring it. Here's my overall evaluation everything so far:

This goes without saying but this is obviously an optimistic take on the matter, I wanna talk moreso about the pros rather than the logistics of whether DGS can afford it, whether you think it's just clout-chasing, etc.

Dillon's a former RWBY animator and a fan of Monty's work. No matter what you think of Monty's style of action, in the greater public sphere, RWBY is known and liked precisely for that and largely that alone, period. Only RWBY fans who are already invested in the show will mention story or characters - for the majority of people, i.e. future RWBY fans, the action is the main selling point, and DGS clearly can deliver on this.

Dillon himself is at least amicable with most of CRWBY and likely open to negotiate with them given prior work history. For any other media corporation, consulting the old IP holders of a defunct company is a minor formality at best or even a laughable waste of time. And if you want to bring up a certain almost 10-year-old letter and the person working with Dillon who wrote it, there are plenty in the comments section who would agree with me that it's not as big a dealbreaker as one might think, given the company the letter largely condemned is well dead and buried. I won't go further into that matter.

DGS is very community-oriented - they're very intimately familiar with 3D animation and produces creator-friendly content like the Goo Engine which helps future animators inspired by RWBY to make similar anime-style 3D content. Every single RWBY fan animator whose work we enjoyed benefits from this acquisition - all of whom can grow into future animators for the series, intimately familiar with its trademark action style.

DGS is probably the only genuine fan of RWBY that has a remote chance of acquiring the IP with the express motivation of using the IP creatively. This can be clearly seen in the steady improvement of their animation content over the years and desire to push the medium. All other candidates are corporations whose motivations with RWBY are, more likely than not, going to be entirely financial (not necessarily a bad or unhealthy thing, but it's a factor).

If RWBY stays under WB or given off to Crunchyroll? They have no stake in RWBY beyond pure business. They have no interest in what's best for RWBY or its growth, only how it will be most profitable or recoup the losses from RT. The only companies I can see being more creatively invested in RWBY are ArcSystem Works who implemented RWBY in Blazblue Cross Tag Battle, or Shaft that animated Ice Queendom, but those are both Japanese companies unlikely to go all-in on a foreign IP - especially given that these studios usually adapt other IPs, not buy them outright.

DGS is invested in RWBY. Their entire studio's style is built on RWBY-esque action animation. Acquiring RWBY more or less guarantees it'll become their main flagship series and their main investment, whereas with WB, Crunchyroll or other big platform, RWBY is nowhere near prolific enough to be much more than another shelf-filler in their library. At worst, Warner archives RWBY for eternity and at best, they only bring RWBY out for tie-ins and crossovers to prop up their larger DC properties. Why give RWBY the spotlight when they own the likes of Justice League and Looney Tunes?

DGS may not be the most plausible choice, but it's clear that unless some big company like ArcSystem Works or something throws their hat in the RWBY ring, DGS is far and away the people's favourite, even gaining approval from JJ Grelle (Tyrian's VA), who quite notably refused to reprise their role for Rooster Teeth.

DGS is still very much an indie studio which IMO RWBY has flourished the most under, the time period where it retained a certain unpolished energy that made you invested in watching it improve and grow. I don't want to watch a RWBY that uses its precious time under a new studio to just go by the numbers and coast by on its existing fanbase. I want to watch a RWBY that grows, innovates and takes risks, that impresses and draws new and old fans in the way it does for every single person that has watched the Red Trailer for the first time.

I think a lot of folks have a preconceived notion that RWBY has to continue on the exact same production value as V9 left off, but that never had to be the case. I think a return to a much more subdued production with smaller teams focusing on strong individual episodes over large overarching narratives will be healthy for RWBY and more easily invite new fans, which it sorely needs if it wants to stay afloat this time around.

Whether this means a continuation to V10 or a reboot I don't know, but I know I'd rather take a RWBY that a new studio respects and will produce in a way that fits their strengths and limits, over trying and overreaching themselves to make something work that even Rooster Teeth failed to, or over no RWBY at all.

That's the crux of it: the worse alternative is no RWBY at all. CRWBY and especially us as a fandom are in no position to be picky when that's the alternative. There's no such thing as a perfect deal, but this is about as sweet as they come. If the only hurdle is WB's refusal to sell, then that's on Warner. If the only hurdle is affording the IP, I, many others and no doubt other associates Dillon Goo Studios knows are likely to help them meet that price.

I do wanna stress, despite my optimism, I'm not asking to stake all our hopes on DGS as the saviour of RWBY, god no - the last thing I want is a weirdo Monty 2.0 cult and I doubt Dillon would want that either. I'm not saying the RWBY they'd make will be perfect or be equitable for everyone either - some compromises must be made and professionally speaking, whoever owns RWBY next has no legal obligation to make V10 or bring back anyone from CRWBY. Any such action is solely on the graces of the new IP holder and at the end of the day, I think whatever creates a healthier, longer-lasting future for RWBY should take priority over our sentiment or attachment.

But as things stand right now, if DGS isn't just farming Twitter likes and is honest-to-god serious about acquiring RWBY, and no better candidate presents themselves, this is about the best option we have right now, and I myself will be ready to help and contribute in whatever little way I can. Because I know the very real alternative is either a complete gamble on yet another faceless media subsidiary, or watching RWBY rot behind a vault for the next decade or more.

#rwby #rwde #dillon goo #rooster teeth #crwby

75 notes · View notes

kunaigirl · 8 months

Text

I love animation so much guys I love 2D frame-by-frame animation I love flawed and crunchy old cel animation I love clean animation I love messy animation I love CGI animation I love puppet animation I love special effects animation I love budgeted animation I love stylized and experimental animation I love silly animation I love serious animation I love story animation I love animation processes and demos I love vintage animation I love professional animation I love hobby animation I love studio animation I love indie animation I love foreign animation I love local animation I love game animation I love musical animation I love television animation I love internet animation

I FUCKING LOVE ANIMATION!!! ANIMATION IS ART!!!

#animation #screams into the void

121 notes · View notes

seokyris · 9 days

Text

𝜗 𝓜e, 𝓔spresso .ᐟ 𝜚

⌗ synopsis — love at first sight is one thing but love at first glance is a whole different story for jake (idol!jake x blk! kpop idol reader — member of æspa)

warnings :: mild cursing, not proofread, the use of “you, your, you’re” instead of i / first person views, in lowercase, my first story so pleaaaase 😭

word count — 939 [funnyface]

you were a foreign idol from the states that had joined the group æspa after a good 3 years of training. you had been known as korea’s foreign beauty and an inspiration to many black kpop idols across the world that there was hope, and you can do whatever you put your mind to. like the black barbie of your time.

but your biggest fan? sim jaeyun. you two had never spoken before, but he was so enticed by you and your visuals. he had spoken publicly about you and how you were one of his idols even though you two were around the same age. this infatuation turned into a little joke between fandoms and even dating rumors which he formally apologized about. throughout the many months to come, he had asked for your number numerous times to which you replied with how you wasn’t really giving any one your number yet

but after many attempts, you had given him your number. you thought he was cute don’t get me wrong, but you just wanted the attention and rumors to stop. but they didn’t. after giving him your number he got asked a question about you

“do you like [__]? are you two dating?” “no, we’re not dating. but i do have her number!” he said with a wide smile on his face as he read more comments like he didn’t just say something that could potentially lead to yet ANOTHER. dating rumor.

in the dorms with aespa that night it was chaotic. “what the fuck.” you exclaimed while karina & giselle showed you the clip “no, [__] he’s obsessed with you.” giselle laughed loudly as winter came up to the three of you. “did you see the clip? there’s like 7 posts about it already on twitter..” you examined winter’s feed hoping what she was saying wasn’t true.. but it was. you sighed heavily as you walked over to your shared dorm. “i’m going to sleep. this’ll blow over by tomorrow… right?” the three girls shrugged as you rolled your eyes contently and shut the door. being greeted by your groups maknae, ningning. who had been watching jake’s live from the beginning

“hey ning.” you huffed, shuffling over to your bed and flopping onto it. “hey, what’s wrong?” “another dating rumor.” she sighed. “look on the bright side, he probably just wants to be friends, try and get to know him more, under, the idol image.” you looked up from your bed and thought for a second maybe she was right — maybe he just wanted to be friends! you whipped out your phone and texted the boy.

“hey jake it’s [__]! just texting to get to know you better, i know i gave you my number but we really never got to speak about our lives outside our careers:)!” you sent the message and awaited a reply. . and, of course, within minutes, he responds ! “hey! sorry, i was a little scared to text you lol!! but yeah let’s talk!!!” you smiled as you kept the conversation going for a couple hours. from the conversation, you had found out what movies he liked, what he liked to be called and his favorite part of doing what he does.

these conversations lasted for months before you two started publicly hanging out and hugging at award shows, which of course, sparked confusion between fandoms & fan bases.

one night, you had been working in the studio for your groups new comeback as you walked back to your dorm to play animal crossing with winter when you see jake already playing, so you texted him “well goodnight to you too” “lol sorry, i haven’t been able to sleep lately..” you frowned at this text “awh why is that?” you replied with a :( emoji at the end. “honestly, i’ve been up thinking about our conversations, i’m so excited to start a new one everyday and i’ve been waiting for forever to finally talk to you and now i can. so i just stay up thinking about you.”

“wanna call?” you risk-fully typed as you almost threw your phone across the room — when you heard a ding! come from your phone. you gasped an hastily looked for it on your bed “sure, [__] let’s call” you melted at this text and called him. you two were quiet for a moment until he spoke up “i’m sorry.. if i came off as a little weird when we first met. when i first saw you i was amazed by you — like you were a goddess that flew in from the states.” he paused inbetween his words before speaking up again. “you really are one of my favorite people right now and i’m glad we’re talking.” you smiled at his confession and replied “thank you, jake. you’re too sweet.” the two of you talked until the morning came and ningning complained about having to sleep in the living room because of the noise.

after that, the two of you had spoken everyday, talking every single hour until he finally confessed, he proposed to be your boyfriend. he came to your dorms and brought flowers for you with a note saying “bf & gf?” it was simple, but you loved it. you texted him immediately after seeing them saying “yes, you can be my boyfriend.” a week later, you had released a solo track called “espresso.” jake listened to it on live and realized the lyrics were aimed at him

“said you can’t sleep? baby i know, that’s that me espresso..!” he sighed and chuckled at the lyrics, this was the start of a long relationship.

#sim jaeyun #enhypen scenarios #fanfic #enhypen #writing #black tumblr #black writers #enhypen jaeyun #jaeyun scenarios #jaeyun imagines #enhypen soft thoughts #x reader #blk writers #Spotify

23 notes · View notes

frozen10fanzine · 2 months

Text

Frozen Through the Years

Yearly Spotlight: 2019

Written by @toriofthetrees

After six long years, 2019 saw the release of the long-anticipated sequel, Frozen II.

The lead-up up to the release was intense to say the least.

The first teaser trailer premiered in February, opening with Elsa on a black-sand beach stripped down to her bare essentials, barefoot, ready to take on a raging sea. She attempted twice to cross the torrential waters before the trailer turned to Anna’s shock of hundreds of diamond-shaped glass covered in strange symbols, taking over Arendelle. Following closely behind were several moments of Elsa, Olaf, Kristoff, and Anna taking on dangerous challenges, and a show of strange, foreign magic. All of this was centered around this new, mysterious setting known only at the time as an autumnal forest.

It gave just enough of a preview to hook millions.

The trailer was viewed and downloaded several million times on Twitter and YouTube within a short amount of time. In the fandom, a storm of news, posts, speculation, and discussions broke out over several platforms, too chaotic to keep track of. The months that followed the teaser were absolutely brimming with excitement! Across cinemas, television, and the internet—both in the US and internationally—came many trailers, sneak peaks, and posters about the upcoming movie. Alongside this came leaks as well, all of it sparking speculation in the fandom over what the plot of the movie could be.

Countless books about Frozen II came onto the market before the film was even released, notably without the end of the film printed within their pages. This lead to fans in many locations to protest the shops selling these books, wanting their money back.

Most of these protests lead to no results.

Success for Disney Studios, specifically. contributed to the exposure for Frozen II. ~In March, Disney invested billions of US dollars in company acquisitions across the film and TV industry, creating the most powerful media company in the world in the USA. ~This was the year of the 6th Disney D23 Expo, the biggest Disney fan event of the year! It was held on August 23–25 at the Anaheim Convention Center in California, showcasing news and pictures around all the new Disney parks, resorts—and movies! Including Frozen II! ~On November 12, 2019, Disney launched its streaming platform Disney+ in several countries ~2019 ultimately proved to be Disney's most successful cinema year to date, regardless of which new film was released!

All of this led up to the release of Frozen II on November 20, 2019 in most countries (unfortunately some countries had to wait until the beginning of January).

This new installment to Elsa and Anna’s story saw the sisters and their found family making a long trek away from Arendelle… in order to save it. Mysterious magics send them up north to the Enchanted Forest, that is covered in an impenetrable mist. Yet, it parts for them. The deeper they go into the forest, the more they discover about themselves, their family, the spirits, Arendelle… so that only one thing can be said for certain: Nothing will ever be the same again.

This film was polarizing.

In the cultural zeitgeist, it was a massive success like its predecessor, exceeding Frozen as the highest grossing animated film of all time. It received mostly positive reviews and it would go on to be nominated for multiple awards, including an Oscar nomination for Best Original Song. The Disney merchandising machinery was running at full speed and earned the company many more millions within a short amount of time. The limited edition dolls were sold out on the same day as release! However, it notably did not have the same cultural reach that its predecessor had. “Into the Unknown,” to many, was not comparable to “Let it Go.” And the film was nominated aplenty, but never actually received any awards.

However, it was within the fandom that this polarization was seen the clearest.

Frozen II made good on its promise that nothing would ever be the same for these characters. The sisters, though still as close as ever, no longer lived under the same roof by the end of the film. Elsa abdicated her crown for her duties as the Fifth Spirit and Guardian of the Enchanted Forest, while Anna took over as Queen of Arendelle. This separation, whilst to some was a step-up for the sisters, others saw as a step back. This debate rages in the fandom to this day, and many, many fans on Tumblr, Reddit, and other social media prefer Frozen to its sequel.

The fandom did gain some new content, including the addition of multiple ships. There were two that were rather popular. The first was Agduna (Agnarr/Iduna), which came about because of the major focus Frozen II had on them, the sisters’ parents. The second was Elsamaren (Elsa/Honeymaren), which came about because Honeymaren had a minor, but important interaction with Elsa in the film that sent her on the right path to Ahtohallan.

Just as Frozen II’s main theme—change—impacted the sisters, so to it did the fandom. The polarizing effect of the film lead to quite passionate arguments over its content. However, the fandom did not get any smaller or lose any passion. People continued to create, debate, discuss, and post about Frozen and Frozen II. In interviews, the cast and crew said that Frozen II was made to grow up with the audience who were there when the first film was released in theaters. With that in mind, the fandom no longer looked like it did when Frozen first came out.

Things change.

But we can still all agree on one thing: We love Frozen 💕

Stay Tuned For More

👆🏻 Click above if you want to celebrate the 10th Anniversary of Frozen. The due date is April 12, 2024.

We look forward to seeing your memories ❄️

#frozen #frozen10 #frozen 2 #anna #sven #elsa #olaf #olaf's frozen adventure #ofa #water has memory #frozen fever #frozen 10th anniversary #for you #fyp #tumblr fyp

30 notes · View notes

purringfayestudio · 1 year

Text

Hello!

Time for a new updated post! I'm an artist and post my work fairly often, but also reblog a bunch of other stuff I find interesting. Plushies, art, animals and fantasy, botany and ecology, etc.

For info and examples of my art, please see below!

As an artist I specialize in sculpture and textile art, specifically realistic, floppy, poseable soft sculptures (plush) made with faux fur fabrics. I love to create life-size replicas of real species and natural color variations, but I enjoy fantasy as well. Because my passion lies outside of mundane life, I do not make domestic animals. (No pet portraits, sorry!) I also have a full-time job outside my art which pays the bills, which means my art output is relatively low right now.

Some of my work:

For a full list of what I've made so far, see this post. Or check out my full website gallery. (I'll be working to make it more accessible as I have time.)

Availability:

Sales: I am not selling at this time, but I plan to in the future! I will post announcements and shop links before any openings or shop drops. I'm looking optimistically at later in 2023.

Commissions: Currently closed. Please check out my Future Commissions post for what to expect when I open.

Prices: I don't have prices available at this time, but this post may give you a general idea.

Shipping: It kills me, but I can only ship within the US currently. I'm not set up for international sales and don't sell often enough to register with foreign countries. There may be some countries I can ship to, but no promises. (UK and EU generally off the table due to their VAT laws.)

Patterns: I do not sell my patterns.

Info

I do not use real fur.

My pieces are not toys. They are art pieces and are not for children. While I use durable thread and attach all parts as securely as I can, in the end they are still handmade, one-of-a-kind pieces that have not received safety testing since they are intended for display or gentle handling. I'm always improving my methods, but I recommend care for longest lasting enjoyment.

Surface wash only. Some parts are densely stuffed and may not dry quickly if waterlogged. Painted details are permanent but may fade with rough washing.

Allergy Warning: I have 3 cats. Due to the setup of my home, I cannot prevent allergens from entering the studio.

A note about "Talent."

Resources

Plush Making for Beginners: Advice & Resources

Faux Fur: I list where I buy my fabrics here: Faux Fur Sources

Stuffing: what stuffing I use

Paints: tips for Painting Fur

And finally, where else you can find me online!

Feel free to drop me an Ask if you have any other questions!

#pinned post #purringfayestudio #purringfaye info #plush artist #plushies #I'll update this as I add info

284 notes · View notes