Not to be a buzzkill, but I'm kinda disappointed that the only thing people think of when they hear Dark Knight in ff14 is that they're edgy and brooding. Like, yeah, we are. But the idea of a dark knight is so much deeper than that.
To me Dark Knights are very concept of Hopepunk. The idea that not only will things get better, but I'm going to fight, covered in blood and screaming, for that future. They dont care what it takes, be it dark magic or a massive sword, they are grasping hope and love in a raging fist.
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I had to answer this in context and through her bard's eyes.
Of the here and now, after Meteion, after Zenos. I'm not too different from you. I got my mate back but... there is this nagging uncertainty. Yes everything ends at one point or another. There is still some work to be done that I been putting some things off...
For those we have lost, for those we can yet save. Tis either to wallow in self pity or move one step at time. Those who are left behind are the ones who have to pick up the pieces.
That and you guys need to come down to Buscarron's Druthers meet Master Jehantel. and maybe I can arrange for Alisaie to visit. Am I allow to take you and travel? There are people that you should meet, folks who help me one way or another.
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One trip to the far east later. She had this whole Oni horns image stuck in her head (Gunbreaker started the Oni of Light imagery, might have been folklore to it ), The horns kinda match Byakko...
Dark Knight currently switches between Coeurl theme and Oni of Darkness. The darn thing was responsible for the one horn, one eyepatch thing in Shadowbringers
Road trip with Sid. so many guardian and wards road trip by now. The irony of wanting to take Myste for a visit to Master Jehantel, Alisaie, Thancred, Estinien, Temulun and Vritra.
Been looking at Darkknight's quest through Bard's eyes. There has always been this sense of detachment for her. On one hand MSQ manifested a lot of her issues especially the Urianger and eating Lightwarden business. Kinda think that Master Jehantel's questline had prep her for the whole "unable to save everybody" bit. While Urianger willingness to use the lives of others is the thing that pisses off her the most.
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ALRIGHTY! Time to formally reintroduce yall to my silly idiot OC Dandy!
and by that I mean, I redid their ref art, tweaked their bio, and finally made a ref for their stupid pajamas! Wanted to do other fits for them but aa another time. Brain is mashed potatoes.
Anyway, Dandy is my silly WH oc who's main theme is self care/self love messages shown through the imagery of gardening! Meant to be a sort of "garden of the self" sort of deal. They go by ANY PRONOUNS! She/her or He/Him, or They/Them are all correct and okay to use when talking about them! (I just tend to default to they/them)
Putting their full bio under the break!!! So you can read it all there!
"Resident gardener of Welcome Home, Dandy Leon is a curious but careful presence among the others in the neighborhood. They enjoy the quiet and spending their time tending to their various flowers. While a little shy around their fellow neighbors, they open up quickly when asked about their garden. Despite their more introverted disposition, they're always determined to make every day just dandy!"
It’s presumed that Dandy makes appearances only in the later episodes of the show’s run. But in old scripts found with them, it's shown that they moved to Home specifically because they were interested in the local plant life there. The episode that featured their move in seemed to focus on them slowly warming up to the others in the neighborhood, as their shy nature made it difficult for them to properly meet everyone. When asked as to where they lived before moving to Home, Dandy mentions living in a farm town far away, simply deeming it "far more south from here!" A lot of their dialogue also mentions their father, though he's never named but instead mentioned passively as Dandy would often use phrases like "Well it's like my pop always said-" when speaking to the other puppets.
During their short time on the show, Dandy's segments seemed focused on care for their garden, the language hinting that the flowers were more a metaphor for taking care of oneself and well being. Other characters can be found pointing out how much better Dandy’s garden looks when they’re feeling happy, but also comment how wilted it becomes when they’re shown to be a bit more downtrodden. They feel strongly about how important it is to be kind to yourself, even if it’s a skill they’re shown to still be working on themselves. Their confidence is something they also struggle with, seemingly a character meant for shyer audience members to attach to and grow alongside with. Dandy is often depicted in illustrations with Frank, getting along quite well in the show, often joining him and Julie on small escapades. Before the show's end however, most of Dandy's screen time is with Wally as he tries to get Dandy out of their shell more to spend time around others.
Interestingly, what pronouns were used for them seemed to change between the show's episodes and illustrated materials. While neighbors would refer to them as 'he' during the show, most art pieces seemed to refer to Dandy as a 'she'. Whether this was simply a miscommunication between teams or a printing error is unknown.
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Hey you said something about the my hero academia creator being unhinged about sexism, do you mind explaining?
I tried to write like, a thorough explanation of this and it just got longer and longer and longer and I have not touched this series in actual years and yet I've still got all these receipts a;lkjk;lfasd.
So rather than trying to build the whole massive case, here's a pared-down version. It's normal to have sexism in media, and shounen manga especially. Everyone does it. The level and mode and intentionality and so forth all vary, but of course it's there.
What's not normal is to have lots of varied and interesting female characters with discernible inner lives, and on-page discussion of how sexism is systemic and unjust and holds them back in specific ways, and then also deliberately make consistent sexist writing decisions even where they don't arise naturally from the flow of the narrative.
Horikoshi is actively interested in gender and sexism, he's aware of them in a way you rarely see outside of the context of, you know, fighting sexism. He is hung up on the thorny issue of what women are worth and deserve and how power and respect ties into it. He genuinely wants, I think, to have Good Female Characters, and not be (seen as) A Sexist Guy!
But. He doesn't actually want to fight sexism. He displays a lot of woman-oriented anxieties, and one of the many churning paddlewheels in his head seems to be that he knows intellectually that morally sexism is bad, but emotionally he really feels like it ought to probably be at least partly correct.
There are so many things I could cite, and maybe I'll get into some of them later, but the crowning item that highlights how the pattern is 1) at least partly conscious and deliberate and 2) about Horikoshi's own weird hangups rather than simply cynical market play, is Mineta Minoru.
The writer has stated Mineta is his favorite character. Mineta is also designed to be hated--that is, he is a particularly elaborate instantiation of a character archetype normally deployed to soak up audience contempt and (by being gross and shameless and unattractive and 'unthreatening') make it possible to include a range of sexual gratification elements into the narrative that would compromise the main characters' reputations as heroic and deserving, if they were the actors.
Good Guys don't grope girls' tits and run away snickering in triumph, after all. Non-losers don't focus intense effort around successfully stealing someone's panties. Nice Girls don't let themselves be seen half-dressed. And so forth. You need an underwear gremlin for that. So, in anime and manga, longstanding though declining tradition of including such a gremlin, for authorial deniability.
Horikoshi definitely uses him straight for this purpose, looping in Kaminari as needed to make a bit work. And yet he has Feelings about the archetype itself.
The passages dedicated to the vindication of Mineta, then, and the author's statements about him, let us understand that Horikoshi identifies with the figure of the underwear gremlin. He understands the underwear gremlin as a defining exemplar of male sexuality, at least if you are not hot, and finds the attached contempt and hostility to be a dehumanizing attack on all uh.
Incels, basically.
It's not fair to write Mineta off just because he's unattractive and horny (and commits sexual harassment). Doesn't he have a mind? Doesn't he have dreams? Doesn't he have human potential?
So what's going on with Horikoshi and gender, as far as I can figure out, is that he knows damn well that women are people and are treated unjustly by sexist society, but however.
He also understands the institutions of sexism as something protecting him and people like him from life being nebulously yet definitively Worse, and therefore wants to see them upheld.
So you get this really bizarre handling of gender where obviously women's rights good and women cool, women can be Strong, and the compulsory sexualization imposed by the industry isn't them or the author, and so forth.
But also it's very important that in the world he controls, women never win anything important or Count too much, and that jokes at their expense that disrupt the internal logic of their characters are always fair game, that women asked about sexism on TV will promptly get into catfights amongst themselves, and they are understood always in terms of their sexual and romantic interests and value, and sexual assertiveness and failures to perform femininity well enough are used to code them as dangerous and irrational, and that the sexy costumes are requisite and will never be subverted or rebelled against--at most they might be circumnavigated via leaning into cute appeal.
And that Yaoyorozu Momo, who converts her body fat into physical objects, is being frivolous when she wants to use money to buy things instead (rather than as sensibly moderating her Quirk use) and is never encouraged to eat as much as possible at every opportunity to put on weight and even shown being embarrassed by hunger (even though Quirk overuse gives symptoms that suggest she's been stripping the lipids out of her cell walls or nervous system to keep fighting) and always, no matter how many Things she has made, has huge big round boobies.
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if sasuke was the main character then he probably would've been a LOT more sympathised with than he is now (which is to say rarely). like the narrative wouldn't even need to change to show his pains or 'his side of the story', bc it does that plenty. it's just that he is not the main character. and idk what it is about our human minds but we tend to sympathise with main characters automatically (unless ofc you go off the rockers insane and do something like obliterate almost everyone from the planet *cough* eren yeager *cough*)
an instance that comes to my mind where this does happen is with lelouch from code geass. while i don't agree with his character motivations, people generally do sympathise with him as he is the mc and as viewers we know he isn't inherently evil. sasuke's goal towards the end is slightly similar but ofc people love to hate him so they don't even try to understand where he is coming from.
my point is, most people while engaging with the naruto story don't read between the lines and so don't see how traumatised and in pain sasuke is and hence don't understand his character motivations. heck, they don't understand a single bit about him and so they automatically hate him, as he is supposedly going against the main character's goals.
which is really sad given all that he has been through.
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