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Miguel and Hobie making their entrances (I love that they both get a slow-motion reaction shot from another spider-person as they enter)

TK talking about himself vs. Other people talking about TK

T-theres a bee?

it is a little bit wild that by virtue of ats s5 being the last canon tv installment of the buffyverse, spike and angel's arcs culminate in... each other. like spike isn't allowed to rest after his sacrifice because the network needs to pull more viewers his new hero status has to be put to the test against angel. angel can't comfortably rest on his laurels as the vampire with the soul because spike is there. their arcs with buffy shape them into the people they eventually become, but canon deliberately leaves the future of those relationships ambiguous! ats is where they go to figure out how to lead lives without buffy but with the other vampire-with-a-soul in them. and i don't even mean this in the way where spike/angel is somehow more meaningful or romantically endgame than their other relationships, i just mean like... those two old dudes are never gonna escape each other, for better or for worse. like there's literally a whole prophecy to that effect. wild stuff.

HOLY SHIT I JUST NOTICED SOMETHING

So we all know this

absolutely gorgeous shot right?

Well…

Doesn’t the lighting in this (absolutely fucking heartbreaking 🥲) shot look almost exactly like that gorgeous lighting in the byler cabin scene??

Hell they’re both even coming from a partially boarded up window of an abandoned home and positioned at exact same angle relative to the shot 👀

So it’s immensely concerning that the byler cabin scene lighting where they’re talking about vecna wanting to kill everyone PARALLELS the lighting in Lumax death shot? Where Max is dying in Lucas’s arms?? Wtf.

So anyways Mike is gonna die in Will’s arms send tweet 🥲🖐🏻

[ID: Leo from RotTMNT lying on his bed, reading a Jupiter Jim comic and looking unimpressed at the viewer. He’s bathed in blue light from the fairylights canopying his bed. End ID.]

drew leo this time!!

i love anthologies. anthologies are so sexy

Okay but that episode of Andor was so good like

I loved the contrats between the immaculate white clean Coruscant scenes and the natural fleshed scenes on Aldhani - and by fleshed I mean the texture, the rough edges, it's natural it's alive there is grass and trees and you just know it's that fresh air with no wind etc.

And again, the fact that they film on site and not in a studio makes it even more immersive, you just see how the plans are different and how they are more free to move around, to jungle with wide shots and close-ups and it's reaally cool

Now in terms of story, it's super interesting, because we see at least three layers of opposition to the Empire, with the sheepers, the senators, but also the in-betweens with Luthen kind of jungling between both territories and both 'worlds'

And of course the Empire; I just love how so far we have barely seen any military in the strict "storm-trooper" sense; here we mostly see the higher hierarchy sitting and talking in rooms, having their little internal conflicts because they are ambitious and want a bigger part od the cake, like it's really different from the usual take on the Empire, and mostly it really echoes all these Senate scenes in the previous movies/ in TCW and it put a certain twisted emphasis on how things change, but not really

Plus we see the mundane aspect of their work, and mostly how they treat terrible things with such a disinterested attitude (when they talked about the incarceration rates for example) and yeah it was a breath of fresh air to see that "mundane" aspect of the Empire, to see more of the system than the strict military approach we had seen so far

I'm also quite excited to see the rebel team at work tbh I can't wait to see who will be doing what and how they'll do it & see how everyone interact too I feel like that will be interesting! and I'm also looking forward the dinner scene (I hope they'll show the dinner scene) because I'm really interested in seeing how they'll deal with the tension and possible conflict in that scene like that could lead to a great moment of tension

Overall, and once again, Andor did not disappoint and is once again the proof that, when the efforts are there, Star Wars can be good. And honestly, I'm very happy and excited about that.

Ram V specifically choosing Cass, Oracle Babs, Selina and Jim as the batfamily members to rescue Bruce is beautiful. Finally, some good main continuity batfam content that isn't just fluff.

also isnt it kinda crazy how even thought kabru hates monsters and killing them is his main driving force hes never once considered learning as much as he can about monsters and instead chose to learn everything about dealing with people instead? to the point where he keeps getting killed by basic monsters but can handle just about any social conflict and kill other humans with ease

Daffy and Bugs on stage by Chuck Jones

Hey I was stalking ur page just now and tripped over the “dick and tim and food” posts and it made me think of how, during the “Robin in keystone city” arc, pizza is brought up at least twice, and both times tim specified that he doesn’t want pineapple on the pizza. BUT iirc tim normally enjoys or at the very least tolerates pineapple on pizza, and I wanted to know if you thought maybe tim was avoiding pineapple pizza bc it’s a tim and dick thing for him and he’d miss his brother or something

Or maybe I’m just being weird or something idk

HEADCANON ACCEPTED I LOVE THIS

(the context of the panel is that dick ordered pizza, and alfred told him that he could've made food, so dick is saying "uh huh but i bet you wouldn't willingly make anoudille and pineapple pizza though" and alfred is all "no i would NOT and i can barely tolerate that you're eating it in front of me")

anyway so YES clearly tim can't eat andouille or pineapple pizza without Dick!! it'd be lonely

one time in junior high this annoying adorable & amusing af guy in my graduation class was like 'the more you laugh, the longer you live' and he was so fucking right for that

loquatius' speech being a "candle of hope held forward to the world", shortly after cerrit literally burns down his own home with a candle. wonderful coincidence

Jacobi and Eiffel both externalize all their problems, but Jacobi projects his own flaws and failures to be other people's fault, while Eiffel thinks his redemption/solution is only in other people's opinions and out of his control, discuss.

i've said before i think the most interesting thing about jacobi is that the finale is the start of a character arc for him, not the culmination of one. and i think this is a big part of that. in things that break other things, he says, "it wasn't anybody's fault. everyone was doing their jobs right, but it just... two guys died. good guys." and i think that line makes a lot of sense if he actually was at fault, or at least feels that he was and can't admit it to himself. in dirty work, he realizes he blames himself for maxwell's death. and then: "i was wrong and people died. and the only thing i can do is not be wrong again."

it creates a perfect loop from his recruitment to where he's at in the finale: two people are dead, but he survived. he's out of a job. what now? i think that's an interesting set up for how jacobi's storyline post-canon could mirror and intersect with lovelace's - they're both people who have been blinded by hurt and anger and desire for revenge, and have had to step back from that ledge. they've both lost "their" people - the only survivors of their respective missions. i don't believe jacobi will ever willingly stay in contact with the rest of the hephaestus crew, but lovelace...? narratively, it could work. "i've got this friend" about lovelace in the finale is an opening. if jacobi's arc so far is a loop, and he's finally open to change, then he and lovelace could also share a thematic link re: breaking cycles.

as for eiffel, i would go so far as to say he completely removes himself from the equation. he projects his desire for redemption onto other people - people like hilbert, who absolutely don't share that desire - but he doesn't want to be in the story. it wouldn't matter if someone told eiffel he was a good person - he wouldn't believe them - and when people do call him out, like in shut up and listen, he takes that as confirmation he's irredeemable and everyone is better off without him. both jacobi and eiffel are treating themselves as passive actors to avoid accountability, in some way, but what eiffel really needs to accept is that he's the only one who can live his life. he isn't a uniquely bad person doomed to harm and failure; he's just like everyone else.

(maybe worth noting in eiffel's view of himself as a bad person vs. the antagonists of the show, including jacobi, is how eiffel sees it as an inherent character flaw that he doesn't want but can't escape, while "let's go be monsters" etc. is an active choice and rationalization from someone who signed up to be the bad guy, who decided he could compartmentalize and live with that.)

another kinda interesting place i'd say jacobi's worldview clashes with eiffel's is that they are both centered on people first. unlike maxwell and kepler, i don't think jacobi really believes in his own version of The Big Picture - he just believes in people who believe. it's progress for the sake of progress, but the nature of that progress isn't his to define; he's not even pretending it is. "because people like me - and people like him - make it possible for people like maxwell to do their jobs." and where eiffel's perspective necessitates recognizing the humanity in everyone, jacobi rationalizes his actions through a strict us-versus-them mentality. so much of how he operates is explained by that line: "there aren't sides. there are just people you'd do things for and people you'd do things to."