Do you have an instance of Arknights VFX that gets frequently praised that you as a VFX artist think is mediocre or bad?
EBENHOLZ' SKIN "EINE VARIATION" IS A CRIME AGAINST ME SPECIFICALLY.
Look. I love Ebenholz, a lot. His effects are really strong, too! Some of my personal favorites. But this skin. Jesus Christ this skin.
I have seen so many people praising this skin as having good effects or being better than his original and it genuinely makes me wonder if half of the effects are actually rendered in some sort of shrimp colors that everyone but me can see.
There is not a single part of this skin's effects that I don't hate. Not just because I find them ugly, uninteresting, and unclear, but because I think they fundamentally misunderstand who Ebenholz is.
You asked for this.
Part 1 - The Colors.
The actual art for his skin has a beautiful striking blue and light gray background, with the light pink Arts accentuating it, and then the blood red and pitch black of his outfit meant to draw the eye to the center. This works perfectly in the art, so what's wrong?
First problem. Ebenholz doesn't have the blue background in gameplay. Meaning that his effects are red (not pink, like the art, they are red) and his skin is red. So there's extreme monochrome happening, with absolutely no interesting contrast between him and his Arts. His Elite Charge is blue, at the very least, so his signature gimmick stands out uniquely, which is quite nice! That's a great decision that won't cause any problems down the line at all.
"Oh, but Keys, it's so that the red Arts stand out when he uses his S3 and summons that giant goat spirit in the background!" That's a great point, person I just made up. Please remember this excellent point for later.
Part 2 - General Effects
The effect starts with a deploy animation wherein Ebenholz is surrounded by sparkles like some sort of magical girl. The deploy effect is genuinely bad in so many ways, mostly related to timing and motion, but this rant is going to be long enough. And I'm gonna need to focus and talk about the sparkles.
The biggest thing to know about Eine Variation is this image. Get acquainted with it. If there was a recurring visual motif in Eine Variation, it is this piece from the original art.
And yeah, as an effects artist, I'd be amped to work on this. This looks fucking sick as shit. It's dynamic, it's chaotic, it's got harsh lines to contrast the flowing music staff, it's great. So let's see how this texture looks in g- okay what the fuck.
In the game, it looks nothing like the art. It's literally just the stock glimmer effect. It's not even a new texture. This thing's been in the game since release. It looks. Bad. It's way too simplistic. Because it wasn't meant to be the center of attention, it's meant to appear for an instant and then fade. Like, you know. A glimmer.
What you just saw in the screenshot above is one of Ebenholz' Mystic Caster charges. And it is easily my least favorite part of the entire skin.
Ebenholz (Original Flavor)'s Mystic Caster charges has one of my favorite visual touches in the entire game. Ebenholz fights using artifacts from the Witch King whose power he inherits - a wand and a set of five Originium dice. So he wields the wand, and has die rotate around him as he fights. In-game, they represent this by his charges being the dice, rotating around his hand. This is, as we say in the vfx industry, fucking badass. So naturally they removed the dice entirely in Eine Variation.
Fuck.
Fine, alright. Maybe it's him... moving further from the Witch King's influence, then? We'll go with that hey stop looking at his S3 what are you doing don't get ahead of me.
Now, I know what you're thinking. "hey, Keys, this is unfair. You're asking us to judge an animated effect based on a static picture of it." Well, my dear reader, I have bad news. You just saw the entire charge's visual. The whole thing.
They are a glimmer of light that does not pulse or twinkle. They just. Sit there. Floating. Again, it's just so simplistic, it's not even interesting to talk about.
The only good thing I can say about it is that it's way easier to tell how many charges he has since they're bigger, more spread out, and not moving. Also the Elite charge is WAY more distinct, since it's bright blue now to contrast with the red normal charges. Which is nice! A good decision! It would sure be a shame if it bit them in the ass later!
Part 3 - Attack and Skill 1
Did you think I was kidding when I said that the sparkles are the sole visual motif in this skin?
I hate these attack trails. Not only are they too simplistic, they're just too cute. I joked about magical girls before, but dear god, this just doesn't fucking look right. This skin is literally described as him being apathetic and miserable as a noble, so why are the effects so... Colorful and cute? Ebenholz isn't a cutesy goofy music-themed magical girl, Ebenholz is a sad gay goth kid who would create a fake My Immortal confession for attention.
I also hate the musical notes. I know I complained about the glimmers being too one-note (pardon the pun), but they just don't interact with the rest of the effect at all. There's nothing else musical about what is happening here. They feel added to remind you that he is casting music.
God I fucking hate the sparkles so goddamned much. I also find it really funny that one single musical note bursts forth with each hit. These shapes are just... So boring, so simple. But put a pin in that for a later.
His S1 uptime comes with an awful aura. he glows red. There is only red and white. this is all there is. This is all there will ever be. That's all I've got about S1.
Part 3 - Skill 2
Oh jesus go back to the red and white
First off, I find these goat so fucking ugly. The synths are a truly terrible choice, because synths and digital music don't come up in any capacity throughout the rest of the effects. So. Great work. This doesn't make sense.
Anyway I hate the color here. The original has a great two-tone black smoke with bright blue glowing eyes, contrasting with Eben's orange Arts. In the skin they slapped an awful blue glow haze over them. This makes them just completely draw visual attention, while they don't match up with Ebenholz' aesthetic at all. if you could see the black, there would be a clear visual link between them, but... Nope. It's ONLY blue, motherfuckers.
Also, they passively emit triangles, which is the only time in this entire effect that the Arts = Geometric Triangles visual idea appears in the entire skin based around an arts caster. Yay for recurring game-wide motifs!
Shockingly, I hate the explosion. It's passable, it's fine. But the timing is absolutely awful. The original's feels like an explosion that is pulling the target in, but the skin's feels like an explosion followed by absorption. It makes it feel less like an explosion and more like a contrivance. Also, it spawns only like, four notes total, which is just so low. Please have more notes, you even have the musical staff, you're so close to having this look like musical arts. I also hate the random swirl of red. The goat didn't have any red in it. Why does this have red. Monochrome would have actually worked better, this is just a summon.
Part 4 - Sound of Silence
Eine Variation S3 features Ebenholz getting hoverhanded by a goat.
I wish I had any other way to put it. But he gets hoverhanded by a goat for the entire uptime of this attack.
What even is this thing? Obviously, it's the goat behind him in his splash art, but what is it? Is it the Witch King? That would make sense, but why is the Witch King's avatar blue? The Witch King has literally never been blue, he's always been associated as being red. Unless this isn't The Witch King, in which case, what the fuck is it then?
I hate this effect more than anything else in this game. The ghost looks absolutely awful. it is very blatantly just the art from the actual skin, slapped behind him with no regard for aesthetic consistancy. Or even regard for if the image is readable at the distance Arknights is played at. The goatghost.jpg is not animated at all, but the hands move up and down, which weirdly only further reveals how static the ghost is. Also the hands aren't animated outside of going up and down which is just so uncanny and uncomfortable. It just reveals how desperately they needed to have some animation to make it not look like absolute hot garbage, and they still failed.
After an entire skin of absurdly simplistic geometric shapes and basic ass textures, suddenly they think they can pull off some shit that looks like a granblue render. This doesn't even look in-line with the rest of the skin's effects, let alone with the chibi artstyle.
Now. Why I truly, truly hate this attack.
When you activate S3, all of Ebenholz' Charges become Elite charges. Meaning they all become blue.
The charges all finally become blue.
In the only part of the skin where you have a blue background.
I just. I can't figure out how you'd fuck this up this bad. If the Elite Charges were red, it would look like the fucking skin art, with the red notes on the pink staff. They'd stand out, or at least look fucking decent. How many charges does Ebenholz have? Oh I don't know THEY'RE FUCKING BLUE ON BLUE.
WHY. WHY ANY OF THIS. WHY ALL OF THIS. I'M IN HELL. THIS WAS MADE TO TORMENT ME PERSONALLY RIGHT
anyway I will give credit where credit is due. I actually quite like the trail when he casts his stocks in S3.
The slight orange two-tone and complicated trails add a lot of nuance and depth to the effect, and the glimmer is toned down to the point where I can see the diamond shape hidden underneath. There is one singular silver lining to this cloud. It could use more musical touches and less fucking sparkles but at this point I need to compliment something.
Finale - Why Do I Give A Shit
Eine Variation launched as part of the Bloodline of Combat skins that came out with Lone Trail. It released alongside Specter the Unchained's Born as One; my personal favorite skin in the entire game. It is a skin that perfectly conveys Laruntina's love of natural beauty and Specter's love of poetry and recitation, bringing them together into poems reflected in a starry lake. The effects are serene and dreamlike, peaceful yet chaotic. It conveys who they are going into the future, who they are together.
Born as One is Bloodline of Combat at its best. Bloodline of Combat is at its best when it tells you something about who this character is at this part of their life. How they change, how they grow, how they look at the world in this point of their life. This is the story that good effects can tell.
So I ask you: What story does Eine Variation's effects tell?
If this an Ebenholz who is growing further from the Witch King's legacy into his own man, then why does the avatar of the Witch King appear behind him? Why does the flavor text describe this as clothing worn by every Graf Urtica? Why does it not lean further into the synth aesthetic to separate himself from the classical music of Leithanien?
If this is an Ebenholz who is currently stuck within the confines of nobility, why is he not wielding the dice associated with his title as Graf Urbica? Why do his fucking goats have synths instead of traditional instruments? Why is the Witch King the wrong color?
And most importantly to all of this: Why are all the shapes so simple?
Yes, Arknights' Arts are geometric. They're usually represented by simple triangles. This is true. But think about who Ebenholz is.
Ebenholz is not a simple and elegant person. Ebenholz is a man who nails complicated, difficult, strange flute solos, but who fails to do simple rhythms and scales. He excels at the complex, the elaborate, and the detailed, and fails at the simplistic. This is always how Ebenholz has been.
So a skin full of simple shapes, easy language, and flat colors... Isn't how he'd fight. It's not who he is. It's not how he'd act. It doesn't just feel wrong, it feels like it's not made for him.
I don't just hate this skin because I think its effects are bad. I mean, I do, and they definitely are.
I hate this skin because it just... Fundamentally does not understand who Ebenholz is. And it definitely does not understand why he is so special.
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I'm thinking of reviving my super random (and spoilery so be warned!) review posts for I Feel You Linger in the Air because I have so much love for this show and I need a place to gather my super random thoughts.
I read the novel back in spring not really expecting much beyond a pleasant read but it's quickly become not only my favourite BL novel but one of my favourite novels in general. Does it need an editor? Yes (but I'm an editor so I'm biased - but tbh I'd rather have these "imperfect" translations out there than not having them at all, and IFYLITA's translator did a really good job). But beyond that it's insightful and sweet with a hint of sadness and loss. It manages to capture the moment perfectly, painting such a clear and nostalgic (but not sugar-coated) picture of the time period(s).
I feel like this is exactly what the series is trying to capture as well. It's in the colour-grading and the lighting and the cinematography and the way both Jom as the main character and Chiang Mai as the backdrop (and I'd say almost a character in its own rigght) are introduced. It's in the mystique and the dread of Jom catching these glimpses of himself and what's to come. It's in the abrupt unravelling of Jom's ordinary life and the pain and loss (and later confusion and anger) he feels at not understanding how and why these things are happening to him - which imo becomes such an important theme later on as Jom gains understanding and acceptance. Because to me IFYLITA isn't just a beautiful love story. It's just as much about Jom (and Yai - but in the novel he's never a POV character until the special chapters, and he's never quite as aware of his past as Jom is, having lived every aspect of it) growing as a person. Not in a way that changes who he is - Jom is a very set and self-aware character who knows what he wants and I really like that about him - but rather in how he perceives those around him and his own feelings.
The novel also has a handful of spectacular and vivid bed scenes so I'm really curious how (and if) they'll approach them.
But on to episode 1.
I love this opening. It's so atmospheric and eerie. We feel just as out of place here as Jom does. And I love how he's the intruder here. This isn't his home, he's watching a very private scene unfold and it's instantly made clear that he's not (yet) wanted. The other Jom is more scared of him than he is in this moment. I also love how he's half in the light, half bathed in shadow, like he's already wandering between worlds. Ah, I love me a good foreshadowing.
And I love how we're then slowly introduced to Jom, to his work, his life, his mannerisms. He lights a scented candle, his flat is full of sketches, drawings and books on architecture. Apart from his work, he lives his life patiently and quietly waiting for Ohm, his boyfriend (who he met at university and who he believes is the love of his life). In his two years in London Ohm has never given him any reason to doubt his commitment, which is why his infidelity is such a heavy blow later on.
We are then introduced to another "character": Chiang Mai - as it is today with its busy streets and markets and landmarks. Old trees lining the waterways and what remains of the walled city itself. In the novel, Jom uses his knowledge about Chiang Mai to pinpoint where he is in the past and how things have changed. As an architect interested in art and culture he also makes a lot of observations about historical buildings and society - which is what makes the novel so special to me. You'd probably need a huge budget to visualise this on a similar scale in the series but they tried (and succeeded imo) with the market scene, and Khun Yai's house will soon become the visual focal point of the series anyway.
A house, which Jom specifically has been asked to restore by the owner even though he's only a few years out of uni.
And as with Jom's dreams, Jom already has a connection to the house. He's been seen by the workers when he wasn't there. He instinctively knows which key to use for the chest the workers found in one of the rooms. The chest contains several sketches that to Jom seem remarkable because they don't really fit the time period.
Hm, I wonder who drew those. 🙃
Of course, soon enough everything goes to shit.
And it hits even harder because Ohm's so much more callous and cruel than in the novel. In the novel, Jom almost becomes a bit of an afterthought, a side character, an inconsequential affair (and I suppose he's the affair here too) on Ohm's path to happiness. But here his actions toward Jom seem quite deliberate and careless. And his fiancée Kaimook is painted as just plain evil. It's like Ohm and her don't even love each other (when in the novel they do - with all the tragedy that entails).
I guess they really wanted to drive home how quickly Jom's life falls apart. And, damn, his speech about waiting for two years and somehow NOT becoming unfaithful was incredibly strong. Then again, he was the one waiting, holding his breath, essentially stopping his life to stay in Chiang Mai until Ohm returned. He's blameless, of course, but that's not exactly healthy either.
The attempted SA isn't in the novel at all. I get why they included it. It's very difficult to watch but it drives its point home. Content warnings would be appreciated though.
Then there's this. Commander Yai. I screamed. Here I was wondering if he'd make an appearance at all (and hoping they'd maybe end the series with a glimpse of him) but they just put him front and center.
The moustache is a necessity, I'm telling you. It wouldn't be Commander Yai without the moustache. Also, this is a fake moustache in an underwater kissing scene. All things considered this is amazing make-up. Embrace the moustache. Commander Yai is worth it, I promise!
Unfortunately, Commander Yai's early appearance might also mean that there won't be a second part of the series planned. They might just allude to Yai's past life without going into much detail - which I totally get. Another season about the Lanna period would probably be a logistical and budgeting nightmare. But still. Gimme!! 😭
Anyway, I love how Jom is immediately just so at ease with him. Granted, he's drunk, grieving and drowning but kissing a handsome, moustached dude during his near-death/time travel experience feels like the most normal thing ever. And I love how it's Commander Yai who saves him. The shot of him uplifting Jom was so beautifully filmed.
Good thing he's found by Ming my beloved and not a dozen angry bare-chested Northerners who promptly punch his lights out lol
And this is one of the moments where I wish I was (more, much much more) fluent in Thai so I understood more of the differences between Jom's Central Thai and everyone else's (old-fashioned) Northern Thai. I do understand there's a difference, and I do understand that they're using different vocabulary and some different grammar but that's about it.
Where is Jom's phone, though? He still had it in the novel and it's an important plot point later on.
I love Jom's brush with the old market. You browse, you buy.
Also Jom sitting down in a secluded spot and just devouring the food that was given to him. I don't know why but the scene really resonated with me. Maybe because it was as out of place as Jom must feel. Or maybe because it was so human - such a mundane thing to do after everything that's happened. Almost like the past is already much more soothing than the present that Jom has left behind.
I'm faceblind but that's supposed to be Ohm (in a past life), right?
Not Jom having an existential crisis over Ming namedropping his future father-in-law (and Ming pitying him in the background. He might be a bit strange, Ming, but don't even pretend you haven't already adopted him into your family).
Finally we meet the mystery man from Jom's dreams (sans moustache this time), and he looks just as suprised to see a familiar face as Jom is (albeit for very different reasons).
I love that they included the jasmine with the lantom flowers. Khun Yai only drinks jasmine-scented water so they're as much Jom and his flowers as the lantoms (and their meaning isn't as bittersweet either).
And then there's the underwater scene(s) which are just so imcredibly well done. So intimate and soft, and probably the only time Yai really looks as young as he's supposed to be.
So yeah, this series is so far exceeding all my expectations and I'm so glad we'll be getting twelve 1h+ episodes (and a special? And a second season? Please? 🥺) of this beautiful, beautiful show.
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