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thepastisalreadywritten · 4 months

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Victorian Christmas Cards

Printed Christmas cards became popular in the Victorian period (1837-1901), thanks to a combination of cheaper printing techniques and even cheaper post, with the arrival of the Penny Black postage stamp.

Coming in all shapes, sizes and materials, Christmas cards were sent in their millions to all corners of the British Empire.

Victorian illustrators created an entire mythology of exactly what we imagine a European Christmas should look like with their now-classic scenes of present-covered Christmas trees, holly, robins, sleighs, and snow-covered country lanes.

When we dream of a white Christmas, it is the festive cards of the 19th century, which are largely responsible for that evergreen imagery.

Origins

Adults have, of course, been writing letters to each other for centuries.

Even before there was an official public post system, letters were delivered in person, by servants, and via transport coaches.

There had also been prints made from the 15th century, using woodcuts or copperplate printing techniques, especially for calendars.

It was in the Victorian period that several factors conspired to make printed Christmas cards the hugely popular phenomenon they became.

The historians Antony and Peter Miall suggest in The Victorian Christmas Book that the origins of cards for the festive season lie in the classroom.

From the 18th century, schoolmasters had their pupils work on a 'Christmas Piece' in the month of December.

This work involved pupils selecting a sheet of fine paper and producing a sample of their writing, principally to show off to their parents evidence of their academic progress that year.

The paper often came with a decorated engraved border, and by the 19th century, it was popular for the pupils to draw their own decorative borders using coloured ink.

"These offerings were the forerunners of the great Victorian Christmas Card" (Miall, 37).

Other sources of inspiration for the decorative Christmas card may have been printed music sheets with decorative borders and covers, engravings commissioned to mark important anniversaries, school reward cards for hard-working pupils, fine illustrated notepaper, and the more ornate varieties of visiting cards, which were left when one called upon someone and they were not at home.

The First Christmas Card

Sir Henry Cole (1808-1882) was a civil servant who had, in 1840, reformed the British postal system by helping to create the Universal Penny Post where senders used the now-famous Penny Black postage stamps.

Cole would later become the first director of the Victoria and Albert Museum in London.

In 1843, Cole had a brilliant idea.

Not only could he save himself writing different individualised letters to his friends and family at Christmas, but he could also brighten the season with a colourful card printed for the express purpose of sending his compliments of the season.

Accordingly, Cole commissioned John Callcott Horsley (1817-1903), an artist and illustrator who was a member of the Royal Academy, to produce the first printed Christmas card.

THE FIRST CARDS WENT ON SALE TO THE PUBLIC AT THE RATHER HIGH PRICE OF ONE SHILLING PER CARD.

Horsley's design for the card, which was about the size of an ordinary visiting card (2 x 3 inches or 5 x 7.5 cm), showed different generations of the Horsley family raising a toast – presumably to the absent friend who is the recipient of the card – while flanked with scenes showing acts of charity, then, as now, an important element of the Christmas season.

On the left are people giving food to the needy, and on the right, they give clothing.

There was a border of a wood frame intertwined with ivy, and below the main image, a greeting of "A Merry Christmas and a Happy New Year to You."

There was a space along the very top and bottom of the card left blank to write a short handwritten and personalised message to the receiver.

One thousand such cards were printed and then hand-coloured. The cards went on sale to the public at the rather high price of one shilling per card.

Perhaps unsurprisingly for a new and relatively expensive idea, there were few buyers.

The Idea Catches On

Fortunately for the future of Christmas cards, the royal family was enthusiastic for all things Christmassy.

In particular, Prince Albert (1819-1861) brought German Christmas traditions to England such as the Christmas tree.

It was the younger members of the royal family who adopted the idea of sending each other handmade greeting cards both at Christmas and New Year.

Queen Victoria must have approved since she later started the trend of public figures sending 'official' Christmas cards showing more often than not themselves and their family in a festive setting.

Then, in 1844, there was another attempt at the commercial Christmas card, and this was much more successful.

Mr W. C. T. Dobson sold a printed card, which carried an illustration of the "Spirit of Christmas."

In 1848, a card printed by William Maw Edgley (1826-1916) repeated the theme of Cole's card but added scenes of general merriment and holly to the imagery.

Printers now knew they were onto a good thing. They became more and more ambitious with the designs of their cards, which were available to buy in stationers and bookshops.

From 1879, rather than pricey single cards, people could buy cheap packs of cards from tobacconists and toy shops, often imported from Germany.

This development went hand-in-hand with the new half-penny post for postcards, and so now people of all classes could send Christmas cards to their loved ones.

Victorian Christmas Card Designs

The first cards were printed on small single sheets of card, but they soon progressed to come in all shapes and sizes.

Victorian Christmas cards were typically lithographed and hand-coloured before colour-printing took over.

Many used embossed paper, sometimes with cut-out parts to resemble lace, particularly for borders.

There were even cards decorated with ribbons, tassels, real lace, tinsel, and coloured glass.

Satin, silk and brocade were also popular materials to enhance the feel of the card.

The most exotic of cards were scented, had padded additions, and incorporated pressed flowers.

One card for sale boasted it was made of no fewer than 750 separate pieces.

If one creation reflected the Victorian love of accumulating individual beautiful materials to create an even more beautiful finished article, it was the Christmas card.

With so many possible materials being used in a single card, it is no wonder that draper's shops included them in their Christmas stock.

VICTORIAN ILLUSTRATORS WERE LARGELY RESPONSIBLE FOR WHAT WE TODAY IMAGINE AS A CLASSIC 'CHRISTMAS SCENE'.

There was a great variety in the shape of cards, too, with the most popular ranging from the classic rectangular form to oval, circular, diamond, crescent, and bell-shaped cards.

Some cards were folded, others made into fan shapes, or they reflected the object they illustrated such as a post box or purse.

Cards might include moving parts or flaps that could be opened to reveal an additional scene or message.

Some had tabs that, when pulled, moved the legs and arms of a character on the front of the card or they had a disk that could be turned to show different scenes in a central window.

There were all kinds of subjects depicted on cards, many of which included humorous cartoons and everyday life, sometimes not at all related to Christmas.

Religious themes remained popular such as angels and scenes from the Nativity, but there was a definite shift away from these to more secular subjects as the Victorian era progressed.

Victorian illustrators were not without humour or fear of the risqué, nor did they miss the opportunity to trick the viewer with many cards showing two scenes depending on which direction the card was held.

Victorian illustrators were largely responsible for what we today imagine as a classic 'Christmas scene':

old churches and country lanes in the snow, sleigh rides, plump robins, glistening holly and mistletoe, and presents on or under the Christmas tree.

The popular snow scenes on Victorian Christmas cards reflected the string of harsh winters in England through the 1830s and 1840s.

White Christmases became much rarer thereafter, but the scene in people's imaginations was by then set.

In the same way, the Christmas food we imagine being eaten by Dickensian characters in the 19th century is, like in the cards, always golden roast turkeys and great steaming Christmas puddings the size of cannon balls.

Father Christmas was a popular figure on cards, but he evolved over the decades.

His appearance morphing from a Falstaffian character to a jolly old man with blue trousers and a crown of holly, and finally on to his definitive red suit with white fur trim.

Father Christmas' mode of transport also evolved to keep up with the times.

The Victorian Father Christmas used any means he could to reach people's chimneys, such as the popular bicycle of the 1880s, the new motor car of the 1890s, the ever-growing modern railway network, or even a hot air balloon.

Christmas cards had become such a staple part of the season that they now attracted the top artists to illustrate them, names like Linnie Watts, who produced a series of cards showing children, and Harry Payne, who drew soldiers, a poignant theme for those with loved ones serving far from home in the armed forces of the British Empire.

Cards changed over time as tastes changed.

For example, black backgrounds to make the main picture more striking were popular in the 1870s.

Cards reflected modern trends in art, too.

By the end of the century, art nouveau designs were appearing, with highly decorative designs and subjects inspired by the works of such fashionable artists as Alphonse Mucha (1860-1939).

With cards being sent around the world, the tradition quickly took root in other countries, notably in the United States from 1874, with the cards printed by Louis Prang (1824-1909), popularly known as the "Father of American Christmas Cards."

Collecting Christmas Cards

Beautifully made and capturing memories of the season, the Victorian middle classes became avid collectors of Christmas cards, which explains why it became common to have the year printed somewhere on the card.

Perhaps the most famous card collector was George Buday.

He even wrote a celebrated book on the history of Christmas cards, his The Story of the Christmas Card.

He donated his collection of over 3,000 cards to the Victoria and Albert Museum.

This museum today has over 15,000 Christmas cards in its archives and each Christmas, it reprints old Victorian designs so that they can, once more, just as in days of yore, carry people's Christmas wishes far and wide.

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a-l-kaplan-author · 2 years

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MY CHICON 8 SCHEDULE

I’m thrilled to be going to Chicon 8 September 1 – 5, 2022! The 80th World Science Fiction Convention Hyatt Regency Chicago 151 E Wacker Drive Chicago, Illinois 60601 Here is my schedule: 3-D Paper Craft, Friday, September 2, 2022, 10:45 AM CDT Yoga and Juicing Isn’t Fixing This, Friday, September 2, 2022, 1:00 PM CDT Teen Table Talk – A. L. Kaplan, Friday, September 2, 2022, 4:00 PM…

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#A. L. Kaplan #Amy Henrie Gillett #Anthony W. Eichenlaub #Author Appearance #Chicon 8 #Claire Light #convention #D. H. Timpko #Emily C. Skaftun #Fantasy #Jadie Jang #Kelly Buehler #Maria Schrater #Mary Prince #Pat Virzi #reading #Science Fiction #World Science Fiction Convention #young adult

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beautifulhigh · 9 months

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Another day, another thought, I guess this is my life now.

So last night I was reading this article in which Matthew talks about making the film and the staging of the Paris sex scene. And it struck me how much work and attention to detail was given to this moment:

Which yes, others have talked about what is placed around the room but I'd like to present exhibits B and C:

The other times we see them in bed together, Alex is on Henry's right. Protocol or his good side? (Both?) Because that's your place when you're with a Royal.

But in Paris they're the other way around. Henry is on Alex's right. That's his place. That's where he belongs. In this moment he's not Prince Henry, he's Henry Fox. He's just this guy who is in love with this other guy.

At the DNC hotel they're mired in politics. In Kensington Palace they're in the monarchy. But in Paris? They're just them. Not so much Firstprince as... some other pormanteau. Helex? Alry? Anyway. They're them in Paris and it's as close to neutral ground as they can get and I find it interesting that Henry is on Alex's right when every other instance in his life he has people on his right. He never gets to be the person on the right. He never gets to defer to someone who isn't in some line of succession.

But with Alex? He does. He defers to him (and no this is not a comment about sexual positions) and he isn't pushed into the circumstance and rules of a situation he was born into without any choice or say in the matter. He can just be himself without the need to maintain an image or a sense of duty or adhere to some archiac institution. He's on someone's right.

(He's also put Alex on his non-good side. He's showing that part of himself to this man because he loves and he trusts him and he knows he is safe to do so. That's something else I'm feral over.)

And given how much attention was paid to the staging of Paris you will not be able to convince me that this wasn't deliberate. Matthew López himself could come into my Tumblr inbox and deny it and I wouldn't believe him.

#this really is my life now I guess #I'm a firstprince blog #firstprince #red white and royal blue #alex claremont diaz #henry fox mountchristen windsor #henry prince of wales #rwrb #rwrb movie #matthew lopez #otp: history huh #rwrb movie spoilers #overthinking jen is overthinking #1k notes #this never happens to me

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butchhamlet · 1 year

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i said i was going to arrange a list of my favorite articles/criticism about shakespeare, so here’s my first little roundup! obligatory disclaimer that i don’t necessarily agree with or endorse every single point of view in each word of these articles, but they scratch my brain. will add to this list as i continue reading, and feel free to add your own favorites in the reblogs! :]

essays

Is Shakespeare For Everyone? by Austin Tichenor (a basic examination of that question)

Interrogating the Shakespeare System by Madeline Sayet (counterpoint/parallel to the above; on Shakespeare’s place in, and status as, imperialism)

Shakespeare in the Bush by Laura Bohannan (also a good parallel to the above; on whether Shakespeare is really culturally “universal”)

The Unified Theory of Ophelia: On Women, Writing, and Mental Illness ("I was trying to make sense of the different ways men and women related to Ophelia. Women seemed to invoke her like a patron saint; men seemed mostly interested in fetishizing her flowery, waterlogged corpse.”)

Hamlet Is a Suicide Text—It’s Time to Teach It Like One (on teaching shakespeare plays about suicide to high schoolers)

Commuting With Shylock by Dara Horn (on listening to MoV with a ten-year-old son, as modern jewish people, to look at that eternal question of Is This Play Antisemitic?)

All That Glisters is Not Gold (NPR episode, on whether it’s possible to perform othello, taming of the shrew, & merchant to do good instead of harm)

academic articles

the Norton Shakespeare’s intro to the Merchant of Venice (apologies about the highlights here; they are not mine; i scanned this from my rented copy)

the Norton Shakespeare’s intro to Henry the Fourth part 1 (and apologies for the angled page scans on this one; see above)

Richard II: A Modern Perspective by Harry Berger Jr (this is the article that made me understand richard ii)

Hamlet’s Older Brother (“Hamlet and Prince Hal are in the same situation, the distinction resting roughly on the difference between the problem of killing a king and the problem of becoming one. ... Hamlet is literature’s Mona Lisa, and Hal is the preliminary study for it.”)

Egyptian Queens and Male Reviewers: Sexist Attitudes in Antony & Cleopatra Criticism (about more than just reviewers; my favorite deconstruction of shakespeare’s cleopatra in general)

Strange Flesh: Antony and Cleopatra and the Story of the Dissolving Warrior (“If Troilus and Cressida is [Shakespeare’s] vision of a world in which masculinity must be enacted in order to exist, Antony and Cleopatra is his vision of a world in which masculinity not only must be enacted, but simply cannot be enacted, his vision of a world in which this particular performance has broken down.”)

misc

Elegy of Fortinbras by Zbigniew Herbert (poem that makes me fucking insane)

Dirtbag Henry IV (what it sounds like.)

Cleopatra and Antony by Linda Bamber (what if a&c... was good.)

#essays/academic articles is sort of a false dichotomy but i wanted to separate these into More Casual versus More Academic. so.#misc category exists because. i like those two things so much. not at all for the same reasons #max.txt #misc #hamlet #merchant of venice #henry iv #richard ii #antony and cleopatra #there we are.

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amphibious-thing · 6 months

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Pink is for Boys

"Pink or Blue? Which is intended for boys and which for girls? This question comes from one of our readers this month, and the discussion may be of interest to others. There has been a great diversity of opinion on this subject, but the generally accepted rule is pink for the boy and blue for the girl. The reason is that pink, being a more decided and stronger color, is more suitable for the boy, while blue, which is more delicate and dainty, is prettier for the girl." ~ The Infants' Department, June 1918

[Left: The Blue Boy, oil on canvas, c. 1770, by Thomas Gainsborough.

Right: The Pink Boy, oil on canvas, c. 1782, by Thomas Gainsborough.]

Pink is for girls and blue is for boys. But it hasn't always been this way. Colour coding infants as a way of denoting gender was popular in 20th century America. The problem? Pink and blue? Which is for boys and which is for girls?

In 1927 TIME Magazine asked ten of the "leading stores that sell baby equipment" which colour was for which gender. Four stores responded pink for girls and blue for boys; Macy's (Manhattan), Franklin Simon (Manhattan), Wanamaker's (Philadelphia) and Bullock's (Los Angeles). Five stores responded pink for boys and blue for girls; Best's (Manhattan), Marshall Field's (Chicago), Filene's (Boston), Maison Blanche (New Orleans) and The White House (San Francisco). Curiously Halle's (Cleveland) responded that pink was for both boys and girls.

This debate would continue and it wasn't until mid-20th century that pink for girls and blue for boys became firmly cemented in western culture.

However the idea of colour coding infants dates back to the 19th century. According to La cour de Hollande sous le règne de Louis Bonaparte in 1808 in Holland pink was used to announce the birth of a girl and blue a boy. In March 1856 Peterson's Magazine (Philadelphia, USA) advises that the ribbon on a christening cap should be blue for a boy and pink for a girl. On the 23rd of July 1893 the New York Times writes that for baby clothes it's "pink for a boy and blue for a girl!"

[The Oddie Children, oil on canvas, c. 1789, by William Beechey, via North Carolina Museum of Art.]

During the latter half of the 18th century one of the most popular outfits for young children, regardless of gender, was a white dress with a coloured sash tied around the waist. Pink and blue being the most popular colours, although other colours were worn as well. It would be tempting to assume that the colour of the sash indicated gender but there isn't clear evidence that this was the case. The Oddie Children (above) depicts Sarah, Henry, Catherine, and Jane Oddie. The three girls are all wearing white dresses; two with a blue sash one with a pink sash. We also see Henry Russell (bellow left) wearing a blue sash and Prince William (bellow right) wearing a pink sash.

[Left: Anne Barbara Russell née Whitworth with her son Sir Henry Russell, oil on canvas, c. 1786, by George Romney, via Woolley & Wallis.

Right: Prince William, oil on canvas, c. 1767, by Allan Ramsay, via the Royal Collection Trust.]

Pink was just one of the many colours popular in 18th century English womenswear and seems to have stayed popular throughout the century. On the 3rd of January 1712 The Spectator published an article in which a man recalls seeing "a little Cluster of Women sitting together in the prettiest coloured Hoods that I ever saw. One of them was Blew, another Yellow, and another Philomot; the fourth was of a Pink Colour, and the fifth of a pale Green". On the 1st of May 1736 the Read's Weekly Journal, or British Gazetteer reports that the ladies attending the royal wedding wore gowns of "Gold stuffs, or rich Silks with Gold or Silver Flowers, or Pink or White Silks, with either Gold or Silver Netts or Trimmings;" shoes either "Pink, White or Green Silk, with Gold or Silver Lace and braid all over." On the 24th of May 1785 Charles Storer writes to Abigail Adams advising that fashionable colours in English court dress are "pink, lilac, and blue" such "as is worn at Versailles".

[Left: Frances, Daughter of Evelyn Pierpont, 1st Duke of Kingston, oil on canvas, c. 1700-23, by Godfrey Kneller, via Art UK.

Middle: Mrs. Abington as Miss Prue in "Love for Love" by William Congreve, oil on canvas, c. 1771, by Sir Joshua Reynolds, via Yale Center for British Art.

Right: Mary Little, later Lady Carr, oil on canvas, c. 1765, by Thomas Gainsborough, via Yale Center for British Art.]

In particular pink was popular amongst young women as the colour was associated with youth. Older women who wore pink were mocked as vain for dressing in a way that was seen as improper for their age. On the 31st of January 1754 Lady Jane Coke writes to Mrs. Eyre criticising old women who wear pink:

As for fashions in dress, which you sometimes inquire after, they are too various to describe. One thing is new, which is, there is not such a thing as a decent old woman left, everybody curls their hair, shews their neck, and wears pink, but your humble servant. People who have covered their heads for forty years now leave off their caps and think it becomes them, in short we try to out-do our patterns, the French, in every ridiculous vanity.

[Folly Embellishing Old Age With the Adornments of Youth, oil on canvas, c. 1743, by Charles-Antoine Coypel, via Master Art.]

For Englishmen acceptable clothing way much more limited. In A Foreign View of England in the Reigns of George I & George II Monsieur César de Saussure writes that Englishmen "do not trouble themselves about dress, but leave that to their womenfolk". He explains:

Englishmen are usually very plainly dressed, they scarcely ever wear gold on their clothes; they wear little coats called "frocks," without facings and without pleats, with a short cape above. Almost all wear small, round wigs, plain hats, and carry canes in their hands, but no swords. Their cloth and linen are of the best and finest. You will see rich merchants and gentlemen thus dressed, and sometimes even noblemen of high rank, especially in the morning, walking through the filthy and muddy streets.

César de Saussure warns that "a well-dressed person in the streets, especially if he is wearing a braided coat, a plume in his hat, or his hair tied in a bow, he will, without doubt, be called "French dog" twenty times perhaps before he reaches his destination" and is not only at risk of "being jeered at" but also "being bespattered with mud, but as likely as not dead dogs and cats will be thrown at him."

[Reverend Charles Everard Booth, Captain Griffith Booth, and an Unidentified Man playing Billiards, oil on canvas, c. 1775-9, by John Hamilton Mortimer, via the Royal Collection Trust.]

For Englishmen dressing "plainly" mostly meant wearing blacks and browns. In his book on macaroni, Pretty Gentleman, Peter McNeil found that in contrast most English menswear that he describes as generally consisting of "monochrome broadcloth" macaroni wore a variety of colours including green, orange, yellow, violet, red, white, blue, gold, silver and of course pink.

But it's not just the macaroni of the 1770s & 1780s that wore pink. We see pink in descriptions of feminine men's dress (both real and fictional) throughout the 18th century.

On the 2nd of June 1722 Sarah Osborn writes to Robert Byng:

I believe the gentlemen will wear petticoats very soon, for many of their coats were like our mantuas. Lord Essex had a silver tissue coat, and pink color lutestring waistcoat, and several had pink color and pale blue paduasoy coats, which looked prodigiously effeminate.

On the 18th of October 1729 the Universal Spectator and Weekly Journal published a story where an "effeminate" man's clothes were described as follows:

He had a flower'd pink-colour Silk Coat, with a Green-Sattin Waistcoat lac'd with Silver. Velvet Breeches, Clock'd Stockings the Colour of his Coat, Red-heel'd Pumps, a Blue Ribbon at the Collar of his Shirt, and his Sword-Hilt he embrac'd under the Elbow of his Left Arm,

[Sir Miles Stapylton, 4th Bt of Myton, oil on canvas, c. 1730-35, via Art UK.]

In The Adventures of Roderick Random (1748) the effeminate (and queer coded) Captain Whiffle is described as follows:

our new commander came on board in a ten-oared barge, overshadowed with a vast umbrella, and appeared in everything the reverse of Oakum, being a tall, thin young man, dressed in this manner: a white hat, garnished with a red feather, adorned his head, from whence his hair flowed upon his shoulders, in ringlets tied behind with a ribbon. His coat, consisting of pink-coloured silk, lined with white, by the elegance of the cut retired backward, as it were, to discover a white satin waistcoat embroidered with gold, unbuttoned at the upper part to display a brooch set with garnets, that glittered in the breast of his shirt, which was of the finest cambric, edged with right Mechlin: the knees of his crimson velvet breeches scarce descended so low as to meet his silk stockings, which rose without spot or wrinkle on his meagre legs, from shoes of blue Meroquin, studded with diamond buckles that flamed forth rivals to the sun! A steel-hilted sword, inlaid with gold, and decked with a knot of ribbon which fell down in a rich tassel, equipped his side; and an amber-headed cane hung dangling from his wrist. But the most remarkable parts of his furniture were, a mask on his face, and white gloves on his hands, which did not seem to be put on with an intention to be pulled off occasionally, but were fixed with a curious ring on the little finger of each hand.

[Henry Ingram, 7th Viscount Irwin and His Wife Anne, oil on canvas, c. 1745, by Philippe Mercier, via Art UK.]

On the 28th of July 1780 the London Courant reports:

A few days ago, a Macaroni made his appearance in the Assembly-room at Whitehaven, in the Following dress: a mixed silk coat, pink sattin waistcoat and breeches, covered with an elegant silver nett, white silk stockings with pink clocks, pink sattin shoes and large pearl buckles, a mushroom coloured stock, covered with a fine point lace; his hair dressed remarkably high, and stuck full of pearl pins.

On the 6th of August 1792 The Weekly Entertainer published Sketches and Portraits form the Life by Simon Tueopnrastus which included the following description:

Mercator was a youth of some genius and expectation, but by a strange perverseness of disposition, notwithstanding the extreme natural stiffness of his limbs, he had acquired an early attachment to the most finical and effeminate finery; so that, while yet a boy, he would exhaust every expedient of a fertile invention to procure a laced waistcoat, or the most foppish toy; would dangle a watch-string, with brass seals, from each fob, at a time when the frugal care of his parents would not permit him to wear a watch in either; and would strut in a fine pair of second-hand pink silk breeches, and a light blue coat, with all the formal dignity of—a soldier upon the parade.

[Left: Thomas King in "The Clandestine Marriage", oil on canvas, c. 1792, by Samuel De Wilde, via Yale Center for British Art.

Right: Edward Payne, oil on canvas, by Arthur Devis, via Art UK.]

While pink is mentioned in these descriptions of feminine men's dress it's not singled out as the girl colour the way pink would become in the 20th century. I would argue pink is seen as effeminate not because pink is a uniquely feminine colour but because it was used in fashionable dress. In 18th century England being interested in fashion was seen as an frivolous female trait. Men who showed too much interest in fashion were mocked and ridiculed for their gender nonconformity. "A Man must sink below the Dignity of his Nature, before he can suffer his Thoughts to be taken up on so trivial an Affair, as the Chosing, Suiting, and Adjusting the Adornments of his Person," complains a letter published on the 8th of May 1731 in Read's Weekly Journal, or British Gazetteer:

Decency of Garb ought inviolably to be preserved; nor can there be possibly an Excuse for Dressing like a Merry-Andrew: Rich and coloured Silks are in themselves effeminate, and unbecoming a Man; as are, in short, all Things that discover Dress to have been his Study 'Tis in vain for a Fop of Quality, to think his Title will protect him.

[Left: Madame de Pompadour (detail), oil on canvas, c. 1756, by François Boucher, via Alte Pinakothek.

Right: Elizabeth Wrottesley, later Duchess of Grafton, oil on canvas, c. 1764-5, by Thomas Gainsborough, via National Gallery of Victoria.]

English fashion was highly influenced by French fashion. A popular colour scheme in French fashion was green and pink. A famous example of this colour pairing can be seen in François Boucher's portrait of Madame de Pompadour (above left), she is depicted in a green gown with pink bows and flowers. You can see and example of how this style inspired English fashion in Thomas Gainsborough's portrait of Elizabeth Wrottesley (above right), who is depicted in a green gown with a floral pattern adorned with pink, white and green striped bows.

[Left: Sir Harry Fetherstonhaugh, oil on canvas, c. 1776, by Pompeo Batoni, via Wikimedia.

Right: Francis Lind, oil on canvas, c. 1775, by George Romney, via Mackinnon Fine Art.]

Fashionable Englishmen were also inspired by these French designs. Horace Walpole refers to the popularity of the colour combination writing to Lady Ossory on the 19th of February 1774 "If I went to Almack's and decked out my wrinkles in pink and green like Lord Harrington, I might still be in vogue". Almack's is referring to Almack's Assembly Rooms on Pall Mall which is believed to be the inspiration for the Macaroni Club. (see Pretty Gentleman by Petter McNeil p52-55) In a letter to Lord Harcourt on the 27th of July 1773 Walpole writes of "Macaronis lolling out of windows at Almack's like carpets to be dusted."

[Left: Detail of Stephen Fox from The Hervey Conversation Piece, oil on canvas, c. 1738-40, by William Hogarth, via Fairfax House.

Middle: Sir William Jones, oil on canvas, c. 1769, by Francis Cotes, via Art UK.

Right: Portrait of a Gentleman, oil on canvas, by George Romney.]

Men who wore green seem to have been just as much, if not more, at risk of being ridiculed, or even assaulted, for the colour of their clothes as those who wore pink. In Pierre Jean Grosley's A Tour to London (originally published 1772) he recalls traveling with a young English surgeon who was harassed by Londoners due to his green French frock coat:

At the first visit which he paid me in London, he informed me, that, a few days after his arrival, happening to take a walk thro' the fields on the Surry side of the Thames, dressed in a little green frock, which he had brought from Paris, he was attacked by three of those gentlemen of the mobility, who, taking him for a Frenchman, not only abused him with the foulest language, but gave him two or three slaps on the face: "Luckily, added he in French, I did not return their ill language; for, if I had, they would certainly have thrown me into the Thames, as they assured me they would, as soon as they perceived I was an Englishman, if I ever happened to come in their way again, in my Paris dress."

#fashion history #god I spent so long sifting through primary sources for mentions of pink

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brf-rumortrackinganon · 22 days

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Timeline: Part 8 - November 2017

For earlier timeline posts: click here or here.

The one where Meghan's hustle finally starts paying off.

Also, Meghan's PR loyalties begin changing during this month. By mid-December 2017, she's stopped leaking to her usual sources - Star Magazine, US Weekly, and E News.

And when the engagement is announced, you can watch the official stories of how Meghan and Harry met begin changing in real-time.

11/1/2017: No new Meghan or Harkle stories.

11/2/2017: Meghan teases an engagement with adoption of a royal wardrobe.

11/3/2017: Meghan's role on a 2009 TV show resurfaces. Samantha Markle reveals internal family racism towards Doria and Meghan, and William's friends reopen a nightclub that Harry used to party at.

11/4/2017: No new Meghan or Harkle stories.

11/5/2017: No new Meghan or Harkle stories.

11/6/2017: No new Meghan or Harkle stories.

11/7/2017: No new Meghan or Harkle stories.

11/8/2017: Soho Farmhouse announces expansion plans. Meghan merches beauty products and calls Kate a fashion copycat.

11/9/2017: No new Meghan or Harkle stories.

11/10/2017: A television program searches for a Meghan Markle lookalike.

11/11/2017: No new Meghan or Harkle stories.

11/12/2017: Remembrance Sunday for the UK. The press points out that Harry is breaking military code by keeping his beard whilst wearing a military uniform. Doria sells her high school photos to the Daily Mail.

11/13/2017: Meghan papped filming wedding scenes for Suits.

11/14/2017: Meghan papped again on Suits sets. She fuels engagement rumors by hinting she plans to leave the show (but technically she already confirmed it last month).

11/15/2017: Affair rumors about Prince Philip resurface, ahead of The Crown Season 2 release. Promos reveal that the season will focus on tension in Philip and Elizabeth's marriage.

11/16/2017: Meghan lays groundwork for a PR narrative that the royal family is jealous of her popularity by reminding everyone that The Queen and Prince Philip were angry about Diana's popularity.

11/17/2017: Meghan's body-double/Suits stand-in reveals Meghan is moving to London soon. Meghan moves her dogs to the UK and merches her boots.

11/18/2017: Genealogists discover that Meghan's ancestor was beheaded by Henry VIII.

11/19/2017: Meghan owes her celebrity to her father's lottery win. Diana's former lover, Hasnat Khan, announces his engagement.

11/20/2017: The Queen and Prince Philip celebrate 70 years of marriage and Her Majesty appoints Philip Knight Grand Cross of the Royal Victorian Order. The royals celebrate with a swanky party at Windsor Castle; Meghan is not invited (her absence is confirmed next month). Meanwhile:

Meghan is papped arriving at the UK airport.

Samantha Markle gives an interview declaring desire to be invited to the royal wedding.

Financial reports announce that the Royal Family has contributed 1.8 billion pounds to the UK economy.

A rumor begins that Prince George will make a special guest appearance on Fireman Sam.

11/21/2017: Meghan is papped in London doing her Christmas shopping. She leaks to US Weekly that she has officially moved out of her Toronto house, her furniture was put into storage, and her personal belongings have been shipped to the UK.

The Daily Mail fires a warning to Meghan about how the 'needy' King Edward trapped Wallis Simpson and made it so she couldn't leave him. The implication is that Harry is similarly needy and will trap Meghan in a similar unhappiness.

11/22/2017: Meghan merches her scarf.

11/23/2017: Meghan gets a facial and merches the spa, fueling engagement rumors.

11/24/2017: Revisiting Prince Philip's stag party. Kensington Palace announces William and Kate will attend the Royal Variety Performance. Meghan leaks to E News that she and Harry are "practically" engaged, fueling more engagement rumors.

11/25/2017: No new Meghan or Harkle stories.

11/26/2017: Meghan merches her facialist and her treatment. The Daily Mail scoops Buckingham Palace and reveals an announcement is coming. They also recap Harry and Meghan's relationship and reveal that both Doria and Meghan have received RPO security details.

11/27/2017: Kensington Palace announces the engagement of Prince Harry and Meghan Markle and:

The Telegraph republishes its "Meghan Markle: The Making of a Hollywood Princess" story.

Meghan merches her coat, shoes, health tips, beauty, skincare, and boots.

They hint at receiving Sussex titles.

Revisiting all of Harry's ex-girlfriends.

Meet Meghan's besties and potential bridesmaids.

The Markle family comments on the royal engagement.

Meghan and Harry will live in Nottingham Cottage.

How Meghan Markle went from seedy LA tenement to the Palace.

How Catholic Meghan Markle survived her parents' LA divorce.

Meghan's life in photos

Meet the Markles

Meghan and Crown Princess Mary (of Denmark) are style sisters.

Mishal Husain was hand-picked by Harry to conduct the engagement interview.

Speculation about the wedding dress begins, with Meghan teasing an Australian designer.

Meghan leaks to US Weekly that she and Harry spent the weekend away before announcing their engagement.

Meghan leaks about her preparation and support from Harry to become royal.

Diana and Meghan would have been best friends.

Meghan retires from acting.

How Meghan tamed Harry

Royal fashion showdown: Meghan, Diana, and Kate

11/28/2017: Engagement coverage continues.

Violet von Wesetenholz is the royal matchmaker.

Doria gives a statement on the engagement.

Meghan's sixth grade school photos are published.

Meghan's sexy online photos resurface.

Quid pro quo: How Meghan supports her friends

Meghan and Harry merch Luckington Manor as a prospective home.

No, it's not Violet. The royal matchmaker is Misha Nonoo.

Harry papped at the gym in Chelsea.

Meghan did the calligraphy for Robin Thicke and Paula Patton's wedding.

Actually, Markus Anderson is the royal matchmaker. (I believe this one; the source is US Weekly, which is a confirmed Meghan ally. The Violet and Misha stories are from the Daily Mail.)

Samantha Markle says Thomas wants to walk Meghan down the aisle.

Meghan leaks that she and Harry secretly visited The Queen after announcing engagement.

See? Meghan can do royal glam too -- 11 times she won the red carpet.

Meghan merches her fashion sense and style.

11/29/2017: Engagement coverage continues.

All about Meghan's genealogy (again)

Meghan reveals Bogart was too old to fly and was left behind in Canada. She also leaks that the BRF is forcing her to stop acting and that the BRF is also making her stop her private charity work.

Meghan the humanitarian

Ninaki Preddy sells pictures to the Daily Mail. The motherlode includes a photograph of Meghan posing outside Buckingham Palace.

Meghan expected to join the royal family at Sandringham for Christmas.

Meghan merches tongue massages.

Aaron Korsh, the creator of Suits, reveals that Meghan was written out of Suits in 2016.

Meghan leaks her expectations to be better than Princess Grace of Monaco.

Meghan merches her beauty routine again.

11/30/2017: New day, same story.

Meghan is on the cover of Elle France.

Meghan merches her nose.

Meghan's soap commercial resurfaces.

Meghan's sorority pictures are published.

Kensington Palace announces wedding will be in May.

Remember when Meghan was a fashion expert/consultant for the Today show?

Northwestern University remembers Meghan.

Meghan has royal ancestors.

How will Meghan become a British citizen?

#timeline #brf #sussexes #pr shenanigans

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sillypenguinwitch · 9 months

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isaac's books in heartstopper s2

episode 1:

Tillie Walden: I Love This Part

Faridah Àbíké-Íyímídé: Ace of Spades

episode 2:

Nina LaCour: We Are Okay

Oscar Wilde: The Importance of Being Earnest

episode 3:

Ocean Vuong: Night Sky with Exit Wounds (the one he is carrying under his arm, I'm assuming that's his and not for the display?)

has read: Ritch C. Savin-Williams: Bi: Bisexual, Pansexual, Fluid, and Nonbinary Youth

Emily Henry: Book Lovers

episode 4:

Victor Hugo: Les Misérables

Antoine De Saint-Exupéry: The Little Prince

Kate Chopin: The Awakening

Nina LaCour: We Are Okay (again)

episode 5:

Albert Camus: The Outsider

episode 6:

Martin Handford: Where's Wally? The Great Picture Hunt

Meredith Russo: Birthday

Jules Verne: Around the World in Eighty Days

Sara Pennypacker: Pax Anne Berest, Audrey Diwan, Caroline de Maigret, Sophie Mas: How to Be Parisian Wherever You Are ? ? ? Damian Dibben: The Color Storm Alice Oseman: Loveless Susan Stokes-Chapman: Pandora Katy Hessel: The Story of Art Without Men ? Evelyn Waugh: Rossetti Arthur Conan Doyle: The Hound of the Baskervilles A.O. Scott: Better Living Through Criticism ?: Then We Came to an End (?) Ruth Millington: Muse Dr. Jaqui Lewis: Fierce Love Charlotte Van Den Broek: Bold Ventures - Thirteen Tales of Architectural Tragedy ?

Richard Siken: Crush

episode 7:

Garrard Conley: Boy Erased

George Matthew Johnson: All Boys Aren't Blue

Samra Habib: We Have Always Been Here

episode 8:

Akemi Dawn Bowman: Summer Bird Blue

Angela Chen: Ace

bonus:

Truham school library pride display (seen in ep. 3 and 8):

top to bottom, left to right: Angela Chen: Ace Andrew Holleran: The Kingdom of Sand Mary Jean Chan and Andrew McMillan: 100 Queer Poems Scott Stuart: My Shadow Is Pink Lotte Jeffs: My Magic Family Tucker Shaw: When You Call My Name Ritch C. Savin-Williams: Bi - Pansexual, Fluid, Nonbinary and Fluid Youth Alok Vaid-Menon: Beyond the Gender Binary George M. Johnson: All Boys Aren’t Blue Mason Deaver: I Wish You All the Best Alex Gino: George Melissa

on top of shelves (left to right): Kevin Van Whye: Nate Plus One Xixi Tian: This Place is Still Beautiful Becky Albertalli: Leah on the Offbeat Mya-Rose Craig: Birdgirl Bernardine Evaristo: Girl, Woman, Other Connie Glynn: Princess Ever After Saundra Mitchell: The Prom

Charlie's choice at Shakespeare and Co (ep. 6): Allan Hollinghurst: The Swimming Pool Library

That's it for now.

Sorry about the ones i couldn't identify and sorry if i missed any! Might try and do some of the ones in Isaac's room later but that'll take a minute

#hearstopper #heartstopper s2 #isaac henderson #books #shakespeare and company #lgbt #charlie spring #alice oseman #aspec #aroace #aromantic #asexual #heartstopper season 2

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duckprintspress · 3 months

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Happy Black History Month! Check Out 15 of Our Favorite Queer Reads by Black Authors

February is Black History Month in the United States, and Duck Prints Press is joining in the celebration by sharing 15 of our favorite queer reads by Black authors! The contributors to this list are Shadaras, boneturtle, Tris Lawrence, Sebastian Marie, Shea Sullivan, Terra P. Waters, and an anonymous author.

An Unkindness of Ghosts by Rivers Solomon

The Fifth Season (The Broken Earth Trilogy) by N.K. Jemisin

A Necessary Chaos by Brent Lambert

The Prey of Gods by Nicky Drayden

So Many Beginnings: A Little Women Remix (Remixed Classics Series) by Bethany C. Morrow

Nothing Burns As Bright As You by Ashley Woodfolk

You Should See Me in a Crown by Leah Johnson

Rise to the Sun by Leah Johnson

This Poison Heart (This Poison Heart Series) by Kalynn Bayron

The Taking of Jake Livingston by Ryan Douglass

The Summer Prince by Alaya Dawn Johnson

How to Find a Princess (Runaway Royals Series) by Alyssa Cole

Honey Girl by Morgan Rogers

My Dear Henry: A Jekyll & Hyde Remix (Remixed Classics Series) by Kalynn Bayron

Freshwater by Akwaeke Emezi

What are YOUR favorite reads by Black authors? We’d love to find more to add to our to-be-read piles!

Want to chat your favorite reads with us? Join our Book Lover’s Discord server!

You can view this list as a bookshelf on Goodreads!

Love reading queer books? Our Queer Book Challenge is running on Storygraph through the end of 2024. Come join us!

#duck prints press #book recommendations #black history month #black authors #queer books #bipoc authors #queer rec list #rec list #recommendation list

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immortalmuses · 8 months

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This is how I know that HRH Henry George Edward James Fox-Mountchristen-Windsor has the hots for Jeff Goldblum, and you cannot convince me otherwise

#Prince Henry of Wales #rwrb #alex claremont diaz #Fandom: Red White & Royal Blue #c: Prince Henry of Wales #Henry: headcanon #Henry: quotes #History huh? Bet we could make some | Alex & Henry #crack #hc

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dearest-painter · 1 year

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My thief(Yandere Naveen x Flynn Ryder!Male!Reader x Yandere Prince Charming/Henry)

TW/CW:PRINCE CHARMING HAS A NAME! I LOOKED IT UP ITS FUCKING HENRY!, unhealthy behavior, unhealthy relationship,abusive behavior,abusive relationship,Reader and Repunzel are friends and aren’t dating,Repunzel acts like a curious little puppy sister towards Reader,Reader isn’t a thief but still pit pockets other but only for good deed,Reader is Repunzel’s adopted brother,Reader was a thief but stopped after meeting his now adopted sister,tell me if I missed anything,came out shorter then wanted sorry

A/N from May 31,2023:I’ll make a part two soon because this was shorter then I wanted and I plan on making more with this

•Okay you met Naveen by pure fucking accident

•You and your adopted sister Repunzel were going through the market as she was curious

•She let go of your hand which worried you as your sister was a curious puppy because of that old lady

•You bumped into Naveen when you finally found her

“Oh! Oh! Look at this Y/N!” Looking over you saw your sister pointing at some random thing,you knew she was innocent and oblivious of the real world because of Mother Gothal but god damn is this heartbreaking. “Yeah,you like it?” “Mhm! I don’t wanna but it though! It’s just pretty to look at~!” You chuckled at your sisters action but something caught your eye. You didn’t realize that Repunzel let go of your hand and ram somewhere. “Uh sir” “hm? Yes?” “Your sister…she left” Looking around you saw Repunzel was gone so your worry meter went through the roof. “Thank you!” You started running around like you were being chased by the police again. “REPUNZEL!” “Y/N~!” You heard her voice and rushed towards her but soon bumped into someone. “Oh I’m so so sorry! I was just trying to get my sister I did-“ you heard the mystery person chuckle that’s when you looked up. He was handsome and his chuckle was beautiful. “It’s fine,I’m Naveen” “Y/N Ryder” soon your sister skipped towards you then grabbed your hand. “This is Repunzel,my sister” “It’s nice to meet you both”

•you all became friends as Repunzel loved his personality and you two just clicked instantly

•whenever he sang Repunzel would dance and you would just watch it all happen as you’ve never dance

•He convinced you to dance with him by taking your hands and started to dance with you

•You met Prince Charming or Henry when your family and his finally made an alliance through paper work because they didn’t believe in marriage alliances

Your hands were sweating and slightly shaking. You wiped your hands on your pants then took deep breaths compared to your sister she was as calm as a perfect breeze which calmed you down slightly. Grabbing her hand she saw that you were worried so she softly ran her thumb over your knuckles calming you down more. You saw Prince Henry and his father walk up towards your parents looking serious or at least Henry’s father did as Henry was just smiling brightly which reminded you of your sister. You felt at peace for a moment then realized what you're here to do again,an alliance between your and his nation. Your father and mother were talking to Henry’s father while Henry was beside you and your sister. She was chatting him up while you were waiting to join in. “This is my big brother! Y/N say hi!” “Hello there” you put your hand out for him to shake which he did shake but he was smiling more widely making you nervous. Henry never thought he’d find love not until he met you, a dashing s/c boy who is oddly looking everywhere. He knew your name was Y/N because of the fact you were an ex-criminal who was a famous thief until you rescued the long lost princess.

•The boys couldn’t handle the idea of the other one taking you away. They both want to keep you to themselves and won’t be letting you go at all!

•Watching them fight everyday about you was much annoying and honestly? You started to hate them

•They knew they were losing you so they started to come to an alliance to let you be

•No matter what you’ll be theirs until then

#yandere #please don’t do this #obession #unhealthy #romantic yandere #male reader #x male reader #yandere x male reader #yandere prince naveen #naveen x reader #yandere prince naveen x reader #yandere naveen #yandere naveen x reader #yandere Prince Charming #yandere Prince Charming x reader #yandere Henry #yandere Henry x reader #yandere disney

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batmanisagatewaydrug · 9 months

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one of my mutuals is apparently a rwrb fan because i just opened the app and my dash was just gifset from the movie after gifset from the movie after gifset from the movie.

and i find myself staring at each of them remembering your post about it earlier this year because wow it really doesnt explore either american or british politics nor the monarchy, huh?

like im staring at this henry bloke like oh you have a very high bar - probably like 22,000 feet high or so - to clear for me to not hate you in principle, let alone root for you.

it feels very tone deaf and i really dont understand how people are able to turn their brains off for it.

Kai I'm so glad I have the opportunity to ask you this because when I was reading the book I went "hmm, this seems pretty silly, but I'm too American to know for sure," so let me pose this question to you:

if it were revealed (by Evil American Politicians) that one of the lesser princes was a.) gay and b.) in a secret relationship with the US president's son and c.) his evil queen grandma (not That Queen, but she's written as a very obvious pastiche of That Queen) was pressuring him to stay closeted

what are the odds that the people of England would, hypothetically, take to the streets protesting for him to be allowed to be openly gay? and even more specifically, what are the odds that someone would paint an enormous mural of him and his American boyfriend as Han and Leia from Star Wars? like purely hypothetically

#bookblr

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the-90s-music-colosseum · 8 months

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The Most Attractive 90s Musician tournament - Round 1

GROUP A (over)

Match 1 - Geddy Lee vs Alanis Morisette

Match 2 - Brett Anderson vs Shirley Manson

Match 3 - KD Lang vs Kat Bjelland

Match 4 - Jarvis Cocker vs Mike Starr

Match 5 - Donita Sparks vs Matt Bellamy

Match 6 - Mike McCready vs Mike Dirnt

Match 7 - Zack de la Rocha vs Selena Quintanilla

Match 8 - Melissa auf der Maur vs Adam Horovitz

GROUP B (over)

Match 1 - Sean Kinney vs Mariah Carey

Match 2 - Rivers Cuomo vs Flea

Match 3 - Lauryn Hill vs Atsushi Sakurai

Match 4 - Shania Twain vs Dave Mustaine

Match 5 - Bilinda Butcher vs Whitney Houston

Match 6 - Dave Navarro vs Powerline

Match 7 - Dolores O'Riordan vs Missy Elliott

Match 8 - Janet Jackson vs Hope Sandoval

GROUP C (over)

Match 1 - Madonna vs Marty Friedman

Match 2 - Serj Tankian vs Prince

Match 3 - Tumblr anon vs Keanu Reeves

Match 4 - D'arcy Wretzky vs Kirk Hammett

Match 5 - Scott Stapp vs Martin Gore

Match 6 - Rachel Goswell vs Krist Novoselic

Match 7 - James Iha vs Tupac Shakur

Match 8 - Liam Gallagher vs Ville Valo

GROUP D (ongoing)

Match 1 - Patricia Morrison vs Chuck Schuldiner

Match 2 - Michael Stipe vs Michael Hutchence

Match 3 - Jason Newsted vs Mike Inez

Match 4 - Axl Rose vs Alex James

Match 5 - Kim Deal vs Tracy Chapman

Match 6 - Rob Halford vs Eric Martin

Match 7 - Henry Rollins vs Jay Kay

Match 8 - Chino Moreno vs Stephen Malkmus

ROUND 2 GROUP A PROPAGANDA SUBMISSION

Mini brackets and games:

Battle of the Mikes

previous tournament results <3 congratulations Tidal!

#most attractive 90s musician #masterpost #tournament #round 1

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asgards-princess-of-mischief · 3 months

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Last Updated: 2024-02-02

Disclaimer: I am not the author of these stories, just sharing my favourite Prince Hal/Henry V stories. Find the authors' links below. If you want your work removed, message me privately.

✠ Claimed￨Prt. II￨Prt. III by yespolkadotkitty • 18+ • 〔E᜶M〕 • 🚫 •

Summary: When an unknown man claims ownership of your home, you determine the best course of action is to gain his favour by using your feminine wiles.

✠ Arise Fair Sun by smolvenger • 〔F〕 •

Summary: "One night, Henry appears under your balcony to confess his feelings to you."

✠ Army of King Henry V, the by frostbitten-written • 18+ • 〔E᜶C〕 • ♥︎ •

Summary: "King Henry V will be departing for battle on the morrow. He and his queen share one last night of passion, with hopes of conceiving"

✠ Her Prince￨Prt. II by omgrachwrites • 〔F᜶A〕 •

Summary: "The man that comes to visit you at your woodland cottage —the man that you're falling in love with —is a mystery. When you discover what he's hiding from you, it turns your... world upside down."

✠ Nursing the Prince by smolvenger • 〔F〕 •

Summary: "You tend to Prince Hal's wounds after the Battle of Shrewsbury."

✠ Prince and the Servant, the￨Prt. II by angelkurenai • 〔F〕 •

Summary:

✠ Queen's Abduction, the by smolvenger • 16+ • 〔A᜶C〕 • 🚫 •

Summary: "Shortly after your secret marriage to the king of England, Henry V, a nefarious villain abducts you to be his..."

✠ Second Floor, the by shiningloki • 18+ • 〔E᜶F〕 • ♥︎ •

Summary: "Prince Hal has been visiting the ale house for as long as he could remember. He met you there —a woman employed by the tavern to pleasure its customers. After taking you for the night, Hal [demands you] be reserved for his personal use only... Six months later, Hal [returns after leaving for war three weeks early] later to indulge in [you], but this time, he has come with a shocking revelation."

✠ Shy by high-functioning-lokipath • 〔F〕 •

Summary: "[Like] many nights, Hal finds himself in the Eastcheap taverns… [However,] this night, he notices something different — or rather, someone. Blending into the background... [you keep your] head down... as [you clean] up... occasionally [you glance] their way, meeting his eyes a few times but never lingering in his gaze. [So] as any cocky, self-assured Prince would do, he saunters over to [you], his head held high... with a charming smirk painted on his lips."

✠ Tavern Prince by smolvenger • 〔F〕 •

Summary: "You are shocked and unhappy to find out you are betrothed to notorious rake, Prince Hal. But one evening, he sneaks you into the Boar's Head Tavern... and your mind about him starts to change."

✠ Used Goods￨Prt. II by smolvenger • 〔F᜶A〕 • ♥︎ • 🚫 •

Summary: "While betrothed to... Hal. But The Law of Contract states that you must be a virgin to marry into royalty. You are not; you didn't choose to...and to escape arrest and treason, you must seek the Prince and tell him your dark secret of being sexually abused as a child. Is the betrothal over? How will Hal react?"

✠ Wedding of the King, the by smolvenger • 16+ • 〔F᜶C〕 • 🚫 •

Summary: "Henry consents to an arranged marriage to [you, a noble woman]. He is enthusiastic about [the marriage] upon meeting [you]. [Nevertheless,] as the wedding day arrives, he learns that [you are] not."

✠ Wordless by megthemewlingquim • 18+ • 〔E〕 • ♥︎ •

Summary:

✠ You Will Be Mine by five-miles-over • 〔E〕 • 🚫 •

Summary: Hal takes a special interest in one of the palace servants.

✠ Beautiful by angelkurenai • 〔F〕 •

✠ Beautiful as Always by lady-rose-moon • 18+ • 〔E〕 • ♥︎ •

✠ Fairytale by five-miles-over • 〔F〕 •

✠ Fight by angelkurenai • 〔F〕 • ♥︎ • 𑁍 •

✠ His Queen by smolvenger • 〔F〕 • ♥︎ •

✠ Prince Charming by jewels2876 • 〔F〕 •

✠ Shamless by megthemewlingquim • 18+ • 〔C〕 • ♥︎ •

✠ Waking Through the Forest by high-functioning-lokipath • 〔F〕 • ♥︎ •

See Also: Navigation || Prince Hal/Henry V Master Index

See Also: @angelkurenai || @five-miles-over || @frostbitten-written || @high-functioning-lokipath || @jewels2876 || @lady-rose-moon || @megthemewlingquim || @omgrachwrites || @shiningloki || @smolvenger || @yespolkadotkitty ||

#Prince Hal x Reader #Prince Hal x Y/N #Prince Hal x You #Henry V x Reader #Henry V x Y/N #Henry V x You #Tom Hiddleston x Reader #Tom Hiddleston x Female Reader #Tom Hiddleston x Y/N #Tom Hiddleston x You #The Hollow Crown Fanfiction #The Hollow Crown Fanfic #Tom Hiddleston Fanfiction #Tom Hiddleston Fanfic

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