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#rwrb movie spoilers
jscajones · 9 months
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henry & alex + oh shit i'm in love with him
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largepeachicedtea · 9 months
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*bagpipes intensify*
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Okay I love the new rwrb movie but it was kind of funny to me how much they toned it down. Like in the movie you have Alex gently tell Henry "we need to talk" when he confronts him, meanwhile, in the book:
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sincenewyorks · 9 months
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stephen fry was on set for a day, served cunt, said homosexual in the funniest way possible, and went on with his day
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torvagatai · 9 months
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Unironically LOVE that the script for RWRB was clearly written for a short!Alex, but then they hired TZP and just... didn't acknowledge it or change anything. So we have an obviously-shorter-than-Alex Henry needling Alex about his height and Alex furiously telling everyone that Henry MUST BE lying about being tall and yelling "We're the same height!" while looking down at him which is just so fucking funny. Honestly, way more iconic than hiring a shorter actor and playing those lines straight. I want every insecure short character to be played by a giant from now on.
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beautifulhigh · 9 months
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Another day, another thought, I guess this is my life now.
So last night I was reading this article in which Matthew talks about making the film and the staging of the Paris sex scene. And it struck me how much work and attention to detail was given to this moment:
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Which yes, others have talked about what is placed around the room but I'd like to present exhibits B and C:
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The other times we see them in bed together, Alex is on Henry's right. Protocol or his good side? (Both?) Because that's your place when you're with a Royal.
But in Paris they're the other way around. Henry is on Alex's right. That's his place. That's where he belongs. In this moment he's not Prince Henry, he's Henry Fox. He's just this guy who is in love with this other guy.
At the DNC hotel they're mired in politics. In Kensington Palace they're in the monarchy. But in Paris? They're just them. Not so much Firstprince as... some other pormanteau. Helex? Alry? Anyway. They're them in Paris and it's as close to neutral ground as they can get and I find it interesting that Henry is on Alex's right when every other instance in his life he has people on his right. He never gets to be the person on the right. He never gets to defer to someone who isn't in some line of succession.
But with Alex? He does. He defers to him (and no this is not a comment about sexual positions) and he isn't pushed into the circumstance and rules of a situation he was born into without any choice or say in the matter. He can just be himself without the need to maintain an image or a sense of duty or adhere to some archiac institution. He's on someone's right.
(He's also put Alex on his non-good side. He's showing that part of himself to this man because he loves and he trusts him and he knows he is safe to do so. That's something else I'm feral over.)
And given how much attention was paid to the staging of Paris you will not be able to convince me that this wasn't deliberate. Matthew López himself could come into my Tumblr inbox and deny it and I wouldn't believe him.
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potato-jem · 9 months
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“hello?”
“baby.”
“alex.”
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islndgurl777 · 9 months
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I saw these articles about how the director said along the lines of “I’m surprised we got an r rating” bc if their sex scenes were het it would still just be pg13 but having just watched their first lovemaking scene… it was the most intimate and sensual sex scene I’ve ever seen. Holy shit.
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space--potat0 · 9 months
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Shaan being petty to Alex (not letting him shower before the photos or letting him get makeup before the interviews) is such a solidarity with Henry.
Shaan is so protective of his ward and Henry's been pining over Alex and Alex has been a dick to Henry and Shaan can't fuck him up but he can be a petty bitch and I love that
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I’ve seen someone else mention this, but I also wanted to talk about this
The erasure of queerness in the movie is something I definitely did not expect.
Sure, it’s a love story between two men, but grab Alex and Henry and make them a man and a woman, the movie doesn’t change much. Maybe monarchy instead of being homophobic and racist now it’s only racist, and they hate Alex not because he’s a man but because he’s brown. They kept it a secret because of monarchy’s racism, but love triumphs at the end. That’s why the movie didn’t hit as hard as the book. The movie is just some forbidden love movie, rwrb is a book where the main characters are in a forbidden relationship, but it’s not the whole point of the book.
Alex discovering his sexuality, Nora being bisexual, whatever Pez had going on, whatever June and Nora had going on, Alex learning about queer history, the historical lgbt love letters at the ends of their e-mails, all the references to queer history and literature, THE SHELTERS, monarchy’s homophobia (yes, it appears on the movie but it’s really glossed over. It doesn’t show just how homophobic they actually are in the book), Alex stating how he knows more about himself the more intimate (both in the sexual and non sexual sense) he is with Henry, Luna being gay and unapologetic about it and being exactly Alex’s queer role model, even before Alex knew he was queer himself, THE FUCKING SHELTERS
I’m so so mad about the shelters being missing.
Henry and Pez made shelters for lgbt youth, so they can never feel as alone as Henry once felt, so they can always have a safe space so they know there’s nothing wrong with them no matter what the adults in their life might say, no matter what the preacher or their classmates or the right wing politicians in their tv might say, where they can find hope, and friends, and a home if they never had one before, or at least, one where they could truly be themselves. The shelters are, I would say, crucial to Henry’s character development. He went from hiding, believing being gay was “the most unforgivable part of him”, not even trying to come out because he just succumbed to live an unhappy life in the closet, to someone who’s out, living with his boyfriend and running lgbt shelters with his best friend so young queer people can move past all the things he felt and believed time ago, so they know they are perfectly normal and loved and safe in there, as long as Henry and Pez are there they’re safe, they don’t have to hide anymore.
Henry became the queer elder he needed in his life when he was younger. The lgbt adult who could tell him than it would get better, no matter how bad it was at the moment, no matter if he couldn’t see the light at the end of the tunnel, because it was there, he just had to hold on a bit more. Than there was absolutely nothing wrong with him.
Another thing than I seen changed than a normal person might not notice, but I did, because im obsessed, is the karaoke scene.
In the book, it takes place in something resembling a gay bar (maybe not exactly, but it’s full of queer people), and look at this
Three rounds of shots appear —one from a drunk bachelorette party, one from a herd of surly butch chicks at the bar, and one from a table of drag queens. They raise a toast, and Alex feels more welcomed than he ever has before, even at his family’s victory rallies.
Look again
and Alex feels more welcomed than he ever has before, even at his family’s victory rallies.
This book is about about finding community, finding yourself, finding love and letting yourself accept that love.
Do you think Alex in the movie has felt “more welcomed than he ever has before, even at his family’s victory rallies” at any point? Has he been with another queer person in the whole movie, except Henry, at all?? Because Nora’ sexuality was not mentioned at all no references nothing and with the whole Pez thing everyone could see Nora as just straight
Henry and Alex in the movie are kind of without community, alienated from it, they are, in my personal opinion, the kind of gay people republicans would consider “good gay people” who “don’t shove it on everyone’s faces and just wanna be left alone” (in the rwrb universe where they exist and are real not actual republican people watching the movie). They don’t really take a role on the community, in the book, Alex and Henry being queer is an important part of themselves, again, Alex feeling like he knows himself better, Henry whole internalized homophobia, their shared interest for lgbt history and literature, Henry and Pez making the shelters, etc etc meanwhile in the movie Alex and Henry just happen to be gay and bisexual, but it’s no deeper than that.
And don’t get me started on creating Miguel, a queer character, and making him the one to leak the e-mails or smth instead of a republican candidate
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hussyknee · 9 months
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I have to say...this scene had everything.
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jscajones · 9 months
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AN INCOMPLETE LIST: THINGS I LOVED ABOUT THE RWRB MOVIE
Henry complimenting Alex’s cologne in the storage closet
The way Henry pauses and gives a look after Alex asks “have I surprised you in any way?”
The way Henry is looking at Alex when Pez is telling Nora “you are the most exquisite woman I have ever seen in my life”
The way Alex is so distracted he forgets who he’s talking to because Henry is in his sightline
Alex nervously trying to figure out how to stand before Henry comes into the red room
tHE WAY THEY LOOK AT EACH OTHER WHEN HE COMES INTO THE RED ROOM
The look Henry gives Alex when he walks out of his bedroom i.e. “I am very, very gay”
“And I thought Alexander Gabriel Claremont-Diaz was a mouthful” “He is” and the fucking LOOKS
“Can he ever belong to someone else?” “Only momentarily”
“Would it make a difference if I told you not to see him again?” IMMEDIATE NO
Alex at the beginning saying royalty in the 21st century is so antiquated…..Henry saying the same thing to Bea later
“I would never call you a coward”
The SHIT-EATING SMILE Alex gives Henry in the V&A when he’s putting his arms on his shoulders and making him dance, the little shit
HISTORY, HUH? BET WE COULD MAKE SOME
Henry waking up next to Alex the next morning and his lil smile and the way he leans into Alex’s arm around him
Alex finally calling him HRH when he’s telling the world he loves him
Zahra’s face pretty much the entire movie but especially when Alex is literally waxing poetically about Henry’s eyebrows
Also how curly Alex’s hair is in that entire scene
The fact that Alex is wearing his ring
LOVESICK HOMOSEXUALS
Touch me and die
BABY
& Henry’s sweet relieved baby face after he hears that
Collapsing on the stairs like the drama queens they are
THE FACT THAT ALEX IS WEARING HIS RING
Alex watching Henry play piano like the sun shines out of his ass and he has a vitamin D deficiency
Yankee Doodle
Alex’s slutty ass tight shirt
Alex’s pecs (I’m fine)
Henry’s smile when he notices Alex wearing his ring and fiddling with it in the same way he used to
They went out onto the balcony and they cried and I cried
CASEY MCQUISTON, PRESIDENTIAL SPEECH WRITER EVERYBODY
Yellow roses
That long ass hug
Henry looking like a lost little puppy on the stage until Alex takes his hand
OPEN HEARTED, FEARLESS, AND ALIVE
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largepeachicedtea · 9 months
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"i thought maybe next summer, we could come back here for like, a couple weeks."
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“He grabbed my hair in a way that made me understand the difference between rugby and football” - Alex Claremont-Diaz
a.k.a. part one of lines that were most definitely not in the book and made me choke on my water
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sincenewyorks · 9 months
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and it’s one of the most cinematic moments in queer cinema
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stardisnight · 9 months
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pls enjoy strawberry alex for a sweet fruity post movie treat 🍓‼️
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