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#but those first two seasons
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took a while but here’s drummer and naomi
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fashion4standusers · 9 months
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Anyway, if I had a nickel for every time a series had six installments that gradually escalated in ridiculousness, only for the sixth installment to end with a universe reboot and the seventh installment to pick up in a new universe where alternate versions of the original characters now exist in the distant past, I'd have two nickels.
One of those series is JoJo's Bizarre Adventure. The other is Riverdale
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mleemwyvern · 11 months
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is zedaph really about to get involved in a war? ZED??
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chirpsythismorning · 11 months
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Joyce staying at the cabin with Hopper and El to keep them safe bc no one in Hawkins knows they’re alive. Will, Jonathan and Argyle staying at the Wheeler's bc they have more room and presumably aren't in danger like the others.
OH WAIT there's a witch hunt for the Hellfire club, which means all the boys are in danger from the townspeople. OH WAIT the boy who came back to life has returned from the West, the same boy whose assumed death jumpstarted this small town's curse in the first place! The same boy who apparently everyone and their fathers knew was gay...
THE END IS NEAR! THE GAYS ARE RESPONSIBLE!
+ Time jump early somewhere in between.
Now picture how that would look in an 8 episode story format, leading up to a final battle lasting about 2+ hrs, and that's loosely how s5 is gonna go down.
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cobra-shy · 6 months
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i'm always gonna miss johnny's old office, which was the perfect set dressing for them fooling around with the regret-filled intensity of a James Carr song T-T
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kuulpenguin · 2 months
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”Look at the sky! It’s looking back!”
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figs-oliomedley · 1 year
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I doubt Wu would train him against Misako’s wishes (see every episode of Season 1 before 10), but Lloyd would definitely come across them eventually
Plus given her mild reaction to Lloyd’s growth and the fact that he recognizes each her, she only left recently, when he was older
Plus plus, he would be safe at Darkly’s, Garmadon is literally Kruncha and Nuckal’s boss, they can’t hurt him
Were there better choices she could’ve made? Yes, but that doesn’t mean the choice she made was wrong.
Update: Turns out I’m a dipshit who forgot she leaves him when he’s young, ok :y
A lot of my points still stand though, albeit at a slightly different angle in some cases
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winnie-the-monster · 23 days
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Nicola saying “Oh, we just stopped repressing it.” Is driving me more insane then when she said people were tearing up behind the scenes during filming.
Like if the first 2 seasons was then repressing their chemistry, I’m not gonna survive them letting it all out 😭
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pinesicle · 2 months
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the promised land is sadly omitted because of the 12 answer limit. SAD! oh well. there are other cat religions
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hephaestuscrew · 23 days
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I'm still thinking about that scene in Victoriocity S3E7 where Fleet runs back towards the Beast so as to lure it into the path of the train...
Clara's exclamation of 'Teamwork, Fleet!' after Fleet says he's got a plan reflects her conviction that any plan that Fleet has will be a shared plan, something they do together.
This conviction is a kind of trust, and that trust is part of the reason Clara takes a moment to realise Fleet has headed back towards the Beast. She trusts that he's following behind her. She keeps talking to him, her words full of optimism.
When she realises Fleet isn't there, she immediately realises what that must mean he's done, and her voice sounds more small and scared than I think we've ever heard it before.
Fleet's attempt at self-sacrifice is a kind of betrayal of Clara's trust, but when he echoes her celebration of their teamwork in a more somber tone, I think it suggests that he understands the weight of that betrayal.
If Fleet's plan is that Clara won't realise he's gone until it's already too late, then he thinks "Teamwork, Clara" will be the last words he'll ever speak to her. In what he imagines will be their final conversation, Fleet affirms Clara's understanding of them as a team who work well together, even as he is making a choice that rejects the possibility of their teamwork in this scenario. It's a recognition of what their dynamic has meant. It's a goodbye and an apology, even if Clara doesn't understand it as such at first.
I don't think Fleet sounds scared as he initially faces down the train. When he shouts "Yeah, this way, you stupid machine! Come on then!", he sounds defiant and grimly determined.
In fact, I don't think he sounds afraid until Clara appears, until she might be at risk of being in the path of the Beast or the train as well. It's when he shouts "Clara, stay back for God's sake!" and "Please, get back!" that there's real fear and desperation in his voice. He can confront the idea of giving his own life, but not the idea that doing so might put Clara in danger.
Another thing about these lines is that the move from 'stay back' to 'get back' suggests that Clara didn't obey his first instruction but got closer to him (and therefore to the path of the Beast and the train) between those two lines.
Then Fleet gives what might be another attempt at his last words: "I'm sorry! I'm sorry."  A repeated apology before an attempted self-sacrifice is an implicit acknowledgement of how much losing him would hurt Clara. He regrets causing her pain.
Even so, he's accepted that he is about to die and that it'd be worth it to destroy the Beast. But Clara very much hasn't accepted either those things. She's still trying to yell over the noise of the train; she's pulling off her ring to throw at him.
I think it's a good illustration of how Clara's optimism is a kind of strength. She always believes that they can "make a new plan" and that it'll be one in which no one has to die. I think Archibald Fleet needs someone like that, someone who'll tell him to drop to the ground when his death advances from both sides, someone who - even in a dark tunnel with an murderous metal monster and a speeding train - won't stop shouting that there's hope.
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cannot believe they gave me the most fucked up insane toxic compelling relationship that consumed the first two eps of s2 just to kill off one of the guys in it.
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lemongogo · 5 months
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can i ask.how u guys practice ur creativity <3 how u practice ur imagination or like.. how u experiment with ur art, how u come to ideas and how u develop them.<3 pretty please <3
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#smthing i have always struggled w.is feeling like i can only draw things that r handed 2 me.#as in.an idea or concept that already exists#chara or conflict that already exists.Scene that alr exists.#and i think it can be soo limiting bc when i have that sort of creative desire but nothing 2 reflect off of it#i feel like im unable to do anything/get anywhere bc im unable to do that mental legwork myself ykwim#like comic artists r SOOO JAW DROP INSPIRING TO MEE bc not only are u envisioning ur own sequences/situations#but u are able to imagine even the most MUNDANE interactions within those scenarios u know#like the transitory panels and the quiet moments and the every day stillness#and i feel like.its not even a poor attempt on my behalf its like.i cant Even attempt it.like my brain is soo empty#and soo static and noiseless that i am like gauhh......#i can practice lines all day long and practice colors and practice anatomy or Whatever bc its something concrete#and its in front of me and i can pry apart the physical technicalities until i understand it better#but my MIND???ABSTRACTION>? THOUGHTS .ough its so hard#and i really want to push past that but i dont know how and its so .. demoralizing to think that ill get there One Day but i feel#one million and two days away.and not making active process towards it.#i know the first step is to build ur visual library and i feel liek. idk i FEEL LIKEEE theres more 2 it that im missing#but also im depressed as hell n my job is killing my creative drive and the seasonal stuff isnt helping#so maybe i just need 2 give it time (true) but i also like.man i dont know. i want 2 do something w my hands#but everything ive been doing so far has felt soo .hard and fruitless and i definitely dont want 2 turn art into such a stressful thing#fruitless as in like.i dont get any personal satisfaction w it.idgaf abt monetization or algorithms or any of tht#but smtimes thats just what happens and i have 2 weather through and know ill be more equipped 4 this some other time#SAWRYYY IM ALWAYS GOING ON AND ONNN im nromal im normal<3 i just rly like art and it sucks balls whn it feels out of reach#sigh cry fart scroll.(:salute:)
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Link
Chapters: 1/1
Fandom: Supernatural (TV 2005)
Rating: Explicit
Warnings: No Archive Warnings Apply
Words: 4,159
Relationships: Castiel/Dean Winchester
Characters: Castiel (Supernatural), Dean Winchester, Sam Winchester
Additional Tags: Canon Compliant, Season/Series 12, Attempt at Humor, Fluff, Getting Together, Castiel Loves Dean Winchester, Dean Winchester Loves Castiel, First Kiss, Second Kiss, and then more kisses, Smut, they are so gone for each other, and they obviously look at each other a lot hence the title
Summary:
Team free will is in the car driving back from a hunt when Sam mentions Cassie, Dean's ex from at least 10 years ago. After Cas mistaking it was about him, the conversation evolves into describing how Dean is when he is in love. It all clicks in Sam’s head as he tells Cas how Dean was behaving around Cassie. 10 years replaying in his mind all of a sudden. Cas asks him what he understood and Sam tells him Dean is in love with him. From there, nothing is stopping Cas anymore. This fic was writtent for the 5K by 5 May event.
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soup--champ · 2 years
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shoutout sans for winning top tumblr sexyman and also for gaining yet another anime boyfriend. this saga was so funny to watch
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stairset · 10 months
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You can tell when someone doesn't actually know jack shit about superheroes when they watch a good superhero adaptation and act as if the things they like about it are exclusive to that one specific adaptation when anyone who's actualy cultured could tell you it's not. And I don't even mean like deep cut comic lore or whatever I mean like people last year acting like The Batman 2022 is The Only Batman Media Where He Has A Character Arc or now people acting like the new Superman cartoon is The First Adaptation To Show That Superman Is A Good And Nice Person or whatever. Like you don't even need to read the comics to know that both of those are objectively false you just need to watch basically any other media adaptations of those characters.
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summertimemusician · 7 months
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Linktober (Shadow) 2023, Day 11
Monsters (Dead Hand)
Summer Stop Giving Reader/PoV Character and the Chain a Hard Time and Trauma Challenge (impossible) /j. But really I'll probably write something lighter for Linktober or Linktober Shadow later to compensate for this one lol. Probably a sequel to this one that has Reader actually having a nice time with the Links for once.
Technically since unfortunately studying for future exam season in like a couple of days has been kicking me in the ribs and thus my time was highly cut and unfortunately I don't have an Ocarina to give me more, this is actually a mix of prompts! The ones in the title, Keese, Wolfos, Wizzrobe, Lizalfos, Redead, and Boss, although they are not the focus here, mostly just mentioned but technically checking out the boxes, maybe next time I'll go more in deep on that (Like the original idea that basically was Reader taming a pet Wolfos as a guard hound that I will not elaborate on at least not this year), instead y'all get this with the boss that gave a lot of people childhood trauma and was never seeing again since because we really don't talk about just why Dead Hands are terrifying much, just that they are, really missed opportunity to use them more in an LU context lol.
As always any relationship between Reader and any of the Chain can be interpreted as romantic or platonic, and Reader is Gender Neutral on Purpose. And First is here because again, this would have been longer if exam season wasn't kicking me in the ribs and I have some really evil ideas involving First, Reader and Time bonding over having trauma of enclosed spaces, but thankfully y'all don't get that today lol, or not, it would be a really fluffy scene so up to y'all if it's a win or a loss.
TW:
Don't think there's anything too heavy-ish? But I'm a horror fan so I'm not someone who can accurately judge that. I'd say graphic descriptions of violence and gore, and being restrained/pinned in place and the entire deal that is the Dead Hand's existing, so please don't read if you're squeamish or uncomfortable. Health is important and specially mental health and I always leave these warnings on Linktober Shadow related prompts or heavier stories, so just a heads up so no one is caught by surprise.
Anyway, enjoy reading!
It was an almost unanimous agreement that no hero liked to pass through a cemetery in Hyrule.
From the restless Gibdo, to the mischievous yet usually cruel Poes and the lost Ghini, to the ever wandering Stalfos and the ghastly agonized Redead and ever determined ghoulish Garo, nothing good ever came from entering in areas where dead things roam. You can't be sure if it's because of the magic in Hyrule, the living force of light and shadow and the divinity coursing through the land, or simply the will of the undead or the consequences of Demise attempting to claim the Triforce, graveyards and desolated fields meant silence, they should be where those who are gone should finally acquire their final catharsis, not to roam endlessly without release, solemn as these places are they are still places for a peaceful end and to be denied such due to the whims of the Shadow... You can think of very few awful fates that can compare.
('Terrible fates, you could say.' The grimly bemused part of your mind whispers, as you walk alongside Time further down into the crypt that you and the Chain had followed the shadow into, silver, prisitne armor briefly blends with old, rusted, bloody gold and you think you hear the rattling of bones in the distance, the draw of a rusted, but still serviceable sword. You shut it away with a snarl as you cut down the Stalfos attempting to ambush Wild from the rear, and it goes down and back into the darkness with a screech alongside the chilling knowleged and the sick cracking of broken bones, not on your watch, never on your watch, you refuse.)
"Of all places why did it have to be a bloody crypt?" Grimaced Warriors, casting a weary glance towards the skulls decorating the walls, their empty sockets empty but silently cutting, as if sneering at the fact you lot had dared disturb the dead, as if it wasn't the Shadow's mere presence making what would otherwise be a place for rest into a possible death trap.
Legend smirked, though you could tell he wasn't anymore pleased from the way he marched through the cold, cracked stone floor, steps flighty and eyes darting around corners, "What, a bit too much for you, soldier boy?"
"No," came the prim answer, although the twitch of the hand near his scabbard as you stepped into an open chamber gave him away, as well as Wind being kept at his side rather than near the wall, "Just don't generally like fighting the undead in closed spaces. It's a recipe for disaster."
"On that I believe we all can agree on." Came Time's voice, cutting through the banter, tense as a drawn bowstring, you knew being back in a crypt wasn't easy for him, with the way his jaw tensed, you both had the same awful memories of a similarly buried, abandoned place where dead things roamed without cease, frantic, hungry for the warmth of the living, "Keep your guard up, and stay close together."
Almost as if on cue came the monsters from the open corridors, you didn't hesitate in drawing your blade to cut through the enemy, keese were easily dispatched by Four and Legend's swords, you spun to slit the throat of a growling Wolfos from Twilight's era going for Sky's back just as he mercilessly chased down the Black Lizalfos, the beast clearly avoiding the glow from the Sword of Evil's Bane. Time's back to yours as you cleared the path for him and blocked the Shadow's exit through the left corridor, it had already proven that it would not matter if you did or not, but you refused to not let it work for survival.
The jolt of magic being used crawling up your spine was your first warning. Like the build up of lightning in a storm, the taste of rust and a feeling like tar  slithers up your throat.
The second was Wild's warning shout as the chamber shook with the grating, chilling, blood curdling howl of the Redeads, Time lunging away from your side to slash the beasts away from Wind and Warriors with all of the fury of a wolf defending it's pack, before you had to throw yourself back, slamming your back against the arch on the right as it caved in, lest you be crushed alongside the Wolfos coming for your neck the second the older hero moved.
You were separated.
You were alone.
A really, really bad spot to be when in Hyrule's catacombs.
"Are you alright?!", Came muffled from the other side of the stones, the hint of an actual wolf's growl and the distinctive Ordonian cadence, Twilight.
"I'm fine! Keep fighting, I'll find my way to you guys!", You yell back, heart racing, trying not to think about what you could find on your way back, you didn't have any bombs on you, it wasn't feasible to use them in a place as old as this, not without risk bringing down the ceiling on you and the Chain. But most catacombs have interconnected hallways, if you moved quickly, you might just avoid finding anything that you won't be able to handle on your own.
You think Twilight replies, but it's muffled by another Redead's yowl, you wince, your muscles lock up and you feel something warm drip from your ears, but thankfully you are not rendered immobile due to the involuntary wall, you swallow your trepidation and get moving.
The further you get away from the fallen stones, the more silent the catacombs extending from the crypt you were dropped in became, shadows twist oddly by the torches upon the wall with only your breathing and the cold, unfeeling remains of the dead to keep you company, the lowly burning flames bringing you no warmth. The corridors blended together in the darkness cast by the faint light, the shades contorting themselves in the crevices of your paranoia the longer you went on with only your own hurried footsteps to make any true sound.
Not one monster had found it's way to you thus far, though, and according to the copy of the map Legend had made the second you had acquired the original from a very unfortunate Wizzrobe from Wild's era. You just needed to pass one more open chamber to find the corridor leading to your boys, You couldn't keep them waiting, who knew how long it would take for the fight to finish if Redead's were involved? And staying still when the Shadow could turn itself intangible was practically begging it to switch it's attention, it usually didn't pay you as much mind as it did the heroes, Time specially (it seemed to hold a grudge against him more than any of your boys, you noted bitterly), but it would occasionally target you if it meant getting a rise from any of the Link's or if it felt you were too  secure in your safety, it was better if you found your way back first to the hunt before you became hunted.
You grit your teeth, by Hylia's dripping gash, you were so. darn. tired. of. being. hunted.
Of watching your friends being led into a wild hunt with no end in sight, dragged by the noose by a remnant that refused to stay dead, you never thought you could burn with so much anger, with the desire to see if fire would scare it sober into ceasing in it's infection of all of Hyrule's Eras. But unfortunately you knew it didn't work like that, so you had to survive, you would survive, because someone had to protect the heroes when the heroes protected everyone else and if no one was going to step up to the job, you'd just have to do it yourself.
Shaking yourself from your thoughts, lest you end up drowning in them, you breath in relief as soon as you come upon the metal door with the symbol of the royal family, faded and rusted with age, there. You just needed to pass through this chamber and the corridor next to it, and you'd be back with Link, all of them, and hopefully out of here. You push it open, grip tightening on your long dagger, almost a sword, good enough to cut and hide. The thick and pungent combination of old, congealed blood, sick and decaying flesh, something like rotten eggs dipped in alcohol and withered flowers hits your nose, making you nauseous but you press on, the chamber is circular and dimly lit, with a long cracked, soft stone from a leak in the walls. You studiously do not look at the far corner of the dungeon or the pillory's and shackles scattered around near the cells,  there's a second door to the other side, as soon as you pass through it you'll be in another corridor.
... It's silent, too quiet. Unease slithers and twists around you like vines, but you can't delay, you won't, so you keep walking-
Until you can't.
Something has grabbed a hold of your leg. You look down, and your blood freezes, spotting a long, sickly, pale arm and a bright crimson, elongated nails, claw-like, digging into your ankle, having dug itself up from the fragile ground.
You don't hesitate, slashing down violently at the offending limb, frantic terror spreads through your blood, you knew what was here. It featured in your nightmares for a long, long time, you knew it still haunted Time's, the limb goes slack as it is severed, and you barely note the way it starts bleeding black and green at the stump, thankful for Four's expert craftsmanship and maintenance hints as you dive to the exit. You don't make it far, it's companion limbs  bursting in front of your path like a snake emerging from the ground, it makes a solid grab for your  arms, one of them grabs you by the scalp, firmly digging as you dodge and weave between, a stabbing pain upon your skull from the indomitable grip of something fueled by fury, twisted magic and rigor mortis and makes you cry out, your slight moment of hesitation allowing two more hands to latch onto your legs and arms, nails slicing through your flesh like easily and digging, tearing like a rabid hunting dog's teeth upon an unfortunate deer, leaving deep gashes upon your arms and ankles, it's not unlike being pinned and held to a torture rack, in hindsight, ironic given just where in the crypt you ended up.
Your hear the ground below shifting below you, a groan carrying through the air, awfully monstrous, coldly human. You struggle harder like a desperate butterfly upon a dissection board, from your peripheral, you see the form of the thing unhurriedly dragging itself over, it uses the sharp and bloody ends of where bone was broken to slice it's hands off to shuffle out of the grave, using it's stubs as support. Long long neck barely supporting it's elongated head, the scent of rot intensifies and you feel like gagging as it settles it's empty, frigid, hungry eye sockets on your bound form; it's broken jaw contorting itself in a mockery of a human smile over rotten gums and exposed teeth, stretching unnaturally and bringing emphasis to it's rotting, bloodied sunken features. From behind it's bloated, putrid shape, barely obscured by the bloodied white cloth and the grotesque vision of the undead you swear the crimson eyes of the shadow, watching you coldly, the hint of a knife sharp, serpentine smile as the sound of wet meat slamming across the ground rings in the chamber.
Fury mixes with your panic as you snarl, trying to twist the dagger in your grip as best as you can to drive it into the arms, pain and blood drips from the open wound but you don't care; you need to get away from the Dead Hand. A monster like that feels no pain when struck for it is not human, not any longer, and you couldn't hope to face an infected one alone, it shuffles over the floor, unhurriedly shuffling like a predator that knows it's prey can't run away, it moans and groans with hunger as it approaches and you have no intention of giving it a meal, you grit your teeth as the nails sink deeply into your shoulders and arms, using your blade to saw through rotting flesh and hopefully break bone with every single inch of strenght you have, the blade is slick in your hand with your own blood and the poison-tar of the Shadow's infection burning through you but you do not mind, can't. You need to get away-
The undead's teeth sink into the hollow of your collarbone, blunt, human teeth that shouldn't have half the strenght it does to rip through flesh, blood and crack bone, and you caterwaul with pain, skin crawling and numbing and set aflame with curses sent from the dark reflection of the hero, darkening, veins blackening, your eardrums vibrate with the force of your own agony and you are sure you could rival a Redead on pitch alone of your tortured howl. Struggling even more ferociously, attempting to disloged it, kick it off, your blade sucessfully slashes through the arm from your reverse grip, pushing away from it with the savegery off a cornered predator you sink your long dagger into the undead's eye sockets, tearing through it's cheek with animal ferocity, it keens high and chilling, you're losing blood quickly and it (for it's not a human, not anymore, you can't feel sympathy for it, won't. You can't hesitate.) knows, for it tries to chomp down onto your vulnerable neck, your arm being the only thing keeping it from biting it out as you growl with pain, although you can't be sure it just won't bite through, it's teeth are bared, the pitch of it's blank eyes locked onto yours in stalemate, you have the advantage of not being weakened by hunger and decay, not sluggish like it but that will not help for long, the clammy being determined to bleed you dry and feast on your corpse and you are drowning drowning drowningDROWNINGWITHWRETCHEDTORMENT MAKE.THE.PAIN.STOP-
A scream of your name, sword calloused hands yank you away from claws and fangs (because nothing with blunt teeth and nails should be able to wound someone so throughly), you waver on your feet, swaying, supported by a warm, strong body and pulled away. A sword slashes the foul being away from you and you go lax, numb with pain.
First, First was supporting you. Keeping you steady, stopping you from falling, snarling at the corpse with a lion's fury, holding you protectively. Time tears by him like a man possessed, frenzied with the look of a man looking at his worst nightmare and growling in denial. The Links, wounded but alive, the Chain had met you halfway.
The last thing you remember before losing conciousness as adrenaline leaves your body and everything goes dark, is wishing that they'll burn it to be sure it's gone for good. It's the kindest thing that can be done for a such a wretched existence.
You'd be okay.
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