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#victoriocity podcast
weaverofink · 2 months
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HAPPY VICTORIOCITY SEASON 3 DAY TO ALL WHO CELEBRATE!!!!!!!!!
version without the claw marks:
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boombox-fuckboy · 13 days
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FLEET: Hey, I uh. I got something for you.
CLARA: Fleet, you bought me a present? Is this because I saved your life again? Or is it for my birthday- which you should know, if you want to write it down, is April-
FLEET: Open it.
CLARA: So it's not for my birthday.
FLEET: Open it.
CLARA: April 15th.
FLEET: Open it!
Victoriocity, Season 2 Episode 7 - SMS Brandenburg
A very happy 163rd(?) birthday to Clara Entwhistle.
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silvascribble · 1 month
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Some Clara and Fleet I did a few days ago
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hephaestuscrew · 2 months
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I love how defensive of Yorkshire Clara has been so far this season: "Well, I'm a simple Yorkshire lass Fleet. Obviously I'd never seen more than two people in a row before coming to London. We have cities you know!"; "Again Fleet, there are cities outside London, even in my oh so remote Yorkshire. Can you guess the name of the city after which Yorkshire might be named Fleet?"; "It's a real place, you can get the train there!" She's always ready to defend Yorkshire with sass and sarcasm, even when nobody was actually criticising Yorkshire or even referring to it at all. I support her so much.
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rireviews · 2 years
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smithy-smith · 2 years
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VICTORIOCITY BOOKS! VICTORIOCITY BOOKS!!
🥳🥳🥳
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pansexualnoodle5 · 2 years
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The absolute fond exasperation — or perhaps exasperated fondness — in Fleet’s voice literally every time he’s talking with Clara is just fuckin chef’s kiss 😩
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evilittlecrow · 2 years
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I don't know shit about London I'll believe whatever they're saying honnestly
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224bbaker · 6 months
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By popular demand, a new pinned post about us and the show for new followers/audio drama listeners/people who might be here because of our Sherlock Holmes postings!
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weaverofink · 29 days
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some expression practice with inspector fleet!!
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littleacebee · 2 months
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There is some podcast conspiracy this week to release as many episodes as possible. Camlann with regular episode and a special, Victoriocity with first two episodes of s3, Hello From The Hallowoods with first episode of s4, The Amelia Project x Midnight Burger crossover, The Magnus Protocol, Mission Rejected, Inexplicables, Welcome To Night Vale, Travelling Light…
I am not complaining but I am drowning in episodes
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ghostflowerdreams · 6 months
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Audio Drama Recommendations, Pt. III
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Click here for part one and here for part two. Recently, I've been drawing a lot, which gives me plenty of time to listen to audio dramas and podcasts. These are the ones I liked the most and found entertaining enough to recommend to others. This is not in any particular order, either.
The Green Horizon – is a sci-fi comedy drama created and written by Paul Walsh. It is sponsored by Faustian Nonsense, an indie entertainment network. It currently has three seasons, with each episode being about 20 - 30 minutes long, but later on it increases to 30 - 40 minutes. A fourth season is said to be coming out soon as well.
It is set in the year 2261, and it focuses on a ne'er-do-well Irish space captain and his rag-tag crew, as they traverse a war-torn Galaxy in search of fame and fortune. [ONGOING]
It was a little chaotic and rough at the beginning, but it does smooth out and become more polished. I can definitely tell that they up their game with the improved sound effects and production quality. The voice actors and the writing for the audio drama does an excellent job at bringing their characters to life, which made it very fun to follow along.
If you like Firefly, Red Dwarf, Orville, Cowboy Bepop, and so on then I think you may enjoy this too.
DERELICT – is a sci-fi narrative audio drama from award-winning science fiction author J. Barton Mitchell, and produced by Night Rocket Productions. It currently has one season titled FATHOM, which consist of 10 episodes with each one ranging from 40 mins to an hour, mostly the latter.
Something has been found at the bottom of Earth's ocean. An ancient artifact that can only be described as a giant door, inset into the sea floor. It becomes known as the Vault. A gigantic enigma, buried and forgotten...nineteen thousand feet down.
To study the artifact, the galaxy's most powerful corporation, Maas-Dorian, has built a massive, self-contained, secret laboratory base surrounding it, named FATHOM. It's objective: unlock the secrets of the artifact and discover what it holds.​ But some mysteries should remain buried. And some doors should never be opened... [ONGOING]
DERELICT started as the first project set up as a kickstarter. They produced one episode to entice backers, but then the pandemic happened, and they didn’t raise enough money for the rest of it. Instead, they worked on a prequel season called FATHOM. It's where the story really starts, and I highly suggest you listen to it before listening to "DERELICT E1 - Through the Gate."
I hope they redo the DERELICT's first episode because there's a bit of disconnection from it and FATHOM. For example, Sarah and Agent Blayne already know each other. She mentions it to the others, but the conversation they have with each other doesn’t make it seem that way.
Never mind. I apparently confused this Sarah with the Sarah in FATHOM. Can't blame me for thinking that when I heard the name Sarah and that she was already familiar with Agent Blayne.
Deviser – is a sci-fi horror audio drama created, directed, acted and produced by Harlan Guthrie. The same creator of Malevolent. It's a 7-part limited series, with each episode being about 20 mins long.
Son wakes up aboard a spaceship bound for earth in an effort to recolonize. What he discovers, however, will change everything he knows about his world and himself. [COMPLETED]
It's not for everyone, so please do not ignore the content warnings because there's graphic description of violence, self harm, body horror, gore, animal death/being hurt, and what not.
Victoriocity – is a detective comedy audio drama written by Chris and Jen Sugden, directed by Nathan Peter Grassi and produced by Dominic Hargreaves. It is an entirely independent production. It has two seasons, containing 13 episodes in total, and each one is about 30 to 45 minutes long. There's also a feature-length special and a up-coming third season with the help of a kickstarter.
It is 1887 in Even Greater London, an alternate steampunk Victorian London, where Queen Victoria reigns even after being assassinated eleven times, thanks to the wonders of modern science.
In this vast metropolis, Inspector Archibald Fleet and journalist Clara Entwhistle investigate a murder, only to find themselves at the centre of a conspiracy of impossible proportions. [ONGOING]
It's put together so well, and I see why people say it gives off strong Douglas Adams and Terry Pratchett vibes to it. So if you like their works, then I wouldn't be surprised to hear that you like this too.
Impact Winter – is an apocalyptic vampire audio drama created and written by Travis Beacham (Carnival Row, Pacific Rim). It has two seasons containing 22 episodes in total and each one is about 17 to 30 minutes long.
“They came after the impact and the firestorms. When the sun went dark. Like they’d been there all along. Just waiting.”
In the British countryside, a band of survivors forms a resistance in the fallout shelter of a medieval castle. Darcy is a battle-tested vampire hunter who is at the front line, leading the charge to save humanity. Meanwhile, her younger sister Hope wants life to return to normal so she can go above ground and know what it’s like to live again. And she just might be willing to risk it all. [ONGOING]
It has a stacked cast led by Holliday Grainger (Cinderella, Great Expectations), Esme Creed-Miles (Hanna, The Legend of Vox Machina), Liam Cunningham (Games of Thrones, Hunger), Himesh Patel (Station Eleven, Tenet), David Gyasi (Interstellar, Carnival Row), Caroline Ford (Carnival Row, Nekrotronic), Chloe Pirrie (Emma, Carnival Row), and Bella Ramsey (Games of Thrones, The Last of Us).
This reminded me a lot of the film 30 Days of Nights (2007) with a little bit of Reign of Fire (2002), which were both fun films to watch. I think if you like those two, especially the former, you'll enjoy this or at least be entertained by it.
A Voice From Darkness – is a scripted paranormal horror audio drama. It is written and produced by Jac Rhys. It currently has two seasons, containing 20 episodes in total and each one is about 20 to 30 minutes long. It also has 7 bonus voicemail episodes and 15 Patreon exclusive episodes which are longer than the main episodes. A third season in the works as well.
Join parapsychologist and radio broadcaster Dr. Malcolm Ryder as he helps those who suffer the supernatural, paranormal or otherworldly problems on his call-in radio show. It is also interspersed with segments, one of which is called 'Today In Odd America' that delves into the origins of a holiday, local traditions, and history. [ONGOING]
If you like Welcome To Night Vale then I think you'll like this too. A Voice From Darkness is a bit more serious and not as long-drawn as Night Vale was, with a perfect mix of storytelling and lore. It also reminds me a bit of The Magnus Archive too.
How i Died – is a mystery audio drama that brings a "new twist on the true crime genre." It is an Audiohm Media original production, co-starring Vince Dajani as Jon Spacer and Shaina Waring as Sheriff Fran Crowley. It currently has three seasons with 39 episodes in total, not including bonus episodes. Each episode is usually about 20 mins, give or take a few minutes.
Bodies are piling up in the strange town of Springfield, and forensic pathologist Jonathan Spacer intends to find out why. But, Jon isn’t without his own secrets… He can talk to the dead, for starters. [ONGOING]
Ooo, a character that can speak to the dead? It's always so interesting to see what they'll do with their ability and where the creators take them. This has been entertaining, but at times I do think they can do better in developing their characters a bit more. For example, I can count on one hand the number of times Crowley doesn't get angry. Though to be fair, Jon isn't an immediately likable character, but that does change the further you go...sorta.
The Amelia Project – is a comedy fiction audio drama created, written, directed, produced and edited by Philip Thorne and Øystein Ulsberg Brager for Imploding Fictions and The Fable and Folly Network. It currently has four seasons, with a fifth one on the way. There's about 72 episodes, not including prologue, special, and BTS episodes which would up the total to 122. Each episode also varies in length from 20 to 45 minutes long.
The Amelia Project is a secret agency that fakes its clients' deaths, then lets them reappear with a brand-new identity. A black comedy full of secrets, twists... and cocoa. The series starts as a succession of interviews with clients who want to fake their deaths, then slowly a larger narrative begins to emerge... Each episode tells its own story, but we recommend starting with Season 1. [ONGOING]
It was fun to listen to while I was drawing or washing the dishes. I could also follow along without becoming too distracted by it, either. I was worried it would be one of those that take a while to get to the main overall story, but thankfully it did not. It will definitely keep you entertained and interested to know what will happen next.
Community Cat News – is a neighborhood news show done from the perspective of cats. There's currently 13 episodes so far and each one varies from 5 to 12 minutes long.
Local News: The human is opening the fridge! Will we get a taste?
Foreign Affairs: What are those squirrels up to now?
Traffic: WHY is the bathroom door shut again?
Every episode is sponsored by Meow Meow Puffytail, Feline Rights Attorney, who is ready to sue your human for even the slightest inconvenience. [ONGONG]
It's cute, light-hearted, and funny. I didn't expect to enjoy this as much as I did. It even uplifted my mood.
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hephaestuscrew · 6 days
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I'm still thinking about that scene in Victoriocity S3E7 where Fleet runs back towards the Beast so as to lure it into the path of the train...
Clara's exclamation of 'Teamwork, Fleet!' after Fleet says he's got a plan reflects her conviction that any plan that Fleet has will be a shared plan, something they do together.
This conviction is a kind of trust, and that trust is part of the reason Clara takes a moment to realise Fleet has headed back towards the Beast. She trusts that he's following behind her. She keeps talking to him, her words full of optimism.
When she realises Fleet isn't there, she immediately realises what that must mean he's done, and her voice sounds more small and scared than I think we've ever heard it before.
Fleet's attempt at self-sacrifice is a kind of betrayal of Clara's trust, but when he echoes her celebration of their teamwork in a more somber tone, I think it suggests that he understands the weight of that betrayal.
If Fleet's plan is that Clara won't realise he's gone until it's already too late, then he thinks "Teamwork, Clara" will be the last words he'll ever speak to her. In what he imagines will be their final conversation, Fleet affirms Clara's understanding of them as a team who work well together, even as he is making a choice that rejects the possibility of their teamwork in this scenario. It's a recognition of what their dynamic has meant. It's a goodbye and an apology, even if Clara doesn't understand it as such at first.
I don't think Fleet sounds scared as he initially faces down the train. When he shouts "Yeah, this way, you stupid machine! Come on then!", he sounds defiant and grimly determined.
In fact, I don't think he sounds afraid until Clara appears, until she might be at risk of being in the path of the Beast or the train as well. It's when he shouts "Clara, stay back for God's sake!" and "Please, get back!" that there's real fear and desperation in his voice. He can confront the idea of giving his own life, but not the idea that doing so might put Clara in danger.
Another thing about these lines is that the move from 'stay back' to 'get back' suggests that Clara didn't obey his first instruction but got closer to him (and therefore to the path of the Beast and the train) between those two lines.
Then Fleet gives what might be another attempt at his last words: "I'm sorry! I'm sorry."  A repeated apology before an attempted self-sacrifice is an implicit acknowledgement of how much losing him would hurt Clara. He regrets causing her pain.
Even so, he's accepted that he is about to die and that it'd be worth it to destroy the Beast. But Clara very much hasn't accepted either those things. She's still trying to yell over the noise of the train; she's pulling off her ring to throw at him.
I think it's a good illustration of how Clara's optimism is a kind of strength. She always believes that they can "make a new plan" and that it'll be one in which no one has to die. I think Archibald Fleet needs someone like that, someone who'll tell him to drop to the ground when his death advances from both sides, someone who - even in a dark tunnel with an murderous metal monster and a speeding train - won't stop shouting that there's hope.
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rireviews · 2 years
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Victoriocity Podcast Review
Summary: A detective, a journalist, and the ghost of Sir Terry Pratchett walk into a bar…
Genre/Tags: Speculative Fiction, Comedy, Drama
Our main characters live in a place called Even Greater London. If that hasn’t piqued your interest, hopefully the rest of this review will. 
This podcast is embarrass-yourself-in-public hilarious, and the characters are amazingly well-written and well-rounded. A fictional detective with a sense of self preservation? Look outside guys, pigs are flying.
The journalist is so refreshing, she knows what she wants and she’s not going to let a man with a badge or a disapproving mother stop her from getting it. Her dynamic with the detective really highlights the fact that we are in the era of male protagonists who are just a little bit pathetic. Bruno Madrigal, Steven Grant, Mike Walters from w.bg, need I go on.
The world-building is fascinating, and if Ankh-Morpork is the magical fantasy version of London that reigns in our hearts and bookshelves, then this is its sci-fi counterpart. It has everything a city needs, billionaires with unfortunate political ambitions, a figurehead ruler doing too many speeches, a corrupt private police force held in place by a slightly less corrupt public police force, and crime. A lot of crime. I also adore the friendship that grows between our protagonists, it’s the cherry on top of an insanely good sundae. 
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rosielav · 2 months
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This is your sign to relisten to your comfort podcasts
I just finished my relisten of Victoriocity, to celebrate the 3rd season starting. 10/10 would and will recommend. Seriously good storytelling, sound design, and voice acting.
Starting my relisten of Wooden Overcoats, and by Golly, this is one of the best decisions I've made. It's so charming and whimsical and silly and.... Guys
Please
This is your sign to listen
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gollancz · 6 months
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We are thrilled and delighted to reveal the cover for HIGH VAULTAGE, the first novel from @victoriocity, coming in 2024.
1887. London, but not as you know it. The sprawling, chaotic metropolis of Even Greater London spreads across the southern half of England. The immense Tower casts electricity through the sky, powering the mind-boggling mechanisms of the city. The engineer-army of Isambard Kingdom Brunel swarms across the capital, building, demolishing, and rebuilding whatever they see fit. Queen Victoria is recovering nicely from her eleventh assassination, ruling with the dignity that comes from striking terror into anyone who sees the unholy union of human and machine that one has become. And at the heart of all this sits the country's first Private Investigation Agency. Archibald Fleet (formerly of Scotland Yard, currently administratively deceased) and Clara Entwhistle (formerly of Harrogate, currently intermittent crime journalist) hoped things would pick up quickly for their new enterprise. No-one is taking them seriously, but their break will come soon. Definitely. Probably. Meanwhile, police are baffled by a series of impossible bank robberies. With no trace left of the thieves, and nothing to connect each break-in to the next, their resources are absorbed by the case. Which means that when a woman witnesses a kidnapping, Fleet-Entwhistle Private Investigations is the only place she can turn for help. They're more than happy to oblige! But why would this man be a target for kidnappers? As Clara and Fleet dig into the mystery, things go deeper than they could ever have anticipated . . .
Pre-order here!
Can't wait until next year? Check out the phenomenal, hilarious podcast.
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