Ooooh WIP Wednesday?

✨ for Rodney Raises Torren - sooo intrigued by the title!

WIP Wednesday!

ooh boy this is a sad but good one, i got the idea for this when watching search and rescue and rodney freaked about the complications of child birth, and i thought "well, what if...?" i'm taking your star to mean number 1 so i'm adding my favourite scene that i've written so far that's actually a bit from super late into the fic

✨ - Rodney Raises Torren

"John! Ronon! Guys, holy shit!" Rodney's voice crackled to life through John's radio, and he immediately started running towards their quarters.

"Rodney, what's wrong? Is Torren okay?"

"He's walking! All on his own, he's walking!! You need to get here right now, hurry up!" The anxiety that was rising in John was instantly replaced with pride and excitement, and he ran even faster. Ronon rounded the corner at the same time as him and they grinned at each other as they ran the rest of the way to their room.

"You're doing so good buddy, look at you go!"

John watched Torren with wide eyes, tears welling up as he watched their little boy take a few hesitant steps before finding his confidence and taking two big steps towards Rodney, who grabbed Torren right before he fell forwards.

you're grabbing lunch with a nice man and he gives you that strange grimace-smile that's popular right now; an almost sardonic "twist" of his mouth while he looks literally down on you. it looks like he practiced the move as he leans back, arms folded. he just finished reciting the details of NFTs to you and explaining Oppenheimer even though he only watched a youtube about it and hasn't actually seen it. you are at the bottom of your wine glass.

you ask the man across from you if he has siblings, desperately looking for a topic. literally anything else.

he says i don't like small talk. and then he smiles again, watching you.

a few years ago, you probably would have said you're above celebrity gossip, but honestly, you've been kind of enjoying the dumb shit of it these days. with the rest of the earth burning, there's something familiar and banal about dragging ariana grande through the mud. you think about jeanette mccurdy, who has often times gently warned the world she's not as nice as she appears. you liked i'm glad my mom died but it made you cry a lot.

he doesn't like small talk, figure out something to say.

you want to talk about responsibility, and how ariana grande is only like 6 days older than you are - which means she just turned 30 and still dresses and acts like a 13 year old, but like sexy. there's something in there about the whole thing - about insecurity, and never growing up, and being sexualized from a young age.

people have been saying that gay people are groomers. like, that's something that's come back into the public. you have even said yourself that it's just ... easier to date men sometimes. you would identify as whatever the opposite of "heteroflexible" is, but here you are again, across from a man. you like every woman, and 3 people on tv. and not this guy. but you're trying. your mother is worried about you. she thinks it's not okay you're single. and honestly this guy was better before you met, back when you were just texting.

wait, shit. are you doing the same thing as ariana grande? are you looking for male validation in order to appease some internalized promise of heteronormativity? do you conform to the idea that your happiness must result in heterosexuality? do you believe that you can resolve your internal loneliness by being accepted into the patriarchy? is there a reason dating men is easier? why are you so scared of fucking it up with women? why don't you reach out to more of them? you have a good sense of humor and a big ol' brain, you could have done a better job at online dating.

also. jesus christ. why can't you just get a drink with somebody without your internal feminism meter pinging. although - in your favor (and judgement aside) in the case of your ariana grande deposition: you have been in enough therapy you probably wouldn't date anyone who had just broken up with their wife of many years (and who has a young child). you'd be like - maybe take some personal time before you begin this journey. like, grande has been on broadway, you'd think she would have heard of the plot of hamlet.

he leans forward and taps two fingers to the table. "i'm not, like an andrew tate guy," he's saying, "but i do think partnership is about two people knowing their place. i like order."

you knew it was going to be hard. being non-straight in any particular way is like, always hard. these days you kind of like answering the question what's your sexuality? with a shrug and a smile - it's fine - is your most common response. like they asked you how your life is going and not to reveal your identity. you like not being straight. you like kissing girls. some days you know you're into men, and sometimes you're sitting across from a man, and you're thinking about the power of compulsory heterosexuality. are you into men, or are you just into the safety that comes from being seen with them? after all, everyone knows you're failing in life unless you have a husband. it almost feels like a gradebook - people see "straight married" as being "all A's", and anything else even vaguely noncompliant as being ... like you dropped out of the school system. you cannot just ignore years of that kind of conditioning, of course you like attention from men.

"so let's talk boundaries." he orders more wine for you, gesturing with one hand like he's rousing an orchestra. sir, this is a fucking chain restaurant. "I am not gonna date someone who still has male friends. also, i don't care about your little friends, i care about me. whatever stupid girls night things - those are lower priority. if i want you there, you're there."

he wasn't like this over text, right? you wouldn't have been even in the building if he was like this. you squint at him. in another version of yourself, you'd be running. you'd just get up and go. that's what happens on the internet - people get annoyed, and they just leave. you are locked in place, almost frozen. you need to go to the bathroom and text someone to call you so you have an excuse, like it's rude to just-leave. like he already kind of owns you. rudeness implies a power paradigm, though. see, even your social anxiety allows the patriarchy to get to you.

you take a sip of the new glass of wine. maybe this will be a funny story. maybe you can write about it on your blog. maybe you can meet ariana grande and ask her if she just maybe needs to take some time to sit and think about her happiness and how she measures her own success.

is this settling down? is this all that's left in your dating pool? just accepting that someone will eventually love you, and you have to stop being picky about who "makes" you a wife?

you look down to your hand, clutching the knife.

I love Raph and haven’t said that enough so to be more specific I love that Raph is a soft boy who loves bear plushies, a gross boy who eats an assortment of things that are definitely better left alone, a smart boy who is more than capable of taking down villains through planning and fortitude alike, a strong boy who is dedicated to training his muscles and fighting prowess, a teenage boy who loves his brothers but is more than happy to tease and roughhouse with them, an angry boy who sometimes lets his anger take a hold of him to cover the fear, a gentle boy who is generous with hugs and affirmations to those he loves, a capable boy who takes on more than should ever be expected of a teenager, a good boy who just wants to be a hero and slowly comes to realize the cost of that duty, a good boy who has no reservations about putting himself in the way of harm coming to his family, a good boy who’s a great brother and son and person and deserves only the best the world has to offer.

This one is dedicated to @shirokokuro, who made a lifeguard AU fic to fill the void where there was none.

Read it here! It's great: https://archiveofourown.org/works/51598429

If I could hold you for a minute, Darling, I’d go through it again

For @edsbacktattoo & @stedesearring 💕 Show: Our Flag Means Death - Season 1 & 2 Music: Francesca by Hozier YouTube

It's interesting to think about how, to me at least, Dust and Killer are like mirror versions of each other.

One who joins a villain enthusiastically, jumps at the chance to leave his past behind and have a purpose again, and the other who has to be dragged in, would rather rot in the consequences of his own actions.

One who needs orders, needs the distraction and the action and the thrill, can't sit alone with his thoughts for too long lest he hear them clearly, and the other who can't bring himself to ignore the ghost over his shoulder, would rather sit in place and listen to his own self loathing parroted back at him than stand up and find a way to drown it out.

One who doesn't associate with his past anymore, that wasn't me and I wasn't him, and cannot stand the thought of going back from where he came, and the other who wants nothing more than to be his old self again but feels so strongly that he doesn't deserve to return to the life he tore down himself.

They both wear their new names like dog collars, but one is a gift given by someone else because he's theirs, he has somewhere he belongs that he's expected to return to, and the other is a choker tying him to a post, warning others of his danger while never allowing him to get out of arm's reach of his past.

And getting them both back-to-back while trying to understand mortals was probably enough to give Nightmare whiplash

AVATAR: THE LAST AIRBENDER

2.09 — Bitter Work || 3.12 — The Western Air Temple

Zuko experiencing the different and opposite sides of the water tribe people having "a deep sense of community and love that holds them together through anything" one after the other.

Shanks/Buggy dialogue from One Piece: Burning Blood

When they said “blend in with the crowd,” they didn’t mean that. | From this scene in Winter Soldier because I saw it again and had to recreate it with these two

Bonus:

Feat. Poppy forgetting that Ominis is blind

Small but significant character moments that I actually really adore are from both the times we see the boys as tots. There is a reoccurrence that happens in both of them that I find so incredibly interesting.

For the turtle tot short, Splinter leaves the boys with weapons. In the short, Raph is the one who suggests they do “what Lou Jitsu would do” and Leo is the one who takes point when Splinter comes back to reprimand them. Leo, in taking point, is the one to defend them and get Splinter off their tails.

And then, in the flashback regarding the Kuroi Yōroi helmet, Raph is the one who grabs and throws “Skully” as a way to replace their missing ball which breaks it into pieces, but Leo is the one who speaks for the group and rushes into action to fix the teapot.

I love this for multiple reasons, but the biggest are how it shows that Raph has always been inclined toward the bold and fun and making the plans to include his brothers in what he loves and believes they’d love, whereas Leo has always been inclined to be the “Face” of the group and shoulder the attention even if it’s potentially negative all while coming up with on the spot attempts to fix the situation.

I've seen so many fics where a) everyone knows about steddie before they do, b) a 3rd party gets them together because they're useless, c) put the idea into their heads to get together. But I'd love it to be the opposite, like everyone assumes that they're just good friends, that Steve has finally got a guy friend (that wasn't awkwardly dating his ex).

I'd love a relieved Robin, who's annoyed that Steve didn't tell her earlier, but glad beyond belief that she's not been replaced as 'best friend'. 'Thank God he's just your boyfriend, dingus.'

Give me a Nancy who's concerned at first that their break up was so traumatic that it 'turned' Steve gay, and she's then corrected and relieved (because she still loves Steve, just not like that).

Give me confused kids that are immediately grossed out (because it's them, not because they're both guys), but who were completely blindsided. Who gather to gossip and try and figure out if they should have seen the signs (which were so obvious in hind sight).

Worried Hopper, Joyce and Claudia, who are more concerned about Eddie's 'illegal extra curriculars' than anything else.

'I don't get it, Steve's such a good kid,'

'Well to be honest Jim, Eddie's never been anything but polite to me'

'because you're seeing his uncle, Claudia, he has to be nice to you!'

'I think you're being too harsh on the poor boy.'

'He's a drug dealer, Joyce!'

'He nearly died, Jim, and besides, the kids love him!'

In fact, the only people who know are Wayne and Argyle. Wayne, because Eddie has zero filter with him, and does not shut up about Steve at all, (but who's ecstatic that his boy is finally doing well and is happy).

And Argyle because he's just so removed from the situation that I (personally) find it hilarious that he'd clock them immediately. 'Good for you, brochachos!'

the end of ck is like, if you are a protagonist whose main character arc is being haunted by your dead brother and your friend has just recently developed powers allowing her to raise people from the dead, is it really a coincidence or is it just the doomed narrative coming for you?

on faith & skepticism.

To you (unfinished, off the top of my head) / (Coffee’s for Closers) / The Phonebook / disloyalorderofpete: October 7, 2007 / Patrick on “The ‘I’ In Lie” / (Coffee’s for Closers) / Believers Never Die Vol 1 + 2 covers / Patrick in a magazine interview / Cambridge English Dictionary’s definition of “true blue” / To you (unfinished, off the top of my head)

you will NEVER see anyone writing paragraphs after paragraphs hating on keefe like they do with sophie.

sleepy morning with the boys