The most dramatic action that Minkowski takes towards Eiffel in the finale (sending him back in the Sol) is going against Eiffel's choices in an attempt to prevent him coming to harm. In contrast, the most dramatic action that Hera takes towards Eiffel in the finale (the memory-wipe) is causing him to come to harm in order to enact a choice that he's made.
In a sense, these actions are conceptual opposites. But they are both taken with love and respect for Eiffel. They are both extremely selfless actions which Minkowski and Hera find painful to take.
They are also both actions which could be considered to be harming Eiffel. Both of these actions involve doing something to Eiffel that Minkowski/Hera would hate to have done to them. And both of those actions are taken with the awareness that they are fairly likely to result in losing Eiffel in a sense (either because he's headed back to Earth while Minkowski is on the Hephaestus, or because he's losing part of what makes him him). That's part of what makes those acts painful and complicated and significant.
Minkowski and Hera both care about Eiffel so deeply, and their care often expresses itself in contrasting ways because they are very different people. The finale emphasises these different manifestations of their care. Love can be 'I will do whatever I can to keep you safe, even when that's not what you want'. Love can also be 'I will support the choices that you make to bring about our common goal, even when that causes you harm'. The way Minkowski's care for Eiffel manifests is tied up in her sense of responsibility for her crew's safety. The way Hera's care for Eiffel manifests is linked to how she's had to fight for her own autonomy.
Neither of their actions in the finale are perfect or typical expressions of love, but in their very different ways, they both act with love, and that's important to me.
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advice i think we should tell children is that when adults say stuff like ‘now that i’m an adult i get really excited about stuff like coffee tables and bathrooms and rugs etc’ they don’t mean ‘and now i don’t care about blorbo and squimbus from my childhood tv shows anymore’ bc your average adult still loves all the same pop culture stuff they always did; they just have a greater appreciation for the mundane as well. growing up just means you can enjoy life twice as much now. you can get really excited about a new stuffed animal AND about a new kitchen sponge. peace and love
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i know nothing about youtuber whatsoever. every time someone talks about a popular youtuber it feels like theyre conjuring a dude from thin air. hearing about youtuber drama is like seeing everyone spontaneously pull a guy out of their hat and start beating him to death with hammers
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i used to be so good at writing strong, thoroughly-researched, thoroughly-edited essays.
as a kid in hs, my teacher literally came up to me, holding my 40 page essay on the intersection of the European witch hunts and capitalism/exploitation/gender roles (it was supposed to be 7 pages...whoops) and went like "this is literally a master's-degree level thesis. what are you doing?? you could literally use this as your final dissertation in a master's program, what the fuck."
NOW??? NOW?? you'd think I'd be oh so skilled. but alas. i can barely piece together two ideas. adhd skill-regression is so so real. im SOBBING
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can i say something. for years i thought the joke of the song short skirt/long jacket by cake was that he wanted a woman who was hung like a horse. like i thought when he says jacket it was a last-second fakeout because he very obviously meant to say cock. and the rest of the things in the song were just her personality and interests. which were secondary to her awesome penis
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I don't think I'm meant to be employed. It really cuts into my goofy silly haha time. and it makes it nearly impossible to have any wow life is beautiful let me take it in time.
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