Just rewatched the korean remake of Why R U and my goodness I forgot how smug Yugyeom was.

He sucks at showing how he feels openly, but shows so many obvious clues how he actually feels about Sunwoo the entire time.

Sunwoo is shocked and surprised at having taken home Yugyeom without even remembering- and meanwhile Yugyeom is happiness in human form.

Finally he was able to see how Sunwoo lives, get a glimpse of what he likes and how he makes amends with the little he has. Even took a shower and dried his hair as if he's been there loads of times. It seems so insignificant, but it's obviously so huge for him aka "progress" in getting closer to the other.

I'm obsessed with them again, help.

+ ✨Extra✨

I forgot how much I loved Yugyeom's gay yearning! He is so gone for this man someone save him.

I think it would really benefit people to internalize that mental illnesses are often chronic and not acute. Some of us will never be able to jump the hurdle of managing illness, much less sustaining a sense of normalcy. Many of us will never "recover," will never manage symptoms, will never even come close to appearing normal - and this is for any condition, even the ones labeled as "simple" disorders or "easy-to-manage" disorders.

It isn't a failure if you cannot manage your symptoms. It isn't a moral failure, and you aren't an awful person. You are human. There's only so much you can do before recognizing that you cannot lift the world. Give yourself the space to be ill because, functionally, you are.

There's something about reading really great writing that's so relaxing. You can just sit back and let the words wash over you, knowing that you can trust the writer.

Something that I need people to understand, especially on this hellsite. Is that oppression does not depend on who you actually are.

It depends on how the world sees you.

If the world sees you as X identity. They will treat you as X identity, whether you are or not. If the world sees that you are not X identity, but they can use the oppression of X identity as a cudgel to make you act the way they want you to? They will use it.

Oppression is NOT dependent on who you actually are. It depends on how the world sees you. It depends on how people see you and what they decide to put on you because of that.

Oh. And when someone experiences a form of oppression that is NOT based in the reality of who they are? It's still that kind of oppression. It's not "misdirected"- it is still that kind of oppression being leveraged to maintain the current social climate.

i hate cinemasins so much you would not believe

Remembering that Sigma really dislikes Nikolai, while Nikolai clearly doesn't. This duo really is something

Now that I have to see his face again, Bakugou isn't much a deuteragonist. He only really acts as deuteragonist in some school arcs until about halfway through the manga when the war arc begins. And in the arc where he is most relevant to the overall plot (the second war arc), he spends half of it as a corpse.

Shouto is deuteragonist of the Sports Festival Arc. Iida is deuteragonist of the Stain Arc. Mirio is the deuteragonist of the Shie Hassaikai Arc. If you consider Izuku the protagonist of the Kamino Arc (which there's a decent argument it's actually All Might), then Kirishima and/or Iida are closer to deuteragonists while Bakugou fulfills the role of the damsel in distress.

His record is dismal prior to the Paranormal Liberation Front War: The Battle Trials, the Midterms, Hero Licensing Exam/Deku vs Kacchan Part Two, and the Joint Training Arc (Endeavor Agency Arc is arguable, but the Hellish Todoroki Family took control of the plot for that one). Bakugou is somehow constantly present and almost completely irrelevant to the overarching plot for at least half the story.

And I can't tell if this is Horikoshi shoehorning him in because Bakugou was too popular but he didn't want to change the main beats of the story. Or if he was trying to make Bakugou grow into the deuteragonist role like Izuku and Shigaraki grow into the roles of "the hero" and "the villain" respectively. It wasn't well executed if that was the case. They had to grow into their societal roles through the story (so they could later overcome the roles of hero and villain), but Izuku and Shigaraki already fit the roles of protagonist and antagonist from the beginning, unlike Bakugou as a deuteragonist.

Fig's line "I don't think I'm an artist, I think I'm just a good friend" has not left my head at all. Just...

You're Fig Faeth and your horns came in over the summer and you pick up the bard class as a form of adolescent rock 'n' roll rebellion, and it works! It's exactly the outlet you need! You give a guy you just met drumsticks and you start a band and it's good enough that within a year and a half you're touring. You are, in every sense, good at being a bard.

And then, finally, your junior year, you start to take it seriously. Your art goes from an outlet and a form of rebellion to a practice. A discipline. (Can rebellion exist within a discipline?) Your classmates know what they want to do with their work. They all have a thesis statement. And yeah, there's cohesion in the music you make, but you've never had to think about why you make it. You've never sat down and dissected what it is about bass that speaks to you. You've never poured over your lyrics to pick at any deeper meaning. Why should you? You don't play music for a grand design, you do it to... huh, why do you do it?

(Your art is the one form of self-expression that feels as safe as Disguise Self does, because even if you're pouring your heart onto the page and then screaming it in front of thousands of people, it's not like you're really making yourself known. You can sing I'm lonely, I'm scared, I'm furious, and your fans will sing it right back, and there will still be the distance between performer and audience to keep your heart safe.)

Now you're being asked to look inward to explain the artistic choices you're making, and you can't help but recoil at that, because you'd rather do anything than look inward. Meanwhile, your classmates have no problem with it, so you start to wonder if you're a real artist at all. Can your art be authentic if it only exists to bolster a thesis statement? Has your art been unauthentic this whole time because you've never really thought about a thesis statement before? Is that what makes it art, and not just the next track on somebody's teen angst playlist?

You can't think about yourself— acknowledging your own existence makes you want to puke. So if your music is an extension of yourself, (and it is, even if it's just because the spotlight reveals only what you want it to,) you can't think about your music. You can't. You have to. Your grade depends on it.

You're Fig Faeth, and you keep multiclassing because you'd rather be a good friend than a great artist. If introspection is what great art demands, then fuck it. You must not be a bard at all.

Is there a cat in cannon who got a good death who you think didn't deserve it? Especially if they committed crimes?

Tom the Wifebeater and his redemption death. No question. It's not even close.

Not only do I reject to the "redemption death" on the grounds of it being Tom the Wifebeater who is bullying others until his dying breath, even taunting Thunder about Turtle Tail is dead and the kits must be very torn up about it, but I reject "redemption through death" entirely. I don't like it in stories. It's a theme I deeply object to.

And again it's fucking wild that every time a character is a father, even if they are a wifebeater or a child abuser, the writers think that it bestows a glimmer of goodness into them which every abused child is forced to appreciate and cry about. Breezepelt, Thunder, Tallstar, Tom's children, all of them forced to reconcile and admit how much they wuv their papa.

Abusive dads in WC regularly get redemption deaths, too. Clear Sky dies saving his grandchild, Sandgorse died saving a rando in a tunnel, Tom the Wifebeater saving his daughter.

But Tom the Wifebeater is the worst example of it. Hands down.

Anyone else just constantly confused about everything forever?

Send help.

Dude I know I'm deep into my Gale obsession when seeing people's dumbshit takes actually makes me angry. Someone on instagram called him easy and a gold digger??? How do you live with yourself.

I will never be over how at its core OFMD is about queer hope and joy in finding the strength to change and grow, specially during a stage in life/age at which the majority will say that you should be settled with who you are and what you're doing

From Stede falling in love with a man and finally realising he's queer, and embracing that with all the overwhelming joy that he can possibly embody, after years stuck in an unhappy marriage trying to force himself into a role that didn't fit him

To Ed finally falling in love with someone and using that as a catalyst for change to find out for himself what he wants to do and who he wants to be, after years of feeling like he was stuck in one place and treading water

To Izzy finally finding a safe community where he can try out new things and find new ways to express himself, after years of being so tightly wound up and repressed

To Anne & Mary stuck in a rut and unhappy but scared they're too old to change, burning down their old life so they can move on forward together and try something new

To Buttons doing the impossible and changing into a fucking bird

Doesn't it give you hope?

Doesn't it make you overwhelmed?

That no matter what age you're at and no matter how scared you are and no matter how impossible it seems, you can still grow, you can still change, you can still find your people and you can still discover new things about yourself.

That you don't need to figure out everything about yourself in your 20s. That you don't need to fall in love and start the perfect life by your 30s. That you don't need to know exactly who you are and how you're expected to spend your life by your 40s.

That you don't need to remain stuck in the box you put yourself into because that's what people dictated or because that's what was safest.

That you can always grow and change and try something new and it's never too late

You have the astounding ability to make me consider liking things that I previously did not. Cable and Wade. Shiklah and Wade. Johnny and Peter. I’m a stubborn Spideypool obsessor, I’m sure I’ve mentioned, so pat yourself on the head for being SUCH a stan that you’ve broken through my OTP walls and gotten me to glance at other ways for Wade and Peter to he happy and loved.

i think if you truly love a character then you want them to get some no matter where it comes from

hot take moment cwilbur is literally just psychotic as all hell and i think people got way too comfortable villianizing the shit out of a man who was clearly portraying signs of severe mental illness. cwilbur was like im so fucking paranoid and scared and i think everyone is out to get me and hurt me and ive spiralled to the point i cant reach out to the people closest to me because im so afraid and lost in this spiral and im having constant panic attacks and hurting myself because i dong know what to do with myself and the only way out for me is to die. and everybody was like EVIL MAN WHO ENJOYS HURTING OTHERS AND IS ABUSIVE ON PURPOSE AND A VILLAIN AND SHOULD NEVER BE TRUSTED AGAIN. and then he came back and was like im still deeply troubled and afraid but im desperately trying to make up for the wrongs i did in the past and the people i hurt in my own way and communication is really hard for me but i hope people know that im truely sorry and i love them. im going to try my hardest to fix this in the only way i know how and then respectfully remove myself from the situation because i feel thats the kindest thing i can do to the people ive hurt. and people were like ABUSER ABUSER ABUSER EVIL MAN ABUSER. like girl

Yeah no based true real no questions asked

I'd hope I manage to portray Wilbur the way he deserves in my content, cause that man is heavily bpd coded and he just needs therapy and someone who genuinely loves him but also can handle his bullshit (which has exclusively and reliably been Quackity like, canonically)

But yeah no completely agreed. The man has issues and has definitely fucked up a lot but at the end of the day he really does need love and care and patience, but also boundaries (and therapy and meds, obviously)

Writing Bruce feels like herding a wild cat to a door with a broom but the door it's a metaphor of 'not being an asshole'.

Me, trying to write Bruce being emotionally open and mature: He would not fucking say that.