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#but i'm like 80% sure this is what he's saying
turndecassette2 · 3 days
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Re: chainsaw man my personal take is that the first 80 chapters or so are some of the best manga I've read, but it falls off after that.
Anon cause I don't want people to blow me up for saying I don't think pt 2 is all that good either. Weird pacing, inconsistent arcs. I know not everyone agrees with me on that but it just lost me.
I would however say that fma is definitely worth picking up. Its not the darkest story ever but it deals with what I think are some serious subject matters and treats them with respect and gravity. I read it again recently and think it holds up incredibly well.
yeah I like the aesthetics of pt 2 but rn I'm not sure how I feel abt it. really appreciate fujimoto's dedication to always taking things in the direction you least expect, also hoping it will eventually add up to something that will maybe be more satisfying when read in one go the way I did pt 1. there's some cool stuff in there still so I'm hoping he manages to tie it up in a way that feels worthwhile.
(this is dumb since I know the chainsaw man manga is about the titular chainsaw man. but I liked it when pt 2 was all asa & just doing its own thing. not mad it went the way it went, but. also, edit: both parts of chainsaw man are still better than the weird comics I make)
re: dark, that's just me admitting I'm still driven by morbid curiosity like a teenager watching horror movies while their parents are away or something. but I'm fine with stuff that's wholesome, or a bit of both, I think the thing I really NEED in a work is for it to feel distinct & like, honest? hard to explain but I know it when I see it.
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mwebber · 1 year
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"For me, to give [Sebastian Vettel] charity at that point—of course, I would do now, I'm a different guy—but back then... I didn't do many charities, so."
Mark Webber, on the opening laps of Brazil 2012
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coockie8 · 2 months
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wait there are actually people out there who think roy would be completely 100% useless in a fight without his alchemy???????
I cannot even begin to express how much I desperately hope any and all posts I've seen that even remotely imply this are joking, because, unfortunately, yeah, some people do genuinely seem to believe that, and it drives me insane.
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ventiswampwater · 9 months
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Griffin Dunne as Jack Goodman
AN AMERICAN WEREWOLF IN LONDON (1981) dir. John Landis
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roobylavender · 9 days
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im really sorry if this question ends up being repetitive: but, if not for bruce’s over reliance on dick to regulate his thoughts and emotions, why would dick grow up into feeling like he needs to repress his emotions so much and his eagerness to act as people’s support? i know youve spoken about wolfman and his altering of their relationship but if ntt is generally an accurate portrayal of an adult dick, to me this nevertheless sounds like the consequences a parent-child relationship where the responsibilities are titled too much towards the child
i suppose this could also segue into asking for recs that would help me better understand your interpretation of their relationship 👀
not repetitive at all! to me the irony of wolfman's depiction of dick lies in that it is simultaneously something you can logically ascertain from prior canon but not for the reasons actually presented by wolfman. if that makes sense. he does extra work that isn't actually necessary to help explain why dick would act the way that he does because there's plenty of reasons for it without rewriting his history with bruce to have always been suppressed and edgy and dark. to me it makes far more sense to capitalize on the inevitable disconnect between bruce and dick as an adult and a child. batman: full circle is a good example of that dichotomy (and although it was published in the early 90s it built on mike w. barr's prior understanding of the relationship between dick and bruce that he wrote into the early 80s). bruce's primary concern for the people he works with is never standards or finesse but safety. he worries constantly about others coming to harm under his watch and with a child in particular those worries were exacerbated. he ran a tight ship not because he believed dick had anything to prove but because the only way dick could keep being robin was if he went about it safely. that was obv easy for an adult to understand. but not so much for a child
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to bruce these worries were practical and par for the course (as well as an expression of his love and protectiveness) but for dick their consequences formed the crux of his entire world. as a child he idolized everything about bruce. his heroism. his work ethic. his skill. his resolve. his preparedness. if dick couldn't live up to the standard he set for himself in idolizing bruce then what could he ever hope to amount to? that was the thought constantly going through his head. and it's why the bulk of his childhood and primary tenure as bruce's partner was so precariously protected by the fact that nothing bad ever really happened during it (and admittedly this framing is convenient because even chronologically speaking nothing very significant happened in their history with each other until dick left for university in 1969) (i know dixon opted to write that whole shtick with dent in his version of events but personally i never found it necessary to do so). there is enough there in the idea of dick working hard for the course of a decade to embody who he believed bruce to be that lends itself to it eventually being difficult for him to healthily express himself once the rift between them actually began to emerge
because what about bruce was there to actually see that was broken and dark before dick became an adult? i know a lot of dick fans hate batman #408 because they don't like that it enforced "retirement" upon dick (which i personally believe is a conclusion they come to because of the way batman #416 re-framed the same scene) but to me that's an inaccurate reading of the text. batman #408 was about bruce (admittedly far too belatedly) recognizing that he could not in good conscience continue to ask dick to go out and be a vigilante on what he considered to be his own "orders". he viewed dick's close call with death at the hands of the joker as something directly of his own making. although their tenure with each other had been wonderful if dick wanted to continue to be a vigilante it had to be on his own terms and of his own volition. obv that was logical to bruce and it was something dick managed to accept in the moment. but it's still hard to go from always having a purpose alongside someone you idolized to finally being entrusted entirely to forge your own
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in general i like the idea of dick the adult becoming privy to all of the personal problems and conflicts that come with being a vigilante. he was conveniently shielded from a lot of those problems as a child because all he had to do was be bruce's partner and hope to live up to the title. bruce had no reason to trauma dump on him or talk about his worries and concerns at length with him because it was never supposed to be dick's job to field those worries and concerns in the first place. he was a child. the only thing bruce wanted to do was to help channel his emotions through an outlet and provide him with a home to grow up in. but when you become an adult often that dynamic shifts. you're still not responsible for fielding those worries and concerns but you can perhaps be trusted with them. that's why i like the framing in batman #408 of dick now being a man. it's a subtle way to frame the double-edged sword of adulthood. the world is in your hands now but so will be the horrors that come with it. coming to terms with the real world that bruce lives in should be hard for dick. coming to terms with who bruce is when he's not perfect should be hard. coming to terms with how quietly bruce kept his grief because he did not see fit to overwhelm a child with it should be hard. that dichotomy of dick both wanting to be bruce's brother and his son should form the crux of their conflict with each other because you can't hope to be someone's equal and someone's protected at the same time in that kind of relationship. for dick to transition into the position of equal he has to expose himself to the fact that bruce is not in fact an idol but someone irrevocably human. and that should interfere significantly with his head and his own standards for himself
#all of this to say. i don't think it's so much about pre-ntt canon directly predicating ntt-dick's characterization#like it's not these events happened in the 60s and 70s so that's why he acts this way in the 80s#it's more the opposite. because these things Didn't happen in the 60s and 70s. that's why being on his own in the 80s is hard#dick wants so badly to be bruce's equal and an adult and a leader and someone trusted by others#but those are all things easier said than done. and the worst tragedy of it is that the bruce dick knows from childhood#is not the bruce he knows in adulthood. they are from the same person. but they are still different#because there are things dick is allowed to see as an adult that bruce spared him from when he was a child#and on one hand that was the right thing to do. but on the other hand it's devastating. because dick obv doesn't know how to cope#how do you cope with the fact that your decade-long idol is not in fact what you made him up to be#(and the thing is it's not that bruce isn't what dick made him up to be) (it's that he's also other things)#(he's sad. he's guilty. he's exhausted. sometimes he doesn't know how to go on)#reconciling with those realities should be unbearable for dick. because being robin has given him so much purpose#and while being batman gives bruce purpose too there are also so many times where he absolutely bends under the weight of it#and that sight should be frightening to dick#that's why i really like knightfall. or the potential of it because i mean prodigal did not deal with the aftermath of it#in a way that i liked at all. it was quite underwhelming#and then you guys obv know my issues with the framing of dick's reaction to jason's death and his conversation with bruce there#but the idea of dick needing to cope with bruce being a human capable of breaking under his own imposed duties is impt#and so my reading of their relationship is less about things written explicitly in text and more about drawing logical inferences#idk. i feel like i am all over the place i'm not sure if this sufficiently answers your question i'm sorryjgfkldghf#outbox
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apricote · 8 months
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im taking a deal with raphael to free orpheus, i will probably regret it, but the emperor just gives me bad vibes and he wants me to become mind flayer so bad and i don't love that
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moonfromearth · 7 months
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- I didn't get this ripped just to die with a bunch of dorks. I'll fight my way out if I have to.
Day 2 - The Jock
"A douche. They're arrogant, irresponsible, and usually on of the ones to die first."
from @windbrook's Slashed Challenge.
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ay-asterisms · 2 years
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I think this guy had ulterior motives beside a nice friendly conversation because I am sitting here alone and obligated to stay, watching the door for an anime from the 80s no one is watching because it's the end of the day, and this dude takes the chair right next to me, "because it's better to watch something with company"
anyways he left after a 20 minute conversation, seconds after finding out I'm a minor
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quatregats · 1 year
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Actually deeply disappointed that I don't know enough about cricket to make The Creative Endeavor a cricket AU, this sport is perfectly designed for being completely and utterly incomprehensible to people who Don't Know What The Words Mean
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so like. fnaf movie. after night five, all outside observers know is "this 30yo guy with severe anger issues + his 10yo mentally ill sister just walked out of his collapsing workplace with an unconscious, stabbed police officer, saying that someone inside the building tried to kill them but we can't get into the building to check. we went to their house and the aunt who was fighting for custody of the child is dead on the floor. the guy's career counselor is missing, as is his babysitter and her family and apparently they're all dead in the building we can't get into." and like. that all looks suspicious as FUCK however we know that in the few-weeks timeskip both mike and abby seem happy and fine so it's not like mike was arrested or anything. he seems to be more adjusted and is happily talking with her teacher so i doubt he's under stress of interrogation or anything
there's a lot of implications there that mike mighta pulled something but it's all circumstantial evidence at best. i'm sure in jane's autopsy and crime scene evidence they couldn't find any evidence of mike being the one to attack her, esp since it was probably just golden freddy bopping her in the head so they dont even have the weapon, and if she was strangled they'd be able to tell it wasn't by bare hands and they couldnt get prints or anyth. especially if golden freddy is a FULL ghost and thus left no trail.
mike would be smart enough to only tell the cops what they need to know without mentioning ghosts to sound crazy. abby might be more honest with the cops just bc of #autism but they'd be more likely to consider her talking about ghosts and imaginary friends as a child's way of coping, and they cant get anything out of her that would incriminate mike. ADD TO THAT that mike has wounds that are clearly defensive and is SUPER banged up and his wounds would likely match his story way better than evidence of him attacking anyone, AND that there's likely footage and witnesses of him being in the pharmacy and then driving to work (and thus not in the area to attack jane), AND if/when nessie wakes up she'll probably vouch for mike as well, and the cops dont have anything on him
though i DO wonder if they would have records of vanessa patching him up in the police outpost. if they do, that would also back up mike's story as it's 1) far away from the aunt jane crime scene, 2) confirms that he and vanessa were working together, so either she's complicit in Crime™ or his story is accurate and she was helping him save his sister. him going to defend her instead of calling backup is also consistent with his personality of getting triggered and jumping into action around child abduction, esp w/ his sibling in danger
considering what abby would probably say, AND the history of freddy's, it's likely that they would come to the conclusion of is "someone [likely the og kidnapper from the 80s] found out that the guy working at freddy's had a sister, kidnapped abby from her house while her aunt was babysitting and tried to recreate the crimes, his story of him and vanessa defending her and escaping vaguely checks out." whether or not mike would incriminate vanessa by mentioning her dad was the killer is up in the air, and there's obviously some huge holes that are left from nobody believing that there are ghosts in the building but that would probably be the eventual conclusion
but throwing that all away, it would be really, REALLY funny if the rest of the town, being really fuckin nosy and getting into the juiciest gossip they've had in decades, took one look at michael "big teddy bear falling asleep on himself" schmidt and said "there's no way. there's no way this guy murdered his aunt, stabbed an officer and then destroyed his own workplace, especially when he really needed that job and was on sleeping medication," and then turned around to look at abby "neurodivergent in the early 2000s (ableist af time period)" "vocally hates her aunt" "doesn't talk to anyone and claims that she can see ghosts" "vaguely possessive of her brother" "claims that she found the guy who hurt her friends and got him jumped by a cupcake(?)" schmidt and said "oh my god. it was her."
and nobody's gonna directly say anything but they've got cautious eyes on the situation and someone quietly slips mike a copy of the bad seed to see if he has a realization but instead he's just like "hey this book kinda reminds of that golden freddy kid lmao. wonder how he's doin" and then we smashcut to golden freddy kid poking springtrap with a stick
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ode2rin · 7 months
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there sure is never a dull day in your life ever since you somehow bumped your head somewhere and decided to marry gojo satoru.
he was, without a doubt, the most dramatic man you'd ever known.
“why aren’t you obsessed with me?”
and here he goes again making your marriage life comically interesting from his never-ending theatrics that you can’t help but adore. 
he isn’t gojo satoru if he wasn’t dramatic, after all.  it was all part of the deal, one you gladly accepted, promising to be by his side in sickness and in health.
“good morning to you, too, baby,” you responded, a smile tugging at your lips. “what’s got you worked up this early?”
leaning against the bathroom door frame, his eyes fixed on you as you diligently performed your morning skincare routine. sunlight streamed through the window, casting a soft, warm glow, making your features radiant as you applied your cleanser. and for a moment of sight, he got too lost in your beauty and almost forgot his plan of interrogation. 
but still, he needs to get to the bottom of this. “listen, i’m not looking for an argument, just understanding.” 
“okay, then,” you said, still attending to your skincare routine. “let’s hear this seeking of understanding.”
gojo’s gaze remained fixed on you as he considered his words carefully, “why aren't you obsessed with me like how i'm obsessed with you?”
“i’m in love with you.” you replied instantly, without a second in waste. because that’s how it has always been, loving gojo satoru and declaring it to the world was as easy as breathing.
you threw a side glance to your lover only to be met with glassy sky blue eyes looking at you and a pout telling you it wasn’t the right answer to the question.
“but you’re not obsessed with me,” he mumbles. “while i think about you every single minute of the day – in my sleep, in my lunch – i think about you, and i don’t think you think about me at all.”
“and where could this be coming from?”
“i was gone for 13 hours, and you only called me once. once, baby. do you even care about me?”
you attempt to explain, “you were on a mission—”
“i could have an injury,” he interjects, “i could have bumped my head somewhere, had amnesia, and forgotten about you.”
you couldn’t help but laugh at the possibilities he laid out just because you only called him once. finishing your skincare with a swift application of lip balm, you make your way to your lover, who is now resting his left temple against the doorjamb while earnestly watching you with the same look in his eyes from when you walked down the aisle.
“i think that’s fairly impossible, though,” you muse. your hands naturally find their way to his neck. “my husband is the strongest.”
strongest in the eyes of sorcerers and curses, perhaps, he is. but here? with you pressed close to him like this? he was nothing of any sort the strongest.
“what your husband right now is not the strongest but an unloved husband who couldn’t get his partner to call him to check on him,” he teases, putting great stress on ‘your’ because he was, in fact, yours.
“aw, must have been hard for him, huh?” you coo, going along with his teasing, “what can i possibly do to make up for it?”
“you can start with a kiss here,” he gestures to his lips, and you gladly oblige with a soft peck.
“too easy. what’s the next step?”
“and i want you to be obsessed with me. call me multiple times a day. text me. email me if you want.”
“okay, done. do you want me to write you a letter as well, like we’re in the '80s?” you sarcastically replied.
“sure, i’d love that,” he says with a chuckle before pulling you close enough to rest your head in the crook of his neck, his jaw resting on your temple as he caresses your back.
you closed your eyes, finding comfort in his warmth, and relishing every soft little kiss planted on your temple, until you felt his head drop onto your shoulder.
“i think about you every second of the day,” he whispers right in your ear.
jokes of being obsessed with you aside, it was truly a confession.
you could be beside gojo, peacefully slumbering, and there would always be that wave of need threading in his chest to be closer to you.
and behind his theatrics, none of his words held any bite of hoax. because after all these years, it still wouldn't sink in to him that there was someone who could take him for a husband.
but you're here – waking up next to him, doing your skincare next to his own set of toiletries, roaming around the house wearing his shirt, gracing the quiet corners of his soul with your laughter.
you're here, and it's everything and more that truly matters.
as you reach to cradle his face in your palms, you feel a squeeze in your chest from how he closes his eyes as if melting in your touch.
“even after all this time? you might get sick of me, my love.” you ask, a smile so evident behind.
“never,” he declares against your lips, a boyish curl of his lips slowly showing. “you, on the other hand, might get sick of me soon. seeing that you couldn't even call me twice after those long hours i wasn't home.”
you playfully roll your eyes at his accusation, of course he wouldn't let it off that easy. “i promise to call you twice and text you as much as i can. how's that sound now?” you hum.
“promise?”
“i promise,” you assure, sealing it with a kiss on the tip of his nose,  “and what do you mean, get sick of you? that’s nonsense. i told you right? it’s you for me.”
you for me. oh, how he likes the thought. sheepishly, he whispers in question, “even after all this time?”
“until the end of time, toru.”
until the end of time. oh, heaven and earth, how he loves the thought.
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note. i miss him... terribly, i'm afraid. btw, here's a payback for all the angst..
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bootlegspiders · 1 month
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Hey, so for Watcher fans who may not wanna pay for another subscription or just wanna watch something new here are some other youtubers you should take a look at if you want to get a spook or learn some history
(* = potentially triggering topics covered usually associated with crimes, so be careful)
Ghost Hunting and general spooky vibes:
AmysCrypt - Your typical ghost hunting show with two Australians traveling the world, though I will say they do go to places I've never heard of before and they do very good research. And there are some goofs along with the spooks.
The Ouija Brothers - Two British dudes finding ghosts in England. The vibes are generally pretty chill and it's a good time
The Paranormal Scholar - A mixed bag of all paranormal happenings from ghosts to demons to cryptids and aliens. Sort of an overview to deepdives on various paranormal occurrences. The research is immaculate and their voice is very soothing in my opinion.
Paranormal Quest - Ghost hunting in the US, sometimes goofy sometimes serious, but they do go to some interesting places and some familiar ones too
Weird History:
ObsoleteOddity* - This guy is great, like 80% of the things he covers I've never heard of before. Very atmospheric, fun little visuals, and a large variety of weird events and people for topics.
Georgia Marie* - A little bit of everything, but she focuses on strange things that have happened, lgbt history, true crime, and historical disasters. She covers enough of everything that I'm sure you'll find something
Stefanie Valentine* - I'm not sure if she even posts anymore, but I thought what she was doing was great. Think Vampira or Elvira but for older true crime and ghost stories, I think the latest covered would have been like early 1900s. Idk I just thought it was like a cute spooky lil storytime
Caitlin Doughty or Ask A Mortician* - Pretty sure y'all would know who she is but just in case, she's a mortician who covers topics relating to death! From odd ways people have died, or odd things that have happened to people after they've died. And just odd or tragic things that have happened through history. It's silly, but done with levity and care and respect the topics deserve.
General History:
Part-Time Explorer - Mostly history on ships and ghost towns with the occasional train. Lots of research and interviews, very well done and worth checking out even if it may not be your thing.
History's Forgotten People - Talks about sometimes obscure, or sometimes not, historical individuals. Even if you've heard of the person in the topic, they'll talk on something obscure about that person.
History Tea Time with Lindsay Holiday - A heavy focus on royalty around the world, a generally upbeat dive into historic individuals.
(Or you could always go watch time team, that's an option and it's my guilty pleasure love me some archeology)
True Crime:
There are so many out there, so I'll just recommend two of my favorites
Gabulosis* - She focuses on vintage cases 20 years or older (literally in her opener) and is well researched and respectful. Another one that talks on cases I've never heard of that deserve to be heard.
Mysterious WV* - True crime and missing persons based in the West Virginia area and neighboring states. Idk how to even explain the vibes. This guy is just great please watch him trust me you won't be disappointed.
That's all for now, feel free to add your own recs out there!
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ozzgin · 2 months
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Yandere! Werewolf Headcanons
I've been stalked by the guilty feeling that my Romanian Werewolf boy got a lot of backstory but not much romance or interaction. So there you have it: some headcanons featuring the ancient Beast, a post-kidnapping sequel.
Content: female reader, obsessive behavior, monster romance, mild NSFW at the end, ridiculously older yandere
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You followed the gargantuan stranger back into the city, leaving the bloodbath behind as if it was just a distant dream. Admittedly, you’d expected to be dragged into some mountainous cave or an abandoned mansion, not the cozy - albeit a little dusty - apartment on a main, historical street. On second thought, he did function as a human outside of his monstrous escapades, so it made sense. “Is this your place?”, you sheepishly asked while he wiped the thick layers of blood off him. “One of them, yes”, he answered curtly. “It’s central”, you remarked, trying to make conversation. “Well, I didn’t know about it back then. It’s been a few decades.”
Your ears perked up at the words. Gazing at his features, he didn’t seem necessarily aged to you. The deep creases contouring his face felt more like a sign that he’s lived sorrows beyond most people’s comprehension. “How old are you?” You finally asked as curiosity replaced your initial fear. He abruptly stopped his movements and leaned back, brows furrowed in deep contemplation. “I’m not so sure anymore. I was born in the 80s”, he concluded. “That’s not too far back, is it?” You inquired, this time more relaxed. “80 BC, I meant. You do the math.”
He freshened himself up as you counted the millennia on your fingers, frowning in confusion. He chuckled at your intense focus, then quickly looked up into the mirror. When was the last time he smiled like this? The reflection was a foreign sight to him. “We’ll get you everything you need tomorrow”, he continued, still in a daze. What a strange idea, having someone to speak to after an eternity. And suddenly, it occurred to him just how rusted his communication had gotten: “I’m so sorry, I haven’t asked for your name once”, he said, embarrassed. “It’s (Y/N). And you are...?" Might as well introduce yourself to your benevolent captor.
The dreaded question. How did they call him back in the day? He hasn't had anyone spell it out for him, nor did he feel the need at any point to say it himself. Why would he? He hadn't anticipated meeting you. With pursed lips, he searched his mind. Eventually, from the depths or memories, from days of yore, it made its way back: "Daos."
Given your first gory encounter (where he quite literally murdered everyone else), you were surprised to find out he's otherwise a calm and polite individual. Well, he's had centuries to mature, you suppose. You've also noticed he has that rather old-fashioned chivalry to him. He's very attentive despite his stoic demeanor, and often follows with acts of service.
"You're insulting me. I can carry this myself with ease", you'll argue. "I never doubted you can. Nonetheless, it is my wish to do it for you."
As the days pass, your reluctance seems to vanish as well. In fact, you've become particularly cheeky, encouraged by his warm, unperturbed behavior. Maybe you haven't gotten the worst deal out there, after all.
"You know, you talk like an old man", you've teased him once. He was visibly taken aback by your statement, and you could discern a faint blush on his face. "Do I? My apologies, I haven't spoken to anyone in a long time. I'm not familiar with modern speech. Have I embarrassed you somehow?"
He spends his free time reading, though he will frequently take you on walks. It's an interesting affair to say the least. You can feel the curious eyes of the passersby and hear their not-so-discreet whispered gossip. You can't truly blame them: Daos is enormous even as a human. He towers above everyone else with his imposing appearance. To match, his voice is deep and coarse as a result of not using it much until recently.
The ancient werewolf is a living history book. If asked, he will narrate to you important events or details you might be curious about regarding his culture. Once, when he'd been in a good mood, he even shared fragments of his life before turning into a creature. He'd been a high-ranked Dacian warrior, spending his days training or fighting. He still remembers the flag he carried with bitter fondness, yet another irony to his fate: a wolf-headed serpent. It was meant to showcase their way of life; barbarians with no fear of death. They'd greeted the Roman Empire with nothing but a sword and a shield, no shred of doubt.
He might've been betrayed by his people, but the pride remains. The pride of a soldier who's never known defeat. You learned quickly that his beastly form doesn't count as a significant change by any means, save for appearances. The man has brute strength even as a human. You'd once strayed from his view, and a stranger approached with a daring whistle, gawking you up and down. Before you could react, Daos clawed him by the throat. You heard the twist of the skin and the creak of the bones giving in to the immense pressure of his large hand.
"It's the second time I have exposed you to such unpleasant sights", he said, discarding the body as if it was any other garbage. "Forgive me, but I will not have you disrespected like this."
He is very much aware he's taken you away from the world out of his own selfish desire. The fact that you accepted it is more than he could ever ask for. That's what he keeps telling himself, even as his eyes wander to your lips whenever you speak. Or as his hand lingers a moment too long against the curve of your back. Or as he hungrily takes in your scent whenever you're nearby.
He might be unhealthily possessive of you, but Daos will never do anything against your will. No matter how obvious his urges are. In fact, no amount of flirting or teasing will shake his resolve. You will have to be very direct with your approval.
Once the reality settles in, he'll become extremely affectionate, bordering on obsessive. To think he could have you in every way possible. Oh, he's waited thousands of years for you. All the suffering, the loneliness, the anger, they're stripped of any meaning now that he has you.
The city strolls at an awkward distance have since become a habitual excuse to hold your hand and show you off to the mortals. The quiet evenings of passing time with a book now include your merely noticeable weight cuddled into his lap. You didn't expect him to be this adoring. Being touch-starved for millennia counts as one reason, naturally, but there's more to it, so much more. And it all leads back to you.
He is a little taken aback when you ask him to do the deed in his werewolf form. "Don't be foolish. I can't overcome my instincts as well when I'm a creature. I could harm you", he'll lecture you. "Besides, you can barely take it as it currently is", he'll add, smirking at your baffled expression. It seems he's picked up on your cheekiness.
After a lot of pleading and waiting for the right moment - when he's ravaging you in a daze - he finally agrees. True to his word, his tune instantly changes. The tender hold turns into a desperate grasp sinking into your skin, and the thrusts become irregular, almost frantic. His drool cools your burning cheeks as you hold onto the coarse fur, feverish and overwhelmed.
His golden eyes rest on the small human squirming underneath him, and suddenly, he can't help but notice: you have the perfect birthing hips.
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microclown · 5 months
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I was rewatching s1e3 and something finally clicked for me..
Please forgive me if this seems obvious to you. It helps me to type out my thoughts, but I'm sure I'm just an idiot and no one else needs this explained to them, lol. That said - I was always slightly confused by the emotional weight of the holy water arc during the flashback sequence. Particularly I was confused by how angry Crowley got when Aziraphale referred to their relationship as fraternizing in the 1862 fight. I mean, "to associate or form a friendship with someone, especially when one is not supposed to" is exactly what they are doing, right? So why the 80 year breakup?
Crowley says he wants the holy water for if "it" all goes pear shaped. The phrasing is necessarily vague, and could mean lots of things. Since I know what he eventually uses it for, I was thinking about it in the context of Armageddon, or maybe more generally and vaguely about Crowley not always choosing to go along with Hell, and associating with Aziraphale. But there was not much reason for Crowley to already be thinking about Armageddon back then.
As we know from the full diary entry Neil posted, the timeline of the Edinburgh entry, and the cut bookshop opening scene, it seems like Crowley and Aziraphale were spending A LOT of time together by the 1800's. When Crowley is pulled back down to Hell in 1827, he learns that Hell is paying more attention to him than he'd previously thought. Crowley realizes at this point that spending so much time with Aziraphale is actively putting him in real danger. He recognizes that, and instead of breaking things off, or seeing Aziraphale less, he doubles down. If this relationship is dangerous, then he wants the tools to fight for it.
That's what I think I didn't get about the holy water request. It's not just general insurance, it's specifically insurance for if Hell finds out about him and Aziraphale. It's also a super vulnerable request because in making it, Crowley is openly acknowledging how important their relationship is to him. Aziraphale casually brings up the arrangement at the beginning of the conversation, and that's part of it, right? Because the whole basis of their relationship is the arrangement. It continues to be the pretense under which they meet, despite the relationship clearly having developed beyond that. And the arrangement, as Crowley proposed it in 537, is born out of convenience, and the assumption that Heaven and Hell would never notice anyway.
Crowley's request for insurance breaks that facade. He's acknowledging that it's not convenient, or safe, but he wants to do it anyway, despite the risk.
Aziraphale, on the other hand, is not ready for the screen to be taken away so abruptly. To make it worse, he assumes Crowley wants the holy water as an escape, rather than a weapon. Suddenly he is confronted with both the danger their association poses, and the idea that Crowley might choose to take his own life. He can't imagine the guilt of being directly responsible for the latter.
I also think the strength of his own emotional response to the thought of losing Crowley catches Aziraphale off guard. He hasn't admitted to himself how much he actually cares, and it scares him. Worrying about Heaven is more comfortable and familiar, so he falls back on that and switches to "If they knew I'd been... fraternizing!"
But bringing up the threat of Heaven reads to Crowley as Aziraphale saying "You may be willing to put yourself at risk for the sake of our relationship, but I am not." The word choice of "fraternizing" comes off as a dismissive and demeaning way to describe a relationship that Crowley just admitted he would risk his life for.
It's an unintentionally deep cut when Crowley is already at his most vulnerable, and so he lashes out. As far as we've seen, this is possibly the first time Crowley has truly lashed out at Aziraphale. So yeah, 80 year breakup makes sense!
And what makes this so much worse is what happens next. Crowley reaches out again in 1941 with a dramatic gesture (rescuing Aziraphale from the Nazis, saving his books). It's clear they've missed each other. They don't discuss the fight, but it's there subtextually. Aziraphale, tentatively and thrillingly, refers to them as friends, for the first time ever. He tells Crowley that he trusts him.
And then, that very same night their worst fears are confirmed. Just when they've finally reconciled a fight over the dangers of their relationship, and just when Aziraphale has finally admitted that it is not a relationship of convenience, but genuine friendship, they are exposed. Crowley is going to face punishment from Hell, explicitly for being Aziraphale's "trusted confident", and he doesn't have insurance. If Aziraphale's trick hadn't succeeded, Crowley would have had no way to protect himself.
idk it just makes me feel things ok
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damianbugs · 2 months
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comics are in and of itself, an unreliable narrator.
i say this because i started my comic journey with jason todd. i read all his robin appearances, pre and post crisis, then read hush and under the red hood, and all i could think about was what the fuck. what the fuck batman. how did you become this. what happened between 1988 and 2006. how did the the man who's life revolved around caring for this child, teaching this child, learning from this child, protecting this child, losing this child — become hurting him.
it was so baffling to me i found myself slipping into the batman shaped void that many never return from (lol). and so now, i have read over 1500 batman comics, over 300 different writers, spanning over 80 years of publication. i finally get to what happened between 1988 and 2006, and how batman as a character has become as unrecognisable as he has remained familiar. i see the events of alpod, knightfall, cataclysm, no man's land, the 200 individual batman issues and 200 individual detective comics issues alone that had passed, not taking into account the the other long runs, mini runs, short stories or collaborative comics that were released in those 18 years. the people he had met, lost, been betrayed by, abandoned in those stories.
it has only been about 5 years since jason todd died for bruce wayne. 5 years that have felt like two decades.
it has only been around 4 years for jason since he climbed his way out of his grave. 4 years that felt like less than three.
so when reading as jason, i felt betrayed. how could batman do this? how can't he see? he knows how i would have mourned him, he knows how fiercely i love him, how all i want is for him to prove he ever loved me the same way. how can he not change after all these years? how is he not aware that he is not the change gotham needs? (how does he not see that he is what i need — needed.) how will he save gotham? he can't. he can't save gotham. he can't save me. but i can. i can fix it.
then i read as bruce and i am betrayed. who is this? why does he doubt how much i loved him? what changed? why did he change? (am i the one who changed? no, surely not.) after everything, the people i have hurt, the people i have lost, the people i have sacrificed for gotham, how can he doubt? he would have never asked me to do this before, he understood, i'm sure he did, before. i won't choose. i can't choose. where is my son. where am i. i can't save gotham. i can't save you. but i can fix it. i can fix you.
they're both wrong.
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undreaming-fanfiction · 3 months
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Okay, so vampire Eddie is a pretty standard trope at this point, but may I offer...Twilight vampire Eddie who is absolutely pissed off about his sparkly existence?
Eddie actually isn't that old, he was turned in the 80s when he was around 20. He lives with his small and not only vampire family. There's patriarch Wayne, his partner Scott who always becomes a teacher no matter where they move, Claudia Henderson and her son that have been with them ever since Scott noticed Dustin being unusually quiet in his class and soon after, Wayne kicked out his abusive father.
The problem with living with a smart man who loves educating people and a man who never received the education he deserved is - they take school really, really seriously. Whenever they move, Eddie usually has to re-join high school, it's all "just so that you have some socialization! Also we need to be able to blend in, so look around and see what's normal with young people! Also I'm pretty sure some of the stuff we know is now obsolete or disproven, so make sure to tell us!". And Eddie loves Wayne and Scott, he really does, but he had trouble blending in even when he was alive, so now? Impossible. As for gathering information, Eddie has been trying for decades to explain to Wayne that even if becoming a vampire healed the wounds from the lynching mob, it didn't do shit for his ADHD, so there. Wayne finds Eddie banging his head into a desk one day and chanting "WHAT-THE-FUCK-IS-TIK-TOK?!"
So yes, Eddie hates being a forever highschooler, but it also means he can run DnD clubs everywhere he joins and he's not even lynched for it like in the 80s, so hey, progress! He gets mostly content with his existence, except that he's fucking sparkly and can't turn into a bat, so what's the point?!
But then a huge group of people moves from the close town of Hawkins, they had a really fucked up earthquake - Wayne told him all about it, he often volunteered in rescue and high risk works, and he's never seen anything like it - and their little town becomes way more crowded. There are high school freshmen just begging to be introduced to his club, Hellfire, although one of them is scary observant and Eddie is really sure that Jane knows he's a vampire.
And then there's Steve Harrington. A young man with the prettiest hair ever who joined Eddie's class, apparently he needs to repeat the last year too because if your school burns down, you can't take final exams. He's stupidly pretty, snarky, bitchy, and even though he could be partying day and night and spending the rest of his time on dates, he prefers to hang around with the freshmen. Lucas tells him one day that Steve got badly hurt when he was digging through the collapsed middle school, finding and rescuing their whole group, and well...Eddie respects that. Dustin absolutely loves Steve and maybe Eddie feels a bit jealous, but he has to admit - the guy is cool.
The problem with Steve Harrington is this - he's seen so much shit that nothing really fazes him. Eddie loves shocking people. Steve is unshockable. It becomes their little game, they get close, Eddie realizes he has an embarrassing crush, all that jazz. He tries dropping hints, he slurps his bloody lunch from a bottle that has a "THIS IS DEFINITELY TOMATO JUICE AND NOTHING ELSE". He wears a cape. He adopts a horrible Dracula accent. Nothing works. Steve always just laughs and tells him that he's weird and that's why he likes him.
Finally, Eddie has enough. They walk in the woods to get high, Eddie decides to break the ice, he scoops up Steve, does his whole dashing-through-the-woods thing, and he hopes that he can finally share his secret with Steve.
Except Steve just pats his back and says "Wow, that was cool, man! You'd be amazing at track. Great core strength too," and Eddie's head implodes.
"Okay, Steve. Don't you think there's something rotten here?" he tries.
"I mean, it's the woods. Of course there's something rotting all the time."
Eddie tries again. "You've noticed something strange, haven't you. I'm inhumanly fast and strong."
"I sure didn't expect that! You must be secretly training. I didn't know this town had a gym."
Again. "My skin is pale white and ice cold."
Steve is watching a nearby squirrel instead of looking horrified. "Yeah, not all people tan great, Robin is like that too. And I told you, man. Your circulation is shit, you need better socks and some gloves too."
"My eyes change color."
"Yeah, I know, I do envy you that you can wear those cool contact lenses. My eyes are too dry for that."
Eddie is growing desperate, he's gesturing at the trees because Steve doesn't listen. "I speak like I'm from a different time."
"80s slashers will do that to you. You basically live on those. But I gotta admit that they're pretty fun. Oh look, she's got an acorn! Clever girl!"
"Very clever. Also I never eat or drink anything."
"Hey, I'm not judging. Some people prefer one or two meals in a day instead of the whole five meal thing."
Eddie feels like howling and he isn't even a werewolf. "I. DON'T. GO. INTO. THE. SUNLIGHT."
Steve's eyes finally leave the squirrel. "Duh. We've already established you can't tan."
And Eddie's had enough. He tears off his t-shirt, marches directly into the sunlight and throws the biggest tantrum of his life. "STEVEN HARRINGTON. PAY ATTENTION. I am 20. I have been 20 for a while now. You know what I am, right? I am a vampire. So ask me the question, what do we eat? That wasn't a fucking tomato juice Steven!!!"
Steve just watches him with quiet amusement, as if he's waiting for something.
Eddie doesn't notice. His monologue is reaching its most dramatic part. "I've killed people before! I'm the world's most dangerous predator!"
Steve snorts. "I saw you trip over your own feet in the cafeteria."
"Not the point!"
"You told a waitress "you too" when she told you to enjoy your meal."
Eddie actually howls now. "THE POINT IS." He spins in the sunlight and sees the reflections of light off his skin. "I wouldn't have minded becoming a vampire, but let me tell you. Being stuck in high school forever? Sucks. Craving chips and throwing them up whenever you try them? SUCKS. And thinking you've become the legendary creature of the night when you're a glorified glitter mascot?! And you can't even fly?! DOUBLE SUCKS."
He points at his bare glittering chest. "THIS THE SKIN OF A FUCKING DISCO BALL, STEVE!"
Steve just laughs and gets up from the tree stump he was sitting on. "Thanks for sharing. I was kinda hoping you'd finally ask me out since this is the first time we've had some privacy, but this was interesting too."
Eddie's sharing mania suddenly stops. He realizes he's shirtless in the middle of the forest, and his yelling has scared off the squirrel. He promptly grabs his shirt and puts in on. "Um. You...you wanted me to ask you out? Because I totally want to do that. Yep. But I thought it would have been unfair to ask you before I told you-"
"That you're a vampire? Dude, I know."
Eddie blinks once. Then again. "Excusemewhat?"
Steve smiles at him and touches his hand. "Look. After what happened in Hawkins, I know the smell of blood. I knew it wasn't tomato juice. Also I've accompanied the kids to enough monster flicks to know."
"Oh." Eddie licks his lips and doesn't really know what to say. "Um. What...does that mean for us?"
Laughing, Steve grabs his other hand too. "Definitely two things. One - you can and should kiss me. Two - you can stop wearing that cape. I got your point."
"Oh okay. Cool. Will do. Both."
And since Eddie Munson is a vampire of his word, he does.
(Wayne is absolutely delighted that Eddie is dating, he watches sports with Steve and discusses the pros and cons of Steve becoming a paramedic. Scott helps Steve with some of the subjects he's struggling with. In return, Steve works with Robin to find a makeup brand that is fully sparkleproof, giving the vampires a chance to walk in the sunlight again. And sometimes, he helps them answer the questions that have been plaguing the Munson-Clarke-Henderson household for years...such as: what is TikTok?)
(oh and also. Turns out Steve really thought Eddie was wearing creepy contact lenses. That one aspect of vampyrism he found very cool)
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