I'm still not used to fully talking on here but I just have to talk for a minute about Sleep Token and Wembley.
They did fantastic. After touring so much this year, doing back-to-back shows, dealing with a band member having to take a leave of absence for most of their final tour, incorporating new changes to their routine and style, and with Vessel having hurt his voice during such a huge show, they did fantastic.
I watched along with Discord. Mostly lurked. And everything I saw from the effects on stage, the fun antics, the performances, the playing - guitars, bass, drums, the dancers, the choir - they did fantastic. And Vessel. I said it in chat that he doesn't need to hurt himself or his voice to earn the love of those who listen to his music, but he kept going. He sang, and pushed through when he had every right in the world to put a stop to the show and focus on his health. He kept on going while also giving to the crowd the chance to carry him through, and seeing everyone - from those on stage with him to the crowd to people in chat and what I saw on here - still loving him, loving them?
They did fucking fantastic, and I dare anyone tell me otherwise. As a community, we should be celebrating them despite any differences of opinion - being kinder and supportive of one another is literally everything they've shown with III's situation and in general. It's what so many of us showed back to them with the hand salutes for III and the marked ? on our hands during specific songs. Their new outfits have fan-made decals to them, for fuck's sake. They are absolutely, without a doubt, genuine about making everyone feel loved.
Look, I'm just a stranger on the internet at the end of the day but this band has come to mean so much to me since I found them, to the point where they've honestly kept me going some days - them and the wonderful people I've met through them - and I just need them to know that they did fantastic, their music still brings people together despite hiccups along the way, and regardless of any of those hiccups, they are so loved. Loved beyond belief.
The night didn't just belong to all of us at Wembley, but to them, too.
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I’m probably a little late to the party (heh) but there’s something I’ve noticed concerning color theory and Max, and Max in general
When she is introduced to us as MADMAX, her situation with Billy makes her feel lonely and angry. She’s wearing red clothes (with a white stripe!) and her hair is down (letting her rage roam free).
In here, she’s clearly annoyed. She’s just left Billy’s car, Mr. Clarke made her stand before the class and named her Maxine when she just wanted to melt into the background and get over her first day at an unfamiliar school, still not thrilled about having to move from California.
Still, she’s zipped down, since those people didn’t do anything especially hurtful towards her and maybe she’s a little hopeful about them.
When she’s mad after an interaction with Billy she’s wearing red:
Darker red! She’s at school where she won’t have to deal with Billy for a while. She’s cooling like lava but there’s still one streak of the anger in the back of her head.
When the boys approach her, her zip-up sweatshirt is unzipped to show some of the color underneath. She’s happy! She will not let her guard down completely but she won’t hiss at them immediately! Still, she’s ready for disappointment and snapping right back to being fully red.
Yellow is not a lighter shade of red, but it’s definitely close on the color wheel. Closer to white, too! She is showing she’s not only mad, there also is softness inside her! It’s still a shade connected to red (anger) but yellow by itself is more of a happiness color. She wants to make friends but is still scared because of the new environment and Billy.
In the car with Billy (the scene where he wants to run over the party), the entire scene is shot in a way that’s barely letting us see her clothes. It’s mostly covered by hair, too, but we can see it’s still at least a little unzipped as there’s a bit of the yellow collar visible.
In the scene, she’s defending Hawkins saying, that it’s not that bad and that she can’t see any cows (yellow). She’s scared of Billy, so she’s trying to cover up her sympathy towards Hawkins and towards the boys (with red and her hair, Billy saw her get out of the car with the sweatshirt zipped up and hair down, now she’s covering her softness with what is familiar to Billy, so that he doesn’t see anything has changed, notice that softness and hurt her. That’s exactly what she does when she says she doesn’t know the boys trying to protect them from getting ran over).
Yellow! Fully yellow :) She’s happy to be shown weird pollywog-like creatures with the rest of the Party!
Right after Will gets possessed, her question as to what “true sight” means gets brushed off by all of the boys. She’s hurt and feels excluded, but her hurt makes her angry again. Next time we see her, she’s all red again.
“Party members only! This is non-negotiable.”
“I thought you guys wanted me in your Party!”
At the arcade! She’s already acclimated to Hawkins, and the arcade is her favorite place.
Alright, I’m getting tired and my third eye is slowly closing, so I’m going to wrap this up quickly, since I think I presented what the gist of the idea is.
In season 3, yellow, patterns, colors! She is now fully a member of the party! She has friends, she knows the secrets, El is back. This is the happiest she’s been.
Clothes are important in both of the girl’s characters! (El changes from murky colors to vivid patterns when she finds herself and there’s a post about El shedding layers of blue in season 4. I’d link it but can’t find it, I’m sorry!) There being a scene like this, with them fooling around with their clothes is basically the peak of happiness :)
Here Max gets really worried because of Billy. She’s feeling a bit guilty ‘cause that’s her step-brother that’s sowing chaos and hurting her friends. El is straining herself. The situation is looking BAD. Blue!
Beginning of season 4
Blue - she’s grieving and feeling guilty, Black coat - she’s hiding herself in a shell. She’s not particularly hiding her grief but she can close off at any moment.
(Btw Lucas is also wearing a blue shirt with some coats. I’d say he is sad because Max dumped him and doesn’t want to tell him things but the coats have a couple of colors because he’s hiding away his nerdiness in order to be cool :)
Now, the overcoat is blue with yellow elements - Max is being honest about her grief. She’s targeted by Vecna, the Hawkins gang knows she is SAD. It’s her last day, she can unfurl. The sweatshirt is unzipped and showing red and white underneath, the same colors we’ve seen her wear when we first met her. The girl that slammed the door of Billy’s car. The one that was scared of him. That girl is still inside Max.
Sometimes, she’s wearing this. Grief covered up with brownish-reddish... Red. She’s going back to her previous self, she is talking to Lucas again and he SEES her... But to get that shade of red you go more towards black on the color wheel. She’s not that vivid, fiery red anymore. There are bits of that girl deep inside her, but she’s too tired to make it her entire self. She’s tired.
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I personally think its disgusting of what she posted yet again its all about her and she the reason why micheal keeps trending 4th day oh please he was trending for days before she came in the picture. And for someone who has no career and basically living off her parter who works so hard and been ill with virus the last few days and haven't been able to perform and she post this. Taking the credit for something that has nothing to do with her. He very grateful that she keep him grounded what that suppose to mean ? He was doing better before she came in the picture since he been with her his career have been slowed a little and she probably the reason for it
What do u say ?
Oh, boy. I saw this a little while ago, and all I could think was that the bar is so low at this point--like halfway between the fourth and fifth circles of Hell--and this still somehow falls short.
I know there has been a lot of talk about the t-shirt Anna is wearing (which was a gift from a fan at the stage door of Nye), but for me, the t-shirt is the least concerning part of all this. It's a reference to a quote from Staged (it's the title of a season 1 episode, in fact), and I am sure Michael found it funny. The only problem is that without the context of why it's a joke, it actually just isn't that funny. And it sets the stage for everything else that is happening.
Which brings me to the caption she wrote, which was what primarily caught my attention. The reason Michael is currently trending on Twitter (X, whatever we're calling it) is because of the overwhelmingly positive response to The Assembly, which aired last Friday night. He is receiving a tremendous amount of praise for being on the show, how he spoke to the interviewers, and the respectful and joyous atmosphere that was cultivated on the show. And rather than allude to any of that--not to mention Michael being sick recently, or the trip they went on to Disneyland Paris--Anna made Michael trending on Twitter about her.
That is what stands out to me the most. The idea of "keeping him grounded" that is coming across more like kicking someone when he is already down. That he somehow needs that, and that she would have us believe he is "grateful" to her for, what...comparing him to a loud bird? Repeatedly making fun of his looks and interests without a shred of respect or affection behind it? I'm also confused by the implication (and the irony) that Michael somehow has a large ego that needs to be kept in check when she is the one coming across as self-involved in this Insta story. So, yes. I'm at a bit of loss here.
I just keep thinking of the things she could have said instead. How she could have uplifted Michael, wished him well on returning to the stage tonight after several days' absence, said how she was glad to have spent time with him or taken care of him while he was ill. Just something that would give him a reason to hold his head high. But I guess it might just be easier to convince herself/everyone else that he is smiling if his head is hanging down instead.
I am just glad Michael is out performing again tonight and getting to be on stage and do the thing he truly loves to do. But those are my thoughts, and I'd be glad to hear from my followers about what you think, regardless of whether you agree or disagree...
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Sort of a distant tangent off my post about Ashton, but I'm growing more and more suspicious of the fandom claim that there's no time for small RP moments in Campaign 3. I do think that it's been challenging to get deeper party bonding or serious conversations that aren't about the big philosophical questions they're facing, since those do take much more time; but then I think about Calamity, or Candela Obscura. I can genuinely give you at least a couple paragraphs about pretty much every relationship in the two Circles, or in the Ring of Brass. I can also point to no shortage of small moments between characters in the Mighty Nein Aeor or Vox Machina Vecna endgame episodes, which were all extremely plot-heavy and fast-paced, and D20 consistently nails character relationships in a fraction of the time.
I think it really does come down to, as Brennan Lee Mulligan always says, the character creation phase. Laying down a solid groundwork in which everyone has a detailed, rich backstory and sense of personality and relationship history (in the case of characters who knew each other prior to the start of the series) is absolutely crucial, and even in the case of characters who don't know each other before going in, a good amount of time spent in character creation ensures that it's easier for them to develop those interpersonal relationships on the fly. I know in actual play there's some degree of finding the character as you play, but there are games for which there is a very short runway, and I don't think it ever hurts to do more extensive character prep than the bare minimum. And if there are gaps, I think it also helps to go back and fill those in mid-way, away from the table - Travis clarifying Chetney's backstory being a great example that allowed the history of Chetney and Deanna to feel realized and full, despite only a few episodes.
I'll also be blunt: most of the time when people complain that there aren't moments because the plot keeps moving...they're mad about shipping. Which has always rung hollow to me. It was a common complaint in C2, that no time was taken for character relationships, despite them taking an entire half of an episode for the Beauyasha date and despite no shortage of moments for all three of the other couples (and plenty of platonic moments between friends). The issue was never a lack of time; it was that the characters they wanted to talk to each other didn't actually have the relationship in canon that the fans had dreamed up, and so, when the chips were down, they went to other people.
It takes two seconds to say something like "I hold their hand", even in the middle of plot-heavy adventuring. If someone doesn't say it, it's rarely the GM rushing them; it's the player either choosing not to do so, or not remembering to do so, and either of those is quite revealing regarding how the player feels about that relationship and where it stands in their priorities.
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okay so i just had this thought and need to write it down before i forget BUT tma is such a fascinating subversion of the "woo spooky cult is actually just christianity" thing so far. I'm partway into season one so i can't attest to later seasons, but it's such a brilliant example of how to use the trappings of religion without actively condemning that actual, real world religion and risk alienating a portion of one's potential audience. every time that my dude jonathan sims has taken a statement that has to do with the church in some capacity (like that priest's statement in episode... 15, i think? 16?) there's always a moment where the person giving the statement is in some way like "oh i thought this was christianity, surprise this isn't the christian God doing this it's actually something different and MUCH MORE EVIL, woo spooky thing~," which is so interesting in a media culture that is saturated with the default idea of cults being people who just have a grossly incorrect image of the bible's teachings and use that to start killing people or whatever. like, i went into that episode (and the one later about that girl and her roommate who joins a cult) fully expecting the message to be "christianity is bad" and instead it was "this particular cult or thing is actually distinctly different from christianity, but is definitely Very Bad," which is neat and just really refreshing in a way i didn't expect it to be. anyway yeah so i knew tma was cool but now i'm realizing it's cool in different ways than i expected
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