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#bit of drama
tarjapearce · 9 months
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I need to know how ranchero Miguel convinced the parents to let him marry their daughter. Was it a shotgun wedding? 👀
Indeed 👀. Bit of Drama and slight angst under the cut.
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You had woken up nauseous and dizzy, for the third time in a row. Your mother was concerned. Had something made you sick? She was stricter with the kitchen staff to be more careful. But upon the wafting smell of your usual morning soup, an egg drop soup, entered your room, you retched on the bathroom, again.
You paled.
When was the last time your period came? It was hard to keep tabs when you were trying to attend other business and try to not die in the process. Two months and counting. You barely had the chance of seeing Miguel as well, since he had his own good share of work in the barn.
And he was the last and only man you have been with. Your hands went around your tummy and tears were in the verge of spilling. You were pregnant.
God, you were so scared. You knew how your parents thought of him, and for all you knew, they still thought you were pure.
But as things were going sooner or later They'd find out, probably kick him out and you'd be forced to marry a guy that looked like him to make pass the child as his. The thought scared you shitless, so you washed your mouth, bathed, got dressed and went to him.
He was talking with the foreman of another estate, but excused himself upon seeing you.
His smile faltered when you approached, solemn look, and red nose by the constant sniffling.
"Hey, hey. Come here. ¿Qué le pasa a mi chula?" (What's wrong with you, gorgeous?)
You whimpered and buried your face in his chest. He held you tightly.
"You mom got you on another date?" He rolled his eyes and you shook your head.
"Your dad tried to sell Luis again?" Another shake of your head.
"Then what is it? You gotta tell me,princesa."
"I..." You hiccuped, "I think I'm pregnant."
You could feel him tense and he made you look at him. You thought he'd be angry but the shine in his eyes proved you otherwise.
"¿Voy a ser papá?" He questioned with a excited yet strained voice. You just stared at him and he kissed you, deeply (Am I gonna be a dad?)
"¡Me vas a hacer papá!" (You're making me a dad!)
He was happy and you broke down.
"Why are you crying? Aren't you excited?"
"I am but... Dad will kick you out and... and.. -" You hiccuped and he just held you with a smile.
" Ps, que me eche. I've got my own home anyways. And if... things get bad, you'll come with me. Okay?" He squeezed you tightly and grunted happily, "Dios te vas a ver preciosa con esa panza toda grandota y redonda. Te voy a cuidar, vas a ser mi reina. Ya vas a ver."
(He can do that.) (God, you'll look gorgeous with that big and round belly. Imma take care of you, you'll be my queen. You'll see.)
He just kept rambling things you couldn't understand, but seeing him giddy made your aching heart to relax.
"I'll talk to him. I... Le voy a pedir tu mano." (Imma ask him your hand in marriage)
"W-What? are you sure of it? I mean, I don't want you getting hurt. He might look like an old man but... he knows his tricks.
"Your mother is the one that I'm concerned about."
And he was right.
"ABSOLUTELY NO." She had protested, the staff had been hiding behind the doors, listening to the scene unfold.
"How dare you asking for such thing!"
"Mom-"
"No. Who do you think you are?! Of course you won't marry her! She's set for better things!"
Miguel's eyes narrowed and your heart stopped with sudden rage.
"I want him!" You stood up, stomping your hands on the table.
"I'm old enough to decide on my own, Mom. I... I love Miguel." With every word that spilled from your mouth, she held her heart as your dad just pinched his nose bridge. He had been silent the whole talk, just glaring holes at Miguel.
"Good lord... Just... Imagine the scandal, the people... What would they say about you?! About us?!"
"They already talk shit under our nose, mom. Their opinion is irrelevant. None really approaches us if it's not for a favor."
"You... you brat!"
"I'm pregnant."
Miguel stood to calm you down as the fight kept rising. Your dad immediately straightened up and looked at Miguel.
"You." His voice venomous, but calm, "And you." He pointed at you.
"Tomorrow at church. 8 am."
"You can't be serious! You'll wed them?!
"Your yelling won't make her less pregnant. And I rather have them wedded than having an off marriage child. A sin." Your dad mumbled and looked at you, your rage seemed to be consuming you by how they spoke of your future child. Miguel's expression hardened, a low growl emanating from him.
"Once you're married, I want you both out of my property, got it?"
"Fine! I didn't want to spent my life being a fucking trophy wife for some rich man I barely know."
You were wedded, and despite your dad underlying sadness, and he wanting to swallow his words back, pride didn't allow him to speak and ask you to stay. Your mother didn't even look at your way.
Miguel had packed your things and put them on his truck. You left to a new life with him and your future family.
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“Hi, (Y/N). I understand you’ve been looking for me-...you can see them, can’t you? Well, don’t mind them. They barely work anymore anyway.”
Requested by: Anonymous GIF: PLEASE LET ME KNOW IF THIS IS YOUR GIF (bc it’s really cool tbh).
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mysticfemme · 3 months
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I really wanna reread twilight atm but I left my damn copy at home 😭
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capriciouswriter207 · 11 months
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A story of dread
Chapter 13: Shadows
The Shadow Queen loses it and enacts revenge, which hits everyone in the valley.
Story summary
They say the land was cursed.
Maybe it was true. Maybe it was just a story some bard made up that some people believed and started to spread. Be careful where you tread, or who you trust, for the curse could manifest at any time.
Only few remained of those who had stayed behind - those with truly nothing left to lose, or anything to gain. They were too intrinsically tied to the lands to leave, or too stubborn to accept defeat or to believe it could affect them. These people thus lived under the ever-looming threat of the curse, never knowing when it would strike, cultivating a culture of dread and distrust.
And the curse chooses its next victim without discrimination.
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time-woods · 5 months
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EMOTIONAL WIN ! ! the bug lets his emotions make decisions for once !
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drop-dead-dino · 20 days
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I’m totally normal about these two totally normal dudes :) .
I don’t usually read fics, specially AU related ones, but this one GOT me, holy cow. Check it out if you fancy that sort of thing! 
Love, Death, and Rollerskates by @spadillelicious !
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hughmanbean · 3 months
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Loving Threats
Inspired by a song and its remake. But I am trash at syncing lyrics to storybeats.
Danny and Jason met in the ghost zone when Jason was dead, but he forgot it all coming back to life. When the two of them were together, they went through the entire song and dance (literally) of asking each other out.
I'm serious. There were like 10 different musical scenes with varying themes. It was Fenton Romance at its finest. And Jason's old school romance heart was certainly played a large part too.
It was their love language. Dramatic acts, vague threats and all.
Post revival and reconnection with the Batfam, Jason spots a familiar face. A flood of memories wash through him, and with it a bout of giddiness. Though he's currently dressed as Red Hood, Danny'll be able to tell who he is and keep quiet. Just have to greet him in a way that he'll recognize.
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Danny is out taking the kids for a walk. Dan was grumpy since he wasn't allowed any ecto chips, for both his health and as punishment for severely beating a guy who tried to mug Danny without permission yesterday. Ellie is quite cheerful, since she's going to visit the Crocodile and Zombie sewer-dudes when Danny's not looking.
All of a sudden, Red Hood, casually wielding a gun, approaches Danny. He makes an overly familiar gesture, wrapping an arm sideways around Danny's waist. He whistles under the hood, a faint green glow from the white eyespaces.
"Well who do we have here? You look half dead, honey."
Danny looked at him. Horrible pick up line? Check? Thin veneer of confidence? Check. Zero self control around Danny? Check.
Jason. The rancid ecto signature is new, though. Honestly, not surprised he's a crime lord now.
"Well, you know how it is. The kids have been running me ragged. And you sure haven't been any help."
Danny puts on an innocent smile. Jason sidles closer. A few bystanders watch them with varied expressions.
"Well you don't need to worry about that now. How about you and I go somewhere more private?"
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"A crime boss, huh?"
Dan is raiding the fridge. Ellie is watching a fight on TV.
"It was a... necessary step. I promise I would've visited you sooner if I had known."
"It's fine. What else happened while you were gone?"
"Well..."
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hedgehog-moss · 3 months
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Look, friends.
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Do you think this is a post about my adorable baby succulents? No. Look harder.
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It's about the GIANT HOLE IN MY FENCE that I had to patch up with cardboard.
I can't blame Pampérigouste for this one; the brutish nature of the damage is not consistent with her usual modus operandi. Pampe outsmarts locks like Arsène Lupin; she doesn't charge at fences like a bull who saw a red cloth. This is Pampe Pondering A Fence Problem:
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No, the damage to my fence looked a lot more mindless this time. Boorish. Boar-ish. I'm blaming a boar. A deer would have destroyed the whole thing rather than just the lower half. Note that there is not a single tuft of llama wool on the damaged wire mesh.
(Note no.2: the boar's smile was originally meant to be a tusk but it really just looks like a sardonic smile)
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I brought some chicken wire to patch up the hole—but there wasn't enough of it. Then it started raining and I felt persecuted and decided to just cover the hole with cardboard and go have my morning coffee and get back to this later.
This is not an Innocent Pampe post; there is no such thing. My temporary cardboard solution lasted 8 to 10 minutes. I'm not sure exactly when she got out, but by the time I went back outside to repair the fence there was a Pampe-shaped hole in the cardboard.
(Not really; she just kind of lifted or ate a corner then wormed her way through the very small opening. I think.) (See, this is how you recognise a Pampe escape: you're not entirely clear on what went down, you just know there was a llama inside and now there is a llama outside.)
It was still raining and I didn't feel like going after her, plus it felt pointless to bring her back in her pasture before the fence was repaired, so I went in the barn to look for my tools and rummage through leftover pieces of previously-destroyed fences, hoping to find something the right size.
Then I heard Pampelune's hyena shriek, aka the llama alarm call. It was followed by:
horrified chicken screams and frantic feather noises; the soundtrack of a violent fox attack
infuriated barking from Pandolf
very loud panicked braying from Pirlouit
basically, chaos.
I ran outside just in time to see Pampe emerging from the woods at a full gallop, pursued by a bear. I didn't immediately identify the animal that was chasing her as the giant dog that he was, because he was running with a weird gait, with his legs going everywhere like he was frolicking at top speed (I now know that this dog is a puppy that has learnt to run just a few months ago, but that didn't occur to me at the time because this puppy is the size of a calf.)
Pampe was running towards the cardboard through which she had escaped and she managed to squeeze through her small corner hole again (I assume—there were trees blocking my line of sight and I only saw her again once she was in the pasture, running for her life along with the other 2 llamas + donkey.) Meanwhile, the dog didn't see the corner hole and tried to power through the cardboard much like a boar, or was carried away by his momentum and didn't brake in time; I don't know. In any case, when I reached him, he was stuck.
My large piece of cardboard was tied to the fence posts and still holding strong, but the middle was a bit soggy with rain and not too solid, so the dog's head went right through it. The rest of his body didn't.
He could have probably finished breaking the cardboard quite easily, but for some reason he instantly gave up. On life. By the time I got there the dog was half-in and half-out of the pasture and he looked defeated. Which made my piece of cardboard look like a mediaeval beheading apparatus with just a hole for the head.
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I went to lock an angry Pandolf in the barn and checked on the chickens along the way (ruffled & offended but fine); I was hoping the dog would figure out how to extricate his head from the cardboard in the meantime. He did not. I tried to call him in a friendly tone (from behind) to encourage him to free his head by stepping back, but the concept of taking a couple of steps backwards in order to extract his head from the hole might as well have been advanced engineering. He clearly had no idea where his head was, where his body was, how to make the two a coherent whole again, and he started whining pitifully.
I untied the rope I had used to attach the cardboard to the fence posts, then wriggled the piece of cardboard a bit to try and free the dog's head. The dog was alarmed by the wriggling and took several steps back—but I didn't manage to hold on to the cardboard so it just moved with the dog. He clumsily ran away, taking the cardboard with him, wearing it around his neck like the world's largest cone of shame.
He immediately got stuck between two trees.
I was starting to find the situation hilarious, but the poor dog did not—he lay down and started making sad broken noises like a malfunctioning dog-robot. He didn't look very threatening but he was still a very big (and stressed) dog so I felt a bit wary of touching his head to help him, and decided to run home to get a box cutter. I figured I could easily rid him of most of the cardboard and leave him with just a soggy cardboard collar that would soon fall apart. I heard my landline phone ringing from afar and ran faster, and it was one of my nearest neighbours, the retired lady who lives on the plateau.
"I've been trying to reach you!! I saw your llama in my garden earlier, I was going to give her a little treat—" (she loves Pampe, for some reason) "—but then my dog saw her too."
I know this woman's dog—he's a tiny thing with fragile nerves who thinks the whole world is out to get him, so I asked anxiously, "Did Pampe scare your dog?" and she said "Oh no! Domino is here with me; but I have a new dog. His name is Texas."
I thought of the gigantic puppy currently sobbing in my woods, held prisoner by two trees, a self-inflicted cone of shame and his total lack of reasoning skills.
"Yes", I said. "I've met Texas."
The old lady asked worriedly if he'd scared Pampe ("Il est un peu zinzin" she said—he's a bit crazy. "I wanted to call him Rex, but then I met him and thought—Texas!!") I told her I was pleased with her dog for scaring Pampe, because she needs to learn that her pasture is her only hope for safety in this cold uncaring world and as soon as she steps out of it she returns to her lowly status as a prey animal. Then I ended the phone call because I was worried both about Texas and about the large hole in my fence. Thankfully all my animals were still terrified and hiding far, far away from Texas.
Texas actually managed to free himself before I attempted to cut the cardboard, but he still thought of me as his saviour and was very happy to follow me through the woods back to his owner's place. Before we left I propped up the cardboard against the damaged fence, and despite the hole in the middle no llamas escaped in my absence; I think the whole area still smelled like Texas and fear.
I'll admit I was initially tempted to leave Texas with his head stuck in the cardboard in a more permanent capacity in order to patch the hole in my fence with this amazing anti-Pampe Cerberus. Like this
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(I know this artistic rendering makes my llamas look like frightened carrots and my donkey like a bunny but I will not be taking constructive criticism at this time)
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cuddlytogas · 2 months
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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batbabydamian · 9 months
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it’s so funny to me Damian made and wore this suit for ONE meeting with his mom 😭
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shown in the “Demon or Detective?” backups in Batman (2016) #106 and Detective Comics #1034!
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Danny couldn't really explain why he always answered this specific summoning ritual. It was like a feeling. One of warmth. Of a mug of hot cocoa in your hands and a nice weighted blanket dropped around your shoulders as a fire blazed in the hearth in front of you, keeping the chill in the rest of the room at bay.
Danny always lost himself in the sensation and found himself back in that stupid circle of protection with that same wierd guy demanding answers. But Danny didn't know anything about a "Lazarus Pit" or a "Pit Madness" let alone a cure for it. Even if he did he wasn't going to tell Red Robin anything after all the times he'd used the marriage summoning spell to get him here.
Earlier on Red had explained it was the only spell known to thier universe that could summon an entity from "The Lazarus Dimension" Which he guessed was another name for the ghost zone and Phantom was the only one to ever be summoned.
Danny couldn't help but wonder why...
After escaping Bird boy and his supernatural pop quiz (oh look, another test for him to flunk) he returns home only to discover his parents had seen him get summoned and accused him of being a ghost that replaced thier baby boy.
Naturalally the next time Red Robin had summoned Phantom he was angry. He was tired and dirty from being on the run from his parents, his worlds US government, and Vlad. Not to mention his own rogues gallery didn't exactly cut him any slack.
So Danny decided that if Red Robin wanted to abuse the power of a marriage ritual than the very least he can do is put his money where his mouth is.
Danny grinned and exited the magic circle, taking delight in Reds widening eyes before he lunged. A kiss sealed the deal, making sure Danny had a safeish place to stay.
After all, married couples in the infinite realms were obligated and even compelled to protect and care for eachother.
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poorly-drawn-mdzs · 10 days
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Average Drama Enjoyer observes some peak drama.
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lesbianyaomo · 6 months
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it's actually very nice that apothecary diaries chose maomao as the protagonist, a girl who was raised in the pleasure district and severely under-ranks(?) many of the other characters in the story. through her, we get proximity to the status of those who were expendable to the royal court, a fact that she herself is highly aware of, and because of this she routinely positions herself between those who are of high rank and low rank. i really like that the series draws attention to notions of hierarchy and expendability, again without being preachy about it, because to be sure, it's not gritty at all, it tends to maintain a lighthearted tone with a focus on interpersonal relationships.
but this direction contrasts strongly with the dozens of western historical/historical fantasy dramas that focus mostly on the upper class and invisibilises the labor that sustains their lifestyles. meanwhile apothecary diaries leans into maomao's skills, the certain amount of ingenuity and knowledge that comes from her being poor and growing up in the pleasure district, and the way her rapport and proximity to the servants of the court enable her to reach places the high-ranked characters can't.
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skitskatdacat63 · 10 months
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"Fernando" S1E4 - Fernando Alonso & Carlos Sainz Sr.
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gunsatthaphan · 8 months
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👁️👄👁️.
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suntails · 26 days
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dance of dreams
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