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#because it made a better story
acowardinmordor · 1 year
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Can’t stop thinking about how the best way to keep Eddie safe in most time travel fix its, whether it’s a loop or not, is to have the police arrest him and put him in a cell. Ideally before anyone dies, but if that’s not possible, before Patrick and Fred die. He can’t have killed them if he was sitting in custody at the time.
Mostly can’t stop this thought from bubbling up because of the idea that Steve is the one who brings the police after Chrissy, and stands there and watches while Eddie is arrested, watches it, knowing that he’s saving Eddie’s life, and ruining any chance of Steve ever finding out if the spark he felt the first time was real.
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francesderwent · 2 years
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reblog this and tag with a food you no longer have access to (closed restaurant, state you moved away from, ex’s mom’s cooking, etc) that will haunt you until your dying day, mine are the spicy chicken sandwich on the employee menu at the fine dining restaurant I was a prep cook at, and the onion bagel from the kosher place down the street from my house when I lived in the city
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Keep hearing people say maribug keep asking adricat if he's ok and he keep saying he's ok instead of telling her his problem but I don't remember it happened more than once in s4 in Rockettear but even then the circumstances of that episode did warrant the "nothing" answer he gave her unless he want to tell her that "nino tell me you let nino and alya know each other identity" which will reveal adricat identity. So when else did she ask? about the thing in hack-san, I think another credit goes to alya since she's the one who bring the topic to maribug who seems to be blissfully unaware that her leaving without telling adeicat that she send subtitute would be a problem.
I didn't get into this side of things in my other post because it was long and I wanted to focus on why Chat Noir's behavior was so frustrating, but this ask brings up the other big reason why the season four conflict was such a frustrating and terribly written plot line. Specifically, the part of your ask where you point out that Maribug seems blissfully unaware that her actions are having a negative impact on Chat Noir until someone points it out to her.
Yes, she is presented as blissfully unaware of this and every other interpersonal conflict we're given in season four. Your ask treats this as a failing on Maribug's part as if she should have obviously realized that she was in the wrong, but that's the whole problem. Telling kids - telling anyone really - that they should just magically know what others need is a frankly terrible life lesson as that's just not how the world works. You cannot just assume that everyone will have the same view of the world as you do and instantly pick up on the same issues as you do. That is the path to easily avoidable frustration and conflict. It also teaches people to assume that their view of the world is inherently correct when that is rarely the case. We often don't know the whole story and the other person's point of view may end up being equally or even more valid. This issue is extremely present in season four as Marinette has legitimate reasons to behave the way she does, which I'll get into in a bit.
If Marinette were written as feeling guilty about how she was treating Chat Noir, then this would be a different story. She'd be way more in the wrong and would shoulder a much greater portion of the blame. But as is? She has no idea that she's doing anything wrong. And until someone takes the time to tell her that her actions are causing harm, she is going to continue causing harm because she has no idea that she's causing harm.
In fact, I'd argue that the Alya thing in Hack San is a point in Maribug's favor. Throughout the episode, we see Marinette sending Alya messages on ways to be a good partner to Chat Noir, proving that she does in fact care about him. And then, as soon as Alya says, "You need to talk to Chat Noir," what does Maribug do?
She goes and talks to Chat Noir, giving him a pretty good apology for the problem she now knows she caused. Because, shockingly, Maribug doesn't actually want to hurt her partner. She also clearly cares about his feelings, making me want to take the season four conflict and tear it into itty bitty pieces because what is the conflict even supposed to be when you write shit like this?
I want to briefly step away from Miraculous and talk about this issue in a broader context via this YouTube short:
This short is from a Vietnamese woman who moved to Germany. Her YouTube channel is about her experiences there, including things like the short above which goes into the differences between what it means to be a dinner guest in Vietnam and what it means to be a dinner guest in Germany. In Vietnam, it's apparently standard for the guests to cook dinner with you where as, in Germany, you're expected to have the meal ready when the guests arrive, making this a situation where it's super easy to come across as rude just by doing what you think is normal.
Society is relatively aware that these types of culture clashes are a thing, but you don't have to be from different cultures to have these types of situations. Every person has their own unique needs and ideas of what "normal" is. The culture they were raised in will affect this, but so will their family, their personal needs, and many other factors. Two people can be raised on the same street and wind up with wildly different world views even though they supposedly share a culture. This is extra true when you add in compounding factors like neurodiversity, which is why it's an exercise in futility to say, "But Maribug should have realized..."
Well, she clearly didn't. And you can't change that she didn't realize whatever you're mad about. All you can do is have someone tell her what she's doing wrong. If she then continues the behavior, go ahead and judge away. But if she immediately corrects it like she did in Hack San? Doesn't that just prove that she truly didn't know that Chat Noir was hurting and would have probably fixed all of his problems if someone just pointed them out to her?
This is only exacerbated by the fact that Marinette's behavior in season four is largely unchanged from her behavior in previous seasons. The only major change is that she revealed her identity to Alya, but as soon as that's pointed out as a problem, she course corrects with an apology. After that, she thinks that everything is okay because why wouldn't she? Chat Noir said it was fine and everything else has been business as usual.
Bringing temp heroes into help as needed? That's been going on since season two. Having these additional members has been vital in multiple battles and there have been plenty of times where Chat Noir took a background role to the temp hero of the day like in Sapotis, Rena Rouge's season two debut. So why would Maribug suddenly think that this dynamic is a problem when it's been working fine for so long? We even had a whole episode about how Chat Noir was still needed in spite of the new heroes back in season three! Or, at least, I think that was Desperada's message? This show is shockingly bad at giving clear lessons.
Keeping guardian knowledge from Chat Noir? That's also been going on since season two and was even treated as a conflict that supposedly got resolved in the episode Syren which was the episode that ended with Master Fu coming to the mansion to talk to Adrien after everything was over.
When I watched that episode, I assumed this meant that Chat Noir was going to be more involved in things like picking the temp heroes. I actually thought this was how we were going to get Queen Bee because I knew she was going to be a thing, but it made no sense for Marinette to pick Chloe for a miraculous. Of course, I was wrong. Nothing changed after Syren. Chat Noir remained nothing more than the comic relief while Ladybug got all the insider info.
To be clear, I think that was a terrible move writing wise, but it doesn't change the fact that this is what they went with. This is the established dynamic. I can't even say that Alya learning Marinette's secret led to something new. She's just taken Marinette's old role while Marinette has taken on Master Fu's old role. This show loves it's status quo and Chat Noir has been at least tolerant of that status quo since Syren, so it's not surprising that Maribug doesn't register that this is a thing that should change and no one bothers to point it out to her even though she has a mentor in Tikki (and Su Han, I guess?) and a confidant in Alya and a whole slew of Kwamis who could also provide insight if they were allowed to do that sort of thing. (Sass and Wayzz were robbed of mentor roles.) Additional blame goes to Plagg because he should absolutely have told Adrien to talk to Ladybug. What is the point of giving these characters mentors who never mentor? It's aggravating in the extreme.
To circle back to the first part of your ask, outside of Hack San and Rocketear, I don't think there are any times when Ladybug invites feedback from Chat Noir unless you want to give credit to the end of Kuro Neko:
Cat Noir: (lands next to her) I've been a really temperamental kitty, m'lady. I didn't realize how much trouble I'd make for you by giving back my Miraculous. Ladybug: (sits closer to him) Just because I don't need you all the time doesn't mean that I don't need you at all, Cat Noir. No one could ever replace you.
Which isn't Maribug inviting him to tell her what's up, but she is clearly willing to listen to him and reassure him, further backing up my point about this conflict being some of the worst writing I've ever had to suffer through. If Maribug always fixes the issue as soon as she learns about it, you are not writing a situation where she's clearly in the wrong. You are writing an easily solved communication issue where she gets blamed for something she clearly doesn't realize she's doing wrong and it is so frustrating!!! I feel so bad for her. The next episode is Penalteam, btw, which starts the battle with this gem:
Ladybug: (laughs) Nice scare tactics, but it's not gonna work. Cat Noir and I are the best at soccer! Cat Noir: (Whispers to Ladybug) I don't know a thing about soccer M'lady. Maybe it's time to call the real team?
And basically just spends the whole episode making Chat Noir seems like a worthless partner while Maribug tries her best to make him - and everyone else - feel special.
Oh, and the episode before Kuro Neko? Well, it's technically Ephemeral, but that got magically overwritten so let's go one further back and we get to Dearest Family, which ends with this:
Cat Noir: (grabs a golden paper crown on the coffee table) Since I'm the king, (wears the crown on his head) would you be my queen, Ladybug? Ladybug: With pleasure, kitty cat! Tradition is tradition!
Oh yes, these two are in such conflict and Maribug does nothing to validate Chat Noir. He's in pain every episode and she's just totally oblivious to it.
If that was what they wrote, then I'd probably agree that we needed more instances of her asking if Chat Noir was okay. But it's not what they wrote. If you look through the list of season four episodes, you'll find that less than half of them deal with the supposed conflict of the season (by my count, only 8 of the 24 episodes before the final actually showcase the conflict and they are not in a logical order in terms of escalation as I tried to demonstrate above). The rest of the episodes flat out ignore it or even straight up work against the conflict like when Ladybug says this to Chat Noir in Guilttrip: "I probably don't tell you this enough, but I couldn't do this without you. And it'd be a lot less fun too."
Seriously, what even is this season? What is the conflict supposed to be? Because it sure as shit isn't Maribug undervaluing Chat Noir, if memory servers, season four sees her validate him more times than any other season. And it isn't her guiltily hiding things from him like so many fanfics claim because we have multiple points of evidence that prove that she's completely oblivious that there even is a conflict. So what conflict are the writers actually trying to write?
What's even more baffling is that none of this logically leads to the loss at the end of the season:
Maribug's new secrets didn't lead to her downfall. The only reason she lost was because of the secret that's always been there - a fact that's never revealed to her - and a freaking evil twin! So why did it matter that Maribug was keeping secrets? This is made even worse by season five maintaining all of the secrets, once again begging the question of what lesson were we trying to teach here???
Chat Noir wasn't needed for the final fight of the season, Maribug only needed the powers of a few of the temp heroes to win, a baffling ending to a season whose focus was Chat Noir feeling unimportant. You could scrap that conflict entirely and the ending would not change. In fact....
Adrien quitting to be nothing more than a good little boy who obeys his father would have actually saved the world from eventually being rewritten. If you think about it, the season four final actually punishes Adrien for being defiant. So does season five as, if Chat Noir had quit, his father would still be alive. I thought this show was supposed to be a romcom, not a tragedy. Why is Adrien being punished for being a hero? Is this supposed to be karma for lying to Ladybug with the whole Catwalker thing?
This shit is why I say I'm a writing salt, character sugar blog. I can't get mad at the characters when they're in such a nonsense story where things never logically tie together. They all deserve so much better.
None of this is meant to imply that ignorance is a blanket excuse for hurting others. Nor is it meant to imply that you have to forgive someone who hurt you just because they didn't mean to. There's a ton of nuance around these topics. But season four acknowledges none of that nuance while creating a situation that desperately needed nuance because there was no clear right and wrong here. Should Maribug work to be more away of others feelings? Sure, but that journey can only start after she's made aware of her faults and no one ever points them out to her. Does Chat Noir need to work on clearly communicating his needs? Desperately, but no one is teaching him that lesson so he remains a terrible communicator who suffers in silence. What impressively bad writing.
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doctorsiren · 7 months
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I saw an interesting post a while back that said “Capcom made us [Miles and Diego/Godot] only have like two(?) interactions because they knew we would be unstoppable with a brother dynamic” and tbh it stuck with me bc it was intriguing.
So yeah that potential brotherhood, but that Godot/Diego AU I made (that I still need a name for)
Also I bet Gregory Edgeworth would have smelled like a bit like coffee, and so Diego just reminds Miles of that comforting presence 😭 (the von Karma estate was a tea household, so he didn’t smell much coffee after DL-6 and didn’t realize how much he missed it/reminded him of his father)
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poorly-drawn-mdzs · 9 months
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Cultivator and Lawyer, Elle Woods (& Her spiritual dog Bruiser)!
Part 2 (soon)
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godofstupidsentences · 6 months
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The Ballad of Songbirds and Snakes, Suzanne Collins / Antigone, Sofocles
How do you mourn a brother you wanted dead?
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puppyeared · 10 months
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The garment, worn by those in good standing with Hyrule royalty, has been reworked with the latest improvements, such as a new shoulder guard.
#I miss my wife tails. I miss her a lot. I’ll be back#I love the champions leathers design but the story behind it is so sweet too like. she wanted to thank him so she went and#got some improvements added to it?? and she wanted to see his face when she surprises him with it hello?????#I think my favourite part is the half chest just for angst. I like imagining she was very particular about the armour placements#and had a chest piece added because yknow. right over the heart might I add#originally I wanted this to be more angsty but halfway through I was like wait this would completely miss the point#in my mind the armor isn’t just ‘I don’t want you to die again’ but also ‘I want to keep you safe as best I can’#in her diary she was like links armor is wearing down so you know what? I’m gonna add more armor to better protect him!!!#and with her upbringing in mind (and the conversation she had with him about whether he would still choose to be a knight if things were#different) she could have totally asked him to stop doing it altogether. but she made the armor for him instead#sidenote she also got to be a teacher and scholar like she wanted and that is so. dont look at me I’m crying#I don’t know if ANY of this makes sense I’m just rambling. yes I wear the champions leathers every chance I get why do you ask#btw if you squint the leathers chainmail and sweater are taken from the hylian armor chestpiece! slightly modified on the tunic but cool#my art#myart#tears of the kingdom#totk#totk spoilers#totk zelda#totk link#botw spoilers#botw#breath of the wild#loz#loz fanart#comic#tw blood#blood
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posletsvet · 9 months
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Was anyone going to point out to me that the reason why curses were swarming the streets and filling every empty nook and cranny in the summer of Geto's spiral was actually Gojo Satoru?
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The narrative already bears witness to how Satoru's mere birth tips the balance of the world. As the first Gojo to be born with both the Limitless and the Six Eyes in what is almost a half-millenium, he holds unparalled power. Him simply existing is enough for curses to spring into action and start growing in strength as well.
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When he suffers a crushing defeat by the hands of Toji and subsequently thrusts himself vigorously into perfecting his technique, this rapid increase in his strength puts into motion a similar process. He becomes stronger, and so cursed spirits follow suit. He breaks the fragile equilibrium, and cursed energy seeks means to restore it.
First time Satoru Gojo changes the world, he is named the strongest. Second time Satoru Gojo changes the world, he becomes the strongest.
Now, this might be a bit of a stretch on my part, but what if Geto's defection and everything in its aftermath is how the world responds to Gojo being the strongest? After all, you cannot balance the scales by putting too much weight on just one side.
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Suguru's abilities as a sorcerer are inherently deeply tied to Satoru's, and intentionally so. The stronger he is, the more potent the curses are -- and therefore the more potential there is for Geto's technique. I have said it before and I'll say it again: they are a perfect counterbalance to each other. The equilibrium is broken by Gojo twice. Each time, Geto is there to restore it: first by being born with the ability to manipulate curses, then by creating the opposition to jujutsu society, which Gojo has become the centrepiece of.
Ever since Suguru Geto entered the narrative, he has been the one to keep Gojo's powers in check -- hence preserving the balance. That's why the narrative brings him back: in order to be well-balanced, it needs both of them to be present.
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kanansdume · 1 month
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I've recently been watching these very interesting Star Wars video essays on YouTube (yeah I know, a rare breed) and it brings up these comments Lucas has made about how he views Star Wars as almost like a silent film in terms of how important the visuals are to him in comparison to the dialogue. But this essay also points out how important Lucas finds all of the "rhyming" moments in his trilogies and the way he utilizes them to remind you of something else for emotional or thematic reasons. And there's so many of them, both in visuals and in dialogue, and it's interesting to consider how important this is to him, the repetition for a purpose as well as the storytelling through visuals above everything else and then to look at Star Wars since the Prequels came out and realize how little has really been able to match up to those ideals since then.
The ONLY thing that's come out since the Prequels that I think really hits these two things the same way is, in fact, Andor. One of the things I noticed about the way people discussed Andor as it was airing in a way I haven't really seen for any of the other shows or films was the visual SYMBOLOGY. So many times I saw people noticing the Imperial cog everywhere, from the aerial shot of Narkina 5 as the prisoners escape to the architecture of Mon Mothma's house. There were people picking up on the use of items in Luthen's shop that are familiar from other things to give this idea that Luthen is from another time, he's attempting to preserve this world he lost, that if you're not looking closely enough you won't notice what he's really saying or doing with this shop. The color choices for the different locations and people got analyzed because the people involved spoke about how they intentionally utilized color to SEND A MESSAGE about the characters and the world. We know that the people who made the costumes and sets really worked hard to treat Star Wars almost like a period drama and study the history of the franchise as if it were a real place so that the things they came up with felt like they belonged in this world everyone knows so well even if it's completely new. And of course there were all of the myriad references to things from Rogue One, the constant repetition of "climb", the sunset on the beach, etc.
Nearly EVERY SHOT in this show was created with so much intention behind it in order to say something meaningful about the characters, the world, this specific story they're in, and the overall saga of Star Wars itself. It's insane how much greater impact this show was able to achieve through the incredibly careful usage of visual symbols and thematic repetitions, much like Lucas did before them. It feels like they didn't just study the history of the galaxy far far away, but they studied the history of STAR WARS and what Lucas was trying to do and say with this story. They peeled back his onion a bit more and were able to create something that really has that same visual feel even when it's not created for a child audience. It also is experimenting with its narrative style through its structure and through Cassian's character being allowed to be somewhat more reactive than proactive, and while that didn't work for everyone, it does feel like it's following in Lucas's footsteps of experimentation through Star Wars. Push the boundaries of what Star Wars is and can be and what you can say with it.
But this only works because they peeled the onion back enough to TRULY understand all of the messages Lucas was sending with it. They got the heart of Star Wars and despite its lack of space wizards, despite the lack of most major characters in the Saga, this was a show that honestly got the message more than just about anything else Star Wars has put out since the Prequels. The choices between selflessness and selfishness, the themes about how you always HAVE to make a choice even when it feels like you don't have any (sometimes ESPECIALLY when it feels like you don't have any), and how important it is to make sure to choose the path of compassion above everything else. The themes of connection to others, the symbiotic circle and the impact even the smallest person can have on world around them, it's RIGHT THERE and it's CENTRAL to Andor's storyline.
So yes, it experiments a little with narrative structure, but it's possibly the most Star Wars thing to exist Revenge of the Sith because it honestly truly GETS what Star Wars was about, both in its themes and in its filmmaking. A lot of people said that Andor didn't feel like Star Wars to them, usually because of the lack of space wizards and the fact that it's not a story aimed at children. But to me, Andor is EXACTLY what Star Wars is and has always been. They're stretching the boundaries of what Star Wars can be, but it's saying the exact same things Star Wars has always said, it's just saying it slightly differently. This doesn't feel like fanfiction to me, not really. Unlike things like the Mandoverse or the books, Andor isn't just taking some of the toys out of the sandbox and going to play with them somewhere else. Andor is IN that sandbox. It's building a slightly different sandcastle, but it's still within the sandbox, using the same sand that Lucas did.
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marypsue · 6 months
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Because I am literally never not thinking about weird meta, blurring lines between reality and narrative, and the whole concept of actors becoming their characters, I am now entertaining thoughts of a Shadow of the Vampire-style story wherein a late-2010s-style all-female The Lost Boys remake gets derailed when the lead actress suddenly starts not showing up to shooting because she's sleeping all day...
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1v31182m5 · 1 month
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"Damn these humans just ain't it, I think I'll just- *leaves own tribe*"
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Re-design of my un-named Beetlejuice OC from back when I was thirteen
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Original Reference under the cut:
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#my art#beetlejuice#toonjuice#beetlejuice cartoon#beetlejuice fanart#beetlejuice movie#procreate#I don’t really make OC’s for fanwork anymore… but the ones I had when I was younger almost never got named 🥲#When I first made her I really really liked her- and her story was very self indulgent#Looking at it now is almost way too weird for me… (and honestly a little unintentionally homophobic???)#Basically she was one of the girls from Dante’s inferno… except she got kicked out because she only had attraction to girls#(This was BEFORE I suspected that I was a lesbian— mind you.)#Yeah but anyway she went to the Deetz/Maitland house looking for a place to stay but drove everybody crazy#She was super flamboyant- loved everything pink n fluffy- and was well meaning but did more harm than good trying to do nice things for the#She had this one sided crush on Delia??? Like musical Beej and Adam except less perverted and more flirty/sappy? I was an odd kid- okay? 🥲#Anyway… the old design didn’t really do much to show off her personality… so I ended up upheaving the whole thing#So I upheaved the whole thing.#It was okay for what I knew at the time- but I know what I was trying to say then and now I have the knowledge to say it better#Also— the reason I gave her horns here is so silly.#When I was younger I was in a Christian school where I wasn’t allowed to draw witches-ghosts-demons-etc.#So even though I based her on the Dante girls… I refused to give her horns because I thought that was ‘too sinful’#I even remember having so much guilt while looking for references of the Dante workers#I couldn’t even look for more than five seconds!#Anyways… she really pushed the boundaries for me at the time and it’s fun to see how I’ve changed and grown since then.
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bonefall · 7 months
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Super interested in how you plan to write Leopardfoot! I feel like both fanon and canon tend to make her into a sweet mom(tm) who’s super sad that Tigerstar is evil, very similar to how Goldenflower is usually treated. What’s her thoughts on Pinestar and him leaving? How did she influence Tigerstar? What are her political beliefs?
Society has progressed past the need for sad moms who stare tearily at their evil sons and boohoo about all the murder. It's MOTHER AGENCY TIME
BB!Leopardfoot was FEROCIOUS. Her father was the indominable Adderfang, and he taught her about the importance of honor and glory. When Tigerpaw was given to Thistleclaw as an apprentice, she was proud of it. It felt perfect to her-- that her father's apprentice was now her son's mentor.
For his brief rule, she supported Sunstar completely. It helped that he came after the disastrous and embarassing exit of Pinestar, which ruined the legacy that she wanted him to give her son. Pinestar was a damn coward and a codebreaker... and she assured Tigerkit that he was more HER son than his.
She even gives him a life, for Legacy, in defiance of StarClan
She was friends with Bluemoon for a time, but after ascending to StarClan, she learned about the Forget-me-nots.
This changed her opinion of her. Leopardfoot supports Thistle Law, STRONGLY so.
She supported THISTLECLAW when he tried to forcefully void the Queen’s Rights. If Bluemoon hadn't broken the code, then what did she have to hide?
She backed off when Thrushpelt leapt to her defense though, "She didn't reveal it because she doesn't love me are you happy now??"
Leopardfoot: *awkwardly turns away feeling like an asshole now, tea SPILLED, her friend's dirty laundry EXPOSED, thought she was crusading for the law but she just dug up drama*
Towards the end of Pinestar’s reign, he was getting exhausted. He wanted peace. Leopardfoot wanted kittens around that time, and figured that there was no better cat than the son of Oakstar, architect of the infamous Crusade Era.
If Pinestar had no children, a glorious bloodline would have died out. She wanted it for her kits. Pinestar agreed on the condition that he would be their Mi, which she happily accepted.
So when Pinestar left, she jumped into the nursery to take over and had to explain to her kits where their Mi went.
She drove it home to them that he abandoned everything, because his weakness took over. They would never be like him, she promised.
Mistkit died very young. Nightpaw made it to apprenticeship before she also succumbed. Tigerclaw remembers very well how hard it was to lose his sisters.
Leopardfoot herself was taken shortly before TPB, in Spottedleaf's Plague. Her death causes Tigerclaw to have a bit of a moment.
After the trial in Bluestar's Flowers, Leopardfoot leaves StarClan along with a bunch of other Thistle Law supporters, including Thistleclaw himself. She joins the BOTTE at the end of OotS, fighting to the end with her son.
She misses him a lot, and remains in the Dark Forest to the current arc. She chose her path; and has the dignity to walk it.
She does miss StarClan sometimes though, and will tell you stories about it if you ask.
In terms of demon friends, she's somewhere in the clique between the harsher and softer spirits.
She dislikes Morningstar, Cloudberry, and Ryewhisker on the softer end, and has come to resent Thistleclaw and Finchflight on the other, but likes Darkstripe, Leopardstar, and Silverhawk.
Gets along with a range of "mid" level demons.
In particular I imagine she hangs out with Darkstripe a lot. Taste test buddy, he asks her to try his experimental recipes because she's honest but not mean. One of the few Thistle Law supporting cats he hangs out with after the double-death of Tigerstar.
He calls her Lefty. Her official nickname is "Left" but he calls her Lefty.
(Clanmew: her name is Saorpwyyar. Others call her Saopr. He calls her Sapyy.)
Her mom and dad Swiftbreeze and Adderfang are here too, following Thistleclaw like she did, but she's been minimizing her contact with her dad. She feels like she is owed an apology somehow but also doesn't have the emotional intelligence to know that it's what she wants.
She just knows that she feels really bitter talking to him, and that's unpleasant.
She used to be VITRIOLIC with Pinestar, who is also here, even going after him physically when he chose to join in with the Dark Forest trainees. But now... honestly so much shit has happened, she just doesn't like seeing him. She wishes he wasn't here.
I write her being very dignified. She doesn't like to admit publically she was ever wrong and speaks with confidence, quietly backing off and not wanting to speak about her mistakes. She loves her children and her family, but explores the world in a very "self-centric" way, trusting her feelings and personal judgement over anything logical.
A reactionary sort of person, if that makes sense.
Her Land Mar has to develop over time because she is an ex-StarClan migrant (damned souls get theirs instantly after judgement), but it's called the Fence Cliff. It's a picket fence that blocks off a sheer drop, making a sharp turn down the cliff face and acting as a walkway. Follow the fence down the slope, and you can access the Dark Forest's town biome.
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stxrry-dxys · 3 months
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i’ve seen a few people complain that annabeth hearing luke’s betrayal doesn’t make sense for her upcoming characterization of believing he’s not truly lost but doesn’t this??? make more sense than in the books??
in the books percy says luke poisoned him and she just believes him no hesitation because luke has “been bitter towards the gods for a long time” but luke is her family, and as much as she cares about percy, she just met him. having her hear luke’s admission, and his desperation to recruit percy makes her recognizing him as the traitor (which is something she does do in the books even if she tries to hope for better) much more believable.
and her still trying to hope that her brother, her friend, her family is still in there still makes sense. she heard his reasoning, she saw his face when she knocked his sword away. she knows the 14 year old boy she first met is still in there. but now i’m not expected to believe that she just accepts him being the traitor with nothing more than a pair of shoes and a scorpion sting.
i feel this just works better for that part of the plotline, because in the books she still knows he’s bad and that he’s working for kronos, but that doesn’t negate the five years she spent with him before all of that. and that’s going to be true in the show too.
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gojosbf · 3 months
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with gojo, geto and even kenjaku dead, do you think satosugu's story is completely over? because for me personally, if this is the end of their story, it feels kinda unsatisfactory and inconclusive. i hope we get more content and there are so many questions about their story that still need to be answered. i dont expect gojo's censored last words to geto to be revealed ever but i hope we get at least a somewhat conclusive ending.....
Their story had a conclusive ending, they're not the main characters so no matter how much we crave for more bits of satosugu this is what we have and this is how they ended. I don't necessarily find it unsatisfactory considering both of them served their purposes and we got another top notch satosugu angsty crumb till gojo's last breath (that panel of him saying "my only disappointment is that you weren't there to give a slap on the back" and geto's tears). I don't think we should drag it out or find any other means to insert more stsg when it isn't even their story, sad but true. This is it for us, they happened, it was beautiful and then it ended.
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prettycoolducks · 4 months
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just finished playing portal revolution. I like evil science lady and her rabid vacuum cleaner
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