"Damn these humans just ain't it, I think I'll just- *leaves own tribe*"

Do you have any fav anime dads?

ok so i am going to go out on a limb here and assume you would like for these dads to be somewhat respectable father figures, as i Have been prone to liking some of the more questionable ones (tho purely for purpose of exploiting a good tragedy!), so i hope the following are perhaps enjoyable to you as well as new. i tried not to go for the standard and popular ones bc lbr, that would render the point of this list moot 

seiji (balancing toy, yamakawa aiji) - one of the sweetest father figures i’ve had the pleasure of reading about. i can’t necessarily go into detail about why i love him so much without spoiling the series, but i love him bc it’s rare to find a story about a step-father and his step-daughter that doesn’t devolve into the prevalent pedophilic trend. he’s patient, kind, and feels almost like his step-daughter’s best friend, and it’s so sweet seeing the two of them try to parse what exactly they mean to each other in terms of their mutual trauma, bc his wife (and his step-daughter’s mother) has been dead for ten years. they wonder if their connection to each other is strong enough despite the person who forged it no longer being there, and it’s really wonderful to see that parent-child relationship between them mature 

tsutomu mukae (kids on the slope, yuki kodama) - admittedly, tsutomu’s role in this series isn’t super pronounced. he’s not someone who moves the plot forward nor is his own fate important in the grand scheme of things. rather, he’s a constant to return to for the primary characters in the narrative. he’s wise, he’s stable, and most of all, he’s not judgmental. these kids go through such harrowing identity crises over the course of the story, and he’s always there to joke around, to ease the burden a bit on their shoulders, to just jam out in the basement below and let the music take over. he’s a father figure whom they can depend on, and i think it’s also interesting to view the tragedies of the kids through his own lens, bc he’s helpless to stop some of their plummets, but he loves them and cares for them nonetheless 

kohei inuzuka (sweetness and lightning, gido amagakure) - one of the cutest single fathers omg! the series follows him and his daughter, tsumugi, shortly after his wife dies, and how he adjusts to being a single parent who can properly take care of her, with the focus being on him learning to cook for her. he’s rly earnest, kind, and hard working, and it’s also sweet to see how he bonds with one of his students, kotori, who’s kind of a loner bc her parents are divorced. her mother is a famous chef, so she helps kohei improve his cooking skills, and in turn he kind of takes her under his wing as a faux-daughter/big sister to tsumugi. the way the series navigates his trauma around losing his wife and the pressure of living up to her memory is rly sweet when it’s intertwined with the loneliness that both tsumugi and kotori experience, and the ending is so heartfelt! i love it 

shiro fujimoto (blue exorcist, kazue kato) - personally i’m not going to call this a spoiler bc it literally happens in the first episode/couple of chapters, but shiro’s death is what triggers the major events of the series. as such, it’s really interesting to see the full picture of his character and influence on the series mcs, rin and yukio, gradually unfold in the aftermath of his death. although he’s initially depicted to be a rambunctious priest with a somewhat perverted sense of humor, there’s a depth to his character and motivations that’s really nice to see come to light, esp bc, despite his job as an exorcist of demons, he genuinely loved rin and yukio despite them being satan’s children. there’s a huge burden that his death leaves on their shoulders, but the impact of his love on each of them is everlasting in the long run, and it’s tragic but really wonderful to see how they come to understand just how much he did for them when he was alive, and why 

kippei katakura (aishiteruze baby, yoko maki) - i’m including this on a technicality, bc kippei is a teenager lol. the series events are triggered when kippei’s aunt abruptly abandons her five year old daughter, yuzuyu, on his doorstep. despite the fact that he’s a playboy teenager with little to no sense of responsibility, he takes it upon himself to fill the role of “mother” and take care of her, transporting her to and from school, playing with her, cooking for her, etc. the new responsibility and his relationship with yuzuyu slowly shape him into a more mindful and caring person, and the impact of this can be seen not just in his growing good influence on yuzuyu herself, but in his relationships with other people. his character development and blossoming maturity are the focal point of the series, and i just think it’s nice to see how someone can step up to the task and adjust themselves to fatherhood despite such bizarre circumstances 

i am also on the fence about mentioning daikichi from usagi drop, given the whole. . . issue with that series, but at least within context of the anime only, he would probably be one of my all time favorites as well. it’s just a shame where the manga took the relationship between him and rin in the end and i truly do wish the worst upon the mangaka :) but feel free to watch the anime at your own risk! it cuts off before the manga takes a weird turn so if you can stifle your curiosity and pretend it’s the only part of the series to exist, it’s stellar lol 

"BREACH" (2007) Review

"BREACH" (2007) Review I have noticed over the years that some of the most interesting spy thrillers tend to be based upon historic fact. And many of these fact-based movie usually centered on an individual's betrayal of his or her country on a massive scale. Movie and television productions such as "5 FINGERS", "FAMILY OF SPIES" and "CAMBRIDGE SPIES" are good examples. Another is the 2007 political thriller, which told the story of how FBI Special Agent Robert Hanssen ended up being convicted of selling intelligence secrets to the Soviet Union and later, Russia.

Set between December 2000 and February 2001, "BREACH" began with young FBI employee, Eric O'Neill and two co-workers, engaged in the surveillance of a Muslim couple in Washington D.C. Eric is recalled from his post and assigned by Special Agent Kate Burroughs to work undercover as an assistant to Hanssen, who is allegedly suspected of being a sexual deviant. Despite Hanssen's abrasive personality and rants against the Bureau for its lack of appreciation toward his computer skills, Eric begins to regard him as a friend and mentor. Hanssen and his wife has taken an interest in Eric and his marriage to a German immigrant named Juliana . . . who dislikes them. However, Burroughs eventually tells Eric the truth that Hanssen is suspected of spying for the Soviet Union and later, Russia for years. The Bureau needs hard evidence - from Eric - to put Hanssen away for good. When I said that "BREACH" was an interesting spy film, I was not kidding. Frankly, I consider it to be one of my favorite in the genre outside the usual "JAMES BOND", "MISSION: IMPOSSIBLE" or "JASON BOURNE" movie franchises. I have nothing against these franchises. But . . . there are times when I do enjoy watching the occasional spy thriller that does not feature excessive violence, car chases and explosives. And "BREACH" happens to be one of those films. Instead of the occasional action sequences; the movie featured good acting, first-rate suspense and more importantly well-written drama."BREACH" knocks it out of the ballpark with all three. There are those who will probably dismiss the suspense aspect of the movie's plot, considering that audiences know the outcome and Hanssen's fate. But there is suspense. The story's mystery centered on how Eric managed to help the F.B.I. find evidence to arrest and convict Hanssen. It also centered on Eric's struggles to maintain his cover and deal with a perpetually arrogant and paranoid man. But what really made "BREACH" fascinating to me were the emotional consequences that Eric faced, while he played a cat-and-mouse game with Hanssen. The best example of this cat-and-mouse game was featured in a scene in which Eric was forced to delay Hanssen with a trip to a government photo session and obtain data from the latter's Palm Pilot, while F.B.I. agents searched the latter's car for evidence and plant listening devices. And even more interesting scene occurred later in the film, in which Hanssen becomes aware of the listening devices in his car and allows his paranoia to confront Eric . . . while wielding a pistol. I found it even more interesting to watch how the case nearly played havoc with O'Neill's marriage to Juliana, who became increasingly resentful over the Hanssens' encroachment upon the younger couple's marriage. More importantly, she becomes resentful toward the Hanssen's intrusions into her and Eric's religious beliefs. This tension is especially played out in a scene involving Robert and Bonnie Hanssen making a surprise visit to the O'Neills' apartment and Juliana's discovery of a video tape in Eric's possession . . . one that features a sexual encounter between the Hanssens that was taped by them. Overall, the drama did an excellent job in conveying the tensions and emotional price that Eric faced, while helping his fellow agents take down Hanssen. Where there any aspects of "BREACH" I did not like? Well . . . there are two, if I must be honest. One, I did not care for how the screenwriters handled the Rich Garces character, portrayed by Gary Cole. Honestly? It seemed as if the actor's time was wasted in this film. And for a first-rate actor like Cole, I found that rather sad. One other aspect of "BREACH"that failed to impress me was Tak Fujimoto's photography. I realize that the cinematographer is highly regarded in the Hollywood community. And I have admired his work in past movies. I did not care for his photography in this movie. I found it a bit too dark and metallic for my taste. Yes, "BREACH" set mainly set during the winter months of December, January and February. But guess what? I have encountered other movies set during the winter. And honestly, I found the photography for those movies a lot more attractive. My feelings for the performances featured in this film is a completely different matter. Yes, I was a little disappointed that Gary Cole was underused. And the movie featured some solid performances that did not exactly dazzled me. But . . . despite being underused, I must admit that I found Cole rather entertaining as Special Agent Rich Garces, whose amused and laid back attitude toward Hanssen seemed to ruffle the latter's feathers. Bruce Davison had a nice appearance as Eric's father who gives the latter some wise advice. Dennis Haysbert's portrayal of Special Agent Dean Plesac also struck me as pretty solid. But in one particular scene that featured Hanssen's arrest, I was impressed by how Haysbert expressed his character's mild disgust and disbelief over the other man's refusal to face the reality of what was going on. Kathleen Quinlan gave a very interesting performance as Hanssen's wife, Bonnie. Regardless of whether or not Mrs. Hanssen knew about her husband's espionage work, I must admit that Quinlan did an exceptional work in conveying a subtle perversity in her character's personality that I found rather disturbing. It must have been somewhat difficult for Caroline Dhavernas to portray Juliana O'Neill. In the hands of a less skilled or less experienced actress, Juliana could have come off as a shrewish wife who seems incapable of understanding her husband's profession. But Dhavernas managed to avoid that one-dimensional portrayal and expertly convey how much the Hanssens' intrusions and Eric's continuing privacy had put a strain on her psyche. I cannot deny that I found Laura Linney's portrayal of Kate Burrough, Eric's F.B.I. handler, very interesting. And very complex. Linney's Agent Burrough bridled with righteous anger at Hanssen's betrayal of his country. Yet, she skillfully balanced that anger with a world-weary cynicism toward Eric's initial naivety that I found fascinating to watch. There are times when I find myself wondering if Ryan Phillippe is underrated as an actor. Personally, I never have. And his performance as Eric O'Neill has only confirmed (at least in my mind) that he is a superb actor. Eric O'Neill might be one of the nicest characters he has ever portrayed. But thanks to Phillippe's complex and intense performance, the character also proved to be interesting . . . especially in how he dealt with the stress of serving as Hanssen's aide, while investing the latter; and how that stress put a strain on his marriage. Also, Phillippe is such a strong actor that it is obvious he had no problem whatsoever in keeping up with the more highly regarded Laura Linney and his main co-star, Chris Cooper. Speaking of the latter, I am still disappointed that he was never recognized for his portrayal of Robert Hanssen with a major acting award. He really deserved it. More importantly, I regard Robert Hanssen as one of his best roles. I thought Cooper was outstanding as the paranoid Hanssen, who seemed to be a curious mixture of the dedicated and morally pure Federal agent; and the perverse and paranoid man, whose ego led him to commit a major betrayal against his country. Cooper really knocked it out of the ballpark. Overall, I would highly recommend "BREACH". Is it historically accurate? Of course not. I have yet to see a historical drama that was. But "BREACH" is such a fascinating tale, thanks to Billy Ray's direction; a tight screenplay written by him, Adam Mazer and William Rotko; and superb performances by a cast led by Chris Cooper and Ryan Phillippe that it was inspired me to visit my local library and read more on Robert Hanssen and what led to his capture.