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#be the one to always come back and roman wanting his approval and the scene in the s3 final where he’s trying to do it again and shiv and
milktea-grn · 1 month
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norahastuff · 11 months
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So I guess the overarching message from finale is that you really can’t make a Tomlette without breaking any Gregs? Oh and Stewy kisses boys when he’s on molly. Quality content! Every moment of that episode was so damn good. Shiv, after all her efforts, ending up in a broken marriage playing second fiddle to a man she has always seen as beneath her. And Kendall, oh, Kendall. It was always going to end for him at a board meeting, wasn’t it?
And then there’s Roman. I’m so fascinated by his ending. He started the show walking into a conference room, calling the company a cage and proclaiming that it was all bullshit. And yet, he craved Logan’s love and approval so badly, he walked straight into the cage, even though he knew it would never be enough. Logan would never choose him. No matter how badly Logan hurt him, he’d never stop wanting his love. He’d take whatever pain Logan heaped on him and still come back for more. And Kendall knew that too. God, remember how angry Kendall got when Logan hit Roman and knocked his tooth out? Kendall was basically a zombie doing his father’s bidding at that point in season 2, but the second Logan raised a hand to Roman, he leapt up and started yelling at Logan to not fucking touch him. It was so fast you knew it was instinct, something he’d experienced a million times before.
Then in the finale when Kendall sees Roman fall to pieces at the idea of seeing Gerri, he knows exactly how to get him to fall in line. He hugs him, he uses the embrace to force Roman head into his shoulder to tear his stitches out. Abuse and pain, it’s all tangled up for Roman and Kendall knows that. Jesus, that fucking scene. Kendall had never raised a hand to Roman, always been furious about his father’s abuse, but he’s channeling Logan here, and what would Logan do? He would make Roman bleed.
And it works, of course it does. Roman can’t help it. He’d spent his whole life prostrating himself at the feet of his father, and now he’s given himself over to his successor. He’s stuck in the cage forever. But then Shiv tears it down. Kendall’s not Logan. None of them will ever be Logan. They’re bullshit, Roman realises. All of this is bullshit. They’re not serious people.
The final shots of Shiv and Kendall are so goddamn tragic, but not Roman. He sits at a bar, and he smiles. There’s no more cage. He’s freer than he’s ever been. I’d be inclined to believe he’s forgetting everything he’s tried to do over the past few seasons, and go back to being the same guy he was in the pilot if it wasn’t for one thing: he orders a martini.
Roman may say he’s bullshit, that his father, his siblings never saw him as anything more than a worthless idiot, but you know who did? You know who was the one person who genuinely believed in him, who took him seriously, and thought he was good enough to win the whole damn thing?
Gerri was always there for him. She was all in as his partner and was willing to be there with him till the end. And then he fucked it. God he fucked it so badly, but even at the end she still tells him “I could have gotten you there.” She still saw something real in him. 
So, his father, his God is dead. Waystar’s dead. Roman’s officially done. Who knows where the fuck he goes from here, but something he’s taking with him is Gerri, and all they went through. This time he goes forward knowing that there is someone out there who saw him, saw all of him, knew exactly who he was, and still thought he was worth something anyway. So he goes to a bar, orders Gerri’s favourite drink and smiles. Rockstar and mole woman. He’ll always have that.
Fuck, I love this show. I already miss it so much.
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abby420 · 7 months
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SUCCESSION HAS DOG MOTIF???? this is convincing me to watch it even more isn’t it
yes!! and it's one of the heaviest and most consistently used motifs in the show! there are many references to dogs throughout the show and its often used as motif for the siblings (kendall, shiv, roman, and connor) and their abuse. though roman is most often the target of the dog motif due to being the "weakest dog".
one of the earliest uses is in episode 1.08 in which roman confronts kendall about a game they used to play as children where kendall would lock roman in a cage for hours and make him eat dog food (it's later revealed it was cake. not dog food.) kendall insists roman enjoyed the game. i'll insert a ss of the script
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later roman confronts his other brother connor about the game
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in which connor reiterates that roman enjoyed it and even asked to go in the cage (feel like i should also note that roman has previously described waystar [their father's company they are all fighting to inherit] as being "like a cage" to him. the cage is also often used as a metaphor for the abusive cycle they are all stuck in.) after which connor states that dad sent him away to military school because of this and that "dad's theory was you have two fighting dogs, you send the weak one away. you punish the weak one."
another one of my favorite uses is during a conversation between shiv and her mother in which her mother confesses that she believes she never should have had children, that she should have had dogs. shiv says "well you could have had dogs" to which her mother responds "no, not with your father. he never saw anything he wouldn't kick, just to see if it would still come back."
the children are all his dogs that he continually kicks to see if they'll come back. and they do. they are his loyal subservient dogs. he kicks them and they come back obediently wishing to be wanted. they're desperate for his approval. they are his beaten dogs that keep coming back for more! and the cage is waystar! and the cage is the abusive cycle! and they won't leave the cage! even when the door is wide open.
here are some other honorable mentions of dog references i won't go too deep into analyzing (unless anyone wants me to lol):
this quote from roman: "guess i finally broke out of the cage. can't keep a good dog down, right?" spoiler alert: he did not in fact break out of the cage.
this quote: "can i stay? but with you as a human dog, just at the foot of your bed?"
"he looks like a dog without a person"
the use of mondale - shiv and her husbands (tom) dog who is always seen in his cage in their living room. tom often uses mondale to project his feelings onto
there is a scene in which roman throws himself in a crowd of protesters and ends up injured, you can hear a dog whimpering in the background.
annnd many more!
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kittttycakes · 8 months
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Yesss! Ever so slightly inhuman Morpheus!! 🤌🤌
And omg. I think I really need some kind of Hob as the champion of the Dreaming or something, fighting for Morpheus.
Just had a mental picture of an ancient Roman gladiatoresque scene with Hob fighting in the arena, all sweaty and dusty (and victorious) and Morpheus lounging on a throne overlooking it all while Grace is reclining at his side draped in silks and not much else.
Also, Hob bare knuckle boxing? Heck yes!!!
Does the Dreaming or anywhere else ever host tournaments? Would Morpheus and Grace give Hob their blessing to enter?
Thank you so much for the description of their rings! I love those for them so much!!! Where did the rings come from? Are the ones Hob gave Grace keepsakes from his past? Did they go shopping together? Did Hob just surprise Grace with them? I’m assuming Morpheus made the ones he gave Grace and Hob? Or did he commission the finest jeweller in the universe to craft them?
If answering these questions would be too spoilery then I am content to wait!
Hob would love to fight for Morpheus, let’s be honest here! It’s a tangible representation of his love and is something that only he can give him, because who else can match that level of (maybe just a little unhinged) devotion and loyalty? He wants to be his champion, he wants the armor and a sword and his lord’s favor, and off to battle he’d go!
I am, however, obsessed with this Ancient Rome flavored gladiatorial fantasy. Hob would look so good. The chest hair on full display? Now that’s what I’m talking about. Morpheus is also very, very good at pulling a very regal and imperious face when he needs to, and that would come in so handy here. He’d try so hard to be detached and aloof, but when Hob is besting challenger after challenger? He’s not immune to that. And you throw Grace in there, in some dubiously historically accurate, gauzy slip of nothing, lounging on some velvet cushions with her hair undone and as much gold on her as she can comfortably carry when she moves? Morpheus has wonderful self control but it can only hold out so far.
I have such A Thing for boxing (it’s the hands. It always goes back to the hands) and really any kind of close quarters, hand to hand combat, but I would also love to see Hob in a more traditional, tourney style setting. In so many ways, the Dreaming is a realm of fantasy, and it wouldn’t take much persuading to convince Morpheus to hold some kind of tournament. Or maybe it’s arranged as entertainment by visitors from another realm, and Hob enters himself in? Grace is immediately down. She knows Hob, she trusts him, if he says he can win, then he’ll win, and she gets to see him up close and personal with a variety of weapons? She’s already giving her approval, signed, sealed, and delivered. Morpheus is slightly more pessimistic: not about Hob’s skills, but about the vulnerability that comes with having someone he loves in a position like that. Hob can’t die, but that doesn’t mean he can’t feel pain, and the idea of that is very upsetting to Morpheus. He would ultimately give in, if only because Hob wants it so badly. Hob, of course, does win, and also probably makes at least three friends.
The fede ring is one Hob picked up along his lifetime post-1689 and held onto for the right person (he found her, it just took a little while)! I think their matching bands Hob and Grace did go shopping together for, because they wanted to match the gold tone of her engagement ring, and they both insist on getting a third in a very roughly estimated size for Morpheus, because even if he never wears it, they’re all part of the deal together (he doesn’t take it off once he has it and he sizes his own hands to fit it perfectly, but they weren’t far off on their sizing guess). The ruby rings he definitely made himself, so they are technically dreamstuff! They might not contain any of his powers, but they do have a little bit of his (strictly metaphorical) heart in them.
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wonderpommey · 2 years
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Another long S3 rant, this time on how Shiv & Tom and Roman & Gerri's relationships have been paralleled this season - in which both Roman and Shiv ended up metaphorically killing their father and what it meeaaaaans!
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The siblings' unconscious reactions to their father have arguably made them seek the relationships they have ended up in.
Roman performs a lot of his toxicity publicly. His misogynistic comments often feel hollow "Have you seen who he's fucking?" in the Roman/Matsson/Logan scene was hilariously put on. Privately, he yearns for a genuine love connection which isn't the take & discard kick it to see if it comes back with the hot, young, underling type women relationship his father parades around. And it's no surprise that the more fatherly approval he gets, the more toxic he becomes (episode 6/7), whereas the more rejected by him, the more capable of connection he is. In both S2 and 3, it's after standing up to Logan for Gerri that he is able to show care for Kendall, who is possibly his only other loving relationship in the show. In the infamous confession scene, Shiv is cold and further apart. She performs sympathy but Roman is the one who is close, comforts and touches.
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Whereas Shiv presents a softer more progressive side to the world, her defence mechanisms have made her as hardened and toxic as Logan; She treats Tom like Logan treats his romantic entanglements, she's prepared to throw Gerri/cruise girl to the wolves, assassinates Kendall in a vanity fair letter her brothers refuse to sign...
Because they both have the 2 sides of their personality, they often feel quite similar when in fact the two siblings are complete opposites and in opposite relationships. Public vs private, put on vs genuine. Roman's relationship with Gerri is private and reciprocal even if not on the same level. There's nothing keeping them together or doing things for each other than their desire to do so. In fact, as Jesse Armstrong says, it's dangerous to both and even more so to Gerri. Shiv's relationship to Tom is for appearance sake and that's who she's supposed to be ; the doting, loving wife who can maintain a balanced relationship "I'm the one in the functioning relationship" she boasts to Roman.
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^ Shiv and Tom's "functioning" relationship
Interestingly, at the end of the season Roman/Gerri become a bit more official (everyone know Roman has pestered Gerri at least), whereas Tom/Shiv go back to more privacy (I doubt Shiv will tell her brothers about Tom. In fact, while Ken is comforting Roman, she moves away from them as she finds out about Tom, not needing anyone to handle this betrayal.)
All that being said, I don't mean that Roman is a kinder character than Shiv. He also fails to consider his partner's actual needs. He's almost forcing his vision of their romantic entanglement on Gerri. As a sympathetic viewer, we get where he's coming from, because she always gives him the opening he needs (no mess, back-channelling Laurie etc.). Plus, as Jesse says, characters always have truths beneath the truths they tell and we've seen Gerri lie to Roman's face; "nothing unprofessional between us", "I don't know what you're talking about". An idea that she's not entirely truthful which is further reinforced by both Roman and Shiv wondering aloud if she does want the sexual side of the relationship. So we're on that boat with him, but it doesn't change that he doesn't heed her external truth, that she needs their relationship to have boundaries to survive.
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^ For this to work, we need boundaries (however if you can't do that, I'll still protect you to the bitter end)
During the phone calls that precede both siblings' attempts at a team up (episode 2&9), Shiv doesn't think about how her rebellion might affect Tom until he brings it up, whereas Roman has Gerri at the forefront of his thinking. In episode 2, he never considers betraying his dad and is very upfront about that to Kendall. Instead, he uses this offer to test his relationship with Gerri. Is he really calling the person whose career he may destroy for advice? That's not what this call is about; he's testing if Gerri can be that person who will sacrifice everything for him and go explode on that grenade if he asks her to - even though he knows that's an impossible ask. And how she uses both sides of their relationship to bring him back, when she could just have gone to Logan and spilled the beans to protect herself. Fascinating scene.
In the final episode, he doesn't call Gerri, whom he knows is with his dad, but he's the most reluctant, last to enter the car, might stick with what he's got, doesn't want to be antagonistic. He knows in his heart of hearts that Logan and Gerri can't choose to love him over the company, but he still heartbreakingly tries to ask them to.
It is literally his dad disapproving his attraction to Gerri or more generally, Logan's disapproval of who Roman is within that spurs Roman's final decision to stand up against his dad. People have seemed somewhat surprised to see Roman stand up strong against his father at the end but it isn't that surprising at all. Roman has finally been seen for who he is and he's pushed to this decision.
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I know you hate what you see, but it's the real me so what do we do?
Either living the lie of being daddy's alpha/toxic/nazi boy or becoming his own man, put his needs, his feminism (haven't we killed enough women already/I'm not a radical feminist but maybe let's not fire her) and love on the table and not backing down.
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“Deliver my soul from the sword, my darling from the power of the dog.”
The ultimate moves by Tom & Gerri are also juxtaposed at the end and are in the image of the respective relationships; Tom's is calculated and dishonest under a veneer of care, and Gerri's in truthful and sad under a layer of professionalism.
When Roman breaks down, it all registers on his face and body as he crumples to the ground, while Shiv is somewhat able to maintain that poker face.
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^ Maintaining appearances while seething with anger
Both “betrayals" were unavoidable considering the Roy’s children inability to think about their partner's place in all of this because this is almost wholly and completely an exercise in standing up for who they are. Whereas last season was about their partners; Shiv truly throwing Tom out to drown and Roman trying everything to save Gerri, this season is really about forcing their dad but also partners to accept who they are and give them what they need.
Considering Jesse’s predilection for sitting with relationships even when you think all is said and done and peel the layers like an onion, I’m fascinated to find out what that’s gonna do to both relationships next season. Will these be sacrificed on the altar of finally standing up to dad and/or falling back into his orbit or is somewhat of a happy ending in the cards for the kids (What’s a happy ending for both? I think it's along the lines of the life plans they make in episode 8. Shiv "I’m gonna fight Gerri and Roman and Ken “fuck dad”, get rid of Sid, remake ATN, destroy it - except me says Tom. Yeah too-together”. Shiv's happy ending has to involve embracing her cut-throatiness, being out for herself and letting go of her caring shackles and Roman “save the deal, fuck Laurie, lead the company into the promised land, fuck Gerri”. For Roman, well he has this drive to mix everything up business, sex, love and family but unlike for Logan business is the side dish to his desire to be loved. But to be loved you have to understand the terms of what people are able to give. I think it has to involve accepting the love he gets, where he gets it, with attached boundaries and all.
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^choppychopchop in Realm of the Senses
which probably isn't a married business partners, mutually cannibalistic, dick chopping with his parental figure lover scenario. Certainly, right now we’re pointing to a happy ending as the kids have demonstrated their willingness to be who they are even if dad disapproves, but can succession end in hope? Logan certainly hasn’t been able to overcome the odds stacked against him and nurture healthy relationships around him, but his terrible childhood has made him incredibly successful in the way that he cared about...
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shivvroys · 2 years
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Speaking of Shiv and the dog metaphor the scene where Logan starts out whining that his only daughter isn’t saying nice things about him and only gets worse kills me because she starts out a mix of defiant and cajoling (she doesn’t want to isolate Kendall! Roman is doing fine!) and ends up just that little broken and thankful daddy is protecting her
oh my god the way Logan guilt trips her for not doing that interview and then makes fun of Roman for actually doing it makes me scream. Because I think regardless of his mysoginism (like yeah of course he wants “his only daughter” to get up on stage in a pretty dress with ribbons and fucking bows and do a little jig for daddy) it boils down to him knowing that out of all his kids, Shiv is the hardest for him to control.
And in a way I also think that she’s the one he likes “kicking” the most, because she’s both aware that this is The Game™️ that they have to play in order to gain his respect, and she also never really backs down in the way Kendall and Roman do (and i just know that pisses him off so much!!!). Kendall, he knows will ultimately always buckle under pressure, and Roman has never really actively “played” his game (before “all the bells say” sure he would bite on command for Logan but he never really had the guts to actually challenge him).
But Shiv ‘youngest child/only daughter syndrome’ Roy has been the only one to consistently stand up to him. She openly mocked both his little family therapy PR stunt and the Solomon’s baby asset stripping panel in S2, she called out Logan’s bullshit about always wanting her to come into the firm, and she’s never shy to question his moves and never quick to kiss his ass. And i just know that has his geriatric ass SHIVERING and his hip replacement popping out of joint!!! In that episode he says “…I wonder ‘Does Shiv even like me?’” and it’s so fucking sad because her need for Logan’s approval is like the one thing that never allows her to show any kind of vulnerability (if she wants to be taken seriously), and here he is more or less telling her that not an ounce of it has even really mattered because she’ll always just be his little Pinky that he keeps around as a morality pet for the cameras.
It also drives me INSANE that Shiv sees through all of this and knows her dad’s stringing her along but her response is basically “sorry to all u other hoes but i’m different 💅🏼😌”. And like…just keeps getting kicked. I also think Tom played a huge role in how much she was willing to withstand though. ‘Cause she loves being the poster child for cognitive dissonance, so one of the ways in which she justified getting into the mud and fighting for a stick was her belief that she was ultimately above it all bc she managed to have a career outside of the firm before, and bc she had a “healthy, functional relationship” (🥲🤌). So I’m REALLY curious to see how she’s gonna handle not having her confirmation bias meat puppet in s4 :/
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anxiouslyfred · 3 years
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Fighting Styles
for @dukexietyweek‘s day 2 prompt of Swapping
Summary: Virgil knows how to fight as Thomas’s primary defensive side, but after a comment about Roman when they’d been sparring he decides to try and improve and be more unpredictable with the least predictable side around.
Warnings: fighting, sparring, a couple innuendos
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Out of all the sides Thomas had, Virgil was the primary defence system. He was the one on the look out for alerts and always ready to get Thomas out of there whether that was by escaping or fighting and that meant he had to know how to fight. He learnt from copying movies and paying extra attention to any fight scenes Thomas did on stage. Stage fighting would never be real, but it included at least some things that could be useful in a fight. Logan had even provided Virgil with multiple martial arts books when he fully understood the extent that he had to protect Thomas.
Roman always claimed to be a fighter, a Knight even, but for all his extravagant attempts in the imagination Virgil could never see any form or ability in the way he fought. Honestly he was convinced that Roman only knew how to fight in formal duels and made up everything else when going on quests. When he'd first been accepted he had hoped to be able to spar with Roman in real contact fights but quickly dropped the suggestion after getting taken on a quest.
“Come on, I know you can fight. There were all those books in your room last time I visited. Don't you want to get some practical experience in?” Roman was whining. Honestly if he'd known leaving the books visible on his shelf would lead to this Virgil would have buried them in the garden anytime he wasn't reading them.
He couldn't go all in for the battle. He knew too many different techniques and forms of hand to hand, aside from simply not wanting to do anything which might harm Roman. Instead for the entire afternoon, Virgil watched, played the defensive as long as he could before laying Roman out with a few repeated moves. It was learning how to fight for fun almost, with nothing at stake given Roman wasn't likely to try and harm him either.
Eventually though Roman sighed, moving away instead of asking another go. “You're too predictable in how you fight, Virge. Where's the black knight going to go if someone actually tries to attack us?” He pronounced, dusting off his outfit and looking around the hall he'd created for their fight.
“Are you needing criticism in return because I thought we're trying to be nice to the ego for a while?” Virgil snarked back, raising an eyebrow when a frown was shot at him. “Guess I'll go find Remus then. If anyone knows how to be unpredictable, it's that trash monster.”
He didn't give Roman a chance to protest that statement, sinking out immediately. It was already pretty clear that Roman would try to follow up his comment about being predictable with an offer to teach Virgil formal duelling but The Duke knew that just as well as any Prince, and would probably offer without any farce day of fighting beforehand.
“Arm yourself! I'm stealing your ability to fight!” The cry came as soon as Virgil appeared in the main living space, and he immediately ducked to the floor and rolled out of the way.
“How about you teach me yours and I'll teach you mine instead?” Virgil throws the innuendo out, hoping if nothing else the double meaning would distract Remus from the attack. It got his request out too which was useful.
Remus had already reared around, morning star above his head for another swipe. “Like Uncle Iroh? Multiple pieces mixed together to make us stronger? I got the weapons collection to prove that already.”
“Don't need your ideas today, just a fighting style to mimic. I've got my knives. You're already armed so lets focus on that!” Virgil insisted, not fighting in when he felt Remus dropping them both into the imagination. It was probably less likely to cause damage or others to get hurt if they weren't in the main area anyway.
Fighting Remus was completely different to Roman. The Prince had the forms of a knight, and was very quick with the moves, he had a sharp control that made following the movements easily and a rhythm that even if you couldn't predict completely what came next, the beat it would happen on was clear. Remus only had occasional moves the a knight might use, and none of it could be related to music or patterns at all. He was wild flung movements, already pulling some other limb into the fray and of course that included ones which rightfully shouldn't exist.
It was perfect to fight against when concerned over what dangers or attacks could happen in the real world and Virgil threw himself into it, only resisting from copying some of the moves so they could learn from each other.
“Can't decide if I want to give up and let you beat me into the ground or if I should start doing this!” Remus quipped, backing off only for a second as he changed his morning star out for knives similar to Virgil's.
A thrilled smirk found its way onto Virgil's lips. “Only if you don't mind me doing this.” He approved, letting an extra arm come out to grab at Remus's first swipe starting the fight again.
It wasn't quite sparring but fighting didn't fit when there was no malice or actual wish to hurt between them, but it was the best test for Virgil's skills and ability to adapt that he'd faced for a while. It was even better than the times that the imagination was left wild, without any intentional influence from either Creativity.
They were fighting with all of their skills but also copying things each other did later on in the fight.
“Tell me we're doing this again, or let me worship at your feet cause my knees refuse to stand from the work over you just gave me.” Remus cackled, collapsed on the floor only when neither of them had the energy left to carry on fighting.
“How about tomorrow you bring the formal duelling out and slowly introduce the dirty fighting while I start out with just my martial arts and no weapon?” Virgil suggested.
It felt like the beginning of something far bigger than a fighting technique swap, and Virgil couldn't wait for the next time Roman tried to suggest they spar. He was already consistently winning but this way the spars would be over before they began and he had an actual partner to fight beside after them.
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youwontlikethisblog · 3 years
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Forgive Me!
This is a long post, like really long so take breaks if you need them :) There's also some rants in this lol
The night started off with Betty leaving Eco Moda and Armando going to a bar with Mario where they talked about the plan. At some point Mario, seeming sincere told Armando that he was convinced and that he shouldn't go and comply with his duties as a man.
However Armando tells Mario that he can't do that and with an endearing smile told him that Betty was really looking forward to them spending time together, that he couldn't let her down.
As I keep mentioning, Armando has an EMOTIONAL ATTRACTION to Betty up to this point. That emotional attraction is what pushes him forward. He does have a physical attraction to her but it is mostly based and motivated by his emotional attraction. I think it's extremely important to understand that having an emotional attraction to someone doesn't mean you don't find them physically attractive. People usually experience physical attraction at first sight and confuse that as love, however those types of relationships don't last long UNLESS there is a strong emotional attraction and while Armando has first experienced an emotional attraction to Betty and then a physical attraction to her, it doesn't make it any less valid that he does like her and that he is attracted to her but by this stage of the novela Armando, though not completely understanding his feelings towards Betty has now come to be at peace with his emotional attraction, though he still rejects the idea of any attraction to her because he's a man obsessed with perfection.
We have been seeing Armando slowly come around to his emotional attraction to Betty and whenever they have heavily emotional conversations or they are being vulnerable it is when he seems to desire her more. The entirety of his character is that he goes from being this vain and superficial man to being a man that cares for true substance and stops being so selfish. If he were to ONLY feel physical attraction to Betty or be ONLY motivated by that physical attraction than his character would have never learned any valuable lessons in life, aside from not being a liar. However the fact that his attraction to Betty is emotionally strong and the main course of action that moves him to change and INSPIRES him to change is what makes this such an important and impactful relationship to him because he knows he can satisfy his human body, however he's never felt his emotional senses satisfied. I don't want that lost in translation when I do these breakdowns because we understand why he has denied, ignored, and confused his feelings towards Betty, however it is important to also understand that the feelings he doesn't hide away from are the ones he is slowly embracing in the past few episodes that set a foundation to what happens on the night of Betty's party.
For that exact reason we get the scenes we do.
Now that that's out of the way, lets dive in.
Armando told Mario that he thinks Nicolas is still trying to get with Betty, that he had been calling her all day long and that he thinks that Nicolas is a cansón(unbearable) guy.
Later on at Betty's house after Don Hermes gave him a tour of his daughter's degree's and such, they're sitting down while Don Hermes drunkenly tells him about Uncle Lazaro, the man who was rich and lost all his money. As he tells him this emotional story we hear a knock. Betty runs to the door and calls out it's Nicolas and Armando tries to hold his composure.
This scene is a favorite for two reasons: One Nicolas does something that Armando swore he'd never do; take a romantic serenade to Betty and Two that while Armando has said he has never wanted to meet Nicolas in this scene you can tell that he wants to.
As Betty is outside with Nicolas who is telling her that he'll behave and that he even wore his best dress to impress Armando is inside constantly leaning towards the door and looking to that direction.
When Betty finally accepts the serenade from Nicolas Don Hermes words are impactful to Armando as he gives him a nickname, which means that Don Hermes like Nicolas a lot and views him as part of the family and lastly as Don Hermes said; that the most important thing to him was that Nicolas adores Betty.
To Armando this means a lot and it does upset him.
Take a look at the scenes of this episode; Betty's dad brags about his daughter, he shows her off like the most beautiful girl to ever exists and she is(being beautiful transcends the physicality of someone). I highly doubt that Armando's parents ever do that. Roberto didn't even know what his son studied in college. Armando has a deep respect for Don Hermes and fear of him as well(it doesn't stop him from being a jerk but he has it) and for a man that brags about his daughter that way, who protects his daughter so much, and who makes her daughter be respected; to declare Nicolas as the son they never had, say he's a member of the family, give him a nickname and say that what matters to him the most is that Nicolas adores Betty means so much to Armando because he holds none of that.
Armando isn't the one they call son, he isn't a member(not yet at least) of the family, he isn't the one that adores(that they know of) Betty and has Don Hermes approval. It angers him. The post I made "Nicolas Mora Is Better Than You" explains this a bit better. Armando has barely just begun to touch surface of what Betty's personal life is like and he now has to not only view Nicolas as his economic and romantic rival but now as the rival that is also taking away his opportunity to join Betty's family life.
Now add that with his short fuse and obsession with perfection and cleanliness, by the time everyone leaves the man wants to go. Also that Betty accepted Nicola's serenade and roses while he was there.
However when he tells Betty that he wants to go home and for her to follow him to the door he literally stops a step or two away from him, as if he sensed that his shadow was no longer there, he turned to look at her and asked her what was wrong, why wasn't she following him?
He tries to explain that they've been drinking, that his clothes are dirty, and that most places are closed but when he sees Betty's demeanor he lets out a sigh and tells her:
"Well, fine, Betty, okay. Let's see what's open." He says with a soft tone and happy to comply to Betty, who's entire demeanor brightens as she asks if he's for real. He gives her a genuine smile at this, she tells him to give her a moment to grab her things and then they can leave. Armando then hears his father-in-law start to sing and he covers his ears.
Just in time Roman and Co. cause a scene with Marcela and Patty(they were there spying on Armando) so that Armando and Betty can sneak off without getting caught.
(Read posts Betty's New Look, I Don't Believe He Desires Me Part 1 & 2 to better understand these following posts.)
Both Betty and Armando have been drinking that night but Betty more than she is used to so she is being more relaxed ;)
While Armando is driving and looking for a place to eat Betty is giving him small kisses on the neck. When Armando asks if she's had a lot to drink she chuckles and says yes.
As Armando explains that all restaurants are closed and there's no more places open Betty asks if he's still hungry and he sarcastically respondes that the appetizers are her house were exquisite(he didn't get to eat) and asks Betty what place did she suggest.
"We can go dance."
"Dance?" he asks surprised.
"Yes Sir, let's go dance." She smiles but Armando doesn't seem enthusiastic or even happy about it. So Betty leans away from him. "Mm, well, if I'm taking your time, if you don't want to be with me, if you're bored, and you want to go to Ms. Marcela's apartment, I get it."
"Betty it's not that, Betty. How do I explain this? It isn't that. It's just getting late, it's getting really late." He tries to play it off with a laugh. However Betty swallows hard and stays silent. Armando turns to glance at her briefly and takes in a quick breath and says "Okay we'll do something, don't get sad my picarona(google translate gives me both naughty and smart so you do with that information what you will)." he grabs her by the chin. "We'll go dance for a little then."
"The Sir had his drinks too, no?"
"Yeah... but a few." He says at the end. "I still need a few more." he says under his breath. Betty then leans her head on his shoulder and he stops the fake smile and shows a genuine one.
(The next scene is of Freddy dropping off Aura Maria and I'm currently writing another post about them :))
[I don't know if y'all noticed that Both Armando and Betty are using the same outfit that they used the day of the new collection launch(before he changed for the show). Betty is wearing the same green dress with flowers while Armando is wearing the same black suit with the dark gray shirt and dark purple tie.]
Armando and Betty made it to a club where they danced until Armando imagined Marcela catching him and he freaked out and told Betty it was best for them to sit down.
He's paranoid because Marcela hasn't been ringing up his phone so he thinks that she's following him though the times he has spoken to her that night he has always said "We'll talk tomorrow" implying that for the night they won't converse anymore but because Marcela is a controlling possessive freak he is paranoid she'll catch him.
Betty goes onto being the supportive girlfriend who wants to take care of his emotional needs by asking:
"Sir what's wrong? Is something worrying you? Are the drinks making you ill?"
"No." He says after he sets his drink down. "Or yes? I don't know." He looks worried.
"What's happening is that we've drank too much." Betty smiles and runs her fingers through the back of his head. "we're a little crazy." she laughs.
"Yeah."
"But I'll make sure to make you better, sir."(GIRL (0O0)). Armando looks at her serious.
"Yeah, how?"(DUDE I CAN'T Y'ALL DON'T UNDERSTAND THESE THINGS MAKE ME UNCOMFORTABLE TO WATCH AND NOW WRITE? LMBO).
"With my kisses." Betty pulls him closer and he leans down to kiss her and they goin, they goin at it, my guy. For a man who says that he isn't attracted to Betty he sure do have a funny way of showing it. CAUSE DANG SON.
Armando jumps back a few seconds later because he is imagining Marcela sitting across from them watching him. Panicked he jumps back and tells Betty:
"Betty you're like pa-pa-passionate[tonight]."
Betty here asks for consent, she is asking for the go ahead to continue.
"Why Sir? Do you not feel the same that I do?"
"Eh ye-yes, of course."
"This urge to be close, kissing." Betty kisses him "Oh Sir, I need you so so much. Do you need me?" Armando has been distracted looking around him, paranoid that Marcela could be around but also because Betty is really putting it out there, you know?
'Ah?" However to reply to her he finally stops looking around and stares at her and with sincerity tells her "Yes, I also need you so much."
There's a reason why I point this out a lot recently and that is that Armando throws all caution to the wind and prejudice and stops caring about his denial whenever he has let his guard down around Betty and whenever they have been conversing about emotional subjects.
Here when Betty said she'd make him feel better it allowed him to feel her love because it wasn't just Betty flirting, he knew and trusted that she would both emotionally and physically, which is why he invited her flirtatious effort and flirted back. Then when Betty was telling him how much she needs him, asking if he too needs her, though for Betty this was all her flirting and being romantic, to Armando this all felt very emotionally charged because when he responded to her that he too needs her very much it wasn't just physically but mostly emotionally and that means to him so much more than anything else when it comes to Betty up to this point because they haven't sinned(lol) so once more he welcomes and returns Betty's affections.
He still pulls away though and he looks confused and worried as well as uncomfortable.
[EDIT: After watching this scene again(I pressed the wrong episode and I'm too lazy to go back on the disc menu but I ain't complaining) I realize that Armando's expression here isn't him uncomfortable, it's worried, and surprised. After he pulls away he keeps his eyes closed, as opposed to before when before, during, and after he kept his eyes open. He keeps eye contact with her and swallows hard and takes in a deep breath and then searches her eyes.]
"What's wrong, Sir? Do you not want to be with me anymore? Do I make you uncomfortable? Am I bothering your?" Again, Betty is asking him for consent. She is asking him if he wants to. This is so important! Not only because it proves that Betty didn't take advantage of Armando like so many think she did but because it holds a lot of emphasis when it comes to Armando and his affairs/relationship with Marcela and I'll explain that later on in the post.
"No-no it's not that Beatriz. I'm just nervous and paranoid." he says looking around "this thing with Marcela, I don't feel at peace. Why don't we leave?"
"Where to?" Betty asks with a smile.
"Where?" He asks worried.
"Yes, or do you not want to be with me, Sir?" Betty again is picking up on his cues. "We've only been together for a little bit." Betty's had her arms around Armando's shoulders this entire time and is staring at him adoringly.
"No yeah, yeah. I don't know. Let's go somewhere else, like some other place."
"We can go somewhere we can be tranquil and at peace." She flutters her eye. "lets go." She kisses him.
Now Armando once again has been a hit or miss. One moment he welcomes Betty's advances and the next he seems uncomfortable. One moment he sincerely encourages her advances and the next he do so forcefully.
When it comes to consent the lines are very clear. Betty has asked for clear consent and when she herself, drunk or sober, has taken notice that Armando is not on the same page as her, she has asked to reassure herself and him. She is doing all of this under the guidance that Armando feels the same way and is consenting, both physically and verbally.
Yes, she's had a lot to drink which would explain why she isn't so timid as to flirt and show her affection. Betty is a affectionate drunk, or a happy drunk if you will. So this is normal behavior for a drunk Betty. We've only seen her drunk once before(when the girls took her out to celebrate her promotion) and she was pretty happy, giggling, and over-all when she got home very excited and happy as she wrote in her journal.
Armando is a cynical drunk...well he's always cynical. This is really based on personal opinion and not on what we are being told by the writer during this scene so take this with a grain of salt. I believe that Armando IS feeling paranoid about Marcela, obviously, we are shown this but I also believe that the reason he also jumped back when he was kissing Betty is because he felt something other than the emotional attraction he's so used to feeling towards Betty and it was a lot more noticeable to him here.
[EDIT: Hey guys this is a correction to a certain detail that I confused, though the meaning still stands.
I wanted to clarify this because I mixed up both scenes. This is the kiss after he jumps back when he sees Marcela sitting across from them. This time he pulls away from Betty with his eyes closed, that expression that he has is the face that tells us that he knew in that moment that physically he would be capable of doing that to Betty. ]
Now Betty and him leave the club and while Betty is inside the car Armando calls The Love Guru, Mr. Dimples, The Hype Man.
While he expresses that he has no desire, no wish, no anything that inspires him to do that with Betty, Mario tells him that he should just grab the situation by the horns and get it over with, that Betty is testing him to see how far his love for her goes and this is where he finally decides to do it.
Mario didn't use his classic tactics of "The Company! Our Money! Your Family! Nicolas! Your Ego!" this time he said "She's testing to see how much you really love her." and Armando decides, with free will and all, that he'll take Betty to a hotel.
This scene pisses me off for a lot of reasons(it's actually my first time seeing this scene since the NBC airing took it off when I saw this episode so this is all my opinion at the heat of the moment lol)
For one, though Armando does care for Betty, he doesn't care enough. He is disregarding the fact that Betty is a human being, a person with feelings and emotions and all he's doing is just forcing himself to go along with it, yes he has secret desires bla bla bla, but above all, his actions are being driven by deceit, to himself and to Betty. The fact that he doesn't even take some time to consider her feelings, to express himself so disgusted by the idea that Betty, his Betty, desires him and he thinks it's so disgusting that she does, infuriates me!
He is being extremely unfair here because he believes he is the first man to ever lay eyes on her, to ever be physical with her. He believes that he is the first man Betty will ever be with to the extent of the word and even then, even for some stupid sympathy, some stupid chivalry or some stupid kindness! He doesn't think about how she could be feeling! He doesn't stop to consider if she's scared, afraid, nervous, a freakin' wreck! He stops to think "Oh I can't take her to my apartment because then she won't ever leave!" just like he expressed himself about Claudia Boche. He thinks more about himself than he does about Betty and her wellbeing and this plays such a huge role in Betty's future pain.
But damned be his dedication questioned and he'll kick into gear.
While yes Armando has begun to actually play the role of her boyfriend, who has now learned to place Betty's feelings before his own, sometimes, he has yet to learn to be a man about it all. He still hasn't truthfully sat down to try to figure out his dream and when he has done so, he has decided to ignore, deny, reject, and push away.
Betty deserves so much more than this "man" that night.
Ok personal rant over, let's continue being objective.
Okay it's not. Can he make up his mind?
Now it is.
So Armando drives up to a hotel, where Betty asks where they are and he tells her, a hotel(okay sometimes breaking down Armando's behavior exhaust me but it's like I love to suffer IG, so I keep doing this to myself lol so I'm probably gonna be snarky and sarcastic a lot for this one lol) and goes on to explain that he thought this is what she meant but then tells her in a fast pace "or not. We can go home to our beds because we have to get up early-" and Betty interrupts him by saying that it was what she was thinking and leans in to kiss him and again, homeboy goes in. He goes in with enthusiasm, like someone pointed a gun to his head and said "Kiss her like you mean you slut" and he said "bet, no gun needed."
Yo that's a nice hotel(THIS IS ALSO MY FIRST TIME SEEING THE SCENE OUTSIDE OF THE HOTEL. Y'ALL GETTING MY LEGIT FIRST REACTIONS).
Armando's behavior here is embarrassment as he is whispering who he is and that he wants a hotel reservation. He keeps looking around to see if anyone will notice him.
Also Armando is bougie cause he told Calderon that he wasn't going to go to a dingy dark hotel and look at the very NOICE hotel he did go to. The hotel is very nice.
Betty however has not once laid her eyes off of Armando. One could imagine what she's thinking. It's something probably along the lines of "I can't believe this is happening, that he's here, that it's really him and that we're here together. That he desires me just like I desire him."
However as soon as they enter the room Betty's entire demeanor changes. She stops holding onto him and her smile falls from her face and she looks like she's holding her breath. Very timidly she sits on the bed and when she notices Armando sitting as well she moves away with her hands holding each other in front of her, on her lap.
I imagine this probably brings back flashbacks of her first time and how she must've felt. She's probably running all these memories and thoughts of it, wondering if Armando will also be like Miguel.
I do appreciate the fact that this scene is so quiet. It makes it so realistic and honest as well as raw. While Armando is thinking about he is sacrificing himself, Betty is reliving a trauma.
This is why I didn't want to talk about Armando physically desiring Betty as this eager craving that was driving him crazy. His desire for Betty in a physical sense was motivated and pushed forward by the growing of his emotional attraction, again, that doesn't invalidate his attraction to her, attraction is attraction one way or the other the only difference is that physical attraction doesn't last very long while emotional attraction does.
Armando turns to look at Betty with a pain expression on his face. His brows are furrowed but his mouth is in a snarl.
Betty then stands up quickly and excuses herself to go to the bathroom.
Now Betty's first time has a lot of impact here, it isn't only because she's been bullied and made fun of because of her appearance all of her life. Her first time with a man made her feel extremely hideous as a woman. Could you imagine what she felt when she found out that Miguel had only slept with her because of a bet? To look at herself in the reflection of a mirror after that? And not obsess with it, not hate what she was staring at? To not feel disgusted by her own reflection? While before she hated that she was ugly this time it felt so much more personal, to the point that she wanted to die. Her first time was traumatic and it holds so much meaning here.
Betty is staring at her reflection, she glances at her body covered in her baggy clothing and pulls her coat forward, she rolls her shoulders back, pulls her glasses up and stares at her face, while Betty is going through this Armando is going through his own dilema.
He calls up Mario and tells him that he doesn't think he can do this and Mario tells him to order a pill or something but to do it.
"I'm going to try to be more explicit. I won't be capable of it."
"Where's Betty?"
"She's in the bathroom." He points with his hand holding a whisky. "She's in the bathroom, I'm waiting for her to come out. Brother, I want to leave, yeah? I want to run out of here." He says those last words as a begging.
"Look, Armando, I don't think you've understood me. You're playing with fire. Get serious. You can't take her to a hotel room and then try to escape. You can't, it's too late. Comply with your obligation, man."
"I can't. I'm not capable of doing this to Betty. Plus I've had two bottles of beautifiers, of whisky, and none of that, none of that convinces me that I have to do this to Betty."
"Listenlisten wait for her to come out of the bathroom, turn off the lights, close the curtains, leave the room in complete darkness and think of Adriana Arboleda[...] but you're not leaving there, you understand me? You. Are. Not. Leaving."
"Yeah, yeah, yeah. Thanks a lot." He angrily hangs up the phone. Armando then goes to turn off the lights and close the curtains.
A very shy and timid Betty steps out of the bathroom and the darkness towards the part of the room where the bed is.
"Betty..." He squints at her. "Would you like a drink?"
"No Sir." She smiles. "I drank enough tonight." She laughs(her smile here is so cute! Like she smiles so bright that her eyes almost close and she looks so cute! I told you I love Betty, she is my child and I will defend her to the ends of the earth.) but when she turns to look at Armando she stops. He stands up and goes to kiss her but Betty, though for a second looks like she's going to kiss him, walks past him and sits down on the bed, again, sitting very straight and still(A sign of nervousness) with a worried expression, her hands are once again clasped in front of her, sitting on her lap.
Armando and Betty both lean in to kiss once they're both sitting on the edge of the bed again but Armando pulls away this time. Betty searches his face while he maintains his eyes closed and swallows hard. His expression was pained one.
"What's wrong, Sir?" She leans back. Armando now opens his eyes and stares off at something else.
"it's-it's just that I won't be able to, Beatriz, I'm sorry." He finally says.
"It's because of Ms. Marcela, right?"
"No, it's because of you." He says the last word looking away from her and standing up and going to the couch next to the bed, against the wall.
Betty swallows hard and stares off to the other side of the room and then turns to stare at him, once again swallowing hard, her eyes start to tear up and she nods.
"Don't worry, Sir. I understand." She looks down at her hands.
"Thank you, thank you." Armando replies while staring at her though for a quick second he looks confused about it.
Betty draws in a sharp breath and begins to speak. "I knew that this, this couldn't happen." Armando now stares at her, again, with a solemn expression. "That it was the start of a dream but without an ending." She chuckles while Armando still stares at her, Betty hasn't made eye contact since she said she understood. "I aspired too much with you." Armando looks away from her, deep in thought and considering what Betty is saying. "It was already enough that you would have noticed me, for you to go out with me..." Betty's chin quivers and her eyes become more teary while her voice chokes up as she tells him "for you to have kissed me." she shakes her head and looks like she's fighting the urge to start sobbing. "This is a big deal to me, Sir. What I have accomplished with you up to now, is just too much to just expect that you desire me as well." She finally looks at him.
"No. No, Betty you're misinterpreting what I just said. It's not like that either." He speaks to her softly. Betty however shakes her head, with tears streaming down her cheeks.
"No-nono Sir. You don't have to explain it to me. You-you don't have to feel that kind of attraction for me...that desire. You can't be the exception...and for the fact of having this... very beautiful relationship...by the fact that I love you, Sir." She again makes eye contact with him. "Doesn't mean that you're under the obligation to make love with me." She looks down at her hands.
Armando removes his glasses and stands up to take Betty's hands in his.
"No Beatriz, come, please come." He takes her hands into his and holds them up. "Don't say those things, yeah? Don't say these things, no." he says staring at her.
"Sir." Betty looks somewhere else. "Forgive me. Forgive me for pressuring you, for-for having been so overbearing tonight. Forgive me, sir." She begs. "I'm such an imbecile." She cries. "Forgive me." She covers her face with her hand. Armando takes her hand.
"Don't say those things, Beatriz. I do desire you." He whispers and leans in to kiss her but after two kisses Betty pulls away, stands up and says:
"No no, Sir. You don't have to do it. Don't do it out of compassion or commitment."
"Beatriz I-I'm not doing this nor do I want to do this for any of the things you just said." he says emotionally frustrated. Betty turns to stare at him again.
"Then why do you want to, Sir?" She asks timidly.
"I want to do this because I love you." Armando himself seems surprised by this confession of his. "Because I love you, Betty."
And scene.
Marcela, the models, and the women Armando has had affairs with have more in common than looks and social statues. They also don't take no for an answer.
When Armando has at first said no, has said that he doesn't have time, this and that, the women continued to insist until he finally gave in. Yes, Armando is a seggsual man and yes he does choose to sleep with these models but lets not ignore the fact that he too at times is pressured, persuade, or manipulated. Is he an easy victim? Yes because he is a man driven by his seggsual needs, does this excuse his cheating? No because at the end of the night he does consent because he finally gives in into his desire but it doesn't happen until they basically beg him to. Marcela is a different story. She seggsually manipulates him a lot.
In other words what I'm trying to say is that for the first time ever that's about to change. When he calls Mario to beg him to get him out of that situation, Mario dismisses his feelings and tells him he has to "man up" and do it, an angry Armando agrees and hangs up, however this is very similar to the time he tried to explain his feelings and why he felt so guilty for what he was doing to Betty and Mario just made a joke about it all and he stopped talking about it.
So he stays, against his will, feeling guilty, terrified, and scared of it all and a timid Betty enters the room and when he makes an advance she moves, when he makes an advance and she follows it but stop when she sees that he isn't doing anything anymore, she studies him and asks him what's wrong.
Even when Betty is terrified, reliving a trauma, she caters to him and his emotional needs. Armando finally confesses that he can't do that(I'll explain I promise!), when Betty asks if it's because of Marcela, he again confesses that it's because of her[Betty] and this shatters her but she understands and she again places his feelings and his needs before her own.
Betty has been cautious, sober or drunk. She has asked for consent, she has read his body language, she has waited for him to reciprocate it. Up until this point, Armando had given her the green light. When she was doubtful, apologized, and pulled away, he told her otherwise.
However now things have changed. Again Betty asked for consent and this time he didn't give it. However unlike all the other ones, Betty doesn't pressure nor try to convince him otherwise. This time the woman he was going to spend the night with tells him that she understands him, that he doesn't owe her an explanation, that he isn't obligated to do that just because she loves him.
This time Armando's no is being respected and this holds a huge significance in what is to come next.
As he hears Betty's expression of remorse, her shame and guilt over her behavior towards him, he is once again grabbed by the cheeks and forced to face his feelings for Betty.
When he repeated that he couldn't do that to Betty we have to look at the context of that. Unlike when he spoke to Mario at the office and outside of his car at the club Mario told him to take a pill, something to physically make him capable of doing it but Armando clarifies that he didn't mean that, he meant he wasn't going to do that to her.
That he wasn't going to be her first time under the guise of love when he wasn't even aware that he had those feelings for her.
Finally Armando pulls his head out of his an*se. and starts to think about Betty and how it could impact her because he is capable to physically do this. He sits on the corner of the mattress taking in deep breaths, mentally preparing himself to think of AA to be able to do this but when it comes down to it, when he is now faced with timid and sweet Betty, he no longer can.
When he is faced with an emotional Betty that is being vulnerable, sharing her spirit with him, he is faced with the reality of his feelings.
What is love?
Love is an emotion we all feel to certain degrees. There is familia love, platonic love and romantic love.
Above all that however love has qualities that allow us to pinpoint what we are feeling and if it's healthy.
Love is kind, respectful, honest, loyal, faithful, humble, peaceful it is not possessive nor jealous and it does not hold record of wrong doing. Love is forgiving and love is selfless.
Betty truthfully loves Armando.
However, Armando is still figuring this out but in this scene, while Betty cries and tries to hold herself together, Armando shows to be kind, honest, peaceful, forgiving and selfless.
Armando has the exact same expression he has when Betty is letting him in, when she's giving her all, showing her heart and being to him with simple words of confessions. He is always deeply impacted by what she is saying. When Betty says that she aspired too much he looks away from her because the guilt is now killing him. He is seeing how what he has done has affected Betty and his fear of hurting her sets in because now what Betty feels, he feels too.
"it's just too much to just expect that you desire me as well." his expression here is pained, it hurts him to hear this from her.
He replies to her "You're misinterpreting what I just said."
What exactly is she misinterpreting?
He said that he couldn't have relations with her because of her. For Betty, who has once been with a coward, who has been made the laughing stock of Eco Moda, her neighborhood, and schools, there's only one reason why, she's ugly and no man would ever desire her.
So what does Armando mean here? Because his tone of voice, his behavior is very natural.
Armando couldn't sleep with Betty under deceit. He couldn't sleep with her by pretending she's somebody else and he couldn't sleep with her for the sake of everyone else that he's doing it for(the company and his ego). Armando couldn't be Betty's "first" if it meant he wasn't being honest but as he sits there and listens to her his heart is moved and it isn't for sympathy, empathy, obligation, or pity that he stands up to tell her the he does want to be with her, that he does desire her, it is for love.
This is where that emotional attraction I keep pointing out comes into play. Once again, when Armando is fully charged on emotion with Betty he is ready to go.
"Just because I love you." He is fully concentrated in every word Betty is saying and the meaning of it and the fact that under deceit he has gotten Betty(We know she's loved him since before but he doesn't) to fall in love with him makes him angry at himself(he clenches his jaw showing anger or frustration.).
But how are we so sure Armando is being honest in this scene with Betty?
For one Armando can't bare to make eye contact with Betty when he's lying to her or feeling guilty. When he is being manipulative his voice sound distant from emotion, rehearsed, unnatural, and cocky. This time it isn't like that at all. He stares, makes eye contact and his voice is sweet, tender one could say, full of emotion, natural, and desperate to comfort her.
So in conclusion this night is very meaningful for the both of them. For Betty this is the first time since Miguel that she is giving all of herself despite her trauma. It is the first time she is trusting somebody else and welcoming them into her intimate space. However for Armando this night is also very meaningful because it's the first time that someone respects his boundaries and doesn't demand for excuses or reasons. Its the first time someone apologizes to him for crossing the line, the first time someone considers him in the relationship, add that to the fact that he was already deeply moved and affected by the way Betty is treated and how it makes her feel and you've got yourself a man that for the first time ever is in love and he isn't only going in for the mechanics of it all but to make Betty feel his love, to give himself to her, to show to her that she is important, she is desirable, she is his love.
However when all is said and done, Armando is left confused with everything because an otherwise emotionally "controlled" man who has been denying and ignoring his feelings towards Betty has finally let his guard down and he has crashed into the abyss of his feelings that finally came to light.
Was Armando in love before? No.
Up until this night Armando wasn't in love but in the heat of the moment with emotions riled up inside of him, he fell in love.
How do we know he didn't lie or manipulate Betty?
Because when we finally see their scene after they fornicated(I am really immature and that makes me laugh) Armando is sleeping like nothing, homie fell asleep like he just had the best time of his life and was ready to hit the hay but we've been told that Armando hasn't been sleeping and shown scenes of him tossing in bed but this time he is sound asleep.
Now, again, this is the first time that both his physical and emotional needs were met at the same time so of course it's an important night.
Betty is left more in love than ever, more enamored, hallucinated than before and when she exits the bathroom we see a cold man who at seeing Betty softens.
Homegirl gave mans a five star rating in her yelp review.
When she hugs him he looks confused but also savoring the moment.
As they walk towards the reception desk Armando no longer looks stressed out. In fact he walks with Betty at her pace, holding her hand and checks out without whispering and behaving casual and normal.
When they're in his car and she leans her head on his shoulder, he asks what she's doing and she says "I want to keep dreaming." and he looks pained by this because Armando has had conversations with himself about his feelings and the ending of their relationship because he knows he will never end his relationship with Marcela.
Finally the drop off scene.
While Betty is asleep on his shoulder, Armando stares at her sleeping and gently wakes her up.
"Thank you so much for everything. It was the best birthday of my life." She smiles at him.
He swallows his guilt and tells Betty that she has no idea how happy that makes him.
"Beyond the best birthday of my life, it's been the best night of my life and though I know this is just another night, that you've had other nights with so many women(girl nice way of calling him a whore, I approve) -"
"No." He states. "No. this night was very special, very, very special."
"Of course." Betty picks up her head. "Because you've never been with a woman like me." She laughs but Armando stares are her serious.
"No Betty, No. This night was very special and you won't ever imagine how special it was. See, lets talk tomorrow, alright?" He smiles at her. Betty's demeanor shows us that she believes what he said to her.
"And will you go to Ms. Marcela's apartment now?"
"No." He says quickly. "No. I'm going to stay at my apartment." Betty nods slightly and moves to exit his car when he stops her. "Betty see I need to ask you a question, I don't know, I've got stuck inside of me, and it's best that I ask it now."
"Ask me." She nods.
"What happened tonight, what we did you and I...truth be told...I-I always thought that it be your first time ever. I would have never thought that you'd made love in the past."
Betty swallows hard and asks him: "and does that affect you? Does it change your image of me? Sir, will you stop loving me?"
"No, no, no. It was imply curiosity, Betty. Beatriz, who were you with before[me]?" Betty looks away from him and swallows hard. "There was another man in your life, right?" he seems a bit jealous here. Betty nods.
"Yes, Sir...there was someone...I had a relationship before[you]."
"Nicolas Mora?" he asks mad.
"No." He looks away, relieved. "another person but I don't like talking about that."
"No I don't want to make you uncomfortable either so lets no talk about it anymore. You know.. go in and rest a bit. We'll see each other at the office, alright?" Betty nods and they both lean in for a goodnight kiss.
Armando asks himself what he did as Betty walks across his car to get to her house and he watches her until she enters her house and turns on his car to leave. Unlike before that he turned on his car as Betty walked to the door and drove off as she entered her house, this time he waits for her to go in to turn on his car and this small details is so important!
It is currently 10 am where I'm at and I have been writing this post since 11 pm last night so forgive me for my typos, which I'm sure there is more than the usual but by this point it's my signature.
'Til next time! :)
[EDIT:
I just wanted to also point out how relaxed Armando is when he shows up to his apartment that he starts to play with his dog(yet another victim of this show WHY DON'T WE GET MORE DOG SCENES, WHAT HAPPENS TO HIS DOG?) and for a brief moment is deep in thought while we hear Betty's monologue, as if they're sharing the same thoughts.
Then Armando walks into his room and his actual girlfriend is waiting for him, he rolls eyes and this is the first time that not even her seggsual manipulation works on him.
Marcela asks the same questions Betty asked him "Does it bother you? Does it make you uncomfortable?" but unlike Betty who was truly concerned for him, Marcela does it to control him.
They argued but by the end of it when Armando tells her he is perfectly fine and just wants to wash up and go to bed Marcela goes to kiss him, telling him that she wants him(and unlike when Betty said this, that he told her he did too, this time Armando doesn't even interact with Marcela) but unlike before, when he'd at least give in a little, well at least to the degree that Marcela thought it was okay for her to continue, this time Armando just stares at her with a serious face.
"What's wrong with you? What? You don't want to be with me? Want me to leave?" She asks angrily. Armando once more, with a dead serious expression tells her:
"I'm tired." He says and purses his lips while he stares at her.
"That's never been an impediment in the past."
"Well tonight it is." He says.
He tells her not to worry, that tomorrow will be another day and the last part sounds like he is telling that to himself. As well his rejection to her is not only because he made love to Betty, with Betty, but because he also told her that that night he wasn't going to be with Marcela, in other words, he wasn't going to get rid of her trace.
I do feel bad for Marcela in this scene but not enough.
Okay I'm sleepy bye. ]
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callboxkat · 3 years
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Those Long, Lonely Nights (part 1/6)
Author’s note: This is a retelling of the story These Deep Dark Woods, but from Roman’s perspective, plus a few new scenes. I recommend reading that story first, but this can also stand alone. Please read the warnings!
Summary: Roman, a knight, insists on accompanying his best friend Logan, a potion maker, when he decides to head into the notoriously dangerous woods bordering their home to find some rare herbs and minerals for his apothecary. They find much more than they bargained for when they encounter Remus, a bloodthirsty giant. Logince. Angst with a happy ending.
Warnings:  food mention, blood, injuries, death mention, killing mention, gun mention, mild body horror (it’s Remus), disturbing imagery (it’s Remus), character death, temporary/believed character death, kidnapping, guilt, attempted self sacrifice, talk of giants, vampires and other monsters. Very unsympathetic villain Remus.
Word Count: 1764
Part 2 
Ao3 Link
Writing Masterpost!
...
Roman bounded down the bustling street, waving to familiar passerby as he went. He knew he was easy to pick out and very recognizable, in his white knight’s uniform. Despite the early morning, many people were already up and about, setting up for the day, but the street lamps still glowed—a recent installation, they actually ran on electricity! Roman still didn’t quite understand how that worked, but he was proud to see his settlement prospering, and it was fascinating, how much light came from them, just from a few little wires and some glass. Perhaps there was some sort of enchantment involved.
“Good morning, Sir Roman,” a shopkeeper called.
Roman tabled his nerdy thoughts for the time being. He put on a bright smile and approached the shop, where a woman stood sweeping clear the welcome mat. “Good morning to you, Maryanne!”
The woman put aside the broom and dusted her hands off on her apron. “Would you like a pastry? The peaches just arrived from Mellow Valley, and they are simply delightful in a fruit tart.”
Roman hummed consideringly. “Oh, that’s very tempting, but I’m afraid I’m in a rush this morning!”
“Some other time, then. Perhaps you could even bring that handsome young man you’re always with.” She winked.
Roman really hoped he wasn’t blushing. “Of course—you know I love your treats.”
Roman was on his way to his shift guarding the outer wall, an imposing structure built of shining gray stone that protected the citizens of his home from the monsters that roamed the forest beyond. It was an important job, entrusted to the expertise of the knights, and one that Roman loved doing; but it wasn’t always the most exciting prospect. Their settlement, Old Haven, was one of the longest standing, enough so that most of the monsters had known since generations past to stay well away; and between the few times that things truly got exciting... they could be terribly dull.
But, before Roman went to his shift that morning, he had a stop to make, and this he was definitely looking forward to.
The apothecary was located just a couple of blocks from the main square, in a small, warmly colored cedar and stone building with windows filled with neatly arranged bundles of colorful herbs and evenly spaced rows of bottles of medicinal powders and potions. A hand-painted sign read, Please come in, in neat, white letters, in an only slightly decorative script.
Roman reached the shop just as the door opened, the bell overhead chiming. A customer stepped out, dressed in a dark robe with the hood up. At first glance, he seemed to be clothed entirely in black, but on closer inspection, his robe was actually a deep plum color. He clutched a bottle of pomegranate juice in one pale hand and a neatly sealed packet of herbs in the other. Dark bangs poked out from under the hood, but his face was cast in shadow. Roman frowned slightly noticing the dark, grayish veins in his hands as he stepped back to give the man room. He hurried past Roman and disappeared down the street. Roman stepped inside the apothecary once he was gone.
The apothecarist, Logan, stood behind a counter within the shop, wearing an elegant, navy colored coat and his usual pair of spectacles. He was pushing together a pile of coins on the counter. Copper and bronze coins only, Roman noticed. No silver.
“Got a lot of vampire clientele?” Roman asked, leaning (or perhaps posing) against one of the display cabinets.
Logan looked up, the warm lamplight making his deep blue irises glitter in a way that never failed to make Roman’s heart skip a beat. He glanced back down and finished tucking away the money. “Six,” he said honestly. “Seven, most likely, although she has not personally shared that information with me, and if she is, hers appears to be a mild case.”
“Hm.”
“You don’t approve?”
“Ah… they’re a little too similar to monsters, for my taste.”
“It is a monster-derived affliction, that is true, but with modern treatments, most of those afflicted with vampirism can lead nearly normal lives.”
Roman shrugged dismissingly, waving him off. He hadn’t come here to talk about vampires. “I know, I know. Anyway. How’s my favorite nerd this morning?”
“I wish you wouldn’t call me that,” Logan sighed.
“You know you love it.”
Logan did not deny it, Roman noticed with a small smile. Instead, he adjusted a few already perfectly positioned potion bottles on the counter, before saying, “I am well, although rather busy.”
Roman glanced around the room, noticeably empty of customers. “Ah yes, this is a very busy time for your shop, I see.”
“A customer did depart only moments ago,” Logan pointed out. “Although, no, I was not referring to customers. I’m preparing for an outing.”
“An outing?” Roman was interested, now. “Finally taking a little vacation, are you? Good on you. Where are you going? And more importantly—can I come?”
Logan wanted to smile, Roman could tell. But he didn’t. The guy took himself too seriously. “Not that type of outing. I require materials to restock my shop.”
Roman sighed dramatically, making it a full body motion. So much for a vacation. And the hot springs in the hills of northern Old Haven were so nice this time of year. “So? Just put it on the list for the traders. Mellow Valley should have most of your things in season by now. Did you hear the peaches arrived? Maryanne, that baker on Lilac, promised me some of her delightful pastries. We could go get some, when I’m finished with my shift on the South Wall this morning.”
Logan shook his head “Mellow Valley won’t have everything I need; and besides, the costs are considerably lessened when the materials are personally collected.”
Roman furrowed his brow. “Collected where?”
“Outside.”
“You mean outside, like, as in the park, right?”
“In the woods,” Logan sighed, beginning to sound exasperated.
Roman opened his mouth, then closed it again. The woods. The veritable ocean of dense trees beyond the settlement’s walls, filled to the brim with monsters, held back from advancing only by the strength of the guard and broken only by the occasional human stronghold and the heavily protected trails that linked them. Generally, only knights and the traders they accompanied ever ventured beyond the walls—this was, in fact, why Roman had become a knight in the first place, to get to see some of the world that most only saw through pictures and stories. Citizens were allowed to leave—they weren’t prisoners—but it was very rare, and highly discouraged. Many who went unprepared—or even those who did—never returned; and sometimes even those who did return were not the same as when they left—like the vampires who apparently frequented this shop, or at least one or more of their ancestors. Vampirism could be tricky like that. Sometimes it cropped up randomly, somewhere down the line.
Logan had begun sorting through some of his supplies, acting for all the world as if he hadn’t just announced he had a death wish.
Roman shook off his distracted thoughts of vampirism and knightly missions, and focused on the most important thing: “Please tell me you aren’t planning to go out there alone.”
“It wouldn’t be the first time,” Logan sighed. “I will have my dagger, and I will go no further into the woods than required.”
“Oookay, first of all, why am I just now hearing that you’ve been hanging out in the monster-filled woods by yourself?”
“I would hardly call it ‘hanging out’.”
“And second of all, you are absolutely not doing that.”
Logan gave him a dry look. “Yes, I am. My herbs will not pick themselves.”
“Get a garden like a normal person.”
“You know I have a quite extensive garden.” Logan paused, looked confused. He shook his head, going back to counting bundles of tiny black seeds. “Some of these herbs do not naturally grow within human settlements, let alone ours, and my attempts to recreate their preferred environment have in many cases proven thus far unsuccessful. Besides, I cannot ‘get a garden’ to form mineral deposits, several of which are required in even non-specialty potions.”
Roman still didn’t quite see why Logan wouldn’t be able to get all of this stuff using a trader. Knowing Logan, it was less about the money and more about needing to personally ensure that he received the correct materials. Surely, though, even the least-versed in medicinal resources could get him what he needed, if he described them well enough.
Also knowing Logan, though, he would not be dissuaded from going.
Roman pulled himself up to his full height, puffing out his chest and putting one hand on the protective-charm engraved hilt of his sword. “Alright, then, I am coming with you.”
Logan raised an eyebrow. “You’re coming to collect herbs? Can you even tell wormwood from hemlock?”
“I’m not going to find your nerd plants, I’m going to protect you.”
Logan scoffed quietly, clearly believing Roman’s very generous and heroic offer was unnecessary. But he sat down on his stool, finally, and looked at Roman without busying himself with his apothecarist duties. He glanced Roman up and down, apparently trying to decide how serious Roman was. “Alright, then, if you insist.”
“I do!” Roman nodded firmly. He relaxed his posture. “So, when are we going?”
“Tomorrow morning.”
“Tomorrow?”
“Yes?”
“I—” Roman groaned, looking up towards the wooden beams of the ceiling. “Fine. It’s a little short notice, but fine.” He worked his jaw, then mumbled, “I’ll need to cancel a couple days… maybe Sir Leo can cover? Hm.”
Logan tilted his head slightly, adjusting his spectacles and watching Roman’s dramatics. “I am not forcing you to come.”
You are, though. “Well, I am.”
“Alright.”
“Alright.”
A beat passed in silence, Roman feeling triumphant, before Logan gave the knight a slightly amused look. “I thought you had a shift on the wall?”
“I—right. Yes.” Roman had gotten a little distracted. He took a couple of steps back. “So, you, me, tomorrow, woods. Great.” He turned towards the door, stopped, and turned around. “About those pastries?”
Logan hummed. “I can take a break two hours after noon, which is when your shift ends, if I remember correctly. I suppose I would accept one then.”
“They have fruit in them,” Roman encouraged. “That makes them healthy!”
“I do not believe that is entirely correct.”
Roman grinned and left the shop.
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annabethisterrified · 4 years
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Book Review: THE TOWER OF NERO (The Trials of Apollo #5)
***No spoilers until you go under the cut!***
After months in the human form of Lester Papadopoulos, the former god Apollo is nearing the end of his trials alongside the young Meg McCaffrey. All their adventures and misfortunes have landed them back in the place it started-- New York. Meg and Apollo must defeat the final, most powerful emperor of the Triumvirate, who also happens to be Meg’s manipulative stepfather. Meanwhile, Nico, Will, and Rachel have important roles to play as the final battle looms. Even if they can defeat Nero, a more terrible enemy awaits in the form of Python, Apollo’s nemesis. Still, if they can succeed, Apollo will finally be restored to godhood. But after everything he’s been through, going back to the way things were doesn’t sound so great anymore. Apollo and his friends will have to find a new way to make all the sacrifices and pain they’ve experienced and witnessed worth it. That is, if they can survive their final trial.
As both the culmination of The Trials of Apollo series and the Camp Half-Blood Chronicles, The Tower of Nero excels at bringing the complicated, moving themes of the saga into final, meaningful reckonings. Nero proves to be a chilling and impressive enemy who forces Apollo and Meg to put everything they’ve learned through their journey together to the ultimate test. New and old characters combine to see the story to its end, and long-time readers are rewarded with actualized development and a bittersweet farewell. The Tower of Nero is a fitting and robust conclusion that shines with all the heart, humor, and growth that makes this saga a worthy frontrunner in children’s literature.
SPOILER SECTIONS BELOW
Welcome!!!!!!!!! Y’all. Y’ALL. I am REELING. If you’ve been around here a while, you probably know I’ve been online here since 2012 (?????!!!!!) where I subjected by followers to weird takes and frantic excitement about the upcoming installments of Heroes of Olympus, then Trials of Apollo. Since I was ten years old, this story has been such a huge part of my life. Now I’m 22 (?????!!!!). So. How am I feeling? I’m feeling like I need to flip over every piece of furniture in my house. In a good way. Look. I gotta break this down into three parts because I’m the worst!
I. TRIALS & TRIBULATION
The Trials of Apollo, to me, felt like the inevitable conclusion to Percy Jackson and the Olympians & Heroes of Olympus. We went through two series where we intimately followed the lives of young demigods growing up through two brutal wars, dangerous quests, and personal reckonings. Gods certainly made appearances, and some were more helpful than others, but the message was always clear-- the demigods were on their own. Two wars fought, two wars won, and at what cost? For what change?
Bringing a god down to earth (both literally and metaphorically) is really the only way a story like this could be rounded out. Especially when the god in question is Apollo. He’s the son of Zeus, who punishes him by turning him mortal. This family set-up already has enormous implications in reference to the previous chain of mythological events: Zeus killed his father Kronos, Kronos killed his father Ouranos, etc. 
Prophecy is also the scaffolding of this entire saga. Everything is dictated by it-- every quest relies on it, most of the demigods we meet are led by it, and the whole Greek/Roman world seems to build their lives around it. My point is, Apollo was a great character to use as the mouthpiece of this last series. He’s been present throughout the previous two series, and he’s relatively unaffected by the Greek/Roman divide. The enemy, the Triumvirate, is also an exciting antagonist-- they’ve fueled and funded the previous two wars, and their obsession with becoming “gods” is loaded with implications as Apollo races to return to his own status as a god.
Apollo himself is also a completely terrible being. From the first pages through his perspective, there’s certainly little sympathy or commiseration with our narrator. Apollo is many things: spoiled, petulant, selfish, and arrogant. He is not good, and now, he is no longer a god. Still, his voice and struggle remained compelling and engaging throughout the series. 
His bond with Meg McCaffrey is, without a doubt, the emotional heart of the whole series. I think they both see aspects of themselves in each other, and it was a genius move to make her the stepdaughter of the enemy. Nero literally sent Meg to be Apollo’s controller and thought that she would easily bring him down; the fact that both these very troubled people cling to each other in the face of such manipulation and frightening circumstances-- and then repeatedly choose to fight their ways back to each other time and again-- is really what makes this series work so well.
With Meg and Apollo at the forefront, after The Hidden Oracle the series takes on something of a “tour” format. We discover new places and revisit old characters across the country, which was definitely exciting for long-time readers to see familiar faces undergo even more development. (This might just be me, but I don’t think ToA can really stand on its own without the worldbuilding/establishment of the first two series-- that’s not a knock on it, but so much of it picks up where the previous series left off, which might make it a disorienting read for someone new to the world.)
Of course, the obvious midpoint reversal of the series is the death of Jason Grace in The Burning Maze. A flip switches completely-- not just for Apollo, but for the whole cast. This is not an incident that just “happens” and is swept aside. In the final two installments, Jason is threaded throughout the story, showing how grief is never truly over. But his sacrifice saved everyone he loved, and had profound impacts on everyone he knew. As brutal as it was, I appreciated how Jason really changed everything through his choice. 
By the time Apollo and Meg return to New York in The Tower of Nero, they are better, stronger versions of themselves. The things they once wanted-- godhood restored, or a father’s approval-- are no longer appealing. Their development (both individually and as friends) is utterly believable and hard-won. We see characters from The Hidden Oracle return changed, too. Losing Jason has dredged up dark feelings within Nico, Rachel is warding off the influence of Python in her mind, and Will’s healer heart is put to the test in yet another final battle. (Listen, this kid played instrumental roles in The Last Olympian, The Blood of Olympus, AND The Tower of Nero. The fate of the world really is in his capable, glow-in-the-dark hands.)
Together, Apollo and team venture into Manhattan for a very intense, exciting, and profound final reckoning with Nero. (CHAPTER 20, ANYONE????) Both Apollo and Meg, once and for all, come into their own and reclaim their power and independence. The pay-off is immaculate, and it’s jarring to remember the Apollo we once knew-- the easygoing one from The Titan’s Curse, the snobbish one from The Blood of Olympus, and the self-pitying one from The Hidden Oracle. His development throughout ToA is seamless and incredibly moving, and we’re left with a protagonist that we can truly, unequivocally root for and love.
II. HAVE YOU LEARNED?
When Nero is defeated, the real enemy still lurks. Apollo’s age-old nemesis, Python, has long haunted him. Their final reckoning is one-on-one, and after everything Apollo’s learned and been through, he goes into his last battle not necessarily caring whether he lives or dies-- he just knows Python must be defeated, no matter the cost. Don’t get me STARTED on his last conversation with Meg!!!!?????? (”Just come back to me, dummy.” I LOVE THEM) 
So, yeah, I’m already crying at that point. Apollo (slowly regaining his godhood) goes into this completely by himself, assuming all risk and responsibility. He’s forced to sacrifice the Arrow of Dodona, and eventually chooses to sacrifice himself by flinging them both down to Tartarus. But we don’t stop there! Oh, no, we go all the way down to Chaos. The primordial soup of all the pantheons, all of existence. Python crumbles, and Apollo clings to the edge-- he clings to life.
This is it. This is the literal rock-bottom moment of the saga, and I’m completely unsure of how he’s getting out of this one. Who’s going to rescue him? What can he even do at this point? Genuinely, I had no idea where this was going-- and I never would have guessed that it would be the goddess Styx who shows up. She’s played an important, but also very minor, role in ToA. I was baffled at first-- I thought, what does she have to do with any of this? But then it ended up playing out in like the most breathtaking, moving way possible. It’s one of the most defining scenes of the entire 15 books to me. 
She only asks him: “Have you learned?”
This is the goddess of promises and oaths. Since The Lightning Thief, we’ve seen how oaths are tossed around like confetti. Percy’s very existence (not to mention Thalia and Jason’s) is because of a broken promise. An oath to keep with a final breath is one of the revisited elements throughout the Heroes of Olympus series. Apollo makes willy-nilly promises in The Hidden Oracle, which he later regrets. 
Then, at the end of everything, Styx only asks Apollo if he’s learned. All the talk of promises and oaths in this story doesn’t actually have anything to do with “keeping promises”-- certainly, so many promises are broken we can’t keep track. It all boils down to whether we learn from what we experience and use that to become better people moving forward. It’s about making sure we mean what we say and what we do. It’s about commitment and devotion to the people we love and the things we care about. Promises don’t matter. Only action does. 
I can’t understate how thoroughly pleased I was that this was the final reckoning of the saga. It was an unexpected and completely profound moment, and such an important scene to use as the emotional climax of the book.
III. WHERE WE GO FROM HERE
After 15 years and 15 books, The Tower of Nero had to find a way to bring the saga to a close without nailing the coffin shut. More standalone novels are surely on the horizon (I’m looking at you, Nico and Will), but as a whole, this saga did need to come to a satisfying end. 
Let’s pick up after Apollo is restored to godhood. He wakes up to his sister Artemis, and the very first thing he does? After finally returning to his true form, the thing he’s relentlessly yearned for the whole series? He just breaks down sobbing. He’s miserable. There’s no relief or joy in the realization that he’s once again an Olympian. 
I’m always a sucker for the trope of “Character does everything possible to reach Goal only to realize that Goal isn’t actually what they want or need at all”, so of course, I was moved to see Apollo learn that he doesn’t actually care much about whether he’s a god or a human anymore. (In fact, he later remarks that he envies Lu’s new ability to grow old and age alongside Meg and her foster siblings.)
I was doubly-moved that Apollo’s restoration to godhood was not an action on Zeus’s part. From what little context we get (a lot happens “off screen” and even Apollo isn’t sure), it appears that Apollo either reclaimed his own godhood through sheer force of will to return from Chaos and reunite with his friends, and/or Styx aided him. But it seems obvious Zeus wasn’t involved, which has HUGE implications for the power structure of the Olympians moving forward.
A lot of us, myself included, had certain expectations for how Apollo’s inevitable reunion with Zeus and the rest of the Olympians would go. I, for one, was excited to see Apollo either tell off his father, or possibly assume a position as the new Camp Half-Blood director or New Rome’s pontifex maximus. Instead, we got a somewhat quiet, but incredibly tense interaction between all the Olympians. The closest thing to an outburst is actually between Hera and Zeus, as she tells him off for not mourning his son Jason, as Apollo did. (Dare I say....I liked Hera for a moment?) (ALSO, I’m fully on-board with the theory that Zeus did not intervene in Jason’s death as a punishment for Jason publicly calling him “unwise” in The Blood of Olympus.)
The whole scene reads as a powder keg. Already, it’s established that Apollo, Artemis, and Dionysus (and possibly even Athena and Hera) have no illusions of Zeus’s grandeur. They do not view him as family, or even as a leader. He’s simply just the one with enough power to punish the rest of them when they get “out of line”. 
Apollo began naming Zeus as his abuser fairly early on in the series. Perhaps witnessing the way Meg thinks and speaks about her stepfather Nero made this clear for him. In either case, he begins to explicitly mirror the very same advice he gives Meg in dealing with her abuser: distance yourself from the abusive person/situation, and accept that tyrants do not change and it is not your responsibility to attempt to make them “see the light”. Thus, Apollo makes no appeal or argument to Zeus– he understands by then that it’d be fruitless. Instead, he’s concentrating his energy on doing everything he can do with what he has; he’s committed to being a protector and friend of demigods, and he sees that other gods are beginning to (if not already) see Zeus’s wrongness. (More on this here.)
Was it what I expected going into the book? Nope. But I have to admit that it was really exciting to see Zeus try to hide the very real fear of realizing that his son Apollo is no longer afraid of him, and is quite possibly more powerful than him, too. Apollo switches gears entirely away from Zeus, and focuses his energy back on the friends he’s made and the children he has. It’s a refreshing reminder that it’s often more productive to concentrate on helping others instead of harming those who harm us. 
That being said, I would have liked a few paragraphs or pages discussing what practical differences there will be for the lives of young demigods in the wake of this change. I understand that might not have worked given the very condensed timeline post-returning-to-godhood (the story ends literally the same day or day after), but I do hope and believe that Apollo’s transformation is going to change the way demigods perceive gods-- and what they will expect of gods in the future. Just look at how Apollo is received by the campers at CHB. They’re ecstatic to see him. They think of him as a hero. Apollo is coming back just to help and spend time with his kids, his friends, and the campers, and he’s going to keep coming back. The other gods are certainly going to feel some pressure to follow suit. 
Speaking of Apollo’s reunions...shall we?
I loved that we got to see all the main-players one last time. Mimicking the “tour format” of the series, we get to watch Apollo catch up with his loved ones, who helped him learn how to be a better person throughout his trials.
It was sad, but reassuring, to watch Nico come to terms with Jason’s death. I like how he outlined the differences between Hazel’s and Jason’s deaths, and why he isn’t interfering out of respect for Jason. Watching Jason appear to Apollo (ambiguously as a ghost or as a figment of Apollo’s dream-imagination) was another moving reminder of the stark differences in the ways that different demigods prioritize and think about what it is to be a hero. Jason’s idea and Percy’s idea, for instance, are super different because of the way they were raised. Percy would put anything on the line for his family and friends; so would Jason, of course, but he also has a much broader view of what’s worth sacrificing your life for...which is admirable in ways, but also painfully sad, since a lot has to change in order for Jason’s death to carry weight. Over the course of the last two books, I think it’s very safe to say Jason’s death did change just about everything for the people who knew and loved him, and even those who didn’t. 
Whew. Okay, back to Camp Half-Blood. Nico and Will are clearly now very comfortable with each other, and it’s refreshing to see how they both watch out for each other and bring out the best in one another. I’m excited for their inevitable solo book, but regardless, it’s good to see Nico getting the help he needs (from his own experiences, from Dionysus, Will, etc), and for Rachel to get some distance from her terrible parents by living out her art student dreams in Paris. 
Then, we drop by the Waystation. I simply cannot get over the fact that Calypso is at BAND CAMP. Anyway, it’s unsurprising to find out that she and Leo are still “complicated”, but I’m glad she’s experiencing the highs and lows of mortal life, and that Leo is working on helping out vulnerable youth (and has two mom figures in his life!!!!!!!!!!!!!!!!). Glad we get to see Thalia and Reyna both happy and healthy, too.
Next up, Camp Jupiter and New Rome. LOVE that Hazel and Frank have both reclaimed the curses that haunted them since The Son of Neptune. They really both did just...like...basically die to bring down the Big Bad and then come back better than ever. (Side note: I still obviously have issues with the fact that Hazel is SO YOUNG! There was no reason for her not to be 15/16 like the rest of the Argo 2 crew! Ugh.)
Anyway, then we say goodbye to Percy and Annabeth. Except for the annoying continuity error in terms of the timeline of them learning about Jason, I really really really loved this parting moment with them. I know some readers wanted Percy and Annabeth to stay in New York, but it always felt very natural and meaningful for me that they’d want to relocate to New Rome. That was always the Big Dream for most of Heroes of Olympus, and it makes sense to me that they’d choose to live somewhere designed for demigods to actually live and grow old and raise families. Besides, I’m quite certain they’ll frequently be visiting New York. I digress. 
It was super bittersweet to see these two finally off on their own (and basically living together, as Apollo teasingly implies) going to college! Definitely a huge sigh of relief and satisfaction after following all their exploits since they were twelve. I’m so glad we get to see them (all things considered) happy and excited for their new life together. They certainly stepped back in this series, as they deserved. But they still lose Jason, and that’s something that weighs heavily on them and likely always will. Apollo calls Jason “the best of us”, and I don’t think that use of “us” is lost on Percy, Annabeth, or anyone-- Apollo’s identity and alignment is with them now, which will hopefully lead to positive change.
Then, simultaneously the saddest and happiest (?) reunion-- with Piper. This was obviously really heavy, since the last time Apollo sees her is in the wake of Jason’s death. For me, I’m very proud and excited by the fact that Piper is the only character who basically forges a whole new life (outside of the sphere of the Olympians) for herself. She’s far from other demigods and gods, and is committed to reconnecting with her mortal family and making a beautiful life. She has a new friend, too, which is absolutely awesome. (I mean, we all KNEW, right? But it’s really great to see this confirmed on-page.) When Piper told Apollo that he did right by Jason, I definitely lost it. And I also just really loved the final beat with her-- Apollo’s stammering a goodbye, but Piper’s already turned around to walk back to her new friend and her new life.
The final farewell, of course, went to Meg McCaffrey. She’s reclaimed Aeithales, and is now foster-sibling-extraordinaire by rescuing Nero’s other adopted demigods and giving them a new chance. Meg’s really matured and grown into such a kind and strong leader, but it was super bittersweet to see how much she still values Apollo. Their reunion just about broke me. They share a bond that no one else will ever understand, and they brought each other out of darkness that nearly ended them both. I literally can’t think of a better final dialogue than what they share:
You’ll come back?
Always. The sun always comes back. 
I’m fine!!! 
Anyway, this brings me to the closing lines of the story. Just as Percy opens The Lightning Thief by directly addressing the reader, Apollo closes The Tower of Nero by bidding farewell to us. 
Call on me. I will be there for you. 
On so many levels, this line works really well as the ending. For me, and I imagine for you too if you’re reading this, these 15 books are a pillar of our childhoods. We grew up alongside these characters, and found enormous excitement and identity and magic in these pages. The story may have come to a close, but it lives on within us-- it’s something we can return to time and again for enjoyment and understanding.
More than anything, this story pulled off something I didn’t really know was possible: it makes me feel genuinely and enthusiastically glad to be human, no matter how strange or hard it gets.
____________
My fifth-grade teacher assigned The Lightning Thief as mandatory reading when I was ten years old. I picked it up reluctantly, but from the first lines, I just completely fell into this story. Twelve years since that assignment, I’m now a traditionally-published author myself...writing about what else but mythology, of course. These books saw me from elementary school all the way to post-college life. It’s hard to imagine where I’d be without them-- certainly, I’d never have achieved my lifelong dream of becoming an author, nor would I have found such an incredible online community like the one I’ve found here. I consider myself extremely lucky to have grown up alongside these characters and their incredible story. 
I know we’ve likely got more standalones in this world to come, but this is still the end of the saga. I’m sad to see it come to a close, but I’m so ecstatic with the send-off we got, and I’m excited to let the story settle and become a part of me-- something that will always affect how I see the world, something that reminds me of why I write, and something that’s always there to welcome me home.
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stanning-reyna · 3 years
Text
The Right Path - Chapter 3
“Here’s the rundown: the Greek and Roman gods now live in the US,” Piper began. The three of them were sitting around the coffee table in the Mclean’s living room, munching on ambrosia and pretzels. Jason’s shoulder and chest were wrapped in bandages from the monster attack.
“They often have children with mortals, resulting in demigods like us who have special abilities. You’re one of them.”
“But there’s a lot more to it,” Jason interjected. “Monsters, for one. They hunt down demigods for fun.”
Piper shot him a look. Jason knew they didn’t want to scare Antonia away before she even found out who her godly parent was, but he didn’t want to lie to her, either. Thankfully, she didn’t seem fazed.
“That’s cool and all, but I’m not sure you have the right person,” Antonia replied, straightening her posture and meeting both of their eyes. “I was born in Venezuela. Do these gods make booty calls to other countries?”
“All the time, actually. Canada, Brazil, Italy, you name it. They get around,” Piper explained, a look of disgust on her face at the mention of their parents personal lives.
Antonia didn’t respond and leaned back on the couch, her face deep in thought.
Jason had been told that being introduced to the demigod world was a lot to take him. He’d never gone through that himself, but Piper and Leo told him plenty about what it felt like. He couldn’t imagine what Antonia must be thinking right now. 
“There’s a lot more to say, too. But right now there may be more monsters on our tail and we need to get moving. Do you have anywhere you need to be tomorrow?” Jason asked. 
“Track practice at 9. I throw javelin, like I mentioned earlier,” she responded. 
Piper and Jason exchanged a look. 
“Sorry, girlie, but I think that’s gonna have to wait,” Piper said apologetically.
“Um, no, it won’t. The district competition is next week. I’m not missing practice before that,” Antonia insisted. 
Part of Jason felt sorry for having to steal her time, but he knew a district competition wouldn’t matter if she got killed by a monster before then.
“Listen: more monsters will come. We were lucky there was only one tonight, but next time it could be much worse. There’s a place we can go where monsters won’t be able to reach you, or at least they’ll train you to defend yourself if they do. You really have no other options,” Jason said. He only realized after it all came out just how much it sounded like a command being given to a legionnaire. 
“Fine. I can do that,” Antonia responded curtly. Her insistence from before had disappeared. It was like she knew just how serious this was, and just how much her life was about to change. 
. . .
They set out that night. Piper had been more on edge than usual since the run in with the monster and wanted to get to Camp Jupiter as soon as possible. Jason couldn’t blame her. That creature had come out of nowhere and managed to overpower him in seconds. Even better, he’d never seen anything like that before in his life. It was worrying him too.
Antonia picked up that something was wrong, even if she didn’t say it out loud. She has the acute senses that most demigods possess. She was so clearly a half-blood, but it pained Jason that he couldn’t for the life of him figure out who her godly parent may be. 
She couldn’t be a big 3 kid, monsters would have found her sooner. She wasn’t the child of war god, her demeanor was much too calm for that. 
Jason spent the entire drive interviewing Antonia, asking questions about her hobbies, strengths, and if she’d noticed any weird occurrences before. He found out nothing that pointed to any god he knew.
When they entered Camp Jupiter, Reyna was there waiting at the gates to meet them. Somehow she knew they were coming. She was pacing back and forth while crowds of legionnaires bustled around behind her. The scene made Jason even more worried.
“What’s been happening here?” was the first thing he said to the praetor once they were within earshot.
“Children of minor gods and goddesses have been showing up here all week in large numbers. We’re not sure what it means yet. I assume that’s who this is,” Reyna responded, looking at Antonia. 
Normally Reyna’s formal and cold glare was enough to make anyone cower in fear, but Antonia held her eyes as if it was nothing. Antonia might not have noticed, but Jason could see Reyna approved of the girl. She’d made a good first impression.
“We’re assuming something bad will happen, right? Why else would the gods be claiming so many of their kids right now?” Piper spoke up.
Reyna nodded. “We’ve been preparing our defences, but there’s not much more we can do until we have more information.”
“Maybe one of the incoming demigods will know something,” Jason suggested. He wanted to ease Reyna’s worries as much as possible.
“Perhaps,” Reyna said, her eyes scanning their surroundings as if she expected something to jump out of the hills. 
Antonia had been quiet since arriving, likely taking in everything around her, but now she spoke up with confidence. “The more bodies you have at your disposal, the more likely you are to win a battle. That’s what this is, isn’t it?”
No one told her she was wrong.
Jason hadn’t wanted to say it, but he had been thinking the same thing The Olympians wouldn’t care about the children of minor gods and goddesses dying by the masses. This was the draft for a war. 
Suddenly Antonia let out a yelp. She grabbed her right forearm with her other hand and let out a few curse words. Piper rushed to her side, gently pulling her arm out of her grip so that the rest of them could see it.
The symbol of a scale was burned into Antonia’s forearm. 
“A child of Nemesis,” Jason whispered in shock. Those were few and far between at Camp Jupiter. The last one was seen in the 80s, when the Legion’s eagle was lost in Alaska. They almost always meant bad things were coming.
Antonia looked at Jason, ready to ask a million questions.
“Welcome to the Legion, daughter of Nemesis,” Reyna said. “Let’s get you sorted out.”
AN: Sometimes Nemesis is given the symbol of a broken wheel, but I decided to go with her other symbol, the scale, for her Roman claiming. We also don’t know exactly how demigods are regularly claimed at Camp Jupiter, but I think them getting branded out of nowhere is on par for the Legion. I’m not sure if I’ll continue this piece- if you would like another chapter comment! 
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unmaskedagain · 4 years
Text
Marinette Vs Santa: The Rematch
Seven people requested a continuation of the Part 1 and I just gave in. I hope you like. I’m not big on writing sequels. So please let me know if its good.
When the news broke that billionaire Bruce Wayne’s daughter Marinette was dating the Roy, the son of billionaire Oliver Queen, it was like the world paused.
It was bigger than Brad Pitt and Angelina Jolie.
Bigger than the royal wedding; both of them.
Bigger than the twilight love affair.
The Angel Marinette, the newfound princess of Gotham, dating the wayward Bad boy Roy, the prince of Star City.
Roy was handsome, really smart, funny, had a kickass attitude, played guitar and soccer, and loved animals; at least that’s what Jason told her Because Marinette had never met the guy.
People were betting on when they’d get married, have kids, what they’d name them…
And Marinette doesn’t even know the guy. I never had a single conversation with him.
Now Jason wanted her to… What?
“Come on!” Jason begged. “Just let him take you to the ball.”
           Marinette sat at her desk, with arms cross, glaring furiously at her brother, as she contemplated murder. “No.”
           Jason tossed his hands up in the air, “He’s really great. You’d like him.”
“I don’t care if reveals he’s actually Tom Holland ala Hannah Montana style,” Marinette growled. “No.”
“He’s in a bind,” Jason pleaded with his sister, giving her the biggest puppy dog eyes, he could muster. “His dad’s been giving him a lot of grief lately about him going to college and taking over the company one day and the bad press he’s been getting. Once Roy said he was taking Wayne’s princess to the ball, it stopped.”
“Why did he even say it?” Marinette yelled.
“He’s a moron!” Jason yelled back. “But he’s my best friend. He’s rich. He’s handsome. He comes from a great family. He’s strong. Gotta nice bad boy thing going on. A motorcycle. Sorta mysterious. How could you not want to date him?”
Marinette chuckled, “Maybe because I’m starting to think you might be.” She eyed him. “If this you two using me as a beard or whatever, cool. But Bruce Wayne and Oliver queen both been seen with Male lovers, I don’t think they’d mind…”
Jason glared at her, “I’m not dating Roy. Redheaded dudes are a little creepy.”
“Are they now?” Yeah, Marinette thought, really selling.
           Jason pinched his nose, “Didn’t you ever wanna be Cinderella? Go to the ball with the Prince? Roy is that prince. The only one above him would be an actual prince. I thought all little girls did? Can you do it, please? For me?”
           That’s when Marinette remembered the first time she saw Disney’s Cinderella. She had been six. It was Christmas. She had fallen instantly in love with the movie, the dress, the songs, the prince so much so that she talked about being Cinderella to her parents. Her dad just laughed and told her to write Santa. Ask him to make you Cinderella.
           And so six-year-old Marinette did.
           And now nearly ten years later, staring at her brother, she now knew… Santa had a hit list. It was the only explanation. Santa was gunning for her. Seeing what it took to break her. Finally, get her on the naughty list. Be careful what you wish for after all.
“I want to meet him,” Marinette said slowly with a defeated sigh.
“Yes!” Jason cheered. “I know the Cinderella thing would work.”
           Marinette glared, “You know I know at actual prince right? Prince Ali.”
“No! Wait! We can talk about this!”
“Kidding.”
“Thank god,” Jason sighed in relief. “Oh, you can’t tell Bruce its fake.”
           Marinette closed her, counted to ten, and stopped herself from screaming the only thing on her mind: FUCK SANTA.
           The Tsurugi house had been tense since Kagami returned from school. Her grandparents had expressed their approval of her befriend Wayne’s youngest daughter. Kagami’s mother had been pleased that they would be receiving an invitation to the Wayne New Year’s ball.
           They had been waiting all day for the invite to come. Both mother and daughter anxiously doing all they could to avoid waiting by the door.
           When the doorbell rang, Kagami had to force herself not to run for it.
Discipline, she thought, control.
           Her mother’s assistant announced, “Miss Wayne is here, Lady Kagami.”
           Yes, she was. Marinette Dupain-Cheng-Wayne curtsied gracefully, “Mrs. Tsurugi. Kagami. I hope you are well this evening.”
           Light, polite, took place after that. Her mother almost smiled in approval at Marinette.
           When Marinette finally handed the invitation over, “I do hope you can attend,” She said. “I apologize for the short notice.”
           Mrs. Tsurugi bowed. “It would be an honor to attend.”
“We look forward to it,” Kagami added.
“I… admit I have always wanted to go the Wayne’s Ball,” The older woman admitted the barest hint of a smile on her face. “One thing off my Christmas list, I suppose.”
           At this, Marinette beamed, a vindictive pleasure coursed through. Yes, she wanted to his, Kiss my ass, Santa.
           Going to Chloe’s was… interesting for Marinette. She hadn’ t even had the chance to knock on the penthouse door before Chloe had ripped it opened.
“Mama,” She called. “Marinette’s here.”
           That was all the signal needed, for Audrey Bourguis to throw opened both doors of her office, “Ahh Marinette. How lovely to see you, darling.”
           If Marinette had been a little meaner, she would have admitted that the scene was felt oddly similar to what it was like to see the stepsisters in Cinderella get the invitations to the ball. Chloe had been her bully, and she hadn’t changed all that much.
“Thank you for having me,” Marinette said easily. She presented the invitation. “I hope you can go,” She told Chloe and her mother honestly. “I could use more friends there.”
           Chloe’s eyes softened despite the look of the annoyance on her face, “Of course we’re going.”
“Agreed,” Audrey said. “Everyone who is anyone is going. And we are most definitely anyone. The question is what are we wearing? Classic ball gown. Or a modern princess. What are you wearing? Everyone wants to know.”
“Roy Queen on her arm,” Chloe giggled.
           Audrey smiled, her first real smile of the day, “Now that is quite the handsome accessory, bravo.”
           They discussed fashion choices and who is supposed to be wearing who. All while Marinette dodged every attempt from Audrey to design her dress for the ball. And the older woman had been determined.
           It was a harrowing experience. If Chloe hadn’t been her new best friend, Marinette would’ve given in to the desire to rip back the invite and tear it shreds.
           As she was living, Audrey said, “I was always dreamed about it; the Wayne New Years’ ball,” It was said with a lovingness and dreamy voice that neither Chloe or Marinette had ever heard her use before. “When I was a little girl, I would watch every year and just dream about it. I envied and critiqued over dresses. When I was really little, I used to ask Santa to go every year. I’d even design my own dress; every year. Its why I got into fashion. I was a little girl who dreamed about her own ball gown.”
Marinette would leave the penthouse, walk outside where her driver waited, and before she got into the car, she stared at the Christmas decorations. At the robotic Santa waving, and whisper lowly, “We’ll call this a tie.”
But the fight wasn’t over.
           Luka had no idea what to do with the invitation. Neither did his mother. Sure, they had heard about the Wayne ball but Juleka had Rose whispering in her ear so she made sure that her brother accepted.
“This is a favor to me,” Marinette pleaded. “Father will pay for the trip, for the expenses. Luka is my friend, and I would like him there. With you all of course.”
           Juleka begged her mother, “Please! Rose said this a once in a lifetime experience.”
           Luka eyed his sister but shrugged, “I’m in. What are friends for? He is your brother Tim single?”
What did you just say to me, punk? Marinette nearly snapped. She knew, of course, that Luka always had a celebrity crush on Tim Drake-Wayne. He even put jokingly put a kiss under the mistletoe with Tim Drake on his shopping list. But it was different now that Tim was her brother. Marinette needed her friends on her side; her family was insane. And she swore if Luka spent the entire Ball mooning over Tim, she was going to fly to the North Pole and shove her foot right up Santa’s…
“I won’t know anyone,” Anarka finally said interrupting Marinette’s thought. “It’ll be all boring people listening to classical music.”
“Oh!” Marinette straightened up. “Jagged Stone will be there,” She said brightly.
           The glare she got from Luka’s mother could’ve been weaponized.
           Marinette left their house feeling a bit shook.
“Ho! Ho! Ho!” She heard and saw Santa impersonator walking on the street.
           Marinette’s eyes narrowed. A less person would’ve just taken him out, she knew. But Paparazzi was everywhere, and for once that was the only thing stopping her. Not being nice or polite.
No, Marinette raged inwardly, that time was over.
           Instead, she shot him a glare, “Score one for you.”
           The next day at school was even worse than the day before… Paparazzi wise.
“Marinette! Marinetti,” A lady from seventeen magazines yelled. “What was your first date like with Roy? Was it Romanic? Did you kiss him? Is he a good kisser?”
           Marinette ignored them all as her father walked her into school again; this time with Tim and Cassandra.
“Bruce! What do you think of your daughter dating someone two years older than her?” Bruce stiffened.
“How long have you been dating the Queen heir?”
“Have you had sex yet?”
“What is he wearing the ball?”
           The questions went on and on.
           Marinette got to class and all but collapsed in her seat with a huff. This was too much. Her papa had assured her it would calm down soon.
“It will get better,” Kagami assured.
           Chloe patted her back comfortingly, “Paparazzi are so invasive.”
           Alix snorted, “What do you know about it.”
“Her mother is Style Queen,” Marinette answered before Chloe could. “One of the leading faces in fashion today; she can make or break a designer; start trends and end them. Everyone knows her name. Her face. She is the Devil’s Wears Prada: Miranda Presley of our world. Chloe was born with paparazzi wanting to know if her diaper was designer.”
           Her classmates were shocked at her defense of the blonde.
“And for the record,” Chloe said sounding pleased. “They were.”
“What’s it like dating Roy Queen,” Rose asked excitedly, ignoring the tenseness of the room like she was always doing. “He’s so dreamy. Did you know I have him on my bedroom wall?”
           Yes, Marinette did know. She helped decorate.
“Like a dream come true,” Marinette said with a forced smile.
Because like the most dreams, some crazy person made it up, She thought. Jason. Jason made it up.
“Do you think you’ll get married,” Mylene asked giving heart eyes to Ivan who blushed.
           Marinette was about to answer when she noticed Alya’s phone was out, and she looked way to interested what Marinette was saying.
“I didn’t give permission for an interview,” She said. “Or for permission to have my conversation recorded as is required by law.”
“You never minded before,” Alya pointed out. “This could be huge for my blog.”
           Marinette rolled her eyes, “No one knew I was a Wayne before. I have to be careful now.”
“Someone who knows you should give an inside scoop,” The glasses-wearing girl said. “Let people know what you’re really like, what you’re really thinking. We can do an interview right now!”
“Class is about to start,” Chloe sneered.
           Kagami glared, “Delete it or hear from our lawyers.”
           Adrien stood up, “Don’t you think you’re being a bit harsh.” Some of the other students nodded. “She doesn’t mean it harm.”
“I don’t care what she meant,” Marinette snapped. “I will not have private conversations on display for the world to hear. It's an invasion.” She told him and looked back at her once best friend. “Delete the recording from your phone.”
           Alya crossed her arms, a petulant look appeared on her face, “I already posted it on my blog,” She said smugly. “Too late now.”
“Delete it,” Kagami and Chloe chimed together.
           Alya stood her ground and sent them a look similar to what Rena Rouge sent Akumas, “No! It’s my private property,” She snapped, and she sent a smirk at Marinette. “You can’t make me.”
“Are you sure about that?” Marinette asked. “It’s your last chance.”
“This is my blog,” Alya said.
“Then prepare to see it burn.”
           All Marinette wanted for Christmas last year was for Chat Noir to leave her alone and for Alya to wake up, stop listening to Lila and reporting false news about Ladybug.
           Before the bell rang for lunch, Alya’s screech could be heard for miles. The Ladyblog was gone. Her mom had deleted it. Well not deleted the website but deleted everything on it. It had been an accident. Alya’s mom had been desperate to delete the interview of Marinette as quickly as possible. After realized what she had done, she quickly went to school to talk with her daughter.
“Why?” Alya had demanded in tears.
“Why?” Her mother shouted back. “Do you even know what you’ve done? What could happen to you? To your family?”
Her parents were furious. They had gotten a cease and desist Bruce Wayne’s lawyers, a notice that the Ladyblog was being sued for invasion privacy. Officer Raincomprix had shown up to let the know Alya was being hit with criminal charges; it was illegal to record a private conversation without permission for public use; even more so if it involved a minor.
Four hours. It took four hours for the Ladyblog to go up in flames.
The akuma had not been pleasant to deal with. But surprisingly, it wasn’t Alya. It was her mother; scared to death that her daughter had pissed off one of the richest family’s in the world and might have destroyed her own.
           Alya left school early that day, and wouldn’t come back for the rest of the week.
           Marinette counted that a win in the “Fuck Santa” Category. She could get her own freaking Christmas presents.
           Marinette had been sitting with Kagami and Chloe, enjoying lunch in the cafeteria when suddenly all the noise stopped. A needle dropping would be heard.
“Babe,” A voice shouted.
           Every hair on Marinette’ s body froze. What were the chances that an overly loud voice that sounded so familiar, so like how Roy Queen sounded in every video she ever saw of him, wasn’t actually Roy Queen?
No. It couldn’t be, she thought, Not even Santa’s that cruel.
           She glanced behind her and tried not to groan. It was Roy Queen alright. Red hair, handsome face, smug ‘kick me in the teeth’ smile. He was gorgeous. The exact type she’d been into. He had a bouquet of red roses and what looked to be expensive chocolates.
           That was when suddenly she remembered how much she wished for the same scenario. For her boyfriend, imaginary at the time, to surprise during school just because. When she was eleven, it was a Christmas wish on a star. (all her friends had boyfriends at the time; even if they only last two weeks at most.)
Another point for Jolly Saint Nick, she thought glumly.
           An arm went around her shoulder, “Miss Me,” Roy smirked as he pulled her into a hug.
           Marinette hugged him back tightly, a pleasant grin on her face, masking her true feelings, “I’m going to kill you,” She whispered. She kissed him softly on the cheek. “And I’m not even going to make it look like an accident.”
           She wasn’t entirely sure if she was talking to him or Santa Clause; maybe both.
           The smile was on Roy’s face as he pulled away, “You are definitely Jason’s sister.” He looked her up and down. “So… want to ditch school?”
           Marinette sighed, “Fuck Santa.”
           She didn’t care who heard now.
           Marinette did not skip school. Roy did pick her up from school, on a motorcycle. The pictures were being recycled on the news.
           All three of her parents were furious. Marinette had barely managed to get out of being grounded.
Santa would not beat her. She would not end up on the fat guy’s naughty list. Unless the reason was that she was standing over his cold, dead corpse.
“Okay,” Marinette said as she paced her bedroom. “I’m losing it.”
“You’re fine,” Tikki promised. “This time year gets to everyone. It will get better.”
“He’s persecuting me,” The bluenette.
           Tikki sighed at her chosen’s antics, “Santa is not after you.”
           Suddenly, there was a loud crash. Her bedroom door swung open, Tim rushed in looking a mess and beyond frazzled, “Tell me you can sing?” He shouted. “Doesn’t matter. I told everyone that you’re singing at the ball. It’s gonna be great.” And then he ran from the room.
           It went silent.
“Coward!” She yelled after him        
Marinette recalled her desire, her wish to finally overcome her shyness, her stage fright. She recalled the time fainted during a choir rehearsal for the Christmas pageant. She had been eight-years-old and vowed to never sing publicly.
“…Maybe Santa is out to get you,” Tikki said bluntly who knew all about Marinette’s fear of singing.
           Tim suddenly ran back in the room, “You’re having dinner with Roy and his parents tomorrow.” He said. “And Dad wants you to meet the Justice League. Have fun.” And he was gone.
“Fuck. Santa!” She screamed.
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heliosthegriffin · 3 years
Text
Gamer AU
Author’s Note: I really badly want to write a gamer!Jaune Fanfic, but getting a system to work that makes sense to me has been a bitch to deal with, and no, I don’t want to use the system from the Gamer, it’s over used. So I’ve been making my own system from the ground up. Any the story’s nowhere near ready for day light. Also, the main focus would be on Jaune and his immediate family and that drama, so pretty OC heavy. It’d also start pretty early in his life around ten or so, he also isn’t very interested in being a hunter, just making sure his family is happy and alive.
Any-who: Here’s a scene clip from my head, that’ll be better fleshed out later.
Scene: The Waterfront Cafe
Jaune hurriedly walks back and forth through the cafe, makings sure the dozen or so customers were being well cared for, while he cooks their food.
It was only midday, but he had already make a decent profit, meaning he didn’t have to work into the evening and keep the cafe open. A couple more weeks and he might have enough to permanently hired a waiter; For now though, he was soloing his way through running his sisters-... his cafe.
He shook his head and focused on the positive today. Like how he was fifteen years old and a successful business owner, well several businesses... and other things that were definitively illegal. but like Roman says “Legal is for people who don’t want to get rich.”
The thought of his friend, even if Roman would never admit it, brought a genuine smile to his face. He hoped Roman his enforcer came to visit soon. They made for good conversation, and were good tippers, even if the other one got a little grabby. Still, Roman had yet to send him a time to keep the Waterfront open for him to visit, so he’d have to keep a look out for one of his runners.
Only Jaune Arc would think so casually about having a powerful crime boss as a friend and customer, and his stab-happy murder goblin enforcer.
Also only Jaune Arc would fail to notice despite his Perception well over 70 that his genuine smile cause all who saw it to melt and turn their legs into jelly.
“First time?” “What? What do you mean? And what the hell was that!?” A customer whisper yelled.
“The Jaune Arc Smile, it has an effect on people. Beside the divine cooking, it’s one of the reason people come here.”
“... That's insane.”
“Oh, definitely. But, is that going to stop you from coming back?”
“I said that this was insane, but I didn’t say I was stupid. I haven’t felt so content in years.”
The two customers drifted off into conversation.
Jaune still failing to notice, having a professional standard of not ease-dropping on his customers.
Of course with that being the case Jaune failed to notice the two loud-mouth women who walked in and sat down at a table like they owned the place.
Neither woman was particularly attractive, or in shape, in-fact the only interesting thing about either was the fact that they both had dyed grey hair with grey contacts. With the only thing differing about the two, was the taller one was fat, and the shorter one thin.
“So, I said “what are you part of the Alpha Male Huntsmen agenda? Cause if you don’t give me that purse for free I’m going to cry rape!” Then he gave it to me and ran his little ass back to home.” The taller one said
“Oh, you are such a bad bitch!.” Replys the shorter one. “Oh, don’t I know it, so why are we here?”
“Oh, you don’t know, the food here is killer! Or, so I heard.”
“Really? It just looks like a shitty little cafe, the only thing really note is the location.”
“Yeah, I saw it while looking on the Scroll. Also, the service is great, but the thing is... It’s only run by one guy! You know what that means?” Shortys says
“Yes!”
““Free lunch!”“The a pair says together.
“When this glass of water get here!?”
“See, told you get the service was great!”
Jaune appears before the table, apron on, long golden hair in a ponytail and, notebook in hand. “Did some say service?
“Oh shit!”
“Fuck! Where did you come from?!” “Sorry Misses. I thought you two would like some service? I can give you more time if you’d like.”
The two get a full view of Jaunes features, reducing themselves into a blushing stuttering mess.
“There are you can scan the table for the menu if you like, or check the website, I’ll give you some more time.” Jaune says leaving with another pearly white smile.
Further burning out the pair’s brain cells.
A few minutes later.
“How, how can guy be so gorgeous? You said he was a guy right!?” The taller one says “Yeah, I did! All the reviews say he’s a guy!” Shortys says. “Like read this here, “The server is amazing, he always arrives on time, never pry's, but will always listen, what he cooks can only be called art and a world wonder, I am always happy to tip!”
The pair look at each other. “I thought it was reviewer bias.” “What ever, gorgeous or not, I’m getting a free meal today.” Say the fatter one.
The shorter one looks more hesitant. “I don’t know,, he looks so nice, it almost feels like a crime...”
“What do we care about crimes, when it’s the Alpha Male Huntsman Regime oppressing us!”
“... I’ll stick to paying, you do you though...” The shorter of the pair says, twirling her hair, heavily reconsidering keeping a different color.
“Whatever traitor, I’ll show you, and then you’ll see I’m right!”
“Suuure.” The shorter, and obviously smart one says disbelieving, ‘If he’s that pretty and nice, there’s no way that’s going to happen, cause either he’s way tough, or someones looking after him, otherwise this place would be out of business, with people trying to take advantage of him. ’
Half an hour later.
The larger one has several plates and cups empty before her, seemingly having everything on the menu, holding her bloated stomach in a state of ecstasy.
The shorter one only having finished a two plates, having had a club sandwich and muffin, along with the house brew, filling just the right amount of full and very content.
“Misses?” Jaune says “I hope you found everything to your liking.” His smile sweet like sugar, but warm like the spring breeze.
The shorter one blushes hard. “Uh, uh, yes” She finally squeaks out. “it was amazing...”
“’S alright, I guess” The fatter one says appearing disappointed and unimpressed.
Jaune seems a little hurt by the fatter one’s opinion, causing several other customers to look on murderously at the fat woman.
She is unfortunately oblivious to this.
Jaune lets go of the expression.” Well, my apologies miss, I’ll makes sure it’s better next time.”
‘It can get better!’ The fatty thinks.
The murderous glares grow sharper.
“I thought it was really good!” The shorter one says standing up, and then realizing how insanely tall and large Jaune is compared to her, and even her friend. His thighs being bigger than her torso, his pecs standing higher than she is and her friend. Yet he moved like the wind and with the grace of a dancer.
The large fatty snorts in disdainfully at her soon to be former friend.
“Now would you like to pay to together or separately?”
“I’m not pay-” The tall fatty begins. “Separately.” Only to be cut off by the shorter one. Who, glared at her, clearly unimpressed by her soon to be former friend.
Jaune nods and goes off to get their bills.
“The fuck was that! I was about to get us a free feel, bitch!”
“You were about to get us both kicked from the best cafe in the kingdom!”
“You, ungrateful cunt!”
“Whatever, I don’t need your approval,” She spots Jaune and walks over to take the bill, and tips him, before walking a way with an obvious skip in her step.
“Ma’am her is your bill-”
“I’m not paying.” “Come again?”
“I’m not paying you shit, you piece of garbage!” The woman says with a sneer.
Jaunes eyes narrow, he pulls up a chair and sits down staring her in the eyes.
“Why would that be ma’am, was there something not to your liking?” Jaune say his voice changing from airy, bubbly and sweet, to a deep, harsh, and cold tone. It was listening to a pop-star mixed with meowing of a kitten, and all the warmth of breezy, sunny  spring day, to a cold winter night in Mantle while listening to a murdering whisper death-core to you .
The fat grey-head shook with intense fear for all of three second before speaking again, but not without withdrawing her eyes from his own.
“I said before I’ll say it again bastard, I’m not paying you a cent, you Valiaen Huntsman supporting shitlord!”
“My father’s a huntsman, if you have a problem with them please, do keep them to yourself.”
“I’ll say whatever I want shitlord! And if you so much as touch me, I’ll scream you rape you rapist shithole!” The woman says, suddenly getting her confidence back, remembering that she’s the one with power in this situation, or so she thinks. “An if you try anything, beside letting me walk out of here without paying, I’ll make sure you never see your family again, or even better, make sure your whole Huntsman propaganda spewing familys face’s kicked from the kingdom! And guess what fuckup? I going to come back here tomorrow with my friends and your going to give us all a free-”
“Quiet.” A single word came from Jaune’s mouth, but from the way the woman closed her mouth it looked like he shut her mouth with his own two hands.
Jaune stopped holding back his overwhelming level of Personality and letting it Project forward, all 80 levels of it and his maxed out Intimidation.
The fat woman suddenly became aware of how close Jaune was to here, how big his hands are, how long and strong his arms are, he wouldn’t even need to get up to grab her neck across the table and his hands could cover her entire next with ease, it would take no effort for him to kill then and there, and that shook her.
From the corners of her eyes it was like she could she the other customer turnign way with, but not out of fear, but with intense glee! He could kill her then and there and they wouldn’t say a word, they might even help!
Jaune spoken and with it came a weight so heavy that it choked the words out of her.
“Listen here, I’m going to say this once and never again, after I finish telling you this, you will be like you never existed to me, is that clear?” Jaune said to her with a sinister, cold and happy smiles. It was like looking at an open grave with her name on it.
She nodded with all her force, and barely let out a ”Yes,” Feeling hyper-aware of Jaune and his body, easily seeing him choking her, hitting her and smashing her face in, taking a knife to her neck letting her bleed out, the phantom pain of a eye being gouged out, and near endless death Jaune could bring to her, all while listening to him.
“I was being humble earlier, but you don’t downplay my cooking, I”m the best chef without a degree in the kingdom, In a couple months I will be the best chef in the kingdom. I am the best cafe in this kingdom. I am no rapist, but even if I was why would waste my time going after, a fat, loose, stupid, boring, and painfully annoying creature as you, do you think my standard are low enough to be in the sewer, because that where I’d fine you, But, I could accept all of that abuse.” Jaune rapid-fired at her, “But,” His eyes looked at her like razors. “But, you tried to bring my family into this... And, NOBODY, AND, I MEAN NOBODY, BEING, OR, ENTITY! MESSES WITH MY FAMILY! IS THAT YELL YOU FUCKING MICROSCOPIC, WORTHLESS, VACUUM OF INTELLIGENCE, PARASITE!?” Jaune said to her calmly before yelling at her, his voice like a hurricane on steroids made of pure anger.
The woman shook before him, tearing falling freely, squeaking out in pure terror for her life. “I’m sorry, I’m sorry, I’m sorry, I’m sorry-” Jaune shook out another caverous roar. “BITCH! I did not ask for your worthless sorry ass to say SORRY! I ASKED IF YOU GOT IT?! WELL? DID YOU FUCKING GET IT?!”
“YES, SIR I GOT! I’M SO SORRY! PLEASE DON’T-“ The woman screamed in terror,
“THEN GET THE FUCK OUT OF HERE, YOU GOT YOUR FUCKING FREE MEAL, GET OUT OF HERE AND NEVER COME BACK, IF I SO MUCH AS SEE A HAIR OF YOU’RE FAT ASS, I”M GOING TO MAKE SURE THEY HAVE A MISSING PERSON’S WARRANT ON YOUR FAT ASS, AND YOU KNOW FUCKING WHAT? NOBODYS GOING TO CARE, NOW LEAVE!” Jaune said punctuation the last word by pounding the table with hands while screaming into the face of the woman.
She ran, she ran like her life depended on it, a trail of piss following her,  ugly crying all the way home.
Jaune then turned to his customers. “I’m sorry, about that folks,” His voice once again melodic and beautiful. “But, I’m sure that will not happen for about a month or two.” “Don’t worry we didn’t see anything.” His regulars said, with smug grins and some outright laughing or recording to put on dustube.
“Well, since y’all didn’t see anything, I say free coffee and today pie on the house!”
“WHOO!!”
Jaune then cleaned the table, and grabbed several glasses to refill, before returning the kitchen.
Returning to the two customers from earlier.
“What was that?”
“Oh that, don’t worry about that, it comes and goes, but we regulars call it free coffee and desert day.” “That’s insane... Who wouldn’t pay for this food?”
“You got a good head on you, kid.”
Jaune was in the kitchen cooking with one hand, and typing into his scroll behind his back with the other.
‘Junior, I got a favor to call in.’
Buzz.
‘The Malachite's saw everything.’
Jaune smirked evilly.
‘Good, tell them I’ll have their favorites ready when they get here... And something for you too.’
With Junior.
Junior: Happy crime boss noises.
The Next day.
The short grey hair girl arrived just as Jaune was opening.
“I am so sorry! About that I’d like to apologize for the idiots behavior.” “Oh it’s fine, I get customers like that from time to time. Now though I must say you look better without out those grey eyes. Brown suits you better.” The short hair-girl blushed heavily, having stopped using the color contacts.
“Thanks you...” “Now would like some breakfast?”
“YES!”
Authors note:Whew, that was exhausting, but I think it turned out ok.
By the way I came up for some names for the customers.
The first regulars name is Bronson
The new guy is Becker
The fat girl is Licorish
The shorter girl is Gracie
If your curioius why Jaune’s not in school and running a his sisters cafe, or where his sister is, that will all be touch on in the story.
Now here’s Jaunes Stats
Jaune Arc
15 and 1/4
Male
Strength: 68 Speed: 72
- Toughness: 6 - Grace: 7
Wits: 53     Wisdom: 82
- Calculation: 5 - Mental Fortress: 8
Personality: 80 Perception: 75
- Attraction: 8  -Sensory : 7
- Anima:390 (This option is greyed out)
- Aura Level: 3900 (this option is greyed out)
Now these are still subject to change.
He’s maxed out: Cooking, Dancing, Intimation, CQC, MMA, Valerian Boxing, Valerian Fencing, Short blade, Cleaning, Stealth, Sprinting, Climbing, Voice Manipulation, Body Control, ????? That’s all I’m listing for now, but it will only grow.
Traits:???? Heheh, watch and wait.
That’s all for now fokes. Have a beautiful day.
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anastasiastclair · 2 years
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Is that KATHRYN NEWTON on campus? Oh no, that’s ANASTASIA ‘ANA’ ST. CLAIRE. From LOUISVILLE, KENTUCKY, the EIGHTEEN year old has come to study COMPUTER GAME SCIENCE. Rumor has it she is INTELLIGENT and OPTIMISTIC, but NAIVE and EASY TO MANIPULATE, which is why she is known as THE SOUTHERN BELLE. She resides in ZETA TAU ALPHA and can’t wait to graduate.
Basics
Name: Anastasia ‘Ana’ St. Claire
Age: 18
Birthday: February 28th
Sexuality: Heterosexual, maybe bicurious
Relationship Status: Single
Major: Computer Game Science
Occupation: Clerk/Technician at The Royal Arcade
Extras: Member of Zeta Tau Alpha, part of the cheerleading team, robotics club, and graphic design club
Family
Father: Sebastian St. Claire
Mother: Scarlett St. Claire
Siblings: 3 older brothers.
Children: N/A
Pets: Dog named Clyde
Bio: tw. rape
Ana was born as the only girl, and the youngest child, in a family of three boys. While her brothers got to go out and be rambunctious , she was expected to stay home and learn how to be a proper lady. Not that she minded though, she didn’t always like spending time outside. The only thing she really loved, though her mom didn’t approve, was her video games. When it came to gaming she was so much better than her brothers and she quickly became obsessed.
She was 12 when she made her first game. It wasn’t anything crazy, but it was her creation and she was so proud of herself. When her mom found out she destroyed it, and told Ana to get her mind away from the videos games and into her real life. Since Ana had no choice, she left her little dream of game design behind. 
TW. RAPE From then on she was the perfect southern girl, going to all the stupid classes her mom asked her to, and she even had a debutante ball. Unfortunately, that night became the worst of her life. She had asked a friend of hers to take her, since she needed to have a date, and her friend had happily agreed. She didn’t really get why, but she was glad that he’d made it easy. Until the actual night of the party, when she wasn’t looking her “friend” slipped something into her drink. The next day she woke up on the grass, her arms and legs were bruised and her dress had been nearly torn off. She stumbled her way back home where her parents lost it, saying it was her own fault for turning her back on her drink. 
Ana was homeschooled from then on, and as her parents watched her start to fade from the happy girl she was before, they decided to help her. It started with counselling, and then they got her Clyde, her emotional support animal. After that, they decided to let her play her games once again, and slowly the bright happy girl returned. 
She’s since blocked out the night of her debutante ball, deciding that the night never happened, and nobody would ever have to know. When she finished high school she applied to Monarch, and since it was such a great school, her parents were proud that she got in, allowing their youngest child to move away from home and start over. She was glad to be somewhere where not a soul knew who she was.
When she first arrived it was the summer before her freshman year, she had just started at the arcade and one of her friends had told her about a show and asked her to tag along. It wasn’t really her scene but she agreed, and there she met Roman. They connected immediately and were practically inseparable from then on, she was always by his side no matter what the activity. Though as time went on, Ana got tired of his inability to settle down, he was fun and he got her out of her skin, but she felt like he just wasn’t serious. She ended things shortly before school started, and now she just hopes not to see him again soon, because then she’d have to admit that she missed him.
Wanted Connections:
Friends: People who hang out with my little nerd, extra points if they like video games
Sorority Sisters: One of the ways she’s controlling her life is by joining a sorority, so I’d love to see her make some sorority friends
Customers: She works at The Royal Arcade, maybe this is someone she sees there often?
Willing to plot for others!
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cieloclercs · 3 years
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Issy and Evangeline had never known such luxury, as to be able to sleep on a wooden bench. Compared to the snowy foxholes they had been forced to huddle inside for all those weeks in Bastogne, a church pew was heaven. And the girls’ choir singing Plaisir D’amour were the angels.
“My mama used to play this song on the piano.” Evangeline - also aptly nicknamed ‘Angel’ by her comrades - recalled with a wistful smile. Geneveive Dubois had played many songs on their piano back home in Annecy, but Plaisir D’amour was always her favourite.
“Is there anything your mother can’t do? Last week you told me she painted a portrait for Coco Chanel!” Issy laughed, then shrank back into her seat as the nun observing the choir girls shot her a disapproving look.
“She did! Mama is a very good artist!” Angel defended with a small smile, the first one that had fully graced her lips in weeks.
“And apparently a musician, too.” Issy murmured quietly, careful not to catch the strict nun’s attention again. She always seemed to find a way of getting into trouble without intending to.
Angel glanced down at her friend with a fond smile, chuckling softly at the way she shied away from the nun’s gaze. For as long as she had known her, Issy always had a gift for getting on the wrong side of people she shouldn’t. Angel could practically hear Sobel screaming, “Private Castro, if you turn up late for PT one more time this week, your weekend pass will be revoked for the rest of your life!”
Issy never did get to join them for weekend drinks.
Angel suddenly found herself missing the good old days at Camp Toccoa. Looking back on it, the daily PT sessions where Sobel would scream at them for not making it over the wall, and their long and exhausting runs up Currahee felt like a lifetime ago. Angel would have given anything to go back, with the Black Swan and all. Even Sobel’s insults were better than Bastogne.
But nothing could be worse than Bastogne.
Angel just knew Lieutenant Dike was going to be their downfall. She knew it from the moment Issy and George nicknamed him, ‘Foxhole Norman’ in Holland. That man was not a soldier. He never should have been allowed to command Easy Company. And he had cost them so much.
It made her angry.
Lip had been their guardian angel in the dark days of Bastogne. He was the leader Easy Company needed more than anything, as strong as decisive as Winters, and one of the best people she knew. Angel often found herself praying, just praying to God that Lip would take over, give Easy a little hope. He would have got the whole company back on their feet, given them something to fight for again.
But instead they had Foxhole Norman.
When Dike was put in charge of the attack on Foy, Angel wanted to scream. They had already lost too many soldiers, good soldiers. Skinny had been evacuated, Smokey paralysed, Toye and Guarnere lost their legs in one of the last barrages in the Bois Jacques woods, Skip, Penkala... and two of the bravest women she ever knew. They were going to lose even more with Dike in charge.
Then came Easy Company’s saviour.
Ronald Speirs was - in all honesty - the last person Angel expected to come to their rescue. She had only met him a few times, but the rumours... the rumours were hard to ignore. Even for someone like her, and Angel had never been one to gossip.
Ronald Speirs saved them all.
He came charging through Foye like a man on a mission, not even glancing at the Germans on his either side. The attack was failing, thanks to Dike’s idiocy, and too many good men were losing their lives. Speirs turned it all around single handedly.
He was a hero.
Angel was glad he was their new CO. The whole company was glad. She had spoken to Lipton only two hours before, and even he had expressed his deep relief that Dike was gone, and they finally had a good leader in charge. Maybe things would start looking up for Easy.
“You wanna ask me don’t ya?”
Angel blinked rapidly, the image of that frost-bitten battlefield fading from before her eyes. She glanced to her side, and realised that Issy had fallen asleep; her head lolled to the side and there was a contented smile on her lips. She still looked like a girl, even after everything they had been through.
“Ask you what, sir?”
Angel turned away from Issy’s sleeping figure, her eyes instead focussing on the two men in her line of sight; Speirs and Lipton. The former was collecting his equipment, presumably to make his way back to Battalion, while the latter watched him with a curious gaze. Angel sat up a little straighter in her seat.
“You wanna know if they’re true or not, the stories about me.”
Lipton seemed amused, and maybe a little apprehensive. Speirs never really spoke to anyone, let alone spoke to them about his darkest secrets. And the rumours... were the darkest it could get.
“Did you ever notice with stories like that, everyone says they heard it from someone who was there, but when you ask that person, they say they heard it from someone who was there.”
Speirs spoke about the rumours like they didn’t bother him, with such nonchalance, and perhaps even a hint of smugness. Angel watched a slight smirk stretch across his face, and suddenly, she wasn’t so convinced by the rumours anymore.
“I bet if you went back 2,000 years, ya’d here a couple of centurions standin’ around, yakkin’ about how Tertius lopped off the heads of some Carthaginian prisoners.”
“Well, maybe they kept talkin’ about it ‘cause they never heard Tertius deny it.”
Angel got the feeling they weren’t really talking about Tertius.
“Hm, maybe that’s because Tertius knew there was some value to the men thinkin’ he was the meanest, toughest sonofabitch in the whole Roman Legion.”
Oh.
Now she understood.
Angel supposed a reputation like that was useful, especially in a war such as this. Fear was a natural thing to feel in the presence of someone like him. The rumours about Speirs were known by all of Easy Company, and possibly even the whole 506th. Everyone knew he was a cold-blooded, merciless, perhaps slightly insane killer. Or at least, they thought they did.
“Sir, these men aren’t really concerned about the stories. They’re just glad to have you as their CO. They’re happy to have a good leader again.”
Lipton’s eyes weren’t so guarded anymore, but curiosity still lingered within them. Perhaps he was just realising - a little like Angel - that there was a lot more to Ronald Speirs than meets the eye.
“Well from what I heard, they’ve always had one. I’ve been told there’s always been one man they could count on. Led ‘em in the Bois Jacques, held ‘em together when they had the crap shelled outta them in the woods. Every day he kept his spirits up, kept the men focussed, gave ‘em direction. All the things a good combat leader does.”
Angel couldn’t help the grin that spread across her face, because no truer words had ever been spoken. And the best thing about it, Lip was completely oblivious. He had no idea just how much Easy Company had relied on him through Bastogne. He was a pillar, a friend to lean on, to listen to their problems, to offer advice, all while being an exceptional leader. They owed their lives to him. Because without Lipton, Angel was sure she wouldn’t have been able to go on.
“You don’t have any idea who I’m talkin’ about do ya?”
“No, sir.”
“Hell, it was you, First Sergeant.”
As Lipton’s eyebrows raised in surprise, Angel saw - for the first time - a real, genuine smile on Speirs’ face. It made her grin widen even further. Lip was the glue that held them together. Even Speirs - who had run straight through German fire for Easy Company - was acknowledging it. It was all down to Lipton.
“Oh, and you’re not gonna be a first sergeant for much longer, First Sergeant.”
“Sir?”
“Winters put in for a Battlefield commission, and Sink approved on your behalf. You should get the official nod in a few days.”
Angel could have cried.
“Congratulations, Lieutenant.”
Lipton looked like he couldn’t quite believe it, even as Speirs sent him a brief smile before walking away. He was stood motionless for a few seconds, the shock immobilising his limbs.
Lip deserved this.
With Speirs as their new CO, and Lipton getting a Battlefield commission, it seemed that Easy’s darkest days might finally be behind them. Bastogne truly had been hell on Earth, the kind of thing that no one should ever have to endure. Just the shriek of a shell, or the faint whistle of a bullet was enough to strike terror into the hearts of every single soldier in the Bois Jacques woods. Angel had never known anything like it.
She wouldn’t allow herself to relax, even now Dike was gone. War was much too complicated to hope for its end at any point, let alone when it was so close to finally being won. It would only hurt more in the end. Hope could be a very dangerous thing.
But it could also be your salvation.
Band of Brothers Appreciation Week Day 5, One scene ~ Rachamps Church
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introducing OFC no. 4, Evangeline Dubois!
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introducing OFC no. 5, Isidra Castro!
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lefaystrent · 5 years
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Nursing Home au
Patton works at the nursing home as a registered nurse, because the man truly cares for people.
He oversees the activities of the rest of the nursing staff, and he’s always keeping them in high spirits.
There’s a vacancy for a nursing aide. Who could possibly fill that position?
It’s Virgil.
At first, Patton honestly doesn’t think Virgil should have been hired there.
Patton had seen Virgil during the hiring process, and his personality didn’t seem like a … good fit. Too closed-off and kinda gruff, and probably not a good bedside manner, right?
Plus there was that criminal record to consider …
But the nursing home administrator hires him anyway, and Virgil joins the staff.
Patton keeps a close eye on Virgil.
Yes he feels guilty, but even Patton isn’t free from prejudices.
Virgil goes about his work very meticulously.
He arrives five minutes early every day, without fail.
He never complains about the tasks he’s been given, just quietly accepts them in a way that makes Patton and the others wonder what he’s really thinking.
He doesn’t talk casually with the other staff much, giving short answers whenever prompted.
Patton worries about the staff’s morale as a team.
Surprisingly, he starts hearing a lot of praise about Virgil. Not from the other staff members, but from the patients themselves.
One of them, a man named Roman, sounds like he’s complaining about him.
“And then he started criticizing my favorite movies!”
“I’m so sorry sir, I’ll talk to him about that.”
“What are you talking about? Kid had some good points. I like him.”
Patton starts subtly bringing up Virgil in conversations while visiting with the patients. For some, he doesn’t even have to warm up to the subject. They stop him in the hallway.
“Patton hun, you know that new boy with the eye-makeup?”
“Yes ma’am, that would be Virgil.”
“He’s so sweet. He helped me with my phone, it’s one of those smart ones? It wasn’t working right, and he fixed it. He’s a smart boy.”
The biggest sign is when one patient—Logan Crofters, who’s a notorious nitpicker—actually voices his approval of Virgil.
“He’s not an idiot,” is all Logan says on the matter, which coming from him, it’s high praise.
Patton doesn’t really understand yet why the patients have taken such a liking to him, but he endeavors to try harder to see who Virgil really is. Mostly he’s glad that his first impression seems to be wrong.
Virgil, for his part, doesn’t understand why the patients like him either.
He just knows that they do.
One of them goes out of their way to call him over to ask for his opinion on what color scarf to knit for their granddaughter.
Another one makes a point to introduce him to their visiting family.
Lots of them seem to like to talk his ear off in general and give him life advice.
Virgil doesn’t really mind it. He’s not used to people wanting to talk to him so much, and to be honest he could use some of the advice.
And the stories they have to share are kinda wild.
He likes bantering with the one old dude, Roman.
“I’ll have you know I’ve killed many a dragon witch in my day.”
“Was this before or after you went senile?”
“Brat.”
“Old fart.”
And then there’s Logan, the elderly man in a wheelchair. He’s probably the smartest man Virgil has ever talked to.
“You’d be surprised how many people assume I’m stupid.”
“You’re in a wheelchair, not braindead dude.”
“Yes, but I am old and crippled, and many people cannot separate physical inadequacy from mentality.”
“Well most people are idiots.”
Logan shows off his dentures in a rare grin.
After those two, there’s Remus.
Even the other staff members warn Virgil in advance about him.
It takes Virgil a month into working there to realize that he’s Roman’s brother.
It really should have been obvious.
“Virgil, where would you bury a body?”
“Why bury it when you can just burn it? Or feed it to some pigs; they’ll eat anything.”
“… oh, I like you.”
Okay, not so obvious, because Remus is a crazy old coot. But he’s got a lot of ideas and grand stories like Roman, only darker themed.
Virgil is convinced Remus is fucking with him to get a reaction out of him.
“He only says all that to get a rise out of you,” Logan confirms.
Challenge accepted.
Virgil continues being a bomb ass nurse.
He’s always super self conscious around his superior, Patton.
He knows Patton is wary of him and Virgil is terrified of messing up in front of him.
Or messing up in general. Poor babe really is too hard on himself.
Even the patients worry about him from time to time.
“You getting enough sleep at night, son? Ya got bags under your eyes!”
“That’s makeup, sir. You know that’s my makeup.”
“Hahaha, but it was funny, right? But seriously, are you sleeping enough?”
And Virgil can’t count how many times they’ve thrown food at him.
“You’re too skinny. You need to eat more.”
“I already eat a lot. I’ve got a high metabolism.”
“Is that one of those social media sites?”
“Roman, if you don’t stop acting stupid—”
“Kidding! I have an Instagram after all. Which you should totally follow me, by the way.”
It’s like suddenly being adopted and Virgil is now the grandson to many old folk.
He’s not even surprised when someone tries to set him up with one of their grandchildren.
What does surprise him is that it’s Logan.
“You should meet my grandson, Remy. Judging from what I’ve observed of your personality, you two would be compatible.”
“Huh, that’s funny, Roman’s got a grandson named Remy too.”
“Yes, Remy is both our grandson.”
“Wait, what?”
“We used to be married, Roman and I. Didn’t you know he was my ex-husband?”
Somehow Virgil has missed that.
But he is so going to grill them for details, because Roman with Logan?
Roman jumps on board when Virgil brings it up.
“Yes! Remy! You would be perfect for him! I can’t believe I didn’t think of it first!”
Virgil laughs it off because they can’t be serious.
Of course, they’re very serious.
Virgil is doing his rounds when he walks into Roman’s room and a guy not too far off from his own age standing there in a leather jacket and shades.
“Oh, you are cute,” the guy says in a way that lets Virgil know that he’s clearly heard about Virgil before.
Roman is exceedingly proud.
Virgil officially meets Remy, the grandson.
It’s awkward.
By the end of it, Virgil apparently has a date after work that he swears he doesn’t remember agreeing to.
Remy’s waiting for him in the lobby.
“You ready for the night of your life, babe?”
“…”
“Wait, you’re walking the opposite direction. Come back.”
Virgil goes out to eat with Remy.
Remy actually apologizes for his grandfathers.
“They’re cool old gay dudes, but they can be really pushy. They’ve been complaining about me being single for like yeaaars. Um, maybe I like being single?”
“Do you?”
“Okay, a bitch is lonely, but gurl, I can find a man or whoever on my own, amirite?”
“Why’d you agree to this then?”
“’Cause you really are cute and seem cool. Plus can we just talk about your aesthetic for a sec? What products do you use on your hair? The purple dye is perf.”
It’s not really a date.
But Virgil might have made a friend out of it, at least.
Virgil finds himself talking about it the next day with Patton.
It just sort of happens.
“They set me up with their grandson.”
“Oh Remy? You’ve met him?”
“Yeah…”
“Well? How’d it go?”
“Uh … I’m not sure? Like, I’m pretty sure we established it wasn’t really a date. But I think we might …”
“Might what?”
“Be … friends?”
“That’s nice, Virgil,” Patton says in a way that Virgil can tell he means it.
Virgil shrugs. “Yeah, I don’t know what I’m gonna tell his granddads though. Their gonna jump on me as soon as they see me. God old people love to gossip more than teenagers.”
“Just try to let them down easy, okay? They really adore Remy and just want him to be happy.”
It’s the first conversation Virgil has with him that doesn’t make him nervous.
The days go by and Virgil is starting to feel like he’s really settling in.
He still doesn’t understand why the patients like him so much.
Not until Patton finally sheds some insight.
It��s a busy enough day, and then Remus has one of his episodes.
He’s screaming and the other staff members who are more experienced with dealing with him are trying to settle him down.
Virgil hears the commotion from down the hall and comes running into the day room where all the patients gather and visit or watch tv.
“He gets like this sometimes,” Logan tells him. Roman sits silently beside him holding his hand, lips pressed in a thin white line and eyes not looking away from the chaotic scene.
Remus is throwing things at the nurses, yelling something about how the lights are trying to eat him.
“It’s best to stay back, Virgil,” Logan tells him.
Virgil doesn’t listen.
He goes and turns off the lights.
There’s still enough sunlight filtering in through the windows, enough to see. But everyone looks around.
Virgil pushes through the other staff.
He nudges Patton aside who had been attempting to console him.
Patton wants to pull him back. Remus is in a vulnerable state of mind right now and it could be bad for either of them.
But Virgil leans in and starts talking in a low voice to Remus.
And … it’s working.
Remus’s screams taper off.
He doesn’t look any less confused or scared. Just subdued.
“I want to go,” he says, eyes looking through everyone there. “Want to go back to my room now. Want to go back.”
“Okay, we can go, Remus. Let’s go,” Virgil says and guides him out.
It’s a slow process, but they make it to his room, Patton hovering close the entire way.
They give Remus a mild sedative to help him relax.
When Virgil walks out of the room, Roman is standing there.
He doesn’t say anything to Virgil, but he claps a hand on his shoulder.
There’s gratitude glistening in his eyes.
Roman goes into the room.
Virgil leaves for the break room. He’s definitely earned a break.
Plus his hands are kind of shaking, but shhhhh, don’t tell anyone.
After a long time, Patton comes into the room.
He sits at the table with Virgil.
“He’ll be fine,” Patton assures him.
“I didn’t say I was worried for him.”
Patton smiles and shakes his head.
“They all love you, you know?” he surprises Virgil by saying. “The patients. You do a lot of good by them.”
Virgil shrugs. “I don’t see why. I’m just me. Just doing my job. Nothing special.”
“You treat them like people.”
Patton leans closer over the table. Virgil doesn’t look away.
“You listen to them. And you talk to them, like they’re people. And for them, these people who have lost a lot of their independence and are often left forgotten here by even their own families—that’s worth a lot.”
Virgil doesn’t know if he believes all that.
But it’s a nice thought.
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