I JUST GOT MY NEW DEBIT CARD!!!!

FINANCIAL FREEDOM LET'S FUCKING GO!!!!!

probably time for this story i guess but when i was a kid there was a summer that my brother was really into making smoothies and milkshakes. part of this was that we didn't have AC and couldn't afford to run fans all day so it was kind of important to get good at making Cool Down Concoctions.

we also had a patch of mint, and he had two impressionable little sisters who had the attitude of "fuck it, might as well."

at one point, for fun, this 16 year old boy with a dream in his eye and scientific fervor in heart just wanted to see how far one could push the idea of "vanilla mint smoothie". how much vanilla extract and how much mint can go into a blender before it truly is inedible.

the answer is 3 cups of vanilla extract, 1/2 cup milk alternative, and about 50 sprigs (not leaves, whole spring) of mint. add ice and the courage of a child. idk, it was summer and we were bored.

the word i would use to describe the feeling of drinking it would maybe be "violent" or perhaps, like. "triangular." my nose felt pristine. inhaling following the first sip was like trying to sculpt a new face. i was ensconced in a mesh of horror. it was something beyond taste. for years after, i assumed those commercials that said "this is how it feels to chew five gum" were referencing the exact experience of this singular viscous smoothie.

what's worse is that we knew our mother would hate that we wasted so much vanilla extract. so we had to make it worth it. we had to actually finish the drink. it wasn't "wasting" it if we actually drank it, right? we huddled around outside in the blistering sun, gagging and passing around a single green potion, shivering with disgust. each sip was transcendent, but in a sort of non-euclidean way. i think this is where i lost my binary gender. it eroded certain parts of me in an acidic gut ecology collapse.

here's the thing about love and trust: the next day my brother made a different shake, and i drank it without complaint. it's been like 15 years. he's now a genuinely skilled cook. sometimes one of the three of us will fuck up in the kitchen or find something horrible or make a terrible smoothie mistake and then we pass it to each other, single potion bottle, and we say try it it's delicious. it always smells disgusting. and then, cerimonious, we drink it together. because that's what family does.

i. i just realised something about the kiss.

the way when aziraphale puts both of his hands on crowley's back, you can see them kinda shift so aziraphale isn't leaning. he held onto crowley for stability, and leaned in. pushed closer to him. he leaned forward. anyone ever says he didn't want the kiss im going to hunt you down because HE HELD CLOSE!!! HE KISSED BACK!!!!

EDIT: also im like WELL aware he kissed back i was even when i first watched it like its not a big revelation, its just that SOME people☠️ on TIKTOK☠️ KEEP SAYING HE WAS DISGUSTED BY THE KISS???? like i swear some people are watching a different show entirely

work it out (part 1)

early access + nsfw on patreon

demon king of salvation

oh my god i forgot to post my absolute favorite strip from gay comix (issue #2, 1981)

bakugo's hug adventure continues! this time with shoto, who is equally not used to hugs and it's a weird hug but they are trying!!! featuring an overwhelmed Deku he's so happy to see them get along his anxious heart can only take so many awkward quarrels in public *remembers the airport incident*

Reg: excuse you, I'm very normal.

Sirius: when did that happen?

Reg: you know what, fuck you.

Sirius: see reggie, it's not normal to be so aggres-

Reg starts cursing him in multiple ancient langauges

James: *heart eyes*

so the good place is widely lauded on this site for its takes on morality and capitalism, which i totally agree with

but i think it should get more recognition for the line "all humans are aware of death. so we're all a little bit sad all the time. that's just the deal. we don't get offered any better ones. and if you try and ignore your sadness, it just ends up leaking out of you anyway. i've been there, and everybody's been there. so don't fight it. in the words of a very wise bed bath and beyond employee i once knew - go ahead and cry all you want. but you're gonna have to pay for that toilet plunger."

Lackadaisy Enrichment

I think something really interesting about TMA vs TMP so far is the different use of suspense, which I actually think "the cake scenes" (as I've started to call them in my head) are really good shorthand for.

In TMA, we spend four seasons very slowly getting the hang of things alongside the protagonists. We take all of that time to slowly understand how the world works, how fucked up it is, and how fucked up it can get. The narrative waits until we have a deep understanding of that (although maybe not entirely complete yet), until the characters and world have hit a new, very deep low. Then it throws us back to the start. It gives us cake scene number one (Jon's birthday) and says "Hey remember how when this started they were all (mostly) happy and just regular people working a kinda weird job and they were all friends and had joy?" And it hurts! Because we know how bad it is now, so the sharp contrast to how it was before it all started hits hard!

TMA's suspense is built on the audience not understanding what's happening alongside the characters, so the depth of tragedy happening to them can only be understood in retrospect.

TMP doesnt rely on TMA entirely, but it's written with the understanding that the majority of its listeners will have listened to TMA. It knows that a lot of the audience may not know exactly what's going on here, but they know the general shape of the world and they know exactly how bad it can get (thanks MAG200).

Because it's writing for (mostly) that audience, TMP doesn't have to write about its tragedy only in retrospect. The suspense comes both from not knowing what's happening (like TMA) and from knowing exactly what's happening while the characters don't (whooo dramatic irony). The audience knows what the fears are and how they can effect the world--Sam and Alice don't.

So TMP's cake scene (Teddy's going away party) happens at the start. "Look at all these people being (mostly) happy and just regular people working a kinda weird job and all being friends and having joy! Doesn't it hurt knowing exactly how bad things could get for them?"

And it does. We are two episodes in and nothing has happened to Alice and Sam, but it's already very clear that we are audience to a tragedy. Even if they don't end up totally fucked, it's clear that their arcs will be tragic.

listen im ace and im pro kink at pride and whatever, but the way some of yall are wording your posts in response to the backlash against it is uh. really taking me back to the ace shitcourse era.

yall know theres nothing wrong with being a "virgin", right? that its not inherently shameful to have not had sex, to never have sex, even if youre not ace, even if you do want to have sex someday, like, its fine that you haven't had sex?

maybe if your problem is that theyre trying to police your behavior and shame you for expressing your sexuality, you can say that? instead of resorting to "haha stupid virgin gets no bitches" like my god. do you not hear how fucking regressive that attitude is? i know, i know, youre "joking".

get a better joke

Idea: Corazon, whilst still pretending to be mute, goes through the trouble of drawing a middle finger on a piece of paper rather than flipping people off the normal way.

thank u tumblr user @not-a-font

Draw your otp like this

GO TRAUMATIZED BOY GO

(zooming in is encouraged!!)

We all know that when Crowley says, "You can't leave this bookshop", what he's really saying is, "You can't leave this life we've made together", but he's too scared to include himself explicitly in it, right? It's like in the fight about Gabriel where Crowley says he wants Gabriel "nowhere near the precious, peaceful, fragile existence he's carved out for himself" but we all know he's just talking about Aziraphale because whenever he's actually talking to Jim or himself, he's only worried about what will happen to Aziraphale, not himself in the slightest. Worrying what will happen to himself is a facade he pulls up in front of Aziraphale to deflect from how deeply he loves him.

On the other hand, when Aziraphale says, "Oh Crowley, nothing lasts forever", he's really saying, "I love you so much that I am willing to give up all my most precious worldly possessions to assure that you are given the treatment and reinstatement you so deserve." His tone of voice and his face are both all love even.

Like it's just so amazingly sad that what Crowley is reading as rejection, as "you're not good enough as you are", is almost definitely Aziraphale saying he loves him more than everything else and thinks he's the most truly good soul he knows?