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vetyr · 2 months

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hi, i ireally love your work and i don't know if you've answered this before but, what kinds of studies do you do or how did you learn color theory? i wanna get better at rendering and anatomy but im having trouble TT TT

Hi! Long answer alert. Once a chatterbox, always a chatterbox.

When I started actively learning how to draw about 10 1/2 years ago, I exclusively did graphite studies in sketchbooks. Here's a few examples—I mostly stuck to doing line drawings to drill basic shapes/contours and proportions into my brain. The more rendered sketches helped me practice edge control & basic values, and they were REALLY good for learning the actual 3D structure behind what I was drawing.

I'd use reference images that I grabbed from fitness forums, Instagram, Tumblr, Pinterest, and some NSFW places, but you could find adequate ref material from figure drawing sites like Line of Action. LoA has refs for people (you can filter by clothed/unclothed, age, & gender), animals, expressions, hands/feet, and a few other useful things as well. Love them.

Learning how to render digitally was a similar story; it helped a lot that I had a pretty strong foundation for value/anatomy going in. I basically didn't touch color at all for ~2 years (except for a few attempts at bad digital or acrylic paint studies), which may not have been the best idea. I learned color from a lot of trial and error, honestly, and I'm pretty sure this process involved a lot of imitation—there were a number of digital/traditional painters whose styles I really wanted to emulate (notably their edge control, color choices, value distributions, and shape design), so I kiiind of did a mixture of that + my own experimentation.

For example, I really found Benjamin Björklund's style appealing, especially his softened/lost edges & vibrant pops of saturated color, so here's a study I did from some photograph that I'm *pretty* sure was painted with him in mind.

Learning how to detail was definitely a slow process, and like all the aforementioned things (anatomy/color/edge control/values/etc.) I'm still figuring it out. Focusing on edge control first (that is, deciding on where to place hard/soft edges for emphasizing/de-emphasizing certain areas of the image) is super useful, because you can honestly fool a viewer into thinking there's more detail in a piece than there actually is if you're very economical about where you place your hard edges.

The most important part, to me, is probably just doing this stuff over and over again. You're likely not going to see improvement in a few weeks or even a few months, so don't fret about not getting the exact results you want and just keep studying + making art. I like to think about learning art as a process where you *need* to fail and make crappy art/studies—there's literally no way around it—so you might as well fail right now. See, by making bad art you're actually moving forward—isn't that a fun prospect!!

It's useful to have a folder with art you admire, especially if you can dissect the pieces and understand why you like them so much. You can study those aspects (like, you can redraw or repaint that person's work) and break down whether this is art that you just like to look at, or if it's the kind of art that you want to *make.* There's a LOT of art out there that I love looking at, probably tens of thousands of styles/mediums, but there's a very narrow range that I want to make myself.

I've mentioned it in some ask reply in the past, but I really do think looking at other artist's work is such a cheat code for improving your own skills—the other artist does the work to filter reality/ideas for you, and this sort of allows you to contact the subject matter more directly. I can think of so many examples where an artist I admired exaggerated, like, the way sunlight rested on a face and created that orange fringe around its edge, or the greys/dull blues in a wheat field, or the bright indigo in a cast shadow, or the red along the outside of a person's eye, and it just clicked for me that this was a very available & observable aspect of reality, which had up until that point gone completely unnoticed! If you're really perceptive about the art you look at, it's shocking how much it can teach you about how to see the world (in this particular case I mean this literally, in that the art I looked at fully changed the way I visually processed the world, but of course it has had a strong effect on my worldviews/relationships/beliefs).

Thanks so much for sending in a question (& for reading, if you got this far)! I read every single ask I receive, including the kind words & compliments, which I genuinely always appreciate. Best of luck with learning, my friend :)

#answers to asks #illustration #art advice #art help #drawing #digital art

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shinobicyrus · 18 days

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I've seen a lot of posts about Batman using his Bruce Wayne alter ego for the good of Gotham: job programs for felons released from prison, orphanages, charities, high wages for his employees, ethical business practices...the legendary post where Bruce Wayne goes to Wal-Mart.

Thus far I've never personally seen anybody really dig into the persona of Bruce Wayne the Billionaire Playboy. A handsome, rich, powerful man who always is seen at fancy galas, art openings, charity dinners, and wild parties with at least one beautiful woman on his arm.

We know Bruce Wayne is the mask, and its Batman who has a...complex love life, depending on the iteration we're talking about. Talia, Catwoman, sometimes Wonder Woman.

Bruce Wayne's dates, on the other hand, are all "normal" people. Maybe they're an aspiring actress, a supermodel, a prima ballerina, the occasional reporter...and every time there's that bit of nervousness at the start.

Sure everyone knows Bruce Wayne. Everyone knows the story with him. Sometimes his wilder parties make the news, but there's never really been anything nasty reported about him. Never...allegations. But he's a billionaire. He's one of the most powerful people in the whole city, nevermind the country. If he did have some skeletons in his closet. Well. Men with power have a way of making those kinds of stories go away, don't they?

As time goes on the Date's fears dissipate pretty quickly. Bruce Wayne is nothing but polite, kind, and at times charmingly awkward in an 'raised by his butler in a mansion' kind of way with his dates. Some of them can tell he's holding back, of course. Maybe the more perceptive Dates notice he's smarter than he lets on - playing the himbo or hamming up the "know-nothing rich boy" act to the cameras or some of his wealthy peers.

He also listens, is the thing. He's always listening to what they're saying, is interested in hearing about their careers, their hobbies, their lives. Really listens, too. Might refer to something a Date said weeks later off-hand. Buy out the whole museum for a private dinner date with a famous painting from an obscure artist they like, or a private performance with another's favorite band.

He has anecdotes and funny stories for days that somehow says very little about his personal life. The Dates know he has kids (it's practically a running gag in the news that Bruce Wayne has adopted yet another orphan) and maybe she might spot one of them at the mansion, but Bruce seems very keen to shelter them from any intense spotlight and scrutiny, and they all seem happy if a bit weird like him.

Eventually, there's drifting. He's a very busy man, with a very busy schedule. On more than on occasion his nice old butler will call and extend apologies that Mr. Wayne will not be able to make it this evening. Sometimes it's virtually impossible to get a hold of him over the phone. After a while they stop trying. None of them feel quite surprised by that. In the end, it just doesn't work. Sure, he's a little distant and doesn't make himself emotionally available...but he's not a bad person.

Especially when the so-called "exes" of Bruce Wayne start networking. Gotham isn't a small city, but the social circles Bruce Wayne travels in aren't as big. They don't quite gossip or complain about him. More like...who else would get it?

(I touched his side once and he winced...like he'd been hurt real bad there. He laughed and said it was tackle polo. How does that even-?)

(Somehow, after two dates, he saw right through me and listened while I told him what that casting director tried to do. He nodded, gave me the contact details of a law firm, and said not to worry about the legal fees.)

(I don't know for sure it was him, but it can't be a coincidence that my building got bought out from under my shitty landlord and we were all able to buy our apartments under market value.)

(He got my brother in the best rehab program in the city after his relapse. It probably saved his life. We'd stopped dating months ago, I still don't know how he found out.)

(He gave me a card with a phone number and told me that if I was ever in trouble to call it. Said one of his cars would come to pick me up, any time, any place, no questions asked. The one time I did have to use it after a bad party, it was Alfred.)

I think any tabloid reporter digging around for salacious stories or dirt about Bruce Wayne's love life would be completely and politely stonewalled when they try asking his former Dates. Even when money is offered. Every single one of them.

#I like to think Alfred is like...a mythological creature #to all of Bruce Wayne's exes #though lets be honest the kids too #Damien just feels like an intimidatingly intense kid who would ignore if outright avoid them #but would immediately talk to any of Bruce's dates if he spotted cat hair on their clothes #''I would like to see pictures of your American shorthair''#''Uh...hi. How did you know-?"#Bruce Wayne #Batman #Secret Identities #Headcanons

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dcxdpdabbles · 5 months

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Alfred's Boy Part 5

@donesodone said: I just wanted to know. Is there a continuation of Alfred's Boy in the Works? If not, that's fine. I just love it and want to see it continue.

Bruce didn't realize how quiet Danny indeed was until Wes appeared. He suspected, of course, that no child was removed from their home by a super secret ex-spy if it wasn't a terrible, horrible reason, but still, he was shocked to see the difference.

Alfred's foster son had a weight around him, wearing his sadness like a depressing cloak. It was apparent that Danny was just tired. As if though he hadn't gotten a good night's rest in a long time, even when he was moving about and doing his chores like nothing was amiss.

Bruce will admit that he hadn't realized that Danny was so sad. He had no previous reference to compare him to, so he assumed that the boy was naturally reserved.

If he's honest, he also thought it was impressive how Danny could take anything in stride without so much as a blink.

Finding out his boss was Batman? Another Tuesday.

Tim's photo album of him? Danny appreciates the art behind photography.

Damian burst into his room, covered in bleeding wounds, he just had to have Danny bind? He took lessons from Alfred and appreciated the change to practice.

What he failed to realize was through all those events, Danny had had a lukewarm reaction, as if he had forgotten how to enjoy things.

Now, however, watching him with Wes, he realizes that Danny is naturally bubbly. He smiled wide, talked a lot with his hands, and while the same sass he had seen before was still there, there was more ease in him wielding it.

"Fun Fact: Tango was initially invented to be done between two men, " He hears Wes say, as Bruce walks by the viewing room the two boys were in.

Unable to help himself, Bruce peeks into the room, fighting the urge to lecture Danny. The reason for the lecture is that Danny is currently sitting in Wes's lap, his back to Wes' chest, and both are staring at the book "Useless Information" in Wes' hands.

Not dating his ass.

"So what you're saying is: Tango is gay," Danny affirms, cuddling into the blankets tucked around him, and leaning further into Wes. "The dance of our people."

Wes hums, "If only we could dance."

"Boys." He calls because he really wants to step between them, but Bruce is already doing that against his kids, and he is done being the civilian in Jason's novels. "Would either of you like to go to an opera tonight? I have some box seat tickets a close friend gave me, but I had other plans and didn't want them to go to waste."

Bruce didn't, but a little white lie wouldn't hurt anyone. He could easily buy them before the kids got to the opera house.

Wes's eyes practically sparkled. Bruce knew they would; he heard Wes play some songs from three famous operas the other day while Danny was showering. "Opera with box seats!? I love to go!"

Danny grimaces, clearly not that big of a fan. "Now look what you did, Master Bruce."

"Please, can we go, Danny?" Wes whines, "I'll let you haunt me if we go."

Danny cracks a smile, and Bruce is stunned by its softness. Had he not noticed how empty Danny's smiles have been until now? "Okay, Okay, we can go. But if I fall asleep you can't complain."

"How could anyone fall asleep at the Opra?"

"Easy. It's boring." Steph snips, leaning on the door frame. Bruce hadn't realized she was there. He frowned in her direction, not missing how Wes rolled his eyes.

"Hello, green-eyed monster. How are you this evening?" He said, making Steph eyes narrow. Danny was swinging his head between them, looking confused, but before he could ask, Wes continued, "Want to go with us? Danny needs more people to cuddle, and my visit has an expiration date."

Steph looks taken back, but her whole face breaks into the largest smile Bruce has ever seen on her face in a while when Danny nods, seemingly embarrassed. "It would be nice to have more cuddles. I, ugh, realized I was going too long without them."

Hmm, that's the fifth time the two have mentioned cuddling since yesterday. Bruce knows he ignored Wes's entrance when he got here yesterday, but maybe he should look into it.

If Alfred allowed, of course.

"I'll go get ready!" Steph shouts, racing down the hall. There is a brief pause before a loud "Hey, watch it!" and quick, distant "Sorry, Jason!"

His second oldest stridden into the room, grumbling at the giant front stain on his shirt. A half-empty cup in his hand lets Bruce know Steph bumped into him, making him spill his precious soda.

"Can't get any peace around here," Jason mumbles.

"I can clean that for you, Master Jason." Danny is quick to say, standing up from his seat. Wes lifts his arm to let Danny wiggle out of his grasp, but Jason only shakes his head.

"Nah, it's fine, kid." With one hand, Jason yanks the shirt over his head. Wes drops his book, and Danny's face goes very red. Bruce has a moment of utter horror, but Jason doesn't seem to notice, throwing the ruined shirt over his shoulder. "I was going to shower after some reading anyway. What are you crazy kids up to?"

"O-Oprea," Danny shutters, staring up at Jason with strange emotion in his eyes. Wes looks like a deer caught in headlights beside him.

Jason's face brightens. "No way! I love the opera."

"You do?" We gasped.

"Yeah, though, I'm more of a play guy myself. I love the theater. Once a drama kid always a drama kid." Jason winks and, oh no, Wes looks to be swooning. What's worse, Danny seems to be swooning too.

"Want to come with?" Wes blurts, and Jason considers the invitation carefully before shrugging.

"You know what? Yeah, I love to. Let me go take my shower then get ready. It's at what time?"

"Seven," Bruce answers, stepping in when both boys seem unable to get their tongues to work. Jason nods, and then a wicked smirk grows on his face.

Bruce is instantly weary.

"Let's make this a family event. You guys don't mind, right?" Jason turns back to the boys, shaking their heads like bobble figures.

"The more, the merrier, Master Jason."

"Perfect" Quick as a whip, Jason pulls out his phone and sends a quick message. He leaves the room, but not before calling over his shoulder "I'll meet you in the main doorway at six-thirty."

Bruce's phone buzzes. He pulls it out, reading the message: Hey losers, Danny wants to see the Oprea. The really romantic one. Do any of you want to join us?

He feels a headache coming on. Especially with Wes and Danny looking at each other with shocked open mouths, looking like they were wordlessly expressing how attractive they thought Jason was.

Tim comes sprinting down the hall. Bruce is unsure what he is doing, seeing as his hair is wrapped in a towel, but he is wearing half of a chicken costume as he runs by. "I want to go, I want to go, I want to go! Don't leave without me!"

Wes squints at the open door hallway before laughing that strange, impish laugh of his. "This place is a riot."

Danny pauses before that same soft smile blooms on his face, and Bruce's heart melts. "Yeah, I like Wayne Manor too."

Maybe Danny isn't as happy as before, but maybe one day he will be. Bruce would be content with that.

#dcxdpdabbles #dc x dp crossover #Alfred's boy #Part 5 #Danny has a medical condition where he needs cuddles #Wes has been in Wayne manor for fourteen hours and is tearing them apart #Jason is HOT and the Amity people know it #Bruce isn't sure if Wes and Danny are a thing #Nothing makes sense at Wayne manor #You bet all of Danny's wanna be sutiors are getting dressed to the nines for opra

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pandoraslxna · 1 year

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Alright but what if your an artist of the clan! But you have like a secret stash of naughty drawings and one of the guys (can be anyone honestly) found it and was either like these are good or they’re like ohh so would you be down to try this position? AHHH ITS 5AM AND I NEED TO SEE THIS IDEA OUT

Work of art

adult Neteyam x female omatikaya reader

Words: 2.5k

Warnings: explicit smut, minors dni, thigh riding, praise kink, p in v, creampie

Notes: you guys are literally so creative omg thanks for this request I loved that idea!! Also I hope it’s fine that I’ve picked Neteyam for this? ☺️

The omatikaya had many forms of art. Your clan had good singers, skillful weavers and wonderful dancers. And you were an artist, a painter. One of the rarest forms of art that the omatikaya practiced. The human scientists had introduced you to something they called pen and paper a few years ago and you couldn’t stop drawing ever since. Your favorite thing to draw were people, may it be humans or Na‘vi. You practiced drawing the human anatomy as often as possible, occasionally you even stole some of Norms biology books to do so.

But your favorite art reference when it came to drawing your own people, was Neteyam. The olo’eyktan’s oldest son and one of your closest friends. And the greatest work of art you knew. You had this little, secret crush on him, but in order not to put your friendship at risk, you never acted upon it. All you had were your little daydreams and fantasies and the drawings you made of him– they were obviously only meant to help you get better at anatomy and nothing else!

Neteyam often spent time with you when you were drawing. Most of the time, he was just laying beside you, taking a quick nap between his chores and duties. Sometimes he would just silently watch you, mesmerized by your talent. On other days, you could barely focus on drawing because the both of you were just too lost in a deep conversation about whatever topic you landed on today.

Today was no different.

"Tey, could you hand me another piece of paper please?" Not even glancing up from your current drawing, you point to the shoulder bag that was laying against a tree.

"Sure", Neteyam smiles, placing your legs, that were lazily swung over his own, to the ground before he raises to his feet and walks over to where you had pointed. Your bag was, as usual, full of non-essential stuff that made it hard to find literally anything in it. Neteyam rolls his eyes as he skips through several books, that you had once again only "borrowed" from the humans (without them knowing, of course), a few colored pencils and a handful of notebooks in various sizes. He glances over his shoulder to get a glimpse of the paper size that you would probably need and grabs the first notebook that was similar in size. It had a small heart craved into the front of its leather cover and given that he had never seen this one before, he only guessed that it must be a new one.

Knowing that most most of your notebooks were already full, he flips it open and searches for a blank page. Of course this one was filled to the brim with drawings, but these were… different kind of drawings, compared to the ones you usually made. Neteyam raises a brow as he examines them carefully, one in particular, before he turns back to you.

"Thats an… odd position. Did you learn that from the humans?" Neteyam flips the notebook for you to see and immediately, all color drains from your face.

The drawing he was showing you was one of your favorites and it was more than just obvious, that what you drew on those pages was supposed to be you and him….

"N-Neteyam!", you squeak and immediately stumble to your feet, "You weren’t supposed to see that, oh great mother—" You attempt to pry the notebook from his hands, but Neteyam only chuckles. He’s holding it over his head, too far for you to reach even as you stand on your very tip toes.

"It’s uhm, I uh– I just used it for anatomy practice, you know, it’s easier if you have a reference and you, uhm, you just happen to be there all the time so it was easier for me to draw you and, and—"

Neteyam grins as you struggle to explain yourself, all flustered and face bright red while he still holds the drawing out of your reach. He secretly enjoys the feeling of your soft hands clawing to his arms and how you unintentionally press yourself against him, because you try with all your might to get that damn book back.

"So you’re not up to try it?", he tilts his head, catching you off guard and you freeze.

"E-Excuse me?" You blink at him, internally questioning if you had heard him right. Finally, he lowers his arm, but all intentions to get your notebook back had left your mind completely.

"I said…", Neteyam bends forward, until his face is just inches from yours, "do you want to try that with me?"

You swallow thickly, your eyes narrowing as if trying to read him, to see if he was just joking. There was a smile spreading on his lips, almost innocently, as if he didn’t just suggest something so filthy that it made your belly tingle.

"I figured it could help you with your art, you know, if you didn’t have to use your imagination anymore", he explains nonchalant. You had to swallow down the next stupid thing that crossed your mind, ready to be spoken out, which was something along the lines of 'please fuck my brains out right now.' But instead, all that really came out was some sort of whimper, an almost pathetic and painfully embarrassing sound that even you weren’t sure how to describe.

Instead of answering him, you just sort of stood there. Staring up at him with wide eyes. Hands clenching into weak fists on your sides, because you really wanted to move them, touch him, respond in any way that didn’t embarrass you further because yes, you absolutely wanted to do that— but you just didn't have the brain capacity to tell him. Neteyam must have caught on on that, because you saw the little curl of a smirk pull at the corner of his lip and then he chuckled, "You’re so adorable."

For a moment, you think that he was actually just joking. That he had successfully managed to make a fool out of you, but then his hand finds the back of your head and he pulls you into a kiss. His tongue shot out immediately, loving the way you opened up for him and you let your eyes flutter closed.

"Okay, let’s see…", Neteyam murmurs once he breaks the kiss and then he sets the book down for both of you to see. For a moment, he pretends to study your drawing, pretends to think about what the first step to lead to this might be as if it wasn’t so obvious already and it makes you squirm in embarrassment. "I think we need to get you all nice and wet first", his voice is low and hot in your ear. You can’t help the very audible gulp that comes out of you when your eyes met his again, dark with want and mischief, almost as if he'd been planning to do this.

Neteyam leans over to dispense wet kisses up your exposed shoulder, until he reaches your throat. He covers your skin in dark, purple marks as he sucks and kisses and bites down softly, making you whimper. His hands slowly travel south, getting hold of your delicate wrists on his way and then he guides them to your loincloth. "Undress yourself for me", Neteyam tells you and your quick to obey, untying the piece of clothing and discarding it to somewhere on the ground. "Good girl", he praises and then wedges one of his thick thighs right in between yours, his hands now holding your hips.

His grip on you was firm, solidly guiding. You could feel the strength of his hands against your flesh, not really rough, but not exactly gentle either. He positioned you to settle on his thigh before he rocks your hips back and forth. You gasp as your core makes contact with his warm skin, the muscles of thigh creating enough friction against your clit to make you moan.

You whimper softly, the tips of your ears burning with an intense heat as you stare up at him through lidded eyes. You can feel the heat pooling rapidly in the pit of your stomach, heart beating hard against your ribs and pounding loudly in your ears as your breaths come out in short, rough pants.

Neteyam experiments with different paces and pressures, trying to figure out the best way to make you feel good and it doesn’t take very long to find out what works best for you. Your hips are rocking against his thigh, and he breaks the kiss he had just captured you in, with a muted gasp and a thin, glistening strand of saliva that connects your lips.

You were growing wetter by the second, so much so that a wet patch was beginning to form on his skin.

"You're dripping all over my thigh,” Neteyam notes amused and you shamefully try to hide your face in the space where his neck meets his shoulder. Every rock of your hips was bringing you a jolt of pleasure. It felt so euphoric that you find yourself never wanting it to end. Everything‘s being stimulated with each buck of your hips and small shivers shot up your spine every time you brush your clit against his muscles.

"Hmm, I think you’re wet enough now", Neteyam hums softly as he brings your hips to an abrupt halt, causing a whine to erupt from you. He takes another glance to the piece of paper laying right next to you both, as if he was reading an instruction. Then he swiftly turns you around so your back is flush with his chest, slightly arched and with your ass pressing into his crotch. You could feel his hard erection already pressing against your bottom and it made you wonder if you were really already so far gone, that you hadn’t even realized that he had pulled his own loincloth off too.

One of his hands snakes up your front and closes itself briefly around your throat, mirroring the position of your drawing. "This what you had in mind, pretty girl?", he whispers against the shell of your ear, right before he pushes the thick head of his cock between your folds. His free hand sets on your hip, holding you in place when his tip finally catches on your entrance and he pushes himself inside. "Fuck, yes", you breathe out and nod, earning a chuckle from him. You can feel the muscles in his arms tense, groaning when his pelvis was flush with your soft bottom and he was fully settled inside the tight heat of your cunt. You let out a long, uninterrupted moan at the full feeling of how deep he was.

Your hands reach back to steady yourself on his hips, but he’s quick to snatch them. He bends your arms to let them rest in the arch of your back, holding them together with his big hand. Now it was truly like the most detailed copy of the drawing that you made. The position you were in, it was straight out of your imagination, out of every wet dream that you ever had about this moment and then bought to paper by you, not long ago.

Neteyams pace is slow at first. Somewhat in a teasing way, but mostly to let you adjust to him. You were tight, your walls were heavenly, warm and constricting him and getting even tighter when he increased his pace. In no time, you were all but melting in his hold, moaning out nonsense that was music to his ears.

"Just as tight as I imagined. Oh, great mother– I won’t last if you keep squeezing me like that." Neteyam was moving even faster now and you were moaning, hot and loud, with your head rolled back in the crook of his neck.

It was the perfect position for him to let his tongue dart out and lick at the corner of your lips, to which you quickly turned your head and let him capture your mouth in yet another heated kiss.

He pounded into you then, using your arms as leverage as he thrusts his hips up and into you, the head of his cock rapidly hitting your g-spot in the process. Your jaw dropped and your fists clenched, but oh, that wasn't all that was clenching. Your breathing turned needy and higher pitched, struggling to keep steady as he was driving you over the edge faster than you could probably even process it.

"Tey", you whined the sweet nickname that was reserved for you and only you to use, "Tey, I‘m— I‘m gonna cum!"

"Be a good girl and squeeze my cock when you do, yeah? I want to– fuck, I want to feel you cum around me", he groans, sweating from his own exertion as he pushed right into your sweet spot. And who were you to deny him? You did as you were told, flexing your lower abdomen to squeeze the cock that was roughly thrusting in and out of your fluttering walls.

Neteyams head fell back at the sweet, savory feeling of your tightness, so wet that there was hardly any resistance at all as you finally reach your high. "That’s it, you look so pretty when you cum. Such a good girl for me", he breathes as you choke on a moan.

You keep flexing your inner walls as best as you can, until you feel him tremble with the change. Neteyam moans and it’s the most erotic sound you’ve ever heard and then his movements become jerky and you know he’s about to come. You try your best to keep your eyes open, turning your head slightly to not miss the look on his face when he does. His mouth is slightly agape, eyes half lidded as they land on yours and with one last thrust he stills inside you. His cum is hot and sticky and you can feel it fill you.

Neteyams hands finally leave your arms and they’re aching from the weird position they were in the whole time, but you’re quick to ignore the pain when his lips land on yours again. Your familiar with his kisses by now, relishing in the way he still kisses you so hot and open mouthed and wet, even after he just came.

Your panting heavily when you break the kiss to breathe and immediately, Neteyam lowers his head to continue with his very own work of art, that he had left on your throat earlier. Small love bites and hickeys were already turning purple on your pretty blue skin, making you especially sensitive there and a small gasp escapes your lips.

"Was that the reference you needed, my sweet girl?" He asks against your throat before placing another kiss there.

"Hmh yes", you hum, a small smile appearing on your lips as you let out a little chuckle.

"Good. Now show me what else you got in that little notebook. I’ve got plenty of time today."

#avatar #avatar the way of water #avatar 2 #avatar way of water #neteyam sully #awow #neteyam #neteyam x reader #neteyam x female reader #neteyam x omaticaya!reader #neteyam x you #neteyam x na'vi!reader #avatar neteyam #neteyam x reader smut #neteyam x female reader smut

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elfwreck · 27 days

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I have a friend who isn't anti-porn but it makes her sad that fanfic has a reputation for being porny and usually not very good. I'm fine with both those things and my views mostly align with that of AO3. I disagree with the idea that porn and badness are treated as equivalent, but for most people that's just how they think. But I was wondering if youve ever written something about this?

There is a lot of smut at AO3.

There is a lot of bad writing at AO3.

There's a lot of badly written smut at AO3.

...None of those are problems except for the people who think there is something wrong with those existing, or that there needs to be some external value that "balances" those that make those acceptable to exist as unwanted side-effects of "the good stuff."

The badly-written smut is also "the good stuff."

It's part of the reason AO3 exists. It's not intended to be an archive for "the high-quality fanfic that could be published if it weren't about characters that someone else wrote first"; it's an archive for "what fanfic writers want to write." That makes the terrible writing and the tacky porn and the badly-written tacky porn part of the reason the archive exists.

Tangent 1 (I'll connect these points later): Theodore Sturgeon said "90% of everything is crud." He was more-or-less referring to the science fiction field in the 50s, but it definitely extended to politics, business, and writing outside of science fiction.

...He was talking about published books in the 50s. Turns out, a lot more than 90% of writing is crud when there aren't any gatekeepers between it and the readers. But also:

Tangent 2, from the book "Art and Fear":

[A] ceramics teacher announced on opening day that he was dividing the class into two groups. All those on the left side of the studio, he said, would be graded solely on the quantity of work they produced, all those on the right solely on its quality. His procedure was simple: on the final day of class he would bring in his bathroom scales and weigh the work of the “quantity” group: fifty pound of pots rated an “A”, forty pounds a “B”, and so on. Those being graded on “quality”, however, needed to produce only one pot — albeit a perfect one — to get an “A”. Well, came grading time and a curious fact emerged: the works of highest quality were all produced by the group being graded for quantity. It seems that while the “quantity” group was busily churning out piles of work – and learning from their mistakes — the “quality” group had sat theorizing about perfection, and in the end had little more to show for their efforts than grandiose theories and a pile of dead clay.

You don't get to "quality writing" without going through a lot of crappy writing.

That doesn't mean the crappy writing is garbage to be thrown out. If you make 50 pots or bowls or vases, and only one of them is The Good One... most of the rest are okay. Maybe not sale-quality good, but your-kitchen-table quality good. Maybe some aren't that good and are kids-toy-in-the-sandbox level good.

Bad writing has a purpose for the writer: they can use it as practice to get better. It has a purpose for the reader: It can serve as inspiration ("I can do better than that") or grammatical instruction ("that...does not work; why doesn't that work?") or just as entertainment ("eh, so it's missing a few commas; I can still understand it").

Smut and porn writing works the same way. It's of some value to the writer, and some to the readers.

It's not of value to everyone. That's what tags and filters are for, and why there's a summary and list of stats (like word counts)--so you can figure out if you're one of the readers for whom this piece of writing is useful or interesting.

But AO3, like any library, is not there to take the top 5% of Excellent Writing and provide it a showcase. It is absolutely for all 50 lbs of pots.

If your friend wants to read the good stuff, there are rec lists and collections to help her find it.

If she already manages that, and is just annoyed at how much of the not-good stuff (however she defines that) exists... she's picked the wrong battle. She's arguing with the ocean that it has too many kinds of fish and some are poisonous a lot of them are ugly.

#Anonymous #ao3

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elspethdekarios · 26 days

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Gale as an archmage

I've been thinking about this for a while. If you select Gale as an origin character in the character creator and play his intro, he introduces himself as Gale of Waterdeep™ he immediately follows with "please - no need to be intimidated."

Now I think we initially brush this statement off as Gale being full of himself, but the first time you talk to him and ask him to tell you about himself, there's an option to say something like "Come on, you must have stories from your time as archmage."

And I've always wondered - how would tav know this? Gale hasn't mentioned it. Which leads me to my research question:

Is Gale famous?

Not Elminster-famous, of course, but is he THE archmage of Waterdeep, known throughout the Realms? Is Gale of Waterdeep a legitimate title, not just one he decided to use because it sounds important?

Maybe all of this is common knowledge in DnD lore, but it's a fairly new world to me. Here's what I found about archmages:

From the Forgotten Realms fandom wiki (https://forgottenrealms.fandom.com/wiki/Archmage):

Archmages were among the most powerful arcane spellcasters found throughout all of Faerûn. These practitioners of the Art were experts at manipulating and altering their spells, often in strange ways. Many cities across Faerûn had a single archmage who dedicated themselves to serve that settlement and its people. Some notable cities included Lyrabar in Impiltur, and the great western metropolis of Waterdeep. The term "archmage" was often used to refer to spellcasters who took on leadership roles among similarly-inclined practitioners of The Art. In the drow city of Menzoberranzan, the head of the arcane academy known as Sorcere was granted the title, Archmage of Menzoberranzan.

So, to summarize, archmages are super powerful, big cities often have a singular, dedicated archmage, and they take on leadership roles in the city, sometimes (or at least once) being deemed THE archmage of the city.

I've already seen posts about the insane amount of power held by archmages, so I'm not really going to go into that. I'm just interested in how well-known Gale would be in the Realms. One issue I'm running into while researching is that many people seem to approach the archmage in terms of DnD stats (spell levels, player levels, etc) rather than from a storytelling perspective.

I can't find much else specifically on how widely known archmages would be. There is a list of archmages on the Forgotten Realms wiki, but Gale isn't included on it. I'm assuming maybe BG3 lore is considered an off-shoot of FR lore and therefore not necessarily canon? Let me know if I'm wrong about this.

So that leaves me with message board responses. Here are some notable ones:

An old candlekeep.com forum on the differences between the titles used by magic users. Several users seem to agree with this person.

From the same thread as above.

Interestingly, DnD beyond has archmage categorized as a monster. I'm not sure if this applies only to evil-aligned mages or not, so anyone with more familiarity, feel free to chime in. Anyway, here's what DnD beyond says:

"Archmages are powerful (and usually quite old) spellcasters dedicated to the study of the arcane arts. Benevolent ones counsel kings and queens, while evil ones rule as tyrants and pursue lichdom. Those who are neither good nor evil sequester themselves in remote towers to practice their magic without interruption. An archmage typically has one or more apprentice mages, and an archmage's abode has numerous magical wards and guardians to discourage interlopers."

Gale does mention having students/apprentices at some point (he says something about being impatient with them if I remember correctly, but I can't remember when he actually says it), and, if he's Professor Gale in the epilogue, you're told that an apprentice delivered the invite to the party.

I also find it interesting that archmages typically have wards around their home to keep out intruders, implying that they're well-known enough to have people regularly trying to break into their home?? Or at least has happened enough times to warrant protection.

I also appreciate this reddit comment on a thread asking about the rarity of archmages:

This lead me to a super interesting reddit post which I really suggest you check out if you're interested. The OP breaks down the percentages of each class and level and translates that to city populations. I'm bad at math so that may be a horrible explanation. Anyway, here's a chart that they made:

I have been trying my hardest to put the alt text on the images for accessibility but I have no idea how that would work with this chart. I did include the text at the bottom for screen readers just in case. I'm sorry!

Sooooo someone in the comments asked specifically about Waterdeep and here's what someone who is good at math figured out! (They are correcting a previous comment with incorrect math, hence the first part of the comment):

Since a wizard is considered an archmage at level 18, it's safe to say that Gale would definitely be one of only a few wizards in Waterdeep with such a title. And if the above commenter's assumption about the Blackstaff being one of the only archmages in the city, Gale being of a similar level is HUGE, right? The Blackstaff is a big deal. From the Forgotten Realms wiki:

Blackstaff was the title and name given to the master of the eponymous staff and Blackstaff Tower, including Blackstaff Academy, as well as the Archmage of Waterdeep.

So if the Blackstaff is THE Archmage of Waterdeep, Gale, obviously, is not. But!!! If we can trust the math of the reddit users above, and we assume Gale was at least a level 19 wizard pre-orb/tadpole/whatever ... he would be one of two archmages in Waterdeep, second only to the Blackstaff themself.

I personally think that's enough renown to be a somewhat familiar name throughout Faerûn. So yes, Gale is a bit arrogant and, in his own words, pompous about being Gale of Waterdeep™ but perhaps it's warranted.

This has been a deep dive fueled by procrastination about writing the research papers I should actually be writing right now. Thank you for your time

#just been thinkin about this lately #gale #gale of waterdeep #gale dekarios #baldur's gate 3 #bg3 #gale bg3 #bg3 lore #bg3 meta

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sabertoothwalrus · 8 days

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OK PREFACING WITH IM SORRY IF I ALREADY SENT THIS EXACT ASK BUT MY WIFI KILLED ITSSLF AS I SENT IT SO IDK IF IT ACTUALLY WENT THROUGH. but in case it didn’t . i know youve gotten this countless times in the past because i blog stalked just in case youve mentioned something similar before but i need to know if you have any specific inspirations when you draw exaggerated expressions specifically like these two images of marcille. ive actually cried laughing over this comic and being able to communicate this type of visceral emotion is such an insane skill and ive followed your art for probably close to a decade through various fandoms so watching you develop this style has been fucking awesome and epic. like i cannot articulate how funny these are to me i just need you to understand i look at this comic to inspire me to draw now. the closest comparison i can draw to the feelings they evoke are like those mspaint reaction images and also mspaint tails i included for reference even though you probably know exactly what im talking about anyways but its actually so much harder to do that intentionally when you study art. also i lied you literally don’t even need to answer this i just had to let you know how obsessed i am over your silly comics and now ive written out a whole ass discussion post about it. im sorry if this is weird at all i think my daily prescribed amphetamines r wearing off and i know this is such a dumb specific thing to fixate on and im so sorry if its not something you want to hear about your art. ive just always seen that as an artist this type of expressive stupid silly style is something that comes after a significant amount of time and practice and study and style development despite being “simple” in theory. its just so cool to have worked with your own style so much that youre able to go “off model” from it and still maintain consistency with the rest of the piece. i said it already and im sorry this is actually rendundant now but the ability to communicate such raw emotion somehow decreases from at its height when someone is a beginner artist learning how to proportion and keep a steady line and what looks “normal” but somehow it all comes full circle because taking all that experience and using it to almost return to where you started but in a fully informed and intentional way so you can make choices to draw characters like this when the situation calls for it is just dhcidogakgoshfhw. i think i need to cut myself off or im going to talk in circles im sorry tumblr user sabertoothwalrus i just am fascinated by your style and progress and the years you’ve dedicated to art can be seen in so many places but this is just one that stands out to me specifically.

MMMMM what a fun question!!!

I'm not gonna lie, I think it's just Letting A Drawing Be Bad. I definitely think the people that struggle with this the most are people who have genuinely very pretty art styles, to the point of being kind of perfectionist about it. and to Draw Funny often means Drawing Fast and Weird. Pretty is kind of the antithesis of funny (unless being pretty is the punchline). do drawings that make yourself laugh. tracing/lining funny sketches almost always makes them less funny.

one of my favorite types of humor is when it skews more deadpan, actually. This is one of the reasons I love Adventure Time. minimal expressions and flat line delivery + absurd context is a really good combo. the key to comedy has more to do with contrast! if your drawings are allllll crazy ren & stimpy all the time, they're not funny anymore cause it's just "normal". if it's all subdued UNTIL it's extreme, and vice versa, then it's funny. The reason this comic is so funny is because of the complete lack of any expression. I feel like the one you sent of Marcille shouting "WHAT" is funnier when you know how much she tries to be dainty and feminine and delicate, how much she values her appearance, and how averse she is to "gross" or "weird" things.

something I find really annoying (and this is with comics/animation in general, not the expressions themselves) is when the joke goes on for too long. Like you'll have the joke, then the punchline, and THEN the characters reacting to the punchline??? Like the author didn't trust that their audience would find the joke funny, so they basically drew in a laugh track. But, this is distinct from a character's reaction being the punchline (like how the examples you gave from my Marcille comic are). MY POINT IS sometimes expressions aren't as funny on their own as you think, and context can affect how you feel about it!

as far as inspirations go!

my own face! even if I don't have a mirror, I like making the expressions myself so I can "feel" where the points of tension on my face are, and it gives me a sense of what to exaggerate.

my brother's art, believe it or not! we've been trying to make each other laugh with our drawings since we were kids, and he's really good at it.

ATLA has some great expressions

OK KO has been a reallyyyy good source for me lately. That show is so tailored to my sense of humor and the expressions and line deliveries feel exactly like the kinds of things I'd come up with. The tone, timing, and art style are all really close to the tv show pitch I'm working on, so when I feel like I've "strayed" too much from it (like after drawing a bunch of dungeon meshi, and my art feels tighter and... idk "manga-ier"?) I like to go and watch a couple episodes of OK KO to loosen back up

A lot of things like OG Spongebob, Calvin & Hobbes, the Simpsons, Chowder, etc etc

memes in general. if it makes you laugh, keep it in mind

and lastly, I wouldn't say I ever try to mimic funny expressions I see. Like if I watch a show for inspo, I'm not pausing it to copy specific drawings, I'm just trying to notice patterns and pay attention to what about it I find funny.

talking about being funny is really bizarre and I dunno if it makes it lose some of the magic. Ultimately it's something you can't think about too much, and just gotta go with your gut.

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zucchichat · 8 months

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My opinion to "desperate" artists and TIPS TO IMPROVE YOUR ART

This is my art journey

6 years later...

If artists want support and followers, they should earn them by their own accomplishments and hard-work.

I hate it when they earn it from guilt-tripping others, being desperate and earn followers out of pity

You can never have a stable and healthy relationship with your followers that way, and you may get worse when you dont gain any interactions with them

Please stop doing this, and start growing your acc on your own. If you feel like your art doesnt appeal to others, start taking advice and study from other artists around you that you like. There are thousands of FREE resources on all platforms: Instagram, Youtube (recommended) , Pinterest (for reference) ,... And alot of separate websites you can find!

Trust me, hard work pays off

Its okay to feel like you dont improve at all, but thats not true, if you study and practice often (no need to do it everyday, it can be 2-4 days a week) you're already better than yourself yesterday

Compare your art to other artists has alot of benefits since you can see what to improve and see the progress. But dont do that too often, it'll turn to be an unhealthy obsession and in this world where there're always people better than you, you'll suffocate yourself forever. Thats a hard hit to reality but it's the truth. In this i recommend:

Find artists that you like and set them as your art goals, they can be artists with totally different artstyles, art is never something stable and its always good to try new things

From your art goals, start "taking" some of your favourite things about the artists and "artistically" add them to your own.

Tracing is another way to study privately for beginners, but i dont recommend doing this for long, it can stagnant your progress if you rely on it too much.

Unless its your style of choice, practice confidence in your streaks and lines, use your whole arm to draw (i know it can be boring at first, but everything you do now will have a rewarding result)

Stepping out of your comfort zone sometimes. You dont have to do this if you consider art as a hobby, but if youre serious or wanting your art to take a new step, i recommend expanding your art to many categories, like drawing backgrounds, hands, poses, anatomy, ect.

Study color theory, this is optional but i heavily recommend, this makes your art UPGRADE NO EXCEPTIONS

Here are some of my very basic tips, you've probably seen them everywhere and hear these thousands of times already, but if you're reading this and feel motivated, consider this the start of your journey! This is gonna be an exciting, might be tiring and frustrating, but memorable

Goodluck! The future awaits new extremely talented artists to bloom💖

#important #art tip

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coinandcandle · 10 months

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Hello, I have discovered withcraft recently and I felt a very strong pull towards casting spells with music, however I can't seem to find almost any info on it. I found like a single book I could get my hands on about it and like half of it is in Italian.

Music *is* magical to me. The intervals. The perfection in its numbers. The harmony. Musica universalis.

Are there any sources about this? I know the Pythagoreans thought about this a lot but didn't write anything down.

That's super interesting!! There certainly are some sources on this, but as it's not something I have looked into I can't verify if they're good or not.

Interestingly enough, a friend of mine recently asked about the book "The Occult Arts of Music: an Esoteric Survey from Pythagoras to Pop Culture" so perhaps that'd be a good start?

There's also this chapter from The Secret Teaching of All Ages by Manly Hall: The Pythagorean Theory of Music and Color

Music was also used in societies to tell stories and myths, and as a way to worship or honor the incorporeal.

You may find that researching math in magic/occultism is helpful since music relates to math.

Not sure that these will help as far as incorporating magic into your practice but I hope they'll at least get you started!

If anyone has any references for our friend here please feel free to add on. <:

#ask #the crypt #music

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the-s1lly-corner · 2 months

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Ej, Lj, Masky, Hoodie, Masky, Ticci Toby and Bloody Painter x reader who draws them

Prize 5/5 for @reivelmin !! I hope you've enjoyed all of your prizes WOOHOO!! I had a blast writing them, hardly ever get the excuse to write for some of these characters EHEHEHEHE

EYELESS JACK

I've always headcanoned that Jack was always a bit of an artist himself, although the most he does it sketch every now and then to keep his kind busy. He points out some techniques he recognizes and asks you about it. It.. actually takes him a moment to realize that all of the drawings are him. You can practically hear the gears turning in his head before he tries to move on. This opens the window for the two of you to draw together every now and then.. though jack is always a little embarrassed.. flustered.. with the knowledge that you have so much of him in your book

LAUGHING JACK

Very loud when saying he loves it. Hes flipping through the pages before pausing, looking you dead in the eye. He makes a comment about how you must be soooooo obsessed with him. Hes teasing you, of course! He offers to draw you in return.. though dont expect anything crazy, Jack's not.. the best artist- and hes okay with that! Loves looking through your art whenever you offer it. Would kick his feet in the air while looking through the pages. Sometimes you give him sketches to color, to keep him busy while you have to go do something

MASKY

He already knew what you were drawing him before you ever have the chance to show him. The man is silent and is constantly keeping an eye on you.. he does NOT know how to be a normal roommate!! You probably dont get the chance to show him yourself, because he points at a stray pencil marking that you forgot to erase. Worst jumpscare of your life, if you werent already aware of his presence in the room... he.. actually gives a thumbs up. Which doesnt seem like much but considering that he doesnt really emote, that's a huge thing... now does he think it's a little odd that you have a bunch of sketches where hes the reference? A little, but he does offer some good poses and lighting due to him tending to lurk in the shadows

HOODIE

Very similar to Masky but at least he pretends to not know. You walk up to him with your sketchbook and hes so obviously playing dumb but its.. sweet that hes pretending. He takes his time looking through all of the art, where some of the others get too excited and flip through it all. He doesnt talk, but he does communicate that he thinks it all looks great via sign.. oh he would definitely start leaving sticky notes with doodles around for you to find

TICCI TOBY

I think Toby would be a little overwhelmed, he didnt think anyone would be interested in him enough to want to fill an entire sketchbook with him. He tries to cover up his shock by lightly making fun of the situation. Though every tease he tries to draw out falls flat, as everytime he goes to poke fun of something about the art he trails off. Besides, he couldn't bring himself to actually make fun of the stuff you make.. if it's a gift, you offer to take it back but he quickly shuts that down. Its like the Bob's burger friendship bracelet audio, "no fuck off its mine"

BLOODY PAINTER

As an artist himself, he asks you about what materials you used as well as the techniques you used! Unlike EJ, Helen is more thorough in his questioning and knows a lot more fancy terms.. he points out the good parts of your pieces, and catches himself before giving his criticisms.. he at least makes sure that the criticism is wanted before just unloading (and even then hes constructive! Hes well aware that just dunking on someone does nothing to help them grow). It actually strikes his ego a lot that you would dedicate so much time and material to just him, and it inspires him to make something for you in return. If he didnt know you were an artist prior to this, he offers to paint with you.. whether as a collab or just simply working parallel to one another! Just please pay no mind to him staring at you more intently while hes at his canvas...!

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