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#anyway this is like a reference for me i figure out how to draw them to fit my style more
miusato · 2 months
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Yeah but what if they're some oddly high budget cartoon from the 00s???
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puppyeared · 10 months
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XIN YA MOMENT
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bambeebirdie · 10 months
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This is for @bluepeachstudios ‘s Ghost in a Shell. It’s really good you should read it.
I looked at exactly one picture of Jupiter Jim and went “yeah this should be enough to draw him.” I will not be answering if it actually was
Have some bonus content under the cut!
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And sketches
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(I love any character who can say “I don’t want to go back to prison” it’s like the funniest thing to me)
#i don’t know what compelled me to hand write that text. it’s not very good#we just don’t do things the easy way here. that’s why I render with an app on my phone. i don’t believe in simplicity#i had a plan for a lot more full body shots but then I couldn’t find any good lair references so I decided to screw it#I’ve never drawn rise characters before. this is my first time drawing them and expressions wow#I’m not very good at style copying and my default is so much rounder than rise is so that was just a woof#i should say all text in these shit posts aren’t canon at all. you can figure out where they likely take place yes#but they never show up in story#just a little fyi incase anyone decides to check it out#the entire inspiration for this post was just watching 2003 and going#WHAT DO YOU MEAN THEY DID THAT??#ghost causally dropping the most wild facts about his life has like endless shit post potential#yeah I went to space. stole a ship. went to jail. aided a fugitive. held a dictator at gunpoint#and folks that’s just one arc. go watch 2003#i debated making angst as it is likely more currently topical but I’m a shit poster at heart#chapter 29. how we feeling boys? I’m actually doing rather well. i think just the fact the build up is over and I’m so tired I no longer#have emtions I’m just pumped for the next chapter whoo!#i started to lose mojo very fast while doing this but I wanted to finish today so I did. i hope it’s not too obvious#yeah anyways go read ghost in a shell#go watch 2003#go read ghost in a shell#i’m gonna go to bed now#ghost in the shell#teenage mutant ninja turtles#tmnt 2003#tmnt 2018#fan fiction recommendations#fan art of a fan fic#rottmnt#rise of the teenage mutant ninja turtles#teenage mutant ninja turtles 2003
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snarkspawn · 1 year
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hi! would you happen to have any tips on drawing kisses? especially getting the squishiness of them right (like... the softness of lips and noses and how they get squished and pulled) while still maintaining likeness, you pull that off so wonderfully (I'm wildly in love with that KenBig kiss piece for example). i'd be very grateful for general advice on drawing kisses in a more realistic/semi-realistic style like yours too, or just a breakdown of your process? wishing you a good day!
Aw man
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Thank you for saying that I manage to pull it off because it honestly doesn't feel like that at all lmao I struggle with drawing kisses a lot which is the reason I rarely ever draw them, despite smooshing everyone's faces together in my head constantly. Once I figure it out though it'll be over for all my blorbos and there'll be nothing but smooches on here!! (threat)
So I'm not quite sure what to tell you. My process involves a lot of frustration and swearing but I guess that isn't very useful advice so ... I usually start with roughly trying to figure out the angle I want. Bonus points if one of the faces is somewhat hidden behind the other lmao
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After that I sketch in where the main features would go, just in general, to help me figure this thing out better. And then I go in and adjust it to match the likeness of the characters I want to have at it
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Idk it's a lot of trial and error and throwing things at the canvas to see what sticks, and there's probably a better and easier way to do this, lol. If I had any tips to give it would be to try and keep it as simple as possible, especially the line where the two faces meet. It's essentially just a sort of ... zigzag, really. For some added squishiness I like to go in with the eraser and erase some of the thickness of the lines in places where they'd be smooshed together more. Not sure how to explain it ... kind of like this:
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I hope that makes sense and this whole thing was at least a little helpful haha have a wonderful day yourself! ♥
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blorbos in tha phone
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todayisafridaynight · 7 months
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through the power of delusion and yuri i can make katase taller than aoki's secretary
#snap chats#sorry had to ask myself an important question. that being How Tall Are They#im not doing my usual Rocket Science Method of figuring out heights rn idc. i unplugged my tablet and im too lazy to get it#anywya i dont have exact heights rn. i have guesstimates but what i do know is that katase is. a lot taller than i thought . i think LOL?#again dont quote me i stg im trying to make yuri its not that serious but yeah im eyeballing and whatever#and even just eyeballing it like.. it could be an angle thing.. but katase just looks a lot more leveled with mine#like god bless both secretaries get a scene where they're pretty much lined up right with their boss right#and that both them bitches the same height istfg#but yeah no like. ROUGHLY the top of katase's head is right at the tip of mine's ear. or near the top. allegedly speaking hypothetically#aoki's secretary looks so SHORT next to him tho like even angles aside its really clear she's not the same height as katase#her head comes about at just right under his head or her forehead is right at aoki's chin#ANYWAY SPECIFICS ASIDE LIKE YOU CAN CLEARLY SEE KATASE'S TALL. ER.#proof that yuri's the best theres actual height differentiation.. my god..#love how i make it seem like im ever gonna draw them again. im a lazy bastard we know me#i just wanna know if im thinking about them accurately... <- theyre my city at this point who the fuck gonna give one#ok bye im gonna think about women. also stealing the tag s4s Secretary for Secretary thats how im referring to them from now on#s4s.... love wins...
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waywardsalt · 4 months
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Have you ever thought about how Linebeck describes Jolene as "crazier than a rabid squid"- only to then be possessed by a literal rabid squid later in the game?
Cause I sure have- especially after seeing a lot of your BellumxLinebeck stuff
mmmmghmm im gonna be honest i haven't thought about it much at all
linking it to my bellum x linebeck thoughts, im not too sure what to make of it in context with my other linebeck notes and w/e
there's also my idea that linebeck has a special interested in shellfish and by extension squids, and the idea of him having a weird thing for bellum, and just... enjoying sealife, and it's kinda of...
he compares her to a rabid squid to link in order to i think... offer a shorthand explanation of what she's like, and i think it (with some other stuff) is kinda just another little peek into how he might feel abt her?
i mean he also compares link to a dog in that one letter? i'm not sure where im going with that one. i dont think linebeck particularly likes dogs
i'm not sure abt the link between that and him getting possessed, jolene is kind of just... there a lot of the time and doesn't really do anything except 1) show that linebeck has enemies and 2) show that people know about link's quest by the end, linebeck generally references sea creatures a few times in ph
relating to bellum x linebeck, i dont see him comparing jolene to a squid an indicator of anything in relation to that, with linebeck having a thing for bellum its more of like. there's a lot of complicated ideas i have with what goes on between them during bellumbeck and bellum being a squid thing is more linebeck having a bit of a monsterfucker streak and having a bit of a thing for like. being tied up. as for literal squids he kinda just likes them as food and to dissect and learn about
like i think 'rabid squid' is more like linebeck just tossing out some derogatory shorthand to explain how he thinks of jolene as some fucking. violent annoyance he has to deal with that he doesn't fully understand
tbh i see the comparison but imo it comes down to a difference in characters and interactions and histories, there is the rabid squid thing (and i think in the manga too theres a vague parallel drawn ig) but im not. sure. what there is there just beyond. linebeck talks about sea creatures and wants to get the fuck away from jolene
i'm not entirely certain what you've been thinking about with that comparison, but i haven't been thinking much about it and it's kinda. eh ig???? its something
#asks#musicncomics#like im gonna be real jolene is a character i do everything i can to avoid half of the time#im not too sure what your thoughts on this are but i can tell you like jolene leagues more than i do so like. idk#idk i have a hard time talking abt jolene bc i Do Not like her so im not really sure beyond this stuff its just. idk#bellum also isnt a literal squid like looking at actual squids the most comparisons are surface level and dont work too deeply#he kinda just looks like one at first glance but 1) doesnt line up well enough and 2) we dont have enough info on him anyways#hes more a reference to a squid than an actual squid bc there is the reference to sperm whales and giant squids fucking hating each other#but while oshus is literal whale bellum is like. some thing in the shape of a squid#im not sure what parallels oyu can draw between the jolene thing and bellum thing. if anything theyre opposites?#w/ jolene its like things got so bad (or w/e) that he just robbed her n fucked off and she decided that was enough to warrant murder#while with bellum things get so good (w/ link and co) that he risks his life for em and is turned against them for it?#tbh this kinda comes down to me having a pretty negative bias against jolene and. that ship. so yeah sorry#im not gonna give this any main tags or anything this is way too far off the beaten path and kinda negative#idk i hc linebeck as gay and a lot of other linebeck hcs just kinda. suggest that he kinda had a really shit time w/ jolene#i dont like her im trying to figure that shit out so i can be like. fair at least in how i write her but i dont like her#salty talks#sorry that i keep tearing away from the rabid squid thing but its like a minefield when i try to talk abt anything w/ jolene#theres not a ton of parallels or like shared themes or w/e and its just too dissimilar in little ways that its just. a thing#ill add this in a few hours later idk if youll see jt but like. i can go in depth and discuss stuff#in dms like im fine with that its just weird in posts bc like tagging and my thoughts are a mess#like if you wanna elaborate on your thoughts thats fine
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keeps-ache · 1 year
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things to do (that i decided need to be done at 11:52 a.m.);
find that black shirt with the good texture
how draw clothe?? figure out
organize that one playlist
write, if fortune is kind
find music to lose my mind to at 3 a.m. so i can actually write for once
reread old draft
start sketch
make new sketch, last one sucked
work on anatomy
stare at art i like until my brain melts and i absorb the Vibes
#just me hi#hiiiiii it's 11:57 now#//i have like 2 black shirts with nice stretchy textures and i luv them#one of them is tighter the other one's more drapey and they both feel very Gender to me :)#//holy shizzle how do people draw clothes like that. woah dude what th. woah man waoh#the answer is probably Real Life References but. auhghuh.#//the blu3 space playlist is a Mess (a mess that i haven't tried to listen to since the first/last time cuz the vibes were Disorganized if#u knoy wadda mean) so i Need to work on it buuuuttttttttttttttt#i dun wanna but also i really need to cuz i. well idk why but i'll figure that out later#//holy frizzle i haven't opened word in like. at least a minute [i t ' s b e e n l i k e t h r e e w e e k s-]#i really gotta get on that. [lays down and ignores the world AND my little fantasies]#really though new music that makes my entire system go 4000 mach always gets me making stuff lol#just gotta figure out how to concentrate that into pure undisturbable focus ;v;#//just remembered an older writing thing from like. idk when but i DO remember it was fun to write and i disappoint myself every time i#reread and it isn't finished </3#//art art ar ta rta rta ar ta rt ar tr ar ta r ta tra t a tr a t a tart ar t rat ar t art ar t art a rt a tr at ra ta#i'm so lukewarm to it right now auhhhhhhhhhhhhhhhhhhhhhhhhhh ;=;#didn't mean to put a = but ykno what#//how. how body ? i haven't studied the actual human form Ever and i feel like that fact stares me in the eyes every time i draw hbvka#//anyway. also [telepathically beaming Something at all the cool art i see]#that is all#it's 12:08 now lol i think my leetol Brayn is melting
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tizeline · 4 months
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Presenting: The AU I accidentally created OOPSIE!! 😬😬😬
And yes, I know, it's another Seperation AU, and yes YES, I KNOW, they're a bit overdone at this point, bUT LISTEN!! That's precisely how I ended up in this situation!!!
So there's a lot of Seperation AUs exploring a lot of different scenarios with the turtles being raised, well, seperately. I've seen quite a few of them at this point, and despite whatever the combination is when it comes to turtle + parental figure, I'm sure I'm not the only one who has noticed a pattern of specifically Donnie often being raised by a villain. Which makes sense, he has a tendency to put on this evil-mad-scientist-act in the show, so of course a lot of us want to see what Donnie would actually be like as a proper antagonist. But that just made me think think of the opposite possibility, of Donnie being the singular good guy while his brothers are all bad guys. Mind you, I'm sure SOMEONE must've thought of this concept before me, but I haven't seen it! So here we are!
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In this AU (which doesn't have a name so don't ask!) Splinter only managed to yoink Donnie during The Incident™, so he ended up an only child, while Raph, Leo and Mikey were raised by Draxum. I also imagine Draxum being at least a decent dad considering the circumstances, so the kids he raised ended up with pretty similar personalities to what they have in canon.
Because of that we get Hero Donnie who acts all villainous cuz he's a total theaterkid, and Villain Raph, Leo and Mikey who act all heroic cuz they honestly believe they're doing the right thing in literally destroying all of humankind and as a result developed an intense case of main character syndrome.
Anyway here's some references-
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I don't know how far I'll explore this AU. I fully intended to just make like one or two posts rambling about the basic concept, but when I was drawing these images my brain went into full Brain Blast mode and I started coming up with a bunch of other ideas so uh... we'll see how this turns out later I guess haha
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maniculum · 7 months
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Medieval Scorpions Effortpost
So yesterday I reblogged this post featuring an 11th-century depiction of the Apocalypse Locusts from Revelations, noting the following incongruity as another medieval scorpion issue:
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The artist, as you can see, has interpreted "tails like scorpions" as meaning "glue cheerful-looking snakes to their butts".
Anyway, it occurred to me that the medieval scorpion thing might not be as widely known as I think it is, and that Tumblr would probably enjoy knowing about it if it isn't known already. So, finding myself unable to focus on the research I'm supposed to be doing, I decided to write about this instead. I'll just go ahead and put a cut here.
As we can see in the image above, at least one artist out there thought a "scorpion" was a type of snake. Which makes it difficult to draw "tails like scorpions", because a snake's tail is not that distinctive or menacing (maybe rattlesnakes, but they don't have those outside the Americas). So they interpreted "tails like scorpions" as "the tail looks like a whole snake complete with head".
Let me tell you. This is not a problem unique to this illustration.
See, people throughout medieval Europe were aware of scorpions. As just alluded to, they are mentioned in the Bible, and if the people producing manuscripts in medieval Europe knew one thing, it was Stuff In Bible. They're also in the Zodiac, which medieval Europe had inherited through classical sources. However, let's take a look at this map:
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That's Wikipedia's map of the native range of the Scorpiones order, i.e., all scorpion species. You may notice something -- the range just stops at a certain northern latitude. Pretty much all of northern Europe is scorpion-free. If you lived in the north half of Europe, odds were good you had never seen a scorpion in your life. But if you were literate or educated at all, or you knew they were a thing, because you'd almost certainly run across them being mentioned in texts from farther south. And those texts wouldn't bother to explain what a scorpion was, of course -- everyone knows scorpions, right? When was the last time you stopped to explain What Is Spiders?
So medieval writers and artists in northern Europe were kind of stuck. There was all this scorpion imagery and metaphor in the texts they liked to work from, but they didn't really know what a scorpion was. Writers could kind of work around it (there's a lot of "oh, it's a venomous creature, moving on"), but sometimes they felt the need to break it down better. For this, of course, they'd have to refer to a bestiary -- but due to Bestiary Telephone and the persistent need of bestiary authors to turn animals into allegories, one of the only visual details you got on scorpions was that they... had a beautiful face, which they used to distract people in order to sting them.
And look. I'm not here to yuck anyone's yum, but I would say that a scorpion's face has significant aesthetic appeal only for a fairly small segment of the population. I'm sure you could get an entomologist to rhapsodize about it a bit, but your average person on the street will not be entranced by the face of a scorpion. So this did not help the medieval Europeans in figuring out how to depict scorpions. There was also some semantic confusion -- see, in some languages (such as Old and Middle English), "worm" could be a general term for very small animals of any kind. But it also could mean "serpent".* So there were some, like our artist at the top of the post, who were pretty sure a scorpion was a snake. This was probably helped along by the fact that "venomous" was one of the only things everyone knew about them, and hey, snakes are venomous. Also, Pliny the Elder had floated the idea that there were scorpions in Africa that could fly, and at least one author (13th-century monk Bartholomaeus Anglicus) therefore suggested that they had feathers. I don't see that last one coming up much, I just share it because it's funny to me.
*English eventually resolved this by borrowing the Latin vermin for very small animals, using the specialized spelling wyrm for big impressive mythical-type serpents, and sticking with the more specific snake for normal serpents.
Some authors, like the anonymous author of the Ancrene Wisse, therefore suggested that a scorpion was a snake with a woman's face and a stinging tail. (Everyone seemed to be on the same page with regards to the fact that the sting was in the tail, which is in fact probably the most recognizable aspect of scorpions, so good job there.) However, while authors could avoid this problem, visual artists could not. And if you were illustrating a bestiary or a calendar, including a scorpion was not optional. So they had to take a shot at what this thing looked like.
And so, after this way-too-long explanation, the thing you're probably here for: inaccurate medieval drawings of scorpions. (There are of course accurate medieval drawings of scorpions, from artists who lived in the southern part of Europe and/or visited places where scorpions lived; I'm just not showing you those.) And if you find yourself wondering, "how sure are you that that's meant to be a scorpion?" -- all of these are either from bestiaries or from calendars that include zodiac illustrations.
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11th-century England, MS Arundel 60. (Be honest, without the rest of this post, if I had asked you to guess what animal this was supposed to be, would you have ever guessed “scorpion”?)
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12th-century Germany, "Psalter of Henry the Lion". (Looks a bit undercooked. Kind of fetal.)
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12th-century France, Peter Lombard's Sententiae. (Very colorful, itsy bitsy claws, what is happening with that tail?)
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12th-century England, "The Shaftesbury Psalter". (So a scorpion is some sort of wyvern with a face like a duck, correct?)
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13th-century France, Thomas de Cantimpré's Liber de natura rerum. (I’d give them credit for the silhouette not being that far off, but there’s a certain bestiary style where all the animals kind of look like that. Also note how few of these have claws.)
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13th-century England, "The Bodley Bestiary". (Mischievous flying squirrel impales local man’s hand, local man fails to notice.)
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13th-century England, Harley MS 3244. (A scorpion is definitely either a mouse or a fish. Either way it has six legs.)
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13th-century England, Harley MS 3244. (Wait, no, it’s a baby theropod, and it has two legs. (Yes, this is the same manuscript, that’s not an error, this artist did four scorpions and no two are the same.))
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13th-century England, Harley MS 3244. (Actually it’s a lizard with tiny ears and it has four legs.)
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13th-century England, Harley MS 3244. (Now that we’re at the big fancy illustration, I think I’ve got it — it’s like that last one, but two legs, longer ears, and a less goofy face. Also I’ve decided it’s not pink anymore, I think that was the main problem.)
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13th-century England, MS Kk.4.25. (A scorpion is a flat crocodile with a bear’s head.)
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13th-century England, "The Huth Psalter". (Wyvern but baby! Does not seem to be enjoying biting its own tail.)
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13th-century England, MS Royal 1 D X. (This triangular-headed gentlecreature gets the award for “closest guess at correct limb configuration”. If two of those were claws, I might actually believe this artist had seen a scorpion before, or at least a picture of one.)
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13th-century England, "The Westminster Psalter". (A scorpion is the offspring of a wyvern and a fawn.)
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13th-century England, "The Rutland Psalter". (Too many legs! Pull back! Pull back!)
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13th or 14th-century France, Bestiaire d'amour rimé. (This is very similar to the fawn-wyvern, but putting it in an actual Scene makes it even more obvious that you’re just guessing.)
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14th-century Netherlands, Jacob van Maerlant's Der Naturen Bloeme. (More top-down six-legged guys that look too furry to be arthropods.)
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14th-century Germany, MS Additional 22413. (That is clearly a turtle.)
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14th-century France, Matfres Eymengau de Beziers's Breviari d'amor. (Who came up with that head shape and what was their deal?)
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15th-century England, "Bestiary of Ann Walsh". (Screw it, a scorpion is a big lizard that glares at you for trying to make me draw things I don’t know about.)
I've spent way too much time on this now. End of post, thank you to anyone who got all the way down here.
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heylinfanclub · 2 years
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Me attempting anatomy and bones and muscles and stuff without ever studying them or knowing their names or what they do is a big show of my priority making abilities.
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yuri-is-online · 8 months
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There's Mud in Your Eye (Leona and Deuce x Yuu)
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"Oh can I help you? You seem to be lost." You attempt to cheerfully ask the vaguely familiar looking person in front of you. As if he is deliberately trying to rub salt in your wounds, Crowley ignored your request to leave campus for NRC parents day and is instead making you and Grim run errands. The person in front of you, blissfully ignorant to your inner turmoil perks up at your attention.
"Forgive me for asking, but are you the magicless prefect?" You and Grim exchange a confused glance. "You've got to be right?" They're practically glowing with how happy they are to see you. " Oh I'm sorry, I've just heard so much about you!" Wait, what?
notes: they/them pronouns used for Yuu, i am out of creative ways to describe these: it's Cheka and Mamma Spade. Slight references to the White Rabbit event. If you liked this please check out the previous parts on my master list here.
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Leona
A very confused, very important looking little lion is standing in front of you, attempting to mimic Leona's judgey thinking face. Five year olds lack the smarmy bitterness required to truly pull off the look, but you have to admit, it is pretty cute.
"Um, do you think he ran away from his guards again?" Grim whispers, painfully loud and without nearly enough concern. "Do you think we'll get in trouble if we can't get him back to his retainers?" The scenario feels completely unreal, but then again so does standing in front of royalty. Who are you again anyway? Just some weirdo who is going to have to apologize to their loved ones for taking so long to come home because you couldn't sneeze in another world without bumping into royalty. While you are busy considering whether or not it would be considered child neglect to sprint away from the little guy, Cheka finally finishes his thought process, letting out a contented "hmmm" as he points decisively at you.
"You," he says with all the authority of an extra on a children's tv show "are not Unca."
Well.
That was not what you were expecting. Your mind draws a lengthy blank as Cheka grins up at you in a surprisingly catlike manner seemingly very pleased with himself.
"How did it take ya so long to figure that out?" It has to be a truly stupid question to get Grim's voice to crack.
"Well I decided I was gonna sneak up on Unca." A terrible idea really but who are you to refute royalty. "So instead of running around and askin I decided to just focus on his scent! But I found two places he could be so I just decided to go to the closer one."
"Whatdya mean?" Grim takes a deep breath and interrupts his train of thought with a hard gag you really hope is dramatic. "Oh wow he ain't wrong, you really smell like that lazy bi-" You manage to muzzle him before he can teach Checka too many bad words. You wonder if it would be rude to sniff yourself in front of a literal prince, Cheka's pleased little tail swish doesn't help.
"Can you please take me to Unca?" he asks, so very sweetly looking up at you like you're the shiniest star in the night sky. It hurts to disappoint him.
"Uh I'd love to little guy but I'm not too sure where he is..." you really hope Cheka can't tell just how nervous you are. Crowley did give you a schedule, but it wasn't super detailed, just a vague set of notes about the various events going on.
"Then I'll just stay here with you!" He says, with a surprising degree of authority. "Unca's scent is really strong so I'm sure he'll show up soon!"
''I don't think that's a good idea little guy." You just called the Crown Prince of the Sunset Savannah a little guy. Which he is but you are pretty sure there's a time period where that would have gotten you executed, and you can only pray it's not now. The intense look of what you assume are Cheka's guards running up the main street is not helping with that.
"Your highness! Please don't run off like that." The man seems wary of scolding the prince, but he has no qualms about staring you down. "You! What is your name and who do you think you are to be speaking so casually to-" He cuts himself off, bluster fading as he takes a deep breath and starts staggering away from you. Well not you per se, you realize as you turn around and see an extremely intense looking Leona behind you.
"Stop blamin' your inability to do your job on other people." Leona's voice is slow, authoritative enough that you almost forget he's supposed to be the second prince. The guards do too, until Cheka jumps away from them onto Leona's shoulders and shatters the illusion just a bit.
"Unca! Unca! You're gonna show me the spelldive fields right?" Cheka nuzzles his Uncle's cheek while Leona tries his best to get away.
"I thought you were gonna stay with Prefect." He grumbles.
"We can come with." You say before you fully realize what you're saying surprised at how ok you are with the offer. Cheka lights up, jumping away from his Uncle to nuzzle up to you. Leona's gaze softens ever so slightly, even if he immediately breaks eye contact and starts walking away from you.
"You're welcome to come if you can keep up." You try to convince yourself you follow him just to get away from the guards, but there's a spring in both your steps no one is brave enough to act like they notice.
Deuce
"Yuu! And Grim too! Lucky me I thought I was going to be stuck looking for my kids for at least another hour." Dilla Spade cheerfully says, her decision to refer to you as her child momentarily distracting you from the fact Deuce is nowhere to be seen. She seems to have been granted a day off from work, her usual delivery uniform ditched in favor of a very mom like set of old sweatpants and an old athletic jacket with a logo you assumed belonged to Deuce's middle school.
"Mama Spade!" Strange feelings aside you are extremely happy to see Dilla, and happier still when she perks up just a bit at your calling her mom. "Did Deuce forget to text you again?"
"Not exactly," she says with an affectionate sigh "I caught up with him a bit earlier but he ran off to find his Housewarden. He really wanted to introduce us but said it might be a bit difficult to make that happen."
"Yeah..." Grim says as you exchange a look "Riddle's a really busy guy."
"Well never mind then." She says with a shrug. "What's up with you? Deucey tells me all sorts of things, but it's never the full truth." You shouldn't be surprised Dilla knows something is up. Honestly it's a wonder any of the students with a half way decent relationship with their parents hasn't been yanked out of this school already.
"Nothing too bad I hope?" You say, hopeful that Dilla will give you something to work with so you don't confess to something too wild. She laughs.
"I'm a mom, worrying's part of the territory." You breathe a sigh of relief, though you can't help but wonder just what Dilla's reaction would be to knowing Deuce had fought four overblot phantoms. Would she be proud? You hope so, he deserves it. "I keep telling Deuce to invite you to spend summer with us but he's really hung up on doing things the 'honorable way.'" You try your best not to fluster.
"What's that even mean?" Whines Grim, probably thinking more about the donuts you had while visiting Clock Town more than the implications kicking around in your mind. "offerin' to help me and my hench human out is honorable enough!"
"It really is," you try not to come off as too eager, it would be really nice to spend the Summer somewhere that wasn't Ramshackle, even if it would hurt the ghost's feelin-
"Is Deuce waitin' till he can afford a ring or somethin'?" Grim says, crossing his little paws and sticking your words in your throat. Dilla winking at the little monster with a conspiratorial grin makes you choke. "He is isn't he! Hmph, figures. Well he knows he won't get the Great Grim's permission!"
"Grim!" You squeak.
"Well you are a bit young," Dilla says "but you have my blessing prefect."
"I- I think there's been a bit of a misunderstanding-" you don't want to get anyone's hopes up, you aren't even dating Deuce, you want to say that you don't like him that way, but the lie dies on your lips as a familiar duo comes into view just behind Dilla.
"MOM! oh and PREFECT!!!" The overwhelming joy in Deuce's eyes contrasting with the smug amusement of Ace makes you feel just a bit more at home, despite the awkwardness of the situation. You can almost convince yourself that he's running up the road on the double just to see you.
"Think of it this way," whispers Dilla, firmly placing a hand on your shoulder in a comforting and not forceful way "you're family, and you always will be no matter what label gets slapped on things. Though I am pretty sure you can guess Deuce's preference."
You can, or at least you can hope.
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Hi, i saw your request with Jason Grace, so can you do another one about how Jason would react to reader being flirty with him while they are in a relationship?
⋆⭒˚.⋆ jason grace x flirty! reader hcs
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content: jason grace x flirty! reader hcs warning: language, sexual innuendos and references galore, def aged-up author's note: it's giving olivia rodrigo in all the best ways. i just know this boy would be more of a flustered mess but i also like a little banter so this is what we got. i feel like it was a pretty equal balance. anyways, enjoy!!
"maybe if it was two on one but even then i don't think so," leo argued as y/n walked up to him and piper, her eyes flirting to the arena where she could see jason warming up.
"what's up?" y/n asked, drawing both of their attention
"we've placed bets that we could find someone to beat jason in a swordfight before the end of the day but so far everyone we've sent in there has lost," piper explained and a smirk grew onto y/n's lips
"and you didn't just call me?"
"y/n, i love you, but i wouldn't say your the best swordfighter in the world," explained leo, gently and y/n rolled her eyes.
"no, duh! but, i've got a super secret weapon that will win you those bets and me, my fight," she mused, beginning to walk towards the arena and adjusting her shirt and pants.
"oh yeah? what's that?" leo questioned
"the fact that hes in love with me...oh and my tits," she winked at them before spinning around and walking into the arena, jason's eyes following her as she went to pick up a sword.
he squinted at her suspiciously, but figured there was no way she was involved with leo and pipers little bet.
"hey, there's my boy! i was hoping to find you here. i totally got my ass handed to me last week during capture the flag and was hoping you could teach me some things," the girl spoke as she walked up to jason, blinking innocently and tilting her head, a sweet smile on her glossy lips.
jason was already fighting for his life and she had just walked in
firstly, she only every called him 'her boy' during intense make-outs, bringing all of those memories to the front of his mind.
secondly, she was wearing that square neck top he loved so much. due to his height advantage over her, no matter where he looked her could see down her shirt and see her baby blue bra, the lace taunting him.
"yeah, of course," jason managed to get out, looking away as she beamed a smile at him, already having more than enough reasons to just drag her to the zeus cabin and never let her leave again.
"okay, so we're gonna start with blocks and feints and all that," started jason, demonstrating with his own sword before gesturing for her to do the same.
pitifully, the girl attempted to copy his actions but it came out a sloppy mess of sword and girl.
jason came up behind her, resting a hand on her hip and the other on her wrist, forcing her body to do the correct movements.
she leaned her body back against his, feeling him instantly still behind her.
"You're so sweet, jase, helping me with all this. best boyfriend ever. do you think we could try a swordfight?" she prompted, looking up at him and bashing her pretty eyelids. jason flushed but nodded his head, sure his words would fail him if he tried.
"don't go easy on me, pretty boy," the girl stated before she swung, jason just barely registering to avoid the blade, his mind still caught up on 'pretty boy.'
the two fought back and forth for a bit, both of them developing a sweat. and y/n was constantly pulling out moves that jason didn't teach, the boy quickly catching on that this had been a trap and he fell straight for it.
damn that girl and her tits
"you look good covered in sweat, grace. wonder what you'd look like under me. ever think about me like that?" questioned y/n, her lips pulled into a smirk and jason stumbled over his own feet, thoughts of the girl sweaty and bare under him flashing through his mind.
y/n took this opportunity, hooking his sword with her own and flicking it away before holding the tip of her sword to the poor flustered son of jupiter's throat.
"looks like I won. sorry, handsome, maybe next time," the girl purred, pulling her sword back away from him.
jason's blush somehow got worse, all the flirting and names hitting him like a brick as he was no longer distracted by the training.
y/n went and picked up jason's sword, holding it out for him.
as he took it into his hand, his pulled on y/n too, purposefully causing the girl to unexpectantly spin and her back to slam into jason's chest
"well, you weren't exactly playing fair today, we're you, sweetheart?" jason whispered near her ear, the girl's wiggles stopping and she swallowed thickly.
"all is fair in love and war, right?"
"hmm. good point. then this..." jason murmured before pressing his lips to her pulse point, causing a breath to tumble from her lips, "...feels pretty fair to me."
"i- i feel the need to point out, this wasn't all my idea," y/n desperately tried to argue but logic was slowly leaving her.
"well, then i guess we can consider you my war spoils. and how lucky i am," mused jason, clearly thinking himself clever, which he must've been as he made his girl laugh.
"come on, pretty boy, cabin one is calling my name. you can celebrate your victory there."
and celebrate they did
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shirecorn · 4 months
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Your reindeer designs give me such childish joy I can't wait to see the rest. What's your process (aka any advice) for designing from scratch with something like just a name or concept?
Redbubble (buy reindeer swag) || Patreon (see all early!) || Ko-fi
See more free tutorials!
You can see my process unfold in real time by joining any tier of my patreon discord. Which doesn't even have to go through patreon! If you want, you can just pay me $20 and let you in for a year (and then lose track and probably keep you anyway)
Here's a preview using comet! (nevermind the preview thing I wrote you a whole lecture lol)
initial sketches in 2021:
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Revisited in 2022 and 2023
I was constantly asking which design was the weakest, why, and how to fix it. Whenever I tested without the magical comet behind it, people could only guess who comet was by process of elimination.
I didn't want to rely on throwing icons into the design. I wanted each one to communicate through shape and silhouette alone. It would be like drawing a little cherub with a bow and arrow floating along with cupid. If you have to include a nametag to communicate, your design can be improved.
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So I tried a few different strategies to say "comet" before I realized I could twist the antlers into any shape I wanted. I was worried I would have to discard the drawing and restart from scratch! Which is what I did for rudolph about 6 times before I had a breakthrough.
Then I gave my patrons a brief lesson in antlers to explain where and why I was placing the tines. When I stray from the caribou structure, I do so knowingly in order to achieve something that cannot be achieved within the caribou shape, like dancer's tutu. Know the rules before you break them. My goal is to make animal nerds (myself chief among them) happy when they see species-specific anatomy instead of cop outs.
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I tried a few things before figuring out antlers could become comet
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Another thing that often caribou have is an unsymmetrical "spork" that comes forward off only one antler. I figured this out by looking at hundreds of reindeer pictures and saving them to my reference folder. A few of my designs have this, that's what the little spiral is in the final comet antler design.
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When I put comet in my lineup, I realized that the antlers I drew were way more stylized, chunky, and "tribal" than the others. I had already changed the proportions on one of my designs to match, so then I had to hack away at the basic comet rack to make it look natural.
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I already knew that comet's colors would be easy because a basic reindeer already Has the big comet on the shoulder. But here's a peak at all the reindeer images I posted for my patrons to look at.
As you can see below, I chose reindeer markings for all my designs instead of other deer or animals. Even vixen is tied to actually possible reindeer patterns rather than copy-pasting a fox. Almost all of my designs have light-colored anklets on dark colored legs, which is very common with caribou of any color. This is the sort of thing no one tells you; you have to observe it yourself.
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Ft cupid's early design! I was continually testing out my reindeer silhouettes and colors on new people, taking their feedback, and fixing what wasn't clicking.
I know I could have made vixen sexy and curvy to play into a recognizable trope, but I really wanted them to be scary and fox-like. Sometimes you gotta do what you want and not what you think will appeal to audiences. Reindeer Days is a purposeful exercise in audience resonance. Most of my art is 100% me and what I feel like doing with no regards to anyone else. So it was a fun challenge!
My patrons also got to see me making fun of corporate designs for recognizably/cliches at the expense of literally anything good
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One of these is going to get a lot more "that must be vixen!" results from people who aren't constantly thinking about animal colors, markings, hunting strategies, and teeth.
And one rocks.
Vixen changed the least from the initial 2021 concept!
A Vixen is a female fox. In english slang, it means a cunning, fierce human woman, and sometimes sexually attractive or promiscuous. Quite often an insult to someone because she won't date you!
But to me, a vixen is an animal. A predator.
When designing to reference something, I like to hit it at multiple angles, referencing obscure trivia about something to delight and educate. This is done by researching a topic deeply, far below surface level and beyond what you think you need to make your design. Or in my case its just knowing a bunch of animal trivia already.
After researching/dredging your knowledge, sit there and Think. Don't draw anything. Come up with several ideas and then throw them all in at once for the ultimate trivia design.
Trivia about red foxes:
They have Long bushy tails
They have teeth that include large sharp canines, flat incisors, triangular premolars, and chunky molars with points on them that slide scissor-like with the molars above to cut meat via chewing
They hunt rodents in burrows under the snow by jumping into the air, arcing, and slamming down with their face through the snow
They are orange
They have a dark vertical stripe on their snout
They have black legs, with the backs and bottoms being orange
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Translated into the design:
Pose based on a fox jumping, about to land in the snow
Antlers twisted to resemble teeth
Long (for a reindeer) bushy tail
black mark on snout
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Some adjustment to the pose to be at the top of the arc and flow better.
Tinkering with the design to make it recognizable but not 100% copypasta fox
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I was finally happy with a design that absolutely showed "fox" while still being creative and plausibly caribou shaped. This would absolutely communicate who it is! I thought!
The most obvious one of the bunch! After all, everyone knows what a vixen is!
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Nope! No they do not
Want to be part of the design process, help me with WIPs months before everyone else, see exclusive doodles every day, and join a funky little community?
(you also get to see photos of my dog)
Connect your discord to your patreon and join any tier to automatically get added to the server. Not a fan of patreon or monthly subscriptions? message me here, on ko-fi, or via email (shirecorn.art@ gmail.com) and ask if you can pay $20 to get put in the server for at least a year and longer if we work it out later!
This was supposed to be a preview to get you to pay me but instead I wrote an entire lecture for free because I can't help myself.
Want to thank me for the free info? Tag me when you use what you learned! Comment and give feedback! If I could pay rent with attention I would never need anything else in life.
You can also thank me by tipping my ko-fi! I use it to buy pens since I die if I have caffeine. But could you imagine??
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blueskittlesart · 7 months
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What advice would you give beginner artists?
it's fine to want to do more stylized art, but nothing will help you improve quickly like studying from life. even if you want to draw very stylized figures, life drawing is still going to help you understand how the human body works and then you can build your stylization off of that understanding. I also recommend studying specifically things you're looking to improve--if you feel like your poses aren't dynamic, ask your model to do some quick (1-2 min) dynamic poses and work on getting the gesture down. if you're looking for anatomy, ask for longer, more static poses and really study the contours of the body. this also applies for portraiture and character art--my expressions and facial structure improved like CRAZY when i started doing portrait studies from life! (note: i know live model sessions aren't accessible for everyone. i'm a huge advocate for nude models, if you can find a studio nearby that's affordable to you that offers sessions, that's the best you're gonna get. however, there are sites that will give you photos of nude models to draw from, too, or you can even just ask friends or family to pose for you when they aren't busy, that's what i did before i started getting model sessions from my school!)
materials are not everything but sometimes a good material can make a difference. it's important to know what's worth it and what isn't for your skill level. invest in some decent-quality supplies or a good art program, but understand that you're still going to need to work to understand your materials and use them to their fullest potential. (if you're a digital artist buy csp. trust me on this. get it on sale. it will change your life. also do not fucking use photoshop)
tracing is ok. listen to me. TRACING. IS. OK. tracing is how you learn. don't trace other people's art and pass it off as your own, obviously, but there is literally no problem with tracing real-life reference photos. I routinely trace references for backgrounds and the like. there is no reason for you to kill yourself trying to make complex perspective and shit up from your head when you can very easily just overlay a photo and get what you need.
in that same vein, USE REFERENCE PHOTOS. find pics online or take pics of yourself and USE THEM to see how your poses work. it makes it SO SO SO much easier. the understanding that you need to create a pose out of nowhere will come with time but you're not going to get that skill unless you have a foundation of understanding how the real human body works, and the easiest way to get that understanding is by copying photos of real people.
last but not least, there's generally a sort of 'rulebook' that new artists are expected to go by, especially online, when it comes to digital art. when i was first learning, it was all about lineart and cell shading, two things that I didn't really like. Nowadays it seems to be all about rendering. the single most important thing i can tell you is if it sucks you don't have to do it. if you hate lineart just color your sketches. if you hate shading don't shade, or find a different way to shade that you enjoy more. if rendering is annoying or difficult for you DON'T BOTHER!! art is supposed to be fun. if part of your process is annoying or upsetting to you, cut it the fuck out. don't torture yourself just to do art the "right" way. i guarantee your art will look better when you're having fun making it anyway!
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friskishdrawings · 3 months
Text
Charity Commissions 🇵🇸
Hello guys, it's been a while!
To cut to the chase: I would like to help spread both awareness and support for those suffering in the ongoing genocide in Palestine. So, in light of this, I will open up some commissions where rather than paying me, you simply provide proof of your donation.
I know this blog is mainly just for my art, but if I can use my art for any good I would like to do so. If you cannot donate, please reblog!
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Here are some recommended links:
E-sims for Gaza: https://gazaesims.com  
Palestine children’s relief fund: PCRF
Women for women (hygiene kits, blankets, food): Urgent Support for Women in Palestine Women for Women International
Anera dignity kits: https://www.anera.org/stories/gaza-emergency-aid-includes-dignity-kits/
If you are Egyptian you can also donate to any of the organizations listed under the Instapay, Talabat, Fawry apps, or your bank app under their ‘donations’ services with the equivalent price in EGP (based on the bank rate). Just provide a screenshot.
Of course, if you yourself have a related link, such as another reliable charity organization or a go-fund me, that works as well. And of course, if you have any other links I can update this post with please let me know.
With any cause, please bear in mind there will be people of all sorts who will want to exploit people’s compassion. So please, if you are to donate to any organization, exercise some caution and do your research.
For a written list of the prices, the do/don'ts, and so on, please look under the read-more for more details!
How Does this Work?
Send me the idea you have and I will let you know if it’s good to go or if it’s not appropriate (or if I can’t do it due to time/work)
When you get the okay, I will ask for more details (references, colour schemes, poses, which charity you plan to donate to, etc.)
I will draw you a basic thumbnail for your confirmation (these are very vague sketches to just pinpoint the pose).
Once you confirm the pose, I will ask you to donate and I will get to work
Send me a screenshot of the e-mail confirming your donation (blur out/colour over any personal info!), or the “Thank you for your donation!” screen if there is no e-mail
You get your drawing in exchange!
NOTE: I will likely post them on my artblog and Instagram, so if you don’t want them posted there or would like to remain anonymous, please let me know! If you are fine with me posting them, please give me the handle/name you would like to be referred to as.
Also bear in mind I have a full-time job, so they might be a while! But you WILL get your commission.
HALF-BODY
$5-$9: Lineart $10-$14: Monotone $15-$19: Colours, flat $20-$24: Colours, shaded Above $25: Colours, shaded, with background
FULL-BODY
$10-$14: Lineart $15-$19: Monotone $20-$24: Colours, flat $25-$29: Colours, shaded Above $30: Colours, shaded, with background
Yes-es:
Fan art is fine (I won’t be getting any monetary profit from this)
Characters from original stories
Personas/self-inserts/fan characters/Tabletop RPG characters
Real!you, family members, friends, etc. (at the risk of them not looking like them at all :’D)
Animals (they might be a bit less cartoony as I'm not used to them but yes)
Personifications/anthropomorphic/strange creatures in general
Nos:
Not more than one character per commission
No discriminatory content
No religious figures, symbolism or content (I am Muslim so… Cannot Really Do That)
No extreme gore or suggestive themes, or characters from media that feature a lot of either (this is because my art blog is PG-13, and I’d rather not anything off-colour for a charity commission anyway)
No using these with AI or NFTs
Do not use for commercial purposes. These are for charity!
I reserve the right to decline your commission if I feel like you have insincere ulterior motives, or if an emergency comes up.
Generally, keep this PG-13/grandma-friendly!
Pleases:
References (preferably image based, but text is fine if there is no visual depiction/canon design)
Colour you associate with the character if monotone
Poses (just not lewd or rude)
Context (like description of their personality, what they like, their setting, etc.)
Ask first:
You are free to repost the artwork on another platform as long as you credit me as the artist. Absolutely use them if you need a picture for something like an RP account!
If from your original work, you may use them in non-commercial projects, just please credit me (and give me a heads up so I can go check it out! :D).
If an original character from an original story, you are free to use the artwork to help with things like visual development (let’s say, you are creating a game, comic or pilot, and you want a reference for the artists on your team to use), just once again give me a heads up and credit me as the artist.
If you've made it this far, and can't donate, thank you so much for your interest anyway. At the very least, this reached someone.
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