Just the hands and chest for the people who follow me and leave fantastically unhinged tags on things.

DEEP💥SPACE💥PLANET💥FUTURE💥GUN💥ACTION❗️

But … how the staff swear? We Need to know that too…(of you want of course … love your art and your Amazing humor!!!)

(thank you! :D)

Trein: said 'damn' once when he was sixteen, still lays awake at night in embarrassment about his deplorable lapse in manners.

Vargas: swears like an old-timey carnival strongman. lots of "poppycock" and "what the devil" and an occasional "deuces!" (this makes classes very confusing for poor Deuce)

Crowley: doesn't intentionally swear, but every once in a while he'll, like...put together a presentation on the new staff policies or something that builds up to an acronym which, by complete coincidence, spells out something shockingly depraved.

it happens often enough that you'd think he's doing it on purpose, except. it's Crowley.

Sam: swears in the text, gets away with it because the character reading is always something else

(this is very specific to the Japanese version and probably too meta but I made myself laugh with it, I...I'm sorry)

Happy Valentine's Day! (and this blog's first post anniversary!)

i’ll delete it in the morning but i wanna know: do u guys like this little suki?

Merry Christmas! 💜🎄🖤

so i heard it was a certain silly slug game's birthday

Happy Birthday to the Best Cook Ever 💛💛💛

I feel like if other superheroes were to find out that Tim had a crush on Conner it’d be because of a sleep-deprived, filterless Tim slipping up

Like, imagine a bunch of heroes crowded around a conference table talking about something to do with Conner’s DNA and his powers or whatever and someone just

random person, gesturing to the computer screen: yo Tim what’s your opinion on Conner’s genes

Tim, absently: Conner’s jeans? too tight. distracting

Dick, trying to decide whether to laugh or cry: Tim. buddy. his DNA genes

I WAS INNOCENT WHEN YOU SAID I WAS EVIL

Help me, Lord, from these fantasies in my head / They ain't ever been safe ones

one big thing about polyshipping for me is, like. you know how some people will have their eyes opened to homoerotic relationships in media bc they'll realize, "wait, if these people were two different genders, i'd 100% assume they're into each other. i have a double standard that i never noticed"?

there's a polyamorous equivalent in certain media that's basically just. "if you didn't assume this character is monogamous, you would 100% believe they have crushes on & are dating all of their friends." OR, "if this character wasn't dating somebody else already, you would 100% interpret this new friendship of theirs as a crush/budding romance."

usually the creators of the media aren't thinking about polyamory when they make it! usually the creators of the media are thinking "i want this character's friends to be as important to them as their romantic partners, we don't get enough of that in media," which is great and true and also EXACTLY WHY IT WORKS AS A POLY NARRATIVE. people will be like you don't Have to polyship why can't you just let platonic relationships be important ugh 🙄 & i'm like i did my years in the "why can't two men just be friends why does everything have to be gay 🙄" trenches. you're not doing this to me. we're not doing it about polyshipping. we're skipping over that whole discourse cutscene because i am Too Tired For It. don't even start

sometimes characters are so full of love and affection and joy for so many people that i start gnawing off my hands about how polyamory isn't normalized. because i'll watch/read certain media and i'll be like. listen. this is a polycule. i know you don't know this because your creators don't know this and that is totally okay but you are a Wildly polyamorous person who's ambiguously trapped in the 2000s/2010s with Big Monogamy psyops eating your brain. please let me free you. please i can give you Everything .

PLEASE KISS YOUR FRIENDS

Could I request Gaz, Alejandro, & Valeria with gn reader who's love language is violence? Like- always wanting to spar, (affectionate) punches, biting them or casually threatening them (empty threats, obviously)

Love your writing so much! Be sure to take good care of yourself!! 🫶🫶

I used to show my affection like that when I was younger, but me threatening my friends is still very much a thing! And thank you for the compliment, glad to hear my writing is enjoyable to you!

Gaz, Alejandro and Valeria with an S/O with a Violent Love Language

Gaz: In all honesty, the first time you bite him, he’ll stare at you for a bit before asking you what you’re doing. It never occurred to him that biting could be a love language, so you’d need to explain yourself to him first. It would be a bit strange to him at first, it’s definitely something he’ll need to get used to, but he can appreciate you being affectionate in your own ways. He’s a rather affectionate guy himself, even if he doesn’t particularly show his love for others through violent means. Gaz always just assumed that affection was shown through one of the common love languages, but he can get used to it eventually. From time to time, when you threaten to put him in the electric chair, he’ll feign hurt, pretending to be insulted by what you’ve said to him. He knows you wouldn’t ever go through with it, but it’s all in good fun anyway. He might not threaten you back, aside from the occasional “I’m going to drink the strawberry milk if you keep being insolent”, but every time you do say something deranged towards him he has to keep himself from saying something sassy himself. He’d love to, but he’s not sure you’d react well to it. You can lightly punch him, if you dare, but he will get his revenge on you. His love language is being an idiot, so be prepared for a pillow fight or maybe even a tickle war. Something along the lines of that. You can also spar with him, but he won’t go easy on you just because you’re together. If anything, it’s all the more incentive for him to show you how strong he is by beating you every time. Gaz isn’t as weak as many people think he is, he could easily take you in a fight. You will be pinned down a lot, so be prepared.

Alejandro: He’s probably a big fan of you being down to spar with him just about whenever you can. Like Gaz, it’s a way for him to show off, but he’ll also use the opportunity to teach you a thing or two about self-defense, especially if you’re not in the military yourself. It’s a fun way for you to tire yourself out and for him to stay in shape as well. While he may not always have the time to properly spar with you, he’ll try to make it up to you somehow. You could jump at him from behind and he’ll still find a way to get you to the ground. He’s a playful guy, so if you decide to lightly punch him he will punch you back, no qualms whatsoever about it. It might hurt a bit, though, since he does have quite a lot of muscles and doesn’t always take his strength into consideration, but he’ll apologize to you afterwards. If you threaten him he’ll simply roll his eyes at you and take away some privileges you might have. Hugging privileges, kissy privileges, if he’s feeling especially devious your attention privileges will be taken away from you as well. That is until you learn to apologize and not tell a colonel to “eat shit and die”. He could fold you in half just about whenever, so remember that next time you’re about to put him in the meat grinder. He does try to get creative with threatening you as well, though. But it’ll mostly be something easy to digest. You can bite him all you want, if he’s having a good day then there’s a chance he might just bite you back. Alejandro gives you a ten second headstart before he’ll catch you and bite right back. Even if you hide from him, he’ll find you anywhere in Las Almas.

Valeria: Don’t be too affectionate with her in public. It’s not that she wouldn’t love to show you off, but she doesn’t really have the time for your affections nor does she want to draw attention to you either. You can bite her in private. While she may not be the biggest fan of being bitten, she will tolerate just about everything else. In fact, you threatening her, El Sin Nombre, the leader of a great drug cartel, is sort of funny to her. She could kill you so easily and no one would ever know, but no, she won’t. You can threaten her all you want, she’ll find a way to make you take back your words. She can either beckon you over so you will turn your empty threat into a promise, or she’ll walk up to you herself, take your wrist into her hand, give you a sly smirk and tell you to toughen up. She’ll always quip back at you when she can, threatening you herself. She gets very violent, though, and it’s hard to differentiate between what is a joke and what she’s actually done before. Hanging someone from their intestines might either be Valeria humor, or something she’s done before. Sparring with her is interesting, because she will give it her all. You need to realize your place in your relationship, which is somewhere pinned underneath her. It’s a nice way for her to get out her frustrations while also staying professional and showing you just how cool she is. Don’t mess with her is her message here. You can gladly try to beat her, but Valeria plays dirty, even against you. She’s not above cheating to get her way, so you might wanna tap into your inner swindler as well if you really wanna win. However, it does make her feel very powerful whenever she does have you pinned underneath her, looking down at you with a smirk. Just a small reminder of what she’s capable of.

✨🤍 some steddie softness for @thefreakandthehair's birthday, i hope it's the very best so far! 🤍✨(please please your day comes first, read this whenever you have time and space to breathe 🤍)

Eddie is not a religious man — far from it, actually. But there are a few things that make him believe in higher powers. In angels. In destiny and luck and a love so strong it could conquer everything. 

This very moment is one of them. 

Stevie, soft and sleepy beside him in the back of the car as Nancy is driving, the dim light of the passing street lamps painting his face in hues of gold like the light itself favours Steve Harrington, caressing his features with the softest of shadows. 

He’s beautiful. Ethereal. Perfectly angelic with his eyes closed, his whole body turned towards Eddie in the warmth of the car.

It takes Eddie’s breath away, his heart taking up space where before there were his lungs and ribcage, growing in size until he feels like he is about to burst. And even then he keeps looking, staring at that pretty face that looks so at peace with the whole world right now. Eddie has never seen Steve like this, but now he understands why people start wars. Why people defy gods and death itself to be with their one true love. Why Orpheus looked back. 

He understands. Because Steve, his Stevie, warm and safe and perfectly fine in the backseat of a car? That is everything. He doesn’t even need to kiss or touch so long as he just gets to look. And be. Oh, to be at the same time that Steve is. 

That might just be life’s greatest gift to him. 

A tiny sigh falls from Steve’s lips and Eddie really, really might be about to burst. 

“Hey, angel,” he whispers, because moments like this aren’t made for anything but hushed words, their truths too heavy, too sincere for the world to hear and keep on spinning. He doesn’t need the world to spin as long as there is Steve. 

“Hi,” Steve whispers back, his eyes still closed but the smile lighting up, luring Eddie in like he is but a moth drawn to the flame. 

Eddie leans in and rests his forehead against Steve’s, his hand coming up to cradle a light-kissed cheek. Steve leans into it, following Eddie’s hand like maybe they are twin stars pulling each other closer until there will be an explosion of light and creation. Steve nuzzles against his palm and leans further into Eddie’s body until they share the same breath — but still it’s not enough. 

Eddie wants to say so many things now that their hands are entangled, their soft exhales mixing. But after a while he notices that Steve is humming before gently singing along to the song coming quietly from the speakers. 

“Take it easy with me, please. Touch me gently like a summer evening breeze. Take your time, make it slow. Andante, Andante. Just let the feeling grow.”

Eddie knows the song, recognises it instantly, and his breath gets stuck in his throat once more. Because he has a secret. He loves it. He has imagined for the longest time that one day, someone would make it his song. Sing it for him, to him. 

He’s never told anyone because he has a reputation to uphold and more than enough metal music to listen to, but of course Steve wouldn’t care about his secrets being secret, and just oh so casually make his deepest, most private of dreams come true. 

He’s an angel, that one. A hero. Myths and fairy tales should be woven around that heart of his, folklore speaking of his name until history itself wouldn’t dare to forget. No one can convince Eddie otherwise. Not in that moment, not with Steve singing so quietly, so gently, so adoringly. 

I think I love you. I think I can’t ever stop, not when I’ve seen you like this. Not when you’ve just shown me what life can be about, what it should be about. Gods, I love you and love you and love you. 

That’s what he wants to say. 

But all that comes out is a marvelled, “Shit, Stevie.”

It has the desired effect of a huffed breath, an even wider smile, and Steve cuddling further into Eddie’s side, eyes still closed. Eddie brushes a kiss to Steve’s forehead and feels like maybe his love can make it into the fairy tale, too. 

It will. Oh, it will, when Steve finally lifts his head from Eddie’s shoulder and looks at him through hooded eyes, all soft and sleepy and safe. A moment passes like this and Eddie can’t breathe, maybe he can never breathe again — but it only lasts until Steve slowly, so very slowly begins to lean in to claim Eddie’s lips with a kiss so gentle it could bring him back from the dead. 

Eddie kisses Steve back just as slowly, because in moments like this there is no rush, no hurry. There’s only them, there’s only this. Only a kiss until there is another. 

And with Steve, there is always another. 

Nancy smiles as she is taking the long way to Steve’s house, rounding Loch Nora twice because she knows how comfy Steve gets in cars at night when he doesn’t have to drive and there is soft music playing. 

Eddie kisses her goodbye on the forehead, fully aware of what she’s done. He doesn't tell her about the sun and the myths and all the wars he would start for Steve.

Nights like this are not meant for telling anyone about them. They can hardly be believed as it is. They can only be lived, hand in loving hand.

the mortal wounding of the princess of scots, god be with ye

artist's statement: siobhan roy, in antiquated but historically-indistinct and provocative dress, is shown being fatally impaled through the skull by her whimsical, treacherous steed and beast of burden, tom wambsgans. her attire, as with her relationship, is both affixed in and apart from time: it alludes to an era which it does not belong to. tom and shiv are a contemporary couple, but figuratively engage in an antiquated, eternal dynamic wherein the male asserts dominance over the female through violence, delivered in the show in the form of betrayal. however, references to active movement in the falling of dripping blood indicate to the viewer the dynamism of this relationship, which could seemingly change in the following moment, were time allowed to resume. the absurd and comical image of tom as a unicorn, with equine lashes and sparkling eyes, is contrasted with the brutality of his actions against shiv, making evident the fact that he is not to be underestimated. the disarming sexual innuendo - the act of penetration, as tom "fucks" shiv, and the froth pouring from his mouth, an allusion to tom swallowing his own ejaculate at his bachelor party and an additional symbol of both his rabid defiance and affection for himself and his own ambitions - adds to the potent discomfort of the moment. tom's ears are flattened back in aggression and shiv bleeds profusely, yet both wear serene smiles, not allowing the other to win in spite of the pain of being respectively owned by his wife and murdered by her husband. tom, despite it all, looks to shiv, his master whom he has defied, and shiv looks outwards, forcing herself into a position of unwavering invulnerability in the face of her ending. "god be with ye" is a helpless prayer for the doomed spouses, and a parting message: "god be with ye" is shortened in modern english to "goodbye". goodbye soon, shiv and tom, i will always love you. ❤️

i keep thinking about the datamined conversation between halsin and minthara and what gets me about it is that if you side with halsin and turn minthara away, thats objectively the bad choice.

like at this point, you've rescued minthara from moonrise. you know now that she was being controlled to act against her will. you've gone to the trouble of rescuing her from her tormentors, and you've experienced what it felt like as they tried to destroy her mind. you know what will happen to her if you turn her away. and if you do, you're willingly condemning her to that fate. you've essentially allowed her to experience freedom, to regain her sense of self, only to tear that away from her again.

whereas if you side with minthara, and halsin leaves, that's the only consequence he experiences. that he's not a companion anymore. at this point, we've saved the grove, we've saved him, and we've lifted the shadow curse. we've helped him achieve what hes been hoping to do for over a century. leaving your party won't see him lose his free will. he can return to the grove and live his life.

the choice is essentially either condemn someone to a fate worse than death, knowing exactly what that entails vs not letting someone travel with you anymore. its pretty clear cut to me.

its just interesting to me that they've switched the morality of it around given that minthara is considered the 'evil' companion by so many.