wow i am fucked up

can't believe we're all adults being forced into the club penguin level of censorship in 2024

They're talking about the weather.

the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

the thing with good omens is that ultimately it doesn’t even matter to me if it’s kinda bad sometimes. these are my good friends aziraphale and crowley and i WOULD watch them do silly pointless nonsense for hours

"Can you ever forgive me?"

He just wants to be loved again, be a pal, a buddy....like old times...

Daily drawing no.1 :Ill be making a daily little sketch every day or few days time pending just to break away from my normal longer art.

hate to say it, but part of ending the stigma around sexual assault means not assuming every woman blames herself. yes, female socialization encourages it, but that doesn’t make it a given, and the goal of all of these campaigns is to eventually diminish the proportion of women who do blame themselves. it is entirely possible, and increasingly common, for women to experience sexual assault and not feel shame or guilt, which we should be happy about. but instead, there are only so many times you can hear “you know it’s not your fault, right?” before it sounds like “it was your fault”. and there’s only so many times you can hear “don’t blame yourself” before it sounds like “you should blame yourself”. because it feels good to say, doesn’t it? sure, you don’t believe she’s guilty, but you do believe she should feel guilty, so that you can disabuse her of the notion. just something to consider.

For your post finals art request, how about something from your Zutara scars au? Maybe Zuko gently kissing the scars on Katara's hands, with Katara looking absolutely flustered.

Thanks for your consideration and time.

I love soft scar kisses so much, I hope you don’t mind that I added a touch of angst to this

I saw something recently that was like what if Zuko thinks he’s the one that burned Katara’s hands, and I really like the idea so I wanted to incorporate it into this au. So here’s a little comic about Zuko apologizing for burning Katara’s hands (which he did not) insipired by your request :>>

Courier six character !!!(1 of 4)

This is the guy I’ve been playing as for my wild card run, with some tweaks to make him a cool oc👍

He’s like if a neurotic scientist and somebody’s well meaning but maladjusted dad where the same person. He likes robots and fishing

You can date some of these doodles depending on my handwriting in it lmao

In terms of design most of my courier characters have one “unique” more casual outfit I just bullshitted up, and an in game armor I’m probably not drawing on model. My NCR courier Dan got first come first serve with the ranger fit so Gazer gets the stealth suit mk II because I crave individuality

Okay I've calmed down enough to maybe put this into words.

Fourteen's ending was so validating to me as an aroace person, specifically because they chose platonic love. Often, QPRs are treated as a last resort, a poor consolation prize for people who can't have romantic partnerships. But Donna has a husband, and while I firmly believe the Doctor is on the ace spectrum, the Newton conversation implies that Fourteen isn't aroace. Despite the fact that he could be in a romantic relationship, the Doctor chooses a platonic partnership. And Donna gets to have both! What's more, her husband and her best friend get along, they aren't jealous or competing for her attention. It's so rare for media to treat platonic relationships as equally valuable and desirable as romantic/sexual ones, and it gave me so much hope for my future.

[DC] doodled these two a lot this week

feel like shit just want my babes my back </3

i miss lockwood and co so much i’m crying right now bro

from chapter 10 of Famous Last Words in May Death Never Stop You by the amazing @slexenskee

I've wanted to draw this scene ever since I read it lmao. Fun fact I was eating lunch at the time and I was laughing so hard I had to leave the room since someone was watching tv. Good times, good times.

🐰+🔪

i’ve always kind of assumed that lo and li are azulon’s younger twin sisters and that’s why they were foisted off on azula, because she’s also a younger sister to the crown prince. but the fact that we never actually see them firebend is strange, because it implies either that nonbenders are instructing one of the greatest firebenders in the world, or that they are firebenders who simply do not firebend. and i think that the latter is more interesting, because it reflects how their position as elderly women devalues any firepower they might provide to the empire, passive and subdued even as they train ozai’s favorite weapon.

they are the ones to most overtly illustrate azula’s precarious relationship to femininity, after all. for example, noting the position of her hair after she successfully lightningbends in “the avatar state,” or emphasizing azula’s beauty when they introduce her in “the awakening.” and it’s clear that azula doesn’t really like them, dismisses and avoids them whenever she gets the chance. she can’t even tell them apart. their very existence is almost a humiliation. a reminder to azula that this is who she is destined to become once she lives past her usefulness. not the imperious azulon, her namesake, raised above on a fiery dais, but his sisters, insignificant and functionally powerless.

so of course “almost isn’t good enough,” of course “one hair out of place” is a failure. the only way azula can prove her worth to the empire she has devoted her entire self to in a way that matters is, perhaps, by being perfect, by being better and stronger than the discarded women who came before her. but that, too, is a delusion, that any amount of excellence will reward her in a way that compensates for the erosion of her very humanity. and yet, it’s all she has to cling to. so she gives it her all to excel within a system that will never really care about her because she has deliberately been made incapable of imagining an alternative. of simply recognizing the system for the failure that it is, conceptualizing a world beyond the bars of her gilded cage, and leaving.

“art should comfort the disturbed and disturb the comfortable

(they are at a gift shop and matt convinced him to buy this dumb fucking shirt. l is still a cheesgin as far as we know)

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